Double Page Spread Drafts
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The document outlines 4 stages of changes made to a double page spread draft. Stage 1 introduces a main image on the left page, secondary image on the right, and adds page number and artist name. Stage 2 incorporates a red secondary headline and adds a pull quote and two column layout. Stage 3 changes quotation marks to red to match the color scheme and adds another pull quote with lines to separate paragraphs. Stage 4 adds a drop cap and different lines around the pull quote on the right page.
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Film poster analysis
The document describes a student's analysis of their film poster design for a class project. The poster was for an unknown masked villain character and was inspired by Hamlet. Photographs were edited to make features more prominent in dark lighting. The layout included the film title and tagline above the photograph, and production company names and release date below. The design was inspired by posters for Insidious and Evil Dead 2 in its use of red and black colors, character facial positioning, and block of text below the image.
5. contact sheets
The document discusses contact sheets from a photo shoot for a film poster and magazine. It describes taking photographs of the main character from different angles, as well as shots of a villain and victim. A third series focused on the villain, their characteristics and props, including indoor photos of just their face and outdoor shots of them looking suspicious in the woods. The final series of edited photographs were originally for an art theme but will also be used for the film materials due to their disturbing nature matching the horror theme. Eyes in the photos were inspired by other film posters.
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The document provides a curriculum vitae for Rob Gill, an artist born in 1972 in Tillsonburg, Ontario. It details his education in painting and computer science, solo and group exhibitions held from 2010 to 2016, audio performances given from 2009 to 2013, grants and residencies, and professional experience coordinating exhibitions at the Art Space in Huntsville, Ontario from 2011 to 2013. The CV lists Gill's contact information and extensive experience working with various art, design, audio, and video software.
5. contact sheets
Shanice took several sets of photographs for a film poster or magazine. The first set was of the main character from "First Last Girl Standing". The next set showed new characters, the villain and victim, from different angles. The third series focused on the villain, their characteristics and props, including indoor shots of just their face and woods shots of them looking suspicious. Shanice originally took the final series for school but decided to use them for the film promotion due to their disturbing nature fitting with the horror theme.
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Film poster analysis
The document describes a student's analysis of their film poster design for a class project. The poster was for an unknown masked villain character and was inspired by Hamlet. Photographs were edited to make features more prominent in dark lighting. The layout included the film title and tagline above the photograph, and production company names and release date below. The design was inspired by posters for Insidious and Evil Dead 2 in its use of red and black colors, character facial positioning, and block of text below the image.
5. contact sheets
The document discusses contact sheets from a photo shoot for a film poster and magazine. It describes taking photographs of the main character from different angles, as well as shots of a villain and victim. A third series focused on the villain, their characteristics and props, including indoor photos of just their face and outdoor shots of them looking suspicious in the woods. The final series of edited photographs were originally for an art theme but will also be used for the film materials due to their disturbing nature matching the horror theme. Eyes in the photos were inspired by other film posters.
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The document provides a curriculum vitae for Rob Gill, an artist born in 1972 in Tillsonburg, Ontario. It details his education in painting and computer science, solo and group exhibitions held from 2010 to 2016, audio performances given from 2009 to 2013, grants and residencies, and professional experience coordinating exhibitions at the Art Space in Huntsville, Ontario from 2011 to 2013. The CV lists Gill's contact information and extensive experience working with various art, design, audio, and video software.
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Shanice took several sets of photographs for a film poster or magazine. The first set was of the main character from "First Last Girl Standing". The next set showed new characters, the villain and victim, from different angles. The third series focused on the villain, their characteristics and props, including indoor shots of just their face and woods shots of them looking suspicious. Shanice originally took the final series for school but decided to use them for the film promotion due to their disturbing nature fitting with the horror theme.
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The document describes draft designs for a magazine and posters. It discusses experimenting with different text placements and color schemes to complement a single photograph. It also details modifying the skin color of an eye photograph to match the trailer's main character and creating sinister character posters, experimenting with font types for the final design.
Masthead designs
The document discusses research done on masthead designs for film posters and magazines. It describes looking at various film posters and magazine covers to see how they design their mastheads. Common techniques identified include using fonts that represent the film genre or using simple fonts for the film name. For their own poster and magazine masthead, the author decided to create something unique rather than use a simple font, and to keep the same design for both the poster and magazine masthead for consistency.
Phtograph editing
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Film poster analysis eye
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3. film magazine analysis changes
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1. horror film genre codes and conventions 2
This document discusses common codes and conventions in horror films, including stock plots, locations, props, and characters. Some common plots involve evil creatures killing people, warnings being ignored with unfortunate consequences, serial killers and stalkers, and child abuse or death. Typical locations are abandoned houses, barns, woods, hotels/motels, basements, and underground stations. Recurring props include candles, voodoo dolls, weapons, Ouija boards, phones, and masks. Common character types are heroes who save others, the last surviving victim, villains who terrorize others, and groups of friends picked off one by one.
