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Basic Spiritual Primer 8
              (From Brihadaranyaka Upanishad of Sukla-Yajur-Veda)


                                  Introduction

Upanishad texts are records of experiences and explanations of Masters
who set themselves in tune with ultimate Truth. Upanishad means a secret
knowledge, not to be imparted to the uninitiated or to the common public who are
wedded to the exoteric approach only, who are totally conditioned in their life, and
who cannot rise above the bias of sense life and social regulations.

Hence the Upanishad wisdom was kept very secret. It was never imparted to
anyone except the near disciples who went to the Masters for training and
underwent discipline for a protracted number of years, and made themselves fit to
receive this knowledge which is unconditional.

‘Sit near’—that is the literal meaning of the term, Upaniṣhad. Sit near the
Guru, the Master, and receive the wisdom by attunement, at-one-moment of being.
This is the peculiarity of Upaniṣhad knowledge. It is but a wisdom that is
communicated to the soul by the soul. It is a conversation between soul and soul. It
is a light that is to mingle with another light. Hence, the Upanishads were kept as
greatly guarded secrets.

This Upaniṣhad should be studied with great reverence and holiness of
attitude. It is Spirit that manifests itself in language, not merely a word that is
spoken. Such is this Upaniṣhad, the Brihadaranyaka Upaniṣhad.

The hymns, known as the Samhitas in the Veda, are applied for two
purposes for meditation, as well as for ritual. When they become instruments
of meditation or contemplation, they are known as the Aranyakas; and when
they become the guidelines for action, ritual, sacrifice, and worship, they are
called the Brahmanas.

Aranyakas, tell us that a sacrifice need not necessarily be outward; it can
also be inward; and the inward is more powerful than the outward. The
ritual that is performed by the mind, say the Aranyakas, is more puissant in the
production of effect than the ritual that is outwardly performed through the sacred
fire, or in the holy altar.

The entire range of the Aranyakas is filled with this meaning, that mental
action is a greater action than outward action. Its capacity is greater than
external activity. Thought is more potent than word and deed. This principle is
carried to its logical limit in the Upanishad.

We always think in terms of something. That something is what we call
life, or at least an aspect of life. Since every thought is an involvement in a
particular aspect of outward existence, thought never finds time to understand
itself.

We never see at any time our own mind contemplating its own self. It
always contemplates other persons, other things and other aspects of life. There is
a peculiar proclivity of thought by which it rushes outward into the objects of
sensual life, externally, into persons and things, and never can know what it is
itself.

How can the mind know what another thing is when it cannot know what it
itself is? If you cannot know what you are, how can you know what others are?
But this is life a great confusion and a mess and a conglomeration of
involvements in the objects of sense.

We are to free ourselves from this mess of involvement, through a deeper
diagnostic technique applied to our own life; and this is the purpose of Upaniṣhad.
The difficulty of this achievement is well-known. Just as you cannot peel your
own skin from the body, you cannot dissociate yourself from the conditions of life.
But such a feat has to be performed in this super-psychic technique known as
Upaniṣhadic contemplation of ‘being’.

The beginning of the Brihadaranyaka Upaniṣhad is, thus, a rise of thought
into the inward principles of outward sacrifice. What is a sacrifice; what is a
ritual; what is a performance; and what is an action? When this is understood in its
principle, its inward significance, it becomes commensurate with human
thought; it becomes inseparable from mind; it becomes a part of one’s psychic life.

The Upaniṣhad is a revelation of the inner principles of life as manifest in
actions of a variegated nature. The Vedic sacrifice, or, for the matter of that,
any kind of religious performance, is a symbol, ultimately, which is the point of
departure in all esoteric approaches to religion. External religion is symbolic of
an internal principle which is true religion, towards which the Upaniṣhad
drives our minds.

The activities of human life are symbolic in the sense that they are not
representative of the whole Truth, but manifest only certain aspects of
Truth.

We always think that an action is motivated by an individual or a group of
individuals towards a particular relative end which is visible to the eye and
conceivable by the mind, but never do we imagine for a moment that there can be
farther reaches of the tentacles of this action, beyond the reach of the human eye
and mind and our little action can really be a cosmic deed, that God can see what
we do, and the whole universe can vibrate with the little word but that is
difficult thing for us to understand; and the Upaniṣhad explains it to bring to
the purview of our consciousness these inward secrets of outward action,
telling us that the outward sacrifice is symbolic of an inward contemplation
of Universal Reality.
Brihadaranyaka Upanishad

                               Chapter 1, Section 3

From the cosmic creative process and cosmic manifestations in the
preceding two sections, this section of the Upanishad now takes us to more
subtle subjects and nearer to our own selves and to more intelligible forms of
manifestation as Prana, mind, senses, etc.

The senses are internally operative, even as gods are externally operative.
The gods are the superintending principles over the senses and the mind, etc., of
the individuals. If the gods were not to perform their functions, the senses
would not act; just as, if the electricity is not to flow from the power house, the
electric bulbs are not going to shine.

The cosmic forces are responsible for the operation and action of all
individual principles including the mind, the Prana, and the senses. But as
an individual we have lost all contact with the cosmic forces. We have no
consciousness of even the existence of these divinities.

When we look at things with our eyes, we never for a moment imagine our
connection with the Sun, for instance. We are oblivious of the existence of
these superintending principles and we are intent merely upon the immediate
action of the senses in respect of the visible objects. Why is it that the individual
has become so weak, so powerless, so much deprived of energy? This is the
subject of the Section that follows, in the form of a story, an analogy.


                 Analogy – War between Angels and Demons

There was a war that took place between the Asuras and the Devas, the
demons and the celestials. There was a battle going on, and the Asuras wanted
to overcome the Devas, the gods. The gods thought: “We shall contemplate
the Supreme Being in the form of Omkāra, meditate and derive energy, and
then overcome the Asuras.”

So, they started this contemplation. They employed the various senses,
including the mind, as means of contemplation—the eyes, the ears, the
nose and the various senses, and finally the mind itself. When these
meditations were attempted by the gods through these instruments of action, the
senses and the mind, the Asuras came to know of this fact, and attacked them and
the gods were defeated.

So, the symbology of the story is that you cannot contact Reality either
with the senses or with the mind, because of the Asura attack. The Asura is
the urge for separation, the impulse for externalization, the desire of the senses to
come in contact with objects. The gods were not successful because the Asuras
attacked them in this way, from every side, but they succeeded when they
employed not the senses or the ordinary mind for the purpose of this
contemplation but the internal prana which was in tune with the Cosmic
Prana, which means to say that we become successful only in so far as we are in
harmony with the Cosmic Prana and we are defeated in so far as we are away from
it.

When speech, as the Upanishad tells us in this connection, was rid of the
Asuric (demonic) element in it, it ceased to be speech and became Agni or
Fire, the Deity itself. Likewise, every sense-organ became the Deity; the senses
resumed their original conditions as gods, as they were once upon a time in the
pristine position which they occupied in the Virāt, prior to separation into
individuality.

The senses, when they are placed in proper position in the Virāt-
Consciousness, are called the gods—they are themselves the gods. But
when they are rid of the connection with Virāt, they become ordinary senses
running like slaves towards external objects.

The Upanishad tells us, by way of this analogy, that it is no use trying to
contact Reality through the senses or the mind; they have to be placed, first,
in the context of cosmic universality. This is the meditation to be practised,
which means to say that Virāt is to be the Object of meditation.

Whenever you contemplate an object located as a part of the Body of the
Virāt, then immediately it assumes a divine character, it ceases to be mortal
and it assumes a grand beauty which is characteristic of divinity. This is how we
have to meditate really, and not merely look upon some object as if it is
outside.

This is the great truth told us by this analogy of the Asuras and the Devas
battling with each other and the gods attempting to overcome the Asuras
by means of meditation.


I-iii-1:   There were two classes of Prajapati’s sons, the gods and the Asuras.
           Naturally, the gods were fewer, and the Asuras more in number. They
           vied with each other for the mastery of these worlds. The gods said, ‘Now
           let us surpass the Asuras in (this) sacrifice through the Udgitha’.


There is supposed to be a constant battle going on between the gods and
the demons, the divine and the un-divine forces. The integrating powers are
called the Devas, and the disintegrating ones are called the Asuras, the gods and
the demons. The gods wanted to overcome the demons.

The gods are always less in number, the demons are more in number,
implies that within every individual the forces of natural inclinations are
more in number than the restraining forces to subdue the natural
impulses. These urges of nature are designated as divine and un-divine, from the
way in which they work, and the purpose for which they work. And, the battle
between the two forces was waged with the intention on either side for victory.

Human body is the battlefield where this perpetual inner war is going on
between the gods representing the spiritual or restraining forces and the
demons representing the material bound natural inclinations. The seeker of Truth
has to win this war if he has to regain his unity with the Universal Reality.

Sage Vyasa also used the historical war in his Epic ‘The Mahabharata’
allegorically, and that the real battle alluded to is an inner one: the spiritual
war between wisdom and ignorance, the psychological combat between
intelligence and mind (sense consciousness), and the bodily war between self-
control and harmful sense indulgence.

The process of creation is such that each step is a pre-image for the
successive step. The ‘Prime Desire’ of God to create is the pre-image for ‘Primal
Word’ the command of Nameless One for ‘Cause and Effect’. The ‘Primal Word’ is
the pre-image for ‘Light’ through which the creation got its ‘Shape and Form’.
‘Light’ is a pre-image for ‘Truth’ and ‘Truth’ is a pre-image for ‘Immortality’. This
completes the set of three ‘Primal Attributes’ i.e. Primal Word, Light, Truth
and Immortality which are the Warp and Woof of the Real World.

With ‘Primal Attributes’ as the pre-image, the objective world was created
by the Warp and Woof of ‘Derived Attributes’ known to us as Satogun,
Rajogun, and Tamogun. Besides their usual meaning of Goodness, Passion,
Darkness and Delusion; Satogun has pre-image in the ‘Primal Word’ to give ‘Cause
and Effect’ to Soul’s Desires and Rajogun (now as Fire Element) provides the
desired ‘Shape and Form’. Truth does not prevail in the objective world and
all being ‘False’ is the pre-image for mortality.

At the Causal level, we have three ‘Primal Attributes’, Outward Expression
as the ‘Desire of God’ to create and experience His creation, and Illusion
(Maya); and these five currents interact with the Five Subtle Creative
Elements – Ether, Air, Fire, Water, and Earth resulting in the twenty-five
prakritis, subtle mind currents that are ultimately reflected in the physical form as
desires, anger, bashfulness, fear, infatuation; running, walking, smelling,
contracting, expanding; hunger, thirst, sleep, personality, laziness; vital fluid,
blood, fat, urine, saliva; bones, flesh, skin, veins, and hair respectively.

