Blair Witch Trailer Analysis
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The document provides an analysis of the Blair Witch trailer. It begins with an establishing shot of a dark, creepy forest accompanied by a voiceover that sets an ominous tone. Subsequent shots show point-of-view footage of running through dark corridors at a fast pace with loud, disturbing sounds to create unease in the audience. White text with faint tree branches in the background is used to further unnerve viewers and symbolize the distortion from reality experienced by the characters.
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Durham county analysis
This document provides an analysis of the TV series Durham County. It summarizes that the series follows detective Mike as he hunts a mysterious serial killer. It then analyzes various shots and stylistic elements from the opening title sequence that set a dark, mysterious, and cynical tone through the use of low-key lighting, red/black/white colors, and leafless trees.
Mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a shot that can provide contextual information to the viewer. There are six key elements of mise-en-scene: color, costume, props, set/location, blocking/performance, and lighting. Color, costume, and lighting are used to convey meanings like innocence, evil, class, and mood. Props provide context for scenes and influence how actors should perform. Blocking/performance covers actor positioning and movement. Location can be purpose-built or real places.
Use of mise-en-scene in a thriller
The document discusses techniques for creating suspense and mystery in thriller films, including using low lighting to create shadows, black and white color palettes, eerie music, silence, naturalistic costumes and makeup, and common thriller settings and objects like haunted houses, dark alleys, and guns. These elements aim to generate fear, tension, confusion, and a sense of the unknown for the audience.
Conventions of the Thriller Genre
The thriller genre conventionally revolves around a mystery that draws the protagonist into an investigation to solve. The protagonist is typically the only one who can solve the mystery, sometimes sharing traits with the antagonist that help reveal the climax. Thriller films are usually set in urban cities which heightens the mystery surrounding unknown people. The genre also commonly offers insight into societal institutions like law enforcement, criminal organizations, and government, as well as different age groups and social classes.
Mise-en-scene in the mystery-thriller genre
The document discusses various elements of mise-en-scène that are commonly used in mystery-thriller films to create suspense and tension. Low key lighting and dark colors are used to hide details and play on fears of the unknown. Props like weapons increase stakes during confrontations. Non-diegetic music and silence are employed to build suspense, while diegetic sounds like footsteps indicate impending scenes. Settings range from urban areas that feel familiar yet dangerous to rural isolation or dystopian futures acting as social commentary. Costumes reflect the time period or indicate a character's morality through bright or dark colors.
Codes and conventions of the thriller genre
The document discusses several key conventions used in thriller films. Cinematography conventions include using close-ups of main characters and silhouettes/deep focus shots for antagonists to build suspense around their identity. Editing conventions are jump cuts to increase tension, quick shots for suspense, and flashbacks in psychological thrillers. Mise-en-scene often involves low key lighting, black and white color schemes for an eerie feel, and casual clothes for protagonists versus dark clothes for antagonists. Sound conventions are diegetic sounds like breathing to make scenes feel realistic and fast-paced music building to climaxes.
Vertigo
This document analyzes and describes several shots from a thriller film that aim to create mystery and intrigue for the audience. The shots show close-ups of eyes and part of a face in shadow, leaving the subject's identity ambiguous. Details like dilated pupils, pale skin, and watery eyes make the subject look suspicious. Strange swirling shapes that hypnotize the audience with their movement are also discussed. Overall, the shots maintain an air of mystery and enigma through their obscure imagery and subjects.
Analysis Of Taken
The document analyzes lighting, sound, camera movements, and editing techniques used in the thriller film Taken. It notes that the film uses dark lighting to create a mysterious and scary mood, natural light in some scenes, and unnatural light to make characters feel isolated. Sound is exaggerated to build tension, and foreign languages isolate the audience. Camera movements include close-ups to show emotion and medium shots of helpless girls to elicit sympathy. Editing employs fast transitions between shots to feel overwhelming and uneasy, quick flashes between different shots, and slow motion to build tension.
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Durham county analysis
This document provides an analysis of the TV series Durham County. It summarizes that the series follows detective Mike as he hunts a mysterious serial killer. It then analyzes various shots and stylistic elements from the opening title sequence that set a dark, mysterious, and cynical tone through the use of low-key lighting, red/black/white colors, and leafless trees.
Mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a shot that can provide contextual information to the viewer. There are six key elements of mise-en-scene: color, costume, props, set/location, blocking/performance, and lighting. Color, costume, and lighting are used to convey meanings like innocence, evil, class, and mood. Props provide context for scenes and influence how actors should perform. Blocking/performance covers actor positioning and movement. Location can be purpose-built or real places.
Use of mise-en-scene in a thriller
The document discusses techniques for creating suspense and mystery in thriller films, including using low lighting to create shadows, black and white color palettes, eerie music, silence, naturalistic costumes and makeup, and common thriller settings and objects like haunted houses, dark alleys, and guns. These elements aim to generate fear, tension, confusion, and a sense of the unknown for the audience.
