Alex Haw Lecture - 110516 - Royal Institute Of British Achitecture - Connecting the World

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The document discusses two famous English paintings from the 18th and 19th centuries that depict clouds and weather. John Constable's 1822 work "Cloud Study" shows billowing clouds in the sky. Joseph Mallord William Turner's 1844 painting "Rain, Steam and Speed" depicts a train passing through a rainy landscape. The document also includes concepts for inflatable cloud-like structures that could be inhabited, generate energy, or provide pedestrian walkways suspended above the ground. It suggests that projects involving clouds could engage many members of the public.

“When two Englishmen meet, they first talk about weather”
Samuel Johnson, British lexicographer and literary critic, The Idler, 1758

John Constable

Cloud Study
1822
Oil on paper laid on board
12 x 19 1/4 in (30.5 x 49 cm)
Courtauld Institute Galleries, London

Joseph Mallord William Turner

Rain, Steam and Speed
c. 1844
Oil on canvas
35 3/4 x 48 in. (90.8 x 121.9 cm)
National Gallery, London

Hot air
Inflated sphere

Photovoltaic sphere

Inhabitable sphere
Pedestrian membrane

Alex Haw Lecture - 110516 - Royal Institute Of British Achitecture - Connecting the World

This document discusses various artworks related to clouds and atmospheres, including John Constable's 1822 painting "Cloud Study" and Joseph Mallord William Turner's 1844 painting "Rain, Steam and Speed". It also lists various cloud-related art installations and events hosted by Atmos Studio, including "Sensualscaping", "Floating Forest", and installations involving light such as "Lumiskin" and "Lightfall".

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Auto Atmospheres and Artificial Ecologies: A lecture given at the ISEA Dortmund by Alex Haw about installations or pieces that generate different atmospheres and experiences once applied to the human body. The lecture continues to talk about how the projects at atmos studio challenge the experiences provided every day atmospheres. More can be seen at the link below: http://www.isea2010ruhr.org/files/redaktion/pdf/isea2010_proceedings_p24_haw.pdf

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This document appears to be a presentation on cloud architecture and manufacturing. It includes sections on cloud studies in art, the history of construction from pyramids to modern stadiums, concepts for inflatable and inhabitable cloud structures, and a call for public participation in "cloudraising" projects through contributing pixels/pounds to a cloud structure design. The overall message seems to be presenting a vision for lifting humanity through collaborative cloud-based architecture that harnesses the power of the sky.

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This document contains notes from Alex Haw of Atmos Studio about various lighting installation and design projects. It includes project names like SeeCTV, Lighthive, Lightfall, and Sunlands. It also mentions concepts for future projects like Worldscape, Global Feast, Woven Nest, and Sensualscaping. The document provides brief descriptions and notes for different lighting designs and installations.

The document describes a proposed design for a large inflatable cloud-like structure that could be lifted into the sky. It would use a series of interconnected spheres filled with hot air and lined with photovoltaic cells. Walkways would connect the spheres, allowing people to inhabit and traverse the structure. The cloud aims to lift humanity through collaboration on a shared engineering challenge.

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Romanticism

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The document features artworks from the Romantic era in Europe between the late 18th and mid-19th centuries. It discusses key characteristics of Romanticism like an emphasis on emotion, nature, and the irrational. Major Romantic artists featured include Goya, Delacroix, Friedrich, Turner, and Gericault. The document also covers developments in architecture like Gothic Revival and styles influenced by other cultures. Early photography pioneers like Daguerre and Cameron are highlighted.

English art

osztiegabi

This document discusses the English Romantic landscape painters John Constable and J.M.W. Turner. It provides biographical details about each artist, including that Constable was known for depicting ordinary daily life and rural scenes from Dedham Vale, while Turner was nicknamed "the painter of light" and was fascinated by shipwrecks, fires, and the power of the sea in his works. The document also summarizes each artist's techniques, with Constable doing full-scale preliminary sketches directly from nature and Turner using transparent oils and watercolor techniques to depict light, skies, and fires.

Romanticism

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222 final review w15

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This document provides descriptions of various artworks from different periods including Baroque, Rococo, Neo-Classicism, Romanticism, Impressionism, Cubism, Futurism, Surrealism, Abstract Expressionism, Pop Art, and Postmodern art. It includes brief information about the artist, title, date, and movement for each work. The artworks span from the 17th century up to the late 20th century and feature both paintings and sculptures from artists such as Thomas Smith, John Singleton Copley, Jean-Honore Fragonard, William Hogarth, Benjamin West, Jacques-Louis David, John Constable, Claude Monet, Vincent van Gogh, Pablo Picasso, Umber

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Art Nouveau was a style popular around the turn of the 20th century characterized by organic, floral motifs and highly stylized curvilinear forms that bridged Neoclassicism and modernism. Key figures included Alphonse Mucha and Gustav Klimt. Art Deco emerged in the 1920s-1930s as an eclectic form influenced by sources like African art, machine technology, and architecture like skyscrapers. Piet Mondrian's abstract geometric style sought to eliminate representations of nature. The Bauhaus and De Stijl movements similarly aimed to integrate art and design with modern life and technology through clean, simplified forms.