The above five currents together with three ‘Derived Attributes’ in the
creative process also attract and absorb the Five Subtle Creative Elements
giving rise to forty energy currents. The forty energy currents interacting with
twenty-five prakritis give rise to one thousand flame-shaped currents.

These one thousand flame-shaped currents along with the main current
constitute the Central Power-House of the Astral Plane that supports the
lower physical and the sub-astral planes.
At the astral level, the One Creative Power, the Word of God, the command
Be It has diversified into one thousand primary flame-shaped currents each
providing the energy or power responsible for the existence of lower planes.
Through the sub-astral regions, these thousand currents continue to act
separately and in innumerable permutations and combinations, slowly
diminishing in effulgence and energy as they interact providing enchanting and
endless displays.

Five Creative Elements – Ether, Air, Fire, Water, and Earth respectively as
differentiated forms of Illusion (Maya) are also instrumental in providing the
following:

   •   Five outward forms (Space, Gas, Fire and Light, Liquid, Solid)
   •   Five sense organs Mental – Physical (Hearing - Ears, Touch - Skin, Sight -
       Eyes, Taste - Tongue, Smell - Nose)
   •   Five motor organs Mental – Physical (Speech - Throat, Manipulation -
       Hands, Mobility - Legs, Procreation - Genital Organs, Elimination – Rectum)
   •   Five characteristics Mental – Physical (Discrimination – Executive, Planning
       – Procurement, Drive – Mobility, Sensitivity and Feeling – Procreation,
       Practicality and Grounded-ness – Possession)
   •   Five weaknesses (Ego and pride, Greed and Grasping, Anger, Lust,
       Attachment – active with the outward tendencies of the creative process) and
   •   Five virtues (Humility, Generosity, Tolerance and Forgiveness, Chastity and
       Continence, Detachment and Contentment – to be activated by the seeker of
       Truth by applying restraint to outward tendencies of the creative process and
       contemplative meditation as prescribed in the Scriptures).

At the physical level, the diffused and muted currents enter the sphere of the
human mind and body as well as the minds and bodies of lower creatures.
Through the outward tendencies of the creative process, the mind has firmed
its association with time, space, relativity, illusion, causation, creation,
preservation, destruction, the pairs of opposites, and all the attributes of human
mind and body.

Thus we observe that the creative process has innumerable channels to
reveal and express itself and the human urge to externalize and identify with the
objective world and the desire of the senses to come in contact with the objects are
all natural impulses and are therefore demonic. That is why the demons are
more in number.

Therefore, the gods did not depend entirely on the strength of their arms,
but wanted to take the help of a superior power, and that power is the power
of a chant, a Mantra, or a vibration, a magical influence, a weapon which they
wanted to employ against the Asuras. The Devas conferred among them, and
concluded:

“We shall employ a Mantra, a weapon which is driven, not by any material
element, but by mere thought, viz., the Udgītha, and the Divine Vital
Power.” The weapon which is mystical, here contemplated to be employed by the
Devas, was the Udgītha-Sāman, a Mantra of the Sāma-Veda which is called the
Udgītha. “We chant, recite, and generate energy, so that we may overcome
the Asuras, the demons.”

Now, who will do the chant? The gods are the presiding deities over the
senses, as far as the individuals are concerned. We have the gods in the
cosmos, and gods in our own physical organism. The cosmical counterpart of the
sensory powers in the individual are what are called the gods in the heavens. The
macro-cosmos and the micro-cosmos are correlated organically.

The powers that are super-mundane, which work as divinities in the
heavens, as we hear of spoken in the scriptures, are the superintending
principles over the sense-organs. We have gods or presiding principles,
divinities, superior energies, presiding over every sense-organ and activity,
including the psychological functions.

The presiding deity of the eyes is Sūrya (Sun), of the nose are Aśvinī
Kumaras, of the ears are the Dig-Devatas (gods of directions), of the taste
principle is Varuṇa (rain god), of the touch principle is Vāyu (Air), and there are
Agnī (Speech), Indra (Manipulation), Viṣhnu (Mobility), Prajāpati (Procreation),
Mṛityu Death (Elimination), presiding over the organs of action, the Moon
presiding over the mind, Brahma over the intellect, Rudra (Shiva) over the ego,
and Viṣhnu over the subconscious and the subliminal psychological layers.

All these gods conferred together to work up an energy, or a force, to
counteract the Asura energy. They wanted to chant the Mantra in order that the
energy may be acquired. The chanting of the Mantra, here, does not merely mean a
verbal recitation through the mouth, or a hearing of it through the ears, a fact
which is made out by the story itself.

What is actually meant by the chant of the Mantra is a setting in tune of
oneself with the Powers that are invoked by the Mantra. If this attunement of
the microcosmic with the macrocosmic is not affected, the Mantra does not work; it
cannot produce effect. This is what actually happens when the chant of the
Sāman is wrongly recited.


I-iii-2:   They said to the organ of speech, ‘Chant (the Udgitha) for us’. ‘All right’,
           said the organ of speech and chanted for them. The common good that
           comes of the organ of speech, it secured for the gods by chanting, while
           the fine speaking it utilized for itself. The Asuras knew that through this
           chanter the gods would surpass them. They charged it and struck it with
           evil. That evil is what we come across when one speaks improper things.


The speech principle was first asked to chant the Sāman, that is the
Udgītha and the speech rose up into action and chanted the Sāman.
But the Asuras came to know of this fact. They knew that a great spiritual
discipline was being undertaken by the Devas so that they may overcome the
Asuras. So, the Asuras thought, “We shall not allow this to happen. We shall not
permit this spiritual discipline to go on. We shall attack it.” When speech was
chanting the holy mantra, the Udgitha, Asuras came and attacked, and
afflicted the speech with evil, so that the Saman was spoilt.

The Upanishad says that this is the reason why often speech that is uttered
by people is not beneficent, not worthy, not delicate, but is harsh, barbaric,
cruel, cutting and insulting to others. This detrimental negative attitude
adopted by speech often is the effect of the evil influence imprecated upon it by the
Asura forces. So, the deity of speech was defeated.

We speak good things, and also not good things. We can do some good
through the speech; and we can do a great harm also through the speech shows
that the Asuras also are working in us, not merely the gods. We can speak what
is beneficial; we can also speak what is not beneficial. We are capable of
doing both. So, the chant is defeated. The gods could not achieve their
purpose.


I-iii-3:   Then they said to the nose ‘Chant (the Udgitha) for us’. ‘All right’, said the
           nose and chanted for them. The common good that comes of the nose, it
           secured for the gods by chanting, while the fine smelling it utilized for
           itself. The Asuras knew that through this chanter the gods would surpass
           them. They charged it and struck it with evil. That evil is what we come
           across when one smells improper things.


Then the gods told the deity of the nose, “You chant the mantra; speech is
defeated.” So, the deity of the nose started chanting the holy mantra, and the
Asuras understood this. They came with a force and attacked this deity of the nose.
That is why it is said that we can also smell bad odour, and not only
fragrance. So, sometimes we close our nose when certain odours enter our
nostrils. The nose was defeated.


I-iii-4:   Then they said to the eye ‘Chant (the Udgitha) for us’. ‘All right’, said the
           eye and chanted for them. The common good that comes of the eye, it
           secured for the gods by chanting, while the fine seeing it utilized for itself.
           The Asuras knew that through this chanter the gods would surpass them.
           They charged it and struck it with evil. That evil is what we come across
           when one sees improper things.


The eye was then asked to chant. The nose is not able to do what is required.
So the eye, the principle of seeing, was requested by the gods: “You will chant the
Sāman for us.” The eye rose up into action and then started chanting.
The Asuras understood this also. They attacked the eye with evil. So, we
can see good things and also not good things with the eye. We can see the same
object in two ways.

We can visualize an object in two manners: in a manner that is conducive
to proper judgment, and in a manner which is not proper judgment. The eye
is capable of doing both, and that weakness of the eye to see wrong, evil, and
misjudging things, is the result of the Asuras affecting it. Thus, the eye also
could not do this work.


I-iii-5:   Then they said to the ear ‘Chant (the Udgitha) for us’. ‘All right’, said the
           ear and chanted for them. The common good that comes of the ear, it
           secured for the gods by chanting, while the fine hearing it utilized for
           itself. The Asuras knew that through this chanter the gods would surpass
           them. They charged it and struck it with evil. That evil is what we come
           across when one hears improper things.


Then, the gods told the ear to chant the mantra. The eye is not able to do
what is required. The ear rose up into action and started chanting. The Asuras
understood that the ear is chanting. So, they attacked the ear with evil.

Thus the ear can hear both good and bad. The ear is an open door; it is never
closed. Anything can enter through it, and the capacity of the ear to receive
what is not proper, what is not right, what is not good, is the result of the
demons attacking it. Thus the ear also could not do this work.


I-iii-6:   Then they said to the mind ‘Chant (the Udgitha) for us’. ‘All right’, said
           the mind and chanted for them. The common good that comes of the
           mind, it secured for the gods by chanting, while the fine thinking it
           utilized for itself. The Asuras knew that through this chanter the gods
           would surpass them. They charged it and struck it with evil. That evil is
           what we come across when one thinks improper things. Likewise they also
           touched these (other) deities with evil – struck them with evil.


Then mind was told to chant the mantra. The mind was inflicted with the evil
by the Asuras when it chanted the mantra. So, it can think right and it can think
wrong. Thus, there was no way out. The gods were defeated repeatedly. They
were utterly helpless.

Thus we see that every sense organ was affected by evil. We can taste good
and bad; we can smell good and bad; we can hear good and bad; and touch good
and bad. The mind too, got affected with the habit of thinking what is improper. So,
everything went a fiasco; it was not successful. Then, what is the
alternative? What is to be done now?
I-iii-7:   Then they said to this vital force in the mouth, ‘Chant (the Udgitha) for
           us’. ‘All right’, said the vital force and chanted for them. The Asuras knew
           that through this chanter the gods would surpass them. They charged it
           and wanted to strike it with evil. But as a clod of earth, striking against a
           rock, is shattered, so were they shattered, flung in all directions, and
           perished. Therefore the gods became (fire etc.), and the Asuras were
           crushed. He who knows thus becomes his true self, and his envious
           kinsman is crushed.


When the gods were all thus defeated, they joined together and considered
as to what could be done under the circumstances. They thought that they
had made a mistake in choosing the senses for chanting the Udgitha. So, they
asked the vital force, the Prana Sakti, which is prior to the operation of the
senses, which impels the senses to act, to chant the Udgitha.