Conventions of the Thriller Genre
The thriller genre conventionally revolves around a mystery that draws the protagonist into an investigation to solve. The protagonist is typically the only one who can solve the mystery, sometimes sharing traits with the antagonist that help reveal the climax. Thriller films are usually set in urban cities which heightens the mystery surrounding unknown people. The genre also commonly offers insight into societal institutions like law enforcement, criminal organizations, and government, as well as different age groups and social classes.
Mise-en-scene in the mystery-thriller genre
The document discusses various elements of mise-en-scène that are commonly used in mystery-thriller films to create suspense and tension. Low key lighting and dark colors are used to hide details and play on fears of the unknown. Props like weapons increase stakes during confrontations. Non-diegetic music and silence are employed to build suspense, while diegetic sounds like footsteps indicate impending scenes. Settings range from urban areas that feel familiar yet dangerous to rural isolation or dystopian futures acting as social commentary. Costumes reflect the time period or indicate a character's morality through bright or dark colors.
Codes and conventions of the thriller genre
The document discusses several key conventions used in thriller films. Cinematography conventions include using close-ups of main characters and silhouettes/deep focus shots for antagonists to build suspense around their identity. Editing conventions are jump cuts to increase tension, quick shots for suspense, and flashbacks in psychological thrillers. Mise-en-scene often involves low key lighting, black and white color schemes for an eerie feel, and casual clothes for protagonists versus dark clothes for antagonists. Sound conventions are diegetic sounds like breathing to make scenes feel realistic and fast-paced music building to climaxes.
Vertigo
This document analyzes and describes several shots from a thriller film that aim to create mystery and intrigue for the audience. The shots show close-ups of eyes and part of a face in shadow, leaving the subject's identity ambiguous. Details like dilated pupils, pale skin, and watery eyes make the subject look suspicious. Strange swirling shapes that hypnotize the audience with their movement are also discussed. Overall, the shots maintain an air of mystery and enigma through their obscure imagery and subjects.
Analysis Of Taken
The document analyzes lighting, sound, camera movements, and editing techniques used in the thriller film Taken. It notes that the film uses dark lighting to create a mysterious and scary mood, natural light in some scenes, and unnatural light to make characters feel isolated. Sound is exaggerated to build tension, and foreign languages isolate the audience. Camera movements include close-ups to show emotion and medium shots of helpless girls to elicit sympathy. Editing employs fast transitions between shots to feel overwhelming and uneasy, quick flashes between different shots, and slow motion to build tension.
Codes and conventions of the thriller genre
This document discusses key conventions used in thriller films. It covers conventions related to cinematography, editing, mise-en-scene, and sound. For cinematography, it notes that close-ups are used for main characters while antagonists are often shown in silhouettes or from a distance. Editing conventions include jump cuts, quick shots, and flashbacks. Mise-en-scene features include low key lighting, black and white color schemes, and distinguishing costumes for main vs. antagonist characters. Sound conventions are diegetic sounds like breathing to make scenes feel realistic, and fast-paced music building to climaxes.
Codes and conventions of thrillers
This document discusses several common conventions used in psychological thriller films to create tension and suspense. These conventions include the use of mirrors, low key lighting, shadows, quick cuts, changes in camera angles, flashbacks, black and white cinematography, and montage editing. These techniques are used to represent the inner darkness of characters, disorient the audience's sense of time and space, and accentuate feelings of tension during important scenes. Examples of films that effectively use these conventions are provided.
Film genres
This document discusses different film genres that will be researched: horror, thriller, and crime. Horror films are set in scary locations with low lighting and quick cuts to build fear. Thrillers use suspense and excitement to thrill audiences, with twists, fast pacing, and dark lighting. Crime films can involve simple or complex plots around police and criminals, shown from either perspective. The document concludes that the genre of thriller will be chosen, using a fast pace and suspense to create tension.
Codes and conventions of thrillers
Mirrors, low key lighting, shadows, quick cuts, camera angles, music, and flashbacks are commonly used techniques in psychological thriller films to create tension and a sense of unease. Such techniques are used to represent the inner darkness of characters and disorient the audience. An example is the film "Mirrors" which uses mirrors as a reflection of a character's soul. Overall, these techniques aim to prey on the minds of characters and viewers through deceptive mind games and a confusion of time and space.
Audience research overview
This document provides an overview of audience research for marketing a psychological thriller film. The target audience is males and females aged 17-40 who are mainly middle to upper class with intellectual interests such as reading, traveling, and films. The trailer should hype up the complex and socially relevant plot using text and style to represent the dark and sinister tone appealing to this audience. Marketing should conventionally appeal through the mise-en-scene, editing, shots and soundtrack to represent increasing tension, pressure and deteriorating mental states. Focus groups revealed inspiration can be drawn from films like Shutter Island and Fight Club using teaser elements, mystery and technical aspects like lighting and cinematography to appeal to fans of the psychological thriller genre.
