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‫ﻫــﻲ ﺍﻷﻧﺜـﻰ .. !!‬ ‫ﺸﻌﺭ‬ ‫ﳏﻤﻮﺩ ﻋﺒﺪ ﺍﻟﺼﻤﺪ ﺯﻛﺮﻳﺎ‬ ‫٦٠٠٢ ﻡ‬
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫ﺍﻟﻔﻬﺭﺱ‬ ‫ﻣﺪﺧﻞ ...................................................................................................................................................... ٤‬ ‫هﻲ اﻷﻧﺜﻰ .. .............................................................................................................................................. ٥‬ ‫ﻧﺠﻤﺔ ...................................................................................................................................................... ٨‬ ‫ﻣﺮاﻗﺒﺔ .. .................................................................................................................................................. ٩‬ ‫ﻟﻬﺎ / ﻟﻪ .................................................................................................................................................. ٣١‬ ‫هﺎﻣﺶ ................................................................................................................................................... ٥١‬ ‫هﻲ / هﻮ ................................................................................................................................................ ٦١‬ ‫ﻋﻼﻗﺔ.. .................................................................................................................................................. ٨١‬ ‫ﺑﻬﺎ ﻣﺎ ﺑﻬﺎ .. ............................................................................................................................................ ٩١‬ ‫ﻗﻮس.. .................................................................................................................................................. ١٢‬ ‫إﻧﺎث ..................................................................................................................................................... ٢٢‬ ‫ﻣﻌﺎدﻟﺔ .. ................................................................................................................................................ ١٣‬ ‫زهﺮة اﻟﻤﻠﺢ ِ ............................................................................................................................................ ٢٣‬ ‫ُ‬ ‫ﻗﻄﻊ ...................................................................................................................................................... ٣٣‬ ‫زﻳﺎرة .................................................................................................................................................... ٤٣‬ ‫ﻃﻴﺮ ُ ﻳﺠ ّد رﻳﺸﻪ ...................................................................................................................................... ٥٣‬ ‫َُ‬ ‫ُ ﺪ‬ ‫اﻣﺮأة..................................................................................................................................................... ٧٣‬ ‫اﻣﺮأةٌ أﺧﺮي ........................................................................................................................................... ٩٣‬ ‫أم ......................................................................................................................................................... ٠٤‬ ‫هﻲ ....................................................................................................................................................... ١٤‬ ‫اﻟﻘﺼﻴﺪة .. .............................................................................................................................................. ٢٤‬ ‫ﻓﺘﺎة .. ................................................................................................................................................... ٤٤‬ ‫اﻟﻤﺠﻬﻮﻟﺔ ............................................................................................................................................... ٥٤‬ ‫هﻞ ﻣﻦ ﻣﺰﻳﺪ؟!!........................................................................................................................................ ٨٤‬ ‫هﻜﺬا .. .................................................................................................................................................. ٠٥‬ ‫ﺁﺧﺮ اﻷﻣﺮ .. ............................................................................................................................................ ١٥‬ ‫٣‬
‫ﻤﺩﺨل‬ ‫ﻫﻤﺎ ﺼﻭﺘﺎﻥ ﻤﺎﺌﻴﺎﻥ‬ ‫ﻴﻠﺘﻘﻴﺎﻥ ﻓﻲ ﻁﻘﺱ ٍ ﺠﻨﻭﻨﻲ‬ ‫ﻭﻴﻨﻔﺘﺤﺎﻥ ﻓﻲ ﺤﻠﻡ ٍ ﺒﺩﺍﺌﻲ‬ ‫ﻭﻴﻨﺩﻤﺠﺎﻥ ﻓﻲ ﺒﻴﻀﺔ ْ.‬ ‫ﻭﻤﺠﻬﻭﻻﻥ ﻤﺭﺘﺠﻔﺎﻥ‬ ‫ﻓﻲ ﺠﺴﺩﻴﻥ ﻴﺴﺘﺒﻘﺎﻥ‬ ‫ﻨﺤﻭ ﻏﻭﺍﻴﺔ ﺍﻟﺭﺅﻴﺎ ..‬ ‫ﻓﻜﻴﻑ ﻴﻔﺴﺭ ﺍﻟﻤﺎﺀﺍﻥ ﻋﺎﻁﻔﺔ ً‬ ‫ﺒﻘﺎﻉ ﺍﻟﻘﻠﺏ ؛ ﻜﺎﻟﻘﺩﺍﺱ‬ ‫ﺃﻭ ﻜﻁﻔﻭﻟﺔ ﺍﻟﻤﻌﻨﻲ ؟!!‬ ‫٤‬ ‫اﻟﻔﻬﺮس‬
‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﻭﺃ ‪‬ل ﻟﻔﻅﺔ ٍ ﻓﻲ ﺍﻟﻜﻭﻥ ِ‬ ‫ﻭُ‬ ‫ﻴﺒﻨﻴﻬﺎ ﻀﻤﻴﺭ ﺍﻟﺤﺏ ﻟﻠﻤﺤﺴﻭﺱ‬ ‫‪‬‬ ‫ﻴﻨﻁﻘﻬﺎ ﻟﺴﺎﻥ ﺍﻟﺸﻌﺭ ﻟﻠﻤﺠﻬﻭل ِ‬ ‫‪‬‬ ‫ﻤﺒﺫﻭل ُ ﻟﺤﻀﺭﺘﻬﺎ ﻏﻨﺎﺀ ﺍﻟﺒﺭ ِ ﻭﺍﻟﺒﺤﺭ ِ‬ ‫‪ ‬‬ ‫ُ‬ ‫ﻭﺭﻋﺸﺔ ُ ﺠﻤﺭﺓ ٍ ﻓﻲ ﺍﻟﺜﻠﺞ ِ‬ ‫ﺭﻋﺸﺔ ُ ﺜﻠﺠﺔ ٍ ﻓﻲ ﺍﻟﺠﻤﺭ ِ‬ ‫ﻤﻥ ﻤ ﹼﺎ ﻴﺫﻭﻕ ُ ﺤﻼل ﺤﺎﻤﻀﻬﺎ‬ ‫َ‬ ‫‪ ‬ﻨ‬ ‫ﺴﺘﺸﻌﻠﻪ ؛‬ ‫ﻭﺘﻨﺜﺭﻩ ﻤﻭﺍﻋﻴﺩﺍ ً‬ ‫ﻴﻬﻨﺩﺱ ﻜل ﻓﺎﺼﻠﺔ ٍ ؛ ﺒﻤﻭﻫﺒﺔ ٍ‬ ‫ﻭﻴﺸﻌﻠﻬﺎ ..‬ ‫........................................‬ ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﺭﻋﻭﻨﺘﻬﺎ ؛ ﺍﻨﻔﺠﺎﺭ ﺍﻹﺜﻡ ِ‬ ‫‪‬‬ ‫ﻜل ﺨﻠﻴﺔ ٍ ﺘﻨﻤﻭ ﺒﻼ ﺤ ‪ ٍ ‬؛‬ ‫‪‬ﺏ‬ ‫ُ‬ ‫ﻭﻻ ‪‬ﻠﻡ ٍ ﺴﺘﻐﻭﻴﻨﺎ ؛ ﺘﺤﻁﻤﻨﺎ ..‬ ‫ﺤ‬ ‫ﻭﺘﺘﺭﻙ ﻓﻲ ﺨﻤﺎﺌﻠﻨﺎ‬ ‫ﻓﻀﺎﺀﺍﺕ ٍ ﺒﻼ ﻤﻌﻨﻲ‬ ‫ﻤﺴﺎﻓﺎﺕ ٍ ﻤﻥ ﺍﻟﺠﺩﻭﻯ ؛‬ ‫ﺒﻼ ﺠﺩﻭﻯ ..‬ ‫.................................‬ ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﻜﻼﻡ ﺍﻟﻌﻁﺭ ِ‬ ‫‪‬‬ ‫ﻨﺠﻭﻯ ﺍﻟﻀﻭﺀ ِ‬ ‫ﻏﺎﺒﺎﺕ ُ ُ ؛‬ ‫ﻭﺃﻭﺩﻴﺔ ُ ُ ؛‬ ‫ﻭﺍﻟﺴﻨﺔ ُ ُ ﻤﻥ ﺍﻟﻠﻬﺏ ِ‬ ‫٥‬ ‫اﻟﻔﻬﺮس‬
