KOCW (Korea Open CourseWare) is a nationwide educational content sharing service for higher education in Korea developed and operated by KERIS since 2007. KERIS is a government agency under the Ministry of Education and Science & Technology that was founded in 1999 to promote the intelligent use of information technology. As of April 2010, KOCW contained over 1,200 open courseware and open educational resources from over 100 institutions in Korea and abroad, with the number of resources increasing each year through government-funded projects and collaborative spaces for sharing between educators and learners.
The document discusses metadata and how it can be used to describe data and content for further use. It provides examples of how metadata is used on sites like Flickr to describe images and licenses like Creative Commons Rights Expression Language (CC REL) which uses vocabularies to describe copyright licenses. The document also demonstrates how browser extensions can make interacting with and examining metadata more fun and useful for users.
This document discusses certifying works as being in the public domain and issues around trust and provenance on the decentralized web. It proposes protocols for publicly asserting that a work is within the public domain to address problems of verifying copyright status and building trust beyond just copyright issues. The document also mentions upcoming Creative Commons technology summits to discuss digital copyright registries and related issues.
A short set of slides on the upcoming ccAustralia Case Studies Vol. II - Creative Industries Business Models. Presented at the Creative Commons Asia and Pacific conference in Seoul, 4-5 June 2010.
1) Seoul is introducing e-government initiatives to promote the economy, culture, well-being, and environment through citizen-focused services.
2) Seoul is developing phases of e-government that include open data, sharing content, and increasing citizen participation through platforms like Seoul Oasis.
3) Seoul is working with Creative Commons Korea to clarify public content copyright and promote reuse of information while protecting creator rights through screening and sharing guidelines.
Unpacking an activist toolbox: EFF's tools and tips for effective copyright a...Creative Commons Korea
Maira Sutton
Global Policy Analyst, Electronic Frontier Foundation (EFF)
Parker Higgins
Activist, Electronic Frontier Foundation (EFF)
Creative Commons Global Summit 2015, Seoul, Korea
Expanding the School of Open: Affiliate ShowcaseJane Park
Speakers: Jane Park, Simeon Oriko (School of Open Kenya), Delia Browne (Copyright 4 Educators, National Copyright Unit of Australia), Maarten Zeinstra (Open GLAM, CC Netherlands), Liuping (eXtreme Learning Challenge, CC China Mainland), Maria Juliana (Copyright for Librarians in Spanish, CC Colombia), SooHyun Pae (P2PU translation, CC Korea)
Description: The School of Open is a community of volunteers focused on providing free education opportunities on the meaning, application, and impact of “openness” in the digital age and its benefit to creative endeavors, education, research, and science. Creative Commons affiliates will present their School of Open projects and courses, including the School of Open Kenya Initiative, School of Open in German, Copyright for Educators, Open data for GLAMs, and more. We will hold a panel discussion on lessons learned and how to scale the initiative globally in online, offline, and multilingual settings. What do affiliates want to achieve through the School of Open? What are affiliate priorities around “open” education and awareness building?
The NHK Creative Library is a free online archive of video clips, music, and sound effects from Japan's public broadcaster NHK. It contains over 3,000 video clips averaging 1 minute in length for public use under a Creative Commons-style license. The goal is to promote public access, creativity, and video literacy by allowing anyone to freely download and use this content to create their own original works while crediting NHK. The library provides materials to encourage users to transition from passive viewers to active creators.
KOCW (Korea Open CourseWare) is a nationwide educational content sharing service for higher education in Korea developed and operated by KERIS since 2007. KERIS is a government agency under the Ministry of Education and Science & Technology that was founded in 1999 to promote the intelligent use of information technology. As of April 2010, KOCW contained over 1,200 open courseware and open educational resources from over 100 institutions in Korea and abroad, with the number of resources increasing each year through government-funded projects and collaborative spaces for sharing between educators and learners.
The document discusses metadata and how it can be used to describe data and content for further use. It provides examples of how metadata is used on sites like Flickr to describe images and licenses like Creative Commons Rights Expression Language (CC REL) which uses vocabularies to describe copyright licenses. The document also demonstrates how browser extensions can make interacting with and examining metadata more fun and useful for users.