Conventions of a psychological thriller
Psychological thrillers incorporate elements of mystery, drama, and horror while maintaining the core traits of thrillers. Costumes and locations are typically realistic and mundane to provide a sense of realism and surrealism. Cinematography techniques like low lighting, mirrors as props, ominous sounds, and quick camera movements build tension and suspense. Editing conventions in psychological thrillers include montage editing to highlight emotions, flashbacks to explain past events, and black and white coloring to enhance shadows.
Thriller conventions
Thriller films rely on suspense and anticipation to keep audiences engaged as the protagonist faces tensions that build to a stressful climax. There are six subgenres of thriller including action, crime, and psychological thrillers. Specific conventions include quick cuts, tense music, shadows, and changes in camera angles to generate suspense. Cinematography employs close-ups on protagonists to show emotions while hiding antagonists' identities through quick cuts and silhouettes. Editing uses jump cuts and cross-cutting to build suspense, and montages or flashbacks add confusion. Sound design incorporates tense music and diegetic effects to immerse audiences in characters' experiences. Mise-en-scene establishes themes through locations, costumes,
Lighting of a romantic film scene
The document discusses lighting techniques used in romantic film scenes. It explains that warm color temperatures like orange create a romantic atmosphere, while cooler blues do not. It also notes that lower-key, darker scenes with more shadows can feel more sensual and intimate compared to brighter, higher-key scenes. Finally, it discusses the quality of light, stating that softer lighting with more diffused shadows tends to create a more sentimental feel, as seen in classic films like Casablanca.
Media six sense
The document summarizes several scenes from a movie. The first scene shows a black background with blue text fading in, setting a dark and ominous tone. A following scene uses an extreme close-up of a dim lightbulb turning on slowly to create an unsettling atmosphere. Another scene shows an uneasy female character searching for alcohol in a dark, cold cellar amid eerie ambient sounds, further building a sense of fear and discomfort for both the character and the audience.
Evaluation 1
The document discusses codes and conventions for the thriller genre, including high stakes action, plot twists, exciting settings, and climactic endings. It notes that quick camera angle changes and close-ups of important subjects/events are used to engage attention and show relevance. Wide shots establish surroundings, though they are often dark. The document also provides examples of films that influenced its thriller, mentioning how The Messengers uses a flashback and does not explicitly show murders, and how Con Air moves at a fast pace and uses cuts similar to the film.
Conventions of a horror film
Horror films commonly use certain settings, techniques, and iconography to elicit fear. Settings often include dark streets, alleys, abandoned places like warehouses or ghost towns. Cinematography employs high and low angles as well as point of view shots to manipulate the audience's perspective. Editing and sound design, like diegetic heartbeats or quick cuts, build tension and terror. Visual elements feature dark tones and red/black colors, while lighting keeps scenes dim to represent the unknown. Props such as knives, masks, and religious symbols further signify the horror genre.
Conventions of a thriller
Thrillers must include an enigma that drives the plot and keeps the audience guessing. They use techniques like red herrings, close-ups to show emotion, and a tense musical score. Character archetypes include heroes, villains and mentors. Subgenres are crime, horror, psychological, action and medical thrillers. Thrillers also employ dark lighting, shadows and harsh lights to create an atmosphere of mystery.
Focus group media
This document discusses various codes and conventions used in horror films to engage audiences, such as fast editing pace, dark lighting, intriguing narratives, and relatable plots based on real-life situations. It also examines the differences between horror and thriller genres, noting that horrors introduce settings more clearly while thrillers have slower editing pace. Additionally, it considers whether a female antagonist would engage audiences less, concluding that a female in this role could subvert expectations and stereotypes in a way that intrigues viewers.
Q1&2
This document discusses how the media product challenges and develops conventions of psychological thriller films. It uses effects in the opening only, like Memento, to confuse viewers. Shots are edited to look like an old television for heightened tension. It challenges conventions by casting a young female lead instead of the typical middle-aged male. While initially portraying the female as weak, she gains control by the end to counter typical views of females. Low-key lighting is used to enhance tension. In contrast to relying only on the mind as a weapon, props are included to quickly convey protagonists' seriousness and power. The location of a dark room adds to suspense while allowing easy acquisition. Costumes contrast the protagonists to
9 shots
This document analyzes how the author's media product uses and develops conventions of real thriller genres. It discusses how each of the 9 pictures challenge or relate to conventions. Picture 1-2 build suspense through similar shots. Picture 3 features a disturbing doll shot building more suspense. Picture 4 has a hidden perspective adding to mystery. Picture 5 involves the audience like thrillers. Picture 6 uses action genre editing to enhance pace. Pictures 7-8 isolate body parts to hide identity, using lighting for effect. Picture 9 has a hand grab the camera for a psychological effect. Overall, the pictures develop conventions of thriller genres like suspense, mystery, action, isolation, and audience interaction.
