This document is a script that summarizes as follows:
1. Velma Kelly arrives at a club where the dance captain is looking for her and her sister to perform their sister act. However, Velma says she will perform alone as her sister is unavailable.
2. Velma then performs a jazz number called "All That Jazz" for the audience.
3. The script then follows Roxie Hart, who claims she shot her lover Fred Casely in self defense after finding out he had lied to her. However, it is revealed Fred was married with children.
4. Roxie and her husband Amos are then interrogated about the shooting, but their stories do not match
Lord of the flies - suggested watching. The 1963 film, despite being old fashioned, actually follows the book much more closely than the 1990 film. See the YouTube video here: https://www.youtube.com/watch?v=FE2RL3fupms
Lord of the flies - suggested watching. The 1963 film, despite being old fashioned, actually follows the book much more closely than the 1990 film. See the YouTube video here: https://www.youtube.com/watch?v=FE2RL3fupms
Salvation has its price.
The words stunned Adrian for a moment, but he kept going. "You're lying. What you're describing is impossible. There's no way to save a Strigoi. When they're gone, they're gone. They're dead. Undead. Forever."
Robert's next words weren't directed at Adrian. They were spoken to me. "That which is dead doesn't always stay dead...."
After a long and heartbreaking journey to Dimitri’s birthplace in Siberia, Rose Hathaway has finally returned to St. Vladimir’s—and to her best friend, Lissa Dragomir. It's graduation, and the girls can’t wait for their real lives outside of the Academy’s cold iron gates to finally begin. But even with the intrigue and excitement of court life looming, Rose’s heart still aches for Dimitri. He's out there, somewhere.
She failed to kill him when she had the chance, and now her worst fears are about to come true. Dimitri has tasted her blood, and she knows in her heart that he is hunting her. And if Rose won't join him, he won't rest until he's silenced her...forever.
But Rose can't forget what she learned on her journey—whispers of a magic too impossible and terrifying to comprehend. A magic inextricably tied to Lissa that could hold the answer to all of Rose's prayers, but not without devastating consequences. Now Rose will have to decide what—and who—matters most to her. In the end, is true love really worth the price?
Fall in love with Rose and Dimitri all over again in Spirit Bound, the eagerly awaited fifth novel in Richelle Mead's enthralling Vampire Academy series.
Salvation has its price.
The words stunned Adrian for a moment, but he kept going. "You're lying. What you're describing is impossible. There's no way to save a Strigoi. When they're gone, they're gone. They're dead. Undead. Forever."
Robert's next words weren't directed at Adrian. They were spoken to me. "That which is dead doesn't always stay dead...."
After a long and heartbreaking journey to Dimitri’s birthplace in Siberia, Rose Hathaway has finally returned to St. Vladimir’s—and to her best friend, Lissa Dragomir. It's graduation, and the girls can’t wait for their real lives outside of the Academy’s cold iron gates to finally begin. But even with the intrigue and excitement of court life looming, Rose’s heart still aches for Dimitri. He's out there, somewhere.
She failed to kill him when she had the chance, and now her worst fears are about to come true. Dimitri has tasted her blood, and she knows in her heart that he is hunting her. And if Rose won't join him, he won't rest until he's silenced her...forever.
But Rose can't forget what she learned on her journey—whispers of a magic too impossible and terrifying to comprehend. A magic inextricably tied to Lissa that could hold the answer to all of Rose's prayers, but not without devastating consequences. Now Rose will have to decide what—and who—matters most to her. In the end, is true love really worth the price?
Fall in love with Rose and Dimitri all over again in Spirit Bound, the eagerly awaited fifth novel in Richelle Mead's enthralling Vampire Academy series.
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No need to wonder how the best on SlideShare do it. The Masters of SlideShare provides storytelling, design, customization and promotion tips from 13 experts of the form. Learn what it takes to master this type of content marketing yourself.
10 Ways to Win at SlideShare SEO & Presentation OptimizationOneupweb
Thank you, SlideShare, for teaching us that PowerPoint presentations don't have to be a total bore. But in order to tap SlideShare's 60 million global users, you must optimize. Here are 10 quick tips to make your next presentation highly engaging, shareable and well worth the effort.
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Are you new to SlideShare? Are you looking to fine tune your channel plan? Are you using SlideShare but are looking for ways to enhance what you're doing? How can you use SlideShare for content marketing tactics such as lead generation, calls-to-action to other pieces of your content, or thought leadership? Read more from the CMI team in their latest SlideShare presentation on SlideShare.
Also known as the "Cassius, This Is Your Mother. Why Haven't You Called?" Bachelor Challenge. Professor Butters attempts to school her wayward Romance son, Cassius Marius, in a Squeaky Clean Bachelor Challenge.
MARGARET Yknow--your brother Gooper still cherishes the illu.docxtienboileau
MARGARET: Y'know--your brother Gooper still cherishes the illusion he took a giant step up on the social
ladder when he married Miss Mae Flynn of the Memphis Flynns. . .and as for Mae having been a cotton
carnival queen, as they remind us so often, lest we forget, well, that's one honour that I don't envy her
for!--Sit on a brass throne on a tacky float an' ride down Main Street, smilin', bowin', and blowin' kisses
to all the trash on the street…Why, year before last, when Susan McPheeters was singled out fo' that
honour, y'know what happened to her? Y'know what happened to poor little Susie McPheeters?
BRICK [absently]: No. What happened to little Susie McPheeters?
MARGARET: Somebody spit tobacco juice in her face.
BRICK [dreamily]: Somebody spit tobacco juice in her face?
MARGARET: That's right, some old drunk leaned out of a window in the Hotel Gayoso and yelled, 'Hey,
Queen, hey, hey there, Queenie!' Poor Susie looked up and flashed him a radiant smile and he shot out a
squirt of tobacco juice right in poor Susie's face.
BRICK: Well, what d'you know about that.
MARGARET [gaily]: What do I know about it? I was there, I saw it!
BRICK [absently]: Must have been kind of funny.
MARGARET: Susie didn't think so. Had hysterics. Screamed like a banshee. They had to stop th' parade
an' remove her from her throne an' go on with-- [She catches sight of him in the mirror, gasps slightly,
wheels about to face him. Count ten.] Why are you looking at me like that?
BRICK [whistling softly, now]: Like what, Maggie?
MARGARET [intensely, fearfully]: The way y' were lookin' at me just now, befo' I caught your eye in the
mirror and you started t' whistle! I don't know how t' describe it but it froze my blood!--I've caught you
lookin' at me like that so often lately. What are you thinkin' of when you look at me like that?
BRICK: I wasn't conscious of lookin' at you, Maggie.
MARGARET: Well, I was conscious of it! What were you thinkin'?
BRICK: I don't remember thinking of anything, Maggie.
MARGARET: Don't you think I know that--? Don't you--?--Think I know that--?
BRICK [coolly]: Know what, Maggie?
MARGARET [struggling for expression]: That I've gone through this--hideous!-- transformation, become--
hard! Frantic! [Then she adds, almost tenderly:] --cruel!! That's what you've been observing in me lately.
How could y' help but observe it? That's all right. I'm not--thin-skinned any more, can't afford t' be thin-
skinned any more. [She is now recovering her power.] --But Brick? Brick?
BRICK: Did you say something?
MARGARET: I was goin' t' say something--that I get--lonely.--Very!
BRICK: Ev'rybody gets that... MARGARET: Living with someone you love can be lonelier--than living
entirely alone!- -if the one that y' love doesn't love you.... [There is a pause. Brick hobbles downstage
and asks, without looking at her:]
BRICK: Would you like to live alone, Maggie? [Another pause:.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
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Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdf
Chicago musical script
1. Announcer]
5, 6, 7, 8!
[Dance Captain]
[man looking for Kelly sisters]
Has anybody seen the Kellly sisters?
You, you're up in 5.
[Velma Kelly] (getting out of the car)
- Keep the change, Charlie.
[Charlie - driver]
- Thank you.
[Dance Captain]
Where the hell have you been? And where is Veronica?
[Velma Kelly]
she isn't herself tonight
[Dance Captain]
But tonight's your sister act.
[Velma Kelly]
Don't sweat it. I'll can do it alone. Shit! All right!
[Dance Captain?]
Move it! Move it! Hurry up!
[Announcer]
Ladies and gentlemen, the Onyx club is proud to present Chicago's hottest show
in the world. Two Jazz babes moving as one. The Kelly sisters!
[Velma Kelly]
Come on babe
Why don't we paint the town?
And all that Jazz
I'm gonna rouge my knees
And roll my stockings down
And all that jazz
Start the car
I know a whoopee spot
Where the gin is cold
But the piano's hot
2. It's just a noisy hall
Where there's a nightly brawl
And all
That
Jazz
[Announcer]
Make that two)
[Velma Kelly]
And all that jazz
And all that jazz
Slick your hair
And wear your buckle shoes
And all that Jazz
I hear that Father Dip
Is gonna blow the blues
And all that Jazz
Hold on, hon
We're gonna bunny hug
I bought some aspirin
Down at United Drug
I case you shake apart
And want a brand new start
To do
that
[Roxie Hart] (imagine)
Jazz
[Fred Casely]
Let's go, babe.
[Roxie Hart]
But l didn't even meet your friend. That:that manager guy.
[Fred Casely]
Don't worry, Roxie. It's all taken care of.
[Roxie Hart]
You told him about me?
[Fred Casely]
Yeah, kid. lt's all arranged.
3. [Velma Kelly]
Find a flask
We're playing fast and loose
And all that jazz
Right up here
Is where I store the juice
And all that jazz
Come on, babe
We're gonna brush the sky
I bet you luck Lindy
Never flew so high
'Cause in the stratosphere
How could he lend an ear
to all
that
Jazz?
Oh, you're gonna see your sheba shimmy shake
[Company]
And all that jazz
[Velma Kelly]
Oh, she's gonna shimmy 'till her garters break
[Company]
And all that jazz
[Velma Kelly]
Show her where to park her girdle
Oh, her mother's blood'd curdle
[Company]
If she'd hear her baby's queer
[Velma Kelly]
For all
that
jazz
[Roxie Hart]
Oh!
