Computer Backround Screens
•Download as PPTX, PDF•
0 likes•444 views
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise boosts blood flow, releases endorphins, and promotes changes in the brain which help enhance one's emotional well-being and mental clarity.
Report
Share
Report
Share
Recommended
Dawn of The Dead Opening Scene
The document discusses various camera shots and techniques used in the opening scene of the movie "Dawn of the Dead". It describes long shots that establish the hospital setting and characters. A pan shot is used to give the viewer the feeling of looking through the main character's eyes as she looks down the street. Extreme long shots show the city in disaster. Close ups are used to emphasize details like a clock showing the urgency of time or a news bulletin announcing breaking news.
Evaluation 3
The document discusses feedback received from testing a game with three different groups. Feedback was received from fellow media students, experienced gamers, and non-gamers. The media students provided expert feedback on improving the game's context and story elements. Experienced gamers critiqued gameplay elements like speed, dialogue, and NPC interactions. Feedback from non-gamers helped identify spelling errors. Testing revealed needed improvements to gameplay, story elements, and spelling errors to engage the target audience.
Designing the magazine
1. The assistant created a realistic magazine cover and inside pages for a fictional gaming magazine by researching real gaming magazines and incorporating consistent design elements.
2. Key elements included selecting fonts, adding a title, subtitle, issue number, reviews, interviews and a main story to make the cover look like a real magazine.
3. For the inside pages, the assistant designed the background, added concept art, text describing a game review, page numbers and other details to look like the content of an actual magazine.
Reviewing game magazine adverts
This document discusses several video game covers and magazine pages, analyzing their design elements. Key points discussed include:
1) Game covers use bold screenshots, recognizable fonts and logos, and age ratings to attract buyers. Covers represent genres through character images.
2) Magazine covers stand out with large background images and use consistent fonts and color schemes. Articles summarize important game details.
3) Adverts attract interest through suggestive images related to the game's genre and screenshots showing gameplay highlights. They include developer logos.
The document examines design elements across different games and publications to identify effective techniques for an original cover and magazine pages. Representation of genres, stereotypes, and demographics are also considered
Questionare
The document discusses and asks questions about various retro gaming items from the 1980s including game discs, cartridges, posters, cases, and magazine covers for systems like Nintendo, Atari, PlayStation and Xbox. For each item, it asks if the item links to a main game, if the genre is clear, opinions on the 1980s color scheme, and what is liked about the particular item.
Evaluation 1
This document analyzes how the media product "Time Assassin" effectively uses conventions of real video games to introduce its science fiction narrative. It discusses how the opening level introduces characters and hooks audiences, similarly to films and books. It also explores how the game challenges conventions by having objectives displayed through short on-screen instructions rather than markers, requiring exploration. Collectible items provide backstory information to explain elements to players, mimicking techniques used in other games and media. The document examines how aspects of the game's design, such as its user interface, magazine advertisement, and cover art emulate real video games to attract audiences and integrate it into the science fiction genre.
Evaluation 4
The document describes the process of creating a video game using various media technologies. The author used Unity to build the 3D game environment and characters. Sketchup was used to model detailed 3D assets of a city that were then imported into Unity. Photoshop was used to design user interfaces, a game magazine, and cover. Sound effects and music were added using YouTube, Movie Maker and Unity's audio tools. Through researching games, learning to code in JavaScript and C++, and using modeling, animation and design software, the author was able to construct a complete 3D video game from initial planning through to publication.
Evaluation 2
The document discusses how the main game, magazine, and game cover effectively combine to represent the conventions discussed in a previous question. Specifically, it summarizes that the portal is a key element linking the texts as it is central to gameplay and featured prominently. Screenshots from the game are also used to link the texts by depicting recognizable locations and gameplay elements to attract readers and players. The goal is to realistically portray the texts as cohesively promoting the same game product through shared imagery and references, just as actual media would be linked to promote a new title.
Recommended
Dawn of The Dead Opening Scene
The document discusses various camera shots and techniques used in the opening scene of the movie "Dawn of the Dead". It describes long shots that establish the hospital setting and characters. A pan shot is used to give the viewer the feeling of looking through the main character's eyes as she looks down the street. Extreme long shots show the city in disaster. Close ups are used to emphasize details like a clock showing the urgency of time or a news bulletin announcing breaking news.
