presentation about wiki loves art/NL at 'kom je ook 2' in Amsterdam on 8 september 2009. warning: lots of pictures & no narrative (all pictures taken from the <a>WLA flickr group</a>, and giving credit here would have defeated the whole point)
The Cuban Rum Club is een nieuw fenomeen in het Nederlandse uitgaansleven. 7 jaar oude rum, cocktails en opzwepende latinbeats doen je verdwalen in het nachtelijke Havana.
Vind je geheime code op www.cubanrumclub.nl en bekijk daar ook de beelden van de eerste geheime editie van 2009 in Nederland..
The Cuban Rum Club is een nieuw fenomeen in het Nederlandse uitgaansleven. 7 jaar oude rum, cocktails en opzwepende latinbeats doen je verdwalen in het nachtelijke Havana.
Vind je geheime code op www.cubanrumclub.nl en bekijk daar ook de beelden van de eerste geheime editie van 2009 in Nederland..
Creative Commons & Collective Rights ManagementPaul Keller
Creative Commons and collecting societies in the Netherlands have launched a pilot program to give artists more flexibility in how their works are licensed. The program allows artists who are members of collecting societies like Buma/Stemra to transfer non-commercial rights to their works to Creative Commons, while commercial rights remain with the collecting society. This lets artists choose a Creative Commons license for non-commercial use while still having their commercial works managed by the collecting society.
Cultural heritage Institutions deserve better!Paul Keller
presentation on how copyright needs to be reformed from the perspective of European cultural heritage institutions. The presentation was given at the Europeana Awareness final plenary in Madrid on the 29th of October 2014
Presentation on ways to improve the quality of the content that is available via Europeana. Given on 30 October 2014 at the Europeana AGM 2014 in Madrid.
Maintaining a healthy and thriving Public DomainPaul Keller
This document discusses the challenges of maintaining an open public domain. It notes that while advocates fight to preserve concepts like public domain works that are not owned, they are currently in the minority. It emphasizes the importance for advocates to have a strong understanding of the issues they are discussing and to develop a shared view of what tradeoffs they are willing to accept in order to be effective.
Lecture given as part of the 'Policies and Practices in Access to Digital Archives: Towards a New Research and Policy Agenda' couse at the CEU summer course 2012 in budapest
The document discusses Europeana's licensing framework for metadata. It states that Europeana publishes metadata as linked open data under open licenses, while the metadata is also published via the Europeana API. It then discusses working on mechanisms for rights clearance, improving compliance with Europeana data models and rights information, and promoting the use of Creative Commons licenses for digital objects.
Open Data in the cultural sector: Cultural heritage data in EuropeanaPaul Keller
This document discusses Europeana's strategic plan to make cultural heritage data more open and accessible through 2025. Key points include:
- Europeana aggregates over 20 million digital objects from cultural institutions across Europe and provides metadata and previews.
- Current data exchange agreements place restrictive conditions on how the data can be used, such as non-commercial use only.
- A consultation found that the benefits of open sharing outweigh the risks, so Europeana will remove restrictions on commercial use and publish data under a CC0 license.
- Guidelines for metadata reuse will address issues like attribution and data quality during a transition period from 2011 to mid-2012.
- More content could be made available with improved rights clearance mechanisms
a brief history copyright (and why it is broken)Paul Keller
slides from my presentation at the 'debating acta, playing acta' event organized by STEIM on the 26th of june 2011 in amsterdam. This is supposed to be an introduction to copyright but the slides as such probably fail to convey most of what i have presented
alternative online distribution models for film Paul Keller
The document shows calculations for revenue amounts. It multiplies $300 by 2.500 to get $750,000 in revenue. It then lists additional revenue amounts of $6670, $7300, and $9000, for a total of over $760,000 in revenues from various sources or jobs.
Promoting openness in the public sector, the case of the NetherlandsPaul Keller
This document summarizes the work of Creative Commons Netherlands in promoting openness in the public sector. Creative Commons Netherlands, supported by the Dutch ministry of culture, education and science since 2005, works to improve adoption of Creative Commons licenses through providing information and collaborating with institutional users like educational institutions, cultural heritage organizations, and the public sector. The document provides examples of Wikiwijs, an open educational platform launched by the Dutch ministry of education that uses a Creative Commons license, and Rijksoverheid.nl, the Dutch government's unified website that uses the Creative Commons Zero public domain dedication. It concludes with lessons learned around combining advocacy and research, relating policy objectives, and preparing implementers to address legal questions.
Creative Commons & Collective Rights ManagementPaul Keller
Creative Commons and collecting societies in the Netherlands have launched a pilot program to give artists more flexibility in how their works are licensed. The program allows artists who are members of collecting societies like Buma/Stemra to transfer non-commercial rights to their works to Creative Commons, while commercial rights remain with the collecting society. This lets artists choose a Creative Commons license for non-commercial use while still having their commercial works managed by the collecting society.
