The document discusses the City of Houston's civic art process and funding sources. It explains that the Houston Arts Alliance manages the commissioning and acquisition of artworks for the city through contracts with various city departments. Funding comes from a 1.75% allocation of capital improvement budgets, with additional funds possible. Successful civic art projects require collaboration between various groups. It provides examples of civic art commissions and recommends involving the Arts Alliance early in the design process to integrate art appropriately. Other potential funding sources for public art are also listed.
The briefing covers an introduction to Neighbourhood Planning (NP), a summary of the processes, the opportunities offered, understanding around the needs of NP groups, role opportunities and skills needed, and what you can do to help develop better NP.
Urban Development - Investing in the business potential of displaced people in cities like Freelandia’s capital city of Quema and to identify the biggest risks for these opportunities
The briefing covers an introduction to Neighbourhood Planning (NP), a summary of the processes, the opportunities offered, understanding around the needs of NP groups, role opportunities and skills needed, and what you can do to help develop better NP.
Urban Development - Investing in the business potential of displaced people in cities like Freelandia’s capital city of Quema and to identify the biggest risks for these opportunities
Joe is leading the Health Extension community - working to extend healthy lifespan beyond current limits. Its flagship is it's monthly salon series held at Y Combinator attended by about 100 Silicon Valley scientists, investors, entrepreneu rs, designers, developers. Joe began professionally as an electronics designer while in high school, went to Harvard to study biophysics and got a degree in Environmental Geoscience, published quantum tunneling research (Science) from his fellowship at Caltech, did Ocean Chemistry and built robots at MIT, founded OQO which made the world's smallest PC (Guinness, 2006), filed and sold scores of patents in thermal engineering, user interfaces, electronics miniaturization, cloud computing, wireless power and tunable antennas. He has worked at the summit of the Greenland Ice Sheet and at the bottom of the Pacific Ocean and is now passionately working to bring the vision of HealthExtension.co to fruition.
"Grant Writing for Artists" by Ellen Lake from kala.org (ellen@kala.org) is a four hour workshop at presented at The Society for Photographic Education West Regional Conference at Humboldt State University, October 2013. Lake is an Oakland based media artist and Kala Art Institute's Grants Manager, combines lessons learned from her own art practice and experience in the arts administration to bring you the latest in funding trends. Ellen received her MFA from Mills College in 2002. She is the recipient of Bay Area Video Coalition's 2005/2006 Mediamaker Award, 2009 Sarah Jacobson Award, and 2012 Experimental Media Arts Lab residency award at Stanford University. She can be reached at ellen@kala.org.
Joe is leading the Health Extension community - working to extend healthy lifespan beyond current limits. Its flagship is it's monthly salon series held at Y Combinator attended by about 100 Silicon Valley scientists, investors, entrepreneu rs, designers, developers. Joe began professionally as an electronics designer while in high school, went to Harvard to study biophysics and got a degree in Environmental Geoscience, published quantum tunneling research (Science) from his fellowship at Caltech, did Ocean Chemistry and built robots at MIT, founded OQO which made the world's smallest PC (Guinness, 2006), filed and sold scores of patents in thermal engineering, user interfaces, electronics miniaturization, cloud computing, wireless power and tunable antennas. He has worked at the summit of the Greenland Ice Sheet and at the bottom of the Pacific Ocean and is now passionately working to bring the vision of HealthExtension.co to fruition.
"Grant Writing for Artists" by Ellen Lake from kala.org (ellen@kala.org) is a four hour workshop at presented at The Society for Photographic Education West Regional Conference at Humboldt State University, October 2013. Lake is an Oakland based media artist and Kala Art Institute's Grants Manager, combines lessons learned from her own art practice and experience in the arts administration to bring you the latest in funding trends. Ellen received her MFA from Mills College in 2002. She is the recipient of Bay Area Video Coalition's 2005/2006 Mediamaker Award, 2009 Sarah Jacobson Award, and 2012 Experimental Media Arts Lab residency award at Stanford University. She can be reached at ellen@kala.org.