‫ﺃﻨﺎ ؛ ﻭﺘﺩ ُ ﺒﺨﻴﻤﺘﻬﺎ‬ ‫‪‬‬ ‫ﻭﻗﻨﺩﻴل ُ ُ ﺒﻐﻴﻤﺘﻬﺎ ...‬ ‫ﻋﻠﻲ ﻤﻬل ٍ ﺘﺸﺩ ﺩﻤﻲ‬ ‫ﻭﺘﺯﺠﺭﻨﻲ ﻋﻠﻲ ﻤﻬل ٍ‬ ‫ﻭﺘﺄﻤﺭﻨﻲ :‬ ‫ﻋﻨﻴﻔﺎ ﹸﺽ ْ ﻋﻠﻲ ﻤﻬل ٍ‬ ‫ﹰﺨ‬ ‫ﻭﺘﻐﻭﻴﻨﻲ ﺇﻟﻲ ﻗﻔﺹ ٍ‬ ‫ﻭﺘﺤﺒﺴﻨﻲ ﻋﻠﻲ ﻤﻬل ٍ ..‬ ‫...........................................‬ ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﻜﻘﻁﺭﺓ ِ ﺩﻫﺸﺔ ٍ ﺨﺭﺴﺎﺀ ؛ ﺘﻔﺠﺌﻨﺎ‬ ‫ﻭﺘﺸﻌل ﻨﺎﺭ ﻏﺎﻤﻀﻬﺎ ..‬ ‫‪‬‬ ‫ﻋﺫﻭﺒﺘﻬﺎ ؛‬ ‫ﻤﻠﻭﺤﺘﻬﺎ ؛‬ ‫ﻭﺤﺎﻤﻀﻬﺎ ..‬ ‫ﻓﻨﺭﻜﺽ ﻓﻲ ﻤﺒﺎﻫﺠﻬﺎ‬ ‫ﻭﻓﻲ ﺤﺎﻨﺎﺘﻬﺎ ﺍﻟﻤﻜﺘﻅﺔ ﺍﻵﻫﺎﺕ ِ‬ ‫ﺘﻤﻨﺤﻨﺎ ﻏﺭﺍﺌﺒﻬﺎ ..‬ ‫..........................................‬ ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﻟﻬﺎ ﻓﻲ ﻟﻬﺠﺔ ِ ﺍﻟﻤﺭﺁﺓ ِ ﺘﺎﺭﻴﺦ ُ ؛‬ ‫ﹸ‬ ‫ﻭﺃﺤﺠﻴﺔ ُ ُ‬ ‫ﻭﻗﺎﻓﻴﺘﺎﻥ ﺘﻨﻔﺘﺤﺎﻥ‬ ‫ﻤﺜل ﺴﺤﺎﺒﺔ ﺍﻟﺘﻨﻭﺭ ﻓﻲ ﺍﻷﻋﺼﺎﺏ ِ‬ ‫ﺘﻨﺴﻜﺒﺎﻥ ﻜﺎﻟﺘﺭﻴﺎﻕ‬ ‫ﻓﻲ ﺭﻭﺤﻲ ﻋﻠﻲ ﻤﻬل ٍ ..‬ ‫.........................................‬ ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﻜﺂﺨﺭ ﻟﻔﻅﺔ ٍ ﻓﻲ ﺍﻟﻜﻭﻥ ِ ؛‬ ‫٦‬ ‫اﻟﻔﻬﺮس‬
‫ﺃﻟﻔﻅﻬﺎ‬ ‫ﻓﺘﺴﻤﻌﻨﻲ ﻏﻨﺎﺀ ﺍﻟﻤﺎﺀ ِ ..‬ ‫‪‬‬ ‫ﻫل ﻴﺒﻘﻲ ﺒﻬﺫﺍ ﺍﻷﺩﻫﻡ ﺍﻟﺒﺸﺭﻱ‬ ‫ﻏﻴﺭ ﻏﺭﺍﺌﺏ ﺍﻷﻨﺜﻰ ؟!!‬ ‫٧‬ ‫اﻟﻔﻬﺮس‬
‫ﻨﺠﻤﺔ ..‬ ‫ﻨﻌﻡ ..‬ ‫ﺇﻨﻬﺎ ﻨﺠﻤﺔ ٌ ﻓﻲ ﺴﻤﺎﺀ ﻓﺅﺍﺩﻱ‬ ‫ﻭﺤﻴﻥ ﺘﺭﻑ ُ‬ ‫ﹶ ِ ﹼً‬ ‫ﺘﺸﻑ ُ..‬ ‫ﹶِ ﹼ‬ ‫ﻭﺘﻁﺒﻊ ﺭﻭﺤﺎ ﻋﻠﻲ ﺍﻟﻀﻭﺀ ِ‬ ‫ﹰ‬ ‫ﺘﻠﺒﺱ ‪‬ﺭﻱ ﺍﻟﺘﻭﻫﺞ ِ‬ ‫ﻋ‬ ‫ﺘﻤﺘﺩ ﻜﺎﻟﺒﺤﺭ‬ ‫ِ‬ ‫‪‬‬ ‫ﺘﻤﻨﺢ ﻭﺠﻬﻲ ﺴﻤﺎﺕ ﻏﺭﻴﺯﻴﺔ َ ﺍﻟﻁﻬﺭ ِ‬ ‫ٍ‬ ‫ﺤﻴﻥ ﺘﺼﺎﻓﺢ ﺁﺨﺭ ﻋﺎﺼﻤﺔ ٍ‬ ‫‪‬‬ ‫ﻓﻲ ﺨﺭﻴﻁﺔ ِ ﻫﺫﺍ ﺍﻟﺠﺴﺩ.