Cinémonde is a private film series in New York City that screens thought-provoking independent films. Soirée #9 will be held on March 2, 2009 at the Tribeca Grand Hotel, beginning with an open bar reception at 6:30 pm, followed by a screening of the Italian film Mid-August Lunch. The film's director Gianni Di Gregorio will be in attendance for a discussion. A short film called Thomas Comma will also be screened. Tickets cost $45 and must be reserved in advance through the Cinémonde website.
The programme for the Aesthetica Short Film Festival includes film collections in different genres each day, as well as masterclasses and a university showcase. On Tuesday the genres included are comedy, experimental, and music video. The guest programme for Wednesday is titled "Tales from Isolation" from Short of the Week. The document provides summaries of four short films screened at the festival: "Knock Door Run", "Werewolf", "System Error", and "Shuttlecock". It also briefly summarizes the short film "Idol", praising its realistic portrayal of the child performer industry and disturbing tone.
This document provides a detailed analysis of the visual, audio, technical, action, and narrative codes used in the trailer for the thriller film Eden Lake. It examines how the trailer uses bright colors and calm music at the beginning to establish the main characters' happiness before shifting to darker tones and ominous sounds as their situation takes a turn for the worse with the introduction of a gang of violent teenagers. The analysis explores how camera angles, quick editing, and flashes of red are employed to build tension and suggest impending danger.
The trailer is for a horror film called Evil Dead that takes place in a remote cabin in the woods. Five friends unwittingly summon demons from a Book of Dead they discover. The demons begin possessing the friends one by one until only one is left to fight for survival. The trailer uses ominous shots of the dark woods and cabin along with unsettling non-diegetic sounds to set a scary, sinister mood that suggests the film is a horror. It also employs quick cuts and close-ups during intense scenes to build tension and emphasize gore.
This document summarizes some key codes and conventions of the thriller and horror genres seen in the films The Hateful Eight, Mad Max: Fury Road, Eli, and Hereditary. It discusses iconic opening scenes in The Hateful Eight and Mad Max: Fury Road that set tension through the use of music, shots, and lack of characters. It also analyzes a chilling scene late in Hereditary where the character Anne's headless body hovers up a treehouse to unsettling music, making the audience feel vulnerable. Both films examined employ elements common to thrillers like an imbalance of power, tense music, and unnerving visuals and settings to disturb audiences.
The document provides a detailed analysis of the technical aspects of the horror film Saw II, including mise-en-scene, editing, camerawork, and sound. Quick cuts, close-ups, and amplified sounds are used to build tension and emphasize the pain and fear experienced by the characters. Camera angles make the victims seem small and helpless. Settings with sparse lighting and furniture create a sense of hopelessness. Sound is also used to create unease, such as the absence of noise and amplified ticking of a stopwatch. Overall, the film's technical elements effectively engage the audience and convey themes of torture, psychological games, and the consequences of not following Jigsaw's rules.
The document discusses key elements of the films Scream, Shutter Island, and The Dark Knight. It analyzes the trailers and key scenes of each film, noting references to other works, characters, music, camerawork, colors, and how information is conveyed to the audience. Box office and critic reception is also mentioned. The document examines how each film establishes narrative and builds tension through various cinematic techniques.
The document discusses how the media product utilizes conventions of real horror films in its forms and techniques. It describes using typical horror props like a noose and axe to portray the main character as a sinister killer and create tension. Shots of a run-down shed are used to imply something disturbing is happening there. Editing techniques like intercutting between the character and shed build suspense. Non-diegetic music and free sound effects like screams also help construct an unsettling atmosphere. Through these cinematic methods, the media product adopts conventions from slasher and psychological horror genres to craft a recognizable horror story.
1) The document discusses the filmmakers' opening sequence for a horror film and how it develops conventions of the genre.
2) They chose to film at an isolated lake location that had a mysterious history of a drowning, to set an eerie atmosphere.