Cape Fear Analysis
The opening scene of Cape Fear uses water imagery and music to build tension and imply danger. Shadows of an eagle and a man's face in the water foreshadow themes of death and violence. Cutting to a young, innocent looking girl contrasts with the ominous opening. The film then shows the main character, a well-educated man in a prison cell decorated with images of dictators. When released, he walks confidently from the prison alone, suggesting he remains a threat and is "on the hunt" for someone.
Mise en scene
Naturalistic costume and makeup are used in psychological thrillers to make characters seem more relatable and believable to audiences despite portraying mental illness. Minimal or no makeup allows characters to appear normal. This can shock audiences by making them relate the film's plot to their own lives. Lighting, colors, and settings are also used to create suspense and unease. Low key lighting and dark settings generate fear, while contrasting lighting depicts differences between sane and insane characters. Shadows heighten the frightening effects. These techniques immerse audiences in the psychological states of the characters.
Gothika trailer Anallysis
Gothika is a 2003 psychological horror film starring Halle Berry and Robert Downey Jr. It is distributed by Warner Bros. and Dark Castle Entertainment. The trailer uses elements like bars and a mental institution setting to establish the genre. White text turning red represents the protagonist's descent into insanity as she is accused of murder. Fragmented and obscure editing builds tension and leaves the audience with an enigma to solve by watching the film.
Analysis Of A Thriller Opening Munich
The opening scene of the thriller film Munich is in black and white to set the time period. Quick editing shots build tension by showing the panic and destruction of attacks. The soundtrack and lighting create a dark, mysterious atmosphere. Costumes show the local people's lifestyle and living environment are not upper class. Camera movements, like slow motion, emphasize the intensity of scenes. Connecting the tragic soundtrack to shots of a crying family grabbing the audience emotionally and intriguing them to watch more.
Codes and Conventions - Psychological Thriller
The document discusses conventions and codes of the psychological thriller genre. It provides definitions of psychological thriller and outlines some common themes such as reality, perception, mind, existence/purpose, obsession, and identity. It then discusses several codes and conventions used in psychological thrillers, including costume and makeup, props, running water, vast landscapes, confined spaces, and shadows. Examples are given of how each convention is used to build tension, suspense, and unease.
Evaluation before ancillary tasks
The document discusses how media technologies were used at various stages of constructing a horror film trailer. In the research stage, online resources like YouTube, IMDB, and Wikipedia were used to analyze horror film trailers and gather information. Microsoft PowerPoint and SlideShare were used to present research. A video camera was used to film shots for the trailer, and Final Cut Express was used for editing. Photoshop was used for text/title elements. A DSLR was used for still images. A royalty-free music website provided music for the trailer. Feedback was gathered from audiences using in-person sessions to improve the trailer.
Evaluation before ancillary tasks
The document analyzes how a media trailer uses conventions of real horror films. It summarizes that the trailer uses several common horror conventions for setting, characters, editing techniques, lighting, sound and more. This includes establishing shots, POV shots, mysterious villains, vulnerable female victims, fast cuts, flashing lights, ominous music and silence for suspense. The trailer aims to blend slasher and psychological horror conventions to convey the intended hybrid genre. Overall, the document evaluates how the trailer effectively employs real horror film conventions to engage audiences familiar with the genre.
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Codes and conventions of the thriller genre
This document discusses key conventions used in thriller films. It covers conventions related to cinematography, editing, mise-en-scene, and sound. For cinematography, it notes that close-ups are used for main characters while antagonists are often shown in silhouettes or from a distance. Editing conventions include jump cuts, quick shots, and flashbacks. Mise-en-scene features include low key lighting, black and white color schemes, and distinguishing costumes for main vs. antagonist characters. Sound conventions are diegetic sounds like breathing to make scenes feel realistic, and fast-paced music building to climaxes.
Codes and conventions of thrillers
This document discusses several common conventions used in psychological thriller films to create tension and suspense. These conventions include the use of mirrors, low key lighting, shadows, quick cuts, changes in camera angles, flashbacks, black and white cinematography, and montage editing. These techniques are used to represent the inner darkness of characters, disorient the audience's sense of time and space, and accentuate feelings of tension during important scenes. Examples of films that effectively use these conventions are provided.
Film genres
This document discusses different film genres that will be researched: horror, thriller, and crime. Horror films are set in scary locations with low lighting and quick cuts to build fear. Thrillers use suspense and excitement to thrill audiences, with twists, fast pacing, and dark lighting. Crime films can involve simple or complex plots around police and criminals, shown from either perspective. The document concludes that the genre of thriller will be chosen, using a fast pace and suspense to create tension.