And the Prana, the unifying force, the vital energy, chanted the Udgitha.
The Asuras came in a large battalion to attack it with evil but they were thrown
back. Just as a mud ball thrown against a hard rock breaks into pieces and
becomes dispersed in all directions, the Asuras were thrown and cast in
various directions, powerless by the force of the Udgitha chant conducted
by the vital force, Prana Sakti—a task which the senses could not
accomplish, and could not succeed in doing.

Then, there was success for the gods, and the gods assumed their original
positions which they had lost on account of their being subjected to the evil of the
Asuras. The gods became what they were. “One who knows this secret also
regains one’s own position,” says the Upanishad.

This is a very interesting narrative. But, here is not merely a story; it is a
cosmic phenomenon explained in an analogical language.


                            Explanation of this Analogy

The Devas (gods) and the Asuras (demons) are two tendencies, and not
substances. The tendency to unification is the divine principle and the urge to
diversification is the demoniacal principle. The sense-organs are incapable of
unification because of their basic nature to diversify and their defeat by Asuras
implies that the sense-organs cannot work up this unifying activity which is
intended for regaining the original position of the deities of the senses.

During the process of individual creation there is a reversal of the subject
and the object due to mirror effect and it is explained in detail in the Basic
Spiritual Primer 7. The Cosmic Being manifested Himself as all things, down to
the five subtle creative elements—earth, water, fire, air and ether—which we regard
as objects of sense. The five elements are the objects of our senses, but they
were the last evolutes in the process of Divine manifestation.
They were, therefore, part of the Cosmic Being who was the Universal
Subject; and whoever knows this, also remains the Universal Subject as
inseparable from this All-Being, or Virāt. The five subtle creative elements
stand in the position of the subject to the isolated individuals; and they are not
their objects.

But the process is reversed for the individual due to mirror effect or
illusion. In the Cosmic Realm, Fire is the effect of the Cosmic Principle, of Speech,
the Word of God, identified with the Virāt Himself. But the Fire principle becomes a
cause for individuals, so that human speech is the effect controlled by the Fire
principle, as it is not the case in Virāt where Speech, the Word of God, is the
controller of Fire.

The Organs which are attributed to the Virāt are causes, rather than
effects. And, in our case, they become effects, like reflections. The evil which we
are speaking of here, the Asuras or the demons, are the tendencies to regard the
Universal Subject as an object, and the desire of the individualized subject to run
after the object for ‘contact’ with it. Due to material desires and sensual
pleasures, the gods in us lose their position to the demons and they are no
more angels in heaven.

We hear in the Scriptures, stories being told that the celestials were driven
away from heaven by the demons and they lost their position; they ran
away; they did not know where to stand, and rushed to God for help. When
the forces of desire in terms of external objects begin to operate in an intense
manner, the position of the Universal Subject gets converted into that of an object,
and then the gods are driven from the heaven.

When the Subject is driven from its location and transformed into an
object, what is really happening is that the angels are driven from heaven
and the Asura has taken that position. The demon is ruling the kingdom of
paradise. The idea is this: the god who is the subjective angel has become a fallen
egoistic subject, under the spell of evil influences.

Human body is divided into fourteen spiritual planes. From the base of spine
to the crown of head is the region of seven lokas occupied by the gods whereas
from the hips down to the bottom of the foot is the region of seven talas, the
nether poles of above lokas, occupied by the demons. For a detailed description
of our correspondence with the Cosmic Form, see ‘Physical and Spiritual
Body – Cosmic Form GP Ch 15 P3’.

Our consciousness keeps on moving between all loka-tala pairs but it does not stay
at higher lokas and drops down to their respective nether poles i.e. talas. Virtue,
purity, kindness, compassion are signs that the entity possessing them is
evolving the spirit within, and therefore is ascending along the lokas.

Selfishness, impurity, unkindness, cruelty, and deception are the signs that
the entity possessing them is descending along the talas.
Base of spine is the seat of instinctive mind and if our consciousness is not
properly supported by reason or intellect, it is bound to fall prey to the
demons of Fear, Lust, and Promiscuity at Hips; Anger and Resentment at Thighs;
Jealousy and Covetousness at Knees; Instinctive Willfulness, Greed, Deceit, and
Grasp at Calves; Selfishness, Corruption, and Animal Nature at the Ankles;
Absence of Conscience and Ignorance at Over the Foot; and finally Pull of
Enchanting Material World, Gratification of Senses, Malice, Murder, and Conceit at
Under the Foot; together with their tributaries in all forms.

When material desires and sensual pleasures thus prevail on our
consciousness, the gods in the upper part lose their position to the demons
in the lower part.

This travesty can be obviated only if the evil element in the senses is
removed. The eye, the ear, the nose, speech, etc. can regain their original
position, as they had in the being of the Virāt, if the tendencies to diversification
and movement towards objects are obviated by the operation of the Prana. It was
the Prana whom evil, the Asuras could not attack. Everything could be
affected. Prana is the life force as consciousness through which we experience the
objective world. It has to be retained in the body to obviate the travesty.

The eye and the ear and all the sense-organs were afflicted by the Asuras,
i.e., every organ is a diversifying principle. It is not a unifying power. No
sense-organ is characterised by unification or the power of meeting. Every sense
has an urge to move in the direction of its own particular object and it also
seeks variety.

The ear has its own object, sound; the eye has the object, colour; the nose has
the object, smell; the tongue has the object, taste; and the skin has its object,
touch. They can never have a unifying capacity. But the Prana is a unifying
force.

Meditation is the process by which we can withdraw our consciousness
from the objective world and retain within the body. To achieve this purpose,
the senses have to be turned back to their own sources, and not allowed to move
towards objects, which is the disease that they have contracted on account
of their being afflicted by what is called the Asura.

The centrifugal tendency is the Asura; the centripetal one is the divine
aspiration. The disintegrating impulse, i.e., the movement towards further and
further grosser form of objectivity, is the devilish element in the senses, and
the divine element is that by which they can turn back upon their own source and
contemplate their inner connectedness with the other divinities.

The Prana mentioned here is not merely the breathing principle or the breath, so-
called. It is the energy, a subtle force, vitality, that which keeps the whole
body in unison. If we can feel a sensation of unity in the whole body, it is because
of the harmonious movement of the Prana in the whole system.
Prana is the manifestation of Atman within us. Ultimately, it is the Atman, the
Soul which is responsible for the sense of unity within us. It is indivisible, and
everything which reflects this indivisibility in some percentage may be
regarded as a manifestation of the Atman.

Atman is the root substance of all things which are in the position of an
effect, and it is our very Self. It is the Total Substance of all created beings, and
so it is called Brahman. The ultimate in us is the Atman and the ultimate in
the Cosmos is Brahman. The Selfhood of all things is the ultimate
meditation.

Such a meditation is to be practiced if the senses are to be controlled, and
if the divinities are to regain their positions, i.e., if we are not to stand in the
need of moving towards objects of sense for our satisfaction, and the objects have
to come to us of their own accord.

When this is achieved, things will not be objects. They will stand in the
position of our own kith and kin. They become part of our larger dimension, which
they really are, but which consciousness we have forsaken on account of the
subjection of the senses to the Asura principle, the urge for diversification.
This is the moral that we have been given out of this story which arose from the
context of a conflict that seems to have arisen between the gods and their
opponents.

                                Analogy Continued

I-iii-8:   They said, ‘Where was he who has thus restored us (to our divinity)?’
           (And discovered): ‘Here he is within the mouth’. The vital force is called
           Ayasya Angirasa, for it is the essence of the members (of the body).


The senses began to wonder, “Where was this power, what is this principle
that has been able to enable us in overcoming the demons?” The one that
enabled the senses to overcome the principle of death was within themselves. The
help did not come from outside. It was from within, and that principle is
designated Ayāsya Āṅgirasa.

Āṅgirasa is the essence of all the senses, the vital force—that is the principle
which could not be overcome by death, because it was not specially affiliated to any
particular limb of the body, and it was not connected particularly with any sense
organ.

It was a uniform principle, impersonally operating throughout the system
of the body, present in its manifested form as Prana, by the power of
which one is able to speak. It is operating in the mouth of a person and it
functions through the act of speech. The vocal organ is only one of its functions,
and it does not represent the whole of the Prana; it has many other aspects. But
the most ostensible manifestation of it is what we call Prana, in ordinary language.
I-iii-9:   This deity is called Dur, because death is far from it. Death is far from one
           who knows thus.


This principle, the vital force prana is mystically designated in the
Upanishad as Dūr, a peculiar name given to it. What is the meaning of Dūr?
Death (Mṛtyu) is Dūra, or ‘far from this’. Therefore, it is called Dūr—destruction is
removed from it. Death, evil, suffering, sorrow is far away from it.

One who has realisation of this fact will also be free from the fear of death.
It is an eternal fact, which applies to each and every person, everyone, at any time,
under any condition. Whoever comprehends the essential nature of this Prana will
be free from fear.

Wherever there is desire, there is death; and one dies only because of
desire. Desire cannot be in the case of the one who has been endowed with this
knowledge and experience, because the senses are freed from the evil of desire
when they are affiliated to the Creative Power, the Word of God, for the principle
of desire in the senses arises on account of their dissociation from the
presiding deities, the gods as we call them, in their activity towards
objects outside.

The senses move towards objects, forgetting that they are superintended
by higher deities, who are, in turn, controlled by the All Being. The energy of
the senses gets depleted due to a peculiar urge that arises in the senses on account
of their pursuing reality only in the objects and not in that which is prior to them,
namely the superior divine principle. The element, the principle, the reality
that is behind the senses is incapable of being observed by the senses. We
see only what is outside, and not what is inside.

The entire creation with its constituent parts is the effect of the Word of
God and is contained in the body of God. God created Man in His own image.
That is He encased His constituent part, the Souls, in different bodies; and He hid
Himself and His Creative Power, the Word, behind the mirror of Mind and in
consequence the effects became causes for the embodied souls. One who knows
thus overcomes Death. But this knowing is not theoretical.

We do not know what is on the other side of the mirror of our mind. We are
experiencing only the reflected side with our consciousness. To see the other side
we shall have to withdraw our consciousness from the objective world and
concentrate it at the eye center. This will enable us to pass on to the other
side and then seeing from there through the mirror of mind we shall see
God present in all forms.

This realization has to be practical while living in the human body. And if it
is not achieved while living then we shall be sent back for rebirth as per our
current and latent desires and karmic account by the filter below the Sun. For
further detail see Southern Part of Return, page 28, Basic Spiritual Primer 1.
I-iii-10: This deity took away death, the evil of these gods, and carried it to where
          these quarters end. There it left their evils. Therefore one should not
          approach a person (of that region), nor go to that region beyond the
          border, lest one imbibe that evil, death.


The moment Prana took up the charge of the senses, the moment the
senses surrendered to Prana, the evil of the senses was driven out of the
kingdom of reality. Evil was exterminated; it was made to quit the kingdom of
truth, and it was driven to the farthest corner of all directions. And, the Upanishad
tells us not to go to that place where the evil has been driven.

