Aula - David e Goya

WATTEAU, Jean-Antoine
Pélerinage à l'île de Cythère (The Embarkation for Cythera)
1717
Huile sur toile (canvas), 129 x 194 cm
Musée du Louvre, Paris

Fêtes Vénitiennes
1718-19
Oil on canvas, 55.9 x 45.7 cm
The National Gallery of Scotland, Edinburgh

The Italian Comedians
probably 1720
The National Gallery of Art, Washington

NATTIER, Jean-Marc
Marie Leczinska
1748
Huile sur toile (canvas), 137,5 x 13,5 cm
Musée National du Château, Versailles

LANCRET, Nicolas
A Lady in a Garden taking Coffee with some Children
Probably 1742
The National Gallery, London

PATER, Jean Baptiste Joseph
Relaxing in the Country
1730-35
Oil on canvas, 75,5 x 100 cm
Musée des Beaux-Arts, Valenciennes

BOUCHER, François
The Triumph of Venus
1740
Oil on canvas, 130 x 162 cm
Nationalmuseum, Stockholm

BOUCHER, François
Portrait of Marquise de Pompadour
1756
Alte Pinakothek, Munich

BOUCHER, François
Le déjeuner (The Afternoon Meal)
1739
Huile sur toile (canvas), 81,5 x 65,5 cm

BOUCHER, François
Pan e Syrinx
1759

BOUCHER, François
Landscape with a Watermill
1755
Oil on canvas, 57.2 x 73 cm

GREUZE, Jean-Baptiste
Septime Sévère et Caracalla (Septimius Severus and Caracalla)
1769

FRAGONARD, Jean-Honoré
The Progress of Love: Love Letters
1771-72
The Frick Collection, NY

The Progress of Love: The Meeting
1771-72

Psyche showing her Sisters her Gifts from Cupid
1753

CHARDIN, Jean-Baptiste-Siméon
Le jeune dessinateur (A Child with a Teetotum)
1737

La marmite de cuivre (Kitchen Still Life /The Copper Pot)
Vers 1750-60
Huile sur toile (canvas), H. : 0,32 m. ; L. : 0,40 m

Le gobelet d'argent (The Silver Cup)
1768
Huile sur toile (canvas) , 33 x 41 cm

Water Glass and Jug
1761
Museum of Art, Carnegie Institute, Pittsburgh

Silver Goblet, Peach, White and Red Grapes, and Apple
1726-28
Private collection

The House of Cards
about 1736-37

The Young Schoolmistress
probably 1735-36
Oil on canvas, 61,6 x 66,7 cm

La Fontaine (The Water Cistern)
1733 or later

Imitator of CHARDIN, Jean-Baptiste-Siméon
Still Life with Bottle, Glass and Loaf
19th century
Oil on canvas, 38,1 x 45,1 cm

David, Jacques Louis
Stanislaw Kostka Potock
1781
Museum of King Jan III's Palace at Wilanów,
Poland

VIEN, Joseph-Marie
Jeunes grecques parant de fleurs l'Amour endormi
(Greek Maidens Adorning a Sleeping Cupid with Flowers)
1773

VIEN, Joseph-Marie
La Marchande d'Amours
1763
Musée National du Château, Fontainebleau

VIEN, Joseph-Marie
Amant couronnant sa maîtresse (Lover Crowning his
Mistress)
1773

VIEN, Joseph-Marie
Marcus Aurelius Distributing Bread to the People
1765
Musée de Picardie, Amiens

VIEN, Joseph-Marie
Mars and Venus
1768
Oil on canvas. 225.5x151 cm
The Hermitage, St. Petersburg

BANDINELLI, Baccio
Laocoonte
1520-1525
Marmo bianco tre pezzi, h. Massimo 213 cm, base
originale h. 120 cm
(cópia do original do século II-I C. nos Museus do
Vaticano)
Galleria degli Uffizi, Florence

DAVID, Jacques-Louis
La Douleur et les regrets d'Andromaque sur le corps
d'Hector son mari
(Andromache Mourning Hector)
1783

Le Serment des Horaces (The Oath of the Horatii
1784

Les Licteurs rapportent à Brutus les corps de ses fils
(The Lictors Returning to Brutus the Bodies of his Sons)
1789

Les Sabines (The Intervention of the Sabine Women)
1799

Christ on the Cross
1782
Church of St Vincent, Mâcon

El Greco
Christ on the Cross
1600-10
The Cleveland Museum of Art, Ohio

The Oath in the Tennis Court
1791-92
Oil on canvas, bistre wash and pencil, 370 x 654 cm
Musée National du Château, Versailles