Presentation from our Grants for the arts Libraries fund workshops. For more information on the fund visit www.artscouncil.org.uk/funding/apply-for-funding/grants-arts-libraries-fund
Writing a great grant 2014 (Individual Artists)Fresh Arts
Writing a Great Grant: An Overview for Individual Artists
Led by: Jenni Rebecca Stephenson, Executive Director of Fresh Arts, with Christa Forster, author and 4-time winner of the Houston Arts Alliance Individual Artist Grant
For individual artists // limited to 50 registrants
Wednesday, October 22 , 6:30 p.m. – 8:30 p.m. @ Fresh Arts
Join Fresh Arts’ executive director Jenni Rebecca Stephenson and 4-time HAA Individual Artist Grant recipient and author, Christa Forster, for a two-hour in depth presentation on best practices when composing and applying for artist project grants. Additionally, Houston Arts Alliance Grants Manager Shannon Teasley will be present to answer any specific question related to the Individual Artist Grant.
Our goal with this workshop is to help local artists develop and refine their grant writing skills and to highlight some important and attainable grants administered locally, such as the Houston Arts Alliance's Individual Artist Grant and the Idea Fund. Even if you do not plan to submit any proposals this fall, this overview will be a fantastic opportunity to develop your strategies for framing your work and honing your grant-writing skills.
Representatives from both the Houston Arts Alliance and the Idea Fund will be on hand to answer questions about these grant opportunities.
Public Art as a Driver of Urban Transformation in Douala in Re-Imagining the ...Iolanda Pensa
Public Art as a Driver of Urban Transformation in Douala.
in Re-Imagining the African City: The Arts and Urban Politics. Workshop Basel, 11/03/2016.
Iolanda Pensa, Marilyn Douala Bell and Marta Pucciarelli, SUPSI and doual’art.
A tutorial on applying for an Artist Project Grant through the Orange County Arts Commission. Providing visual, performing, and literary artists grants for projects based in Chapel Hill, Carrboro, and Hillsborough, North Carolina.
RV 2014: Community Engagement and Corridor Development InitiativeRail~Volution
Community Engagement + Corridor Development Initiative = Results
After a difficult development project review process, have you ever wished there was a better way? Now there is. Learn about the Corridor Development Initiative (CDI) in this interactive workshop. Discover how neighbors can guide redevelopment to reflect their community vision -- how developers can reduce the amount of time between submitting a proposal and breaking ground. Join LISC Twin Cities to see how CDI's hands-on, win-win approach moves potential TOD opportunity sites into actual projects. CDI has been replicated by the Chicago Metropolitan Planning Council and is being considered by the Denver Regional Council of Governments. Hear why CDI has become a best practice in the Twin Cities and whether it might be right for your organization.
Gretchen Nicholls, Program Officer, Local Initiatives Support Corporation, St. Paul, Minnesota
Barbara Raye, Director, Center for Planning, Policy and Performance, St. Paul, Minnesota
Yonah Freemark, Project Manager, Metropolitan Planning Council, Chicago, Illinois
Ashley Kaade, AICP, Planner II, Stakeholder Engagement, Denver Regional Council of Governments, Denver, Colorado
Huntsville, Alabama is one of the most recognized cities in the Southeast - named as one of the best places to live and work by a variety of national publications and recognized as a premier location for both business and quality of life. Recently, Forbes named Huntsville one of the nation’s Top 10 Places for Business and Careers. In 2012, the City of Huntsville launched a citizen engagement campaign that solicited public feedback on subjects such as park revitalization and improvements to the historic district. It served as an online town hall and was used to make numerous decisions about city planning.
Learn how the City of Huntsville:
- launched the BIG Picture, an 18-month comprehensive master urban planning initiative that would shape the future of Huntsville for decades to come
- fostered dialogue within the community that was valuable, respectful, and appreciated by citizens
- validated and fast-tracked issues in the planning phase
A tutorial on applying for an Artist Project Grant through the Orange County Arts Commission. Providing visual, performing, and literary artists grants for projects based in Chapel Hill, Carrboro, and Hillsborough, North Carolina.
PowerPoint presentation given to downtown stakeholders at the first Downtown Nanticoke Alliance community forum.
Outlines the DNA Main Street economic development program initiative for downtown Nanticoke, PA.
Location: The Samantha Mill House, Nanticoke, PA.
Presented by: Frank L. Knorek Jr.