This document discusses certifying works as being in the public domain and issues around trust and provenance on the decentralized web. It proposes protocols for publicly asserting that a work is within the public domain to address problems of verifying copyright status and building trust beyond just copyright issues. The document also mentions upcoming Creative Commons technology summits to discuss digital copyright registries and related issues.
A short set of slides on the upcoming ccAustralia Case Studies Vol. II - Creative Industries Business Models. Presented at the Creative Commons Asia and Pacific conference in Seoul, 4-5 June 2010.
1) Seoul is introducing e-government initiatives to promote the economy, culture, well-being, and environment through citizen-focused services.
2) Seoul is developing phases of e-government that include open data, sharing content, and increasing citizen participation through platforms like Seoul Oasis.
3) Seoul is working with Creative Commons Korea to clarify public content copyright and promote reuse of information while protecting creator rights through screening and sharing guidelines.
Unpacking an activist toolbox: EFF's tools and tips for effective copyright a...Creative Commons Korea
Maira Sutton
Global Policy Analyst, Electronic Frontier Foundation (EFF)
Parker Higgins
Activist, Electronic Frontier Foundation (EFF)
Creative Commons Global Summit 2015, Seoul, Korea
Expanding the School of Open: Affiliate ShowcaseJane Park
Speakers: Jane Park, Simeon Oriko (School of Open Kenya), Delia Browne (Copyright 4 Educators, National Copyright Unit of Australia), Maarten Zeinstra (Open GLAM, CC Netherlands), Liuping (eXtreme Learning Challenge, CC China Mainland), Maria Juliana (Copyright for Librarians in Spanish, CC Colombia), SooHyun Pae (P2PU translation, CC Korea)
Description: The School of Open is a community of volunteers focused on providing free education opportunities on the meaning, application, and impact of “openness” in the digital age and its benefit to creative endeavors, education, research, and science. Creative Commons affiliates will present their School of Open projects and courses, including the School of Open Kenya Initiative, School of Open in German, Copyright for Educators, Open data for GLAMs, and more. We will hold a panel discussion on lessons learned and how to scale the initiative globally in online, offline, and multilingual settings. What do affiliates want to achieve through the School of Open? What are affiliate priorities around “open” education and awareness building?
The NHK Creative Library is a free online archive of video clips, music, and sound effects from Japan's public broadcaster NHK. It contains over 3,000 video clips averaging 1 minute in length for public use under a Creative Commons-style license. The goal is to promote public access, creativity, and video literacy by allowing anyone to freely download and use this content to create their own original works while crediting NHK. The library provides materials to encourage users to transition from passive viewers to active creators.
Digitópolis I: Diseño de Aplicaciones Interactivas para Creativos y Comunicad...josedavidcuartas
Este texto pone a disposición de diseñadores, publicistas, comunicadores, creativos y artistas, una guía rápida e intuitiva que les permita aprender a desarrollar rápidamente prototipos de aplicaciones interactivas y comunicativas. Se enfocará en explorar especialmente el lenguaje “Processing”, que fue desarrollado inicialmente por Ben Fry y Casey Reas al interior del Media Lab del MIT en el año 2001. Buscando responder al creciente interés por esta temática, el Laboratorio Hipermedia de Tecnologías para la Comunicación (Hitec Lab) adscrito a la Facultad de Ciencias de la Comunicación de la Fundación Universitaria Los Libertadores, desarrolla esta guía introductoria que explora los aspectos básicos del lenguaje “Processing”.
This document discusses copyright and Creative Commons licenses. It explains that copyright automatically applies to creative works when fixed in a tangible form and grants owners exclusive rights over the work. However, Creative Commons licenses provide more flexible alternatives to traditional "all rights reserved" copyright by allowing creators to choose some rights to reserve and some to waive, promoting wider dissemination and use of creative works. Creative Commons is a non-profit organization that offers standard copyright licenses to enable sharing and collaboration according to creators' choices.
Some slides on how museums and related cultural heritage institutions are using Creative Commons to...
1) Share their digital collections
2) Share collection records
3) Engage users and artists, thereby tapping into new communities of stakeholders
...ultimately increasing their impact and reach beyond one entity's website or physical presence.
Note: Photo on Slide 56 is CC BY 4.0 by Frida Gregersen, not SMK.
