Audience
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The document discusses audience. It likely focuses on analyzing or considering the intended recipients or viewers of a creative work, presentation, or other communication. Key details may include identifying the demographic characteristics, interests, values, or perspectives of the people the content is aimed towards. The purpose is to help creators effectively target their message by understanding the audience's needs, preferences and background.
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Audience
The film industry spends significant resources on understanding and marketing to audiences. Market research is used to determine whether a film would be successful in theaters or streaming services. They also study audience interests and likes to include appealing elements in films, increasing the chances of success. For younger audiences specifically, film companies focus advertising efforts online and on social media where that demographic spends time, in order to better reach them.
media
The document summarizes how the media product (teaser trailer for "The Girl in Red") uses and challenges conventions of real media products such as trailers, posters, and magazines. It discusses how the teaser follows conventions like using montage editing, building soundtrack pace, and including company logos. However, it also challenges conventions by having a longer teaser, marketing based on genre rather than actors, and subverting typical thriller character types. Frames from the teaser and other media are analyzed in terms of camerawork, mise-en-scene, sound and how they develop genre while also comparing to examples from real media like "Gone Girl".
In what ways does your media product use
The first 9 frames of the teaser trailer for "The Girl in Red" challenge some conventions of typical Hollywood teaser trailers while also following some conventions. The trailer starts off slower than the teaser for "Gone Girl" by including more black screens to build tension. Both trailers establish the setting without revealing characters. While "Gone Girl" introduces titles and characters quickly, "The Girl in Red" reveals its protagonist and antagonist later to build intrigue. The camerawork and lighting in "The Girl in Red" follow thriller conventions to portray an ominous tone, while the pace overall is slower than a typical fast-paced teaser.
More on magazines
The document discusses a magazine cover for "The Dark Knight" that served as inspiration. It notes the use of varied fonts, with the Joker's name in larger green font. Color themes of green and pink were used to match the character. The cover also included information on other films using larger "plus" text. A quote was felt to provide an opinion and tagline for the film. When designing their own magazine cover, the document discusses following another cover's example of placing the release date by the barcode instead of over the "M" in the title.
Montage
A montage is a technique in film editing that compresses time and tells a story rapidly through a series of short shots. It can be used to show the passage of time through gradual changes or development. Montages can also represent dreams, memories, or a character's wishes. There are two main types: parallel montages cut between two separate locations to show their connection, while accelerated montages use very short shots to quickly build pace towards a climax.
Montage
A montage can quickly summarize a large story through a series of short clips and images. It can compress time and show gradual changes or development happening rapidly. Montages are useful for representing dreams, memories, or how a setting changes over time. They can also depict the progression of a relationship through important moments. Parallel montage cuts between two locations to show their connection, while accelerated montage uses increasingly shorter shots to build pace and intensity toward a climax.
Poster analysis
The poster analyzes features two thriller movie posters. Both posters convey mystery and conflict through their visual elements. The first poster features two male characters on either side of a female protagonist, suggesting tension. Dark colors and the characters' body language further imply mystery and potential conflict. The second poster stands out through its use of black background, drawing attention to the lead actor. Mysterious eye contact and a "glitch" in the title enhance the thriller genre. The analyzed posters inform the design of the student's own thriller poster, focusing on visual symbols of opposing characters and an atmosphere of secrecy through lighting and colors.
Photography
The photographers took many shots in the hour allotted to capture images for a photography project. They began with high-key lighting and a white backdrop to highlight a red scarf, shooting various poses of one model alone and with another. They then switched to low-key lighting with a black backdrop, adjusting lamps and a reflector to illuminate one model more than the other to create an intimidating dynamic between them. Different lighting techniques and backdrops were used to experiment with interesting shots.