3) The clown costume worn by the antagonist contained dark colors associated with danger and evil that is common in horror, while the protagonist's lighter colors signified innocence, conforming to representations in media.
The programme for the Aesthetica Short Film Festival includes film collections in different genres each day, as well as masterclasses and a university showcase. On Tuesday the genres included are comedy, experimental, and music video. The guest programme for Wednesday is titled "Tales from Isolation" from Short of the Week. The document provides summaries of four short films screened at the festival: "Knock Door Run", "Werewolf", "System Error", and "Shuttlecock". It also briefly summarizes the short film "Idol", praising its realistic portrayal of the child performer industry and disturbing tone.
This document provides a detailed analysis of the visual, audio, technical, action, and narrative codes used in the trailer for the thriller film Eden Lake. It examines how the trailer uses bright colors and calm music at the beginning to establish the main characters' happiness before shifting to darker tones and ominous sounds as their situation takes a turn for the worse with the introduction of a gang of violent teenagers. The analysis explores how camera angles, quick editing, and flashes of red are employed to build tension and suggest impending danger.
The trailer is for a horror film called Evil Dead that takes place in a remote cabin in the woods. Five friends unwittingly summon demons from a Book of Dead they discover. The demons begin possessing the friends one by one until only one is left to fight for survival. The trailer uses ominous shots of the dark woods and cabin along with unsettling non-diegetic sounds to set a scary, sinister mood that suggests the film is a horror. It also employs quick cuts and close-ups during intense scenes to build tension and emphasize gore.
This document summarizes some key codes and conventions of the thriller and horror genres seen in the films The Hateful Eight, Mad Max: Fury Road, Eli, and Hereditary. It discusses iconic opening scenes in The Hateful Eight and Mad Max: Fury Road that set tension through the use of music, shots, and lack of characters. It also analyzes a chilling scene late in Hereditary where the character Anne's headless body hovers up a treehouse to unsettling music, making the audience feel vulnerable. Both films examined employ elements common to thrillers like an imbalance of power, tense music, and unnerving visuals and settings to disturb audiences.
The document provides a detailed analysis of the technical aspects of the horror film Saw II, including mise-en-scene, editing, camerawork, and sound. Quick cuts, close-ups, and amplified sounds are used to build tension and emphasize the pain and fear experienced by the characters. Camera angles make the victims seem small and helpless. Settings with sparse lighting and furniture create a sense of hopelessness. Sound is also used to create unease, such as the absence of noise and amplified ticking of a stopwatch. Overall, the film's technical elements effectively engage the audience and convey themes of torture, psychological games, and the consequences of not following Jigsaw's rules.
The document discusses key elements of the films Scream, Shutter Island, and The Dark Knight. It analyzes the trailers and key scenes of each film, noting references to other works, characters, music, camerawork, colors, and how information is conveyed to the audience. Box office and critic reception is also mentioned. The document examines how each film establishes narrative and builds tension through various cinematic techniques.
The document discusses how the media product utilizes conventions of real horror films in its forms and techniques. It describes using typical horror props like a noose and axe to portray the main character as a sinister killer and create tension. Shots of a run-down shed are used to imply something disturbing is happening there. Editing techniques like intercutting between the character and shed build suspense. Non-diegetic music and free sound effects like screams also help construct an unsettling atmosphere. Through these cinematic methods, the media product adopts conventions from slasher and psychological horror genres to craft a recognizable horror story.
1) The document discusses the filmmakers' opening sequence for a horror film and how it develops conventions of the genre.
2) They chose to film at an isolated lake location that had a mysterious history of a drowning, to set an eerie atmosphere.
3) The clown costume worn by the antagonist contained dark colors associated with danger and evil that is common in horror, while the protagonist's lighter colors signified innocence, conforming to representations in media.
The document analyzes several movie posters and magazine covers. Key details include:
1) Posters use taglines, images of villains/characters, fonts, and dates to attract audiences and convey the tone and genre of the film.