- Hello, Mrs. Borusewicz.
4. [Mrs. Borusewicz]
- Mrs. Hart.
[Roxie Hart]
This is Fred. He's my brother.
[Velma Kelly]
All
that
jazz
Come on, babe
Why Don't we paint
The town?
And all that jazz
And all that jazz
I'm gonna *
Rouge my knees
And roll my *
Stockings down
And all that jazz
And all that jazz
Start the car
I know a whoopee spot
Where the gin is cold
But the piano's hot
It's just a noisy hall
Where there's a nightly brawl
And all
that
jazz
[Roxie Hart]
Say it again.
[Fred Casely]
You're a star, kid. My little shooting star!
[Velma Kelly]
No, I'm no one's wife
But, Oh, I love my life
And all
that
Jazz!
That Jazz!
5. [Roxie Hart]
Say it again, Fred.
[Fred Casely]
Jesus.
[Roxie Hart]
Hey, why is the hurry? Amos ain't be home until midnight. Freddie? Fred? Hey,
you know, I don't like you to feel like I'm nagging or anything. But don't you
think it's about time for me to meet your friend down at the Onyx? It's been a
month since you told him about me. I know. Cause that was the night they met
Kelly, plus her husband and her sister. You know, they said you found them in
a kit together. Guess from where it from. Amos opened it to somebody else. I
throw him a party. - You're not going away, right?
[Fred Casely]
- It's getting late.
[Roxie Hart]
I've been thinking a lot about my anthem. Whenever I get a really good idea, i
write it down at my diary before it puts off in my head. And you know what've
come to me? The other day, that all the really knock-out acts. Have something
more different going on, you know? Like, a signature bed. And I thought my
thing could be a loaf. Give them just enough to feel hungry but always leave
them one more. Once I get a name for myself. Maybe we can open up a club in
Varum, you know? You could run it, and I could be the headliner.
[Fred Casely]
- Get off.
[Roxie Hart]
- What's the idea?
[Fred Casely]
Wake up, kiddo, you aren't never gonna have an act.
[Roxie Hart]
Says who?
[Fred Casely]
Face it, Roxie. You're two big towers with skinny legs. And l'm just a
furniture salesman.
6. [Roxie Hart]
But you got connections. You know, that guy down the club...
[Fred Casely]
There's no guy.
[Roxie Hart]
Yeah, that night...
[Fred Casely]
It's the first time I set foot in that joint. I get clicked a bet from the
trombone player.
[Roxie Hart]
So you never told anyone about me?
[Fred Casely]
Sugar, you're hot stuff. I would say anything to get a piece of that.
[Roxie Hart]
Stay then. Now?
[Fred Casely]
It has some laughs. Let's just leave it like that.
[Roxie Hart]
Fred... You can't do this to me.
[Fred Casely]
You get off! You touch me again, I'll put your lights out.
[Roxie Hart]
- Wait...
[Fred Casely]
- Your husband will be home soon, why don't you watch yourself. Don't head into
shit again.
[Roxie Hart]
- You're a liar, Fred.
[Fred Casely]
- Oh, yeah, so what?
7. [Roxie Hart]
You lied to me...
[Fred Casely]
That's right, sweetheart. That's right.
[Roxie Hart]
You son of a bitch... (shoot) Son of a bitch! You son of a bitch!
[Photographer]
Why you bothering, Sal? This one's all wrapped up. I hear it's a new city
record. From killing to confession in an hour for that.
[Sergeant Fogarty]
Why did you get a murder weapon?
[Amos Hart]
I keep a gun in the underway drawer. Just in case it trouble, you know.
[Sergeant Fogarty]
That's just fine. Sign right there, Mr. Hart.
[Amos Hart]
For you, I'm gladly. Really in gladly.
[Sergeant Fogarty]
And mind that you don't say we beat you up when you at the witness stand.
[Amos Hart]
No, I give myself up. Surrender at my own free will.
[Martin Harrison]
lt's indeed you're the murderer.
[Roxie Hart]
Shooting a burglar ain't murder. Just last week jury sent a man
[Martin Harrison]
I'm always grateful if the citizens know the law. Get him there. You too. Sit
down. Okay, from the top.
[Amos Hart]
A man has got the right to protect his home and his love one, right?
8. [Martin Harrison]
Of course he has.
[Amos Hart]
Well, I come home from the garage, I see him climbing through the window.
[Martin Harrison]
Aha!
[Amos Hart]
With my wife Roxie lying there, sleeping like an angel.
[Martin Harrison]
ls that true, Mrs. Hart?
[Amos Hart]
I'm telling you, that's the truth. My wife has nothing to do with it. She won't
hurt a worm. Not even a worm. Until I fired the first shot, then she opened
her eyes. She was somehow in sleep. I would say she sleeps in charisma pray.
When I think of what would happen if I went off for a beer with the guy instead
of coming straight home, it makes me sick even think about it...
[Announcer]
For her first number, Ms. Roxie Hart would like to sing a song of Loving
Devotion. Dedicated to her dear husband, Amos.
[Roxie]
Sometime's I'm right
Sometime's I'm wrong
But he doesn't care
He'll String along
He loves me so
That funny honey of mine
Sometime's I'm down
Sometime's I'm up
But he follows 'round
Like some droopy-eyed pup
He loves me so
That funny honey of mine
[Amos Hart]
Like I said, even though I shot him, he kept coming at me. So I had to pull
the trigger again.
9. [Roxie Hart]
He ain't no sheik
That's no great physique
And Lord knows he ain't got the smarts
Oh but look at that soul
I tell you the whole
Is a whole lot greater than
The sum of his parts
And if you knew him like me
I know you'd agree
What if the world
Slandered my name?
Why he'd be right there
Taking the blame
He loves me so
And it all suits me fine
That funny sunny honey
Hubby of mine
[Amos Hart]
And supposed if... just supposed if he violated her or something. You know what
I mean, violated?
[Martin Harrison]
l know what you mean.
[Amos Hart]
Or something. Think how terrible it'd have been. It's good thing I got home
from work on time. - I'm telling you that.
[Roxie Hart]
He loves me so
That funny honey of mine
[Amos Hart]
- I say I'm telling you that.
[Martin Harrison]
The name of deceased is Fred Casely.
[Amos Hart]
Fred Casely? How could he be a burglar? My wife knows him. He sold us our
furniture. He gave us 10% off.
10. [Roxie Hart]
Lord knows he ain't got the smarts
[Martin Harrison]
You told me he was the burglar? - You mean he was dead when you got home?
[Amos Hart]
I'm covering for her. She was telling me cock and bull story story about this
burglar. And I'd say I did it because I was sure to get off. 'Help me, Amos.'
she said, 'lt's my goddamn hour-need.'
[Roxie Hart]
Now he shot off his trap
I can't stand that sap
[Amos Hart]
And i believed that cheap little tramp. She's too smart on me, huh? And i
protected her... I'm on the garage with my butt 14 hours a day. And she's now
promoted to a bon-bon? And traveling around like some goddamn pussy! She
thought she can pull the world by that I wasn't pulled yet. I tell you that
something that I can take. And this time she pushed me too far. I didn't shoot
him. Fool, what a sap I was
[Roxie Hart]
You double-crosser! You big bluffer mouth! You promised you'd stay...
[Amos Hart]
What're you talking about? You've been setting me up, Roxie!
[Roxie Hart]
- Goddamn it!
[Amos Hart]
- You told me it was a burglar! The whole time you've been jazzing...
[Roxie Hart]
You are a disloyal husband! Look, it's true. l shoot him. But it was
self-defense. He was trying to burgle me.
[Martin Harrison]
From what l hear, he's been burgled you three times a week for the last month.
So what do you say, Mrs.?
[Neighbor]
11. - That's him, all right.
[Martin Harrison]
- Thank you. Your story doesn't work, Mrs. Hart. So try this emphasize. Fred
Casely was a good time on the side but goofy here is a meal ticket.
[Roxie Hart]
Meal ticket? He couldn't buy my liquor.
[Martin Harrison]
And Fred Casely could? With a wife and five little Caselys? Or he forgot to
mention them.
[Roxie Hart]
What?
[Martin Harrison]
Oh, yes.
[Roxie Hart]
That bastard! Yes, I killed him. I would kill him again!
[Martin Harrison]
Once was enough. Take her downtown. Come on.
[Reporter]
Take off! This way, honey. Oh, come on. lt's a shame to hide such a beautiful
face. Why you shoot him, honey? Why don't you give a profile, a little smile
like the girl in the toothpaste ad?
[Martin Harrison]
Take while you can. The case is down. District attorney Harrison says this is
a hanging case.
[Roxie Hart]
Hanging?
[Martin Harrison]
- I'm ready to go to the jury tomorrow.
[Roxie Hart]
Wait a minute, what do you mean hanging?
12. [Martin Harrison]
Not so confident anymore, are you? Take her to the Cooke County Jail.
[Reporter]
Come on, sweetie. Headline. What did you shoot him? Is it...
[Roxie Hart]
Hey, what do you mean hanging?
[Warden]
...Caffeine, cocaine or opium? Arm length. 31 inches... The matrons are on
the way. So don't get too cozy. Put off that cigarette!
[Liz]
Ever had Morton before? She's fine... as long as you keep her happy.
[Announcer]
And now, ladies and gentlemen. The keeper of the keys, the countess of the
clink, the mistress of murderers' row. Matron Mama Morton!
[Mama Morton]
Ask any of the chickies in my pen
They'll tell you I'm the biggest mother hen
I love 'em all and all of them love me
Because the system works
The system called reciprocity...
[Warden]
On your feet.
[Mama Morton]
Welcome, ladies.
Got a little motto
Always sees me through
"When you're good to Mama
Mama's good to you".
You might think l'd make your life a living hell, which is not true.
There's a lot of favors
I'm prepared to do
You do one for Mama
13. She'll do one for you.
l'd be your friend if you let me.
So if something upsets you
or makes you unhappy in any way,
don't shoot your fat-ass mouth on me
'cause l won't give a shit. Now move it out.