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Audience
The film industry spends significant resources on understanding and marketing to audiences. Market research is used to determine whether a film would be successful in theaters or streaming services. They also study audience interests and likes to include appealing elements in films, increasing the chances of success. For younger audiences specifically, film companies focus advertising efforts online and on social media where that demographic spends time, in order to better reach them.
media
The document summarizes how the media product (teaser trailer for "The Girl in Red") uses and challenges conventions of real media products such as trailers, posters, and magazines. It discusses how the teaser follows conventions like using montage editing, building soundtrack pace, and including company logos. However, it also challenges conventions by having a longer teaser, marketing based on genre rather than actors, and subverting typical thriller character types. Frames from the teaser and other media are analyzed in terms of camerawork, mise-en-scene, sound and how they develop genre while also comparing to examples from real media like "Gone Girl".
In what ways does your media product use
The first 9 frames of the teaser trailer for "The Girl in Red" challenge some conventions of typical Hollywood teaser trailers while also following some conventions. The trailer starts off slower than the teaser for "Gone Girl" by including more black screens to build tension. Both trailers establish the setting without revealing characters. While "Gone Girl" introduces titles and characters quickly, "The Girl in Red" reveals its protagonist and antagonist later to build intrigue. The camerawork and lighting in "The Girl in Red" follow thriller conventions to portray an ominous tone, while the pace overall is slower than a typical fast-paced teaser.
More on magazines
The document discusses a magazine cover for "The Dark Knight" that served as inspiration. It notes the use of varied fonts, with the Joker's name in larger green font. Color themes of green and pink were used to match the character. The cover also included information on other films using larger "plus" text. A quote was felt to provide an opinion and tagline for the film. When designing their own magazine cover, the document discusses following another cover's example of placing the release date by the barcode instead of over the "M" in the title.
Montage
A montage is a technique in film editing that compresses time and tells a story rapidly through a series of short shots. It can be used to show the passage of time through gradual changes or development. Montages can also represent dreams, memories, or a character's wishes. There are two main types: parallel montages cut between two separate locations to show their connection, while accelerated montages use very short shots to quickly build pace towards a climax.
Montage
A montage can quickly summarize a large story through a series of short clips and images. It can compress time and show gradual changes or development happening rapidly. Montages are useful for representing dreams, memories, or how a setting changes over time. They can also depict the progression of a relationship through important moments. Parallel montage cuts between two locations to show their connection, while accelerated montage uses increasingly shorter shots to build pace and intensity toward a climax.
Poster analysis
The poster analyzes features two thriller movie posters. Both posters convey mystery and conflict through their visual elements. The first poster features two male characters on either side of a female protagonist, suggesting tension. Dark colors and the characters' body language further imply mystery and potential conflict. The second poster stands out through its use of black background, drawing attention to the lead actor. Mysterious eye contact and a "glitch" in the title enhance the thriller genre. The analyzed posters inform the design of the student's own thriller poster, focusing on visual symbols of opposing characters and an atmosphere of secrecy through lighting and colors.
Photography
The photographers took many shots in the hour allotted to capture images for a photography project. They began with high-key lighting and a white backdrop to highlight a red scarf, shooting various poses of one model alone and with another. They then switched to low-key lighting with a black backdrop, adjusting lamps and a reflector to illuminate one model more than the other to create an intimidating dynamic between them. Different lighting techniques and backdrops were used to experiment with interesting shots.
Shots
This document provides a list of different camera shots and angles including medium shots from low, eye level, and high angles, close-ups, two-shots, long shots, and over-the-shoulder shots that could be used in filming a scene or movie. The various shots are organized with no additional context given about what is being filmed.
Shot conventions
This document discusses various shot types and conventions used in thriller and romance films. It describes extreme long shots as establishing the setting, mid shots as conveying realism and capturing body language, close ups as showing facial expressions, extreme close ups focusing on a detail, point of view shots showing a character's perspective, bird's eye shots creating a sense of vulnerability, tracking shots following a character, tilted angles showing unease, low angles making a character intimidating, hand held cameras adding realism, and two shots revealing the relationship between two people. Examples are provided for each shot type from films in these genres.
Magazine
The document analyzes and compares the magazine cover designs of Empire, Total Film, and Sight and Sound magazines. It finds that Empire's cover for a James Bond film uses tension-creating imagery and minimal text to effectively advertise the film and genre. Total Film's cover for a thriller overloads the audience with information, but uses color and text style to match the film's genre. Sight and Sound's simpler cover relies heavily on the central actor image with little other context, making the film seem boring.