‬ ‫‪‬‬ ‫ﺘﺼﻴﺭ ﺍﻟﺩﻤﺎﺀ ﻁﻴﻭﺭﺍ ﺘﻐﺎﺯﻟﻬﺎ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺴﺎﻓﺔ ُ ﻭﺠﻪ َ ﻓﺘﺎﺓ ٍ‬ ‫ﺘﻁل ﻤﻥ ﺍﻟﻤﺸﺭﺒﻴﺔ ِ‬ ‫ﻭﺍﻟﻔﺊ ﻤﺤﺽ ﺍﺴﺘﺭﺍﺤﺔ ِ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﺍﻟﻌﻤﺭ ﻗﺎﻁﺭﺓ ً ﻟﻠﺴﻔﺭ..‬ ‫‪‬‬ ‫ﻨﻌﻡ ..‬ ‫ﺇﻨﻬﺎ ﻨﺠﻤﺔ ٌ ﻓﻲ ﺴﻤﺎﺀ ِ ﻓﺅﺍﺩﻱ‬ ‫ﺃﺨﺒﺅﻫﺎ ﻓﻲ ﺩﻤﻲ‬ ‫ﻓﻲ ﻋﻴﻭﻨﻲ‬ ‫ﻭﺘﻠﺒﺱ ﺃﻀﻭﺍ ‪‬ﻫﺎ ﺠﻠﺩﺘﻲ .‬ ‫ﺀ‬ ‫٨‬ ‫اﻟﻔﻬﺮس‬
‫ﻤﺭﺍﻗﺒﺔ ..‬ ‫ﻴﻐﺯل ﺸﻬﻘﺘﻪ ﺨﻠﻑ ﻗﻤﺎﻁ ﺍﻟﻌﻔﺔ ِ‬ ‫ﻭﻴﻁ ‪‬ﺭﻫﺎ ﻤﻥ ﻨﺎﻓﺫﺓ ﺍﻟﻔﻭﻀﻰ..‬ ‫ﻴ‬ ‫ﻟﻠﻔﻭﻀﻰ ..‬ ‫ﺍﻟﺠﻭﻉ ﻴﺤﺎﺼﺭ ﺼﺭﺨﺘﻪ ﺍﻟﻤﻜﺒﻭﺘﺔ‬ ‫ﻓﻲ ﺃﻗﺼﻲ ﺤﺴﺭﺘﻬﺎ..‬ ‫ﻴﺼﻬل ﺒﺎﻟﺯﻓﺭﺓ ِ‬ ‫ﻓﺘﺯﻟﺯل ﺠﺩﺭﺍﻥ ﺍﻟﻭﻗﺕ ِ ..‬ ‫‪‬‬ ‫ﻴﺘﻭﻕ ﻜﻘﻁﺭﺓ ِ ﻤﺎﺀ ٍ ﻟﻠﺠﻤﺭ .‬ ‫..................................................‬ ‫ﺘﺒﺤﺙ ﻋﻥ ﺭﺩﺓ ِ ﻓﻌل ٍ‬ ‫ﻓﻲ ﺤﺠﻡ ِ ﺯﻻﺯﻟﻬﺎ‬ ‫ﻋﻥ ﺜﻠﺞ ٍ ﻴﺤﺭﻗﻬﺎ..‬ ‫ﻋﻥ ﻨﻤل ٍ ؛‬ ‫ﺃﻭ ﺤﺘﻰ ﺩﺏ ٍ‬ ‫‪‬‬ ‫ﻴﺭﻋﻰ ﻓﻲ ﺍﻟﻌﺴل ِ ﺍﻟﻤﻠﻜﻲ ..‬ ‫ﺘﺨﻔﻲ ﺍﻟﻘﻨﺩﻴﻠﻴﻥ ﺒﻌﺎﺼﻤﺔ ِ ﺍﻟﻨﺒﻊ ِ‬ ‫ﻭﺭﺍﺀ ﻤﺴﺎﻓﺎﺕ ﺍﻟﻌﻤﺭ .‬ ‫................................................‬ ‫ﻴﺩﻋﻭﻫﺎ ﻟﺯﻴﺎﺭﺓ ﻏﺭﻓﺘﻪ‬ ‫ﻴﻀﺤﻙ ﺩﺍﺨﻠﻬﺎ ..؛‬ ‫ﻴﺴﺄﻟﻬﺎ:‬ ‫ﻤﻥ ﺃﻴﻥ ﺃﺘﺎﻨﻲ ﻫﺫﺍ ؟‬ ‫ﻭﺇﻟﻲ ﺃﻱ ﺃﻤﺎﻥ ٍ‬ ‫ﺃﻭ ﺃﻱ ﺩﻤﺎﺭ ٍ ﻴﺄﺨﺫﻨﻲ؟‬ ‫ﺃﺘﺭﺍﻩ ﺇﺫﺍ ﻗﺎل‬ ‫َ‬ ‫ﺇﺫﺍ ﺼﺎل ؛‬ ‫َ‬ ‫ﺇﺫﺍ ﺠﺎل‬ ‫َ‬ ‫ﺃﻓﻲ ﺫﻟﻙ ﺒﺄﺱ ُ ؟‬ ‫‪‬‬ ‫٩‬ ‫اﻟﻔﻬﺮس‬
‫ﺘﺒﺘﺴﻡ ُ ..‬ ‫ﺃﻋﺭﻑ ﻜﻴﻑ ﺴﺄﻤﻨﻌﻪ‬ ‫ﹸ‬ ‫ﻤﻥ ﻗﻁﻑ ﻋﻨﺎﻗﻴﺩﻱ ؛‬ ‫ﻭﺃﻨﺎ ﺃﺘﺄﺭﺠﺢ ﻜﺎﻟﻤﻭﺝ ِ ﺍﻟﺴﻜﺭﺍﻥ ِ‬ ‫ﻋﻠﻲ ﺸﺎﻁﺊ ﻏﻔﻠﺘﻪ .‬ ‫ﺃﻋﺭﻑ ﻜﻴﻑ ﺴﺄﻤﻨﻊ‬ ‫ﹸ‬ ‫ﺤﺒﺎﺕ ﺍﻟﻌﺴل ﺍﻟﻤﻠﻜﻲ‬ ‫ﻤﻥ ﺍﻟﺭﻗﺹ ﻋﻠﻲ ﻁﺎﻭﻟﺔ ِ ﺍﻟﻨﻤل ِ ؛‬ ‫ﺃﻭ ﺍﻟﺩﺏ ِ‬ ‫‪‬‬ ‫ﻭﺃﻋﺭﻑ ﻜﻴﻑ ﺃﺭﺍﻭﻍ‬ ‫ﻋﻴﻨﻴﻪ ﺍﻟﺯﺍﺌﻐﺘﻴﻥ‬ ‫ﻜﻘﻁﻴﻥ ﻏﺭﻴﺒﻴﻥ ..‬ ‫ﻭﻜﻴﻑ ﺃﺩﺍﺭﻱ ﺍﻟﺸﻭﻕ‬ ‫ﹶ‬ ‫ﻟﺯﻨﺩﻴﻪ ﺍﻟﻤﻔﺘﻭﻟﻴﻥ‬ ‫ﻭﻤﺎﺌﺩﺓ ﺍﻟﺼﺩﺭ ﺍﻟﻭﺍﺴﻊ ِ ..‬ ‫ﻜﻴﻑ ﺴﺄﻤﻨﻊ ﻗﻭﺱ ﺸﻘﺎﻭﺘﻪ‬ ‫ﻋﻥ ﺴﺤﺏ ﺍﻷﻭﺘﺎﺭ ﺍﻟﻤﻜﺘﻅﺔ ِ‬ ‫ﺒﺎﻟﻨﻐﻡ ِ ﺍﻟﻬﻤﺠﻲ ..