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Layunin,
Pananaw at
Damdamin
Pagtukoy sa
Minahal niya ako, paminsan-minsan ko rin
siyáng minahal.
Sino ang di iibig sa malalakí niya’t mga
matáng tahimik?
Maisusúlat ko ang pinakamalungkot na
berso ngayong gabí.
Dahil maiísip kong hindi na siyá akin.
Madaramáng walâ na siyá.
Maririnig ang gabíng malawak, at mas
lumalawak kung walâ siyá.
At pumapatak sa kaluluwa ang bersong tíla
hamog sa pastulan.
Maano kung hindi siyá mabantayan ng
aking pag-ibig.
Mabituin ang gabí at hindi siyá kapíling.
Awit ng Pag-ibig XX
salin ni Virgilio S. Almario ng ‘Sonnet 20’ ni Pablo Neruda
Maisusúlat ko ang pinakamalungkot na
berso ngayong gabí.
Maisusúlat ko halimbawa: “Mabituin ang
gabí
At nanginginig, bughaw ang malalayòng
talà.”
Lumiligid sa langit ang simoy at umaawit.
Maisusúlat ko ang pinakamalungkot na
berso ngayong gabí.
Minahal ko siyá, at minahal din niya ako
paminsan-minsan.
Sa mga gabíng ganito, ibinilanggo ko siyá
sa aking mga bisig.
Ulit-ulit ko siyáng hinagkan sa lilim ng
walang-hanggahang langit.
Nása ibá. Siyá’y nása ibá. Tulad noong
katalik siyá ng mga halik ko.
Ang kaniyang tinig, malinaw na katawan.
Mga matáng walang-hanggahan.
Hindi ko na siyá mahal, natitiyak ko,
ngunit bakâ mahal ko siyá.
Napakaikli ng pag-ibig, napakahabà ng
paglímot.
Dahil sa mga gabíng ganito, ibinilanggo ko
siyá sa aking mga bisig
kaluluwa ko’y hindi mapanatag sa kaniyang
pagkawalâ.
Kahit ito na ang hulíng pighating ipapataw
niya sa akin,
at ito ang hulíng mga bersong isusúlat ko
para sa kaniya.
Awit ng Pag-ibig XX
salin ni Virgilio S. Almario ng ‘Sonnet 20’ ni Pablo Neruda
Ito na ang lahat. May umaawit sa malayò.
Sa malayò.
Kaluluwa ko’y hindi mapanatag sa kaniyang
pagkawalâ.
Upang warìng ilápit siyá, hinahanap siyá
ng matá ko.
Hinahanap siyá ng pusò ko, at hindi siyá
kapíling.
Ito pa rin ang gabíng nagpapusyaw sa
kakahuyang ito.
Kami, sa tagpong iyon, ang nagbago.
Hindi ko na siyá mahal, natitiyak ko,
ngunit lubha ko siyáng minahal.
Hinahanap ng tinig ko ang simoy upang
humaplos sa kaniyang pandinig.
Pagtukoy sa kung anong preperensiya
ng manunulat sa teksto. Natutukoy
din kung ano ang distansiya niya sa
tiyak na paksang tinatalakay.
Pananaw
Pinahihiwatig ang pakiramdam ng
manunulat sa teksto. Maaaring
nagpapahayag ito ng kaligayahan,
tuwa, galit, tampo, o kaya naman ay
matibay na paniniwala o paninindigan
tungkol sa isang pangyayari o paksa.
Damdamin
Tumutukoy sa nais iparating at
motibo ng manunulat sa teksto.
Mahihinuha ito sa pamamagitan ng
uri ng diskursong ginamit sa
pagpapahayag.
Layunin
Sa pagbabasa, tinuturuan tayo nitong
tumindig sa kinatatayuan ng iba,
makita ang mga bagay na nakikita ng
iba at maramdaman ang damdaming
hindi pa natin nararamadaman.
Bb. Heramis

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Damdamin__Layunin_at_Pananaw.pdf

  • 2. Minahal niya ako, paminsan-minsan ko rin siyáng minahal. Sino ang di iibig sa malalakí niya’t mga matáng tahimik? Maisusúlat ko ang pinakamalungkot na berso ngayong gabí. Dahil maiísip kong hindi na siyá akin. Madaramáng walâ na siyá. Maririnig ang gabíng malawak, at mas lumalawak kung walâ siyá. At pumapatak sa kaluluwa ang bersong tíla hamog sa pastulan. Maano kung hindi siyá mabantayan ng aking pag-ibig. Mabituin ang gabí at hindi siyá kapíling. Awit ng Pag-ibig XX salin ni Virgilio S. Almario ng ‘Sonnet 20’ ni Pablo Neruda Maisusúlat ko ang pinakamalungkot na berso ngayong gabí. Maisusúlat ko halimbawa: “Mabituin ang gabí At nanginginig, bughaw ang malalayòng talà.” Lumiligid sa langit ang simoy at umaawit. Maisusúlat ko ang pinakamalungkot na berso ngayong gabí. Minahal ko siyá, at minahal din niya ako paminsan-minsan. Sa mga gabíng ganito, ibinilanggo ko siyá sa aking mga bisig. Ulit-ulit ko siyáng hinagkan sa lilim ng walang-hanggahang langit.
  • 3. Nása ibá. Siyá’y nása ibá. Tulad noong katalik siyá ng mga halik ko. Ang kaniyang tinig, malinaw na katawan. Mga matáng walang-hanggahan. Hindi ko na siyá mahal, natitiyak ko, ngunit bakâ mahal ko siyá. Napakaikli ng pag-ibig, napakahabà ng paglímot. Dahil sa mga gabíng ganito, ibinilanggo ko siyá sa aking mga bisig kaluluwa ko’y hindi mapanatag sa kaniyang pagkawalâ. Kahit ito na ang hulíng pighating ipapataw niya sa akin, at ito ang hulíng mga bersong isusúlat ko para sa kaniya. Awit ng Pag-ibig XX salin ni Virgilio S. Almario ng ‘Sonnet 20’ ni Pablo Neruda Ito na ang lahat. May umaawit sa malayò. Sa malayò. Kaluluwa ko’y hindi mapanatag sa kaniyang pagkawalâ. Upang warìng ilápit siyá, hinahanap siyá ng matá ko. Hinahanap siyá ng pusò ko, at hindi siyá kapíling. Ito pa rin ang gabíng nagpapusyaw sa kakahuyang ito. Kami, sa tagpong iyon, ang nagbago. Hindi ko na siyá mahal, natitiyak ko, ngunit lubha ko siyáng minahal. Hinahanap ng tinig ko ang simoy upang humaplos sa kaniyang pandinig.
  • 4. Pagtukoy sa kung anong preperensiya ng manunulat sa teksto. Natutukoy din kung ano ang distansiya niya sa tiyak na paksang tinatalakay. Pananaw
  • 5. Pinahihiwatig ang pakiramdam ng manunulat sa teksto. Maaaring nagpapahayag ito ng kaligayahan, tuwa, galit, tampo, o kaya naman ay matibay na paniniwala o paninindigan tungkol sa isang pangyayari o paksa. Damdamin
  • 6. Tumutukoy sa nais iparating at motibo ng manunulat sa teksto. Mahihinuha ito sa pamamagitan ng uri ng diskursong ginamit sa pagpapahayag. Layunin
  • 7. Sa pagbabasa, tinuturuan tayo nitong tumindig sa kinatatayuan ng iba, makita ang mga bagay na nakikita ng iba at maramdaman ang damdaming hindi pa natin nararamadaman. Bb. Heramis