Evaluation 3
The document discusses feedback received from testing a game with three different groups. Feedback was received from fellow media students, experienced gamers, and non-gamers. The media students provided expert feedback on improving the game's context and story elements. Experienced gamers critiqued gameplay elements like speed, dialogue, and NPC interactions. Feedback from non-gamers helped identify spelling errors. Testing revealed needed improvements to gameplay, story elements, and spelling errors to engage the target audience.
Designing the magazine
1. The assistant created a realistic magazine cover and inside pages for a fictional gaming magazine by researching real gaming magazines and incorporating consistent design elements.
2. Key elements included selecting fonts, adding a title, subtitle, issue number, reviews, interviews and a main story to make the cover look like a real magazine.
3. For the inside pages, the assistant designed the background, added concept art, text describing a game review, page numbers and other details to look like the content of an actual magazine.
Reviewing game magazine adverts
This document discusses several video game covers and magazine pages, analyzing their design elements. Key points discussed include:
1) Game covers use bold screenshots, recognizable fonts and logos, and age ratings to attract buyers. Covers represent genres through character images.
2) Magazine covers stand out with large background images and use consistent fonts and color schemes. Articles summarize important game details.
3) Adverts attract interest through suggestive images related to the game's genre and screenshots showing gameplay highlights. They include developer logos.
The document examines design elements across different games and publications to identify effective techniques for an original cover and magazine pages. Representation of genres, stereotypes, and demographics are also considered
Questionare
The document discusses and asks questions about various retro gaming items from the 1980s including game discs, cartridges, posters, cases, and magazine covers for systems like Nintendo, Atari, PlayStation and Xbox. For each item, it asks if the item links to a main game, if the genre is clear, opinions on the 1980s color scheme, and what is liked about the particular item.
Evaluation 1
This document analyzes how the media product "Time Assassin" effectively uses conventions of real video games to introduce its science fiction narrative. It discusses how the opening level introduces characters and hooks audiences, similarly to films and books. It also explores how the game challenges conventions by having objectives displayed through short on-screen instructions rather than markers, requiring exploration. Collectible items provide backstory information to explain elements to players, mimicking techniques used in other games and media. The document examines how aspects of the game's design, such as its user interface, magazine advertisement, and cover art emulate real video games to attract audiences and integrate it into the science fiction genre.
Evaluation 4
The document describes the process of creating a video game using various media technologies. The author used Unity to build the 3D game environment and characters. Sketchup was used to model detailed 3D assets of a city that were then imported into Unity. Photoshop was used to design user interfaces, a game magazine, and cover. Sound effects and music were added using YouTube, Movie Maker and Unity's audio tools. Through researching games, learning to code in JavaScript and C++, and using modeling, animation and design software, the author was able to construct a complete 3D video game from initial planning through to publication.
Evaluation 2
The document discusses how the main game, magazine, and game cover effectively combine to represent the conventions discussed in a previous question. Specifically, it summarizes that the portal is a key element linking the texts as it is central to gameplay and featured prominently. Screenshots from the game are also used to link the texts by depicting recognizable locations and gameplay elements to attract readers and players. The goal is to realistically portray the texts as cohesively promoting the same game product through shared imagery and references, just as actual media would be linked to promote a new title.
Time Assassin Guide Book
Twelve has gone off planet again without permission. Their commander sends instructions to activate a secret backup power source at an abandoned teleport shop to enter confidential coordinates and teleport to complete a mission. However, during teleportation something went wrong and Twelve's signal was lost. The commander's new instructions are to eliminate a rogue bounty hunter near a NASA lander on the moon, though they question why the target is there. Communication is lost again due to electromagnetic interference from the moon. The commander admits it was a trap for Twelve, knowing they had gone rogue, and others have been sent to find their hidden portal.
Designing the covers
The document describes the process of creating cover art for a video game for both the Xbox One and PlayStation 4 formats. For the Xbox One cover, stock photos and screenshots from the game were placed above the game's logo and details. Font and layout were chosen to match other Xbox One covers. For the PlayStation 4 cover, a blurred screenshot was used on the back with text inside. Both covers featured the same 1980s retro-style poster on the front and logos down the spine for consistency across formats. The goal was to make the covers look like authentic releases for their respective consoles.
Designing the magazine
1. The document describes the process of designing a magazine cover and inside pages to look realistic. Research was done on existing gaming magazines to understand common design elements.
2. For the cover, key elements like the title, logo, issue number, and main story were placed in typical locations. Photos from a game provided a professional background.