Magazine
The magazine cover uses a close-up image of Daniel Craig as James Bond, with his eyes staring intensely and a gun partially obscuring his face to create a sense of tension and intrigue. The simple black and white color scheme matches the film's theme and makes Craig stand out. Only the film title, "Bond is back!" tagline, and James Bond logo are used to advertise the blockbuster in a clean, impactful way.
Poster analysis
The poster uses various micro-level techniques like mise-en-scene and camerawork to subtly provide clues about the genre, narrative, and themes of the film. Specifically:
1) Clouds above the main character symbolize his clouded, confused state of mind and set a mysterious atmosphere.
2) Faded eyes watching from above imply someone is watching the character, diminishing his power and creating unease.
3) The character's isolated, turned-away pose shows he feels lost and intimidating.
4) A glitching news banner across his chest partially reveals a headline to build suspense about the film's narrative.
Camerawork
1) The document analyzes 9 shots from a film trailer through the lens of mise en scene and camerawork techniques. The shots establish elements of mystery, crime, and thriller genres.
2) Early shots introduce characters searching with flashlights at night and finding a photo of a woman. Composition and lighting draw attention to her importance. A turned over table at a crime scene introduces violence.
3) Later shots show clues being found, a character's distress, tilted angles signifying unease, crime scene tape establishing danger, and intimidating interactions between a male and female character suggesting a power dynamic. The last shot uses a dolly zoom to show a character's frustration after witnessing something shocking.
Gone girl titles
The document discusses how titles are used in movie trailers to promote and advertise the film. It analyzes 8 titles that appear in a teaser trailer at different times for different purposes. The titles reference the source novel, director, release year, and positive reviews to generate audience interest and hype. Revealing certain titles throughout the trailer helps promote the film and draw in potential viewers. The document examines how trailer conventions like these can effectively sell a film and build excitement.
The girl in red
This document discusses settings, narratives, characters, and iconography for the genres of thriller and romance films. It provides examples of how settings like alleys and houses can convey thriller themes through darkness and vulnerability. Romance genres commonly use daytime settings like beaches and parks to portray happiness. The narrative may include flashbacks and non-chronological storytelling for thrillers or show the perspectives of the protagonist and antagonist meeting in romance. Common thriller icons include weapons and confined spaces while romance uses gifts and candlelit settings to convey affection.
The girl in red
The document discusses settings, narrative structures, and iconography used in thriller and romance genres as they relate to developing a film trailer that blends these genres. It notes that thriller settings often use nighttime, confined spaces, and abandoned locations to create fear and suspense, while romance settings employ beaches, parks, and daytime lighting to portray happiness. The narrative may incorporate flashbacks and non-chronological storytelling like thrillers or focus on character perspectives meeting like romances. Iconography of weapons, blood, and shadows signify thrillers, while gifts, candles, and affection signal romance genres.
Initial ideas
A girl falls in love with a boy at her new school who she discovers is actually a killer she witnessed murdering someone in the woods. They begin a relationship but when she confronts him about being a killer, he admits it and says she has changed him. She is angry and pushes him away, saying no one could ever love a killer, but he responds that she loves him.
