the neon
boneyard,
or what’s old
is cool again...
                   photographed and written by Garner Kinmond
                   Las Vegas, Lost Wages, Sin City, whichever strikes a chord with you,
                   Vegas has always symbolized for many a new start, a quick escape,
                   the opportunity to strike it rich and leave all your troubles behind. But
                   like any quick escape or search for distraction, the hunt inevitably
                   loses its shine over time. Yet Lady Luck still acts a beacon to the
                   masses, all hoping to change their luck with a roll of the dice or a flick
                   of the wrist.
                   But on the outskirts of The Strip, just past Freemont Street, there lies a
                   place where all the dreams of the past have come to rest. All of the
                   signage that used to light up the strip, before the monstrous mega-
                   casinos were built, have been stored outdoors, uncovered in the
                   desert air. Through the persistence of a few historical preservation
                   societies, a movement has started to keep all these fabulous
                   treasures of Lady Luck’s past and create a museum to share in
                   the plunder. The ones that have already been restored are on
                   permanent display along Freemont Street.
Recently, the remaining shell exterior of the
                                                 La Concha Motel lobby was deposited
                                                 there. It is itself a beautiful artifact of archi-
                                                 tectural design by Paul Revere Williams, one
                                                 of the creators of the original Jet Age Theme
                                                 Building at LAX. The plan is now to start
                                                 operating tours from this new location and
                                                 begin preserving the past for all to see.
                                                 In tribute to these beacons of the past, the
                                                 photos contained herein have been shot
                                                 on film, and are printed in the old school
                                                 tradition of a dip’n’dunk’ darkroom.
                                                 For more information about the Neon
                                                 Museum visit www.neonmuseum.org


Most casino’s now have signage incorpo-
rating jumbo-tron LCD screens that tower
over the strip, are monolithic, the colour of
the desert sands, and, dare I say it, u-g-l-y.
But in the world of bigger, brighter, faster,
harder, the neon signs of yesterday have
found a place to be reborn... The Neon
Museum has begun construction on a three-
acre site right near the boneyard where
they’ve languished for so long.

Cheek 10 Neon Boneyard

  • 1.
    the neon boneyard, or what’sold is cool again... photographed and written by Garner Kinmond Las Vegas, Lost Wages, Sin City, whichever strikes a chord with you, Vegas has always symbolized for many a new start, a quick escape, the opportunity to strike it rich and leave all your troubles behind. But like any quick escape or search for distraction, the hunt inevitably loses its shine over time. Yet Lady Luck still acts a beacon to the masses, all hoping to change their luck with a roll of the dice or a flick of the wrist. But on the outskirts of The Strip, just past Freemont Street, there lies a place where all the dreams of the past have come to rest. All of the signage that used to light up the strip, before the monstrous mega- casinos were built, have been stored outdoors, uncovered in the desert air. Through the persistence of a few historical preservation societies, a movement has started to keep all these fabulous treasures of Lady Luck’s past and create a museum to share in the plunder. The ones that have already been restored are on permanent display along Freemont Street.
  • 2.
    Recently, the remainingshell exterior of the La Concha Motel lobby was deposited there. It is itself a beautiful artifact of archi- tectural design by Paul Revere Williams, one of the creators of the original Jet Age Theme Building at LAX. The plan is now to start operating tours from this new location and begin preserving the past for all to see. In tribute to these beacons of the past, the photos contained herein have been shot on film, and are printed in the old school tradition of a dip’n’dunk’ darkroom. For more information about the Neon Museum visit www.neonmuseum.org Most casino’s now have signage incorpo- rating jumbo-tron LCD screens that tower over the strip, are monolithic, the colour of the desert sands, and, dare I say it, u-g-l-y. But in the world of bigger, brighter, faster, harder, the neon signs of yesterday have found a place to be reborn... The Neon Museum has begun construction on a three- acre site right near the boneyard where they’ve languished for so long.