Here is a wonderful advice for the seeker of Reality. The seeker of Truth after
withdrawing from the sense objects and sensual pleasures and
surrendering the senses to prana is advised to hold on to this surrender
lest he again falls prey to the demons which have been driven to the nether poles
of the lokas.

The senses should also not perform the forbidden act of supererogation
which means doing more than what is required of them in performance of
their respective function which does not really belong to them, but which really
belongs to a higher reality, the superintending deity, due to whose presence alone
are they able to function at all.

The seeker of Truth is further advised to refrain from trying to satiate the
senses by feeding them with sense objects and sensual pleasures. For
example, the genital organs were created for procreation and not for indulgence in
sexual pleasure. Sexual indulgence by thought or deed draws us closer to Death.

Eyes were created to see and enjoy His creation but indulgence in seeing
and experiencing the objective world through sight will lead the seeker
away from its deity, the Sun. The same is true for all other motor and sense
organs and the seeker should exercise restraint if the surrender of senses to prana
has to be effective.

The deities, again, are subtle individuals, and they, too, have to function in
the context of another superior existence. Even the gods can go wrong, as
human beings can. And, in the story that is given in the Kena Upanishad, we are
told that even the gods had the pride of having won victory over the demons, not
knowing that they were helped by another power of which they had no knowledge,
of which they had no vision at all.

So, the Mantra here cited tells us that evil is there where reality is not, and
where reality is, evil cannot be. So the clinging of the senses to unreal
phantoms is the cause of the evil operating through them, and thus desire is
nothing but desire for the unreal. It cannot be a desire for the real. If it is a desire
for the real, it cannot bind. So, go not to that realm where the unreal rules in
suzerainty but be within the realm of reality and give up all desires that
arise in the mind for things which do not exist.


I-iii-11: This deity after taking away death, the evil of these gods, next carried
          them beyond death.


Gone above the fear of death are the senses when they took refuge in the
Prana. Affiliation with the Word of God within is the overcoming principle of death,
where death is consumed. Death consumes all, but this All Being consumes death
itself. That enabled the senses to overcome death, that is, to free
themselves from desire for things.

What happened to them when they were free from desire? What was the
condition of the senses and the deities thereof when they were freed from the
principle of death? One by one, each sense-organ is described in the
following Mantras.


I-iii-12: It carried the organ of speech, the foremost one, first. When the organ of
          speech got rid of death, it became fire. That fire, having transcended
          death, shines beyond its reach.

I-iii-13: Then it carried the nose. When it got rid of death, it became air. That air,
          having transcended death, blows beyond its reach.

I-iii-14: Then it carried the eye. When the eye got rid of death, it became sun.
          That sun, having transcended death, shines beyond its reach.

I-iii-15: Then it carried the ear. When the ear got rid of death, it became the
          quarters. Those quarters, having transcended death, remain beyond its
          reach.


Speech was freed from the evil of death, first of all. The principle of speech is
not merely an organ to express words in language, as it is ordinarily in human
beings. It assumed its original form. Fire is the deity of the organ of speech, and
Fire is the causative principle of speech, and speech is the effect of the principle of
Fire in individuals.

Speech, in the Virāt, is the highest principle, superior to the principle of
Fire, whereas in the individual it is an effect. It is far below the principle of
Fire, here. Fire (Agnī) is the god, the deity, the presiding principle over the sense of
speech in the individual, so that Fire stands above the senses as a cause. But in the
Virāt, it is an effect of the principle of speech. From the mouth of the Virāt, Fire
came, says the Aitareya Upanishad, and certain other passages in the
Brihadaranyaka Upanishad.
The moment speech was freed from the evil of death; it became the Fire principle,
the original, subtle creative element, or reality behind fire, the deity of fire. This
fire shines in the realm of reality in its own pristine glory.

Fire element is the turning point for the seeker of Truth and hence it is
addressed first. Placed at the navel center, it has central position in the body and
it provides shape to outward forms; sight – eyes; mobility – legs; drive – mobility;
and weaknesses of anger and resentment; selfishness, corruption, and animal
nature acquired due to urge for separation, externalization, and the desire to own
the objective world.

When the seeker surrenders Speech to Fire Element and the Fire Element to Prana
and holds on to that surrender, Prana helps in overcoming the above weaknesses.
When there is control on mobility and sight, the battle with the demons is
nearly won because the share of visual input of the objective world
through the eyes is eighty-three percent.

Besides this, the Fire Element is the mainstay for the Water and Earth
Elements and with its surrender to Prana; Ignorance disappears and the pull of
the Enchanting Material World, Gratification of Senses, Malice, Murder, and Conceit
are also brought under control. Virtues of Tolerance and Forgiveness, Chastity and
Continence, Detachment and Contentment get invoked.

This divine fire-force, and the power of patience and self-control at the navel center
has been called Arjuna in the epic ‘The Mahabharata’ who is the central character in
regaining bodily kingdom from the matter and sense bound forces. This has been
wonderfully explained as the ‘Spiritual Allegory Hidden in the Gita’ by Sri
Paramahansa Yogananda in his commentary on ‘The Bhagavad Gita’.

Next in line is the surrender of the manipulative power of the individual to
the Air Element and that in turn to Prana. This surrender provides power to still
the internal and external organs and it destroys the invasion of passion, doubt, and
disease. The demons of Instinctive Willfulness, Greed, Deceit and Grasp are
overcome by this surrender. Virtue of Generosity gets invoked.

And finally when Hearing - Ears surrender to the ‘the gods of directions’
and they in turn to Prana, there is divine perception of Calmness as it is the
principal factor necessary for any expression of right discernment. The demons of
Jealousy and Covetousness, Ego and Pride are overcome and the virtue of Humility
gets invoked. Sensual and emotional thoughts now do not disturb the
consciousness and there is clarity of perception.

This sort of freedom from death was achieved by every sense, and they all
became the deity, rather than the effect. The eye became sun, and the sun
assumed his location in the Virāt, and so on every sense-organ is thus described as
having regained its original status. They got over their limitations. They were
reinstated in their original forms—smell, taste, hearing and touch became their own
deities. This is also tattva gyan, the knowledge of the subtle creative elements.
The object does not any more control the activity and the existence of the
individual subject, as it is the case ordinarily. Individuals, we people, are all
dependent on the objects of sense. We are helplessly driven to objects on account
of the fact that we live in a world of diversity, multiplicity and the separation of one
thing from another thing.

That element of separation has been completely mastered here in this deep
technique of meditation, and all the senses, including the mind, became
integrated in the body of the Virāt, while they were all scattered in different
directions, disintegrated in the organism of the individual. When the mind, in our
case, moves towards objects outside, thus depleting its energy,
disintegrating itself, gets integrated in the Virāt and moves back to its
source, it becomes one with the great source of energy.


I-iii-16: Then it carried the mind. When the mind got rid of death, it became the
          moon. That moon, having transcended death, shines beyond its reach. So
          does this deity carry one who knows thus beyond death.


The Divine Prana carried the mind, too, beyond death, and then the mind became
the moon, and the moon got fixed in the mind of the Virāt. With the surrender of
Mind to Prana, the fate of the demons is sealed in this war. Thus even as the
mind and the senses are freed from the evil of death, you and I and
everyone also can be freed from the evil of death, says the Upanishad. It is
a moral applicable to all, provided we follow the course followed by the senses.

If anyone knows this art, follows this technique, and lives a life in
consonance with this principle, that individual also will cease to be an individual
caught in the meshes of death, and shall become a principle of reality, identical
with that which truly is, and not moving as a transitory link in the process of
becoming in this world of death.


I-iii-17: Next it secured eatable food for itself by chanting, for whatever food is
          eaten, is eaten by the vital force alone, and it rests on that.


Whatever is done in this body is done by the Prana. It is by the Prana that the
senses draw food into the system, and it is the Prana that digests the food, absorbs
it into the organism. If the eyes see anything, it is the Prana that sees. If the nose
smells, it is the Prana that smells. If the ears hear, it is the Prana that hears.

If anything happens, it is done by the Prana. It is the support of the senses
and their activities. The Prana within and the activities without are interconnected,
that is, the subjective force which we call vitality and the objective element that we
call the food outside—these two are interconnected in the Body of the Virāt. One is
dependent on the other.
I-iii-18: The gods said, ‘Whatever food there is, is just this much, and you have
          secured it for yourself by chanting. Now let us have a share in this food.’
          ‘Then sit around facing me’, (said the vital force). ‘All right’, (said the
          gods and) sat down around it. Hence whatever food one eats through the
          vital force satisfies these. So do his relatives sit around facing him who
          knows thus, and he becomes their support, the greatest among them and
          their leader, a good eater of food and the ruler of them. That one among
          his relatives who desires to rival a man of such knowledge is powerless to
          support his dependants. But one who follows him, or desires to maintain
          one’s dependants being under him, is alone capable of supporting them.


The gods, who have been freed from death, proclaim to the Prana, “All this food is
yours. May we also be able to partake of your food and your glory? Share with us
the food that you consume. Let us also take food with you. Let us sit beside you,
and partake of your energy, become connected with you as friends, not as isolated
individuals as we have been up to this time.”

The food of Prana is the Cosmic Prana, the Word of God, the Creative
Power, the Udgitha – the sound Om at the Causal Level, reverberating
within all individuals and it is sharing of that food sought by the senses.

The Prana said, “Sit beside me,” that is, be in consonance with me. “Then I
shall feed you.” If the senses are in consonance with the Prana, the Prana will
feed the senses, but if they are dissonant, naturally the energy will not flow to the
senses. So the gods became one with it in organic connection. If the Prana is
satisfied, every sense is satisfied. If the vital force inside is happy, every part of the
body is happy. The mind also is happy, the intellect is happy. The whole being is
happy.

Now this fruit, this result, accrues to anyone who connects oneself with
this Prana in the manner in which the senses connected themselves with
the Prana. He becomes the lord of all; he becomes a master; he becomes the
source of dependence for others; he becomes the best; he becomes the foremost
among people; he is never in want of anything. Everything shall come to him, as
everything automatically comes to the Prana, unasked.

One who is in union with this Prana is the lord of all in the sense that
everything belongs to him, and his wish shall instantaneously be fulfilled.
No one can contend with this person who has this knowledge. The person who vies
with a person with this knowledge will not succeed. This is what the Upaniṣhad
means.

If you try to compete, in any manner, with one who has this knowledge, you will
not succeed. But, you will succeed if you follow his precepts and live in
consonance with his methods of living and his way of understanding; that
is, no one can stand against his wisdom, and no one can even stand in the
presence of this individual, who is endowed with this wisdom. But one who
follows him becomes victorious, as he who is endowed with this
knowledge is himself victorious.