Cultural heritage Institutions deserve better!Paul Keller
presentation on how copyright needs to be reformed from the perspective of European cultural heritage institutions. The presentation was given at the Europeana Awareness final plenary in Madrid on the 29th of October 2014
Presentation on ways to improve the quality of the content that is available via Europeana. Given on 30 October 2014 at the Europeana AGM 2014 in Madrid.
Maintaining a healthy and thriving Public DomainPaul Keller
This document discusses the challenges of maintaining an open public domain. It notes that while advocates fight to preserve concepts like public domain works that are not owned, they are currently in the minority. It emphasizes the importance for advocates to have a strong understanding of the issues they are discussing and to develop a shared view of what tradeoffs they are willing to accept in order to be effective.
Lecture given as part of the 'Policies and Practices in Access to Digital Archives: Towards a New Research and Policy Agenda' couse at the CEU summer course 2012 in budapest
The document discusses Europeana's licensing framework for metadata. It states that Europeana publishes metadata as linked open data under open licenses, while the metadata is also published via the Europeana API. It then discusses working on mechanisms for rights clearance, improving compliance with Europeana data models and rights information, and promoting the use of Creative Commons licenses for digital objects.
Open Data in the cultural sector: Cultural heritage data in EuropeanaPaul Keller
This document discusses Europeana's strategic plan to make cultural heritage data more open and accessible through 2025. Key points include:
- Europeana aggregates over 20 million digital objects from cultural institutions across Europe and provides metadata and previews.
- Current data exchange agreements place restrictive conditions on how the data can be used, such as non-commercial use only.
- A consultation found that the benefits of open sharing outweigh the risks, so Europeana will remove restrictions on commercial use and publish data under a CC0 license.
- Guidelines for metadata reuse will address issues like attribution and data quality during a transition period from 2011 to mid-2012.
- More content could be made available with improved rights clearance mechanisms
a brief history copyright (and why it is broken)Paul Keller
slides from my presentation at the 'debating acta, playing acta' event organized by STEIM on the 26th of june 2011 in amsterdam. This is supposed to be an introduction to copyright but the slides as such probably fail to convey most of what i have presented
alternative online distribution models for film Paul Keller
The document shows calculations for revenue amounts. It multiplies $300 by 2.500 to get $750,000 in revenue. It then lists additional revenue amounts of $6670, $7300, and $9000, for a total of over $760,000 in revenues from various sources or jobs.
Promoting openness in the public sector, the case of the NetherlandsPaul Keller
This document summarizes the work of Creative Commons Netherlands in promoting openness in the public sector. Creative Commons Netherlands, supported by the Dutch ministry of culture, education and science since 2005, works to improve adoption of Creative Commons licenses through providing information and collaborating with institutional users like educational institutions, cultural heritage organizations, and the public sector. The document provides examples of Wikiwijs, an open educational platform launched by the Dutch ministry of education that uses a Creative Commons license, and Rijksoverheid.nl, the Dutch government's unified website that uses the Creative Commons Zero public domain dedication. It concludes with lessons learned around combining advocacy and research, relating policy objectives, and preparing implementers to address legal questions.
Evaluatieonderzoek pilot Buma/Stemra en Creative Commons NederlandPaul Keller
presentation (together with Matthijs Bobeldijk) of the results of the internal evaluation of the pilot between Buma/Stemra and Creative Commons pilot at Noorderslag 2010
The document discusses the Public Domain Charter being drafted by Communia, a network focused on the public domain. It provides context on Communia and its goals of broadening the public domain concept. It also discusses how the charter differs from Communia's manifesto and is being drafted with the needs of Europeana in mind. Europeana aims to provide access to Europe's shared cultural heritage, but some cultural institutions charge for access to digitized public domain works. The charter is meant to establish principles for a healthy public domain that enable free access.
presentation about a court case between Adam Curry and the publishers of the dutch tabloid weekend that involved the improper use of CC licensed material. This presentation was part of the legal track of the isummit 2006
62. MARLIES bouten
September 2nd, 2009 at 12:07 pm
Ik zit hier helemaal perplex! Mijn foto als winnende foto!
Jullie weten niet half wat er allemaal door me heen gaat.
Misschien leuk om de situatie te schetsen van de locatie waar ik
de foto maakte. De dependance van het Museum Hilversum zit in
het gemeentehuis. Onderin.. in de kelder…. donker… saaie muren…
de meubelstukken met doorzichtige draadjes bij elkaar gebonden
zodat ze niet uit elkaar vallen voor de foto gemaakt is….
Ik loop er wat rond en kijk eens hoe ik HIER wat van kan maken…
Ik was niet erg gemotiveerd.. het viel me tegen… Totdat ik om
het hoekje bij het bureau met de lamp kwam. Meteen wist ik hoe
ik die foto wilde hebben. Het haalt herinneringen boven.. uit
een tijd die we zelf nog wel meegemaakt hebben.
De “pronkstukken” staan in de zalen die nog dagelijks gebruikt
worden. Ze weten niet half hoe mooi dit “pronkstuk” is en hoe
blij ik ben.