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This document contains draft designs for a magazine cover and movie poster. It describes experimenting with different text layouts and color schemes to complement the magazine's photograph. For the poster, the designer experimented with changing skin color to match the character and using different fonts to create a sinister feel. The last two poster drafts were plans for the final design as a character poster.
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The document discusses research done on masthead designs for film posters and magazines. It describes looking at various film posters and magazine covers to see how they design their mastheads. Common techniques identified include using fonts that represent the film genre or using simple fonts for the film name. For their own poster and magazine masthead, the author decided to create something unique rather than use a simple font, and carried their poster design over to the magazine masthead for consistency.
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The document outlines various risks that may be encountered during filming and suggests safeguards to address each risk. It discusses securing the camera on a tripod, obtaining permission before filming in public spaces, preparing fake blood effects overnight, protecting cameras from water, timing shoots to minimize background noise, informing actors of scenes, securing cameras on tripods with weights, rescheduling shoots due to weather if needed, and waiting for traffic to slow before filming near roads. The document provides guidance to filmmakers on safely planning and executing shoots in various environments and conditions.
2.1 my responsibility of script writing changes
The document provides 4 versions of a script for a short film called "The Walk". The first script includes 15 shots with descriptions and edits. The second script adds sound elements to each shot. The third script simplifies some shots and descriptions. The fourth script indicates the status of shots as still to be done, done, nearly done, needing re-does, or retakes. Overall, the document outlines the evolving versions of a script for a short film about college students being stalked.
2. my roles and responsibilities
Shanice held several roles in her group for their film project. As the script writer, she researched how to write scripts and separated the storyboard shots into the script, color coding elements for ease of filming. The script was written simply to break down visual aspects and allow for edits. As art director, she found and edited visual media for the film trailer, such as creating a parental guidance graphic. Shanice also jointly managed characters with another member by discussing which actors would suit which roles.
1.2 equipment list
This document lists the equipment, props, and clothing needed to film a trailer, including a Canon 1100D camera, tripod, voice recorder, props like a plastic knife and fake blood for the villain, and clothing items such as a hooded coat, black trousers and boots for the villain and a cream jumper, black trousers and shoes for the victim.
1. filming log
This filming log outlines the schedule and plans for shooting a hybrid slasher/psychological horror film over 11 days. Specific dates and locations are listed along with the equipment and props needed and the scenes planned to be filmed each day, including villain scenes, victim scenes, outdoor scenes, and scenes set in enclosed spaces and on a college campus. The document notes that some changes were made to the schedule and additions were discussed to complete filming and preparations.
12.1 magazine cover flat plan
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Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
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The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
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On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
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The document discusses research done on masthead designs for film posters and magazines. It describes looking at various film posters and magazine covers to see how they design their mastheads. Common techniques identified include using fonts that represent the film genre or using simple fonts for the film name. For their own poster and magazine masthead, the author decided to create something unique rather than use a simple font, and to keep the same design for both the poster and magazine masthead for consistency.
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3. film magazine analysis changes
The document provides an analysis of a magazine cover created by the author to promote a horror film. The front cover features an edited photograph of the villain from the film. Additional elements on the cover include the film title and credits, quotes, and information about featured articles. The author describes the design process, including using Photoshop to edit the photograph and add effects. A consistent color scheme of red, brown, white and black is used to match the horror genre and represent blood, death and darkness.
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This document discusses common codes and conventions in horror films, including stock plots, locations, props, and characters. Some common plots involve evil creatures killing people, warnings being ignored with unfortunate consequences, serial killers and stalkers, and child abuse or death. Typical locations are abandoned houses, barns, woods, hotels/motels, basements, and underground stations. Recurring props include candles, voodoo dolls, weapons, Ouija boards, phones, and masks. Common character types are heroes who save others, the last surviving victim, villains who terrorize others, and groups of friends picked off one by one.
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From a questionnaire about audience expectations for horror films and trailers, the majority of respondents were females aged 15-24. They preferred stalker horror, thriller/action-adventure horror, and psychological horror/suspense films. Music/sound effects and villain characters were cited as making films scarier. Respondents expected horror trailers and films to include suspense, killers/murderers, and blood to match their perceptions of typical horror storylines and unease.
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This document contains draft designs for a magazine cover and movie poster. It describes experimenting with different text layouts and color schemes to complement the magazine's photograph. For the poster, the designer experimented with changing skin color to match the character and using different fonts to create a sinister feel. The last two poster drafts were plans for the final design as a character poster.