3. The inside pages also aimed to look realistic based on research. A background photo related to the featured game. Text boxes and ratings were placed over the photo in a style consistent with the cover. Details like page numbers and fonts maintained realism.
production plans
The document describes the layouts of five different areas in a video game level: an arcade, streets, a teleport store, a warehouse, and the moon. Each area contains different objects, buildings, and terrain to immerse the player in the setting. For example, the streets area includes several buildings, cars, trash cans holding collectibles, and background images to give the illusion of a larger cityscape. Soundtracks, sound effects, and minimal dialogue are also outlined to enhance the gameplay experience in each unique environment.
Reserach on porgrammign 8 bit
Game Maker is an easy to use point-and-click interface that allows the design of retro-style 8-bit games with characters, scenes, props and enemies. Program requires some programming but makes learning easier and can compile games into installable files. Sploder is a web-based tool for 8-bit games but requires an internet connection. Unity is a cross-platform engine that can be used to create detailed 3D games and levels, allowing improved storytelling through 3D animations.
Design themes for game
The document describes the characters, locations, costumes, and props for a game. There are eight main characters and several secondary characters, though only two are introduced in the first level for mystery. The main character's name is not revealed until the end. Motion capture could be used to animate characters but manual animation may be needed instead. The six initial locations include an arcade, future street, teleport station, warehouse, and moon landscape. Costumes include a casual long coat and armored time assassin outfit. Important props are a futuristic portal, weapons, an arcade machine, and a teleportation panel.
Potential Audience
The document discusses potential age ratings for the author's video game based on an analysis of similar games and audience research. The author considers ratings from both the PEGI (European) and ESRB (American) systems. Based on a game similar to the author's (Crysis 3) receiving an 18 rating for its realistic violence and language, the author thinks an 18 rating may be appropriate. However, a survey of friends found that most would play a game with an 18 rating. The author will need to review the content descriptors and categories of both rating systems to determine the most suitable rating.
Game cover and magazine analysis
The document discusses the cover designs of several video games and magazines. It analyzes design elements like fonts, color schemes, images and layouts. Key points include:
1) Game covers like Portal 2 effectively portray the game through simple visuals like characters and portals. Magazine covers stand out with bold background images and use of color schemes associated with their console brand.
2) Designs are inspired by retro games like Pac-Man and Space Invaders for their recognizable fonts and use of bold borders. Game covers also portray the tone and themes of the game through characters and environments.
3) Magazine layouts emphasize detailed background images and utilize different fonts and text styles for visual interest. They advertise upcoming
Games research
The Batman Arkham trilogy is considered one of the best video game trilogies due to its rich storyline, memorable characters, and thrilling gameplay. The trilogy consists of Arkham Asylum, Arkham City, and Arkham Origins, which tell an epic story over the course of one night as Batman battles his greatest enemies like the Joker. The games are praised for making the player feel like Batman through the fighting system and wide array of side missions and collectibles.
Game research
The document discusses two video game trilogies - the Batman Arkham trilogy and the Tomb Raider reboot trilogy. It summarizes the storylines and key events of each game in the trilogies. It also discusses gameplay elements like combat systems and character representations that made each trilogy engaging. Additionally, it examines the Elder Scrolls III: Morrowind and details how it was pioneering for its open world design that placed the player's created character at the center of the story.
Game Themes
This document discusses various literary and narrative theories that could be applied to a science fiction video game story. It describes Roland Barthes' five codes for creating mystery and tension in narratives. It also outlines Claude Levi-Strauss' structuralism theory and Tzvetan Todorov's five-step narrative pattern of equilibrium, disruption, realization, restored order, and new equilibrium. The document proposes applying these theories to the story of a "Time Assassin" character who is sent on assignments that create disequilibrium according to Todorov's model, before order is restored and the cycle repeats if a sequel is made. Barthes' codes could also be employed to add plot twists, mysteries, and tension to
represntation
This document discusses how the media project represents various social groups. It represents suppressed, strong, and courageous people through the main character and film opening. Specifically, it depicts Native Americans during the Civil War who were suppressed and treated unequally. The character Connor is a Native American assassin who fights for Native American freedom and equality. The assassins represent a social group that fights for peace against oppressive groups like the Templars. In the future scenes, the descendant of Connor also fights for freedom as the Templars now have full control, representing the dichotomy between the wealthy controlling class and oppressed people. The film aims to represent social groups like Native Americans and assassins equally and does not focus on gender or
1.) How does your media product challenge forms and conventions of real media...