I-iii-19: It is called Ayasya Angirasa, for it is the essence of the members (of the
          body). The vital force is indeed the essence of the members. Of course it
          is their essence. (For instance), from whichever member the vital force
          departs, right there it withers. Therefore this is of course the essence of
          the members.


This great master principle in us, which is Prana, is the essence of all the
limbs of the body, and therefore he is called Angirasa. Prana is the essence of
the limbs of the body, of all the senses, and so he is called Angirasa. If Prana
departs from any part of the body, that part dries up immediately. There is
no vitality in that part of the body from which Prana is withdrawn.

So, life is Prana; Prana is life and complete surrender to this principle is
advocated in this Upanishad. We have to invoke and be in tune with the
Creative Power, the Word of God, the Udgitha, within us while living if we
are seeking real emancipation.

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Basic Spiritual Primer 8 (Inward Contemplation of Reality)

  • 1. Basic Spiritual Primer 8 (From Brihadaranyaka Upanishad of Sukla-Yajur-Veda) Introduction Upanishad texts are records of experiences and explanations of Masters who set themselves in tune with ultimate Truth. Upanishad means a secret knowledge, not to be imparted to the uninitiated or to the common public who are wedded to the exoteric approach only, who are totally conditioned in their life, and who cannot rise above the bias of sense life and social regulations. Hence the Upanishad wisdom was kept very secret. It was never imparted to anyone except the near disciples who went to the Masters for training and underwent discipline for a protracted number of years, and made themselves fit to receive this knowledge which is unconditional. ‘Sit near’—that is the literal meaning of the term, Upaniṣhad. Sit near the Guru, the Master, and receive the wisdom by attunement, at-one-moment of being. This is the peculiarity of Upaniṣhad knowledge. It is but a wisdom that is communicated to the soul by the soul. It is a conversation between soul and soul. It is a light that is to mingle with another light. Hence, the Upanishads were kept as greatly guarded secrets. This Upaniṣhad should be studied with great reverence and holiness of attitude. It is Spirit that manifests itself in language, not merely a word that is spoken. Such is this Upaniṣhad, the Brihadaranyaka Upaniṣhad. The hymns, known as the Samhitas in the Veda, are applied for two purposes for meditation, as well as for ritual. When they become instruments of meditation or contemplation, they are known as the Aranyakas; and when they become the guidelines for action, ritual, sacrifice, and worship, they are called the Brahmanas. Aranyakas, tell us that a sacrifice need not necessarily be outward; it can also be inward; and the inward is more powerful than the outward. The ritual that is performed by the mind, say the Aranyakas, is more puissant in the production of effect than the ritual that is outwardly performed through the sacred fire, or in the holy altar. The entire range of the Aranyakas is filled with this meaning, that mental action is a greater action than outward action. Its capacity is greater than external activity. Thought is more potent than word and deed. This principle is carried to its logical limit in the Upanishad. We always think in terms of something. That something is what we call life, or at least an aspect of life. Since every thought is an involvement in a
  • 2. particular aspect of outward existence, thought never finds time to understand itself. We never see at any time our own mind contemplating its own self. It always contemplates other persons, other things and other aspects of life. There is a peculiar proclivity of thought by which it rushes outward into the objects of sensual life, externally, into persons and things, and never can know what it is itself. How can the mind know what another thing is when it cannot know what it itself is? If you cannot know what you are, how can you know what others are? But this is life a great confusion and a mess and a conglomeration of involvements in the objects of sense. We are to free ourselves from this mess of involvement, through a deeper diagnostic technique applied to our own life; and this is the purpose of Upaniṣhad. The difficulty of this achievement is well-known. Just as you cannot peel your own skin from the body, you cannot dissociate yourself from the conditions of life. But such a feat has to be performed in this super-psychic technique known as Upaniṣhadic contemplation of ‘being’. The beginning of the Brihadaranyaka Upaniṣhad is, thus, a rise of thought into the inward principles of outward sacrifice. What is a sacrifice; what is a ritual; what is a performance; and what is an action? When this is understood in its principle, its inward significance, it becomes commensurate with human thought; it becomes inseparable from mind; it becomes a part of one’s psychic life. The Upaniṣhad is a revelation of the inner principles of life as manifest in actions of a variegated nature. The Vedic sacrifice, or, for the matter of that, any kind of religious performance, is a symbol, ultimately, which is the point of departure in all esoteric approaches to religion. External religion is symbolic of an internal principle which is true religion, towards which the Upaniṣhad drives our minds. The activities of human life are symbolic in the sense that they are not representative of the whole Truth, but manifest only certain aspects of Truth. We always think that an action is motivated by an individual or a group of individuals towards a particular relative end which is visible to the eye and conceivable by the mind, but never do we imagine for a moment that there can be farther reaches of the tentacles of this action, beyond the reach of the human eye and mind and our little action can really be a cosmic deed, that God can see what we do, and the whole universe can vibrate with the little word but that is difficult thing for us to understand; and the Upaniṣhad explains it to bring to the purview of our consciousness these inward secrets of outward action, telling us that the outward sacrifice is symbolic of an inward contemplation of Universal Reality.
  • 3. Brihadaranyaka Upanishad Chapter 1, Section 3 From the cosmic creative process and cosmic manifestations in the preceding two sections, this section of the Upanishad now takes us to more subtle subjects and nearer to our own selves and to more intelligible forms of manifestation as Prana, mind, senses, etc. The senses are internally operative, even as gods are externally operative. The gods are the superintending principles over the senses and the mind, etc., of the individuals. If the gods were not to perform their functions, the senses would not act; just as, if the electricity is not to flow from the power house, the electric bulbs are not going to shine. The cosmic forces are responsible for the operation and action of all individual principles including the mind, the Prana, and the senses. But as an individual we have lost all contact with the cosmic forces. We have no consciousness of even the existence of these divinities. When we look at things with our eyes, we never for a moment imagine our connection with the Sun, for instance. We are oblivious of the existence of these superintending principles and we are intent merely upon the immediate action of the senses in respect of the visible objects. Why is it that the individual has become so weak, so powerless, so much deprived of energy? This is the subject of the Section that follows, in the form of a story, an analogy. Analogy – War between Angels and Demons There was a war that took place between the Asuras and the Devas, the demons and the celestials. There was a battle going on, and the Asuras wanted to overcome the Devas, the gods. The gods thought: “We shall contemplate the Supreme Being in the form of Omkāra, meditate and derive energy, and then overcome the Asuras.” So, they started this contemplation. They employed the various senses, including the mind, as means of contemplation—the eyes, the ears, the nose and the various senses, and finally the mind itself. When these meditations were attempted by the gods through these instruments of action, the senses and the mind, the Asuras came to know of this fact, and attacked them and the gods were defeated. So, the symbology of the story is that you cannot contact Reality either with the senses or with the mind, because of the Asura attack. The Asura is the urge for separation, the impulse for externalization, the desire of the senses to come in contact with objects. The gods were not successful because the Asuras attacked them in this way, from every side, but they succeeded when they
  • 4. employed not the senses or the ordinary mind for the purpose of this contemplation but the internal prana which was in tune with the Cosmic Prana, which means to say that we become successful only in so far as we are in harmony with the Cosmic Prana and we are defeated in so far as we are away from it. When speech, as the Upanishad tells us in this connection, was rid of the Asuric (demonic) element in it, it ceased to be speech and became Agni or Fire, the Deity itself. Likewise, every sense-organ became the Deity; the senses resumed their original conditions as gods, as they were once upon a time in the pristine position which they occupied in the Virāt, prior to separation into individuality. The senses, when they are placed in proper position in the Virāt- Consciousness, are called the gods—they are themselves the gods. But when they are rid of the connection with Virāt, they become ordinary senses running like slaves towards external objects. The Upanishad tells us, by way of this analogy, that it is no use trying to contact Reality through the senses or the mind; they have to be placed, first, in the context of cosmic universality. This is the meditation to be practised, which means to say that Virāt is to be the Object of meditation. Whenever you contemplate an object located as a part of the Body of the Virāt, then immediately it assumes a divine character, it ceases to be mortal and it assumes a grand beauty which is characteristic of divinity. This is how we have to meditate really, and not merely look upon some object as if it is outside. This is the great truth told us by this analogy of the Asuras and the Devas battling with each other and the gods attempting to overcome the Asuras by means of meditation. I-iii-1: There were two classes of Prajapati’s sons, the gods and the Asuras. Naturally, the gods were fewer, and the Asuras more in number. They vied with each other for the mastery of these worlds. The gods said, ‘Now let us surpass the Asuras in (this) sacrifice through the Udgitha’. There is supposed to be a constant battle going on between the gods and the demons, the divine and the un-divine forces. The integrating powers are called the Devas, and the disintegrating ones are called the Asuras, the gods and the demons. The gods wanted to overcome the demons. The gods are always less in number, the demons are more in number, implies that within every individual the forces of natural inclinations are more in number than the restraining forces to subdue the natural
  • 5. impulses. These urges of nature are designated as divine and un-divine, from the way in which they work, and the purpose for which they work. And, the battle between the two forces was waged with the intention on either side for victory. Human body is the battlefield where this perpetual inner war is going on between the gods representing the spiritual or restraining forces and the demons representing the material bound natural inclinations. The seeker of Truth has to win this war if he has to regain his unity with the Universal Reality. Sage Vyasa also used the historical war in his Epic ‘The Mahabharata’ allegorically, and that the real battle alluded to is an inner one: the spiritual war between wisdom and ignorance, the psychological combat between intelligence and mind (sense consciousness), and the bodily war between self- control and harmful sense indulgence. The process of creation is such that each step is a pre-image for the successive step. The ‘Prime Desire’ of God to create is the pre-image for ‘Primal Word’ the command of Nameless One for ‘Cause and Effect’. The ‘Primal Word’ is the pre-image for ‘Light’ through which the creation got its ‘Shape and Form’. ‘Light’ is a pre-image for ‘Truth’ and ‘Truth’ is a pre-image for ‘Immortality’. This completes the set of three ‘Primal Attributes’ i.e. Primal Word, Light, Truth and Immortality which are the Warp and Woof of the Real World. With ‘Primal Attributes’ as the pre-image, the objective world was created by the Warp and Woof of ‘Derived Attributes’ known to us as Satogun, Rajogun, and Tamogun. Besides their usual meaning of Goodness, Passion, Darkness and Delusion; Satogun has pre-image in the ‘Primal Word’ to give ‘Cause and Effect’ to Soul’s Desires and Rajogun (now as Fire Element) provides the desired ‘Shape and Form’. Truth does not prevail in the objective world and all being ‘False’ is the pre-image for mortality. At the Causal level, we have three ‘Primal Attributes’, Outward Expression as the ‘Desire of God’ to create and experience His creation, and Illusion (Maya); and these five currents interact with the Five Subtle Creative Elements – Ether, Air, Fire, Water, and Earth resulting in the twenty-five prakritis, subtle mind currents that are ultimately reflected in the physical form as desires, anger, bashfulness, fear, infatuation; running, walking, smelling, contracting, expanding; hunger, thirst, sleep, personality, laziness; vital fluid, blood, fat, urine, saliva; bones, flesh, skin, veins, and hair respectively. The above five currents together with three ‘Derived Attributes’ in the creative process also attract and absorb the Five Subtle Creative Elements giving rise to forty energy currents. The forty energy currents interacting with twenty-five prakritis give rise to one thousand flame-shaped currents. These one thousand flame-shaped currents along with the main current constitute the Central Power-House of the Astral Plane that supports the lower physical and the sub-astral planes.