MENGS, Anton Raphael
Apollo and the Muses on Parnassus
1750-60
Oil on panel, 55 x 101 cm
Villa Albani, Rome

Perseus and Andromeda
1778
Oil on canvas, 227 x 153.5 cm
The State Hermitage Museum, St. Petersburg

Paris's Judgement
about 1757
Oil on canvas. 226 x 395.5 cm
The State Hermitage, St Petersburg

CANOVA, Antonio
Hebe
1796-1817
Marble, height 166 cm
Private Collection

CANOVA, Antonio
Pauline Bonaparte
1805-08
Marmo bianco, punto metallico, 15 x 21 cm
Galleria Borghese, Rome

CANOVA, Antonio
Pauline Bonaparte (detalhe)
1804-08
Marmo bianco, 160 x 192 cm
Galleria Borghese, Rome

CANOVA, Antonio
Theseus and the Centaur
1804-19
Marble, height 340 cm
Kunsthistorisches Museum, Vienna

CANOVA, Antonio
Venus and Mars
1816-22
210 x 60 x 122 cm
The Courtauld Gallery, London

THORVALDSEN, Bertel
Jason with the Golden Fleece
1803
Marble, 242 cm
Thorvaldsens Museum, Copenhagen

Léonidas aux Thermopyles (Leonidas at Thermopylae)
1814

Marat assassiné (The Death of Marat)
1793
Musées Royaux des Beaux-Arts, Brussels

The Death of Marat (detail)
1793

Napoleon at the Great St. Bernhard Pass
1801
Österreichische Galerie Belvedere, Vienna

The Emperor Napoleon in His Study at the Tuileries
1812
The National Gallery of Art, Washington

Consecration of the Emperor Napoleon I and Coronation of the Empress Josephine
1804
Huile sur toile (canvas), H. : 6,21 m ; L. : 9,79 m

The Farewell of Telemachus and Eucharis
1818
Private collection

The Anger of Achilles
1819
Oil on canvas , 105.3 x 145 cm
The Kimbell Art Museum, Fort Worth, Texas

Mars Disarmed by Venus
1824
Oil on canvas, 308 x 265

Portrait of Doctor Alphonse Leroy
1783
Musée Fabre, Montpellier, France

Antoine-Laurent Lavoisier and Marie-Anne-Pierrette
Paulze
1788
The Metropolitan Museum of Art, NY

Madame de Pastoret and Her Son
1792
The Art Institute of Chicago, Illinois

Madame Charles-Louis Trudaine
1791-92

Madame Récamier, née Julie (dite Juliette)
1800
Huile sur toile (canvas), H. : 1,74 m. ; L. : 2,44 m.

MAGRITTE, René
David’s Madame Recamier
1949
Oil on canvas, 60 × 80 cm
Private collection

MAGRITTE, René
Mme Récamier de David
1967
Bronze, 197 x 196 x 50 cm
The Menil Colection, Texas

Portrait of the Comtesse Vilain XIIII and her
Daughter
1816

Portrait of Jacobus Blauw
1795

GOYA, Francisco de
El paseo de Andalucía, o La maja y los embozados
1777
Óleo en lienzo, 275 x 190 cm
Museo Nacional del Prado, Madrid

GOYA, Francisco de
Baile a orillas del Manzanares
1776-77

GOYA, Francisco de
El quitasol
1777

GOYA, Francisco de
El cacharrero
1778

GOYA, Francisco de
Las lavanderas
1777-80
Óleo en lienzo, 257,5 x 166 cm

GOYA, Francisco de
El quitasol (detalle)
1777

GOYA, Francisco de
El cacharrero (detalle)
1778

GOYA, Francisco de
Las mozas del cántaro
1791-92

GOYA, Francisco de
A Picnic
1785-90

GOYA, Francisco de
El pelele
1791-92
Óleo en lienzo, 267 cm x 160 cm

GOYA, Francisco de
El pelele (detalle)
1791-92

GOYA, Francisco de
Asalto al coche
1787
Óleo en lienzo, 130 cm × 131 cm
Colección privada

HOGARTH, William
An Election (Canvassing for Votes)
1754–55
Sir John Soane's Museum, London

HOGARTH, William
The Tempest
around 1736
Oil on canvas, 800 x 1067 mm
National Trust , Swindon, UK

HOGARTH, William
Woodes Rogers and his Family
1729
Oil on canvas, 355 x 455 mm
National Maritime Museum, Greenwich, London