The media product challenges conventions through its opening titles and soundtrack.
The opening titles for the fictional distributors "Network Films" and "Digital Bravado Productions" were designed to look professionally produced and realistic through animated wire movements and 3D metal textures.
Soundtracks from the video game Assassin's Creed were used appropriately based on the situation, such as music for running scenes and future/pressure scenes. Sound effects were also added precisely in post-production to emphasize actions like digging or punching and make the film feel more realistic.
Storyboard
The document provides planning details for filming a movie scene in a forest location. It outlines several important shots to capture, including an extreme long shot of the character running through the forest with the camera following but focusing on the character and not the trees passing by. Another shot is a slow motion over the shoulder shot of the character walking away from the camera towards a gravestone with the character's shoulder in focus rather than the gravestone. The document emphasizes planning key shots and focusing on important elements like a character or object rather than the surrounding trees and background given that the forest location may not match the storyboard exactly.
Dredd opening
This document provides a summary and analysis of the opening scenes of the film "Dredd". It describes several establishing shots that show the futuristic city from different distances and perspectives in order to familiarize the audience with the setting. Crime clips are then shown to set up why a character like Judge Dredd is needed to enforce law and order in this dystopian world. Close ups of Dredd preparing his armor and weapons are intercut with shots of the city and crime. The opening title sequence then explodes onto the screen in an attention-grabbing way to set the tone for the violent and gritty story.
Experiments with the camera
The document provides instructions and descriptions for filming techniques used to capture different shots for a video project. It details taping a camera to the face to get a first-person perspective of climbing a tree. It also describes filling a box with water and placing an underwater camera in it to capture a high-angle shot of walking toward the camera, which gave a realistic underwater effect. The last part discusses using authentic soundtrack music and sounds from a game to make the film's opening more realistic.
Analysis of title sequences and research into institutions
The document discusses key aspects of low-budget, independent, and international co-produced films. Low-budget films are produced without major studio funding and are often used by young directors to prove their talents. Many low-budget films that do not gain attention are sent straight to retail. Independent films are produced and distributed outside major studios and have limited releases but can also have wide marketing campaigns. International co-productions involve production companies from two or more countries working together on a film.
Timeline
This document outlines the production timeline and process for filming a movie. It details various location scouting trips in January 2015 and filming sessions throughout February 2015 at Needham Lakes, Rendlesham Forest, and local heath lands. The filming included establishing shots, slow motion footage, and modern day scenes. Editing and digitally grading of footage occurred concurrently. Feedback was gathered from intended audiences to improve the opening sequence, which was completed and uploaded to YouTube by early March 2015. Resources used included costumes, props, camera equipment, transportation, audiences for feedback, and editing software.
Casting
The document discusses the writer and director's choices in casting the lead roles for their film. The writer chose themselves to play the lead protagonist because they have the best understanding of the character's backstory. The lead plays two characters from different time periods, and was able to capture the movements and feelings of each character. The second lead was chosen because they could perform their own stunts and bring emotion to their conflicted character. The female lead from the 18th century setting was good for her part as she could perform her own stunts and had superior acting compared to other actresses considered for the role.
Locations
Rendlesham Forest had a large variety of hills and trees that provided many options for filming, though the filming locations were limited by how far they could walk from the car each day before it got dark. Foxhall Heath, which was close to where the filmmaker lived, was used for scenes requiring trees further apart or climbing trees. Needham Lakes was scouted first due to its proximity, and a place was found along the edge of the Gipping River that looked suitable for a scene taking place at the edge of a forest overlooking a river.
More Related Content
More from quantumdominic
Time Assassin Guide Book
Twelve has gone off planet again without permission. Their commander sends instructions to activate a secret backup power source at an abandoned teleport shop to enter confidential coordinates and teleport to complete a mission. However, during teleportation something went wrong and Twelve's signal was lost. The commander's new instructions are to eliminate a rogue bounty hunter near a NASA lander on the moon, though they question why the target is there. Communication is lost again due to electromagnetic interference from the moon. The commander admits it was a trap for Twelve, knowing they had gone rogue, and others have been sent to find their hidden portal.
