THE COPYRIGHT FAIR USE DEFENSE	
  
Copyright	
  laws	
  were	
  designed	
  to	
  recognize	
  the	
  creative	
  rights	
  —	
  and	
  their	
  resultant	
  profits	
  —	
  that	
  artists	
  and	
  
authors	
  possess	
  in	
  the	
  creative	
  works	
  they	
  contribute	
  to	
  society.	
  Accordingly,	
  such	
  works	
  are	
  protected	
  
against	
  copyright	
  infringement	
  pursuant	
  to	
  U.S.	
  copyright	
  laws	
  and	
  global	
  treaties	
  and	
  protocols.	
  In	
  the	
  
United	
  States,	
  copyright	
  protection	
  is	
  grounded	
  in	
  the	
  Constitution,	
  which	
  specifically	
  grants	
  to	
  Congress	
  the	
  
power:	
  
To	
  promote	
  the	
  Progress	
  of	
  Science	
  and	
  useful	
  Arts,	
  by	
  securing	
  for	
  limited	
  Times	
  to	
  Authors	
  and	
  
Inventors	
  the	
  exclusive	
  Right	
  to	
  their	
  respective	
  Writings	
  and	
  Discoveries.	
  (U.S.	
  Constitution,	
  Article	
  1,	
  
Section	
  8,	
  Clause	
  8,	
  the	
  Copyright	
  Clause)	
  
	
  
Yet	
  at	
  the	
  same	
  time,	
  it	
  is	
  recognized	
  that	
  there	
  is	
  a	
  need	
  to	
  balance	
  the	
  exclusive	
  rights	
  of	
  the	
  copyright	
  
holder	
  —	
  and	
  indeed	
  limit	
  them	
  —	
  against	
  the	
  needs	
  and	
  interests	
  that	
  society	
  may	
  have	
  in	
  making	
  limited	
  
use	
  of	
  such	
  protected	
  creative	
  works.	
  Primary	
  among	
  such	
  limitations	
  is	
  the	
  copyright	
  “fair	
  use	
  doctrine.”	
  
Although	
  originally	
  a	
  product	
  of	
  various	
  court	
  cases,	
  the	
  fair	
  use	
  doctrine	
  has	
  now	
  been	
  codified	
  in	
  the	
  
Copyright	
  Act	
  itself.	
  Following	
  is	
  an	
  examination	
  of	
  the	
  elements	
  necessary	
  to	
  establish	
  that	
  a	
  use	
  of	
  
copyrighted	
  material	
  is	
  in	
  fact	
  a	
  fair	
  use	
  and	
  not	
  an	
  infringement.	
  
	
  
The	
  General	
  Meaning	
  of	
  Fair	
  Use	
  
According to the Stanford University Libraries’	
  definition, fair use refers to a copying of a protected
work for a limited and transformative purpose: 	
  
	
  
In its most general sense, a fair use is any copying of copyrighted material done for a limited
and “transformative”	
  purpose, such as to comment upon, criticize, or parody a copyrighted
work. Such uses can be done without permission from the copyright owner. In other words,
fair use is a defense against a claim of copyright infringement. If your use qualifies as a fair
use, then it would not be considered an illegal infringement. (Source:
http://fairuse.stanford.edu/overview/fair-use/what-is-fair-use/)	
  
	
  
No	
  Statutorily	
  Defined	
  Limits	
  
The U.S. Copyright Office notes in particular that “there is no specific number of words, lines, or
notes that may safely be taken without permission.”	
  Determining what constitutes fair use versus
infringement is the issue that infringement lawsuits are all about; it is more often than not left up
to the courts to decide this issue on a case-by-case basis given the lack of a clear statutory
definition. Furthermore, the courts themselves have rendered varied decisions on the issue of what
constitutes fair use. 	
  
	
  
	
  
	
  
The	
  Four	
  Factors	
  of	
  Fair	
  Use	
  
Section 107 of the U.S. Copyright Act of 1976 (17 U.S.C. §107) lists various purposes for which
reproduction of a copyrighted work may be considered fair use, including for criticism, comment,
news reporting, teaching, scholarship and research. The act also cites four factors to be considered
in determining whether a particular use of copyright-protected material constitutes a “fair use”	
  
exception. The four factors are: 	
  
1. The purpose and character of the use, including whether such use is of commercial nature or
is for nonprofit educational purposes; 	
  
2. The nature of the copyrighted work; 	
  
3. The amount and substantiality of the portion used in relation to the copyrighted work as a
whole; and, 	
  
4. The effect of the use upon the potential market for or value of the copyrighted work.
(Source: http://www.copyright.gov/fls/fl102.html)	
  
	
  
Two	
  Common	
  Categories	
  of	
  Fair	
  Use	
  
Two of the most frequently cited examples of fair use are “commentary and criticism”	
  and
“parody.”	
  In fact, “criticism”	
  and “comment”	
  are two of the copyright reproduction purposes
specifically stated in section 107 of the Copyright Act. It would be difficult to pen a book review
without quoting at least some original content of the work being reviewed, and commentaries on
other protected works likewise benefit —	
  and benefit the public —	
  when fortified with the copyright
holder’s content.	
  
