In 2012, The Panama Canal Museum (Seminole, FL) closed its doors and donated its entire collection to the George A. Smathers Libraries at the University of Florida. Over 15,000 items headed to Gainesville; from canoes to cups, books to busts and everything between. The collection was renamed the Panama Canal Museum Collection (PCMC) and is now managed as an archival collection in Special & Area Studies Collections (SASC). UF received an IMLS grant to manage this transition from museum to archives, creating a model of integration in the process. For three years the PCMC was managed by project staff working in consultation with UF archivists. In 2015 SASC developed a transition plan for managing the collection after the grant, including a processing plan for a sizable unprocessed backlog. One challenge is estimating processing times for artifacts because the archival community does not share information about object processing rates. Another challenge is a highly engaged, high maintenance community of former Canal Zone residents who had donated most of the Museum collection and who are particularly interested in ongoing exhibitions. SASC hired a museum professional to manage these activities and employs interns from the UF Museum Studies program. This is a terrific opportunity for students who might be able to find work in either museum or archives settings after graduation, but it also raises questions about the future of the professions. This session will present challenges and opportunities of this merger between museum and archives, focusing on the very different viewpoints of the museum, library and archives professionals.
Elaine Harrington, Special Collections Librarian, uses case studies to discuss the different types of engagement she has with academic staff and students in relation to Special Collections. Case studies will include show & tell class visits to Special Collections, modules that use specific methodologies for both undergraduates and postgraduates, exhibitions and events.
This presentation was given as part of UCC's Instructional Design TEL Tasters 2017 programme.
When museums and volunteer-run cultural heritage organizations close, how can academic research libraries support their valuable collection and community stewardship processes? This panel will discuss the challenges to library conventions and librarian expertise encountered in the case of one museum-library merger. We invite audience members to question and brainstorm along with us about what it means to create a national model of museum-library mergers and advance national dialogs on the subject.
Elaine Harrington, Special Collections Librarian, uses case studies to discuss the different types of engagement she has with academic staff and students in relation to Special Collections. Case studies will include show & tell class visits to Special Collections, modules that use specific methodologies for both undergraduates and postgraduates, exhibitions and events.
This presentation was given as part of UCC's Instructional Design TEL Tasters 2017 programme.
When museums and volunteer-run cultural heritage organizations close, how can academic research libraries support their valuable collection and community stewardship processes? This panel will discuss the challenges to library conventions and librarian expertise encountered in the case of one museum-library merger. We invite audience members to question and brainstorm along with us about what it means to create a national model of museum-library mergers and advance national dialogs on the subject.
Curio is a mobile app designed in partnership with Art Processors, the creative team behind MONA’s ‘O’ and launched in April 2013 at the State Library of NSW. Curio uses a unique indoor location technology which is incredibly accurate and the app is easy to install for both iOS and Android devices. The innovative mobile interface knows where you are inside the State Library and intuitively delivers interesting facts, surprising stories and multimedia about the objects and architectural features around you. The mobile experience goes far beyond the traditional audio guide, streaming informative content without disturbing the heritage building. It offers an interactive experience that allows visitors to rate objects on site. They can then play back their visit at home and share their favourite objects on Facebook and Twitter.
Megan Perry is the Manager of Learning Services at the State Library of NSW. She has managed the roll out of a range of K-12 learning programs using new technologies to engage learners onsite, online and on tour. Programs include video conferences across the state and internationally, the use of iPads in learning programs, and learning app development. Megan is currently managing the development of web-based learning resources for the NSW History and English syllabuses for the Australian Curriculum. Megan is a member of the National and State Libraries Australasia Literacy and Learning Project Group.
Louise Prichard has recently taken up the position of Project Manager, Web and Online System Integration, Digital Excellence Program. In her previous role of Web Coordinator, she coordinated work across the State Library website and recently project managed the Library’s new Curio app, launched in April this year. She is also a member of the National and State Libraries Australasia Community-Created Content Group which organised the Library Hack competition and Mash-up at the Mitchell.
CAA2014 Community Archaeology and Technology: Community archaeology and geoph...Nicole Beale
Kris Lockyear and Ellen Shlasko
Paper presented at Computer Applications in Archaeology Conference 2014, 22nd - 25th April 2014, Université Paris 1 Panthéon-Sorbonne, Paris as part of Session 12: Community Archaeology and Technology. Session organisers: Nicole Beale and Eleonora Gandolfi. Session blog: http://blog.soton.ac.uk/comarch/
Call for papers, project on the "Continuous Page: Scrolls and Scrolling from ...Encyclopaedia Iranica
Participants are sought to take part in a collaborative investigation into the intriguing format of the scroll and the act of scrolling across different cultures and periods, considering both the timeless material object and its infinite conceptual space. Participants are sought from any field or discipline, and are likely to be academics (at all stages of their careers), museum professionals, or practicing artists.