HOGARTH, William
Miss Mary Edwards
1742

HOGARTH, William
The Shrimp Girl
about 1740-45

Reynolds, Joshua, Sir
Lady Elizabeth Delmé and Her Children
1777-79
The National Gallery of Art,
Washington

REYNOLDS, Sir Joshua
George Clive and his Family with an Indian Maid
1765
Staatliche Museen, Berlin

Lady Cockburn and her Three Eldest Sons
1773
Oil on canvas, 141.5 x 113 cm

Commodore Augustus Keppel
1752-53
Oil on canvas, 239 x 147,5 cm
National Maritime Museum,
Greenwich, London

Lady Sunderlin
1786
Staatliche Museen, Berlin

Captain George K. H. Coussmaker
1782

Master Hare
1788-89

GOYA, Francisco de
1796-97
Serie: Caprichos [die] , 49
Title: Duendecitos (Hobgoblins)
Edition: 1st ed., Madrid, 1799
Etching and burnished aquatint on cream laid paper
214 x 151 mm [trace] / 306 x 201 mm [paper]
Origin: Plácido Arango Collection; del Prado, 1991
Donation: Plácido Arango

GOYA, Francisco de
1796-97
Serie: Caprichos [drawing] , 68
Title: Dreams 4. Dreaming Bruges. Agent diligence
Pen, ink bugalla, Laid paper I agarbanzado
246 x 174 mm
Origin: Javier e Mariano Goya 1828-1854; Valentine e
Mariano Carderera, 1861-1880; Museo del Prado, 1886
Collection of original drawings: Mariano Carderera
Acquisition: Department of Public Instruction, secondment
to the Prado

GOYA, Francisco de
1797-99
Title: Blow
Etching, aquatint, drypoint and chisel (or chisel)
Bone-colored laid paper
Origin: Plácido Arango Collection; Museo del Prado, 1991

GOYA, Francisco de
1797-99
Title: One another
Etching, burnished aquatint, drypoint and chisel (or
chisel). Bone-colored laid paper
Origin: Plácido Arango Collection; Museo del Prado,
1991

GOYA, Francisco de
1797-99
Title: Those polbosDate
Etching, burnished aquatint, drypoint and chisel (or chisel)
Bone-colored laid paper
Donation: Plácido Arango, OM 5-XII-1991

GOYA, Francisco de- 1797-99
Title: There was no remedy
Etching and burnished aquatint
colored laid paper
Donation: Plácido Arango, OM 5-XII-1991

Tiepolo, Giovanni Battista
1743–50
Frontispiece, from the Scherzi di Fantasia
Etching; first state of two, 34.1 x 23.6 cm

GOYA, Francisco de
1810-14
Serie: Disasters of War [die] , 26
Title: You can not look
Edition: 1st ed, Madrid: Real Academia de Bellas Artes de San Fernando (origin), 1863;
4/18/2000; secondment to the Prado Museum
Etching, gouache, drypoint, burin and burnisher. Stamping with entrapado, 143 x 207 mm
[trace] / 249 x 342 mm [paper]

GOYA, Francisco de
810-14
Title: Populace
Edition: . 1st ed. Madrid: Real Academia de Bellas Artes de San Fernando, 1863
(origin); Prado, 2000 the Royal Board approval
Etching, gouache, drypoint, burin and burnisher, 175 x 219 mm [trace] / 249 x
342 mm [paper]

GOYA, Francisco de
Etched about 1810-14
Serie: The Disasters of War
Title: That value!, 7
Sanguine (two red pencils), 146 x 200 mm
Edition: 1ª ed., Madrid: Real Academia de Bellas Artes de San Fernando (origin), 1863
Prado, 1886

GOYA, Francisco de
1810-14
Title: Large feat, with dead
Edition: 1st ed, before correction of punctuation and spelling, Madrid. Real
Academia de Bellas Artes (origin) - San Fernando, 1863. Prado, 2000
Etching, drypoint and watery. Stamping with entrapado, 154 x 206 mm [trace] / 249
x 341 mm [paper]

GOYA, Francisco de - 1810-14
Serie: Disasters of War [die] , 39 (detail)
Title: Large feat, with dead
Etching, drypoint and watery. Stamping with entrapado. Thick bone-colored wove
paper 154 x 206 mm [trace] / 249 x 341 mm [paper]

GOYA, Francisco de
Milagro de San Antonio de Padua
1798
Fresco
Diámetro, 550 cm
San Antonio de la Florida, Madrid