2) Magazine covers showcase lead actors, use bright colors and fonts to highlight featured articles, and provide information about additional content.
3) Visual elements are carefully designed and positioned to attract readers' and moviegoers' attention when displayed with other materials. Consistent color schemes and design conventions are also used across materials.
Kimberly my favorite movie: The SmurfsBlack Convoy
The document summarizes the writer's favorite movie, The Smurfs (2011). It is an animated comedy and adventure film featuring small, blue creatures called Smurfs. The Smurfs are described as amazing, funny and entertaining. Singer Katy Perry provided the voice of Smurfette and is praised as talented. The writer's favorite part is when the villain Gargamel is running and his cat is laughing at him.
Psychological thrillers and horror movies have evolved over the years, driven by directors like David Fincher known for films like Se7en, Fight Club, The Girl with the Dragon Tattoo, and The Social Network. These modern psychological thrillers use complex imagery and nonlinear storytelling to keep audiences guessing. Older examples like Donnie Darko also use confusing imagery open to interpretation. A key element of thrillers is misdirecting the audience through misleading clues to create an unexpected plot twist revealing a surprise villain. Advances in filmmaking technology have enhanced suspense through music, camera work, and graphics.
The document analyzes three film trailers - The Skeleton Key, Shutter Island, and A Nightmare on Elm Street. It identifies the producers and institutional codes of each film. It then examines the key selling points, how each trailer establishes genre/mood/expectations, and which elements would or would not work for the author's own trailer. The target audiences and how audiences are explicitly targeted are discussed. Finally, it analyzes the narrative structure of trailers and why they are constructed this way.
The document provides a detailed shot-by-shot summary of the opening scenes and trailer for the film Friday the 13th. It describes various shots showing the isolated cabin, mysterious lights, a woman recounting her son's drowning, sounds of wind and a scared person running to build tension. Jump cuts present brief flashes of the killer holding a torch and the film's director is credited before a fast collage of clips leaves the audience with an unsettled but intrigued feeling.
This film summary provides information about the movie "String Along" in 3 sentences:
The movie follows a young woman named Delilah who is romantically involved with two men at the same time, enjoying the attention from both. However, her juggling of the two relationships becomes increasingly complicated and takes an intense turn when the men unexpectedly meet and clash over her. The film examines the themes of fate and romance gone wrong through Delilah's chaotic journey as the string connecting her to her lovers becomes tangled and eventually unravels with shocking consequences.
The media product is a short psychological thriller film titled "Morning Ride" posted on YouTube. It follows conventions of the thriller genre by establishing a mystery around a man who is picked up by a taxi driver and drugged. However, it also leaves some ambiguity and questions unanswered at the end. In filming and editing, techniques were used like close-ups, lighting, and soundtrack to build tension and mystery while challenging conventions by leaving the narrative and protagonist's innocence somewhat ambiguous and open to interpretation. Overall, the film was deemed successful in following genre conventions while also developing them through its mystery and ambiguity.
The movie "String Along" follows a young woman named Delilah who is romantically involved with two men at the same time, playing with their emotions and feelings. As tensions rise between the two suitors, the film builds to a climactic confrontation where hearts are broken as the "red string of fate" that tied them together becomes undone. The film is a fast-paced romantic drama that explores the complexities of love and relationships in an unconventional yet heartbreaking way.
The document provides an evaluation of the opening sequence created for the thriller film "Dammia" by comparing shots and conventions used to those in the films "Psycho" and the TV show "Dexter". The evaluator found that while some shots effectively mirrored techniques from "Psycho" and "Dexter", others from the reference media were more compelling due to elements like lighting, camera angles, and editing pace. Overall, the evaluation aims to highlight both successful replications of cinematic conventions as well as areas that could be improved for increased tension and intrigue.