Sound of the Archives presented at the SLIS/SOIS Research Forum on April 27th. In these slides, we have our mission, vision, completed podcasts, goals, and benefits of doing the podcast.
Writer and commentator Adam Gopnik has described the mindful museum as a place that is primarily about the objects it contains while also recognizing that it should not seek to explain what cannot be explained. “And that means simply that wall labels and explanatory text of all kinds should be as modest and invisible as conceivable,” he said in the first annual Eva Holtby Lecture on Contemporary Culture at Toronto’s Royal Ontario Museum just months before the ROM opened its Michael Lee-Chin Crystal addition in June 2007. How should museums interpret Gopnik’s view in today’s world of flat screens and wireless networks and one where most museum and gallery visitors can receive instant information via their cell phones, Blackberrys and iPods. And where does that leave the ROM as it grapples with technology solutions for providing context and interpretation in its powerful new gallery spaces? Created by Brian Porter for the 2008 Technology in the Arts: Canada Conference.
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Understanding Canadian History Essay
Understanding Canadian History
Art history contributes to our understanding of Canada s history. Urban history, art history, and material history documented events as they unfurled.
Demographic concentration, architecture, economics, and cultural aspects are well documented in the above disciplines of history.
Art itself is about people and their expressions of hope and meaning. Their impressions and thoughts are transported to their respective canvases. For the most part, these forms of history are less biassed and they tell the story as it actually was. A tour of the National Gallery showed that art comes in many forms: landscape paintings, portraiture, carvings, sculptures, metal work, among others. Viewing the...show more content...These materials show a progress or evolution of a nation. The various possessions found in a young
Canada showed a very diverse country. Early Canada lacked the resources or the tradesmen to produce materials for everyday use, such as furniture, precious metals, cutlery, dolls, and other personal items. That is why many of the items found in Canada are of European origin. It wasn t until years later that many trades were developed to self sustain early settlers. For example, early glass objects were crude in form and function. With advances in technology, came clearer glass objects that could be mass produced. Significant advancements in technology can be noted in most all other materials also.
One could also see development and history though architecture. Although we walk down the streets of Ottawa going about daily business, most of us are usually unaware of our historical surroundings. The old
The original version of this presentation has been presented in Italian at the ArtFilmFestival 2011 in Asolo (Italy), on 23 August 2011, together with the paper "Musei Domani - Lo spettro della memoria" - posted as well here on SlideShare.
Focus of this presentation (and of the related document) is: what are we going to do with our fading (digital) documentation of museums' (or libraries', or archives') collections?
Curio is a mobile app designed in partnership with Art Processors, the creative team behind MONA’s ‘O’ and launched in April 2013 at the State Library of NSW. Curio uses a unique indoor location technology which is incredibly accurate and the app is easy to install for both iOS and Android devices. The innovative mobile interface knows where you are inside the State Library and intuitively delivers interesting facts, surprising stories and multimedia about the objects and architectural features around you. The mobile experience goes far beyond the traditional audio guide, streaming informative content without disturbing the heritage building. It offers an interactive experience that allows visitors to rate objects on site. They can then play back their visit at home and share their favourite objects on Facebook and Twitter.
Megan Perry is the Manager of Learning Services at the State Library of NSW. She has managed the roll out of a range of K-12 learning programs using new technologies to engage learners onsite, online and on tour. Programs include video conferences across the state and internationally, the use of iPads in learning programs, and learning app development. Megan is currently managing the development of web-based learning resources for the NSW History and English syllabuses for the Australian Curriculum. Megan is a member of the National and State Libraries Australasia Literacy and Learning Project Group.
Louise Prichard has recently taken up the position of Project Manager, Web and Online System Integration, Digital Excellence Program. In her previous role of Web Coordinator, she coordinated work across the State Library website and recently project managed the Library’s new Curio app, launched in April this year. She is also a member of the National and State Libraries Australasia Community-Created Content Group which organised the Library Hack competition and Mash-up at the Mitchell.
CAA2014 Community Archaeology and Technology: Community archaeology and geoph...Nicole Beale
Kris Lockyear and Ellen Shlasko
Paper presented at Computer Applications in Archaeology Conference 2014, 22nd - 25th April 2014, Université Paris 1 Panthéon-Sorbonne, Paris as part of Session 12: Community Archaeology and Technology. Session organisers: Nicole Beale and Eleonora Gandolfi. Session blog: http://blog.soton.ac.uk/comarch/
Call for papers, project on the "Continuous Page: Scrolls and Scrolling from ...Encyclopaedia Iranica
Participants are sought to take part in a collaborative investigation into the intriguing format of the scroll and the act of scrolling across different cultures and periods, considering both the timeless material object and its infinite conceptual space. Participants are sought from any field or discipline, and are likely to be academics (at all stages of their careers), museum professionals, or practicing artists.