GOYA, Francisco de
Milagro de San Antonio de Padua (detalle)
1798
Fresco
Diámetro, 550 cm

GOYA, Francisco de
(detalle)
1798
Fresco
Diámetro, 550 cm

GOYA, Francisco de
Milagro de San Antonio de Padua (detalle)
1798
Fresco

GOYA, Francisco de
(detalle)
1798
Fresco

GOYA, Francisco de
El 2 de mayo de 1808 en Madrid, o "La lucha con los mamelucos"
1814
Óleo en lienzo, 268,5 cm x 347,5 cm

GOYA, Francisco de
El 3 de mayo en Madrid, o "Los fusilamientos"
1814

GOYA, Francisco de
El 3 de mayo en Madrid, o "Los fusilamientos"
(detalle)
1814

GOYA, Francisco de
El coloso
1818-25

GOYA, Francisco de
Prison Scene
1746-1828
Oil on zinc, 43 x 32 cm
Bowes Museum, Barnard Castle, UK

GOYA, Francisco de
Fire at Night
1793-94
Oil on tinplate, 50 x 32 cm
Banco Inversion-Agepasa, Madrid
(private collection)

GOYA, Francisco de
Yard with Madmen
1794
Oil on tin-plated iron, 43,8 x 31,7 cm
Meadows Museum, Dallas

Anónimo (Seguidor de GOYA, Francisco de)
La degollación
Primera mitad del siglo XIX
Hojalata (estaño), 29 cm x 41 cm

GOYA, Francisco de
Casa de Locos
1808-12
Óleo sobre tabla, 45 x 72 cm
Museo de la Real Academia de San Fernando, Madrid

GOYA, Francisco de
Autorretrato ante su caballete
acerca de 1785

GOYA, Francisco de
Escena de Inquisición
1808-12

GOYA, Francisco de
Escena de Inquisición (detalle)
1808-12

Anónimo (Seguidor de GOYA, Francisco de)
La hoguera
Primera mitad del siglo XIX
Hojalata (estaño), 32 cm x 43 cm

GOYA, Francisco de
El Entierro de la Sardina
1812-19
Óleo sobre tabla, 82,5 × 62 cm
Museo de la Real Academia de San Fernando,
Madrid

GOYA, Francisco de
The Forge
1815-20

GOYA, Francisco de
The Knife-Grinder ("El Afilador")
1808–12
Szépmûvészeti Múzeum, Budapest

Title: This is worse
Edition: 1st ed, Madrid: Real Academia de Bellas Artes de San Fernando, 1863
Etching, lavis and Etching, drypoint and watery. 155 x 208 mm [trace] / 249 x 341 mm [paper]
Origin: Real Academia de Bellas Artes de San Fernando, Madrid; Museo del Prado, 2000 (acquisition by the Ministry of
Education; secondment to the Prado Museum)

GOYA, Francisco de
Serie: The Disasters of War
Title: That value!, 7
Etched about 1810-1814
Sanguine (two red pencils); Laid paper I agarbanzado, 146 x
200 mm
GOYA, Francisco de
Serie: Disasters of War, 15
Title: And no remedy hai
about 1810-14 (published 1863)
Etching, drypoint, burin, and burnisher on heavy laid paper,

GOYA, Francisco de – 1796-97
Serie: Caprichos [drawing] , 70
Title: Desk 3. Principianta Dream Witch
Bugalla ink pen on black pencil strokes
Laid paper I agarbanzado
238 x 179 mm
Origin: Javier GOYA, Madrid, 1828; Mariano GOYA,
Madrid, 1854; Valentine Carderera, Madrid,
c. 1861; Mariano Carderera, Madrid, 1880; Museo
del Prado, 1886
"Collection of original drawings by GOYA, owned by
Mariano Carderera" acquisition by the Department
of Public Instruction, secondment to the Prado
Museum

GOYA, Francisco de – 1810-11
Many an finish well. Album C, 91
Bugalla ink; Black pencil;Brown ink; Indian ink; Aguada
Paper
205 mm x 144 mm
Origin: Javier GOYA, Madrid, 1828;Mariano GOYA,
Madrid, 1854; Federico de Madrazo y / o Roman
Garreta, Madrid, c. 1855-1860;Trinidad Museum,
Madrid, 04.05.1866; Museo del Prado, 1872

