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critical analysis of worldwide approaches:
from digital fabrication to artisans’ communities
DESIGN
PROCESSES
FOR SOCIAL
INNOVATION
Francesco Mazzarella
MSc thesis in Ecodesign- Politecnico di Torino - 24/07/2013
Supervisors: Pier Paolo Peruccio (POLITO), Rita de Castro Engler (UEMG)
OBJECTIVE
how design can contribute
to social innovation
and sustainability of a territory
map complexity of approaches
understand the roots of the phenomenon
case studies (design recommendations)
guidelines for future developments
field
research
MSc STUDENT
Politecnico di Torino
March 2011 - July 2013
ERASMUS STUDENT
University of Twente (Enschede)
September 2011 - January 2012
MSc THESIS
UEMG (Belo Horizonte)
February 2013 - June 2013
ITALY
micro-enterpreneurship
BRAZIL
artisans’ communities
THE NETHERLANDS
digital fabrication
ACTIVITY
questionnaires
interviews
ACTIVITY
literature
analysis
FRAMEWORK
MICRO-ENTERPRICE
diffuse
INDUSTRIAL CRAFT
DOITYOURSELF
experimentation
service PUBLIC system CROWDsourcing
PARTICIPATORY
design
natural
no-tech
reuse
vernacular
tradition
MULTICULTURALITY
MATERIALS
LOCAL IDENTITY
sustainabilitycommunity
SOCIAL innovation
crafts
BRAZILITALY
NETHERLANDS
SYSTEMICdesign
SELF-PRODUCTION
digital fabrication
community innovation sustainability
FRAMEWORK
production
promotion
design distributionself
production
?
PRODUÇÃO PESSOAL
INDIPENDENT DESIGNER
AUTHORIAL DESIGNER ...
APPROACHES MAP
produção
pessoal
co-design
self
construction
design
collective
self
promotion
small
entrepreneur
art
design
artisanal
design
vernacular
design do-it-yourself
digital
fabrication
craftsmanship mass production post-industry
produção
pessoal
THE ROOTS OF
PRODUÇÃO PESSOAL
reaction to standard
know-how
person
alization
m
id. ‘700 - mid. ’80
0
direct production
m
id. ‘800 - mid. ’90
0
labour division
90s - today
aware subject
diffuse production
flexible production
process / service
open design
local market
diffuse creativity
co-design
THE ROOTS OF PRODUÇÃO PESSOAL produção
pessoal
technological testing
designer+artisan
localdesign
masscustomization
opencommunity
social role of designer
Do-It-Yourself
Do-It-Yourself
prosumer
vernacular design
self-promotion
small entrepreneur
1920-30s
1950s
1970s
1980s
1990s
2000s
2010s
participatory architecture
digitalfabrication
99,4%
0,5%0,1%
68,2%
12,2 %
ITALY:
MICROENTREPRENEURSHIP
65%
13 %
MICRO/SMALL
ENTERPRISES
Source: EUROSTAT
19,6 %
22%
CREATIVE REUSE
LOCAL
industry
technology
TRANSFER
industrial
WASTES
design ART
ARTISANS’ PLATFORM
LOCAL
artisans
E-COMMERCE
production
ON DEMAND
DESIGN
EXPERIMENTATION
4
DESIGN UNIVERSITIES
710 Bil
GDP
8,5%
UNEMPLOYMENT
DESIGN
SYSTEM
THE NETHERLANDS:
DIGITAL FABRICATION
73,2%
NO
INDUSTRY
24,1%
SERVICES
trading, finance
12,2 %
>5
LIVING LABS
CREATIVE RESEARCH
FABLAB
PARTICIPATORY
design 6 LABS
SOME EXAMPLESCODESIGN PLATFORM
+8.000
COMMUNITY MEMBERS
9START-UP
TO LAUNCH
IN NEXT 2 YEARS
3START-UP OPENED
Sustainable Dance Club
Three Wheels United
Yuno
6°WORLD ECONOMY
85°HDI IN THE WORLD
BRAZIL:
ARTISANS’ COMMUNITIES
8,5 mln
km²
194 mln
INHABITANTS
50÷300%
INCREASE IN INCOME
18 BilFROM CRAFTS
85%CRAFTSWOMEN
8,5mln
ARTISANS
64,3%
OF BRAZILIAN MUNICIPALITIES
OWN CRAFT PRODUCTION
CRAFTSMANSHIP
GRAPHICFASHION
FURNITURE
GASTRONOMY
TRADITION
interwoven with
FAMILY everyday life
MANUALITY
PROFISSIONAL REGISTER?
CRAFT CLASSIFICATION
PRODUCTION VOLUME
CULTURALVALUE
popular art
indigenous crafts
traditional crafts
conceptual crafts
cultural reference crafts
typical products
manual works
“industrianato”
Serviço Brasileiro de Apoio às Micro e Pequenas Empresas, 2004
SOME EXAMPLES
PUBLIC SUPPORT
ENHANCE TOURISM
access to utility goods
self-esteem
access to technology
WELFARISM
fear to lose subsidies
short-term support
economic difficulties
PROS & CONTROS
join associations
relation with territory
increase health
not professional
no quality standards
ristrict market
not innovative products
RESENDE COSTA fabricwood
tourism
cultural park
museums
fair
fair
wood
metal
biscuit
pond
soap stone
TIRADENTES
INHOTIM
BICHINHO
RIO ACIMA
SÃO TIAGO
SÃO JOÃO DEL REI
OURO PRETO
MACACOS
UEMG
BH
UFMG
MY EXPERIENCE IN BRAZIL
BH
BAHIA
RIO DE JANEIRO
craft fair
craft fair
gastronomy
museums
CURITIBA
FLORIANOPOLIS
SÃO PAULO
Paula Dib
Campanas
Heloisa Crocco
Ronaldo Fraga
Maximo Soalheiro
Laboratorio Piracema
Rogério Fernandes
PAULA DIB PARTICIPATORY
design
PAULA DIB’S MAP
fab lab?