Sound of the Archives presented at the SLIS/SOIS Research Forum on April 27th. In these slides, we have our mission, vision, completed podcasts, goals, and benefits of doing the podcast.
Writer and commentator Adam Gopnik has described the mindful museum as a place that is primarily about the objects it contains while also recognizing that it should not seek to explain what cannot be explained. “And that means simply that wall labels and explanatory text of all kinds should be as modest and invisible as conceivable,” he said in the first annual Eva Holtby Lecture on Contemporary Culture at Toronto’s Royal Ontario Museum just months before the ROM opened its Michael Lee-Chin Crystal addition in June 2007. How should museums interpret Gopnik’s view in today’s world of flat screens and wireless networks and one where most museum and gallery visitors can receive instant information via their cell phones, Blackberrys and iPods. And where does that leave the ROM as it grapples with technology solutions for providing context and interpretation in its powerful new gallery spaces? Created by Brian Porter for the 2008 Technology in the Arts: Canada Conference.
Paper Writing Service - HelpWriting.net 👈
✅ Quality
You get an original and high-quality paper based on extensive research. The completed work will be correctly formatted, referenced and tailored to your level of study.
✅ Confidentiality
We value your privacy. We do not disclose your personal information to any third party without your consent. Your payment data is also safely handled as you process the payment through a secured and verified payment processor.
✅ Originality
Every single order we deliver is written from scratch according to your instructions. We have zero tolerance for plagiarism, so all completed papers are unique and checked for plagiarism using a leading plagiarism detector.
✅ On-time delivery
We strive to deliver quality custom written papers before the deadline. That's why you don't have to worry about missing the deadline for submitting your assignment.
✅ Free revisions
You can ask to revise your paper as many times as you need until you're completely satisfied with the result. Provide notes about what needs to be changed, and we'll change it right away.
✅ 24/7 Support
From answering simple questions to solving any possible issues, we're always here to help you in chat and on the phone. We've got you covered at any time, day or night.
Understanding Canadian History Essay
Understanding Canadian History
Art history contributes to our understanding of Canada s history. Urban history, art history, and material history documented events as they unfurled.
Demographic concentration, architecture, economics, and cultural aspects are well documented in the above disciplines of history.
Art itself is about people and their expressions of hope and meaning. Their impressions and thoughts are transported to their respective canvases. For the most part, these forms of history are less biassed and they tell the story as it actually was. A tour of the National Gallery showed that art comes in many forms: landscape paintings, portraiture, carvings, sculptures, metal work, among others. Viewing the...show more content...These materials show a progress or evolution of a nation. The various possessions found in a young
Canada showed a very diverse country. Early Canada lacked the resources or the tradesmen to produce materials for everyday use, such as furniture, precious metals, cutlery, dolls, and other personal items. That is why many of the items found in Canada are of European origin. It wasn t until years later that many trades were developed to self sustain early settlers. For example, early glass objects were crude in form and function. With advances in technology, came clearer glass objects that could be mass produced. Significant advancements in technology can be noted in most all other materials also.
One could also see development and history though architecture. Although we walk down the streets of Ottawa going about daily business, most of us are usually unaware of our historical surroundings. The old
The original version of this presentation has been presented in Italian at the ArtFilmFestival 2011 in Asolo (Italy), on 23 August 2011, together with the paper "Musei Domani - Lo spettro della memoria" - posted as well here on SlideShare.
Focus of this presentation (and of the related document) is: what are we going to do with our fading (digital) documentation of museums' (or libraries', or archives') collections?
Excavation of Tarradale - Alternative Public Archaeology ProjectZacharyBrown94
This presentation provides an overview of the "Tarradale Through Time" Archaeological Project being conducted on the Tarradale Plane in the Highlands of Scotland. Information includes the background of the project, the project team, the theories and methods utilized, the artifacts found at the shell midden excavation site in the Summer of 2017, and the critical issues of contemporary archaeology.
Presented as part of this pre-conference workshop.
Digital Humanities Is What You Do With It: Going Beyond Digitization In Special Collections, Rare Books and Manuscripts Section Annual Meeting. Coral Gables, FL. June 21, 2016.
When museums and volunteer-run cultural heritage organizations close, how can academic research libraries support their valuable collection and community stewardship processes? This roundtable discusses the challenges to library conventions and subsequent adoption of museum practices encountered in the case of one museum-library merger. We invited audience members to question and brainstorm along with us about what it means to create a national model of museum-library mergers and advance national dialogues on the subject.