  • 6. At the astral level, the One Creative Power, the Word of God, the command Be It has diversified into one thousand primary flame-shaped currents each providing the energy or power responsible for the existence of lower planes. Through the sub-astral regions, these thousand currents continue to act separately and in innumerable permutations and combinations, slowly diminishing in effulgence and energy as they interact providing enchanting and endless displays. Five Creative Elements – Ether, Air, Fire, Water, and Earth respectively as differentiated forms of Illusion (Maya) are also instrumental in providing the following: • Five outward forms (Space, Gas, Fire and Light, Liquid, Solid) • Five sense organs Mental – Physical (Hearing - Ears, Touch - Skin, Sight - Eyes, Taste - Tongue, Smell - Nose) • Five motor organs Mental – Physical (Speech - Throat, Manipulation - Hands, Mobility - Legs, Procreation - Genital Organs, Elimination – Rectum) • Five characteristics Mental – Physical (Discrimination – Executive, Planning – Procurement, Drive – Mobility, Sensitivity and Feeling – Procreation, Practicality and Grounded-ness – Possession) • Five weaknesses (Ego and pride, Greed and Grasping, Anger, Lust, Attachment – active with the outward tendencies of the creative process) and • Five virtues (Humility, Generosity, Tolerance and Forgiveness, Chastity and Continence, Detachment and Contentment – to be activated by the seeker of Truth by applying restraint to outward tendencies of the creative process and contemplative meditation as prescribed in the Scriptures). At the physical level, the diffused and muted currents enter the sphere of the human mind and body as well as the minds and bodies of lower creatures. Through the outward tendencies of the creative process, the mind has firmed its association with time, space, relativity, illusion, causation, creation, preservation, destruction, the pairs of opposites, and all the attributes of human mind and body. Thus we observe that the creative process has innumerable channels to reveal and express itself and the human urge to externalize and identify with the objective world and the desire of the senses to come in contact with the objects are all natural impulses and are therefore demonic. That is why the demons are more in number. Therefore, the gods did not depend entirely on the strength of their arms, but wanted to take the help of a superior power, and that power is the power of a chant, a Mantra, or a vibration, a magical influence, a weapon which they wanted to employ against the Asuras. The Devas conferred among them, and concluded: “We shall employ a Mantra, a weapon which is driven, not by any material element, but by mere thought, viz., the Udgītha, and the Divine Vital
  • 7. Power.” The weapon which is mystical, here contemplated to be employed by the Devas, was the Udgītha-Sāman, a Mantra of the Sāma-Veda which is called the Udgītha. “We chant, recite, and generate energy, so that we may overcome the Asuras, the demons.” Now, who will do the chant? The gods are the presiding deities over the senses, as far as the individuals are concerned. We have the gods in the cosmos, and gods in our own physical organism. The cosmical counterpart of the sensory powers in the individual are what are called the gods in the heavens. The macro-cosmos and the micro-cosmos are correlated organically. The powers that are super-mundane, which work as divinities in the heavens, as we hear of spoken in the scriptures, are the superintending principles over the sense-organs. We have gods or presiding principles, divinities, superior energies, presiding over every sense-organ and activity, including the psychological functions. The presiding deity of the eyes is Sūrya (Sun), of the nose are Aśvinī Kumaras, of the ears are the Dig-Devatas (gods of directions), of the taste principle is Varuṇa (rain god), of the touch principle is Vāyu (Air), and there are Agnī (Speech), Indra (Manipulation), Viṣhnu (Mobility), Prajāpati (Procreation), Mṛityu Death (Elimination), presiding over the organs of action, the Moon presiding over the mind, Brahma over the intellect, Rudra (Shiva) over the ego, and Viṣhnu over the subconscious and the subliminal psychological layers. All these gods conferred together to work up an energy, or a force, to counteract the Asura energy. They wanted to chant the Mantra in order that the energy may be acquired. The chanting of the Mantra, here, does not merely mean a verbal recitation through the mouth, or a hearing of it through the ears, a fact which is made out by the story itself. What is actually meant by the chant of the Mantra is a setting in tune of oneself with the Powers that are invoked by the Mantra. If this attunement of the microcosmic with the macrocosmic is not affected, the Mantra does not work; it cannot produce effect. This is what actually happens when the chant of the Sāman is wrongly recited. I-iii-2: They said to the organ of speech, ‘Chant (the Udgitha) for us’. ‘All right’, said the organ of speech and chanted for them. The common good that comes of the organ of speech, it secured for the gods by chanting, while the fine speaking it utilized for itself. The Asuras knew that through this chanter the gods would surpass them. They charged it and struck it with evil. That evil is what we come across when one speaks improper things. The speech principle was first asked to chant the Sāman, that is the Udgītha and the speech rose up into action and chanted the Sāman.
  • 8. But the Asuras came to know of this fact. They knew that a great spiritual discipline was being undertaken by the Devas so that they may overcome the Asuras. So, the Asuras thought, “We shall not allow this to happen. We shall not permit this spiritual discipline to go on. We shall attack it.” When speech was chanting the holy mantra, the Udgitha, Asuras came and attacked, and afflicted the speech with evil, so that the Saman was spoilt. The Upanishad says that this is the reason why often speech that is uttered by people is not beneficent, not worthy, not delicate, but is harsh, barbaric, cruel, cutting and insulting to others. This detrimental negative attitude adopted by speech often is the effect of the evil influence imprecated upon it by the Asura forces. So, the deity of speech was defeated. We speak good things, and also not good things. We can do some good through the speech; and we can do a great harm also through the speech shows that the Asuras also are working in us, not merely the gods. We can speak what is beneficial; we can also speak what is not beneficial. We are capable of doing both. So, the chant is defeated. The gods could not achieve their purpose. I-iii-3: Then they said to the nose ‘Chant (the Udgitha) for us’. ‘All right’, said the nose and chanted for them. The common good that comes of the nose, it secured for the gods by chanting, while the fine smelling it utilized for itself. The Asuras knew that through this chanter the gods would surpass them. They charged it and struck it with evil. That evil is what we come across when one smells improper things. Then the gods told the deity of the nose, “You chant the mantra; speech is defeated.” So, the deity of the nose started chanting the holy mantra, and the Asuras understood this. They came with a force and attacked this deity of the nose. That is why it is said that we can also smell bad odour, and not only fragrance. So, sometimes we close our nose when certain odours enter our nostrils. The nose was defeated. I-iii-4: Then they said to the eye ‘Chant (the Udgitha) for us’. ‘All right’, said the eye and chanted for them. The common good that comes of the eye, it secured for the gods by chanting, while the fine seeing it utilized for itself. The Asuras knew that through this chanter the gods would surpass them. They charged it and struck it with evil. That evil is what we come across when one sees improper things. The eye was then asked to chant. The nose is not able to do what is required. So the eye, the principle of seeing, was requested by the gods: “You will chant the Sāman for us.” The eye rose up into action and then started chanting.
  • 9. The Asuras understood this also. They attacked the eye with evil. So, we can see good things and also not good things with the eye. We can see the same object in two ways. We can visualize an object in two manners: in a manner that is conducive to proper judgment, and in a manner which is not proper judgment. The eye is capable of doing both, and that weakness of the eye to see wrong, evil, and misjudging things, is the result of the Asuras affecting it. Thus, the eye also could not do this work. I-iii-5: Then they said to the ear ‘Chant (the Udgitha) for us’. ‘All right’, said the ear and chanted for them. The common good that comes of the ear, it secured for the gods by chanting, while the fine hearing it utilized for itself. The Asuras knew that through this chanter the gods would surpass them. They charged it and struck it with evil. That evil is what we come across when one hears improper things. Then, the gods told the ear to chant the mantra. The eye is not able to do what is required. The ear rose up into action and started chanting. The Asuras understood that the ear is chanting. So, they attacked the ear with evil. Thus the ear can hear both good and bad. The ear is an open door; it is never closed. Anything can enter through it, and the capacity of the ear to receive what is not proper, what is not right, what is not good, is the result of the demons attacking it. Thus the ear also could not do this work. I-iii-6: Then they said to the mind ‘Chant (the Udgitha) for us’. ‘All right’, said the mind and chanted for them. The common good that comes of the mind, it secured for the gods by chanting, while the fine thinking it utilized for itself. The Asuras knew that through this chanter the gods would surpass them. They charged it and struck it with evil. That evil is what we come across when one thinks improper things. Likewise they also touched these (other) deities with evil – struck them with evil. Then mind was told to chant the mantra. The mind was inflicted with the evil by the Asuras when it chanted the mantra. So, it can think right and it can think wrong. Thus, there was no way out. The gods were defeated repeatedly. They were utterly helpless. Thus we see that every sense organ was affected by evil. We can taste good and bad; we can smell good and bad; we can hear good and bad; and touch good and bad. The mind too, got affected with the habit of thinking what is improper. So, everything went a fiasco; it was not successful. Then, what is the alternative? What is to be done now?
  • 10. I-iii-7: Then they said to this vital force in the mouth, ‘Chant (the Udgitha) for us’. ‘All right’, said the vital force and chanted for them. The Asuras knew that through this chanter the gods would surpass them. They charged it and wanted to strike it with evil. But as a clod of earth, striking against a rock, is shattered, so were they shattered, flung in all directions, and perished. Therefore the gods became (fire etc.), and the Asuras were crushed. He who knows thus becomes his true self, and his envious kinsman is crushed. When the gods were all thus defeated, they joined together and considered as to what could be done under the circumstances. They thought that they had made a mistake in choosing the senses for chanting the Udgitha. So, they asked the vital force, the Prana Sakti, which is prior to the operation of the senses, which impels the senses to act, to chant the Udgitha. And the Prana, the unifying force, the vital energy, chanted the Udgitha. The Asuras came in a large battalion to attack it with evil but they were thrown back. Just as a mud ball thrown against a hard rock breaks into pieces and becomes dispersed in all directions, the Asuras were thrown and cast in various directions, powerless by the force of the Udgitha chant conducted by the vital force, Prana Sakti—a task which the senses could not accomplish, and could not succeed in doing. Then, there was success for the gods, and the gods assumed their original positions which they had lost on account of their being subjected to the evil of the Asuras. The gods became what they were. “One who knows this secret also regains one’s own position,” says the Upanishad. This is a very interesting narrative. But, here is not merely a story; it is a cosmic phenomenon explained in an analogical language. Explanation of this Analogy The Devas (gods) and the Asuras (demons) are two tendencies, and not substances. The tendency to unification is the divine principle and the urge to diversification is the demoniacal principle. The sense-organs are incapable of unification because of their basic nature to diversify and their defeat by Asuras implies that the sense-organs cannot work up this unifying activity which is intended for regaining the original position of the deities of the senses. During the process of individual creation there is a reversal of the subject and the object due to mirror effect and it is explained in detail in the Basic Spiritual Primer 7. The Cosmic Being manifested Himself as all things, down to the five subtle creative elements—earth, water, fire, air and ether—which we regard as objects of sense. The five elements are the objects of our senses, but they were the last evolutes in the process of Divine manifestation.