The document summarizes a meeting about updating the CC0 license for Latin America. It discusses the process of developing and finalizing the CC0 code through a jurisdictional survey. Key points included finalizing the legal code and human deed, performing linguistic translations to other languages, and next steps of publication and outreach about the updated CC0 on December 8th.
This document contains quotes and thoughts from various speakers on collaborating with customers and sharing ideas openly. The speakers encourage expanding the pool of collaborators as interesting things can happen. One photographer notes that he stopped thinking of himself as just a supplier of photographs and instead focuses on sharing his images openly on the internet. #tryopen is included at the bottom.
"Open Government in Korea" in 2012 CC Asia-Pac ConferenceDaYe Jung
The document summarizes the current state of Open Government in Korea. It discusses how the Korean government has increasingly digitalized and made government data and services accessible online through sites like Data.go.kr. It also highlights citizen-led events and hackathons that have helped foster the use of public data and development of applications. Open data in Korea has established a foundation for more collaborative work between the government and citizens.
The document summarizes a study being conducted to develop a definition for the term "non-commercial" as it relates to Creative Commons licenses. The study is in Phase II, which involves gathering understandings of non-commercial use through interviews, focus groups, and surveys, with the goal of developing accurate definitions. Phase III will test and improve upon any proposed definitions before publicly releasing the findings and analysis. The study aims to have international scope and reach through its participants.
Diane Peters of Creative Commons gave a presentation at a conference in Santiago, Chile about enhancing the public domain through tools like CC0 and public domain assertions. CC0 allows authors to surrender their copyright, effectively dedicating works to the public domain. While not a true legal zero, CC0 aims to allow works to be reliably built upon without fear of later infringement claims. Peters also discussed a public domain dedication that could help identify works as being in the public domain.
Creative Commons Law and the GeoWeb presentationCreative Commons
1) Creative Commons licenses can be used for open geodata and databases as copyright law treats data and content similarly.
2) Good design principles are important for open data, and Creative Commons licenses keep things simple without imposing extra restrictions.
3) Creative Commons is beginning the process for a new version 4.0 license and is seeking feedback from the open geodata community on issues like non-copyright database rights and growing an interoperable open data commons.
Creative Commons Statistics
from the CC-Monitor Project
Giorgos Cheliotis
School of Information Systems
Singapore Management University
giorgos@smu.edu.sg
Based on a presentation at the iCommons Summit,
Dubrovnik, June 14-17, 2007
The document summarizes Diane Peters' presentation on the development of CC0 at a CC meeting in Sapporo, Japan. It discusses CC's previous attempts at a public domain dedication tool and the design principles for CC0. It outlines feedback received on drafts of CC0, including issues around waiver language, third party rights, and signature requirements. Solutions to some of the issues are proposed, and next steps are discussed around resolving remaining issues, implementation, and promotion of CC0.
The document summarizes a presentation given at the 3rd COMMUNIA Conference about CC0 and the work being done to develop it as a tool for placing works in the public domain. CC0 is intended to provide a universal public domain dedication that is easy to use. The presentation discussed CC0's design principles and evolution, highlighted key findings from a jurisdictional survey on public domain processes, and outlined next steps to finalize the CC0 legal code and tools.
This document discusses plans to launch an open source satellite called OSSI-1 using commercial off-the-shelf (COTS) components. It mentions obtaining a satellite kit, solar cells, batteries, a watchdog timer, current sensor, and radio components from various vendors. It also references building a "space uterus" and compares the project to both an art and technology project. The document raises questions about the return on investment and purpose of such an open source satellite project.
This document summarizes the 2015 summer camp on Luxi Island organized by the Wenzhou Medical University Volunteering Team in cooperation with CC China Mainland for the third consecutive year. Over 100 primary school students from Luxi Island attended the week-long camp, where they participated in courses and activities led by 32 volunteer teachers. Feedback indicated that 80% of participants were very satisfied with the camp. The volunteering efforts have helped improve school facilities on the island and provide educational opportunities for the students.