They say that life is tit for tat
And that's the way I live
So, I deserve a lot of tat
For what I've got to give
Don't you know that this hand
Washes that one too
When you're good to Mama
Mama's good to you!
[Warden]
Let's go!
[Mama Morton]
You must be Hart. You're a pretty one.
[Roxie Hart]
Thank you, ma'am.
[Mama Morton]
Why don't you call me Mama? We can take care of you. You'd be happy taken down
in these block. Murderers' Row, we called it.
[Roxie Hart]
Oh, is that nicer? I don't think I'm really belonging here. I didn't actually
do anything wrong.
[Mama Morton]
Don't need to tell me, honey.
I've never heard of a man getting killed. When I get used to - just come to
talk
[Velma Kelly]
Hey, mama. Come here.
[Roxie Hart]
Velma Kelly? You're the Velma Kelly? You know I was there that night? I was
14. there that night that you got arrested.
[Velma Kelly]
Yeah, you're a half of Chicago. Look at this, Mama. Another story of
announcing me in Redbook magazine. Not in memory do we recall so finishing
horrible in double homicide.
[Mama Morton]
Maybe you couldn't buy that kind of publicity.
[Velma Kelly]
Couldn't buy it? I guess I can keep these then.
[Mama Morton]
Let's try.
If you want my gravy
Pepper my ragout
Spice it up for Mama
She'll get hot for you
When they pass that basket
Folk contribute to
You put in for Mama
She'll put out for you
The folks atop the ladder
Are the ones the world adores
So boost me up my ladder, Kid
And I'll boost you up yours
Let's all stroke together
Like the Princeton crew
When you're strokin' Mama
Mama's strokin' you
So what's the one conclusion
I can bring this number to?
When you're good to Mama
Mama's good to you!
[Roxie Hart]
Mama? It's... kinda freezing in here. You don't think maybe there's something
wrong with the heat? Not that I'm complaining, mind you but... you know... lf
you can bring some blankets on the way...
[Mama Morton]
Lights out, ladies.
18. [Liz, girls]
You know how people have these little habits that get you down. Like Bernie.
Bernie liked to chew gum. No, not chew. Pop. So, I came home this one day and
I am really irritated, and looking for a little sympathy and there's Bernie
layin' on the couch, drinkin' a beer and chewin'. No, not chewin'. Popin'. So,
I said to him, I said, "Bernie, you pop that gum one more time..."
And he did!
So I took the shotgun off the wall and fired two warning shots...
...into his head.
[All Murderess's]
He had it coming
He had it coming
He only had himself to blame.
If you'd have been there
If you'd have heard it
I betcha you would
Have done the same!
[Annie]
I met Ezekiel Young from Salt Lake City about two years ago and he told me he
was single and we hit it off right away. So, we started living together. He'd
go to work, he'd come home, I'd mix Him a drink, we'd have dinner.
And then I found out, "Single" he told me? Single, my ass. Not only was he
married. ...oh, no, he had six wives. One of those Mormons, you know. So that
night when he came home from work. I mixed him his drink as usual.
You know, some guys just can't hold their arsenic!
[All without Annie]
Hah! He had it coming / Pop, Six, Squish, Uh-Uh,
He had it coming / Cicero, Lipschitz!
He took a flower
In its prime
And the he used it / Pop, Six, Squish, Uh-Uh,
And he abused it / Cicero, Lipschitz!
It was a murder
But not a crime!
[June]
Now, I'm standing in the kitchen carvin' up the chicken for dinner, minding my
own business, and in storms my husband Wilbur, in a jealous rage. "You been
screwin' the milkman," he says. He was crazy and he kept on screamin' "You
been screwin' the milkman," And then he ran into my knife! He ran into my
19. knife TEN TIMES!
[All Murderess's]
If you'd have been there
If you'd have seen it
I betcha you would have done the same!
[Hunyak]
Mit keresek, enn itt? Azt mondjok, hogy lakem lefogta a ferjemet en meg
lecsaptam a fejet. De nem igaz, en artatlan vagyok. Nem tudom mert mondja
Uncle Sam hogy en tetten. Probaltam a rendorsegen megmagyarazni de nem
ertettek meg...
[Roxie Hart]
Yeah, but did you do it?
[Hunyak]
UH UH, not guilty!
[Velma]
My sister, Veronica, and I had this double act and my husband, Charlie,
traveled around with us. Now for the last number in our act, we did these 20
acrobatic tricks in a row, one, two, three, four, five... Splits, spread
eagles, back flips, flip flops, one right after the other. Well, this one
night before the show we are in a hotel Cicero, the three of us, sittin' up
in a hotel room, boozin' and havin' a few laughs and we ran out of ice, so I
went out to get some. I come back, open the door And there's Veronica and
Charlie doing Number Seventeen -the spread eagle.
Well, I was in such a state of shock, I completely blacked out. I can't
remember a thing. It wasn't until later, when I was washing the blood off my
hands I even knew they were dead.
[Velma, Girls]
They had it coming
They had it coming
They had it coming all along.
I didn't do it/ She does not do it
But if I'd done it (she'd done it)
How could you tell me that I was wrong?
They had it coming
They had it coming
They had it coming
They had it coming
They had it coming
20. They took a flower
All along
In its prime
I didn't do it
And then they used it
But if I'd done it
And they abused it
How could you tell me
It was a murder
That I was wrong? / But not a crime!
[Mona]
I love Alvin Lipschitz More than I can possibly say. He was a real artistic
guy... Sensitive...a painter. He was always trying to find himself. He'd go
out every night looking for himself and along the way he found Ruth, Gladys,
Rosemary and Irving.
I guess you can say we broke up because of artistic differences. He saw
himself as alive and I saw him dead.
[All Murderess's]
The dirty bum, bum, bum, bum, bum
The dirty bum, bum, bum, bum, bum
[All without Mona]
They had it comin'
They had it comin'
They had it comin'
They had it comin'
They had it comin'
They had it comin'
All along
All along
'Cause if they used us
'Cause if they used us
And they abused us
And they abused us
How could you tell us
How could you tell us
That we were wrong?
That we were wrong?
[Velma, June, Hunyak]
He had it coming
He had it coming
21. He only had
Himself
To blame.
If you'd have been there
If you'd have seen it
I betcha
You would
Have done
The same!
[Liz]
You pop that gum one more time!
[Annie]
Single my ass.
[June]
Ten times!
[Hunyak]
Miert csukott Uncle Sam bortonbe.
[Velma]
Number Seventeen - the spread eagle.
[Mona]
Artistic differences.
[Liz]
Pop.
[Annie]
Six.
[June]
Squish.
[Hunyak]
Uh-Uh.
[Velma]
Cicero.
22. [Mona]
Lipschitz!
[Liz]
Pop.
[Annie]
Six.
[June]
Squish.
[Hunyak]
Uh-Uh.
[Velma]
Cicero.
[Mona]
Lipschitz!
[Roxie Hart]
Who brings along them?
[June]
- What is to you.
[Roxie Hart]
- Who then? Nothing Heard they were Velma's.
[Liz]
Hunyak has done all her laundry for a couple of weeks.
[Roxie Hart]
Fresh towels for change.
[Warden]
Make it quick.
[Mama Morton]- Roxie is eavesdropping
...l can take care of you. There're a couple of things, let me analyze to you.
Now, Billy Flynn set a travel on March 5th. March 7th, you would be quit. On
March 8th, you know what Mama gonna do for you? Mama gonna put you back on the
Vonville circus.
23. [Velma Kelly]
So now you're an agent too?
[Mama Morton]
Until you install private line in your cell, all calls are gonna go through me.
[Velma Kelly]
What kind of dough are we talking about?
[Mama Morton]
You know, it's a crazy world. I mean, Babe Ruth is playing in palace for
$5,000 a week.
[Velma Kelly]
Yeah. And what about someone with real talent?
[Mama Morton]
Well, I can talk to the boys over Wianmarx. With your recent sensation
activity, they seems of thinking to give you $2,500.
[Velma Kelly]
$2,500? Geez, the most me and Veronica made is 35,000.
[Mama Morton]
That's what happens when you have a Redbook presentation.
[Velma Kelly]
You know what, Mama? I always wanted to play in big Gym Conesus most. Do you
think you can get me that?
[Mama Morton]
The Gyms? I don't know. It gonna take you another phone call.
[Velma Kelly]
How much is that gonna cost?
[Mama Morton]
Come on, Velma. I feel about you. You're like family to me. You're like one of
my own. - l'll do for 50 bucks.
[Velma Kelly]
- 50 bucks for a phone call? You must've got a lot of wrong numbers, Mama.
24. [Roxie Hart]
Oh, Miss Kelly. That's your personals. Oh, no. It's my pleasure. Hey, listen.
Can l ask you something? You know that Harrison guy? He said that what I've
done is a hanging case and he's prepared to ask for the maximum penalty.
[Velma Kelly]
Yeah? So?
[Roxie Hart]
So, I'm scared. I'm sure would appreciate some advice, especially from someone
I admire as much as you. Since I can remember, I have wanted to be on the stage.
[Velma Kelly]
Really? What's your talent? Washing and drying?
[Roxie Hart]
No. I dance in the chorus. That was before I met my husband...
[Velma Kelly]
Look, honey, you want some advice? Here it is, direct from me to you. Keep your
paws off my underwear, okay?
[Roxie Hart]
Yeah, okay. Thanks... for nothing.
[Mama Morton]
She's not that nice, ain't she? I tell you, no matter how big she gives, she's
still as common as ever. I'd like to help you, baby. Take aloft. So, what do
you figure to use it for grounds?
[Roxie Hart]
What do you mean grounds?
[Mama Morton]
What are you gonna tell the jury?
[Roxie Hart]
l'm afraid l have to tell him the truth.
[Mama Morton]
- The truth?
[Roxie Hart]
- Yeah.
25. [Mama Morton]
That's the one we take you to the death house.
[Roxie Hart]
Holy mother of God.
[Mama Morton]
Relax. I mean, in this town, murder is a formal entertainment. Besides, in 47
years Cooke County never hangs a woman yet. So even it's 47 and 1, they won't
hang you.
