The document contains 20 links to images on Pixabay.com covering a variety of topics related to music, including people playing guitar and piano, concerts, vinyl records, sound equipment, and graduation photos.
Dois americanos conversam sobre violência em Nova York e Atlantic City, mostrando cicatrizes. Lula se junta à conversa sem entender, mostrando uma cicatriz e dizendo "Apêndi City", provocando risos por sua ingenuidade.
Este documento contiene las respuestas a 15 preguntas sobre las funciones y herramientas de PowerPoint. Explica cómo agregar efectos de animación y transiciones entre diapositivas, insertar videos, imágenes y GIFs, empaquetar una presentación, y guardar una presentación como un archivo web.
The document contains 20 links to images on Pixabay.com covering a variety of topics related to music, including people playing guitar and piano, concerts, vinyl records, sound equipment, and graduation photos.
Dois americanos conversam sobre violência em Nova York e Atlantic City, mostrando cicatrizes. Lula se junta à conversa sem entender, mostrando uma cicatriz e dizendo "Apêndi City", provocando risos por sua ingenuidade.
Este documento contiene las respuestas a 15 preguntas sobre las funciones y herramientas de PowerPoint. Explica cómo agregar efectos de animación y transiciones entre diapositivas, insertar videos, imágenes y GIFs, empaquetar una presentación, y guardar una presentación como un archivo web.
The document describes draft designs for a magazine and posters. It discusses experimenting with different text placements and color schemes to complement a single photograph. It also details modifying the skin color of an eye photograph to match the trailer's main character and creating sinister character posters, experimenting with font types for the final design.
The document discusses research done on masthead designs for film posters and magazines. It describes looking at various film posters and magazine covers to see how they design their mastheads. Common techniques identified include using fonts that represent the film genre or using simple fonts for the film name. For their own poster and magazine masthead, the author decided to create something unique rather than use a simple font, and to keep the same design for both the poster and magazine masthead for consistency.
This document discusses photograph editing for a magazine cover and film trailer. The original photograph is shown along with different edited examples adding textures, layers, effects, and color changes before selecting the final choice. Additional photograph editing was done for parts of an earlier film trailer.
This document analyzes the creative process behind a film poster the author created featuring an eye. To make the eye unsettling, the author took a close-up photo of their eye, edited it to look fearful by adding colored layers and texture, and composited in a black-and-white photo of a villain. At the top are the film's title and credits, separated with circles. The tagline and release date are below to entice audiences. Inspired by other eye horror posters like The Eye and Candyman, the author aimed to make their poster's eye look equally lit yet sinister through coloration and texture.
The document provides an analysis of a magazine cover created by the author to promote a horror film. The front cover features an edited photograph of the villain from the film. Additional elements on the cover include the film title and credits, quotes, and information about featured articles. The author describes the design process, including using Photoshop to edit the photograph and add effects. A consistent color scheme of red, brown, white and black is used to match the horror genre and represent blood, death and darkness.
1. horror film genre codes and conventions 2Shanice1
This document discusses common codes and conventions in horror films, including stock plots, locations, props, and characters. Some common plots involve evil creatures killing people, warnings being ignored with unfortunate consequences, serial killers and stalkers, and child abuse or death. Typical locations are abandoned houses, barns, woods, hotels/motels, basements, and underground stations. Recurring props include candles, voodoo dolls, weapons, Ouija boards, phones, and masks. Common character types are heroes who save others, the last surviving victim, villains who terrorize others, and groups of friends picked off one by one.
From a questionnaire about audience expectations for horror films and trailers, the majority of respondents were females aged 15-24. They preferred stalker horror, thriller/action-adventure horror, and psychological horror/suspense films. Music/sound effects and villain characters were cited as making films scarier. Respondents expected horror trailers and films to include suspense, killers/murderers, and blood to match their perceptions of typical horror storylines and unease.