Date: 09/09/2010
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3. What this talk will cover
•How the City of Houston Civic Art Process
works
•How Civic Art funds generated by the Percent
for Art Ordinance works
•Lessons learned
•Other funding opportunities
•Where to go to learn national best practices in
Civic art
5. Houston Arts Alliance, through its Civic Art +
Design department, manages the process of
commissioning, acquiring and conserving
artworks for the City of Houston’s art
collection.
6. HAA accomplishes this by entering into contracts
with the General Services Department, Houston
Airport System and Houston First Corporation.
Civic art projects thus constitute a collaboration
between HAA and City of Houston departments
and corporate entities.
7. Funding for civic art comes primarily from the
1.75% civic art allocation included in the budgets
of City of Houston Capital Improvement Program
projects for vertical construction. A City department
may also elect to allocate funds to a civic art
project over and above the mandated 1.75%.
8. HAA does not control the City’s civic art funds. The
funds are held by the City Finance Department
until a City department decides to expend them. At
that time, HAA works with the relevant department,
GSD and the project architect to scope the project.
9. What does this really mean?
• If your firm is contracted to design a City of Houston
facility, Civic Art dollars are very likely to be available
• Recommend that your firm include HAA Civic Art +
Design department in the schematic design phase; this
will assure that the Civic Art project will be designed to
work for the building and for the Client.
• Civic art funding amount is determined by GSD and the
Client department based on the accumulated funds
available to that particular department
10. The key to a successful COH Civic Art project
is collaboration between the following:
• General Services Department and the assigned project
manager
• The Client Department Director and the assigned project
manager
• The Architect
• Houston Arts Alliance Civic Art + Design
• The selected artist or artist/team
• The Contractor
• Contractor’s Subs
11. Lessons learned
• Setting up planning meetings early on is key to a successful
and smoothly managed project
• Planning the Civic Art project early on saves time and
money. It also assures artwork that works well with the
building. It cuts back on change orders later in the project.
• Rushing the selection process and starting the process late
leads to expensive and headache-inducing challenges
down the road
• It takes time to get everyone on board
12. commissioning process
• Request for Qualifications, reviewed by a panel of arts
experts, client representative and often the architect
• Request for Proposals, reviewed by a panel of arts
experts and client representative
• Approval by Civic Art Committee and HAA Board of
Directors
• Final approval by Client
• Artist is commissioned to create the proposed work
13. For more information
Go to the Civic Art + Design section of the
Houston Arts Alliance website:
www.houstonartsalliance.com for detailed
information on Civic Art process, policies and
procedures.
40. Other funding sources (only for non
profits)
• The National Endowment for the Arts
• Houston Arts Alliance
• Texas Commission on the Arts
• Artplace
• Other cities with percent for art ordinances
• Client funding
• The Project for Public Spaces has a detailed outline of funding
sources and strategies:
http://www.pps.org/reference/artfunding/
41. “Securing adequate funding is the cornerstone of any public art
program. Aside from donations from private individuals and
corporations, there are a number of approaches through which to
garner financial support for art. These ways can be broken into
four broad tracts: public/private sector endeavors; percent- and
non-percent-for-art programs; developer participation; and local
funding sources.
Public/Private Sector Collaborations
Percent- and Non-Percent-for-Art Programs
Soliciting Participation from Developers
Alternate Funding Sources”
From The Project for Public Spaces
42. “Public/Private Sector Collaborations: On the non-development
side, opportunities for public art could be nurtured as part of the
ongoing, existing local programs. A city or business could partner
with these organizations to involve artists in:
• Designing gardens and plantings;
• Creating destinations in green spaces, along paths and at
nodes, anchoring spaces for rest, recreation, play, and
gathering;
• Installing art exhibits in vacant storefronts to improve a
building’s — and neighborhood’s — overall image;
• Encouraging local museums to loan out works of public art
for temporary placement throughout the downtown; and
• Hosting exhibits in publicly accessible places, including
municipal, state, and federal buildings.”
43. National best practices
Americans for the Arts Public Art Network (PAN)
develops professional services for the broad
array of individuals and organizations engaged in
the diverse field of public art.
Their website includes:
•A searchable database of public art projects
•Guide to best practices in artist selection
•Sample RFQs, RFP’s and artists agreements