[Roxie Hart]
- Jesus Mary Joseph.
[Mama Morton]
you're talkin' to the wrong people What you need, is Billy Flynn.
[Roxie Hart]
- Who?
[Mama Morton]
- Billy Flynn. Some of the best criminal lawyer in all Illinois. He knows about
juries and women.
[Roxie Hart]
How do you get this Billy Flynn?
[Mama Morton]
Not by prayer, dear. First, you give me a hundred dollars. Then I'll make a
phone call.
[Roxie Hart]
A hundred dollars? Will you just... I mean, it seems pretty stiff for a phone
call.
[Mama Morton]
Over these work that we sent, he never lost a case for a female client yet. And
a sweet little puss like yours, let's just say what a blindness you got.
[Roxie Hart]
He never lost a case?
[Mama Morton]
26. Never. Every girl in this place would kill to have Billy Flynn representing
them.
[Girls]
We want Billy
Give us
B. I. Double L.Y.
We're all his
He's our kind of a guy
And ooh what luck
Cause here he is...
[Announcer]
Ladies and gentlemen, presenting the silver tongue, prince of the courtroom,
the one and only... Billy Flynn!
[Billy Flynn, girls]
I don't care about expensive things
Cashmere coats, or diamond rings
Don't mean a thing
All I care about is love
That's what I'm here for
I don't care for wearin' silk cravats
Ruby studs, satin spats
Don't mean a thing
All I care about is love
All he cares about is love
Give me two
Eyes of blue
Softly saying
I need you
Let me see her standin' there
And honest, mister, I'm a millionaire
I don't care for any fine attire
Vanderbilt might admire
No, no, not me
- All I care about is love...
- All he cares about is love
Good morning, ladies.
[Hunyak]
Not guilty!
27. [Billy Flynn]
You tell him, sweetheart.
[Hunyak]
Ïîìîãèòå, ïîìîãèòå ìíå, ïîæàëóéñòà!
[Girls]
That's what he's here for
[Mary Sunshine]
Excuse me, gentlemen. Miss Kelly, do you remember anything at all about that
night?
[Velma Kelly]
I passed out. I can't remember a thing. Only that I didn't do it.
[Mary Sunshine]
Any idea who did it?
[Billy Flynn]
No. But my client is offering a substantial reward to anyone with information
about this crime.
[Mary Sunshine]
How much is the reward, Miss Kelly?
[Velma Kelly]
- I don't know, how much?
[Billy Flynn]
- We'll work it out after the trial. Now, if there's no more question, Miss
Kelly and I have got a lot of work to do.
[Velma Kelly]
Flynn, what is that about the reward?
[Billy Flynn]
If the reporters ask again, deny the whole thing later on.
- Thank you!
[Reporter]
- One more question...
[Girls]
28. All he cares about is love
[Roxie Hart]
- Mr. Flynn, I'm Roxie Hart.
[Billy Flynn]
- Who?
[Roxie Hart]
Roxie Hart, you heard about me. Oh, yeah. The cute one. I was hoping that you
might represent me.
[Billy Flynn]
You have $5,000?
[Roxie Hart]
That's a lot of money. Mama didn't say anything about $5,000. Look, Mr. Flynn.
I'm not very good at this sort of thing, but... Maybe we could make some sort
of arrangement between us. And I can be an awfully good sport.
[Billy Flynn]
Good, you got the idea system. Listen, you mean just one thing to me. You call
me when you got $5,000.
[Billy Flynn, girls]
All he cares about is love
Show me long Raven hair
Flowin' down, about to there
When I 've seen
Her runnin' free
Keep your money, that's enough for me
I don't care for drivin' Packard cars
Or smoking Long Buck Cigars
No, no, not me
All I care about is
Doin' the guy in
Who's pickin, on you
Twistin' the wrist
That's turnin' the screw
All I care about
is love!
[Secretary]
Oh, he'll see you now.
29. [Billy Flynn]
Hello, Andy.
[Amos Hart]
Amos, my name is Amos.
[Billy Flynn]
That's right. Take a seat. You know, you're a remarkable man. Your wife used
you twice. Pluck the guy and try to pick it on you. Most men are gonna dim
like that swing. But no, you're sticking by her. Actually you're a hero in my
eyes.
[Amos Hart]
That's right. I'm a hero.
[Billy Flynn]
Did you bring the money?
[Amos Hart]
I didn't do as well as I hoped. But, I will, Mr. Flynn. I will.
[Billy Flynn]
This is only a thousand.
[Amos Hart]
Plus this 300 I borrow from the guy down at the garage, and the 700 from the
building in Long Fund.
[Billy Flynn]
$2,000?
[Amos Hart]
And that's all I got so far. But I'd give you $20 of my salary every week.
I'd give you a note with interest. Double, triple, until every cent is paid, I
promise.
[Billy Flynn]
You came to me yesterday, I didn't ask you if she's guilty. I didn't ask if
she's innocent. I didn't ask you if she's drunk, or a dope, no! All I said was,
do you have $5,000? You said yes! But you don't have $5,000! So I figure you're
a dirty liar and I don't waste my time with dirty liars.
[Amos Hart]
30. Look... I'm really sorry, Mr. Flynn.
[Billy Flynn]
On the other hand, your devotion to your wife is really very touching. I'll
take your wife's case. And I'll keep it. Because I play square. Now look, I
don't like to blow my own horn. But believe me. If Jesus Christ lives in
Chicago today and if he had $5,000 and he come to me, things would have turn
out differently. All right, this is what we gonna do. At the end of the week,
I'm gonna have Roxie's name at the front page of every newspapers in town.
Sweetest little Jazz killer in Chicago. That's the angle I'm after. You make an
announcement, we're gonna have an auction. Tell them we gotta raise some money
for the defense. They'll buy everything that she touched. Everything. Your
shoes, your dresses, your perfumes, your underwear.
[Roxie Hart]
And the trolled records. Like the one I was playing when I shot the bastard.
[Billy Flynn]
I didn't hear that.
[Roxie Hart]
Not that I didn't have ground to remind you. Hey, what are they?
[Billy Flynn]
When we go to trial, nobody is gonna care a lick what your defense is unless
they care about you. So first thing we gotta do is work up some sympathy from
the press. And I'll push you like some Mary Sunshine. But there was one thing
they can never resist. And that is a reformed sinner. So tell me, what's your
favourite subject in school?
[Roxie Hart]
There... I was a real damn...
[Billy Flynn]
There must be something that you're really good at.
[Roxie Hart]
I got high marks in Ñourtesy and in Hygiene.
[Billy Flynn]
Perfect, you wanted to be a nun.
[Roxie Hart]
A nun?
31. [Billy Flynn]
When were you born?
[Roxie Hart]
On a chicken farm outside Lopac.
[Billy Flynn]
Beautiful setting home, feel every luxury in refinement. Where're your parents
now?
[Roxie Hart]
Probably on front front porch in their rocking chair
[Billy Flynn]
They're dead. Family fortune swept away. You're educated as a sacred heart.
Then you fell into a runaway marriage. Left you miserable, alone, unhappy. Of
course you got all swept up in a mad world, the city. Jazz, cabarets, liquors.
You're drawn like a moth to the flame.
[Roxie Hart]
A moth?
[Billy Flynn]
Now I am a man who will assist and you're a butterfly. Crushed on a wheel!
[Roxie Hart]
Wait, what did you say? Is it the moth or the butterfly?
[Billy Flynn]
- You have sin in your soul.
[Roxie Hart]
- God, that's beautiful.
[Billy Flynn]
Cut out God. Stay with your battle acquainted. Kid, when I'm through with you,
not only will you be acquainted, you can remain on the jury. I wanna take you
home to meet his mother.
[Roxie Hart]
I was born on a beautiful Southern corn dent.
[Mama Morton]
32. - What?
[Roxie Hart]
- Holy shit! I'd never gotta get this straight!
[Billy Flynn]
Pipe down and swearing. Look, from here on, You'd say nothing wrong. Now try it
again.
[Roxie Hart]
- I was born on...
[Velma Kelly]
- Come on... You know what I'm gonna do at witness stand? I thought I'd get all
teary eyes and ask for your handkerchief. Then I think I'd take a peek at the
jury like this. Flash a bit of the thigh, what do you think?
[Billy Flynn]
It sounds great.
[Velma Kelly]
Hey, don't you want to hear the rest?
[Billy Flynn]
Knock it off. You're on the top of my list.
Well, well, well.
[Roxie Hart]
Sorry to be late, Mr. Flynn. Hope you're not too bored.
[Billy Flynn]
I like it. I like it.
[Velma Kelly]
Hey, I heard your press conference is tomorrow.
[Roxie Hart]
Yeah, what is to you?
[Velma Kelly]
Well, you wanted my advice, right? Whatever it is, don't forget Billy Flinn's
number-one client is Billy Flynn.
[Roxie Hart]
33. Meaning what?
[Velma Kelly]
Meaning, don't let him hug the spotlight. You're the one that pays the scene.
[Billy Flynn]
Remember, we can only sell them one idea.
[Roxie Hart]
I can still see him coming at me with that awful look in his eyes.
[Billy Flynn]
And?
[Roxie Hart]
And we... both reached for the gun.
[Billy Flynn]
That's right, you both reached for the gun.
- Ready?
[Roxie Hart]
- Yeah.
[Billy Flynn]
Thank you, gentlemen. Miss Sunshine.
My client just entered pleads of not guilty. We look forward to the trial the
earliest possible dates. Now is there any question? Miss Sunshine.
[Mary Sunshine]
As you know, my paper is dry. Do you have any advice for young girls, speaking
to avoid the life of Jazz and drink?
[Billy Flynn]
Absolutely yes. Mrs. Hart feels that it was the tragic combination of liquor
and Jazz, which lead to the downfall. Next question, please.
[Roxie Hart]
Ladies and gentlemen, I'd just like to say how flattered I am that you all
came to see me.
[Billy Flynn]
Mrs. Hart is very...
34. [Roxie Hart]
You see, I was a moth... crushed on a wheel. You know, butterfly drawn to
the... I bet you want to know why I shot the bastard.