Codes and conventions of thrillers
Mirrors, low key lighting, shadows, quick cuts, camera angles, music, and flashbacks are commonly used techniques in psychological thriller films to create tension and a sense of unease. Such techniques are used to represent the inner darkness of characters and disorient the audience. An example is the film "Mirrors" which uses mirrors as a reflection of a character's soul. Overall, these techniques aim to prey on the minds of characters and viewers through deceptive mind games and a confusion of time and space.
Audience research overview
This document provides an overview of audience research for marketing a psychological thriller film. The target audience is males and females aged 17-40 who are mainly middle to upper class with intellectual interests such as reading, traveling, and films. The trailer should hype up the complex and socially relevant plot using text and style to represent the dark and sinister tone appealing to this audience. Marketing should conventionally appeal through the mise-en-scene, editing, shots and soundtrack to represent increasing tension, pressure and deteriorating mental states. Focus groups revealed inspiration can be drawn from films like Shutter Island and Fight Club using teaser elements, mystery and technical aspects like lighting and cinematography to appeal to fans of the psychological thriller genre.
Conventions of a psychological thriller
Psychological thrillers incorporate elements of mystery, drama, and horror while maintaining the core traits of thrillers. Costumes and locations are typically realistic and mundane to provide a sense of realism and surrealism. Cinematography techniques like low lighting, mirrors as props, ominous sounds, and quick camera movements build tension and suspense. Editing conventions in psychological thrillers include montage editing to highlight emotions, flashbacks to explain past events, and black and white coloring to enhance shadows.
Thriller conventions
Thriller films rely on suspense and anticipation to keep audiences engaged as the protagonist faces tensions that build to a stressful climax. There are six subgenres of thriller including action, crime, and psychological thrillers. Specific conventions include quick cuts, tense music, shadows, and changes in camera angles to generate suspense. Cinematography employs close-ups on protagonists to show emotions while hiding antagonists' identities through quick cuts and silhouettes. Editing uses jump cuts and cross-cutting to build suspense, and montages or flashbacks add confusion. Sound design incorporates tense music and diegetic effects to immerse audiences in characters' experiences. Mise-en-scene establishes themes through locations, costumes,
Lighting of a romantic film scene
The document discusses lighting techniques used in romantic film scenes. It explains that warm color temperatures like orange create a romantic atmosphere, while cooler blues do not. It also notes that lower-key, darker scenes with more shadows can feel more sensual and intimate compared to brighter, higher-key scenes. Finally, it discusses the quality of light, stating that softer lighting with more diffused shadows tends to create a more sentimental feel, as seen in classic films like Casablanca.
Media six sense
The document summarizes several scenes from a movie. The first scene shows a black background with blue text fading in, setting a dark and ominous tone. A following scene uses an extreme close-up of a dim lightbulb turning on slowly to create an unsettling atmosphere. Another scene shows an uneasy female character searching for alcohol in a dark, cold cellar amid eerie ambient sounds, further building a sense of fear and discomfort for both the character and the audience.
Evaluation 1
The document discusses codes and conventions for the thriller genre, including high stakes action, plot twists, exciting settings, and climactic endings. It notes that quick camera angle changes and close-ups of important subjects/events are used to engage attention and show relevance. Wide shots establish surroundings, though they are often dark. The document also provides examples of films that influenced its thriller, mentioning how The Messengers uses a flashback and does not explicitly show murders, and how Con Air moves at a fast pace and uses cuts similar to the film.
Conventions of a horror film
Horror films commonly use certain settings, techniques, and iconography to elicit fear. Settings often include dark streets, alleys, abandoned places like warehouses or ghost towns. Cinematography employs high and low angles as well as point of view shots to manipulate the audience's perspective. Editing and sound design, like diegetic heartbeats or quick cuts, build tension and terror. Visual elements feature dark tones and red/black colors, while lighting keeps scenes dim to represent the unknown. Props such as knives, masks, and religious symbols further signify the horror genre.
Conventions of a thriller
Thrillers must include an enigma that drives the plot and keeps the audience guessing. They use techniques like red herrings, close-ups to show emotion, and a tense musical score. Character archetypes include heroes, villains and mentors. Subgenres are crime, horror, psychological, action and medical thrillers. Thrillers also employ dark lighting, shadows and harsh lights to create an atmosphere of mystery.
Focus group media
This document discusses various codes and conventions used in horror films to engage audiences, such as fast editing pace, dark lighting, intriguing narratives, and relatable plots based on real-life situations. It also examines the differences between horror and thriller genres, noting that horrors introduce settings more clearly while thrillers have slower editing pace. Additionally, it considers whether a female antagonist would engage audiences less, concluding that a female in this role could subvert expectations and stereotypes in a way that intrigues viewers.