Digitópolis I: Diseño de Aplicaciones Interactivas para Creativos y Comunicad...josedavidcuartas
Este texto pone a disposición de diseñadores, publicistas, comunicadores, creativos y artistas, una guía rápida e intuitiva que les permita aprender a desarrollar rápidamente prototipos de aplicaciones interactivas y comunicativas. Se enfocará en explorar especialmente el lenguaje “Processing”, que fue desarrollado inicialmente por Ben Fry y Casey Reas al interior del Media Lab del MIT en el año 2001. Buscando responder al creciente interés por esta temática, el Laboratorio Hipermedia de Tecnologías para la Comunicación (Hitec Lab) adscrito a la Facultad de Ciencias de la Comunicación de la Fundación Universitaria Los Libertadores, desarrolla esta guía introductoria que explora los aspectos básicos del lenguaje “Processing”.
This document discusses copyright and Creative Commons licenses. It explains that copyright automatically applies to creative works when fixed in a tangible form and grants owners exclusive rights over the work. However, Creative Commons licenses provide more flexible alternatives to traditional "all rights reserved" copyright by allowing creators to choose some rights to reserve and some to waive, promoting wider dissemination and use of creative works. Creative Commons is a non-profit organization that offers standard copyright licenses to enable sharing and collaboration according to creators' choices.
Some slides on how museums and related cultural heritage institutions are using Creative Commons to...
1) Share their digital collections
2) Share collection records
3) Engage users and artists, thereby tapping into new communities of stakeholders
...ultimately increasing their impact and reach beyond one entity's website or physical presence.
Note: Photo on Slide 56 is CC BY 4.0 by Frida Gregersen, not SMK.
The document summarizes a meeting about updating the CC0 license for Latin America. It discusses the process of developing and finalizing the CC0 code through a jurisdictional survey. Key points included finalizing the legal code and human deed, performing linguistic translations to other languages, and next steps of publication and outreach about the updated CC0 on December 8th.
This document contains quotes and thoughts from various speakers on collaborating with customers and sharing ideas openly. The speakers encourage expanding the pool of collaborators as interesting things can happen. One photographer notes that he stopped thinking of himself as just a supplier of photographs and instead focuses on sharing his images openly on the internet. #tryopen is included at the bottom.
"Open Government in Korea" in 2012 CC Asia-Pac ConferenceDaYe Jung
The document summarizes the current state of Open Government in Korea. It discusses how the Korean government has increasingly digitalized and made government data and services accessible online through sites like Data.go.kr. It also highlights citizen-led events and hackathons that have helped foster the use of public data and development of applications. Open data in Korea has established a foundation for more collaborative work between the government and citizens.
The document summarizes a study being conducted to develop a definition for the term "non-commercial" as it relates to Creative Commons licenses. The study is in Phase II, which involves gathering understandings of non-commercial use through interviews, focus groups, and surveys, with the goal of developing accurate definitions. Phase III will test and improve upon any proposed definitions before publicly releasing the findings and analysis. The study aims to have international scope and reach through its participants.
Diane Peters of Creative Commons gave a presentation at a conference in Santiago, Chile about enhancing the public domain through tools like CC0 and public domain assertions. CC0 allows authors to surrender their copyright, effectively dedicating works to the public domain. While not a true legal zero, CC0 aims to allow works to be reliably built upon without fear of later infringement claims. Peters also discussed a public domain dedication that could help identify works as being in the public domain.
Creative Commons Law and the GeoWeb presentationCreative Commons
1) Creative Commons licenses can be used for open geodata and databases as copyright law treats data and content similarly.
2) Good design principles are important for open data, and Creative Commons licenses keep things simple without imposing extra restrictions.
3) Creative Commons is beginning the process for a new version 4.0 license and is seeking feedback from the open geodata community on issues like non-copyright database rights and growing an interoperable open data commons.
Creative Commons Statistics
from the CC-Monitor Project
Giorgos Cheliotis
School of Information Systems
Singapore Management University
giorgos@smu.edu.sg
Based on a presentation at the iCommons Summit,
Dubrovnik, June 14-17, 2007
The document summarizes Diane Peters' presentation on the development of CC0 at a CC meeting in Sapporo, Japan. It discusses CC's previous attempts at a public domain dedication tool and the design principles for CC0. It outlines feedback received on drafts of CC0, including issues around waiver language, third party rights, and signature requirements. Solutions to some of the issues are proposed, and next steps are discussed around resolving remaining issues, implementation, and promotion of CC0.
The document summarizes a presentation given at the 3rd COMMUNIA Conference about CC0 and the work being done to develop it as a tool for placing works in the public domain. CC0 is intended to provide a universal public domain dedication that is easy to use. The presentation discussed CC0's design principles and evolution, highlighted key findings from a jurisdictional survey on public domain processes, and outlined next steps to finalize the CC0 legal code and tools.