[Billy Flynn]
Shut up, dummy.
[Announcer]
Mr. Billy Flynn in the press conference.
Notice how mouth never moves... almost.
[Reporter]
Where'd you come from?
[Billy Flynn]
Mississippi
[Reporter]
And your parents?
[Billy Flynn]
Very wealthy.
[Reporter]
Where are they now?
[Billy Flynn]
Six feet under.
But she was granted one more start
The convent of The Sacred Heart!
[Reporter]
When'd you get here?
[Billy Flynn]
1920
[Reporter]
How old were you?
[Billy Flynn]
Don't remember
[Reporter]
35. Then what happened?
[Billy Flynn]
I met Amos
And he stole my heart away
Convinced me to elope one day
[Mary Sunshine]
Oh, poor girl, I can't believe what you've been through. A convent girl, a
runaway marriage. Now tell us Roxie.
Who's Fred Casely?
[Billy Flynn]
My ex-boyfriend.
[Reporter]
Why'd you shoot him?
[Billy Flynn]
I was leavin'.
[Reporter]
Was he angry?
[Billy Flynn]
Like a madman
Still I said, Fred, move along.
She knew that she was doin' wrong.
[Reporter]
Then describe it.
[Billy Flynn]
He came toward me.
[Reporter]
With a pistol?
[Billy Flynn]
From my bureau.
[Reporter]
Did you fight him?
36. [Billy Flynn]
Like a tiger.
He had strength and she had none.
And yet we both reached for the gun
Oh yes, oh yes, oh yes we both
Oh yes we both
Oh yes, we both reached for
The gun, the gun, the gun, the gun
Oh yes, we both reached for the gun
[All]
Oh yes, oh yes, oh yes they both
Oh yes, they both
Oh yes, they both reached for
The gun, the gun, the gun, the gun,
Oh yes, they both reached for the gun
for the gun.
[Billy Flynn]
understandable. understandable
Yes, it's perfectly understandable
Comprehensible. Comprehensible
Not a bit reprehensible
It's so defensible!
[Reporter]
How're you feeling?
[Billy Flynn]
Very frightened
[Mary Sunshine]
Are you sorry?
[Roxie Hart]
Are you kidding?
[Reporter]
What's your statement?
[Billy Flynn]
All I'd say is
Though my choo-choo jumped the track
I'd give my life to bring him back
37. [Reporters]
And?
[Billy Flynn]
Stay away from
[Reporters]
What?
[Billy Flynn]
Jazz and liquor
[Reporters]
And?
[Billy Flynn]
And the men who
[Reporters]
What?
[Billy Flynn]
Play for fun
[Reporters]
And what?
[Billy Flynn]
That's the thought that
[Reporters]
Yeah
[Billy Flynn]
Came upon me
[Reporters]
When?
[Billy Flynn]
When we both reached for the gun!
[Billy Flynn and Mary Sunshine]
38. Understandable, understandable
Yes, it's perfectly understandable
Comprehensible, comprehensible
Not a bit reprehensible
It's so defensible!
[Reporters]
Oh yes, oh yes, oh yes, they both
Oh yes, they both
Oh yes, they both reached for
[Billy Flynn]
Let me hear it!
[Reporters]
The gun, the gun, the gun, the gun
Oh yes, they both reached
For the gun
For the gun
[Billy Flinn]
A little louder!
[Reporters]
Oh yes, oh yes, oh yes, they both
Oh yes, they both
Oh yes, they both reached
- Oh, yeah
For the gun, the gun, the gun, the gun
Oh yes. They both reached
For the gun
Oh yes, oh yes, oh yes, they both
Oh yes, they both
Oh yes, they both reached for
The gun, the gun, the gun,the gun
Oh yes, they both reached for the gun.
Oh yes, oh yes, oh yes, they both
Oh yes, they both
Oh yes, they both reached for
The gun, the gun, the gun,the gun
[Billy Flynn]
Both reached for the...gun
39. [Announcer]
...The windy city has taken a new criminal to a charge. Let me remind you the
name is, Roxie Hart. The sweetest lady ever accused in a murder in Chicago.
Women want to look like her. Fellows want to go out with her. Some little girls
even want to take her home. Don't get any idea, little lady. On the other side
of town, the assistant D.A. promise the game little jump shooter
[Martin Harrison]
will swing before lridark.
[Announcer]
Who knows? If he lit up to his word, assistant D.A. Harrison might become
governor Harrison someday. At the scene of the crime, everybody wants a little
piece of Roxie Hart. The jar would send her husband back 20 dollars! Maybe this
pretty little lady would get some of that famous Roxie style. It seems everybody
these days is looking for Roxie Hart.
[Mama Morton]
Send the flowers to the yard and you make sure they send them. So, kiddo, you
have any thought what you wanna do after Billy get you off?
[Roxie Hart]
Yeah, I think I'd like to go on stage.
[Mama Morton]
I figure it as much. I already called the Morris office.
[Roxie Hart]
Really? How much is that gonna cost me?
[Mama Morton]
It's a fairly deal. 10% of all your takings.
[Roxie Hart]
Yeah, we'll see, Mama. Besides, I don't even have an act yet.
[Mama Morton]
Killing Fred Casely was your act. That's solo steps in the audience. That song
is my favourite.
[Roxie Hart]
It's a freak act. Besides, I'm better than that.
[Mama Morton]
40. Of course you are. I mean, you can be as big as Sophie Tago.
[Roxie Hart]
You really think so?
[Mama Morton]
Maybe Canton and Joseph combined.
[Roxie Hart]
You know, I always wanted to have my name on the papers. Before I met Amos, I
used to date this wealthy dude, ugly bootlegger. He used to take me out and
show me off. Ugly guys like to do that.
Once it said in the paper, gangland alcopaly seen a shade Vito with cute
blonde. That was me. You know all my life, I wanted to have my own act. But,
no... Always no, they always turned me down. One big world-full of no. And then
Amos came along. Save sweet Amos. Who never says no. I've never done this
before. But you know, it's such a special night. And you are such a great
audience! And I really feel like I can talk to you, you know? So forget what
you read in the papers. And forget what you heard on the radio. Because...
because l'm gonna tell you the truth. Not that the truth really matters. But
I'm gonna tell you anyway. In the bed apartment, Amos was... zero. I mean, when
he made love to me,it goes like... was he fixing a carburetor or something. I
love you, honey... Anyway, I start to fool around. And I start screwing around.
Which is fooling around without dinner. Then I met Fred Casely. He said he
could get me into a bought film. But that didn't quite work out like I planned.
I guess it didn't really work out to Fred either. So I gave up the whole idea.
lf you can't figure out for all of these, opportunities just pass you by. But...
And now, with all these publicity, I got me a world full of yes!
The name on everybody's lips
Is gonna be
Roxie
The lady rakin' in the chips
Is gonna be
Roxie
I'm gonna be a celebrity
That means somebody everyone knows
They're gonna recognize my eyes
My hair, my teeth, my boobs, my nose
From just some dumb mechanic's wife
I'm gonna be
Roxie
Who says that murders not an art?
And who in case she doesn't hang
41. can say she started with a bang?
Roxie Hart!
Boys
[Roxie Hart and company]
They're gonna wait outside in line
To get to see
Roxie
Think of those autographs I'll sign
Good luck to you,
Roxie
And I'll appear in Lavaliere
That goes all the way down to my waist
Here a ring, there a ring
Everywhere a ring a ling
But always in the best of taste
[Roxie Hart (recitative whisper)]
Oooh I'm a star.
And the audience loves me.
And I love the audience and they love me
for loving them. And I love them for loving me.
And we jus to love each other.
That's because none of us got any love in our childhood.
And that's show biz,
Kid.
[Roxie Hart and comapny]
She's giving up here humdrum life
I'm gonna be
Roxie.
She made a scandal and a start.
And Sophie Tucker will shit, I know
To see her name get billed below
Roxie Hart!
Roxy
Roxy
Roxy
Roxy
Roxy
Roxy
42. [Velma Kelly]
l just can't take it anymore. Can't go anywhere without hearing about that dumb
tomato! Oh, Mama, not you too.
[Mama Morton]
I've got some bad news, kid. The tool has been cancelled.
[Velma Kelly]
What?
[Mama Morton]
Your name is out of the paper too long. I read about today, it's the Hart kid.
She's hot.
[Velma Kelly]
And what am I supposed to do? Suck up to her like everybody else?
[Mama Morton]
It couldn't hurt.
[Velma Kelly]
Over my dead body.
(camera changes, with Roxie)
Mind if I join you?
[Voice off-camera]
Lights out
[Velma Kelly]
Smoke? Look what some Johnny sent me. Triple cream caramel, all the way from
San Francisco.
[Roxie Hart]
Oh, I'm watching my figure. You know, the trial.
[Velma Kelly]
Hey, Great mentioned that you're on a trip today, huh?
[Roxie Hart]
There have been so many, I just can't keep track.
[Velma Kelly]
Let me tell you, you're exactly same size as my sister. I mean, you fit into
her costumes perfectly.
43. [Roxie Hart]
Really?
[Velma Kelly]
Yeah, and I'm just thinking, you know, with all the publicity piled up between
us when Billy gets us off, we would be a natural to do an act together.
[Roxie Hart]
You think so?
[Announcer, voice off-camera]
Ladies and gentlemen, Miss Velma Kelly in Act of Desperation.
[Velma Kelly]
My sister and I had an act that couldn't flop
My sister and I were headed straight for the top
My sister and I earned a thou a week at least
Oh, yeah!
But my sister is now, unfortunately, deceased
Oh, I know it's sad, of course
But a fact
is still a fact
And now all that remains
Is the remains
Of a perfect
double
act!
Watch this.
They have to match it with 2 people.
It's just all two people.
First I'd...
Then she'd...
Then we'd...
But I can't do it alone!
Then she'd...
Then I'd...
Then we'...
But I can't do it alone!
She'd say, "What's your sister like?"
I'd say, "Men,"
She'd say, "you're the cat's meow"
44. Then we'd wow the crowd again
When she'd go...
