Blueprint: Visual Memories is a retrospective of ten years of artwork by Candis Marshall an artist from the Bahamas. The exhibition samples her work as a fine art photographer specializing in macro and nature photography. It explores her work as a mixed media sculptor. She is also a published author and has included essays as a part of her retrospective presentation. The works in Blueprint were curated to truly represent a human experience and it was and is Marshall's intention to present her work in such a way that every and anyone would find something within that connects with them on a very personal level.
3. Learn More About the
Artist and Her Work By
Clicking the Link or
Scanning the Code.
linktr.ee/candislive
4. NOTE:
Medium presentation: High resolution metallic archival photographic paper.
All art included in this catalogue are limited edition prints. Each edition includes a set
of five. The smallest image available in each set is represented in this catalogue. If a
larger size is preferred, please contact the artist or the gallery via the following contact
information to make enquiries or arrange purchase..
Many of the images included in this catalogue are a part of a larger series which may
or may not be available for sale. Please direct your enquiry on this matter to the artist.
She will be be able to inform you of series availability and arrange a showing of
available art not included in the Blueprint Exhibition.
Artist: Candis Marshall
Phone: (242) 468-7452
Email: cajoubenluxury@gmail.com
Doongalik Studio and Gallery
Phone: 242.394.1886
Contact: Pamela Burnside
Email: pam.burnside@doongalik.com
5.
6. I stood in the shower, eyes closed, with my face turned toward the warmth of the rising sun pouring through my window. Silently, I wrestled with my own thoughts.
Who am I?
Why am I so obsessed with creation and creating?
Will all that I do truly amount to something of value?
Uninvited, a still small voice crept into my shower soliloquy and inserted the statement: “You, my dear, are a genius. Unequivocally!” I mused on that word. “Genius!”
Imagine that.
By modern standards, I may be considered crazy. Why else would I obsess about the way the light of the sun caresses a banana leaf. So preoccupied, in fact, that
my nights would be restless with anticipation. I longed to see what mysteries would be revealed about a solitary spot that arbitrarily, and briefly, captured my
attention as I walked across the backyard. I would return day after day, sometimes for hours at a time, patiently observing from all angles nature transforming
itself before me. Finally, it all comes together, in what I can only describe as a flash of divinity, and I am there, with my camera, waiting to capture it for the world to
see.
I often wonder if the artists of the Renaissance thought themselves to be geniuses as they worked zealously to articulate the flashes of the divine that unfolded
perpetually before them. The men of their times must have labeled them fools and madmen. Driven crazy by some unseen force that propelled them to write about
things not yet commonplace or seen. To hypothesize about creations not yet known to man but designed by a power far beyond what man can possibly fathom.
Were they outcast for daring to articulate a world that for most do not exist even in the deepest recesses of their imagination?
Are we not all predisposed to genius? From my view, beneath cascading waters of endless possibilities, we are all spiritual beings on a temporal journey not only
capable of genius but innately brilliant.
What if we were to remove the shackles of conformity? What if we no longer subdued our enlightenment when awakened by flashes of divinity in favor of the idol
worship of other equally uncertain beings? What if we allowed our minds to live and experience the world untethered to any expectations?
What would we discover?
What would we see?
Who would we be?
From The Desk of
Candis Marshall
7. Title: A Flash of Divinity 1-4
Medium: Photography
Size: 11x17
Price:$260 each
1 2 3 4
8. Title: A Flash of Divinity 5-7
Medium: Photography
Size: 11x17
Price:$260 each
5
6
7
9. Title: A Flash of Divinity 8-10
Medium: Photography
Size: 11x17
Price:$260 each
8 9
10
10. Title: A Flash of Divinity 11-14
Medium: Photography
Size: 11x17
Price:$260 each
11 12 13
14
11. Title: A Flash of Divinity - Pods 1-4
Medium: Photography
Size: 5x7
Price: $125 each
1 2 3 4
12. Title: A Flash of Divinity - Pods 5-8
Medium: Photography
Size: 5x7
Price: $125 each
5 6 7 8
13. Title: A Flash of Divinity - Kaleidoscope 1-2
Medium: Photography
Size: 12x12
Price: $380 each
1 2
14. Title: A Flash of Divinity - Kaleidoscope 3-4
Medium: Photography
Size: 12x12
Price: $380 each
3 4
15. Title: A Flash of Divinity - Kaleidoscope 5-6
Medium: Photography
Size: 11x17
Price: $260 each
5
6
16. Title: A Flash of Divinity - Kaleidoscope 7-8
Medium: Photography
Size: 13x19
Price: $380 each
7
8
17.
