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CARLOS BARBERENA
Carlos Barberena (b.1972) is a Nicaraguan self-taught Artist / Printmaker based in
Chicago. Barberena has exhibited individually in Costa Rica, Estonia, France, Mexico,
Nicaragua, Spain and The United State of America.
His work has been shown in important Art Biennials, Museums, Galleries and Cultural
Centers around the world, among them: “1st International Academic Printmaking
Alliance Invitational Exhibition” / un-Foldings / des-Doblamientos: Metaphoric
Resonances in Contemporary Latin American Printmaking at The Imperial Ancestral
Temple Art Museum, Beijing, China; “Back to Chaos / Atpakal Haosa” - American
Printmakers - Rigas Art Space, Riga, Latvia; the 9th
Biennale Internationale d’Estampe
Contemporaine Trois Rivieres, Canada; the 9th
Triennial - Mondial de L’Estampe et de la
Gravure Originale in Chamalieres, France; the 7th
International Printmaking Biennial of
Douro at the Lamego Museum in Portugal; Printmaking In / In Graafika Fest at
Linnagallerii, Parnu, Estonia; the IX Nicaraguan Visual Arts Biennial (IX BAVNIC) - Ortiz-
Gurdián Foundation. “Recycling Memory: Recapturing the Lost City” PAC Museum,
Managua, Nicaragua; Tartu Printmaking Fest 2014, Tartu Art House, Tartu, Estonia;
LAPS 21, National Printmaking Biennial, CSUN Art Galleries, Northridge, CA; Pulso:
Arte de las Américas, KCAD Fed Galleries, Grand Rapids, MI; “Santitos”, Loyola
University Museum of Art (LUMA), Chicago; Hanal Pixan - Food for the Souls, National
Museum of Mexican Art, Chicago; III Bronx Latin American Art Biennial, Bronx, New
York; “Les Saltimbanques” an homage to Gustave Doré at the Musée d’Art Roger-
Quilliot - MARQ - in France, where his work was exhibited alongside Doré’s
Masterpiece; III World Body Art Conference in Venezuela, Lia Bermudez Museum; V
Biennial of Caribbean Dominican Republic, Museum of the Dominican Man; 8th
Triennial
- Mondial de L’Estampe et de la Gravure Originale in Chamalieres, France; 6th
KIWA at
the Kyoto Museum of Art in Japan; Takanabe Art Museum, Miyazaki, Japan; Latin
American & Nicaraguan Printmaking, former Convent of San Francisco Museum,
Granada, Nicaragua; 24 Grafiekbiennale Sint-Niklaas, International Exlibriscentrum,
Stedelijke Musea, Sint-Niklaas, Belgium and the XIII Art Salon, Identity Imprint: A Glance
at Ibero-American Printmaking at the Mexican Cultural Institute in Washington, DC.
He has received various awards, most notably the “National Printmaking Award 2012”
given by the Nicaraguan Institute of Culture in Managua, Nicaragua; “Parchemin
d’Honneur”, 8 Triennale Mondial de l’Estampe et de la Gravure Originale, AMAC,
Chamalieres, Auvergne, France and the award- poster for the Ecology and Human
Rights in Banana Plantations in Costa Rica, given by GEBANA in Berlin, Germany.
Barberena’s work is included in numerous public and private collections, including Ortíz-
Gurdián Museum, León, Nicaragua; Douro Printmaking Biennial Collection, Museu do
Gravura, Alijo, Portugal; Academia Non Grata, Pärnu, Estonia; Loyola University
Museum of Art (LUMA), Chicago, USA; Artist Printmaker Research Collection, Museum
of Texas Tech University, Lubbock, TX, USA; Special Collection, University of Colorado
at Boulder, CO, USA; The National Gallery, San José, Costa Rica; Museum of
Contemporary Art “Julio Cortazar”, Managua, Nicaragua; Permanent Art Collection of
the Bibliotheca of Alexandrina, Alexandria, Egypt; Benedictine University, Lisle, Illinois;
KIWA, Kyoto, Japan; the School of Fine Arts, (UNAM), Mexico; the Triennial Prints
Cabinet, AMAC, France, the International Exlibriscentrum, Stedelijke Museum in Sint-
Niklaas, Belgium; the Lia Bermudez Museum, Venezuela; Former Jesuit College
Cultural Center, Patzcuaro, Mexico and Praxis Gallery of Nicaragua.

