The document discusses the role of portraiture as a political strategy in eighteenth-century Britain, highlighting its ability to influence public opinion and renegotiate gender roles. It emphasizes that portraits have served political purposes historically and encourages a reevaluation of their contemporary relevance. The content includes various examples and references to significant artworks and authors in the field.

1. Po
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Portraiture as a Political Strategy in Eighteenth-Century Britain.
Rose Jeanette Hellyar
BCUR 17 Bournemouth University, 25th-26th April 2017.

2. Contents
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Portraits can be used for political
advancement.
Portraits can re-negotiate gender roles.
Summary
The problem

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Fig 1: Angelica Kauffmann, Angelica Kauffmann, Oil on canvas,
National Portrait Gallery, London, UK.

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Fig 2: Queen Charlotte and her Three Eldest Sons, Johann Zoffany, 1762, Oil
on canvas, Royal Collection Trust, UK.

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Explore the
countryside
Fresh air
Good form
of exercise
Health
benefits
Very
Rewarding
Enjoyable
Fig 3: “The Rainbow Portrait” Queen Elizabeth I, Isaac Oliver, 1600-1603, Oil on Canvas,
Hatfield House, UK.

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Fig 4: Sir Joshua Reynolds, Sir Joshua Reynolds, 1747-49, Oil on
canvas, National Portrait Gallery, London, UK.

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Fig 5: Ann Ford, Thomas Gainsborough, 1760, Oil on Canvas.
Fig 6: Lady Cockburn and her Three Eldest Sons, Sir Joshua Reynolds, 1762, Oil on Canvas,
The National Gallery, UK.

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Summary
Portraits have been used politically in the
past, so why not again?
It challenges portraiture’s functions, by
looking from a different perspective.
They influence public
decision- making through
social engagement and
psychology.

9. Thanks
Any Questions?
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10. Bibliography
•Barrell, J. The Political Theory of Painting, from Reynolds to Hazlitt,( Yale
University Press, 1982.)
•Fischlin, D. Political Ideology, Absolutist Ideology and the “Rainbow
Portrait” of Queen Elizabeth I, Renaissance Quarterly, Vol. 50, No. 1, (The
University of Chicago Press, 1997) 175-78.
• Parkin, A. Essential Cognitive Psychology,( Psychology Press, 2000.)
•Pointon, M. Hanging the Head; Portraiture and Social Formation in
Eighteenth-Century England,( Yale University Press, 1993.)
• Leca, B. “Gainsborough; Reynolds and The Gender Dynamics of
Portraiture” from Leca, B. Thomas Gainsborough and The Modern
Woman, (Giles Publishing Ltd, 2010.).
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