18. I would sit on the cool wooden floor, breeze wafting in between the slats of the walls cooling me, as my young mind sank deep into the latest edition of the
Garfield comic books that my grammy brought home from work. Grammy was a housekeeper for a local bookseller. Every now and again she would bring
treats from work that her boss had sent for us kids. My favorites were the books. Books of all shapes and sizes. I had mountains of them. They were my
treasures. I loved the feeling of the pages between my fingers, the ruffling sound that they made as I turned them and the intoxicating fragrance of the ink on
the paper. I found a life that was boundless on those pages as I made my home amongst the phrases, words and letters.
How could such worlds exist? Who was responsible for their creation? It was then,on that wooden floor somewhere in the recesses of my mind I decided that I
would create such worlds. I would offer freedom to others the way those pages in my youth freed me.
When I was seventeen, I worked at the bookstore that my grammy’s boss owned. He gave all of us girls summer jobs in the bookstore as soon as we were old
enough and interested in working. My job was to know what we sold and help customers find what they were looking for. I loved that job! I would read every
chance I got and I would ask more questions than any one I worked with had answers to.
This book store was the place where on a typical day I met all sorts of people, from every level of society, mostly local, and a few unusual ones from
someplace else. Those foreigners, who for no reason other than they were unfamiliar, were intriguing to me.
On one of those typical days a well dressed older gentleman came into the store. I was charged with assisting him. I strolled ahead of him through the aisles
towards the stack of envelopes he had requested. Before I could reach for them on the shelf he stopped me. This prompted me to turn to face him.
Looking me straight in the eyes he asked, “what do you want to be when you grow up?” With a slight hesitation I replied, “I want to be a writer.” To which he
responded, “what are you going to write about?”
I smiled in my mind as I announced to this perfect stranger, “I am going to write books about my life!”
“No one wants to read a book about you”, he remarked with his gaze hardening as the words slipped between his lips.
In my mind I immediately accepted his unintended challenge. I would live a life most extraordinary. Someone, somewhere, someday would want to read about
my “ordinary” life.
I found his words delectable. It was a flavor that I had never experienced, but somehow it felt like goat pepper
in my belly. Delicious!
From The Desk of
Candis Marshall
19. Title: Dreams Stacked Up 1-3
Medium: Photography
Size : 13x19
Price: $360 each
1 2 3
22. I was a quiet, timid, tiny child, easily dismissed, much like wallpaper in a room over time. No one saw me but I saw them and I heard them. There were a lot of
black men in my neighborhood. As a kid, I never saw them as black. They were only men. ONLY men…hmmm? That's a term I would hear all of the time, “only
men”. For the younger not yet men, it was “boys will be boys”. How could anyone be only something or, worse yet, expected not to grow and evolve into
something else? Surely, it is impossible.
The thought of the only man has been a great source of interest to me since my childhood days of growing up around “only men”. I would hear an only man
shout to another only man,” he is only a joneser! You don’t have to pay him to clean your car. All he will do is spend that money on drugs and rum. Just give
him some food and that's all.”
When that joneser comes for his money he hears, “get from round me, buoy!”
Buoy? He is not a boy. He is a man. Not an only man, dismissed as though society had been successfully inoculated against him. He is a man. He is a father,
son, uncle, brother and so much more. His blood runs red, the same as all others. He is not an only man, nor is he less than a man.
Maybe the colour of his skin, his status in society and the redness of his blood is not the problem. Maybe it is in his water, for he and all others are made up
of almost seventy percent water.
