presentation about a court case between Adam Curry and the publishers of the dutch tabloid weekend that involved the improper use of CC licensed material. This presentation was part of the legal track of the isummit 2006
El documento presenta un manual sobre diseño de páginas web. Explica conceptos clave como direccionamiento en Internet a través de números IP y nombres de dominio, protocolos comunes como HTTP y FTP, y extensiones MIME para identificar tipos de archivos. También introduce URLs para localizar recursos en la web.
The document provides an overview of key areas of data protection law relevant for charities, including definitions, the data protection principles, fair and lawful processing, data security, subject's rights, direct marketing, and recent European developments. It discusses requirements around obtaining and retaining personal data, sharing data with third parties, responding to subject access requests, and obtaining consent for electronic marketing. Recent cases involving security breaches and retaining data longer than necessary are also summarized.
Currys PC World wanted to capitalize on the growing Black Friday trend in the UK. Their goal was to drive significant sales over the Black Friday period through a dominant marketing campaign. Their strategy involved dominating major media channels like newspapers, TV, radio and digital to build excitement leading up to Black Friday and announce deals. A key part of the plan was a takeover of The Sun newspaper to reach large audiences. The campaign was highly successful, driving Currys PC World's largest ever sales day and outperforming competitors. Newsbrand advertising played a major role in the results by generating high attention and recall.
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El documento presenta un manual sobre diseño de páginas web. Explica conceptos clave como direccionamiento en Internet a través de números IP y nombres de dominio, protocolos comunes como HTTP y FTP, y extensiones MIME para identificar tipos de archivos. También introduce URLs para localizar recursos en la web.
The document provides an overview of key areas of data protection law relevant for charities, including definitions, the data protection principles, fair and lawful processing, data security, subject's rights, direct marketing, and recent European developments. It discusses requirements around obtaining and retaining personal data, sharing data with third parties, responding to subject access requests, and obtaining consent for electronic marketing. Recent cases involving security breaches and retaining data longer than necessary are also summarized.
Currys PC World wanted to capitalize on the growing Black Friday trend in the UK. Their goal was to drive significant sales over the Black Friday period through a dominant marketing campaign. Their strategy involved dominating major media channels like newspapers, TV, radio and digital to build excitement leading up to Black Friday and announce deals. A key part of the plan was a takeover of The Sun newspaper to reach large audiences. The campaign was highly successful, driving Currys PC World's largest ever sales day and outperforming competitors. Newsbrand advertising played a major role in the results by generating high attention and recall.
BTEC National in ICT: Unit 3 - MIS Features and Functionsmrcox
An information system has four main functions: input, storage, processing, and output. There is often a feedback loop so the system output can affect future input. An information system takes in detailed data through input, stores and processes it, and produces output information. The output can then provide feedback to users to influence future inputs into the system and analyses requested. Key elements that make up an information system include data, people, hardware, software, and telecommunications infrastructure.
Presentation on ways to improve the quality of the content that is available via Europeana. Given on 30 October 2014 at the Europeana AGM 2014 in Madrid.
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presentation on how copyright needs to be reformed from the perspective of European cultural heritage institutions. The presentation was given at the Europeana Awareness final plenary in Madrid on the 29th of October 2014
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Lecture given as part of the 'Policies and Practices in Access to Digital Archives: Towards a New Research and Policy Agenda' couse at the CEU summer course 2012 in budapest
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- A consultation found that the benefits of open sharing outweigh the risks, so Europeana will remove restrictions on commercial use and publish data under a CC0 license.
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- More content could be made available with improved rights clearance mechanisms
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slides from my presentation at the 'debating acta, playing acta' event organized by STEIM on the 26th of june 2011 in amsterdam. This is supposed to be an introduction to copyright but the slides as such probably fail to convey most of what i have presented
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presentation about wiki loves art/NL at 'kom je ook 2' in Amsterdam on 8 september 2009. warning: lots of pictures & no narrative (all pictures taken from the <a>WLA flickr group</a>, and giving credit here would have defeated the whole point)
Maintaining a healthy and thriving Public DomainPaul Keller
This document discusses the challenges of maintaining an open public domain. It notes that while advocates fight to preserve concepts like public domain works that are not owned, they are currently in the minority. It emphasizes the importance for advocates to have a strong understanding of the issues they are discussing and to develop a shared view of what tradeoffs they are willing to accept in order to be effective.