This document discusses plans to launch an open source satellite called OSSI-1 using commercial off-the-shelf (COTS) components. It mentions obtaining a satellite kit, solar cells, batteries, a watchdog timer, current sensor, and radio components from various vendors. It also references building a "space uterus" and compares the project to both an art and technology project. The document raises questions about the return on investment and purpose of such an open source satellite project.
This document summarizes the 2015 summer camp on Luxi Island organized by the Wenzhou Medical University Volunteering Team in cooperation with CC China Mainland for the third consecutive year. Over 100 primary school students from Luxi Island attended the week-long camp, where they participated in courses and activities led by 32 volunteer teachers. Feedback indicated that 80% of participants were very satisfied with the camp. The volunteering efforts have helped improve school facilities on the island and provide educational opportunities for the students.
The Power of Open
제작/편집: Eric Steuer
제작/진행: Lisa Green
디자인: Jesse von Doom
Andrew Bullen, Lisa Katayama, David Kindler, Monica Lee, Andressa Miguez,
Benoît Talabot, Axelle Tessandier, Sylvia Ulloa, Creative Commons 스태프,
Creative Commons 브라질, Creative Commons 프랑스, Creative Commons 일본.
The Power of Open Korea
편집: 최 석준(@akaJune)
교정: 고 두현(@godugodu), 배 수현(@dreamdrawing)
번역/리뷰:
강 현숙(제니퍼/@hskang), 김 재연(비젼디자이너/@visiondesigner), 김 현아(니나/@nina37c), 배 수현(션/@dreamdrawing), 오 예슬(오마담/@oyskdj), 이 건임(히치하이커/@archivewatcher), 이 미영(어슬렁/@netstrolling), 이 상훈(파라틴/@2way2go), 장 은지(수피아/@supiaej), 최 형욱(휴이/@huchoi), 홍 윤성(폴/@YOONSOUNG), 고 준원, 김 태훈(솔빛호빵맨/@thoon21), 박 형원(달크로즈/@dalcrose), 신 하영(스텔라/@stella0593), 오 혜리(라임/@hahahalime), 이 기환(저스틴/@nets0), 이 범희(휴먼/@herobum), 이 정표(양파/@jungpyo), 최 석준(쥰/@akaJune), 하 효훈(훈/@hahh22)
음악 3.0 세대 - 요즘밴드 사례를 중심으로 / Social Media Week SeoulSeungsoon Park
뉴미디어의 등장으로 인해 기존의 음악산업 구조는 크게 변화하였습니다. CD나 TAPE로 음악을 소비하던 음악 1.0시대에서, MP3를 통해 음악을 공유하는 음악 2.0시대를 지나, 이제는 창작자가 직접 소비자에게 음악을 판매하고, 소비자는 음악창작에 직접 참여하는 음악 3.0시대가 펼쳐지고 있습니다. 이러한 변화는 뉴미디어, 즉 ‘소셜네트워크서비스(SNS)’ 및 스마트기기의 등장으로 가능해졌습니다.
소셜네트워크밴드 요즘밴드는 SNS를 통해 사연을 모집하여 음악을 만들고 무료로 배포하는, 국내 최초의 SNS 밴드 입니다. 본 행사에서 요즘밴드가 결성된 배경과, 요즘밴드의 한계를 극복하기 위해 실행한 음악창작 워크숍 사례를 통해, 음악 3.0 시대에 뉴미디어(소셜네트워크 서비스, 스마트기기)를 활용한 음악창작 방식의 새로운 모델을 제안하고자 합니다.
http://socialmediaweek.org/seoul/
This document summarizes governance models for the sharing economy in Seoul and Milan. In Seoul, the government took a top-down approach, establishing divisions and committees to promote sharing and passing laws to support sharing organizations. Milan took a more bottom-up approach, with the government acting as a connector and enabling collaborations. Both cities opened public spaces for sharing projects, supported social innovations, and aimed to improve citizens' lives through more sustainable consumption. While each city has its own customs, both experiment with co-management and collaboration between public institutions and citizens.
