Copyright of the Digital Area
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The document discusses the history and evolution of copyright law, particularly with the rise of the digital era. It outlines key copyright laws and cases, such as the first US copyright act in 1790 and a 2018 case where PETA argued for copyright on behalf of a macaque. The document also examines issues like how long copyright protections should last and how copyright law will need to further evolve with technological advances. It concludes that the digital era has influenced how copyright ownership and infringement are handled.
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30 C o M M u n i C at i o n s o f t h e a C M j A.docx
30 C o M M u n i C at i o n s o f t h e a C M | j A n U A R Y 2 0 1 2 | V O L . 5 5 | n O . 1
V
viewpoints
T
He eMeRGence of the Internet
has put enormous pressure
on the rights model of U.S.
copyright law. That model
is premised on the notion
that copyright holders are entitled to
control the making of copies of their
works, but technology has made that
control somewhere between fragile
and nonexistent. Content creators
have struggled to restore the control
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developments, one pending federal
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complex relationship. New waves of
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sive opportunities and dramatic im-
provements in the ability to distribute
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ogy rarely asks permission, and with
each technical advance, we have seen
new opportunities and new clashes.
Perforated rolls for player pianos in
the early 1900s came from sheet mu-
sic and roll producers were not eager
to write checks to copyright holders.
Radio saw recorded music as a way to
fill the airways even though disks came
with a legend stating that the music
was not licensed for radio broadcast.
And the VCR introduced a new vocabu-
lary—time shifting—and the chance to
watch TV on your schedule, not broad-
casters’ schedules. It did so without of-
fering any compensation to broadcast-
ers or show producers and even created
the risk that the financing model for
free broadcast TV would be put at risk
by viewers with nimble fingers who
fast-forwarded through commercials.
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the music industry has struggled to find
a strategy to control illegal downloads
of music. Technology made it very easy
to rip CDs and share the results with the
world. The music industry responded
with lawsuits, first against Napster,
Aimster, and Grokster, and then against
individual consumers, leading to prom-
inent examples such as the ongoing
saga of Jammie Thomas-Rasset. The
suits have been on the whole quite suc-
cessful, at least as measured by the stan-
dards that lawyers use. Grokster lost 9-0
on the question of whether it might be
liable for inducing copyright infringe-
ment (there was much more division
on the question of how the U.S. Su-
preme Court’s prior Sony case should
apply to this situation). Thomas-Rasset
has faced juries multiple times and
each time jurors have come back with
damage awards—the first time $1.92
million and second time $1.5 million—
that judges found too high.
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Law and Technology
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apply to this situation). Thomas-Rasset
has faced juries multiple times and
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damage awards—the first time $1.92
million and second time $1.5 million—
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US Copyright Laws in the Internet and Digital Age
The document discusses US copyright laws in the digital age and the debates around balancing the needs of copyright owners and consumers. It reviews legal issues since the 1998 Digital Millennium Copyright Act, including cases around public domain works and sampling. The document proposes two solutions: 1) Allow technological innovation to solve issues rather than more legislation, and 2) Lift restrictions on personal use of music and academic works, as consumers are still willing to purchase content and the industry can find ways to make money. While copyright laws aim to protect owners, recent legislation has come at the expense of consumer access, so a change is needed to remedy this imbalance.
Policing Piracy 2011
This document summarizes debates around national strategies to combat digital piracy. It discusses claims by the recording industry that piracy is a major threat undermining their business, while others argue they failed to explore peer-to-peer sharing as an opportunity. The UK's Digital Economy Act aimed to address piracy through an agreement with ISPs, but faced criticism over industry lobbying influence. Evidence on the actual economic impacts of piracy remains inconclusive, with some findings suggesting it may not significantly harm media industries.
Copyright Pals Day
Copyright law protects creative works and grants exclusive rights to the copyright owner including reproduction, distribution, adaptations, and performance/display rights. Copyright protection is secured for limited times to promote progress, though registration is not required. Fair use allows limited use of copyrighted works for purposes like education without permission. Recent acts have extended copyright term and increased protections for digital works, though criticism argues this may hinder new creativity and access to knowledge.