My storyboard for a sword fight scene with lightsabers
My storyboard for a sword fight scene with lightsabers
一比一原版(UniSA毕业证)南澳大学毕业证成绩单如何办理
UniSA毕业证【微信95270640】（南澳大学毕业证高仿学位证书((+《Q微信95270640》))）购买UniSA毕业证修改UniSA成绩单购买南澳大学毕业证办UniSA文凭办高仿毕业证南澳大学毕业证购买修改成绩单挂科退学如何进行学历认证留学退学办毕业证书/ 出国留学无法毕业买毕业证留学被劝退买毕业证（非正常毕业教育部认证咨询） University of South Australia
办国外南澳大学南澳大学毕业证假文凭教育部学历学位认证留信认证大使馆认证留学回国人员证明修改成绩单信封申请学校offer录取通知书在读证明offer letter。
快速办理高仿国外毕业证成绩单：
1南澳大学毕业证+成绩单+留学回国人员证明+教育部学历认证（全套留学回国必备证明材料给父母及亲朋好友一份完美交代）;
2雅思成绩单托福成绩单OFFER在读证明等留学相关材料（申请学校转学甚至是申请工签都可以用到）。
3.毕业证 #成绩单等全套材料从防伪到印刷从水印到钢印烫金高精仿度跟学校原版100%相同。
专业服务请勿犹豫联系我！联系人微信号：95270640诚招代理：本公司诚聘当地代理人员如果你有业余时间有兴趣就请联系我们。
国外南澳大学南澳大学毕业证假文凭办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。让我们的父母幸福快乐地度过一生挽着清风芒耀似金的骄阳如将之绽放的花蕾一般静静的从远方的山峦间缓缓升起这一片寂静的城市默默的等待着它的第一缕光芒将之唤醒那飘散在它前方的几层薄云像是新娘的婚纱一般为它的光芒添上了几分淡淡的浮晕在悄无声息间这熙和的阳光默默的照射在大地上像是母亲的手轻轻抚摸熟睡中的孩子般柔情似水五月的盛夏从这一缕柔情中揭开了第一抹的清香清晨本是繁华喧闹的街道此时只有稀薄的人群围着冒着层聋
Heart Touching Romantic Love Shayari In English with Images
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
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Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.More Related Content
More from NT160371
Shots
This document provides a list of different camera shots and angles including medium shots from low, eye level, and high angles, close-ups, two-shots, long shots, and over-the-shoulder shots that could be used in filming a scene or movie. The various shots are organized with no additional context given about what is being filmed.
Shot conventions
This document discusses various shot types and conventions used in thriller and romance films. It describes extreme long shots as establishing the setting, mid shots as conveying realism and capturing body language, close ups as showing facial expressions, extreme close ups focusing on a detail, point of view shots showing a character's perspective, bird's eye shots creating a sense of vulnerability, tracking shots following a character, tilted angles showing unease, low angles making a character intimidating, hand held cameras adding realism, and two shots revealing the relationship between two people. Examples are provided for each shot type from films in these genres.
Magazine
The document analyzes and compares the magazine cover designs of Empire, Total Film, and Sight and Sound magazines. It finds that Empire's cover for a James Bond film uses tension-creating imagery and minimal text to effectively advertise the film and genre. Total Film's cover for a thriller overloads the audience with information, but uses color and text style to match the film's genre. Sight and Sound's simpler cover relies heavily on the central actor image with little other context, making the film seem boring.
Magazine
The magazine cover uses a close-up image of Daniel Craig as James Bond, with his eyes staring intensely and a gun partially obscuring his face to create a sense of tension and intrigue. The simple black and white color scheme matches the film's theme and makes Craig stand out. Only the film title, "Bond is back!" tagline, and James Bond logo are used to advertise the blockbuster in a clean, impactful way.
Poster analysis
The poster uses various micro-level techniques like mise-en-scene and camerawork to subtly provide clues about the genre, narrative, and themes of the film. Specifically:
1) Clouds above the main character symbolize his clouded, confused state of mind and set a mysterious atmosphere.
2) Faded eyes watching from above imply someone is watching the character, diminishing his power and creating unease.
3) The character's isolated, turned-away pose shows he feels lost and intimidating.
4) A glitching news banner across his chest partially reveals a headline to build suspense about the film's narrative.
Camerawork
1) The document analyzes 9 shots from a film trailer through the lens of mise en scene and camerawork techniques. The shots establish elements of mystery, crime, and thriller genres.
2) Early shots introduce characters searching with flashlights at night and finding a photo of a woman. Composition and lighting draw attention to her importance. A turned over table at a crime scene introduces violence.