Lecture given as part of the 'Policies and Practices in Access to Digital Archives: Towards a New Research and Policy Agenda' couse at the CEU summer course 2012 in budapest
The document discusses Europeana's licensing framework for metadata. It states that Europeana publishes metadata as linked open data under open licenses, while the metadata is also published via the Europeana API. It then discusses working on mechanisms for rights clearance, improving compliance with Europeana data models and rights information, and promoting the use of Creative Commons licenses for digital objects.
Open Data in the cultural sector: Cultural heritage data in EuropeanaPaul Keller
This document discusses Europeana's strategic plan to make cultural heritage data more open and accessible through 2025. Key points include:
- Europeana aggregates over 20 million digital objects from cultural institutions across Europe and provides metadata and previews.
- Current data exchange agreements place restrictive conditions on how the data can be used, such as non-commercial use only.
- A consultation found that the benefits of open sharing outweigh the risks, so Europeana will remove restrictions on commercial use and publish data under a CC0 license.
- Guidelines for metadata reuse will address issues like attribution and data quality during a transition period from 2011 to mid-2012.
- More content could be made available with improved rights clearance mechanisms
a brief history copyright (and why it is broken)Paul Keller
slides from my presentation at the 'debating acta, playing acta' event organized by STEIM on the 26th of june 2011 in amsterdam. This is supposed to be an introduction to copyright but the slides as such probably fail to convey most of what i have presented
alternative online distribution models for film Paul Keller
The document shows calculations for revenue amounts. It multiplies $300 by 2.500 to get $750,000 in revenue. It then lists additional revenue amounts of $6670, $7300, and $9000, for a total of over $760,000 in revenues from various sources or jobs.
Promoting openness in the public sector, the case of the NetherlandsPaul Keller
This document summarizes the work of Creative Commons Netherlands in promoting openness in the public sector. Creative Commons Netherlands, supported by the Dutch ministry of culture, education and science since 2005, works to improve adoption of Creative Commons licenses through providing information and collaborating with institutional users like educational institutions, cultural heritage organizations, and the public sector. The document provides examples of Wikiwijs, an open educational platform launched by the Dutch ministry of education that uses a Creative Commons license, and Rijksoverheid.nl, the Dutch government's unified website that uses the Creative Commons Zero public domain dedication. It concludes with lessons learned around combining advocacy and research, relating policy objectives, and preparing implementers to address legal questions.
Evaluatieonderzoek pilot Buma/Stemra en Creative Commons NederlandPaul Keller
presentation (together with Matthijs Bobeldijk) of the results of the internal evaluation of the pilot between Buma/Stemra and Creative Commons pilot at Noorderslag 2010
The document discusses the Public Domain Charter being drafted by Communia, a network focused on the public domain. It provides context on Communia and its goals of broadening the public domain concept. It also discusses how the charter differs from Communia's manifesto and is being drafted with the needs of Europeana in mind. Europeana aims to provide access to Europe's shared cultural heritage, but some cultural institutions charge for access to digitized public domain works. The charter is meant to establish principles for a healthy public domain that enable free access.
presentation about wiki loves art/NL at 'kom je ook 2' in Amsterdam on 8 september 2009. warning: lots of pictures & no narrative (all pictures taken from the <a>WLA flickr group</a>, and giving credit here would have defeated the whole point)
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Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Gamegreendigital
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
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Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
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Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
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The Impact of Celebrity Parents
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The Influence of Tom Cruise and Katie Holmes
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Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
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From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
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Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
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Risky Business: The Transition Begins
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The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
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curry vs. weekend
1. the ‘curry case’
CC disputes session, iSummit 2006
Paul Keller Creative Commons NL
2.
3.
4.
5.
6.
7. the ‘curry case’ (a. curry v. audax/Weekend)
• District Court of Amsterdam - decision on 9 march, 2006
Interim measure, Case number 334492 / KG 06-176 S
• English translation available at: mirrors.creativecommons.org/
judgements/Curry-Audax-English.pdf
• bought forward by Adam Curry, his wife and daughter
(residing in the UK) against Audax, the publisher of the dutch
tabloid Weekend and two senior editors
• three lines of argument:
• violation of right of portrait
• privacy violations
• copyright (CC license violation)
8. the ‘curry case’- the facts
• in issue 3/2006, Weekend used CC-BY-NC-SA 2.0 licensed
photos from Adam Curry’s flickr account in a 4-page story
about his family life.
• By letter of 20 January 2006 the Curry's counsel demanded
from Audax that it cease the sales of Weekend issue 3, that it
publish a rectification and pay €10000 as an advance to the
damages.