Many libraries are acquiring much more than an individual’s papers. They are also acquiring community-based collections. Community-based collections are those which have been amassed not by one individual but by a collective, which may take the form of a museum, ethnic or cultural organization, or other diaspora group active in the documentation of its past. Often these collections are emotional collections, in that they speak to the community’s heritage and identity. As such, these broad archives are extremely personal to those who collected and, sometimes created, the materials. When libraries work with community based collections, they navigate new territory In working with community-based collections, libraries are navigating new territory in integrating and stewarding these communities as well as more traditionally caring for the physical collection. An ongoing commitment to community engagement, with some level of shared governance or other collaborative activity to build, process, or publicize the collection, is often a key part of acquiring community-based collections.
This training was offered to Smathers Libaries staff as an introduction to the process for conceptualizing and executing exhibits using library collections materials. Topics include the differences between exhibits and displays, the qualities of a successful exhibit, audience engagement, effective label copy, and evaluation processes.
Multigenerational Volunteers: Using Technology to Engage a Diverse DemographicJessica Belcoure Marcetti
Museums commonly employ diverse groups of local volunteers and match them, based on their interests and skills to specific tasks and projects throughout the institution. But can we engage volunteers of varying ages, skills, and geographic locations with the same project? Yes! Using technology, tailored training sessions, and some creativity, it’s possible for retirees and university students to collaborate on the same collections-based project while meeting the individual needs of our volunteers and our collection.
This paper will use a case study of the city of Detroit to examine the relevance of shifting population demographics to museums’ community engagement. In recent years, Detroit has endured substantial changes in its population and, consequently, its culture and identity as a city. The implications of such demographic shifts will be discussed in the context of participatory museum programs, such as DIA Inside|Out, and the ways in which Detroit museums are attempting to understand and engage an ever-evolving audience. The importance of local ethnographies and addressing the unique needs of metamorphosing populations will play a vital role in this discussion.
The Art Pastor's Guide to Sabbath | Steve ThomasonSteve Thomason
What is the purpose of the Sabbath Law in the Torah. It is interesting to compare how the context of the law shifts from Exodus to Deuteronomy. Who gets to rest, and why?
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
We all have good and bad thoughts from time to time and situation to situation. We are bombarded daily with spiraling thoughts(both negative and positive) creating all-consuming feel , making us difficult to manage with associated suffering. Good thoughts are like our Mob Signal (Positive thought) amidst noise(negative thought) in the atmosphere. Negative thoughts like noise outweigh positive thoughts. These thoughts often create unwanted confusion, trouble, stress and frustration in our mind as well as chaos in our physical world. Negative thoughts are also known as “distorted thinking”.
This is a presentation by Dada Robert in a Your Skill Boost masterclass organised by the Excellence Foundation for South Sudan (EFSS) on Saturday, the 25th and Sunday, the 26th of May 2024.
He discussed the concept of quality improvement, emphasizing its applicability to various aspects of life, including personal, project, and program improvements. He defined quality as doing the right thing at the right time in the right way to achieve the best possible results and discussed the concept of the "gap" between what we know and what we do, and how this gap represents the areas we need to improve. He explained the scientific approach to quality improvement, which involves systematic performance analysis, testing and learning, and implementing change ideas. He also highlighted the importance of client focus and a team approach to quality improvement.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
Instructions for Submissions thorugh G- Classroom.pptx
Archives as-museum
1. Museum as Archives / Archives as Museum
SFA/SGA Joint Meeting, Savannah, Georgia, October 2016
The Panama Canal Museum Collection at the University of Florida
2. “The Path Between the Seas”
The Panama Canal is a shipping lane, connecting the
Atlantic and Pacific Oceans.
4. Early Days in the Canal Zone
Housing was available for men only. The rough work
and housing conditions meant high turnover rates.
5. The Zone became like any American town, with families, businesses,
schools, churches, & social groups, stabilizing the workforce.
Making a Life in the Canal Zone
6. Transferring Control to Panama
1979 – 1999 Transitional Period
December 31, 1999 Transfer Ceremony
23. Averaged Processing
type average processing times
(minutes per item)
average minimal processing (categorized) 8.07
average full processing (categorized) 21.93
average of all processing (categorized) 19.05
24. Averaged Processing
type average processing times
(minutes per item)
average minimal processing (categorized) 8.07
average full processing (categorized) 21.93
average of all processing (categorized) 19.05
overall average (all data) 19.40
25. Thanks.
all data can be found online
@ stevenduckworth.com/blog
Illinois State Archaeological Survey
Maritime Research Center (National Park Service)
Mooresville (NC) Public Library
National September 11 Memorial & Museum
The Ohio State University
Orange County (CA) Archives
University of Florida