	
  
Broad	
  License	
  to	
  Parody	
  
To parody —	
  or even outright ridicule —	
  a copyrighted work is a fair use given wide leeway by the
courts. Various cases have held that a greater amount of the original protected content may be
reproduced for parody purposes than for other fair use exceptions. In fact, even where the parody
itself results in a highly lucrative commercial product, the courts have nevertheless protected such
use. 	
  
	
  
2	
  Live	
  Crew	
  and	
  “Pretty	
  Woman”	
  
The benchmark parody case of Campbell	
  v.	
  Acuff-­‐Rose	
  Music,	
  510	
  U.S.	
  569	
  (1994)	
  involved the rap group
2 Live Crew composing a parody of the Roy Orbison hit “Oh, Pretty Woman”	
  for which they
requested a license from the late songwriter’s music publisher. When the request was refused, the
group proceeded to record their parody anyway, which sold about a quarter-million copies before
the publisher brought its suit claiming infringement. Although the lower court granted summary
judgment in favor of the rap group, citing fair use under §107 of the Copyright Act, an appeals
court reversed and held that the highly commercial nature of the parody made it presumptively
unfair under the four fair use factors of the act, and, specifically, that the group had “taken too
much”	
  in relation to the copyrighted work as a whole as restricted by the third factor cited in the
act. It also found “market harm”	
  to the publisher under the fourth factor.	
  
	
  
	
  
Supreme	
  Court	
  Remand	
  
The U.S. Supreme Court restated the notion that fair use must be decided on a case-by-case basis: 	
  
	
  
The fact that parody can claim legitimacy for some appropriation does not, of course, tell
either parodist or judge much about where to draw the line. Like a book review quoting the
copyrighted material criticized, parody may or may not be fair use, and petitioner's
suggestion that any parodic use is presumptively fair has no more justification in law or fact
than the equally hopeful claim that any use for news reporting should be presumed fair.	
  
	
  
The	
  court	
  reversed	
  the	
  appeals	
  court	
  and	
  remanded	
  the	
  matter	
  whereupon	
  it	
  was	
  settled	
  out	
  of	
  court.	
  What	
  is	
  
of	
  particular	
  note	
  for	
  this	
  discussion,	
  however,	
  is	
  the	
  fact	
  that	
  Justice	
  Souter	
  copied	
  both	
  the	
  original	
  Roy	
  
Orbison	
  lyrics	
  as	
  well	
  as	
  the	
  2	
  Live	
  Crew	
  parody	
  lyrics	
  in	
  full	
  in	
  the	
  appendices	
  to	
  his	
  majority	
  decision	
  —	
  thus	
  
providing	
  us	
  with	
  at	
  least	
  one	
  indisputable	
  example	
  of	
  “fair	
  use”!	
  
	
  