Research paper outline 25 july 2012
The document is an outline for a research paper on media piracy. It includes:
1) An introduction stating the topic is how judicial systems have been unable to define media piracy in the digital world.
2) An outline of 5 body paragraphs discussing the history of media piracy laws, effects of piracy on industries, and challenges with applying outdated laws to new technologies.
3) A counterargument paragraph stating most agree taking property without permission is stealing, though laws are unclear.
4) A restated thesis that the basic principle of original piracy laws is still applicable - artists own their work and deserve compensation for its use.
"Innovations" of copyright and intellectual properties
This document discusses innovations in copyright and intellectual property laws. It covers the types of intellectual property protections including copyrights, patents, and trademarks. It then discusses the application processes and statistics for these protections. The document also examines restrictive technologies like digital rights management (DRM) and piracy laws, and how they impact content distribution and mobile access. It concludes by arguing that current intellectual property restrictions mainly benefit large international businesses, rather than individual creators or the U.S. economy.
Rkcsi2012
Talk delivered on March 23, 2011, as part of the Speaker Series of the Rob Kling Center for Social Informatics at Indiana University, Bloomington, Indiana.
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"Innovations" of copyright and intellectual properties
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It's the Law: Recent Court and Administrative Decisions of Interest
2024 Idaho Water Users Association, Sun Valley, Idaho - June 11, 2024. Presented by Payton Hampton and Garrett Kitamura
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Presentation slides for a session held on June 4, 2024, at Kyoto University. This presentation is based on the presenter’s recent paper, coauthored with Hwang Lee, Professor, Korea University, with the same title, published in the Journal of Business Administration & Law, Volume 34, No. 2 (April 2024). The paper, written in Korean, is available at <https://shorturl.at/GCWcI>.
原版定做(sheffield学位证书)英国谢菲尔德大学毕业证文凭证书原版一模一样
原版定制【微信:bwp0011】《(sheffield学位证书)英国谢菲尔德大学毕业证文凭证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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学校原件一模一样【微信：741003700 】《(UNE毕业证书)新英格兰大学毕业证成绩单》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
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【主营项目】
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三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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San Remo Manual on International Law Applicable to Armed Conflict at Sea
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一比一原版(Lincoln毕业证)新西兰林肯大学毕业证如何办理
Lincoln硕士毕业证成绩单【微信95270640】办理新西兰林肯大学毕业证原版一模一样、Lincoln毕业证制作【Q微信95270640】《新西兰林肯大学毕业证购买流程》《Lincoln成绩单制作》新西兰林肯大学毕业证书Lincoln毕业证文凭新西兰林肯大学
本科毕业证书,学历学位认证如何办理【留学国外学位学历认证、毕业证、成绩单、大学Offer、雅思托福代考、语言证书、学生卡、高仿教育部认证等一切高仿或者真实可查认证服务】代办国外（海外）英国、加拿大、美国、新西兰、澳大利亚、新西兰等国外各大学毕业证、文凭学历证书、成绩单、学历学位认证真实可查。
[留学文凭学历认证(留信认证使馆认证)新西兰林肯大学毕业证成绩单毕业证证书大学Offer请假条成绩单语言证书国际回国人员证明高仿教育部认证申请学校等一切高仿或者真实可查认证服务。
多年留学服务公司,拥有海外样板无数能完美1:1还原海外各国大学degreeDiplomaTranscripts等毕业材料。海外大学毕业材料都有哪些工艺呢？工艺难度主要由：烫金.钢印.底纹.水印.防伪光标.热敏防伪等等组成。而且我们每天都在更新海外文凭的样板以求所有同学都能享受到完美的品质服务。
国外毕业证学位证成绩单办理方法：
1客户提供办理新西兰林肯大学新西兰林肯大学毕业证学位证信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）
— — — — 我们是挂科和未毕业同学们的福音我们是实体公司精益求精的工艺！ — — — -