Following a varied and critical response to Ricky Gervais & Stephen Merchant’s new BBC comedy, Gary Turk sat down with producers Charlie Hanson & Katie Mavroleon to discuss how they felt about the shows mixed reception.
The document provides a breakdown of events and shots in a horror movie trailer from 0:00 to 1:33. It describes ominous sounds, isolated cabin scenes, a mysterious light, a woman telling the history of a boy's drowning, flashes of light possibly revealing a killer, and a confusing collage of shots at the end to create intrigue. The analysis of each shot and sound aims to uncover clues about the killer and build an unsettling atmosphere that leaves the audience wanting to see more.
The trailer is for a horror film called Eden Lake. It begins with a couple enjoying a romantic getaway. However, their vacation takes a dark turn when they are tormented by a group of violent teenagers. Throughout the trailer, typical horror conventions like screams, blood, and scenes of danger build tension. While the violence and torture meets audience expectations, the unusual choice of teenage villains provides an unexpected twist, intriguing viewers to learn more.
This document provides an analysis of the trailer for the 2013 romantic drama film About Time. The 3 sentence summary is:
The trailer introduces the main character Tim and establishes that the film will revolve around him discovering he can time travel. Scenes show Tim using his new ability to relive moments in attempts to woo Rachel McAdams' character Mary, but also experiencing complications. The trailer uses a mix of dialogue, scenic shots from the film and an indie folk song to entice viewers and set the tone that the film will combine romance, comedy and exploration of how Tim's power impacts his life.
This 3 sentence summary provides the essential information about the AboutTime trailer analysis document:
The document analyzes the trailer for the 2013 romantic drama film AboutTime, summarizing the key scenes and explaining how they establish the plot, characters, tone, and genre of the film. It describes how the trailer introduces the main character Tim and his ability to time travel, shows his attempts to find love with Rachel McAdams' character Mary, and highlights the film's themes of making the most of life through a series of emotional clips.
Jaws was directed by Steven Spielberg and based on the novel by Peter Benchley. It tells the story of a great white shark that attacks swimmers near the New England resort town of Amity Island. Police chief Martin Brody investigates the shark attacks along with marine biologist Matt Hooper and shark hunter Quint. They set out on Quint's boat to hunt the shark, but their efforts are hampered by Quint's stubbornness and lack of adequate equipment. The climactic confrontation between Brody and the shark occurs when Quint's boat starts to sink.
The document provides an evaluation of the title sequence for a media product called "Revelations". It summarizes how the title sequence uses and develops conventions of real thriller films. It notes that the titles shake and move across the screen, using a grainy font as seen in films like Se7en. It also discusses how the sequence presents different social groups through the characters of a priest and a male protagonist, and how it targets its audience of 18-30 year olds through relatable characters.
Harry Knowles reviews the film "Batman & Robin" (1997), calling it an utter travesty and the worst Batman film. He notes the film received poor audience reactions, with people beginning to leave in the first 15 minutes. The box office figures show a dramatic 63% drop in revenue after the opening weekend, demonstrating the influence of negative reviews. While a financial success, the film underperformed and received poor word of mouth.
The document discusses how manga such as Angel Sanctuary portray love and sin as deeply interconnected, in contrast to religious views that see sin as separate from God's holiness. It analyzes how the diversity of sinful love is shown through characters like Setsuna Mudo and how pursuing forbidden love does not necessarily curse one but can be a path to happiness. The essay also examines Kaori Yuki's manga style and how works like Angel Sanctuary inspire readers to follow their passions instead of limiting themselves.
The trailer for the horror movie "A Night In The Woods" introduces three young adult characters who go camping in the English countryside. Strange events begin to occur as tensions rise between the characters. It becomes clear something paranormal is haunting the woods as the characters' night turns to terror. The trailer uses conventions of the horror genre like isolated settings, young vulnerable characters, and paranormal elements to set expectations and draw comparisons to successful horror films like "The Blair Witch Project." It effectively promotes the film and engages audiences through its use of filming techniques, sounds, and mystery.