Q1&2
This document discusses how the media product challenges and develops conventions of psychological thriller films. It uses effects in the opening only, like Memento, to confuse viewers. Shots are edited to look like an old television for heightened tension. It challenges conventions by casting a young female lead instead of the typical middle-aged male. While initially portraying the female as weak, she gains control by the end to counter typical views of females. Low-key lighting is used to enhance tension. In contrast to relying only on the mind as a weapon, props are included to quickly convey protagonists' seriousness and power. The location of a dark room adds to suspense while allowing easy acquisition. Costumes contrast the protagonists to
9 shots
This document analyzes how the author's media product uses and develops conventions of real thriller genres. It discusses how each of the 9 pictures challenge or relate to conventions. Picture 1-2 build suspense through similar shots. Picture 3 features a disturbing doll shot building more suspense. Picture 4 has a hidden perspective adding to mystery. Picture 5 involves the audience like thrillers. Picture 6 uses action genre editing to enhance pace. Pictures 7-8 isolate body parts to hide identity, using lighting for effect. Picture 9 has a hand grab the camera for a psychological effect. Overall, the pictures develop conventions of thriller genres like suspense, mystery, action, isolation, and audience interaction.
Cape Fear Analysis
The opening scene of Cape Fear uses water imagery and music to build tension and imply danger. Shadows of an eagle and a man's face in the water foreshadow themes of death and violence. Cutting to a young, innocent looking girl contrasts with the ominous opening. The film then shows the main character, a well-educated man in a prison cell decorated with images of dictators. When released, he walks confidently from the prison alone, suggesting he remains a threat and is "on the hunt" for someone.
Mise en scene
Naturalistic costume and makeup are used in psychological thrillers to make characters seem more relatable and believable to audiences despite portraying mental illness. Minimal or no makeup allows characters to appear normal. This can shock audiences by making them relate the film's plot to their own lives. Lighting, colors, and settings are also used to create suspense and unease. Low key lighting and dark settings generate fear, while contrasting lighting depicts differences between sane and insane characters. Shadows heighten the frightening effects. These techniques immerse audiences in the psychological states of the characters.
Gothika trailer Anallysis
Gothika is a 2003 psychological horror film starring Halle Berry and Robert Downey Jr. It is distributed by Warner Bros. and Dark Castle Entertainment. The trailer uses elements like bars and a mental institution setting to establish the genre. White text turning red represents the protagonist's descent into insanity as she is accused of murder. Fragmented and obscure editing builds tension and leaves the audience with an enigma to solve by watching the film.
Analysis Of A Thriller Opening Munich
The opening scene of the thriller film Munich is in black and white to set the time period. Quick editing shots build tension by showing the panic and destruction of attacks. The soundtrack and lighting create a dark, mysterious atmosphere. Costumes show the local people's lifestyle and living environment are not upper class. Camera movements, like slow motion, emphasize the intensity of scenes. Connecting the tragic soundtrack to shots of a crying family grabbing the audience emotionally and intriguing them to watch more.
Codes and Conventions - Psychological Thriller
The document discusses conventions and codes of the psychological thriller genre. It provides definitions of psychological thriller and outlines some common themes such as reality, perception, mind, existence/purpose, obsession, and identity. It then discusses several codes and conventions used in psychological thrillers, including costume and makeup, props, running water, vast landscapes, confined spaces, and shadows. Examples are given of how each convention is used to build tension, suspense, and unease.
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Similar to Blair Witch Trailer Analysis
Evaluation before ancillary tasks
The document discusses how media technologies were used at various stages of constructing a horror film trailer. In the research stage, online resources like YouTube, IMDB, and Wikipedia were used to analyze horror film trailers and gather information. Microsoft PowerPoint and SlideShare were used to present research. A video camera was used to film shots for the trailer, and Final Cut Express was used for editing. Photoshop was used for text/title elements. A DSLR was used for still images. A royalty-free music website provided music for the trailer. Feedback was gathered from audiences using in-person sessions to improve the trailer.
Evaluation before ancillary tasks
The document analyzes how a media trailer uses conventions of real horror films. It summarizes that the trailer uses several common horror conventions for setting, characters, editing techniques, lighting, sound and more. This includes establishing shots, POV shots, mysterious villains, vulnerable female victims, fast cuts, flashing lights, ominous music and silence for suspense. The trailer aims to blend slasher and psychological horror conventions to convey the intended hybrid genre. Overall, the document evaluates how the trailer effectively employs real horror film conventions to engage audiences familiar with the genre.
Genre research
The document discusses the history and conventions of the thriller genre, particularly psychological thrillers. It notes that Alfred Hitchcock pioneered many techniques still used in thrillers today through films in the 1920s-1950s. Psychological thrillers often involve characters with dark pasts or unstable mental states set in urban environments portrayed through techniques like voiceovers, diegetic sounds, and fluctuating non-diegetic music to build tension and suspense. Cinematography techniques like point of view shots and over the shoulder shots aim to increase audience emotional involvement in the character's perspective.