Over the Long Terms: The state of activism on too-long copyright terms (and h...Creative Commons Korea
The document discusses a presentation by Maira Sutton and Parker Higgins of the Electronic Frontier Foundation (EFF) on the state of activism against overly long copyright terms. It provides an overview of EFF and some of its recent projects, then discusses the history of expanding copyright terms in the US and internationally through agreements like the Trans-Pacific Partnership. The presentation outlines concerns around provisions for longer copyright durations, restrictions on exceptions like fair use, and increased penalties and censorship powers. It proposes fighting these issues through peer-to-peer activism at both the international and national levels using tactics like awareness raising, pressure on officials, and direct actions. The document advertises an upcoming advocacy training session and invites questions.
This document discusses copyright and creative commons. It notes that creation does not require full copyright and sharing can be good for business. It addresses debates around policy and lobbying, and calls for organizing authors' rights, preventing agreements that lock policies in, and potentially reforming and standardizing copyright within Europe. The overall message is that copyright isn't always better and more balanced approaches that support sharing and creation should be considered.
This document discusses the concept of an "Ecological Internet" and some of the issues involved in developing it. An Ecological Internet would be global social infrastructure that is developed through consensus rather than markets alone, facilitates new Internet users in environmentally sound ways, and harmonizes with human societies and the environment. Key issues include how to incorporate new users and local cultures, move away from market-driven development, maintain innovation, and ensure proper global coordination. The goal is to avoid mistakes made with other infrastructures and shape the Internet's continued evolution in a sustainable manner.
The document outlines a proposed 10-year plan to scale open educational resources (OER) in New Zealand schools. The goals are to have 2,600 schools with a CC policy, all sector organizations using CC, and 50,000+ teachers making, adapting and sharing OERs. Each year provides targets for workshops held, CC schools, and development of implementation resources and cross-sector collaboration to gradually expand OER adoption across New Zealand schools over 10 years.
The document proposes organizing "Free Music Weeks" in Latin American countries to promote Creative Commons licenses and free culture. The events would include workshops on CC licenses for musicians, free music festivals, and websites. Previous Free Music Weeks in Uruguay and Guatemala achieved success in promoting CC licenses and interactions between artists of different regions. Organizers encourage holding similar events in other countries.
1) The document discusses the city of Amsterdam's initiative to become a "Sharing City" by embracing the collaborative economy.
2) A key goal is to unlock the value of underused assets in the city through sharing and make products, services, knowledge and opportunities more accessible to residents.
3) The vice-mayor of Amsterdam sees the sharing economy as a huge opportunity that fits well with the city's entrepreneurial spirit and supports startups working in this area.
The document summarizes Korea's open data strategy and portal. It outlines the enactment of Korea's open data law to mandate public sectors provide public data and create a new industry. It describes the governance framework including an Open Data Strategy Council and Open Data Center. It provides achievements like releasing high value data through the open data portal. The document also introduces Korea's open data portal to allow holistic public data management and integrated opening as stipulated in the open data law.
18. 2. 사업현황 II. 자유이용사이트 현황 자유이용사이트 사업 현황 ( 1 ~ 5 차 사업 ) 5
19. 3. Database 구축 및 활용 현황 II. 자유이용사이트 현황 저작권 만료 저작물 활용현황(현재) 저작권 만료 저작물 구축 현황 (1차~5차) [저작권 만료 저작물 활용도] 6
20.
21.
22.
23. 선정 기준 및 작품 년대 -1900년대 독립 운동가 악보 및 가사 -1900년대 애국가 악보 및 가사 -1959년 이전 사망한 작곡가 및 작사가의 악보/가사 등 기증 및 이용허락표시 활용 음악 저작물 7
24. 2. 만료저작물 활성화를 위한 이벤트 III. 만료저작물 활용 사례 만료저작물을 활용한 이벤트 (음악파일을 활용한 2차적 저작물 창착 및 기증) 만료저작물을 활용한 이벤트 (연화장보내기) 8
25. 3. 만료저작물 (어문)활용 III. 만료저작물 활용 사례 만료저작물 (어문) 활용 어문자료 PDF (TEXT) PDF(TEXT)로 구축된 어문자료 제공 전자책콘텐츠 제공업체에서 E-BOOK으로 가공 다양한 E-BOOK 단말기에서 활용 가능한 저작물로 편집되어 사용자에게 제공됨 9