The document announces the 39th Cambridge Film Festival, running from October 17-24, featuring a diverse range of films from around the world along with special events. Tony Jones, who founded the festival 13 years ago, is stepping down as Festival Director after dedicating himself to expanding the festival and championing independent cinema. The festival will open with the film Rocks and close with Ken Loach's Sorry We Missed You.
The document discusses various elements that are common in slasher films, including the final girl, benefactor characters, monsters, groups of friends, and ineffective characters. It also covers locations, budgets, and box office grosses for many popular slasher franchises such as Halloween, Friday the 13th, A Nightmare on Elm Street, Scream, Saw, and Texas Chainsaw Massacre.
The document analyzes several movie posters and magazine covers. Key details include:
1) Posters use taglines, images of villains/characters, fonts, and dates to attract audiences and convey the tone and genre of the film.
2) Magazine covers showcase lead actors, use bright colors and fonts to highlight featured articles, and provide information about additional content.
3) Visual elements are carefully designed and positioned to attract readers' and moviegoers' attention when displayed with other materials. Consistent color schemes and design conventions are also used across materials.
Kimberly my favorite movie: The SmurfsBlack Convoy
The document summarizes the writer's favorite movie, The Smurfs (2011). It is an animated comedy and adventure film featuring small, blue creatures called Smurfs. The Smurfs are described as amazing, funny and entertaining. Singer Katy Perry provided the voice of Smurfette and is praised as talented. The writer's favorite part is when the villain Gargamel is running and his cat is laughing at him.
Psychological thrillers and horror movies have evolved over the years, driven by directors like David Fincher known for films like Se7en, Fight Club, The Girl with the Dragon Tattoo, and The Social Network. These modern psychological thrillers use complex imagery and nonlinear storytelling to keep audiences guessing. Older examples like Donnie Darko also use confusing imagery open to interpretation. A key element of thrillers is misdirecting the audience through misleading clues to create an unexpected plot twist revealing a surprise villain. Advances in filmmaking technology have enhanced suspense through music, camera work, and graphics.
The document analyzes three film trailers - The Skeleton Key, Shutter Island, and A Nightmare on Elm Street. It identifies the producers and institutional codes of each film. It then examines the key selling points, how each trailer establishes genre/mood/expectations, and which elements would or would not work for the author's own trailer. The target audiences and how audiences are explicitly targeted are discussed. Finally, it analyzes the narrative structure of trailers and why they are constructed this way.
The document provides a detailed shot-by-shot summary of the opening scenes and trailer for the film Friday the 13th. It describes various shots showing the isolated cabin, mysterious lights, a woman recounting her son's drowning, sounds of wind and a scared person running to build tension. Jump cuts present brief flashes of the killer holding a torch and the film's director is credited before a fast collage of clips leaves the audience with an unsettled but intrigued feeling.
This film summary provides information about the movie "String Along" in 3 sentences:
The movie follows a young woman named Delilah who is romantically involved with two men at the same time, enjoying the attention from both. However, her juggling of the two relationships becomes increasingly complicated and takes an intense turn when the men unexpectedly meet and clash over her. The film examines the themes of fate and romance gone wrong through Delilah's chaotic journey as the string connecting her to her lovers becomes tangled and eventually unravels with shocking consequences.
The media product is a short psychological thriller film titled "Morning Ride" posted on YouTube. It follows conventions of the thriller genre by establishing a mystery around a man who is picked up by a taxi driver and drugged. However, it also leaves some ambiguity and questions unanswered at the end. In filming and editing, techniques were used like close-ups, lighting, and soundtrack to build tension and mystery while challenging conventions by leaving the narrative and protagonist's innocence somewhat ambiguous and open to interpretation. Overall, the film was deemed successful in following genre conventions while also developing them through its mystery and ambiguity.