• in issue 4 the following rectification was published: ‘In the
previous Weekend issue we drew attention to Adam Curry [...]
The publication was accompanied by photographs taken from
a virtual photo album on the Internet. We should have
requested permission for publication of those photographs.
We regret that we failed to do so and would like to apologize
to the Curry family.’ Audax also offered €1500 compensation.
10. arguments brought forward by curry (2)
• Weekend has not complied with the requirements for using
the photos set by the License.
• Article 4 sub c of the License stipulates that the use (of the
photos) may not produce any commercial benefits. Weekend
is a downright commercial magazine.
• Article 4 sub a of the License stipulates that distribution and
public display of a work have to be accompanied by a copy of
the License. Weekend has not observed this requirement:
every reference to the License is lacking.
• In violating the above requirements Weekend fails to execute
the contract to which it was bound.
11. arguments brought forward by weekend (1)
• Adam Curry has actively sought publicity for years and still
hundreds of private pictures of the Curry family are accessible
for anyone to see at www.flickr.com.
• The four photos at dispute have been published in Weekend
in good faith.
• The statement quot;This photo is publicquot; put Weekend/Audax
under the impression that it had the permission to publish the
photos, with the note that the copyright rests with Adam
Curry.
• The link to the License is not traceable in an obvious manner.
Audax became aware of the License only after notification by
Curry's lawyer. Therefore Audax cannot be blamed the
violation of the requirements set in the License.
12.
13.
14.
15. arguments brought forward by weekend (2)
• Weekend's not mentioning the conditions of the License did
not cause Curry to suffer any harm at all, as fact that the
copyright on the photos rests with Curry has been mentioned.
• Article 4 sub c of the License has not been violated.
Weekend's principal reason to publish the photos is not to
make a profit but to inform its readers. Audax is entitled to
such freedom of expression.
• The non commercial clause seems to be meant to prevent
merchandising (e.g. production of picture postcards), not to
prevent placement of photos to illustrate news reports.
16. is weekend bound by the license?
• Adam Curry owns the copyright in the four photos, and the
photos, by their posting on that website, are subject to the
Creative Commons License.
• Therefore Weekend should observe the conditions that control
the use by third parties of the photos as stated in the License
• this confirms that a by exercising any rights granted by the
license the user is bound by the conditions
• It may be expected from a professional party that it conducts
a thorough and precise examination before publishing photos
originating from the internet.
• Had Weekend conducted such an investigation they would
have found the CC License. In case of doubt as to the
applicability and the contents of the License, it should have
requested pemission.
17. does weekend comply with B by-nc-sa?
• Articles 4 sub a (atibution) and 4 sub c (non-commercial use
only) have been violated:
• BY: while Curry is correctly identified as the author/
copyright holder, the edition of Weekend at dispute makes
no reference whatsoever to the License.
• NC: Audax has violated that provision as well because
publication of an entertainment magazine such as Weekend
can be regarded first and foremost as a commercial
activity.
• the court orders Audax to refrain from further using pictures
from Curry's flickr page in ways that are not authorized by the
CC licenses (or without authorization om Curry) at pain of a
penalty of €1000 of each violation with a maximum of €20000.
18. damages?
• However, the court does not see any economic damages
caused to Curry by Weekends license violations:
• Photos that are already accessible for free for everyone on
the internet have no commercial value (anymore)
• Curry has been acknowledged as the copyright holder and
the subsequent rectification states that Weekend was
wrong not to ask for permission.
• no damages are awarded to Curry
• Because of this a lot of people have the impression that Curry
has 'lost' the case, a number of people have concluded that
the CC licenses offer no protection against violations as there
is no monetary risk for infringers.
• Judge would have hardly found monetary damage in the
absence of CC licenses.
19. issues raised by the case
• licenses do work as a tool that can be used by a court of law
• there is a problem when attempting to enforce monetary
compensation in case of license violation (how to quantify SA)
• this case was not really about a license violation but about
copyright infringement
• a more interesting case would have been a case where
commercial use is allowed and this is then disputed by the
licensor.
• (un)clear definition of non-commercial
• fair use anyone?
20. thank you!
more information at:
http://creativecommons.org/weblog/entry/5944
http://creativecommons.org/weblog/entry/5823
this presentation is licensed under the terms of a Creative Commons BY-NC-
SA 2.5 license. All photographs by Adam Curry (obviously!). for a copy of the
license see: http://creativecommons.org/licenses/by-nc-sa/2.5/