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Industrialization in 19th century London led to overcrowded, unsanitary living conditions that exacerbated public health issues like cholera. Children from poor families often worked in factories while wives managed domestic life. Reformers responded in various ways, like utopian socialists who envisioned ideal communities with collective production. Literary realism emerged to examine life scientifically and address social issues raised by industrialization, as seen in works by Dickens, Balzac, and slave narratives. Photographers also contributed to realism by making personalized pictures available to broader segments of society. Darwin's Origin of Species applied an objective, observational approach to propose natural selection and evolution, though his conclusions were controversial.

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The document provides an introduction to modernism, discussing how various late 19th and early 20th century developments influenced art and society. It notes how the Industrial Revolution, Darwinism, Marxism, and social/political changes altered ideas about art. The rise of modernism saw artists reject past traditions and express new interpretations of the world. Photography became an appealing medium as it associated with technology and modern life. Artists explored dreams, symbolism, and personal experiences to depict subjective realities.

Chapter12romanticism

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Romanticism emerged in the late 18th century as a reaction against the ideals of the Enlightenment and Industrial Revolution. It valued emotion, nature, and the individual. Key figures included the English poets William Wordsworth and Lord Byron, the painters J.M.W. Turner and Caspar David Friedrich who depicted nature romantically, and composers such as Beethoven, Berlioz, and Wagner who incorporated programmatic elements into their music. The movement also saw a rise in nationalism across Europe and expressions of political liberty.

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Romanticism and Realism in European and American art from 1800 to 1870 saw the rise of Romanticism as an artistic style focusing on emotion, nature, and the irrational. It contrasted with earlier Neoclassicism. Realism emerged in the mid-19th century focusing on contemporary social themes and lives of the working classes in a realistic style. Major artists included Goya, Delacroix, Courbet, Manet, and Eakins. Landscape painting flourished. Photography was invented in this period, documenting society in a new realistic medium. Architecture revived historical styles like Gothic. The Pre-Raphaelites focused on medieval themes.

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The document provides an overview of major artistic movements in Europe and America between 1900-1945. It discusses the evolution of modernism through Fauvism, German Expressionism, Cubism, Futurism, Dada and Surrealism in Europe. In America, it covers the impact of the 1913 Armory Show, various styles in the early 20th century, art of the Depression era depicting social issues, and Regionalism. Key artists and works from the period are also mentioned.

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The document summarizes several early 20th century art movements that emerged in Europe before and after World War 1, including Futurism, Cubism, Constructivism, Orphism, Vorticism, and Rayonism. It provides examples of key artists and works for each movement, describing their shared interests in modern technology, urban environments, and new artistic techniques and materials. These avant-garde movements celebrated industrialization and sought new forms of non-representational abstract art suited to modern times.

discovery of electrons

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The document discusses the discovery and early study of electrons. Cathode rays were first observed in vacuum tubes in the 1850s and were studied by scientists like Hittorf, Crookes, and Goldstein. J.J. Thomson identified cathode rays as particles called "electrons" in 1897 based on experiments showing their small size and high charge to mass ratio. Rutherford later disproved Thomson's "plum pudding" atomic model using alpha particle scattering experiments. This led to Bohr's model of electrons orbiting the nucleus. Discovery of X-rays by Röntgen using a Crookes tube further demonstrated applications of electron beams.

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The document lists and provides brief descriptions of 26 artworks and architectural works created between 1793 and 1868. The works span various mediums including oil paintings, etchings, lithographs, sculptures and architectural structures. The works are attributed to prominent European artists and architects such as Jacques-Louis David, Jean-Antoine Houdon, Antonio Canova, John Constable, Joseph Mallord William Turner, Francisco Goya and others. Locations of the works include museums and buildings in cities like Paris, London, Rome, Brussels and Brighton.

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1. The document discusses several major art movements between the late 18th and 19th centuries, including Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, and Symbolism. It provides examples of key works of art from each movement. 2. Major artists mentioned include Jacques-Louis David, Francisco Goya, J.M.W. Turner, Thomas Cole, Robert S. Duncanson, Eugène Delacroix, Gustave Courbet, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Mary Cassatt, Auguste Rodin, Georges Seurat, Paul Céz

Constable e Turner

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This document provides information on 27 landscape paintings and drawings from the 18th and 19th centuries by artists such as Constable, Friedrich, Lorrain, and Corot. It includes the title, artist name, date created, medium, dimensions and current location for each work. The works depict a variety of landscapes including rural countryside, gardens, coastal scenes and mountainous terrain. The document serves as a reference for important landscape works held in collections around the world.

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Alex Haw Lecture - 110516 - Royal Institute Of British Achitecture - Connecting the World

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308. “When two Englishmen meet, they first talk about weather” Samuel Johnson, British lexicographer and literary critic, The Idler, 1758

309. John Constable Cloud Study 1822 Oil on paper laid on board 12 x 19 1/4 in (30.5 x 49 cm) Courtauld Institute Galleries, London

310. Joseph Mallord William Turner Rain, Steam and Speed c. 1844 Oil on canvas 35 3/4 x 48 in. (90.8 x 121.9 cm) National Gallery, London

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316. Hot air Inflated sphere Photovoltaic sphere Inhabitable sphere Pedestrian membrane

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336. Cloudraising – everyone has a stake

Alex Haw Lecture - 110516 - Royal Institute Of British Achitecture - Connecting the World

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