The movie "String Along" follows a young woman named Delilah who is romantically involved with two men at the same time, playing with their emotions and feelings. As tensions rise between the two suitors, the film builds to a climactic confrontation where hearts are broken as the "red string of fate" that tied them together becomes undone. The film is a fast-paced romantic drama that explores the complexities of love and relationships in an unconventional yet heartbreaking way.
The document provides an evaluation of the opening sequence created for the thriller film "Dammia" by comparing shots and conventions used to those in the films "Psycho" and the TV show "Dexter". The evaluator found that while some shots effectively mirrored techniques from "Psycho" and "Dexter", others from the reference media were more compelling due to elements like lighting, camera angles, and editing pace. Overall, the evaluation aims to highlight both successful replications of cinematic conventions as well as areas that could be improved for increased tension and intrigue.
Following a varied and critical response to Ricky Gervais & Stephen Merchant’s new BBC comedy, Gary Turk sat down with producers Charlie Hanson & Katie Mavroleon to discuss how they felt about the shows mixed reception.
The document provides a breakdown of events and shots in a horror movie trailer from 0:00 to 1:33. It describes ominous sounds, isolated cabin scenes, a mysterious light, a woman telling the history of a boy's drowning, flashes of light possibly revealing a killer, and a confusing collage of shots at the end to create intrigue. The analysis of each shot and sound aims to uncover clues about the killer and build an unsettling atmosphere that leaves the audience wanting to see more.
The trailer is for a horror film called Eden Lake. It begins with a couple enjoying a romantic getaway. However, their vacation takes a dark turn when they are tormented by a group of violent teenagers. Throughout the trailer, typical horror conventions like screams, blood, and scenes of danger build tension. While the violence and torture meets audience expectations, the unusual choice of teenage villains provides an unexpected twist, intriguing viewers to learn more.
This document provides an analysis of the trailer for the 2013 romantic drama film About Time. The 3 sentence summary is:
The trailer introduces the main character Tim and establishes that the film will revolve around him discovering he can time travel. Scenes show Tim using his new ability to relive moments in attempts to woo Rachel McAdams' character Mary, but also experiencing complications. The trailer uses a mix of dialogue, scenic shots from the film and an indie folk song to entice viewers and set the tone that the film will combine romance, comedy and exploration of how Tim's power impacts his life.
This 3 sentence summary provides the essential information about the AboutTime trailer analysis document:
The document analyzes the trailer for the 2013 romantic drama film AboutTime, summarizing the key scenes and explaining how they establish the plot, characters, tone, and genre of the film. It describes how the trailer introduces the main character Tim and his ability to time travel, shows his attempts to find love with Rachel McAdams' character Mary, and highlights the film's themes of making the most of life through a series of emotional clips.
Jaws was directed by Steven Spielberg and based on the novel by Peter Benchley. It tells the story of a great white shark that attacks swimmers near the New England resort town of Amity Island. Police chief Martin Brody investigates the shark attacks along with marine biologist Matt Hooper and shark hunter Quint. They set out on Quint's boat to hunt the shark, but their efforts are hampered by Quint's stubbornness and lack of adequate equipment. The climactic confrontation between Brody and the shark occurs when Quint's boat starts to sink.
The document provides an evaluation of the title sequence for a media product called "Revelations". It summarizes how the title sequence uses and develops conventions of real thriller films. It notes that the titles shake and move across the screen, using a grainy font as seen in films like Se7en. It also discusses how the sequence presents different social groups through the characters of a priest and a male protagonist, and how it targets its audience of 18-30 year olds through relatable characters.
Harry Knowles reviews the film "Batman & Robin" (1997), calling it an utter travesty and the worst Batman film. He notes the film received poor audience reactions, with people beginning to leave in the first 15 minutes. The box office figures show a dramatic 63% drop in revenue after the opening weekend, demonstrating the influence of negative reviews. While a financial success, the film underperformed and received poor word of mouth.
