This document provides information on Ukiyo-e art terms and artists. It discusses key concepts like Edo, Tokugawa periods in Japan as well as art forms like haiku, tanzaku-ban, hanga, uki-e and Ukiyo-e. It also lists print sizes like naga-oban and oban as well as printing techniques like sumizuri-e and sumizuri-hissai. The document prompts the reader to connect their English script with Ukiyo-e art by choosing backgrounds, using Eastern and Western elements, and discussing the influence of Eastern art on Western contemporary art.
There are 8 secrets to wealth and once you recognize what adjustments you need to make, then wealth creation and revenue generation come much more easily to employees and entrepreneurs alike.
Artist Biography and Creative Philosophy of Makoto HatoriMakoto Hatori
Makoto Hatori learned about Japanese ceramics, including designs that were created without human intervention and the natural glazing process, while working as an apprentice under a master potter of traditional ceramics in 1968 and 1974. Since then, he has continuously strived to recognize the coexistence of subjects and objects and follow the natural flow of things at every opportunity. His approach explores the relationship between nature and human beings, and his works are founded on a professional ethic and aesthetic that place value on spirituality and contemplate a shared identity with nature. Hatori's philosophy is rooted in the expressive value of the body itself, which is remembered and in motion. His approach is influenced by Japanese traditional ceramics discourse, particularly the concept of "kata" or form. He views the "work" as a "material" a "ready-made product," transformed through a change in perspective, and embraces the unknown effects that can result from this approach. Ultimately, Hatori's approach illuminates the possibilities of spurring diverse perspectives.
WORKS OF HISTORICAL GENRE OF FINE ARTS IN THE CULTURE OF UZBEKISTAN (The seco...Behzod Behruz
The monograph explores the works of the historical genre of fine art in the culture of
Uzbekistan (The second half of XX –the beginning of XXI centuries). The works are given
an interdisciplinary study from the point of view of cultural studies, history, philosophy and art history. The book is designed for a wide range of readers interested in art.
Exploring the 'Floating World'_ Understanding Edo Period Japan (1).pptxAakashChavda4
This presentation offers a concise look at Japan during the Edo period, focusing on its vibrant entertainment district and cultural dynamics. It covers art, literature, theater, and daily life, highlighting the emergence of ukiyo-e prints and societal influences.
Supporting Academic Research on Sex and Sexuality Across Cultures and Discipl...Shirin Eshghi
Abstract:
Japanese literary works that feature sexual content have been a major focus of academic scholarship in recent decades.The ability to support this research often proves problematic. Information on sexual material is often missing from the collections and services mandate of source countries. Publications are often hard to identify even when vendors are willing to supply them. Without a tradition of collecting and classifying such material within Japan, we are left to rely on a Western framework of handling and housing the works. This presentation, considers the challenges associated with building and managing erotic collections across languages and disciplines.
There are 8 secrets to wealth and once you recognize what adjustments you need to make, then wealth creation and revenue generation come much more easily to employees and entrepreneurs alike.
Artist Biography and Creative Philosophy of Makoto HatoriMakoto Hatori
Makoto Hatori learned about Japanese ceramics, including designs that were created without human intervention and the natural glazing process, while working as an apprentice under a master potter of traditional ceramics in 1968 and 1974. Since then, he has continuously strived to recognize the coexistence of subjects and objects and follow the natural flow of things at every opportunity. His approach explores the relationship between nature and human beings, and his works are founded on a professional ethic and aesthetic that place value on spirituality and contemplate a shared identity with nature. Hatori's philosophy is rooted in the expressive value of the body itself, which is remembered and in motion. His approach is influenced by Japanese traditional ceramics discourse, particularly the concept of "kata" or form. He views the "work" as a "material" a "ready-made product," transformed through a change in perspective, and embraces the unknown effects that can result from this approach. Ultimately, Hatori's approach illuminates the possibilities of spurring diverse perspectives.
WORKS OF HISTORICAL GENRE OF FINE ARTS IN THE CULTURE OF UZBEKISTAN (The seco...Behzod Behruz
The monograph explores the works of the historical genre of fine art in the culture of
Uzbekistan (The second half of XX –the beginning of XXI centuries). The works are given
an interdisciplinary study from the point of view of cultural studies, history, philosophy and art history. The book is designed for a wide range of readers interested in art.
Exploring the 'Floating World'_ Understanding Edo Period Japan (1).pptxAakashChavda4
This presentation offers a concise look at Japan during the Edo period, focusing on its vibrant entertainment district and cultural dynamics. It covers art, literature, theater, and daily life, highlighting the emergence of ukiyo-e prints and societal influences.
Supporting Academic Research on Sex and Sexuality Across Cultures and Discipl...Shirin Eshghi
Abstract:
Japanese literary works that feature sexual content have been a major focus of academic scholarship in recent decades.The ability to support this research often proves problematic. Information on sexual material is often missing from the collections and services mandate of source countries. Publications are often hard to identify even when vendors are willing to supply them. Without a tradition of collecting and classifying such material within Japan, we are left to rely on a Western framework of handling and housing the works. This presentation, considers the challenges associated with building and managing erotic collections across languages and disciplines.
3. CT D2 Indicates aesthetic relationships between Eastern and Western art, in former and contemporary contexts to provide evidence on the
incidence one has on the other.
ART DISCOVERY JOURNAL
EXPLAIN THE ARTISTIC CHOICES MADE:
CONNECTION WITH YOUR ENGLISH SCRIPT
THE PLACES YOU ARE DRAWING AND WHY?
THE EASTER AND WESTERN ELEMENTS USED (USE THE SPECIFIC VOCABULARY)
THE INCIDENCE OF EASTERN FORMER ART IN WESTERN CONTEMPORARY ART AND IN YOUR OWN WORK