I'd go...
We'd go...
And then those ding-dong daddies started to roar
Whistled, stomped and stamped on the floor
Yelling, screaming, begging for more.
And we'd say, "O.K. fellas, keep your socks up."
you ain't seen nothin' yet!"
But I simply cannot do it
alone!
So what do you think?
Come on, you can say.
[Roxie Hart]
Pfrrrrrr!!!
[Velma Kelly]
I know you're right.
The first part is shit.
But the second part...
Second part is really nifty.
Ok, When she'd go...
I'd go...
We'd go...
And then those two-bit Johnnies did it up brown
To cheer the best attraction in town
They nearly tore the balcony down
And we'd say. "Okay, boys...
we're goin' home, but before we go here's a few more partin' shots!"
And this...
this we did in perfect unison.
Now, you've seen me goin' through it
It may seem there's nothin' to it
But I simply cannot do it
Alone!
[Roxie Hart]
So where's the part we blew the brains out?
[Velma Kelly]
Okay, Roxie. I'll leave..
45. [Roxie Hart]
No, don't bother. You think you're fooling me? You're all washed up. And it's
me they want now, and l'm a big star. Single. Oh, I almost forgot. You're in
the paper today too. In the back. Velma Kelly's trial has been postponed
indefinitely. Seven words.
Here a little piece of advice. Direct from me to you. Lay off the caramels.
[Announcer]
And now, for all you Chicago's stay-up-laters. Night hours would only come
alive at the dark. We dedicate this tune. Chicago After Midnight.
[Billy Flynn]
This all took place in Lesurevelt? lncredible. All right. Thanks. They just
arrest this woman for triple homicide.
[Man]
Really?
[Billy Flynn]
Yeah, get this. She's an Aries! And her family is in the pineapple or
grapefruit, some kind of fruits.
(camera changes)
The demon Kitty works in something... She's playing house. On the north side
in an apartment, she met Harry. What Harry does for living, no one's quite
sure. But it doesn't really matter cause she's paying all the bills. Anyhow,
Kitty comes home tonight. Harry was already in bed. She goes to change. When
she returns, she notices something rather odd, extremely odd. There're
strippers in the apartment. Kitty disappears for a second. And she returns,
she gently wakes up Harry. Harry says, ''What? l'm alone!'' ''Alone?'' she
says, '' you have two other women in bed with you!'' And Harry says, ''Come on,
darling, you gonna believe what you see or what l tell you?''
[Announcer]
Good night, folks.
[Mary Sunshine]
Miss Baxter, Miss Baxter! Mary Sunshine from The Evening Star. Would you mind
saying a word or two?
[Annie Baxter]
Sure l'll say things. Go to hell!
[Billy Flynn]
46. Please direct your question to the counsel.
[Annie Baxter]
Tell the counsel I want my money back!
[Billy Flynn]
It's not your money. It's your mother's money.
[Mary Sunshine]
Are you sorry, dear?
[Annie Baxter]
Yeah, I'm sorry that I got caught.
[Roxie Hart]
Okay, Miss Sunshine.
[Mary Sunshine]
Hello, Roxie.
[Roxie Hart]
I got a letter from a guy. He says he gonna hungry strike till I'm free.
[Mary Sunshine]
That's nice.
[Reporter]
Miss Baxter, did you know these two ladies personally?
[Annie Baxter]
Did I know these two ladies personally? Was that your question?
[Reporter]
Yeah, that's my... (Annie kick reporter)
[Mama Morton]
She's very hot spirit, isn't she? Miss Baxter...
[Roxie Hart]
Hey, Mr. Flynn.
[Billy Flynn]
-Yeah, hi, Tracy.
47. [Roxie Hart]
-lt's Roxie.
[Billy Flynn]
Yeah, sure, I'm just kidding.
[Roxie Hart]
Did you get my trial date yet?
[Billy Flynn]
-Listen, kid.
[Roxie Hart]
-I'm on top of your list, right?
[Annie Baxter]
Go to hell!
[Billy Flynn]
What a helling, huh? And social-like too. Her mother owns all the pineapples
in Hawaii.
[Roxie Hart]
What the hell do I care about pineapples?
[Billy Flynn]
All right... That's all for the questions. And l'll be happy to get back to
you myself.
[Roxie Hart]
Billy...
[Velma Kelly]
How does it feel, kid? Pretty soon we couldn't find your name in the papers.
[Roxie Hart]
Mr. Flynn? (passes out)
[Billy Flynn]
Someone open the door immediately.
[Mary Sunshine]
Oh, my god. Roxie! What is it to you?
48. [Roxie Hart]
Oh, no. Don't worry about me. I only hope the fall didn't hurt the baby.
[Mama Morton]
Baby?
[Velma Kelly]
Shit!
[Billy Flynn]
Well, doctor, is she or isn't she?
[Doctor]
She is.
[Billy Flynn]
Would you swear that statement in court?
[Doctor]
-Yes.
[Billy Flynn]
-Good. button your fly.
[Roxie Hart]
I would just like to say that my own life doesn't matter now. It's just that
of my unborn child.
[Mary Sunshine]
Poor girl, you'd have your baby born in jail. My readers won't stand for that.
[Billy Flynn]
I can assure you that won't happen. The trial would come in the least possible
moment.
[Mama Morton]
First time we're ever have one more girl locked up.
[Amos Hart]
Hey, Roxie... Roxie! I just have the good news! I'm the father.
[Reporter]
Hey, Roxie, who's the father?
49. [Billy Flynn]
The question is completely out of line. How dare you insult this brave young
woman?
[Amos Hart]
Roxie, honey! It's me, it's daddy! Roxie, I'd get to you as soon as I could.
If someone stood up in a crowd
And raised his voice up way out loud
And waved his arm and shook his leg
You'd notice him
If someone in the movie show
Yelled "Fire in the second row"
This whole place is a powder keg!
You'd notice him
And even without clucking like a hen
Everyone gets noticed, now and then,
Unless, of course, that personage should be
Invisible, inconsequential me!
Cellophane
Mister Cellophane
Shoulda been my name
Mister Cellophane
'Cause you can look right through me
Walk right by me
And never know I'm there...
I tell you
Cellophane
Mister
Cellophane
Shoulda been my name
Mister
Cellophane
'Cause you can look right through me
Walk right by me
And never know I'm there...
[Billy Flynn]
Oh, l didn't see you.
Sit down.
Look, Andy, i'm afraid i'm gotta hit you hard.
i can only hope you would think about it.
[Amos Hart]
50. -Amos, my name is Amos.
[Billy Flynn]
-Who says it wasn't?
it was the kid's name i was thinking about.
You know when she is due?
September.
You'd pass out those cigars anyway.
i don't want you to give a damn on the people.
[Amos Hart]
-People what?
[Billy Flynn]
-Laugh.
[Amos Hart]
-Laugh? Why would they laugh?
[Billy Flynn]
They can count. Can you count? September.
it's the first copy of Roxie's statement from D.A. office. Says she hasn't
copulated with you for four months prior the incidents.
[Amos Hart]
She would know. Yeah, i guess we've done no copulating since... Wait a minute.
That doesn't figure out right. i couldn't be the father.
[Billy Flynn]
Well, forget about that. My client needs your support.
[Amos Hart]
You mean she needs a meal ticket? That's all l've ever been. This time she's
gone too far.
[Billy Flynn]
What you gonna do? Divorce her?
[Amos Hart]
You're damn right! I'll divorce her! She probably won't even notice.
[Billy Flynn]
Yeah. I'm sorry.
51. [Amos Hart]
A human being's made of more than air
With all that bulk, you're bound to see him there
Unless that human bein' next to you
Is unimpressive, undistinguished
You
Know
who...
[Billy Flynn]
-You're still in here?
[Amos Hart]
-Yeah, l'm still in here.
Shoulda been my name
Mister Cellophane
'Cause you can look right through me
Walk right by me
And never know I'm there...
I tell ya
Cellophane
Mister Cellophane
Shoulda been my name
Mister Cellophane
'Cause you can look right through me
Walk right by me
And never know I'm there
Never even know I'm there.
[Amos Hart]
I hope I didn't take up too much of your time.
[Billy Flynn]
I've been waiting for you 10 minutes. Don't do that again.
[Roxie Hart]
This dress makes me look like a woolworth lambshake. l'm not wearing this.
[Billy Flynn]
You wear it because I tell you to wear it.
[Roxie Hart]
I'm not wearing this dress.
52. [Billy Flynn]
And when Andy's on the stand, I want you to do knitting.
[Roxie Hart]
Knitting? For Christ's sake.
[Billy Flynn]
A baby garment.
[Roxie Hart]
I don't know how to knit!
[Billy Flynn]
Then learn.
[Roxie Hart]
That's no way to win the jury's sympathy.
[Billy Flynn]
You don't need advice anymore?
[Roxie Hart]
Look at here, Mr. Mouthpiece. It seems to me that I'm the one who's coming up
with the good ideas. I'm sick of everybody telling me what to do. And you treat
me like dirt. You treat me like some dump, common criminal.
[Billy Flynn]
But you're some dump, common criminal.
[Roxie Hart]
Well, it's better than be a greasy-mite lawyer.
[Billy Flynn]
Who is up to be saving your ass.
[Roxie Hart]
Who is up for all that he can steal!
[Billy Flynn]
Maybe you'd like to appeal on court without me.
[Roxie Hart]
Maybe I could. Have you read the morning papers? They love me.
53. [Billy Flynn]
There maybe a lot more when you hang. You know why? 'Cause it's sold more
papers.
[Roxie Hart]
You're fired.
[Billy Flynn]
I quit.
[Roxie Hart]
Any lawyer in this town would die to have my case.
[Billy Flynn]
You're a phony celebrity. You're a flash. ln a couple of weeks, no one would
give a shit about you. That's Chicago.
[Hunyak screams off-camera]
No! Not guilty!
[Roxie Hart]
What happened?
[Velma Kelly]
lt's Hunyak. She lost the last appeal.
[Roxie Hart]
So what does that mean?
[Velma Kelly]
What that means? Next week, she's gonna...
