1. “IDENTITY”
THE AMENDED SCRIPT- EXTRA SCENES
By
Allure Animations
Directed By
Ellie Morphew
Chloe Hammond
Olivia Gascoine

2. 2
THE HUSBAND (RYAN)
THE INVESTIGATOR (ALEX)
SHOT (1) - SHOT TYPE- OVER THE SHOULDER SHOT
OF ALEX REVEALING RYAN
SUB SHOT OF RYAN LOOKING WORRIED TAPPING FINGERS, SIGHING
ETC
Dialogue- I woke up and she was gone. Just
gone. You’ve got to find my wife… You need
to find out where she’s gone, track her down
do what you ever you have to do just find
her, please.
SHOT (2) - SHOT TYPE- VOICEOVER SHOT, ALEX
Dialogue- On the night prior to you discovering your wife
was missing was she acting strangely or out of character at
all. Think back Mr. Miller about the events of that day and
how your wife was behaving.
SHOT (3) - SHOT TYPE- SHOT REVERSE SHOT
Dialogue- No, no nothing! She was fine and I thought we
were happy. I don’t know would she do this to me?
SHOT (4) - SHOT TYPE- EXTREME CLOSE UP OF ALEX’S
LIPS. THEN MID SHOT OF ALEX
Dialogue- I need you to be entirely honest and open for me
to be able to carry out my standard investigation protocols
and to increase the chances of me being able to track down
your wife and ensure she is safe. (SHORT PAUSE) How long
have you and Mrs Miller been married?
SHOT (5) - SHOT TYPE-SHOT REVERSE SHOT TO RYAN
Dialogue- 4 years. 4 happily married years.
I’ve known Mia since we were teens, we did
everything together we were happy. Although…
SHOT (6) - SHOT TYPE- SHOT REVERSE SHOT BACK TO
ALEX
Dialogue- Although what?

3. 3
SHOT (7) - SHOT TYPE-CLOSE UP FOCUS ON RYANS HANDS
Dialogue- She has seemed distant lately
SHOT(8) - SHOT TYPE- CALM UP OF ALEX’S CALM HANDS
Dialogue- Distant how exactly?
SHOT (9) - SHOT TYPE- SIGHS BEGINS TO GET ANGRY-
WIDE SHOT SHOWING ALEX’S SILHOUETTE RYAN WALKING
AROUND. THEN CUT TO EXTREME CLOSE UP OF HIS FACE
Dialogue- I don’t know. Uh, she’s just not
been herself recently, coming home from work
slightly later than usual, not always eating
dinner with me and I’ve caught her a few
times making phone calls discretely but I’ve
always just shrugged it off. Look, I didn’t
think it was anything to worry about.
(PAUSE) Until now.
SHOT (10) - SHOT TYPE- CLOSE UP OF ALEX FACE
Dialogue- Okay. (SHORT PAUSE) (SHOT SHOWS
HIM THINKING TAKING IN THE EVIDENCE) So did
you ever argue or disagree on anything in
the last few weeks of your wife being at
home. I need you to think back, think back
to the last few days, weeks or even months
with your wife.
SHOT (11) - SHOT TYPE- LOW ANGLE SHOT OF TABLE AND
BOYS
Dialogue- we did have one argument. I was
just so angry at her… (Continue with script
between poppy and Ryan)
SHOT (12) - SHOT TYPE- LOW ANGLE SHOT OF TABLE AND
BOYS
Dialogue- Mr. Miller I have collected
together the documents I have been able to
access including some bank statements,

4. 4
places she has been seen in and other
documents suggesting her whereabouts.
SHOT (13) - SHOT TYPE- MID SHOT. CLOSE UP OF
DOCUMENTS OUT OF MAC CASE. ALEX PLACES DOCS ON
TABLE. AERIAL ANGLE. (BOOM SOUND EFFECT) PLACES
EXHIBIT ON THE TABLE CLOSE UP STRIAGHT SHOT.
CLOSE UP OF ALEX’S EYES AND TALKING FIRST SENTENCE
Dialogue- from exhibit one I was able to
find some significant evidence in locating
Mrs Miller.
SHOT (13) - SHOT REVERSE SHOT OVER RYAN’S SHOULDER
She was caught on several CCTV footage
series in Central London on the 11th of
January. (READS OUT TO RYAN) First bank
statement; 11 hundred hours transaction for
one single room to The Mayfair hotel on
Stratton Street.
SHOT (13) - CLOSE UP OF ALEX’S FINGERS RUNNING DOWN
BANK STATEMENT
13th January 17 hundred hours £275 payment to
Selfridges located on Oxford Street. (STATE VARYING
PAYMENTS TO HOTELS AND SHOPS THEN MUMOUR IN EDITING
CUTTING TO SHOT OF RYAN AND PAN SHOT ROUND HIS
HEAD)
SHOT (13) - AERIAL ANGLE
Exhibit 2
SHOT (13) - OVER THE SHOULDER SHOT OF RYAN
This last detail may be quite shocking for you.
Your wife transacted £10,000 through to an
individual’s account. The receiver of the money was
initially an unidentifiable identity however we
have discovered the payment went into an
individual’s name under the name of Ms Mia Bramley.

5. 5
SHOT (14) - SHOT TYPE- SHOT REVERSE SHOT OVER THE
SHOULDER
Dialogue- (INTERUPTS) Bramely? Mia
Bramley. Who is this woman? Why has
she taken my money?
SHOT (15) - SHOT TYPE- CLOSE UP OF ALEX’S HAND
Dialogue- Wait. Let me finish.
SHOT (15) - SHOT TYPE- AERIAL ANGLE OF EXHBIT 4
Exhibit 4
SHOT (15) - SHOT TYPE- MID SHOT OF ALEX
on the 23rd January 13 hundred hours a further
£13,000 pounds was taken from your bank account and
transacted directly to Ms Mia Bramleys account.
These funds were then almost immediately drawn out
at an ATM machine on Bond Street in West London. I
know this is a lot to take in but I’ve managed to
retrieve some CCTV footage of Ms. Bramely drawing
out the money. However I am yet to identify her
record on our databases. It seems her identity is
somewhat being concealed. Look at this image, do
you recognize this woman?
SHOT (16) - SHOT TYPE- SHOT OF ALEX OPENING MAC
SCREEN. SHOT REVERSE SHOT OF A MAC SCREEN OPENING
FROM BEHIND AND FRONT. RYANS VOICEOVER
Dialogue- I don’t know any of
Blake’s friends, or distant
relatives. I won’t be able to tell
you who it is or if it’s a complete
stranger. I won’t be able to... WAIT
that’s Blake? That’s my wife I know
it is.

6. 6
SHOT (17) - SHOT TYPE- POINT OF VIEW OF POWERPOINT
SCREEN.
Dialogue- What this exhibit shows is that your wife
in question Mrs. Miller seems to be impersonating a
false identity and has fraudulently assumed by the
name of Ms Bramley thus carrying out identity
theft. Mr. Miller, this is a very serious crime and
could account to your wife being prosecuted and
sent to jail.
SHOT (18) - SHOT TYPE- CLOSE UP OF RYANS FACE.
CAMERA PANS TO SHOW HIM WALKING OUT
Dialogue- Fraudulent? Identity? What
Why. And my money… all of my money
(hands into head) She’s betrayed me.
(RYAN STORM OUT)