GOYA, Francisco de - 1812-20 c.
Serie: Album F, 27
Title: Exorcism
Brush, ink wash of brown, light brown and bugalla,
gouache pencil
Support: Laid paper I agarbanzado
2nd Support: Pink continuous paper
205 x 147 mm / 205 x 147 mm [2 º Support]
Madrid, 1854;Federico de Madrazo y / o Roman Garreta,
Madrid, c. 1855-1860; Trinidad Museum, Madrid,
04.05.1866; Museo del Prado, 1872 (incorporation)

GOYA, Francisco de - 1825-28 c.
Serie:Bordeaux II Album or Album H, 61
Title: Ghost with castanets
Black lithographic crayon and pencil
Support: Laid paper graying
2nd Support: Pink continuous paper
191 x 150 mm / 191 x 150 mm [2 º Support]
Madrid, 1854;Federico de Madrazo y / o Roman
Garreta, Madrid, c. 1855-1860; Trinidad Museum,
Madrid, 04.05.1866; Museo del Prado, 1872
(incorporation)

Serie: Nonsense [die] , 18
Title: Disparate funeral
Previous posthumous edition of the 1st ed., 1848 c.
Etching, aquatint, burin and burnisher
Support: Graying velum, 244 x 357 mm [trace] / 249 x 362 mm [paper]
Origin: Georges Provot Collection
Acquisition by the Prado

Serie: Nonsense [die] , 12
Title: Cheerful nonsense
Previous posthumous edition of the 1st ed., 1848 c.
Etching, aquatint, drypoint and burnisher, 244 x 356 mm [trace] / 250 x 365 mm [paper]
Origin: Georges Provot Collection, Helmut H. Rumbler Kunsthandlung, Frankfurt; Museo
del Prado, 1991 (acquisition)

FUSELI, John Henry
The Nightmare
1781
Oil on canvas, 101.6 x 126.7cm
Detroit Institute of Arts, MI

FUSELI, John Henry
Le Reveil De Titania
1793-94
Oil on canvas, 169 × 135 cm
The Kunsthaus Zürich, Switzerland

BLAKE, William
Elohim Creating Adam
1795-1805
Watercolour on paper, 43,1 x 53,6 cm
The Tate Gallery, London

BLAKE, William
Urizen Struggling in the Waters of Materialism
(The First Book of Urizen)
1794
Copper plates

BLAKE, William
The Ghost of a Flea
1819-20
Tempera and gold on mahogany, 21,4 x 16,2 cm
The Tate Gallery, London

GOYA, Francisco de
La maja desnuda
1795-1800

GOYA, Francisco de
Los duques de Osuna y sus hijos
1788

GOYA, Francisco de
La familia de Carlos IV
1800

GOYA, Francisco de
La famiglia dell’infante don Luis
1783-84
Olio su tela, cm 248 x 328
Fondazione Magnani Rocca, Parma

GOYA, Francisco de
Maja and Celestina
1808-12
Collection Bartolomé March, Palma de
Mallorca

GOYA, Francisco de
La Lettre ou Les Jeunes (The Letter or The Young)
1814-19
Musée des Beaux-Arts, Lille, France

GOYA, Francisco de
José Munárriz
1815
Museo de la Real Academia de Bellas Artes de San
Fernando, Madrid

GOYA, Francisco de
José Munárriz (detalle)
1815
Museo de la Real Academia de Bellas Artes de San Fernando, Madrid

GOYA, Francisco de
Autorretrato
1815

GOYA, Francisco de
Gaspar Melchor de Jovellanos
1798

GOYA, Francisco de
Portrait of the Duchess of Alba
1797
The Hispanic Society of America, NY

GOYA, Francisco de
Don Andrés del Peral
before 1798
Oil on poplar, 95 x 65.7 cm

GOYA, Francisco de
Doña Isabel de Porcel
before 1805

GOYA, Francisco de
The Duke of Wellington
1812-14
Oil on mahogany, 64.3 x 52.4 cm

GOYA, Francisco de
Saturno devorando a un hijo
1820-23
Técnica mixta, 143,5 cm x 81,4 cm

GOYA, Francisco de
Peregrinación a la Fuente de San Isidro, o El Santo Oficio
1820-23
Técnica mixta, 127 cm x 266 cm

GOYA, Francisco de
Perro semihundi (Dog half-submerged)
1820-23

GOYA, Francisco de
La Romería de San Isidro (detail)
Técnica mixta, 138,5 cm x 436 cm

GOYA, Francisco de
Dos frailes
1820-23
Técnica mixta, 142,5 cm x 65,6 cm

GOYA, Francisco de
La lectura, o Los políticos
1820-23

Aula - David e Goya

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Aula - David e Goya