The document discusses how manga such as Angel Sanctuary portray love and sin as deeply interconnected, in contrast to religious views that see sin as separate from God's holiness. It analyzes how the diversity of sinful love is shown through characters like Setsuna Mudo and how pursuing forbidden love does not necessarily curse one but can be a path to happiness. The essay also examines Kaori Yuki's manga style and how works like Angel Sanctuary inspire readers to follow their passions instead of limiting themselves.
The trailer for the horror movie "A Night In The Woods" introduces three young adult characters who go camping in the English countryside. Strange events begin to occur as tensions rise between the characters. It becomes clear something paranormal is haunting the woods as the characters' night turns to terror. The trailer uses conventions of the horror genre like isolated settings, young vulnerable characters, and paranormal elements to set expectations and draw comparisons to successful horror films like "The Blair Witch Project." It effectively promotes the film and engages audiences through its use of filming techniques, sounds, and mystery.
The document announces the 39th Cambridge Film Festival, running from October 17-24, featuring a diverse range of films from around the world along with special events. Tony Jones, who founded the festival 13 years ago, is stepping down as Festival Director after dedicating himself to expanding the festival and championing independent cinema. The festival will open with the film Rocks and close with Ken Loach's Sorry We Missed You.
The document discusses various elements that are common in slasher films, including the final girl, benefactor characters, monsters, groups of friends, and ineffective characters. It also covers locations, budgets, and box office grosses for many popular slasher franchises such as Halloween, Friday the 13th, A Nightmare on Elm Street, Scream, Saw, and Texas Chainsaw Massacre.
This document provides details for a proposed 90-minute horror/thriller video titled "The Swarm". It aims to keep a young adult/adult audience on the edge of their seats without severe gore. The story involves a young girl who moves alone into a cottage where strange events begin to happen after she finds an old ring. When her friend arrives, the two try to escape but become trapped as something waits to take revenge. With a budget of around £22,000, the video will be shot on location at a private cottage using hired equipment and personnel to achieve a serious, anxious, and scary mood without humor or sarcasm.
This document provides details for a proposed 90-minute horror/thriller video titled "The Swarm". It aims to keep a young adult/adult audience on the edge of their seats without severe gore. The story involves a young girl who moves alone into a cottage where strange events begin to occur after she finds an old ring. When her friend arrives, the two become scared and try to escape but cannot. The approximate budget required is £22,361.90 to hire cameras, crew, locations, and other resources needed to complete the project within one week of filming.
The short film comments on environmental pollution by presenting the journey of a plastic bag through everyday life and habitats in an attempt to raise awareness. It follows the bag from the city through various settings like the beach and ocean, depicting its harmful effects using conventions of nature documentaries. Narrated by Jeremy Irons, the film garnered over 2 million views and aims to support a California bill banning plastic bags in major retailers.
Tsotsi is a film directed by Gavin Hood that is based on the novel by Athol Fugard. It tells the story of Tsotsi, a young gang leader in Johannesburg, South Africa who kidnaps a baby but then ends up caring for the child, which leads him to confront his own humanity. The document provides background information on the film, including biographies of the writer, director, and lead actor. It also discusses the context around apartheid in South Africa and how the film reflects both the reality of living in Soweto as well as the new post-apartheid South Africa.
Programme for Taunton Thespians' production of Cash On DeliveryMike Gilbert
This was the first programme I designed for Taunton Thespians, in November 2007. Early days of playing with InDesign and Photoshop. Based on my poster/flyer design
Santiago Segura is a Spanish film director, actor, and screenwriter born in 1965 in Madrid. He studied fine arts in university and bought his first camera at age 14, making his first short film. His early low-budget films won awards. In 1998 he wrote, directed, and starred in his breakthrough comedy film Torrente, el brazo tonto de la ley, which became the highest-grossing Spanish film at the time. He has since directed several other films in the Torrente franchise and worked as an actor in over 50 other films. He has won two Goya Awards, Spain's top film honors.