SÃO PAULO
humanistic
formation
1.
industrial
design
3.
ceramic
production
intership
craft
village
2.
AUSTRALIA
BAHIA
BRITISH COUNCIL
permaculture4.
young designer
entrepreneur
award
5.
know the market
BRAZIL / AFRICA / EUROPE
SPAIN/JAPAN/
FRANCE/GERMANYINTERNATIONAL
perspective
MULTIDISCIPLINARITY
FREEDOM
SHORT-TERM
WEBSITE
NEW PARTNERS
governments
social
economic
companies
NGOs
universities
TRANSFORMA
DESIGN
social enterprise
no authorial
INDEPENDENT
facilitator
social
design
PROCESS
DESIGN
SUSTAINABILITY
MANUAL
LOCAL CHAIN
why?
how?
what?
cooperatives
artisans
universities
word of mouth
personal contacts
fame (award)
low taxes
aware consumer
efficient material use
chrome-free leather
reuse tires
size production
grow community
low productive cost
rescue traditions
empower community
improve quality of life
humanistic
action-oriented
contextbackground
structure
sector
sustainabilityprocess
REGIONAL
Brazil
EMERGING
Brazil
econom
ic,social
barriers
join through... ...DESIGN
design
AVAILABLE
materials
LOCAL
artisans
HISTORY
of place
CURIOUS
looking ACTION
DESIGN
PRODUCTION
DISTRIBUTION
COMMUNICATION
LESS RISK OF FAILURE
ARTISANS’RESISTANCE
GLOBAL MARKET
LOCAL
DOCUMENTARY
INCOME
DIAGNOSIS
SIMPLIFY PROCESS
INNOVATION
HIGH QUALITY
PICTURES
HIGHER PRICE
4€ 46€>
environmental
from 1 to 23 artisans
in 3 years
COW breeding
abundant MATERIAL
artisans’ KNOW-HOW
RESCUE CRAFT TRADITIONS
CARIRI, CEARÁ
OPTIMIZE CRAFT PROCESS
CHROME-FREE
leather
LOCAL
MATERIALS
eucaliptus
+seeds
REUSED
tires for soles
COMUNIDADES CRIATIVAS
DAS GERAES
UEMG
CEDTec
artisans
11PROFESSORS 3
17STUDENTS
LOCAL initiatives
to solve DAILY problems
promoting SOCIAL interactions
in a SUSTAINABLE way
from2010
MINING TOURISM
WATERFALLS
BIOSPHERE RESERVE
IMMIGRATION
CULTURAL DIVERSITY
ISOLATION
bottom
-up
PARTICIPATORY
diagnosis
MACACOS, 20 Km from Belo Horizonte
80%
NOT RESPONSIBLE FOR
FAMILY SUBSTISTENCE
designer’s
brief
CO-DESIGN
co-design
artisan’s
work
artisan’s
work
alternatives
presentation
designer’s
choice
DESIGN
methodology
4 MONTHS
CRAFT
techniques
prototype
presentation
“SOFT” WAY
PRODUCT SELECTION
PRODUCTS
73%
95%
production
LOCAL IDENTITY
AVAILABLE MATERIAL
REUSED MATERIAL
PACKAGING
PRICING
LOW TECH
0,8÷11
productive COST
ENTREPRENEURS’ COMMUNITY
local SHOP
local FAIR
EMPOWERMENT
PROFESSIONALISM
MORE P.O.S.
OTHER CASE STUDIES
São Tiago Celton Campanas
PROS & CONTROS
produção
pessoal
territorial design
relationships
open network
no logistics
free expression
flexible production
low investments
traceable process
design by components
product fixing
PROS
trivialization
isolation
risk of failure
commercial difficulties
rough product finishing
difficult management
low communication
CONTROS
promotion
design
platform
designer
production subject
appliedresearch
education
open
ecosystem
inn
ovation
DESIGN PLATFORM
macro
top-down
support
macro
top-down
support
micro
bottom-up
initiaties
micro
bottom-up
initiaties
design
platform
PLATFORM’S STRUCTURE
RESEARCH &
DEVELOPMENT
SERVICES
& FACILITIES
international
NETWORK
SUSTAINABLE
DEVELOPMENT
of a territory
PROMOTION
design-driven
INNOVATION
BENEFITS
design
platform
GRAZIE
DANK U
OBRIGADO
PATTERN DESIGN
(case study:
Heloisa Crocco)
DESIGN & ACTIVISM
(case study:
praia da estação)
CRAFT
MERCHANDISING
for Brazilian international events
URBAN FURNITURE
in the Estrada Real circuit
digital fabrication applied to
SELF-CONSTRUCTION
PLATFORM
of services for
produção pessoal
VERNACULAR
TYPOGRAPHY
as urban mark
FASHION
& “MINERIDADE”
(case study:
Ronaldo Fraga)
MATERIAL LIBRARY
for Brazilian crafts
ethnographic research on
PERIPHERY DESIGN
to rescue material culture

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Design Processes for Social Innovation. Critical Analysis of Worldwide Approaches, from Digital Fabrication to Artisans' Communities