一真实留信认证的作用(私企外企荣誉的见证):
1：该专业认证可证明留学生真实留学身份同时对留学生所学专业等级给予评定。
2：国家专业人才认证中心颁发入库证书这个入网证书并且可以归档到地方。
3：凡是获得留信网入网的信息将会逐步更新到个人身份内将在公安部网内查询个人身份证信息后同步读取人才网入库信息。
4：个人职称评审加20分个人信誉贷款加10分。
5：在国家人才网主办的全国网络招聘大会中纳入资料供国家500强等高端企业选择人才。问山娃想买什么想吃什么山娃知道父亲赚钱很辛苦除了书籍和文具山娃啥也不要能牵着父亲的手满城闲逛他已心满意足了父亲连挑了三套童装叫山娃试穿山娃有点不想父亲说城里不比乡下要穿得漂漂亮亮爸怎么不穿得漂亮望着父亲山娃反问道父亲听了并不回答只是吃吃地笑山娃很精神越逛越起劲父亲却越逛越疲倦望着父亲呵欠连天的样子山娃也说困了累了回家吧小屋闷罐一般头顶上的三叶扇彻夜呜呜作响搅得满屋热气腾腾也搅得山娃心烦意乱父亲一的
快速办理(SCU毕业证书)澳洲南十字星大学毕业证文凭证书一模一样
学校原件一模一样【微信：741003700 】《(SCU毕业证书)澳洲南十字星大学毕业证文凭证书》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Receivership and liquidation Accounts
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It's the Law: Recent Court and Administrative Decisions of Interest
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Copyright of the Digital Area
- 1. Copyright Law of the Digital Area BY MIKAYLA DYELL
- 2. Brief History Began in Great Britain in 1710 First copyright law in the United States was in 1790 First Copyright Act was in 1909 Fair Use Doctrine
- 3. Recent Cases Naruto v. Slater (2018) Photographer, David Slater Macaque, Naruto People for the Ethical Treatment of Animals (PETA) District court concluded Naruto failed to establish standing under the Copyright Act
- 4. Recent Cases Agence France Presse v. Morel (2010) Photographer, Daniel Morel Agence France Presse Getty Images Court concluded Morel be awarded the maximum statutory penalty under the Copyright Act
- 5. Law Review Ad agencies need to take more steps to protect their distinctive creative work. Blogging has led to “blogsquatting” which frequently violates copyright. The Copyright Extension Act of 1998 allows copyright terms that are more than the lifespan of the average American. The infringement analysis of music needs to improve in order to have a clear difference between plagiarism and homage when writing music.
- 6. Conclusion The growing digital area has influenced” How copyright ownership is given The way copyright infringement is handled Future Legal Questions: How will copyright law evolve with more technological advances? How much ownership should a creator have of their product and for how long?
- 7. References Agence France Presse v. Morel, U.S. Dist. LEXIS 139103 (2010). Hannibal, Travis (Spring, 2007). RECLAIMING THE FIRST AMENDMENT: CONSTITUTIONAL THEORIES OF MEDIA REFORM: OF BLOGS, EBOOKS, AND BROADBAND: ACCESS TO DIGITAL MEDIA AS A FIRST AMENDMENT RIGHT. Hofstra Law Review, 35, 1519. Retrieved from https://advance-lexis-com.leo.lib.unomaha.edu/api/document?collection=analytical- materials&id=urn:contentItem:4PYR-81P0-00CW-G0FY-00000-00&context=1516831. Kemp, Gail. (1994, November). Live Issue/Creative Copyright: Agencies should take steps to protect their work - Copyrighting creative work may seem distasteful but is necessary. Mercer Law Review, 60, 927. Retrieved from https://advance-lexis- com.leo.lib.unomaha.edu/api/document?collection=analytical- materials&id=urn:contentItem:4WD2-48V0-00CW-40SJ-00000-00&context=1516831.
- 8. References Lisby, Greg (2019). Intellectual Property, in W. Wat Hopkins, Communication and the Law, 2019 Edition (pp. 233-260). Northport, AL: Vision Press. Naruto v. Slater, 888 F.3d 418, (2018). Wynn, Alison P. (2017). NOTE: COPYRIGHT LAW - Unique Characteristics of Music Warrant its Own System: How Adopting the Intended Audience Test Can Save Music Copyright Litigation. Western New England Law Review, 39, 1. Retrieved from https://advance-lexis- com.leo.lib.unomaha.edu/api/document?collection=analytical- materials&id=urn:contentItem:5N7W-DPV0-00CV-2158-00000-00&context=1516831.