3) Later shots show clues being found, a character's distress, tilted angles signifying unease, crime scene tape establishing danger, and intimidating interactions between a male and female character suggesting a power dynamic. The last shot uses a dolly zoom to show a character's frustration after witnessing something shocking.
Gone girl titles
The document discusses how titles are used in movie trailers to promote and advertise the film. It analyzes 8 titles that appear in a teaser trailer at different times for different purposes. The titles reference the source novel, director, release year, and positive reviews to generate audience interest and hype. Revealing certain titles throughout the trailer helps promote the film and draw in potential viewers. The document examines how trailer conventions like these can effectively sell a film and build excitement.
The girl in red
This document discusses settings, narratives, characters, and iconography for the genres of thriller and romance films. It provides examples of how settings like alleys and houses can convey thriller themes through darkness and vulnerability. Romance genres commonly use daytime settings like beaches and parks to portray happiness. The narrative may include flashbacks and non-chronological storytelling for thrillers or show the perspectives of the protagonist and antagonist meeting in romance. Common thriller icons include weapons and confined spaces while romance uses gifts and candlelit settings to convey affection.
The girl in red
The document discusses settings, narrative structures, and iconography used in thriller and romance genres as they relate to developing a film trailer that blends these genres. It notes that thriller settings often use nighttime, confined spaces, and abandoned locations to create fear and suspense, while romance settings employ beaches, parks, and daytime lighting to portray happiness. The narrative may incorporate flashbacks and non-chronological storytelling like thrillers or focus on character perspectives meeting like romances. Iconography of weapons, blood, and shadows signify thrillers, while gifts, candles, and affection signal romance genres.
Initial ideas
A girl falls in love with a boy at her new school who she discovers is actually a killer she witnessed murdering someone in the woods. They begin a relationship but when she confronts him about being a killer, he admits it and says she has changed him. She is angry and pushes him away, saying no one could ever love a killer, but he responds that she loves him.
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My storyboard for a sword fight scene with lightsabers
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一比一原版(UniSA毕业证)南澳大学毕业证成绩单如何办理
UniSA毕业证【微信95270640】（南澳大学毕业证高仿学位证书((+《Q微信95270640》))）购买UniSA毕业证修改UniSA成绩单购买南澳大学毕业证办UniSA文凭办高仿毕业证南澳大学毕业证购买修改成绩单挂科退学如何进行学历认证留学退学办毕业证书/ 出国留学无法毕业买毕业证留学被劝退买毕业证（非正常毕业教育部认证咨询） University of South Australia
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快速办理高仿国外毕业证成绩单：
1南澳大学毕业证+成绩单+留学回国人员证明+教育部学历认证（全套留学回国必备证明材料给父母及亲朋好友一份完美交代）;
2雅思成绩单托福成绩单OFFER在读证明等留学相关材料（申请学校转学甚至是申请工签都可以用到）。
3.毕业证 #成绩单等全套材料从防伪到印刷从水印到钢印烫金高精仿度跟学校原版100%相同。
专业服务请勿犹豫联系我！联系人微信号：95270640诚招代理：本公司诚聘当地代理人员如果你有业余时间有兴趣就请联系我们。
国外南澳大学南澳大学毕业证假文凭办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。让我们的父母幸福快乐地度过一生挽着清风芒耀似金的骄阳如将之绽放的花蕾一般静静的从远方的山峦间缓缓升起这一片寂静的城市默默的等待着它的第一缕光芒将之唤醒那飘散在它前方的几层薄云像是新娘的婚纱一般为它的光芒添上了几分淡淡的浮晕在悄无声息间这熙和的阳光默默的照射在大地上像是母亲的手轻轻抚摸熟睡中的孩子般柔情似水五月的盛夏从这一缕柔情中揭开了第一抹的清香清晨本是繁华喧闹的街道此时只有稀薄的人群围着冒着层聋
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Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.一比一原版(QUT毕业证)昆士兰科技大学毕业证成绩单如何办理
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国外毕业证学位证成绩单如何办理：
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HOW TO USE PINTEREST_by: Clarissa Credito
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
A Brief Introduction About Hadj Ounis
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
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