My different magazine and poster drafts designsShanice1
This document contains draft designs for a magazine cover and movie poster. It describes experimenting with different text layouts and color schemes to complement the magazine's photograph. For the poster, the designer experimented with changing skin color to match the character and using different fonts to create a sinister feel. The last two poster drafts were plans for the final design as a character poster.
The document discusses research done on masthead designs for film posters and magazines. It describes looking at various film posters and magazine covers to see how they design their mastheads. Common techniques identified include using fonts that represent the film genre or using simple fonts for the film name. For their own poster and magazine masthead, the author decided to create something unique rather than use a simple font, and carried their poster design over to the magazine masthead for consistency.
This document discusses photograph editing for a magazine cover and film trailer. It describes adding texture layers, effects, and changing colors to an original photograph to create different edited examples before choosing a final version. The editor also did some photograph editing for parts of an early film trailer.
The document discusses contact sheets from a photo shoot for a film poster and magazine. It describes taking photographs of the main character from different angles, as well as shots of a villain and victim. A third series focused on the villain, their characteristics and props, including indoor photos of just their face and outdoor shots of them looking suspicious in the woods. The final series of edited photographs were originally for an art theme but will also be used for the film materials due to their disturbing nature matching the horror theme. Eyes in the photos were inspired by other film posters.
The document provides an analysis of a student media project creating a horror film trailer. It discusses how the trailer used conventions of real horror films in its editing, narrative structure, sound design, and characterization. Feedback was gathered from class discussions and surveys to improve the trailer. Various media technologies were used in filming, editing, and researching for the project, including Final Cut Express for video editing.
This document is a screenplay for a horror film titled "The Walk". It provides descriptions of scenes and shots that introduce the villain and victim characters. It follows the victim as she shops and walks alone, while the villain secretly trails behind. The climax shows the villain attacking and stabbing the victim in an isolated wooded area from both their perspectives. The screenplay ends with a snapshot of the bloody murder weapon on the ground and title cards displaying the film name and release date.
The document provides a frame-by-frame analysis of a film trailer created by the author. It examines 9 frames total. Frame 1 introduces the production company, New Line Cinema. Frame 2 displays text referring to the makers of The Texas Chainsaw Massacre. Frame 3 shows an establishing shot of the film's location. Subsequent frames analyze shots, angles, sound effects, and transitions used to build tension, mystery, and depict a murder scene. The final frame reveals the film's title - "The Walk" - in blood red letters to match the intensity of the trailer.
The document describes a student's analysis of their film poster design for a class project. The poster was for an unknown masked villain character and was inspired by Hamlet. Photographs were edited to make features more prominent in dark lighting. The layout included the film title and tagline above the photograph, and production company names and release date below. The design was inspired by posters for Insidious and Evil Dead 2 in its use of red and black colors, character facial positioning, and block of text below the image.
The document provides an analysis of a film magazine cover created by the author in Photoshop. The author chose to feature the villain from a film trailer as the main character on the cover. Photoshop was used to edit the photo, adding effects like a vignette and texture. Information on the cover includes the film titles, issue details, quotes, and additional content to attract readers. The color scheme of burgundy, red, white, brown, and black was selected to relate to the horror genre and evoke feelings like blood, death, and isolation.
Shanice took several sets of photographs for a film poster or magazine. The first set was of the main character from "First Last Girl Standing". The next set showed new characters, the villain and victim, from different angles. The third series focused on the villain, their characteristics and props, including indoor shots of just their face and woods shots of them looking suspicious. Shanice originally took the final series for school but decided to use them for the film promotion due to their disturbing nature fitting with the horror theme.
The document outlines various risks that may be encountered during filming and suggests safeguards to address each risk. It discusses securing the camera on a tripod, obtaining permission before filming in public spaces, preparing fake blood effects overnight, protecting cameras from water, timing shoots to minimize background noise, informing actors of scenes, securing cameras on tripods with weights, rescheduling shoots due to weather if needed, and waiting for traffic to slow before filming near roads. The document provides guidance to filmmakers on safely planning and executing shoots in various environments and conditions.