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Bio Carlos Barberena-3

  • 1. CARLOS BARBERENA Carlos Barberena (b.1972) is a Nicaraguan self-taught Artist / Printmaker based in Chicago. Barberena has exhibited individually in Costa Rica, Estonia, France, Mexico, Nicaragua, Spain and The United State of America. His work has been shown in important Art Biennials, Museums, Galleries and Cultural Centers around the world, among them: “1st International Academic Printmaking Alliance Invitational Exhibition” / un-Foldings / des-Doblamientos: Metaphoric Resonances in Contemporary Latin American Printmaking at The Imperial Ancestral Temple Art Museum, Beijing, China; “Back to Chaos / Atpakal Haosa” - American Printmakers - Rigas Art Space, Riga, Latvia; the 9th Biennale Internationale d’Estampe Contemporaine Trois Rivieres, Canada; the 9th Triennial - Mondial de L’Estampe et de la Gravure Originale in Chamalieres, France; the 7th International Printmaking Biennial of Douro at the Lamego Museum in Portugal; Printmaking In / In Graafika Fest at Linnagallerii, Parnu, Estonia; the IX Nicaraguan Visual Arts Biennial (IX BAVNIC) - Ortiz- Gurdián Foundation. “Recycling Memory: Recapturing the Lost City” PAC Museum, Managua, Nicaragua; Tartu Printmaking Fest 2014, Tartu Art House, Tartu, Estonia; LAPS 21, National Printmaking Biennial, CSUN Art Galleries, Northridge, CA; Pulso: Arte de las Américas, KCAD Fed Galleries, Grand Rapids, MI; “Santitos”, Loyola University Museum of Art (LUMA), Chicago; Hanal Pixan - Food for the Souls, National Museum of Mexican Art, Chicago; III Bronx Latin American Art Biennial, Bronx, New York; “Les Saltimbanques” an homage to Gustave Doré at the Musée d’Art Roger- Quilliot - MARQ - in France, where his work was exhibited alongside Doré’s Masterpiece; III World Body Art Conference in Venezuela, Lia Bermudez Museum; V Biennial of Caribbean Dominican Republic, Museum of the Dominican Man; 8th Triennial - Mondial de L’Estampe et de la Gravure Originale in Chamalieres, France; 6th KIWA at the Kyoto Museum of Art in Japan; Takanabe Art Museum, Miyazaki, Japan; Latin American & Nicaraguan Printmaking, former Convent of San Francisco Museum, Granada, Nicaragua; 24 Grafiekbiennale Sint-Niklaas, International Exlibriscentrum, Stedelijke Musea, Sint-Niklaas, Belgium and the XIII Art Salon, Identity Imprint: A Glance at Ibero-American Printmaking at the Mexican Cultural Institute in Washington, DC. He has received various awards, most notably the “National Printmaking Award 2012” given by the Nicaraguan Institute of Culture in Managua, Nicaragua; “Parchemin d’Honneur”, 8 Triennale Mondial de l’Estampe et de la Gravure Originale, AMAC, Chamalieres, Auvergne, France and the award- poster for the Ecology and Human Rights in Banana Plantations in Costa Rica, given by GEBANA in Berlin, Germany. Barberena’s work is included in numerous public and private collections, including Ortíz- Gurdián Museum, León, Nicaragua; Douro Printmaking Biennial Collection, Museu do Gravura, Alijo, Portugal; Academia Non Grata, Pärnu, Estonia; Loyola University Museum of Art (LUMA), Chicago, USA; Artist Printmaker Research Collection, Museum of Texas Tech University, Lubbock, TX, USA; Special Collection, University of Colorado at Boulder, CO, USA; The National Gallery, San José, Costa Rica; Museum of Contemporary Art “Julio Cortazar”, Managua, Nicaragua; Permanent Art Collection of the Bibliotheca of Alexandrina, Alexandria, Egypt; Benedictine University, Lisle, Illinois; KIWA, Kyoto, Japan; the School of Fine Arts, (UNAM), Mexico; the Triennial Prints Cabinet, AMAC, France, the International Exlibriscentrum, Stedelijke Museum in Sint- Niklaas, Belgium; the Lia Bermudez Museum, Venezuela; Former Jesuit College Cultural Center, Patzcuaro, Mexico and Praxis Gallery of Nicaragua.