Codes and Conventions
The document discusses codes, conventions, and techniques used in psychological thriller films. It focuses on how lighting, suspense, props like mirrors and knives, editing, and settings like woods are employed to create tension and unease. Specifically, it analyzes scenes from films like Psycho, Seven, and Until Dawn to show how low lighting, suspenseful dialogues, sound design, and editing pace manipulate audience emotions. Woods and isolated settings commonly symbolize fear, loneliness, and confusion in the genre.
Shawshank redemption thriller analysis
The document analyzes how cinematography, editing, sound, and mise-en-scene establish the thriller genre in the opening sequence of The Shawshank Redemption. Specifically, it notes that the low-angle camerawork and dark lighting create tension and mystery. Non-diegetic music and sounds further develop an ominous atmosphere, while parallel editing reveals key information to the audience and connects different scenes.
Textual analysis
The document analyzes the trailer for the film "The Silence of the Lambs" in 5 paragraphs. It discusses the use of color, sounds, images, props, shots and actors to convey danger, horror and thriller elements. The analysis highlights how the director creates a sense of the killer getting inside the protagonist's head and stalking victims at night through the use of flashing images, sounds and shots in the prison setting. It concludes that listing the actors and director at the end would attract audiences.
Q
The document discusses how the media product uses and develops conventions of real-life thriller films. It uses conventions such as a dark title with capital bold letters, extreme close-ups to convey emotion, mid-close ups to show important details like handcuffs, low key lighting for villains and brighter lighting for victims. It challenges conventions by only using fades to black cuts rather than quick cuts, and develops conventions further by including ambient sounds of heavy breathing, footsteps and heartbeats during flashbacks.
Question 1
The document discusses how the media product uses and develops conventions of real-life thriller films. It uses conventions such as a dark title with capital bold letters, extreme close-ups to convey emotion, mid-close ups to show important details like handcuffs, low key lighting for villains and brighter lighting for victims. It challenges conventions by only using fades to black cuts rather than quick cuts, and develops conventions further by including ambient sounds of heavy breathing, footsteps and heartbeats during flashbacks.
Media Genre Research 2
The document discusses the genre of psychological thriller films. It defines psychological thrillers as thrillers focused on elements of the human mind that create tension through slow pacing rather than horror. Settings for these films include normal homes and towns but also asylums and woods to play on fears of insanity and isolation. Character conventions include those who are deviant or mentally ill. Narratives often involve themes of fear, insanity, and delusions. Techniques like close-ups, blood, and non-diegetic sound or music are used to build tension. Prolonged shots and camerawork also change audience perception.
It Follows – Trailer Deconstruction
The document provides a detailed analysis of the trailer for the 2015 psychological horror film "It Follows". The analysis discusses various aspects of the trailer including camera work, mise-en-scene, sound, editing, text, and representation. Specifically, it notes how the camera slowly tracks in on the female protagonist, representing something following her. It also analyzes lighting, costumes, props, music, and editing techniques used to establish mood and tension. Overall, the analysis finds that the trailer effectively uses various filmic techniques to draw audiences in and represent the themes and plot of something unknown stalking the main character.
Question 1
The document discusses how the media product uses and develops conventions of real-life thriller films. It describes using a simple bold title on a black background to reflect the mood, using extreme close-ups to show emotion, and mid close-ups to convey important details. It also discusses using dark lighting for villains and brighter lighting for victims to represent their personalities, and only using fades to black rather than quick cuts due to its cyclic structure. Ambient sounds like heavy breathing, footsteps and heartbeats are used to build tension.
Script breakdown sheet- Newsroom
The document analyzes various techniques used in the opening sequences of psychological thriller films, including Secret Window, Cold Creek Manor, The Butterfly Effect, Perfect Stranger, and Hannibal. It discusses the use of titles, framing shots, camera movements, angles, mise-en-scène, editing, sound, actor positioning, characters, settings, and narrative structure in the openings. Key points analyzed include the use of color in titles to set tone, focusing on characters' emotions in close-ups, using settings to establish locations important to the story, and applying Tzvetan Todorov's narrative theory of equilibrium disruption.
Analysis Of Opening Film Techniques Employed Final
The document analyzes various techniques used in the opening sequences of psychological thriller films, including Secret Window, Cold Creek Manor, The Butterfly Effect, Perfect Stranger, and Hannibal. It discusses the use of titles, framing shots, camera movements, angles, mise-en-scène, editing, sound, actor positioning, characters, settings, and narrative structure in the openings. Key points analyzed include the use of color in titles to set tone, focusing on characters' emotions in close-ups, using settings to establish locations important to the story, and applying Tzvetan Todorov's narrative theory of equilibrium disruption.
Analysis Of Opening Film Techniques Employed Final
The document analyzes various techniques used in the opening sequences of psychological thriller films, including Secret Window, Cold Creek Manor, The Butterfly Effect, Perfect Stranger, and Hannibal. It discusses the use of titles, framing shots, camera movements, angles, mise-en-scène, editing, sound, actor positioning, characters, settings, and narrative structure in the openings. Key points analyzed include the use of color in titles to set tone, focusing on characters' emotions in close-ups, using settings to establish locations important to the story, and applying Tzvetan Todorov's narrative theory of equilibrium disruption.