Designing the covers
The document describes the process of creating cover art for a video game for both the Xbox One and PlayStation 4 formats. For the Xbox One cover, stock photos and screenshots from the game were placed above the game's logo and details. Font and layout were chosen to match other Xbox One covers. For the PlayStation 4 cover, a blurred screenshot was used on the back with text inside. Both covers featured the same 1980s retro-style poster on the front and logos down the spine for consistency across formats. The goal was to make the covers look like authentic releases for their respective consoles.
Designing the magazine
1. The document describes the process of designing a magazine cover and inside pages to look realistic. Research was done on existing gaming magazines to understand common design elements.
2. For the cover, key elements like the title, logo, issue number, and main story were placed in typical locations. Photos from a game provided a professional background.
3. The inside pages also aimed to look realistic based on research. A background photo related to the featured game. Text boxes and ratings were placed over the photo in a style consistent with the cover. Details like page numbers and fonts maintained realism.
production plans
The document describes the layouts of five different areas in a video game level: an arcade, streets, a teleport store, a warehouse, and the moon. Each area contains different objects, buildings, and terrain to immerse the player in the setting. For example, the streets area includes several buildings, cars, trash cans holding collectibles, and background images to give the illusion of a larger cityscape. Soundtracks, sound effects, and minimal dialogue are also outlined to enhance the gameplay experience in each unique environment.
Reserach on porgrammign 8 bit
Game Maker is an easy to use point-and-click interface that allows the design of retro-style 8-bit games with characters, scenes, props and enemies. Program requires some programming but makes learning easier and can compile games into installable files. Sploder is a web-based tool for 8-bit games but requires an internet connection. Unity is a cross-platform engine that can be used to create detailed 3D games and levels, allowing improved storytelling through 3D animations.
Design themes for game
The document describes the characters, locations, costumes, and props for a game. There are eight main characters and several secondary characters, though only two are introduced in the first level for mystery. The main character's name is not revealed until the end. Motion capture could be used to animate characters but manual animation may be needed instead. The six initial locations include an arcade, future street, teleport station, warehouse, and moon landscape. Costumes include a casual long coat and armored time assassin outfit. Important props are a futuristic portal, weapons, an arcade machine, and a teleportation panel.
Potential Audience
The document discusses potential age ratings for the author's video game based on an analysis of similar games and audience research. The author considers ratings from both the PEGI (European) and ESRB (American) systems. Based on a game similar to the author's (Crysis 3) receiving an 18 rating for its realistic violence and language, the author thinks an 18 rating may be appropriate. However, a survey of friends found that most would play a game with an 18 rating. The author will need to review the content descriptors and categories of both rating systems to determine the most suitable rating.
Game cover and magazine analysis
The document discusses the cover designs of several video games and magazines. It analyzes design elements like fonts, color schemes, images and layouts. Key points include:
1) Game covers like Portal 2 effectively portray the game through simple visuals like characters and portals. Magazine covers stand out with bold background images and use of color schemes associated with their console brand.
2) Designs are inspired by retro games like Pac-Man and Space Invaders for their recognizable fonts and use of bold borders. Game covers also portray the tone and themes of the game through characters and environments.
3) Magazine layouts emphasize detailed background images and utilize different fonts and text styles for visual interest. They advertise upcoming
Games research
The Batman Arkham trilogy is considered one of the best video game trilogies due to its rich storyline, memorable characters, and thrilling gameplay. The trilogy consists of Arkham Asylum, Arkham City, and Arkham Origins, which tell an epic story over the course of one night as Batman battles his greatest enemies like the Joker. The games are praised for making the player feel like Batman through the fighting system and wide array of side missions and collectibles.
Game research
The document discusses two video game trilogies - the Batman Arkham trilogy and the Tomb Raider reboot trilogy. It summarizes the storylines and key events of each game in the trilogies. It also discusses gameplay elements like combat systems and character representations that made each trilogy engaging. Additionally, it examines the Elder Scrolls III: Morrowind and details how it was pioneering for its open world design that placed the player's created character at the center of the story.