[Mary Sunshine]
This is Mary Sunshine, coming to you from the Cooke County Jail, where history
would be made today. Katelin Helinsky would become the first woman in the state
of lllinois to be executed. And so ladies and gentlemen...
[Announcer]
And now, ladies and gentlemen, for your pleasure and your entertainment, we
proudly present Katelin Helinsky and her famous Hungarian Disappearing Act.
[Crowd]
Bravo! Bravo! Bravo!
54. [Roxie Hart]
You know, it's really not that bad.
[Billy Flynn]
You're clear with everything you read?
[Roxie Hart]
Yup. I've been up all night rehearsing.
[Billy Flynn]
What do you do when Harrison come after you?
[Roxie Hart]
I sit still and look straight ahead. Never look the jury.
[Billy Flynn]
And?
[Roxie Hart]
And l look modest.
[Billy Flynn]
And?
[Roxie Hart]
And...
[Billy Flynn]
And say nothing.
[Roxie Hart]
That's right, that's right.
[Billy Flynn]
That was the deal, right?
[Roxie Hart]
Right.
[Billy Flynn]
You ask me back, I do all the talking and stuff.
[Roxie Hart]
Absolutely, Billy. Whatever you said.
55. [Court clerk]
Mr. Flynn, the honours are here.
[Billy Flynn]
Thank you.
(to Roxie) You ready?
[Roxie Hart]
Yeah.
Billy...
I'm scared.
[Billy Flynn]
Don't be. I've been around a long time. Believe me, you've got nothing to worry
about. It's all a circus. A three-ring circus. The trial, the whole world...
is all a show business. Kid, you gonna be a star.
Give 'em the old razzle dazzle
Razzle dazzle 'em
Give 'em an act with lots of flash in it
And the reaction will be passionate
Give 'em the old hocus pocus
Bread and feather 'em
How can they see with sequins in their eyes?
What if your hinges all are rusting?
What if, in fact, you're just disgusting ?
Razzle dazzle 'em
And they'll never catch wise!
Give 'em the old razzle dazzle
Razzle dazzle 'em
Give 'em a show that's so splendiferous
Row after row will grow vociferous
Give 'em the old flim flam flummox
Fool and fracture 'em
How can they hear the truth above the roar?
Roar, roar, roar.
Throw 'em a fake and a finagle
They'll never know you're just a bagel,
Razzle dazzle 'em
And they'll beg you for more!
[Billy Flynn]
I object!
56. [The Judge]
Sustained.
[Martin Harrison]
Your honour, l haven't even
asked the question yet.
Give 'em the old razzle dazzle(cave)
Razzle dazzle 'em
Back since the days of old Methuselah
Everyone loves the big bambooz-a-ler
Give 'em the old three ring circus
Stun and stagger 'em
When you're in trouble, go into your dance
Though you are stiffer than a girder
They let ya get away with a murder
Razzle dazzle 'em
And you've got a romance
[Billy Flynn]
Hello, Amos.
[Amos Hart]
Amos?
That's right, Mr. Flynn.
[Billy Flynn]
Amos, when did you file sue for divorce?
[Amos Hart]
A month ago.
[Billy Flynn]
Was there any reason for filing at this particular time?
[Amos Hart]
I'd say, the newspapers said Roxie was expecting a little stranger.
[Billy Flynn]
That's hardly a cause for divorce, isn't it?
[Amos Hart]
A little too much of a stranger.
57. [Billy Flynn]
You mean you doubted the fraternity of the child.
[Amos Hart]
Most sure.
[Billy Flynn]
Tell me something, Amos. Did you share bed with your wife?
[Amos Hart]
Yes, sir, every night.
[Billy Flynn]
You expect the jury to believe that you slept next to this woman every night
without exercising the rights of a husband?
[Amos Hart]
I could if I want to.
[Billy Flynn]
Oh, but you didn't.
[Amos Hart]
No, l did.
[Billy Flynn]
Did what?
[Amos Hart]
Want to.
[Billy Flynn]
But you didn't.
[Amos Hart]
Didn't what?
[Billy Flynn]
What you wanted.
[Amos Hart]
Wait a minute, I'm getting confused here.
58. [Billy Flynn]
Hey, you tell me, Hart. Since you ever question Roxie herself, did you even
bother to ask her if you were the father of the child?
[Amos Hart]
No, sir.
[Billy Flynn]
No. What? lf you confirm that you were wrong, you'd be man enough in a minute.
You would take her back if Roxie swore that you're the father of the child,
which she does.
[Amos Hart]
She does?
[Billy Flynn]
She does! No more question! You can step down now. Well done, Andy.
[Amos Hart]
Roxie, I'm so sorry.
[Billy Flynn]
Give 'em the old
Razzle dazzle
Razzle dazzle 'em
Show 'em the first rate sorcerer you are
Long as you keep 'em way off balance
How can they spot you got no talents?
Razzle dazzle 'em
Razzle dazzle 'em
Razzle dazzle 'em
[Mary Sunshine]
This is the moment we've been waiting for. Roxie Hart finally takes the stand
in her own defense.
[Billy Flynn]
And they'll make you a star!
[The Judge]
Order! Order! Proceed, Mr. Flynn.
[Billy Flynn]
Roxie, I have here a statement that you admitted having illicit relation
59. with deceased Fred Casely. Is this statement true or false?
[Roxie Hart]
I'm afraid that's true.
[Billy Flynn]
You're an honestly girl, Roxie. When did you first meet Fred Casely?
[Roxie Hart]
When he sold Amos and me our furniture.
[Billy Flynn]
In your personal relationship with him, you told the jury when that began.
[Roxie Hart]
When I permitted him to escort me home one night, I don't think I would've gone
with him if Mr. Hart and me hadn't quarreled that very morning.
[Billy Flynn]
Quarrel?
[Roxie Hart]
Yes, sir.
[Billy Flynn]
Well, I supposed it's his fault.
[Roxie Hart]
Oh, no, sir. It was my fault. I supposed I just couldn't stop pestering him.
[Billy Flynn]
Pestering him? By what?
[Roxie Hart]
I didn't like him working those long hours at the garage. I wanted him home
with me... to done his socks and iron his shirts. I wanted a real home. A child.
[Billy Flynn]
So you drifted into this illicit relationship because you're unhappy at home.
[Roxie Hart]
Yes, most unhappy.
[Billy Flynn]
60. Roxie Hart! The state has accused you the murder of Fred Casely. Are you guilty
or not?
[Roxie Hart]
I'm not guilty... I killed him, I did. But I'm not a criminal. l'm not a
criminal...
[Billy Flynn]
Roxie... Did you recall the night of June 14th? Could you tell the jury in
your own words the happening of that night.
[Roxie Hart]
When Fred came over, I told him a good news.
[Billy Flynn]
What was it?
[Roxie Hart]
That me and Amos are gonna have a baby. And it was all over between us.
[Billy Flynn]
What happened then?
[Roxie Hart]
Then...
[Billy Flynn]
Did he threaten you, Roxie?
[Martin Harrison]
Objection, your honour. Counsel is leading the witness.
[The Judge]
Sustained.
[Billy Flynn]
What does Casely say when you told him the news?
[Roxie Hart]
I'll kill you before I see you have another man's child!
[Billy Flynn]
Could you tell the audience... the jury, what happened next?
61. [Roxie Hart]
In his passion, he tore off my robe and he threw me on the bed. And Mr. Hart's
pistol was lying there between us.
[Billy Flynn]
And then!
[Roxie Hart]
And then we both reached for the gun and I got it first. And then he came
towards me with this awful look in his eyes. He was angry and wild!
[Billy Flynn]
Wild! And did you think that he might kill you?
[Roxie Hart]
Oh, yes, sir!
[Billy Flynn]
So was his life or yours?
[Roxie Hart]
And I just mine. I closed my eyes and I shot!
[Billy Flynn]
To defense for your life!
[Roxie Hart]
And to save my husband's innocent unborn child. (pass out)
[The Judge]
Order!
[Roxie Hart]
What a bull's eye, huh?
[The Judge]
Order in this court!
[Amos Hart]
Roxie!
[Mary Sunshine]
Here in the courtroom... Mrs. Hart's behavior (camera changes to prison)
has been truly extraordinary. Opening her eyes, she fenced herself with her
62. attorney's handkerchief.
[Velma Kelly]
Handkerchief?
[Mary Sunshine]
Poor child has no relief. She looks around now, seeming to want something.
It's a glass of water.
[Velma Kelly]
Oh, Mama, that was my bid! I told Billy, I wanna do that at my trial!
[Mary Sunshine]
But now her eyes flatter wildly and she... Mrs. Hart has fainted again.
She flumps over her chiffon dress up around her knees, revealing a glimpse of
blue garder with Ryan-stone buckle.
[Velma Kelly]
Oh, Mama, she stole my garder. She stole my garder!
[Mama Morton]
Don't break my radio!
[Velma Kelly]
First she steals my publicity, then she steals my lawyer, my trial date,
now she stole my goddamn garder.
[Mama Morton]
What do you expect? I mean these days you get a little success and it's good
rinse for the people who put you here.
[Velma Kelly]
It ain't no justice in the world. That's nothing you can do about it.
[Mama Morton]
You think they got you a page just to listen to my radio? People and publicity
only interested in things when we think no one's looking. (shows Roxie's diary)
[Velma Kelly]
Oh, Mama.
[Court clerk]
State call for the witness. Left down on bible, raise your right hand and swear
tell the truth, the whole truth and nothing but the truth, help you God!
63. [Velma Kelly]
Amen so!
[Court clerk]
Have a seat.
[Martin Harrison]
Would you state your name for the record please.
[Velma Kelly]
Velma Kelly.
[Martin Harrison]
Miss Kelly, would you please tell the court the object l'm holding is the one
you have come upon in the defendant jailcell
[Velma Kelly]
Yes, it is.
[Martin Harrison]
I submit this as appendix. Roxie Hart's diary.
[Billy Flynn]
I object! My client never kept a diary. Even if she did, this would be
invasion of privacy and violation of fourth amendment and illegal search
without a warrant.