2.1 my responsibility of script writing changesShanice1
The document provides 4 versions of a script for a short film called "The Walk". The first script includes 15 shots with descriptions and edits. The second script adds sound elements to each shot. The third script simplifies some shots and descriptions. The fourth script indicates the status of shots as still to be done, done, nearly done, needing re-does, or retakes. Overall, the document outlines the evolving versions of a script for a short film about college students being stalked.
Shanice held several roles in her group for their film project. As the script writer, she researched how to write scripts and separated the storyboard shots into the script, color coding elements for ease of filming. The script was written simply to break down visual aspects and allow for edits. As art director, she found and edited visual media for the film trailer, such as creating a parental guidance graphic. Shanice also jointly managed characters with another member by discussing which actors would suit which roles.
The document describes draft designs for a magazine and posters. It discusses experimenting with different text placements and color schemes to complement a single photograph. It also details modifying the skin color of an eye photograph to match the trailer's main character and creating sinister character posters, experimenting with font types for the final design.
The document discusses research done on masthead designs for film posters and magazines. It describes looking at various film posters and magazine covers to see how they design their mastheads. Common techniques identified include using fonts that represent the film genre or using simple fonts for the film name. For their own poster and magazine masthead, the author decided to create something unique rather than use a simple font, and to keep the same design for both the poster and magazine masthead for consistency.
This document discusses photograph editing for a magazine cover and film trailer. The original photograph is shown along with different edited examples adding textures, layers, effects, and color changes before selecting the final choice. Additional photograph editing was done for parts of an earlier film trailer.
This document analyzes the creative process behind a film poster the author created featuring an eye. To make the eye unsettling, the author took a close-up photo of their eye, edited it to look fearful by adding colored layers and texture, and composited in a black-and-white photo of a villain. At the top are the film's title and credits, separated with circles. The tagline and release date are below to entice audiences. Inspired by other eye horror posters like The Eye and Candyman, the author aimed to make their poster's eye look equally lit yet sinister through coloration and texture.
The document provides an analysis of a magazine cover created by the author to promote a horror film. The front cover features an edited photograph of the villain from the film. Additional elements on the cover include the film title and credits, quotes, and information about featured articles. The author describes the design process, including using Photoshop to edit the photograph and add effects. A consistent color scheme of red, brown, white and black is used to match the horror genre and represent blood, death and darkness.
1. horror film genre codes and conventions 2Shanice1
This document discusses common codes and conventions in horror films, including stock plots, locations, props, and characters. Some common plots involve evil creatures killing people, warnings being ignored with unfortunate consequences, serial killers and stalkers, and child abuse or death. Typical locations are abandoned houses, barns, woods, hotels/motels, basements, and underground stations. Recurring props include candles, voodoo dolls, weapons, Ouija boards, phones, and masks. Common character types are heroes who save others, the last surviving victim, villains who terrorize others, and groups of friends picked off one by one.
From a questionnaire about audience expectations for horror films and trailers, the majority of respondents were females aged 15-24. They preferred stalker horror, thriller/action-adventure horror, and psychological horror/suspense films. Music/sound effects and villain characters were cited as making films scarier. Respondents expected horror trailers and films to include suspense, killers/murderers, and blood to match their perceptions of typical horror storylines and unease.
My different magazine and poster drafts designsShanice1
This document contains draft designs for a magazine cover and movie poster. It describes experimenting with different text layouts and color schemes to complement the magazine's photograph. For the poster, the designer experimented with changing skin color to match the character and using different fonts to create a sinister feel. The last two poster drafts were plans for the final design as a character poster.
The document discusses research done on masthead designs for film posters and magazines. It describes looking at various film posters and magazine covers to see how they design their mastheads. Common techniques identified include using fonts that represent the film genre or using simple fonts for the film name. For their own poster and magazine masthead, the author decided to create something unique rather than use a simple font, and carried their poster design over to the magazine masthead for consistency.
This document discusses photograph editing for a magazine cover and film trailer. It describes adding texture layers, effects, and changing colors to an original photograph to create different edited examples before choosing a final version. The editor also did some photograph editing for parts of an early film trailer.