Masthead designs
The document discusses research done on masthead designs for film posters and magazines. It describes looking at various film posters and magazine covers to see how they design their mastheads. Common techniques identified include using fonts that represent the film genre or using simple fonts for the film name. For their own poster and magazine masthead, the author decided to create something unique rather than use a simple font, and carried their poster design over to the magazine masthead for consistency.
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This document discusses photograph editing for a magazine cover and film trailer. It describes adding texture layers, effects, and changing colors to an original photograph to create different edited examples before choosing a final version. The editor also did some photograph editing for parts of an early film trailer.
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This document is a screenplay for a horror film titled "The Walk". It provides descriptions of scenes and shots that introduce the villain and victim characters. It follows the victim as she shops and walks alone, while the villain secretly trails behind. The climax shows the villain attacking and stabbing the victim in an isolated wooded area from both their perspectives. The screenplay ends with a snapshot of the bloody murder weapon on the ground and title cards displaying the film name and release date.
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The document provides a frame-by-frame analysis of a film trailer created by the author. It examines 9 frames total. Frame 1 introduces the production company, New Line Cinema. Frame 2 displays text referring to the makers of The Texas Chainsaw Massacre. Frame 3 shows an establishing shot of the film's location. Subsequent frames analyze shots, angles, sound effects, and transitions used to build tension, mystery, and depict a murder scene. The final frame reveals the film's title - "The Walk" - in blood red letters to match the intensity of the trailer.
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The document provides an analysis of a film magazine cover created by the author in Photoshop. The author chose to feature the villain from a film trailer as the main character on the cover. Photoshop was used to edit the photo, adding effects like a vignette and texture. Information on the cover includes the film titles, issue details, quotes, and additional content to attract readers. The color scheme of burgundy, red, white, brown, and black was selected to relate to the horror genre and evoke feelings like blood, death, and isolation.
3. risk assessment
The document outlines various risks that may be encountered during filming and suggests safeguards to address each risk. It discusses securing the camera on a tripod, obtaining permission before filming in public spaces, preparing fake blood effects overnight, protecting cameras from water, timing shoots to minimize background noise, informing actors of scenes, securing cameras on tripods with weights, rescheduling shoots due to weather if needed, and waiting for traffic to slow before filming near roads. The document provides guidance to filmmakers on safely planning and executing shoots in various environments and conditions.
2.1 my responsibility of script writing changes
The document provides 4 versions of a script for a short film called "The Walk". The first script includes 15 shots with descriptions and edits. The second script adds sound elements to each shot. The third script simplifies some shots and descriptions. The fourth script indicates the status of shots as still to be done, done, nearly done, needing re-does, or retakes. Overall, the document outlines the evolving versions of a script for a short film about college students being stalked.
2. my roles and responsibilities
Shanice held several roles in her group for their film project. As the script writer, she researched how to write scripts and separated the storyboard shots into the script, color coding elements for ease of filming. The script was written simply to break down visual aspects and allow for edits. As art director, she found and edited visual media for the film trailer, such as creating a parental guidance graphic. Shanice also jointly managed characters with another member by discussing which actors would suit which roles.
1.2 equipment list
This document lists the equipment, props, and clothing needed to film a trailer, including a Canon 1100D camera, tripod, voice recorder, props like a plastic knife and fake blood for the villain, and clothing items such as a hooded coat, black trousers and boots for the villain and a cream jumper, black trousers and shoes for the victim.
1. filming log
This filming log outlines the schedule and plans for shooting a hybrid slasher/psychological horror film over 11 days. Specific dates and locations are listed along with the equipment and props needed and the scenes planned to be filmed each day, including villain scenes, victim scenes, outdoor scenes, and scenes set in enclosed spaces and on a college campus. The document notes that some changes were made to the schedule and additions were discussed to complete filming and preparations.
12.1 magazine cover flat plan
The document contains a single word "Shanice.S©" with no other context or information provided. It is not possible to generate a meaningful summary with only this limited information.
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Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
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On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
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University of Western Sydney degree offer diploma Transcript
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The Future of Independent Filmmaking Trends and Job Opportunities
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Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
Christian Louboutin: Innovating with Red Soles
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
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Double Page Spread Drafts
- 1. © Double Page Spread Drafts Shanice.S
- 4. Stage By Stage Changes 1. Mid shot image covering all of the left page, puff in the top right of the left page, secondary image in right hand side of the right page, page number in the top right of the right curvature added to the headline (artist name) and second headline in red. 2. Red secondary head line incorporated, pull quote in the bottom right of the left page, copy put into two columns. 3. Quotation marks changed to red to match with the colour scheme, another pull quote added to the article page with two opposite lines around it to separate the separate paragraphs. 4. Drop cap added and different lines added around the pull quote on right page.