  • 11. They were, therefore, part of the Cosmic Being who was the Universal Subject; and whoever knows this, also remains the Universal Subject as inseparable from this All-Being, or Virāt. The five subtle creative elements stand in the position of the subject to the isolated individuals; and they are not their objects. But the process is reversed for the individual due to mirror effect or illusion. In the Cosmic Realm, Fire is the effect of the Cosmic Principle, of Speech, the Word of God, identified with the Virāt Himself. But the Fire principle becomes a cause for individuals, so that human speech is the effect controlled by the Fire principle, as it is not the case in Virāt where Speech, the Word of God, is the controller of Fire. The Organs which are attributed to the Virāt are causes, rather than effects. And, in our case, they become effects, like reflections. The evil which we are speaking of here, the Asuras or the demons, are the tendencies to regard the Universal Subject as an object, and the desire of the individualized subject to run after the object for ‘contact’ with it. Due to material desires and sensual pleasures, the gods in us lose their position to the demons and they are no more angels in heaven. We hear in the Scriptures, stories being told that the celestials were driven away from heaven by the demons and they lost their position; they ran away; they did not know where to stand, and rushed to God for help. When the forces of desire in terms of external objects begin to operate in an intense manner, the position of the Universal Subject gets converted into that of an object, and then the gods are driven from the heaven. When the Subject is driven from its location and transformed into an object, what is really happening is that the angels are driven from heaven and the Asura has taken that position. The demon is ruling the kingdom of paradise. The idea is this: the god who is the subjective angel has become a fallen egoistic subject, under the spell of evil influences. Human body is divided into fourteen spiritual planes. From the base of spine to the crown of head is the region of seven lokas occupied by the gods whereas from the hips down to the bottom of the foot is the region of seven talas, the nether poles of above lokas, occupied by the demons. For a detailed description of our correspondence with the Cosmic Form, see ‘Physical and Spiritual Body – Cosmic Form GP Ch 15 P3’. Our consciousness keeps on moving between all loka-tala pairs but it does not stay at higher lokas and drops down to their respective nether poles i.e. talas. Virtue, purity, kindness, compassion are signs that the entity possessing them is evolving the spirit within, and therefore is ascending along the lokas. Selfishness, impurity, unkindness, cruelty, and deception are the signs that the entity possessing them is descending along the talas.
  • 12. Base of spine is the seat of instinctive mind and if our consciousness is not properly supported by reason or intellect, it is bound to fall prey to the demons of Fear, Lust, and Promiscuity at Hips; Anger and Resentment at Thighs; Jealousy and Covetousness at Knees; Instinctive Willfulness, Greed, Deceit, and Grasp at Calves; Selfishness, Corruption, and Animal Nature at the Ankles; Absence of Conscience and Ignorance at Over the Foot; and finally Pull of Enchanting Material World, Gratification of Senses, Malice, Murder, and Conceit at Under the Foot; together with their tributaries in all forms. When material desires and sensual pleasures thus prevail on our consciousness, the gods in the upper part lose their position to the demons in the lower part. This travesty can be obviated only if the evil element in the senses is removed. The eye, the ear, the nose, speech, etc. can regain their original position, as they had in the being of the Virāt, if the tendencies to diversification and movement towards objects are obviated by the operation of the Prana. It was the Prana whom evil, the Asuras could not attack. Everything could be affected. Prana is the life force as consciousness through which we experience the objective world. It has to be retained in the body to obviate the travesty. The eye and the ear and all the sense-organs were afflicted by the Asuras, i.e., every organ is a diversifying principle. It is not a unifying power. No sense-organ is characterised by unification or the power of meeting. Every sense has an urge to move in the direction of its own particular object and it also seeks variety. The ear has its own object, sound; the eye has the object, colour; the nose has the object, smell; the tongue has the object, taste; and the skin has its object, touch. They can never have a unifying capacity. But the Prana is a unifying force. Meditation is the process by which we can withdraw our consciousness from the objective world and retain within the body. To achieve this purpose, the senses have to be turned back to their own sources, and not allowed to move towards objects, which is the disease that they have contracted on account of their being afflicted by what is called the Asura. The centrifugal tendency is the Asura; the centripetal one is the divine aspiration. The disintegrating impulse, i.e., the movement towards further and further grosser form of objectivity, is the devilish element in the senses, and the divine element is that by which they can turn back upon their own source and contemplate their inner connectedness with the other divinities. The Prana mentioned here is not merely the breathing principle or the breath, so- called. It is the energy, a subtle force, vitality, that which keeps the whole body in unison. If we can feel a sensation of unity in the whole body, it is because of the harmonious movement of the Prana in the whole system.
  • 13. Prana is the manifestation of Atman within us. Ultimately, it is the Atman, the Soul which is responsible for the sense of unity within us. It is indivisible, and everything which reflects this indivisibility in some percentage may be regarded as a manifestation of the Atman. Atman is the root substance of all things which are in the position of an effect, and it is our very Self. It is the Total Substance of all created beings, and so it is called Brahman. The ultimate in us is the Atman and the ultimate in the Cosmos is Brahman. The Selfhood of all things is the ultimate meditation. Such a meditation is to be practiced if the senses are to be controlled, and if the divinities are to regain their positions, i.e., if we are not to stand in the need of moving towards objects of sense for our satisfaction, and the objects have to come to us of their own accord. When this is achieved, things will not be objects. They will stand in the position of our own kith and kin. They become part of our larger dimension, which they really are, but which consciousness we have forsaken on account of the subjection of the senses to the Asura principle, the urge for diversification. This is the moral that we have been given out of this story which arose from the context of a conflict that seems to have arisen between the gods and their opponents. Analogy Continued I-iii-8: They said, ‘Where was he who has thus restored us (to our divinity)?’ (And discovered): ‘Here he is within the mouth’. The vital force is called Ayasya Angirasa, for it is the essence of the members (of the body). The senses began to wonder, “Where was this power, what is this principle that has been able to enable us in overcoming the demons?” The one that enabled the senses to overcome the principle of death was within themselves. The help did not come from outside. It was from within, and that principle is designated Ayāsya Āṅgirasa. Āṅgirasa is the essence of all the senses, the vital force—that is the principle which could not be overcome by death, because it was not specially affiliated to any particular limb of the body, and it was not connected particularly with any sense organ. It was a uniform principle, impersonally operating throughout the system of the body, present in its manifested form as Prana, by the power of which one is able to speak. It is operating in the mouth of a person and it functions through the act of speech. The vocal organ is only one of its functions, and it does not represent the whole of the Prana; it has many other aspects. But the most ostensible manifestation of it is what we call Prana, in ordinary language.
  • 14. I-iii-9: This deity is called Dur, because death is far from it. Death is far from one who knows thus. This principle, the vital force prana is mystically designated in the Upanishad as Dūr, a peculiar name given to it. What is the meaning of Dūr? Death (Mṛtyu) is Dūra, or ‘far from this’. Therefore, it is called Dūr—destruction is removed from it. Death, evil, suffering, sorrow is far away from it. One who has realisation of this fact will also be free from the fear of death. It is an eternal fact, which applies to each and every person, everyone, at any time, under any condition. Whoever comprehends the essential nature of this Prana will be free from fear. Wherever there is desire, there is death; and one dies only because of desire. Desire cannot be in the case of the one who has been endowed with this knowledge and experience, because the senses are freed from the evil of desire when they are affiliated to the Creative Power, the Word of God, for the principle of desire in the senses arises on account of their dissociation from the presiding deities, the gods as we call them, in their activity towards objects outside. The senses move towards objects, forgetting that they are superintended by higher deities, who are, in turn, controlled by the All Being. The energy of the senses gets depleted due to a peculiar urge that arises in the senses on account of their pursuing reality only in the objects and not in that which is prior to them, namely the superior divine principle. The element, the principle, the reality that is behind the senses is incapable of being observed by the senses. We see only what is outside, and not what is inside. The entire creation with its constituent parts is the effect of the Word of God and is contained in the body of God. God created Man in His own image. That is He encased His constituent part, the Souls, in different bodies; and He hid Himself and His Creative Power, the Word, behind the mirror of Mind and in consequence the effects became causes for the embodied souls. One who knows thus overcomes Death. But this knowing is not theoretical. We do not know what is on the other side of the mirror of our mind. We are experiencing only the reflected side with our consciousness. To see the other side we shall have to withdraw our consciousness from the objective world and concentrate it at the eye center. This will enable us to pass on to the other side and then seeing from there through the mirror of mind we shall see God present in all forms. This realization has to be practical while living in the human body. And if it is not achieved while living then we shall be sent back for rebirth as per our current and latent desires and karmic account by the filter below the Sun. For further detail see Southern Part of Return, page 28, Basic Spiritual Primer 1.
