De bordfafi
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This document discusses graffiti and street art. It provides context that graffiti emerged from hip hop culture in the late 1970s and early 1980s, drawing from icons of that era. It references artists like Keith Haring, Jean-Michel Basquiat, Banksy, and Shepard Fairey. The document also discusses how graffiti disrupts corporate and governmental control of the urban environment and interrupts uniform urban spaces. It provides cross-cultural references to fashion, toys, publications and more.
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De bordfafi
- 1. FAFI Feminine Graffiti
- 2. Is it art or just a crime? Graffiti is moving fast and has become an embedded part of our visual culture. Rooted in Hip Hop culture and its iconography from the Late 70’s early 80’s. Video game references, fashion, television, music and fringe culture are all aesthetics of this sub culture.
- 3. BANKSY
- 4. Artists: • Keith Harring • Jean Michele Basqiuat • Bansky • Shepard Faire • Andrew Bell
- 5. The OBEY sticker campaign can be explained as an experiment in Phenomenology. Heidegger describes Phenomenology as “the process of letting things manifest themselves.” Phenomenology attempts to enable people to see clearly something that is right Andre the Giant had a posse….. And it before their eyes but obscured; things that are so taken took on the world. for granted that they are muted by abstract observation. The OBEY sticker campaign can be explained as an experiment in Phenomenology. Heidegger describes Phenomenology as “the process of letting things manifest themselves.” Phenomenology attempts to enable people to see clearly something that is right before their eyes but obscured; things that are so taken for granted that they are muted by abstract observation. -----Shepard Fairey, 1990
- 6. "Graffiti writing breaks the hegemonic hold of corporate/governmental style over the urban environment and the situations of daily life. As a form of aesthetic sabotage, it interrupts the pleasant, efficient uniformity of "planned" urban space and predictable urban living. For the writers, graffiti disrupts the lived experience of mass culture, the passivity of mediated consumption." - Jeff Ferrell, Crimes of Style
- 9. Crossing Boundaries FASHION,SHOES, APPAREL, TOYS, ACCESSORIES, PUBLICATIONS, DESIGN, LITERATURE AND FILM
- 10. Pin up B-Girls A sexy that can be duplicated, with hearts on cheeks and striped leggings any girl would love to be a Fafinette.
Editor's Notes
- Is it art or just a crime? Beyond vandalism and defacing, graffiti has evolved into a new form of communication. As Street Art, graffiti has grown from street tags and murals to social commentary in public space as well as the use of wheat pasting, stencils, sticker art and art interventions.
- Graffiti is moving fast and has become an embedded part of our visual culture.rooted in Hip Hop culture and its iconography from the Late 70’s early 80’s. Video game references, fashion, television, music and fringe culture are all aesthetics
- Keith Harring and Basquiat originated on the streets. Artists like Shepard Faire and Banksy. They are represented in galleries, retail, cosmetics, fashion and literature. This cross over to the secular world has been a huge success for one of the most followed artists is Fafi. Fafi, like many other graffiti artists, remains anonymous. Graffiti is still a crime.
- Her work doesn’t seem to comment on culture but create one, attractive and “cute” but still bold and available. The qualities of her work lead to questions about gender roles and attraction. It also completes an aesthetic, design and style that young Fafinettes connect to and want to be like. There have always been female graffiti artists but few have gained such a following. The world of Fafi has become a culture of its own.