The document discusses contact sheets from a photo shoot for a film poster and magazine. It describes taking photographs of the main character from different angles, as well as shots of a villain and victim. A third series focused on the villain, their characteristics and props, including indoor photos of just their face and outdoor shots of them looking suspicious in the woods. The final series of edited photographs were originally for an art theme but will also be used for the film materials due to their disturbing nature matching the horror theme. Eyes in the photos were inspired by other film posters.
The document provides an analysis of a student media project creating a horror film trailer. It discusses how the trailer used conventions of real horror films in its editing, narrative structure, sound design, and characterization. Feedback was gathered from class discussions and surveys to improve the trailer. Various media technologies were used in filming, editing, and researching for the project, including Final Cut Express for video editing.
This document is a screenplay for a horror film titled "The Walk". It provides descriptions of scenes and shots that introduce the villain and victim characters. It follows the victim as she shops and walks alone, while the villain secretly trails behind. The climax shows the villain attacking and stabbing the victim in an isolated wooded area from both their perspectives. The screenplay ends with a snapshot of the bloody murder weapon on the ground and title cards displaying the film name and release date.
The document provides a frame-by-frame analysis of a film trailer created by the author. It examines 9 frames total. Frame 1 introduces the production company, New Line Cinema. Frame 2 displays text referring to the makers of The Texas Chainsaw Massacre. Frame 3 shows an establishing shot of the film's location. Subsequent frames analyze shots, angles, sound effects, and transitions used to build tension, mystery, and depict a murder scene. The final frame reveals the film's title - "The Walk" - in blood red letters to match the intensity of the trailer.
The document describes a student's analysis of their film poster design for a class project. The poster was for an unknown masked villain character and was inspired by Hamlet. Photographs were edited to make features more prominent in dark lighting. The layout included the film title and tagline above the photograph, and production company names and release date below. The design was inspired by posters for Insidious and Evil Dead 2 in its use of red and black colors, character facial positioning, and block of text below the image.
The document provides an analysis of a film magazine cover created by the author in Photoshop. The author chose to feature the villain from a film trailer as the main character on the cover. Photoshop was used to edit the photo, adding effects like a vignette and texture. Information on the cover includes the film titles, issue details, quotes, and additional content to attract readers. The color scheme of burgundy, red, white, brown, and black was selected to relate to the horror genre and evoke feelings like blood, death, and isolation.
Shanice took several sets of photographs for a film poster or magazine. The first set was of the main character from "First Last Girl Standing". The next set showed new characters, the villain and victim, from different angles. The third series focused on the villain, their characteristics and props, including indoor shots of just their face and woods shots of them looking suspicious. Shanice originally took the final series for school but decided to use them for the film promotion due to their disturbing nature fitting with the horror theme.
The document outlines various risks that may be encountered during filming and suggests safeguards to address each risk. It discusses securing the camera on a tripod, obtaining permission before filming in public spaces, preparing fake blood effects overnight, protecting cameras from water, timing shoots to minimize background noise, informing actors of scenes, securing cameras on tripods with weights, rescheduling shoots due to weather if needed, and waiting for traffic to slow before filming near roads. The document provides guidance to filmmakers on safely planning and executing shoots in various environments and conditions.
2.1 my responsibility of script writing changesShanice1
The document provides 4 versions of a script for a short film called "The Walk". The first script includes 15 shots with descriptions and edits. The second script adds sound elements to each shot. The third script simplifies some shots and descriptions. The fourth script indicates the status of shots as still to be done, done, nearly done, needing re-does, or retakes. Overall, the document outlines the evolving versions of a script for a short film about college students being stalked.
Shanice held several roles in her group for their film project. As the script writer, she researched how to write scripts and separated the storyboard shots into the script, color coding elements for ease of filming. The script was written simply to break down visual aspects and allow for edits. As art director, she found and edited visual media for the film trailer, such as creating a parental guidance graphic. Shanice also jointly managed characters with another member by discussing which actors would suit which roles.