Game Themes
This document discusses various literary and narrative theories that could be applied to a science fiction video game story. It describes Roland Barthes' five codes for creating mystery and tension in narratives. It also outlines Claude Levi-Strauss' structuralism theory and Tzvetan Todorov's five-step narrative pattern of equilibrium, disruption, realization, restored order, and new equilibrium. The document proposes applying these theories to the story of a "Time Assassin" character who is sent on assignments that create disequilibrium according to Todorov's model, before order is restored and the cycle repeats if a sequel is made. Barthes' codes could also be employed to add plot twists, mysteries, and tension to
represntation
This document discusses how the media project represents various social groups. It represents suppressed, strong, and courageous people through the main character and film opening. Specifically, it depicts Native Americans during the Civil War who were suppressed and treated unequally. The character Connor is a Native American assassin who fights for Native American freedom and equality. The assassins represent a social group that fights for peace against oppressive groups like the Templars. In the future scenes, the descendant of Connor also fights for freedom as the Templars now have full control, representing the dichotomy between the wealthy controlling class and oppressed people. The film aims to represent social groups like Native Americans and assassins equally and does not focus on gender or
1.) How does your media product challenge forms and conventions of real media...
The media product challenges conventions through its opening titles and soundtrack.
The opening titles for the fictional distributors "Network Films" and "Digital Bravado Productions" were designed to look professionally produced and realistic through animated wire movements and 3D metal textures.
Soundtracks from the video game Assassin's Creed were used appropriately based on the situation, such as music for running scenes and future/pressure scenes. Sound effects were also added precisely in post-production to emphasize actions like digging or punching and make the film feel more realistic.
Storyboard
The document provides planning details for filming a movie scene in a forest location. It outlines several important shots to capture, including an extreme long shot of the character running through the forest with the camera following but focusing on the character and not the trees passing by. Another shot is a slow motion over the shoulder shot of the character walking away from the camera towards a gravestone with the character's shoulder in focus rather than the gravestone. The document emphasizes planning key shots and focusing on important elements like a character or object rather than the surrounding trees and background given that the forest location may not match the storyboard exactly.
Dredd opening
This document provides a summary and analysis of the opening scenes of the film "Dredd". It describes several establishing shots that show the futuristic city from different distances and perspectives in order to familiarize the audience with the setting. Crime clips are then shown to set up why a character like Judge Dredd is needed to enforce law and order in this dystopian world. Close ups of Dredd preparing his armor and weapons are intercut with shots of the city and crime. The opening title sequence then explodes onto the screen in an attention-grabbing way to set the tone for the violent and gritty story.
Experiments with the camera
The document provides instructions and descriptions for filming techniques used to capture different shots for a video project. It details taping a camera to the face to get a first-person perspective of climbing a tree. It also describes filling a box with water and placing an underwater camera in it to capture a high-angle shot of walking toward the camera, which gave a realistic underwater effect. The last part discusses using authentic soundtrack music and sounds from a game to make the film's opening more realistic.
Analysis of title sequences and research into institutions
The document discusses key aspects of low-budget, independent, and international co-produced films. Low-budget films are produced without major studio funding and are often used by young directors to prove their talents. Many low-budget films that do not gain attention are sent straight to retail. Independent films are produced and distributed outside major studios and have limited releases but can also have wide marketing campaigns. International co-productions involve production companies from two or more countries working together on a film.
Timeline
This document outlines the production timeline and process for filming a movie. It details various location scouting trips in January 2015 and filming sessions throughout February 2015 at Needham Lakes, Rendlesham Forest, and local heath lands. The filming included establishing shots, slow motion footage, and modern day scenes. Editing and digitally grading of footage occurred concurrently. Feedback was gathered from intended audiences to improve the opening sequence, which was completed and uploaded to YouTube by early March 2015. Resources used included costumes, props, camera equipment, transportation, audiences for feedback, and editing software.
Casting
The document discusses the writer and director's choices in casting the lead roles for their film. The writer chose themselves to play the lead protagonist because they have the best understanding of the character's backstory. The lead plays two characters from different time periods, and was able to capture the movements and feelings of each character. The second lead was chosen because they could perform their own stunts and bring emotion to their conflicted character. The female lead from the 18th century setting was good for her part as she could perform her own stunts and had superior acting compared to other actresses considered for the role.
Locations
Rendlesham Forest had a large variety of hills and trees that provided many options for filming, though the filming locations were limited by how far they could walk from the car each day before it got dark. Foxhall Heath, which was close to where the filmmaker lived, was used for scenes requiring trees further apart or climbing trees. Needham Lakes was scouted first due to its proximity, and a place was found along the edge of the Gipping River that looked suitable for a scene taking place at the edge of a forest overlooking a river.
More from quantumdominic (20)
1.) How does your media product challenge forms and conventions of real media...
1.) How does your media product challenge forms and conventions of real media...
Analysis of title sequences and research into institutions
Analysis of title sequences and research into institutions