Art-Label FXXXi̶s̶m̶ Toshain / Ceeh (Vienna-Sofia-St. Petersburg). The collective operates under multiple brand names that change continually according to the concepts and issues they focus on (including, among others, FUCKi̶s̶m̶TC, FEMINi̶s̶m̶TC, FXXXi̶s̶m̶TC, XXXXXi̶s̶m̶TC, SUCKi̶s̶m̶TC).

1. Anna Ceeh was born 1974 in
Leningrad (USSR), now St.
Petersburg (Russia).
Since 1998 – lives and works
in Vienna, St.Petersburg,
Minsk.
2001-2006 (graduation M.A.)
– Art studies at the
Akademie der bildenden
Künste, Vienna (Expanded
Pictorial Space with Prof.
Franz Graf, photography
with Prof. Matthias
Herrmann)
Current doctoral studies at
Institute for Art Theory and
Cultural Studies with D.
Diederichsen (Theory,
Practice and
Communication of
Contemporary Arts) at the
Academie of Fine Arts,
Vienna/ AT

2. Visual and photographic
artist, female activist,
initiator and organizer of
media and sound art
festivals in CEE-countries,
electronic music label
operator.
Main areas of work:
• Photography, video,
glitch art, arts based
research (sonic studies,
cultural and technological
transfers and gender
politics related topics),
and artistic activism
• Since 2001 completed a
number of exhibitions in
Austria, Iceland, Norway,
Finland, USA, Russia,
Ukraine, Swiss, Bulgaria,
Sweden, Japan etc.

3. • Since 2003 is head of Eastern Europe department of
electronic label and sonic research platform Laton.
She is co-founder (with Franz Pomassl) of the sonic
research project ⁄S⁄O⁄N⁄I⁄C⁄ ⁄Z⁄O⁄N⁄E⁄S⁄ incl. ZONE Club
(former RUS KLUB) series at Vienna Secession (2003-
2012) and RADIUS Festival for advanced electronic
music and related visual art from Post Soviet
Countries at CAT MAK, Vienna. Coordination and
implementation of presentations in Post Soviet area
incl. Arctic/ Russia (2005), Central Siberia (2006), Far
East Russia (2006-2007), Caucasus (Armenia,
Azerbaijan (2009), Kamchatka (2008), Belarus (2009),
Ukraine (2005-2009), Baltic States (2004-2009),
Central Asia (Kazakhstan, 2007) etc.
(Honorary Mention Digital Musics & Sound Art, Ars
Electronica 2011)
• Since 2003 is planning, development, organisation,
execution and implementation of projects, events and
festivals in Austria (Kontra. Com 2006), Belarus (In
Touch, 2009), Slovakia (Minimax 2005), ZONE (2008-
2012, Secession, Vienna)

4. Since 2012 she has been the
co/founder of the Art-Label
FXXXi̶s̶m̶ Toshain / Ceeh
(Vienna-Sofia-St.
Petersburg).
The collective operates
under multiple brand names
that change continually
according to the concepts
and issues they focus on
(including, among others,
FUCKi̶s̶m̶TC, FEMINi̶s̶m̶TC,
FXXXi̶s̶m̶TC, XXXXXi̶s̶m̶TC,
SUCKi̶s̶m̶TC).

5. FEMINi̶s̶m̶TC champions the semantic
potential of art as a means of a
condensed communication and device
that compresses, stores, and
disseminates information, referring
beyond mere representation of images.
Tailored to venues and spaces, the
interventions of FXXXi̶s̶m̶TC made prêt-
à-porter merchandising articles and
installations show an aesthetics that
draws on clear, reduced stylistic devices,
the post-capitalist advertising methods
of the spectacle as well as the artistic-
political tactics of subversive
affirmation.
If contemporary art at its most vital
occupies the cultural borders where
change takes place and it is one vehicle,
by which cultural values and practice are
transformed, then our Art-Label
XXXXXi̶s̶m̶TC operates on exactly this
cultural border.

6. Since 2015 worldwide editor
of the Filet Magazine
(Belarus) on the cutting
edge of contemporary art
incl. sound art, artistic
activism, and politics. She is
responsible for European
and international activities,
including interviews with
artists (i.a Kendell Geers,
Anetta Mona Chisa and
Lucia Tkacova), film makers
(i.a. S.Loznitsa/UA),
musicians, sound artists,
and political art projects
(KREV- The Kingdoms of
Elgaland-Vargaland -
upcoming) etc., and
international music and
contemporary arts scenes
overview.

7. FILET is the upfront Belarusian
magazine about music, cinema,
erotic, fashion, and art