Copyright fair use doctrine

  • 1.
    THE COPYRIGHT FAIRUSE DEFENSE   Copyright  laws  were  designed  to  recognize  the  creative  rights  —  and  their  resultant  profits  —  that  artists  and   authors  possess  in  the  creative  works  they  contribute  to  society.  Accordingly,  such  works  are  protected   against  copyright  infringement  pursuant  to  U.S.  copyright  laws  and  global  treaties  and  protocols.  In  the   United  States,  copyright  protection  is  grounded  in  the  Constitution,  which  specifically  grants  to  Congress  the   power:   To  promote  the  Progress  of  Science  and  useful  Arts,  by  securing  for  limited  Times  to  Authors  and   Inventors  the  exclusive  Right  to  their  respective  Writings  and  Discoveries.  (U.S.  Constitution,  Article  1,   Section  8,  Clause  8,  the  Copyright  Clause)     Yet  at  the  same  time,  it  is  recognized  that  there  is  a  need  to  balance  the  exclusive  rights  of  the  copyright   holder  —  and  indeed  limit  them  —  against  the  needs  and  interests  that  society  may  have  in  making  limited   use  of  such  protected  creative  works.  Primary  among  such  limitations  is  the  copyright  “fair  use  doctrine.”   Although  originally  a  product  of  various  court  cases,  the  fair  use  doctrine  has  now  been  codified  in  the   Copyright  Act  itself.  Following  is  an  examination  of  the  elements  necessary  to  establish  that  a  use  of   copyrighted  material  is  in  fact  a  fair  use  and  not  an  infringement.     The  General  Meaning  of  Fair  Use   According to the Stanford University Libraries’  definition, fair use refers to a copying of a protected work for a limited and transformative purpose:     In its most general sense, a fair use is any copying of copyrighted material done for a limited and “transformative”  purpose, such as to comment upon, criticize, or parody a copyrighted work. Such uses can be done without permission from the copyright owner. In other words, fair use is a defense against a claim of copyright infringement. If your use qualifies as a fair use, then it would not be considered an illegal infringement. (Source: http://fairuse.stanford.edu/overview/fair-use/what-is-fair-use/)     No  Statutorily  Defined  Limits   The U.S. Copyright Office notes in particular that “there is no specific number of words, lines, or notes that may safely be taken without permission.”  Determining what constitutes fair use versus infringement is the issue that infringement lawsuits are all about; it is more often than not left up to the courts to decide this issue on a case-by-case basis given the lack of a clear statutory definition. Furthermore, the courts themselves have rendered varied decisions on the issue of what constitutes fair use.        
  • 2.
    The  Four  Factors  of  Fair  Use   Section 107 of the U.S. Copyright Act of 1976 (17 U.S.C. §107) lists various purposes for which reproduction of a copyrighted work may be considered fair use, including for criticism, comment, news reporting, teaching, scholarship and research. The act also cites four factors to be considered in determining whether a particular use of copyright-protected material constitutes a “fair use”   exception. The four factors are:   1. The purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes;   2. The nature of the copyrighted work;   3. The amount and substantiality of the portion used in relation to the copyrighted work as a whole; and,   4. The effect of the use upon the potential market for or value of the copyrighted work. (Source: http://www.copyright.gov/fls/fl102.html)     Two  Common  Categories  of  Fair  Use   Two of the most frequently cited examples of fair use are “commentary and criticism”  and “parody.”  In fact, “criticism”  and “comment”  are two of the copyright reproduction purposes specifically stated in section 107 of the Copyright Act. It would be difficult to pen a book review without quoting at least some original content of the work being reviewed, and commentaries on other protected works likewise benefit —  and benefit the public —  when fortified with the copyright holder’s content.     Broad  License  to  Parody   To parody —  or even outright ridicule —  a copyrighted work is a fair use given wide leeway by the courts. Various cases have held that a greater amount of the original protected content may be reproduced for parody purposes than for other fair use exceptions. In fact, even where the parody itself results in a highly lucrative commercial product, the courts have nevertheless protected such use.     2  Live  Crew  and  “Pretty  Woman”   The benchmark parody case of Campbell  v.  Acuff-­‐Rose  Music,  510  U.S.  569  (1994)  involved the rap group 2 Live Crew composing a parody of the Roy Orbison hit “Oh, Pretty Woman”  for which they requested a license from the late songwriter’s music publisher. When the request was refused, the group proceeded to record their parody anyway, which sold about a quarter-million copies before the publisher brought its suit claiming infringement. Although the lower court granted summary judgment in favor of the rap group, citing fair use under §107 of the Copyright Act, an appeals court reversed and held that the highly commercial nature of the parody made it presumptively unfair under the four fair use factors of the act, and, specifically, that the group had “taken too much”  in relation to the copyrighted work as a whole as restricted by the third factor cited in the act. It also found “market harm”  to the publisher under the fourth factor.      
  • 3.
    Supreme  Court  Remand   The U.S. Supreme Court restated the notion that fair use must be decided on a case-by-case basis:     The fact that parody can claim legitimacy for some appropriation does not, of course, tell either parodist or judge much about where to draw the line. Like a book review quoting the copyrighted material criticized, parody may or may not be fair use, and petitioner's suggestion that any parodic use is presumptively fair has no more justification in law or fact than the equally hopeful claim that any use for news reporting should be presumed fair.     The  court  reversed  the  appeals  court  and  remanded  the  matter  whereupon  it  was  settled  out  of  court.  What  is   of  particular  note  for  this  discussion,  however,  is  the  fact  that  Justice  Souter  copied  both  the  original  Roy   Orbison  lyrics  as  well  as  the  2  Live  Crew  parody  lyrics  in  full  in  the  appendices  to  his  majority  decision  —  thus   providing  us  with  at  least  one  indisputable  example  of  “fair  use”!