[Roxie Hart]
Yeah, and she broke the lock.
[The Judge]
Order! Well, that settles that. I'll allow it.
[Roxie Hart]
What's the big deal? She's the one that did it.
[The Judge]
If you would read for us, Miss Kelly.
[Velma Kelly]
I haven't worked in a while. "What a laugh, plucking Fred Casely. The big
baboon had a common. I'm just sorry I only glad to kill him once."
64. [Roxie Hart]
I never wrote that. You... Hey, she made that up. She made that up!
[The Judge]
Order! Please, Mr. Flynn, get control of your client.
[Billy Flynn]
I'm sorry, you honour. It won't happen again. Sit down and shut up.
Or else it gonna get worse.
[Martin Harrison]
I have no more questions.
[The Judge]
Your witness, Mr. Flynn.
[Announcer]
Ladies and gentlemen, a tap dance.
[Billy Flynn]
Tell me, Miss Kelly, you make a deal with Mr. Harrison maybe to drop all
charges against you if you testify here today?
[Velma Kelly]
Oh, sure. I'm not a complete idiot.
[Billy Flynn]
Good. Since you gave such an impressive performance for Mr. Harrison, can you
do me the same honour?
[Velma Kelly]
I'd be delighted.
[Billy Flynn]
Thank you.
[Velma Kelly]
"Fred Casely assured me to get me an audition down at the Onyx. And then he
reneged on his pledge and that's my motive for attack."
[Billy Flynn]
Pretty fancy. What you're saying if a big fat liar who rogue on a deal so I
shot him.
65. "Amos accused me of having an affair. So I told him that the charge was
erroneous."
[Martin Harrison]
Objection, your honour. Mr. Flynn is twisting the evidence to draw conclusion
to the specious and the...
[Billy Flynn]
Erroneous?
[Martin Harrison]
Exactly.
[The Judge]
Order! Order!
[Billy Flynn]
Miss Kelly, did you know the meaning of the word perjury?
[Velma Kelly]
Yes, l do.
[Billy Flynn]
You also know that is a crime?
[Velma Kelly]
Yes.
[Billy Flynn]
And for example if it turns out you knew this diary was a fake, I hate to think
you rotting away in prison for the next 10 years especially when you just win
your freedom.
[Velma Kelly]
All I know is what I was told.
[Billy Flynn]
So... you didn't find this diary in Roxie's cell?
[Velma Kelly]
No. Mama... Miss Morton gave it to me. She said someone sent it to her.
[Billy Flynn]
Someone? Any idea who this mysterious benefactor might be?
66. [Velma Kelly]
No. She didn't know.
[Billy Flynn]
All right, let's work this out. Someone who writes about reneging on pledges.
And... erroneous charges... Call me crazy, does that sound like a lawyer to
you? A lawyer, who honestly has a sample of my client's handwriting.
Martin Harrison]
Yes, but you're not suggesting that I tempered with evidence, are you?
[Billy Flynn]
No, let's not be ridiculous. That's absurd. Unless you mention it.
[Martin Harrison]
Your honour, this is outrageous.
[Billy Flynn]
Outrageous? Yes. The prosecutor would made a thief bargain with Velma Kelly.
And then fabricated the very evidence and set her free!
[Martin Harrison]
Your honour:.
[The Judge]
Mr. Flynn, hold your contempt.
[Billy Flynn]
No, it's not even conceivable. But does it worked? Would it be time to say,
Come clean, Mr. Harrison, come clean... This guy is a corruption. I cannot stand.
[The Judge]
That's enough, Mr. Flynn!
[Billy Flynn]
I agree, your honour. That's enough!
It defend stress.
[Mary Sunshine]
Ladies and gentlemen, this is Mary Sunshine reporting live from the Cooke
County Courthouse. The city of Chicago has come to a complete stand still.
As the trial of century finally draws to a close. Mrs. Hart sits quietly at the
defense table, hands folded. What fate has installed for her? There's hassles
67. over the courtroom as the 12 men of the jury have back slowly to their seats.
[The Judge]
Gentlemen of jury, have you reached a verdict?
[The Jury]
We have, your honour.
[Mary Sunshine]
The jury has reached a verdict.
[The judge]
The defendant please rise. What is your verdict?
[The Jury]
We, the jury, find the defendant...
[Boy]
Roxie Hart is innocent! She's innocent! Roxie Hart is free! (shot gun)
[Reporter]
Come on! Move it! She shoots her husband and she crossed the lawyer!
[Roxie Hart]
Hey, don't you wanna take my picture? Hey, I'm the famous Roxie Hart.
Hey, what happened? What the hell happened?
[Billy Flynn]
It's Chicago, kid. You can't beat fresh blood on the walls.
[Roxie Hart]
What about my publicity, Billy? My name on the papers. I was counting on that.
[Billy Flynn]
Your attitude is not the one I get. I just save your life.
[Roxie Hart]
You got $5,000. What do I get? I get nothing.
[Billy Flynn]
Five? Actually it's ten once I collect from Velma. I get nothing? Don't forget
your diary. It could be on mine. I had a few erroneous phrases in there. Sorry,
I couldn't tell you. Take a chance. Never lost a case. You're a free woman,
Roxie Hart. And God save lllinois.
68. [Amos Hart]
Roxie.
[Roxie Hart]
What do you want?
[Amos Hart]
I want you to come home. You said you still wanted to... and the baby...
[Roxie Hart]
Baby, what baby? Oh, Jesus. What do you take me for? There ain't no baby.
[Amos Hart]
There ain't no baby?
[Roxie Hart]
They didn't even want my picture. I just can't understand that. What didn't
they even want my picture?
It's good,
Isn't it, grand?
Isn't it, great?
Isn't it, swell?
Isn't it, fun?
Isn't it?
Nowadays
[Announcer]
Ladies and gentlemen,
Miss Roxie Hart says Good Night.
[Roxie Hart]
There's man,
Everywhere jazz,
Everywhere booze,
Everywhere life,
Everywhere joy,
Everywhere
Nowadays
You can like the life you're living
You can live the life you like
You can even marry Harry
But mess around with Ike
69. And that's
Good,
Isn't it, grand?
Isn't it, great?
Isn't it, swell?
Isn't it, fun?
Isn't it...
But nothing
stays
You can like the life you're living
You can live the life you like
[Man I]
Didn't she kill a guy a while back?
[Man II]
Yeah, who can keep it straight anymore?
[Roxie Hart]
But mess around with Ike
And that's
Good,
Isn't it, grand?
Isn't it, great?
Isn't it, swell?
[Man I]
That's great. We'll keep in touch.
[Roxie Hart]
You know I'm not quite finished yet.
I have a...
Wait, don't go.
I could... just a second...
Goddamn it!
Thank you!
[Announcer]
Here's your music, honey.
[Roxie Hart]
Thanks.
[Velma Kelly]
70. You know you're really pretty good.
[Roxie Hart]
Yeah. What are you doing here?
[Velma Kelly]
I've been making around.
[Roxie Hart]
Well, if not fooled up by you, I'll be swinging right now.
[Velma Kelly]
Come on, I was there to get you off. You should learn how to put things behind
you.
[Roxie Hart]
Thank you. I'll put that at the top of my list right after finding a job and an
apartment with a John.
[Velma Kelly]
Can you shut up and listen to me?
[Roxie Hart]
You really are something. Coming in here like some goddamn queen bee, full of
advice for a poor slop like me. Let me tell you something, Miss Velma Kelly.
I got a new life now. And one of the best thing about it, is it don't include
you.
[Velma Kelly]
Fine. Ijust thought we could help each other out.
[Roxie Hart]
Wait, you thought wrong, didn't you?
[Velma Kelly]
Listen to me. I talked to this guy in downtown. He says one chance hurts
nothing these days, but two... We can make a couple hundred a week. Think about
it, Roxie. Faces back on the papers and names in the market. Velma Kelly and
Roxie Hart.
[Roxie Hart]
Should it be alphabetical?
[Velma Kelly]
71. That could work.
[Roxie Hart]
A couple hundred? Maybe we can ask for a thousand. We'll worth it. Forget it,
it'll never work.
[Velma Kelly]
Why not?
[Roxie Hart]
'Cause I hate you.
[Velma Kelly]
There's only one business in the world that's no problem at all.
[Announcer]
Ladies and gentlemen, the Chicago theatre is proud to announce the first.
The first time anywhere that's been an act throughout this nation. Not only one
little lady, but two. You red about them in the papers, and now here they are.
Chicago zone killer-dealers, the lady-sinners, Roxie Hart and Velma Kelly!
[Roxie Hart and Velma Kelly]
You can like the life you're living
You can live the life you like
You can even marry Harry
But mess around with Ike
And that's good?
Isn't it, grand?
Isn't it, great?
Isn't it, swell?
Isn't it, fun?
isn't it?
But nothing stays
In fifty years or so
It's gonna change, you know
But, oh, it's heaven
Nowadays
[Announcer]
Okay, you babes of Jazz, let's kick up the bass. Let's make the party longer,
let's make the skirt shorter. Let's all go to the heaven that makes all the
people hot!
[Velma Kelly]
72. Me and Roxie would just like to say thank you.
[Roxie Hart]
Thank you!
Believe us, we could've never
done anything without you!
And all
That
Jazz!
That Jazz!
[Announcer]
5, 6, 7, 8
[Velma Kelly]
While trucking down the road of life
Although all hope seems gone
I just move on
[Roxie Hart]
When I can't find a single star
To hang my wish upon
I just move on
I move on
[Velma Kelly]
I run so fast
A shot gun blast
Can hurt me not one bit
[Roxie Hart]
I'm on my toes
Cause heaven knows
A moving target's hard to hit
[Both]
So as we play an ex-ballet
We're not the dying swan
We just move on
We move on
[Roxie Hart]
Just when it seems
73. We're out of dreams
And things have got us down
[Velma Kelly]
We don't despair
We don't go there
We hang our bonnets out of town
[Both]
So there's no doubt
We're well cut out
To run life's marathon
We just move on
We just move on
So light of foot
We can't stay put
We just move on, Yes we move on