The uninvited trailer deconstruction
The trailer begins by introducing the main character's confusion over what happened the night before and establishes feelings of unease. Shots of a breaking lantern and burning house provide context about the character's troubled past and broken home. The character is seen leaving a mental institution, still struggling with what happened. Dark, ominous tones are introduced through the character of the new girlfriend. Flashbacks and news articles reveal unsolved child murders, increasing suspicion around the new girlfriend. The trailer builds tension through quick cuts and a heavy soundtrack before ending on a disturbing shot of blood and a scream, leaving the audience with unanswered questions.
'The Conjuring' Film analysis
The film trailer analyzes the trailer for the supernatural horror film "The Conjuring". It provides a detailed shot-by-shot breakdown and discusses how different film techniques are used to build atmosphere, convey information, and align with horror film conventions. Various shots portray the protagonists, establish the haunted house setting, hint at the supernatural antagonist, and elicit emotion from the audience, such as fear and sympathy. The trailer concludes by teasing the plot involving a family haunted by a witch's spirit that must be exorcised.
Production
This document discusses techniques used in horror film lighting, camera work, and sound design. It explains that horror films typically use dark, profile lighting to create an eerie atmosphere and a sense of mystery. Camera techniques mentioned include close-ups, point-of-view shots, and hand-held camera work. Regarding sound, the document notes that horror trailers aim to set a tense mood through techniques like incorporating heartbeats and abrupt changes in music.
Question one evaulation re done
The document discusses the thriller genre and provides details about common elements found in thriller films, literature, and television. Some key aspects of thrillers mentioned include the use of tension, suspense, and excitement to stimulate anticipation and surprise in audiences. Common plot devices involve villains creating obstacles for protagonists to overcome. Technical elements typically used are close-up shots, low-key lighting, ominous music and sound effects, and isolated settings. The inspiration section then describes how these thriller techniques influenced the group's opening sequence project, which combines horror, mystery, and crime elements into a plot about friends encountering a dangerous prankster in the woods.
Genre, Codes and Conventions
The document discusses choices made in producing a psychological thriller/semi-biopic film about a woman experiencing sleep paralysis. The filmmakers chose this genre to incorporate conventions of psychological thrillers and maintain realism. They felt it was the best genre to portray the topic of sleep paralysis in an unbiased and empathetic way.
Analysis of 'A Supernatural Encounter' Horror Film Trailer
The document provides an analysis of a film trailer for a supernatural horror film. The trailer uses various camera shots and editing techniques to build tension and mystery around the antagonist. It opens with a murder at a church before cutting to friends of the victim who learn of a legendary creature said to haunt the church. The friends investigate and encounter the antagonist, who curses them. The trailer aims to engage the audience and adhere to horror film conventions through its use of point-of-view shots, ominous music, and cuts that leave the antagonist's identity ambiguous and cause unease in the viewer.
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Analysis Of Opening Film Techniques Employed Final
Analysis Of Opening Film Techniques Employed Final
Analysis Of Opening Film Techniques Employed Final
Analysis Of Opening Film Techniques Employed Final
Analysis of 'A Supernatural Encounter' Horror Film Trailer
Analysis of 'A Supernatural Encounter' Horror Film Trailer
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一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
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◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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7:个人信誉贷款加10分
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Blair Witch Trailer Analysis
- 1. Blair Witch Trailer Analysis - Psychological Thriller (2016)
- 2. What is a psychological thriller? A film which features the genre of psychological thriller heavily relies on the character’s varying mental stabilities and how they contrast with each other within their current situation rather than the just the plot itself. The character’s sense of reality deteriorates throughout the film, indulging the audience deep within their pure terror. Examples of psychological thrillers: Psycho Paranormal Activity Saw
- 3. The establishing shot opens the trailer of Blair Witch, of a low saturation shot consisting of a forest featuring very dark greens and browns, paired with a river featuring very dark blues and greys. Moreover a voiceover using dialogue, ‘found in the Black Hills woods’, is utilised in conjunction with the shot to set a both dark and creepy mood for the trailer from the outset, creating an instant stigma for the audience whenever the forest is mentioned.
- 4. The following shots consist of several POV shots running through corridors, cut at a very fast pace with large amounts of distortion paired with aggressive and loud sound effects to create unease for the audience. Each shot is highly exposed with a torch with the surrounding frame consisting of darkness; the over exposed centre gives audiences limited glimpses of the character’s location and situation, creating anxiety and concern.
- 5. The text used in the trailer features a serif font in white on a black background amongst very faint figures of tree branches, symbolising a torch searching through woods such as in the previous slide. The tree branches are mirrored vertically to signify a distortion from reality and normality.