Maybe the water within him remembers. Maybe the water within all of the “only men” who today are “only black men '' remember. Although they are now
fathers, husbands, sons, filled with love and passion and deserving of good things, maybe the water within them remembers every wrong done to them and
their ancestors. Maybe their water has not been diluted enough with the essence of all that is good about them to neutralize the poison of oppression that
has been poured into them over centuries.
It has to be something in the water because water is the only thing that has flowed across centuries through skin, blood, air, soil, and soul.
There must be something in the water because water remembers even when history and our consciousness forgets.
From The Desk of
Candis Marshall
23. Title: Something In The Water
Medium: Photography
Size: 11x17
Price: $260
Title: Something In THe Water 1-3
Medium: Photography
Size: 12x12
Price: $380
1
2
3
29. Title: No Rust No Glory
Medium: Photography
Size: 11x17
Price: $240
Title: Toto
Medium: Photography
Size: 11x17
Price: $240
30.
31. I grew up in Englerston, just one street shy of the Grove near the Metropolitan Church. Well, I believe that’s what it was called.All I know is when I passed that
church as a young child creole would burst through the doors to greet me and every now and again there would be an English hymn that came along that I
could sing along to.So in my mind it must have been a metropolitan church. Why else would they speak so many languages?
Next to the church was Mr. Peter’s Shop. It was a tiny wooden structure with barely enough room inside to change your mind.He sold soda pops in the tall slim
glass bottles with the white writing on the side and peanut cake that was often a little stale. I recall the clinking of the bottles in the wooden crates as he
shifted things around to reach into the icebox to retrieve an ice cold orange cream for me each time I would stop by. My tiny fingers would wrap around the
neck of the bottle melting the frost beneath my hands. One hand steadied the bottle to my lips while the other hand propped the bottle up for a controlled
pour. The sweet chilled liquid trickled down my throat, cooling my summer-worn, sun-scorched little body.
No summer adventure and cola cool down was complete without a dollar’s worth of french fries with loads of ketchup and hot sauce from Earl’s. I would sit with
my cousins on the single step outside the takeaway door and yam down those fries as we watched the cars roll in and out of Clyde’s Tire Shop just across the
street.
Around the corner and up the street from Clyde’s there was this little house that I would pass everyday as I walked to and from school and play. There was
nothing particularly interesting about the house except its picket fence. No other homes that I had ever seen had a fence like that. Then one day the fence
was gone. A short time later the fence was replaced by a wall - a big beautiful white wall with curves on the top, nothing like the other walls in the
neighborhood.
The first time I saw the wall I walked right up alongside it. Just being that close to it gave me a thrill. I had never seen a wall like that. So white. It felt like light.
Slowly I walked to where the gate should have been and for the first time in the hundreds of times I had passed that house, I looked inside the yard. It was dark
but not scary. It felt like I was looking into a secret. I smiled with such satisfaction as I continued to slowly walk past the wall, allowing myself to be washed in its
light.
A short time later I was walking past the wall once again and there was a man sitting in front of it on a crate and he was painting the wall. Not like the other
walls in the neighborhood. He had painted the bible story I heard in Sunday school on to the wall. As I got closer to where he sat I saw that he had painted the
letters g-a-l-l-e-r-y. I had no idea what that word meant. I had never seen it before. Once the word was on the wall it was different. After that it seemed that
more people had found the secret behind the wall. It was never the same for me after that. I never went into the yard. I never spoke to the man. I crossed to the
other side of the street when there were people about. When no one was around, I would walk right up against the wall. Allowing my fingers to feel every brush
stroke, I would bask in the light that emanated from it. It was one of the most beautiful things that I had ever seen and I never wanted to forget it, but that pure
happy life filled with memories of childhood wonder played out in the midst of great turmoil. Yet it was in the midst of great turmoil, and experiences like these,
that “little girl me” decided that there would be no room in my light for darkness. I would capture my dreams.
From The Desk of
Candis Marshall