  • 15. I-iii-10: This deity took away death, the evil of these gods, and carried it to where these quarters end. There it left their evils. Therefore one should not approach a person (of that region), nor go to that region beyond the border, lest one imbibe that evil, death. The moment Prana took up the charge of the senses, the moment the senses surrendered to Prana, the evil of the senses was driven out of the kingdom of reality. Evil was exterminated; it was made to quit the kingdom of truth, and it was driven to the farthest corner of all directions. And, the Upanishad tells us not to go to that place where the evil has been driven. Here is a wonderful advice for the seeker of Reality. The seeker of Truth after withdrawing from the sense objects and sensual pleasures and surrendering the senses to prana is advised to hold on to this surrender lest he again falls prey to the demons which have been driven to the nether poles of the lokas. The senses should also not perform the forbidden act of supererogation which means doing more than what is required of them in performance of their respective function which does not really belong to them, but which really belongs to a higher reality, the superintending deity, due to whose presence alone are they able to function at all. The seeker of Truth is further advised to refrain from trying to satiate the senses by feeding them with sense objects and sensual pleasures. For example, the genital organs were created for procreation and not for indulgence in sexual pleasure. Sexual indulgence by thought or deed draws us closer to Death. Eyes were created to see and enjoy His creation but indulgence in seeing and experiencing the objective world through sight will lead the seeker away from its deity, the Sun. The same is true for all other motor and sense organs and the seeker should exercise restraint if the surrender of senses to prana has to be effective. The deities, again, are subtle individuals, and they, too, have to function in the context of another superior existence. Even the gods can go wrong, as human beings can. And, in the story that is given in the Kena Upanishad, we are told that even the gods had the pride of having won victory over the demons, not knowing that they were helped by another power of which they had no knowledge, of which they had no vision at all. So, the Mantra here cited tells us that evil is there where reality is not, and where reality is, evil cannot be. So the clinging of the senses to unreal phantoms is the cause of the evil operating through them, and thus desire is nothing but desire for the unreal. It cannot be a desire for the real. If it is a desire for the real, it cannot bind. So, go not to that realm where the unreal rules in
  • 16. suzerainty but be within the realm of reality and give up all desires that arise in the mind for things which do not exist. I-iii-11: This deity after taking away death, the evil of these gods, next carried them beyond death. Gone above the fear of death are the senses when they took refuge in the Prana. Affiliation with the Word of God within is the overcoming principle of death, where death is consumed. Death consumes all, but this All Being consumes death itself. That enabled the senses to overcome death, that is, to free themselves from desire for things. What happened to them when they were free from desire? What was the condition of the senses and the deities thereof when they were freed from the principle of death? One by one, each sense-organ is described in the following Mantras. I-iii-12: It carried the organ of speech, the foremost one, first. When the organ of speech got rid of death, it became fire. That fire, having transcended death, shines beyond its reach. I-iii-13: Then it carried the nose. When it got rid of death, it became air. That air, having transcended death, blows beyond its reach. I-iii-14: Then it carried the eye. When the eye got rid of death, it became sun. That sun, having transcended death, shines beyond its reach. I-iii-15: Then it carried the ear. When the ear got rid of death, it became the quarters. Those quarters, having transcended death, remain beyond its reach. Speech was freed from the evil of death, first of all. The principle of speech is not merely an organ to express words in language, as it is ordinarily in human beings. It assumed its original form. Fire is the deity of the organ of speech, and Fire is the causative principle of speech, and speech is the effect of the principle of Fire in individuals. Speech, in the Virāt, is the highest principle, superior to the principle of Fire, whereas in the individual it is an effect. It is far below the principle of Fire, here. Fire (Agnī) is the god, the deity, the presiding principle over the sense of speech in the individual, so that Fire stands above the senses as a cause. But in the Virāt, it is an effect of the principle of speech. From the mouth of the Virāt, Fire came, says the Aitareya Upanishad, and certain other passages in the Brihadaranyaka Upanishad.
  • 17. The moment speech was freed from the evil of death; it became the Fire principle, the original, subtle creative element, or reality behind fire, the deity of fire. This fire shines in the realm of reality in its own pristine glory. Fire element is the turning point for the seeker of Truth and hence it is addressed first. Placed at the navel center, it has central position in the body and it provides shape to outward forms; sight – eyes; mobility – legs; drive – mobility; and weaknesses of anger and resentment; selfishness, corruption, and animal nature acquired due to urge for separation, externalization, and the desire to own the objective world. When the seeker surrenders Speech to Fire Element and the Fire Element to Prana and holds on to that surrender, Prana helps in overcoming the above weaknesses. When there is control on mobility and sight, the battle with the demons is nearly won because the share of visual input of the objective world through the eyes is eighty-three percent. Besides this, the Fire Element is the mainstay for the Water and Earth Elements and with its surrender to Prana; Ignorance disappears and the pull of the Enchanting Material World, Gratification of Senses, Malice, Murder, and Conceit are also brought under control. Virtues of Tolerance and Forgiveness, Chastity and Continence, Detachment and Contentment get invoked. This divine fire-force, and the power of patience and self-control at the navel center has been called Arjuna in the epic ‘The Mahabharata’ who is the central character in regaining bodily kingdom from the matter and sense bound forces. This has been wonderfully explained as the ‘Spiritual Allegory Hidden in the Gita’ by Sri Paramahansa Yogananda in his commentary on ‘The Bhagavad Gita’. Next in line is the surrender of the manipulative power of the individual to the Air Element and that in turn to Prana. This surrender provides power to still the internal and external organs and it destroys the invasion of passion, doubt, and disease. The demons of Instinctive Willfulness, Greed, Deceit and Grasp are overcome by this surrender. Virtue of Generosity gets invoked. And finally when Hearing - Ears surrender to the ‘the gods of directions’ and they in turn to Prana, there is divine perception of Calmness as it is the principal factor necessary for any expression of right discernment. The demons of Jealousy and Covetousness, Ego and Pride are overcome and the virtue of Humility gets invoked. Sensual and emotional thoughts now do not disturb the consciousness and there is clarity of perception. This sort of freedom from death was achieved by every sense, and they all became the deity, rather than the effect. The eye became sun, and the sun assumed his location in the Virāt, and so on every sense-organ is thus described as having regained its original status. They got over their limitations. They were reinstated in their original forms—smell, taste, hearing and touch became their own deities. This is also tattva gyan, the knowledge of the subtle creative elements.
  • 18. The object does not any more control the activity and the existence of the individual subject, as it is the case ordinarily. Individuals, we people, are all dependent on the objects of sense. We are helplessly driven to objects on account of the fact that we live in a world of diversity, multiplicity and the separation of one thing from another thing. That element of separation has been completely mastered here in this deep technique of meditation, and all the senses, including the mind, became integrated in the body of the Virāt, while they were all scattered in different directions, disintegrated in the organism of the individual. When the mind, in our case, moves towards objects outside, thus depleting its energy, disintegrating itself, gets integrated in the Virāt and moves back to its source, it becomes one with the great source of energy. I-iii-16: Then it carried the mind. When the mind got rid of death, it became the moon. That moon, having transcended death, shines beyond its reach. So does this deity carry one who knows thus beyond death. The Divine Prana carried the mind, too, beyond death, and then the mind became the moon, and the moon got fixed in the mind of the Virāt. With the surrender of Mind to Prana, the fate of the demons is sealed in this war. Thus even as the mind and the senses are freed from the evil of death, you and I and everyone also can be freed from the evil of death, says the Upanishad. It is a moral applicable to all, provided we follow the course followed by the senses. If anyone knows this art, follows this technique, and lives a life in consonance with this principle, that individual also will cease to be an individual caught in the meshes of death, and shall become a principle of reality, identical with that which truly is, and not moving as a transitory link in the process of becoming in this world of death. I-iii-17: Next it secured eatable food for itself by chanting, for whatever food is eaten, is eaten by the vital force alone, and it rests on that. Whatever is done in this body is done by the Prana. It is by the Prana that the senses draw food into the system, and it is the Prana that digests the food, absorbs it into the organism. If the eyes see anything, it is the Prana that sees. If the nose smells, it is the Prana that smells. If the ears hear, it is the Prana that hears. If anything happens, it is done by the Prana. It is the support of the senses and their activities. The Prana within and the activities without are interconnected, that is, the subjective force which we call vitality and the objective element that we call the food outside—these two are interconnected in the Body of the Virāt. One is dependent on the other.
  • 19. I-iii-18: The gods said, ‘Whatever food there is, is just this much, and you have secured it for yourself by chanting. Now let us have a share in this food.’ ‘Then sit around facing me’, (said the vital force). ‘All right’, (said the gods and) sat down around it. Hence whatever food one eats through the vital force satisfies these. So do his relatives sit around facing him who knows thus, and he becomes their support, the greatest among them and their leader, a good eater of food and the ruler of them. That one among his relatives who desires to rival a man of such knowledge is powerless to support his dependants. But one who follows him, or desires to maintain one’s dependants being under him, is alone capable of supporting them. The gods, who have been freed from death, proclaim to the Prana, “All this food is yours. May we also be able to partake of your food and your glory? Share with us the food that you consume. Let us also take food with you. Let us sit beside you, and partake of your energy, become connected with you as friends, not as isolated individuals as we have been up to this time.” The food of Prana is the Cosmic Prana, the Word of God, the Creative Power, the Udgitha – the sound Om at the Causal Level, reverberating within all individuals and it is sharing of that food sought by the senses. The Prana said, “Sit beside me,” that is, be in consonance with me. “Then I shall feed you.” If the senses are in consonance with the Prana, the Prana will feed the senses, but if they are dissonant, naturally the energy will not flow to the senses. So the gods became one with it in organic connection. If the Prana is satisfied, every sense is satisfied. If the vital force inside is happy, every part of the body is happy. The mind also is happy, the intellect is happy. The whole being is happy. Now this fruit, this result, accrues to anyone who connects oneself with this Prana in the manner in which the senses connected themselves with the Prana. He becomes the lord of all; he becomes a master; he becomes the source of dependence for others; he becomes the best; he becomes the foremost among people; he is never in want of anything. Everything shall come to him, as everything automatically comes to the Prana, unasked. One who is in union with this Prana is the lord of all in the sense that everything belongs to him, and his wish shall instantaneously be fulfilled. No one can contend with this person who has this knowledge. The person who vies with a person with this knowledge will not succeed. This is what the Upaniṣhad means. If you try to compete, in any manner, with one who has this knowledge, you will not succeed. But, you will succeed if you follow his precepts and live in consonance with his methods of living and his way of understanding; that is, no one can stand against his wisdom, and no one can even stand in the presence of this individual, who is endowed with this wisdom. But one who
  • 20. follows him becomes victorious, as he who is endowed with this knowledge is himself victorious. I-iii-19: It is called Ayasya Angirasa, for it is the essence of the members (of the body). The vital force is indeed the essence of the members. Of course it is their essence. (For instance), from whichever member the vital force departs, right there it withers. Therefore this is of course the essence of the members. This great master principle in us, which is Prana, is the essence of all the limbs of the body, and therefore he is called Angirasa. Prana is the essence of the limbs of the body, of all the senses, and so he is called Angirasa. If Prana departs from any part of the body, that part dries up immediately. There is no vitality in that part of the body from which Prana is withdrawn. So, life is Prana; Prana is life and complete surrender to this principle is advocated in this Upanishad. We have to invoke and be in tune with the Creative Power, the Word of God, the Udgitha, within us while living if we are seeking real emancipation.