‬ ‫ﻭﺃﻥ ﺒﺈﻤﻜﺎﻨﻲ‬ ‫ﺃﻥ ﺃﺤﺒﺱ ﺃﻋﺸﺎﺏ ﺍﻟﺭﻏﺒﺔ ِ‬ ‫‪‬‬ ‫ﺩﻭﻥ ﻤﻴﺎﻩ ٍ‬ ‫ﺤﺘﻰ ﺘﺫﻭﻱ ؛ ﻭﺘﻤﻭﺕ ..‬ ‫ﻭﺃﻥ ﺒﺈﻤﻜﺎﻨﻲ ﺃﻥ ﺃﺭﺩﻉ َ ﺼﻭﻟﺘﻪ ؛‬ ‫ﺃﻭ ﺠﻭﻟﺘﻪ‬ ‫ﻗﺒل ؛ ﻭﺒﻌﺩ ﺍﻟﻘﻭل ..‬ ‫ﻭﺃﻋﺭﻑ ُ ..‬ ‫ﻻ ﺒﺄﺱ ﺇﺫﻥ.‬ ‫‪ ‬‬ ‫ﺘﻘﺒل ﺩﻋﻭﺘﻪ .‬ ‫...................................................‬ ‫ﻗ ‪‬ﺍﻡ ﺍﻟﻌﺘﺒﺔ‬ ‫ﺩ‬ ‫ﻴﻠﻘﻲ ﻋﻥ ﻜﺎﻫﻠﻪ‬ ‫٠١‬ ‫اﻟﻔﻬﺮس‬
‫ﻋﻤﺭﺍ ً ﻤﻥ ﻜﺒﺕ ٍ‬ ‫ﺘﻠﻘﻲ ﻋﻥ ﻜﺎﻫﻠﻬﺎ‬ ‫ﻋﻤﺭﺍ ً ﻤﻥ ﻜﺫﺏ ٍ‬ ‫ﻴﺘﻘﺩﻤﻬﺎ..‬ ‫ﺘﺘﺒﻌﻪ .....‬ ‫.................................................‬ ‫ﺘﺨﻠﻊ ﻤﻌﻁﻔﻬﺎ‬ ‫ﻓﻴﻀﺊ ﺍﻟﻘﻨﺩﻴﻼﻥ‬ ‫ﺯﻭﺍﻴﺎ ﻏﺭﻓﺘﻪ ﺍﻟﻤﻜﺘﻅﺔ ﺒﺎﻟﻔﻭﻀﻰ‬ ‫ﻭﺍﻟﻔﻬﺩﺍﻥ ﺍﻟﻤﺭﺘﺠﻔﺎﻥ ؛‬ ‫ﺍﻟﻤﺭﺘﺒﻜﺎﻥ ؛‬ ‫ﻴﻁﻼﻥ ؛‬ ‫ﺴﻭﺍﺩ ﻋﻴﻭﻨﻬﻤﺎ ﻤﺘﻘﺩ ُ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻴﺤﺎﺼﺭ ﻤﺎ ﻴﺘﻨﺎﺜﺭ‬ ‫ﻓﻲ ﺃﺭﻜﺎﻥ ﺍﻟﻐﺭﻓﺔ ِ ﻤﻥ ﺃﻁﻼل ٍ‬ ‫ﺘﻁﻠﻕ ﺫﺌﺒﺘﻬﺎ ﺍﻟﻤﺴﺠﻭﻨﺔ‬ ‫ﻤﻥ ﺩﻭﺭﻕ ﻓﺘﻨﺘﻬﺎ‬ ‫ﻴﻁﻠﻕ ﺃﻓﻌﺎﻩ ﺍﻟﻤﺠﻨﻭﻨﺔ‬ ‫ﻤﻥ ﺠﺤﺭ ﺍﻟﻐﻔﻭﺓ ِ‬ ‫ﻴﻁﻔﺭ ﺒﻴﻨﻬﻤﺎ ﻨﺒﺽ ُ‬ ‫‪‬‬ ‫ﻜﻐﺯﺍل ٍ ﻴﺭﻜﺽ ُ ..‬ ‫ﻴﺴﺘﻠﻕ ؛‬ ‫ﻜﻤﺎ ﺘﺴﺘﻠﻘﻲ ﺍﻟﺸﻤﺱ‬ ‫‪‬‬ ‫ﻋﻠﻲ ﺒﻁﻥ ِ ﺍﻟﺒﺤﺭ ِ‬ ‫ﻴﻌﺩل ﺃﻤﻭﺍﺝ ﻭﺴﺎﺩﺘﻪ ..‬ ‫‪‬‬ ‫ُِ‬ ‫ﺘﻀﺒﻁ ﺇﻴﻘﺎﻉ ﻗﺼﻴﺩﺘﻪ‬ ‫‪‬‬ ‫ﻜﺎﻟﻐﻴﻤﺔ ﻓﻲ ﺒﺤﺭ ﻓﻀﺎﺀ ٍ ؛‬ ‫ﻴﻨﺴﻲ ﻫﻨﺩﺴﺔ َ ﺍﻟﻜﻭﻥ ِ ؛‬ ‫ﻭﻴﻬﻁل ..‬ ‫ُ‬ ‫ﺘﺴﺒﺢ ..‬ ‫‪‬‬ ‫١١‬ ‫اﻟﻔﻬﺮس‬
‫ﻴﺒﺘل ﺍﻟﻌﺸﺏ ﺍﻟﻤﺤﺒﻭﺱ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺒﺄﺴﻭﺍﺭ ﺍﻟﺭﻏﺒﺔ ِ‬ ‫ﻴﻨﺩﻱ ﺭﻤل ﺸﻭﺍﻁﺌﻬﺎ..‬ ‫ُ‬ ‫ﻴﺘﻭﺭﺩ ﻭﺠﻪ ﺍﻟﻌﻤﺭ‬ ‫ِ‬ ‫‪‬‬ ‫ﺒﻔﻀﺔ ِ ﻨﺭﺠﺴﻬﺎ ..‬ ‫ﻴﻀﺤﻙ ﺩﺍﺨﹸﻬﺎ ؛‬ ‫ﻠ‬ ‫ﻴﺴﺄﻟﻬﺎ :‬ ‫ﻤﻥ ﻴﺄﺨﺫ ﻜل ﻤﻼﺒﺱ ﻋﻤﺭﻱ ؛‬ ‫‪‬‬ ‫ﻴﺘﺭﻜﻨﻲ ﻋﺎﺭﻴﺔ ً‬ ‫ﺩﻭﻥ ﻭﺭﻴﻘﺔ ﺘﻭﺕ ٍ ؟‬ ‫ﻤﻥ ﻴﺠﻠﺩﻨﻲ ﺒﺎﻟﺜﻠﺞ ِ ؛‬ ‫‪‬‬ ‫ﻭﻴﻨﺯﻋﻨﻲ ﻤﻥ ﺩﻑﺀ ﺍﻷﻤﻥ ِ ؟‬ ‫ﻤﻥ ﻴﺄﺨﺫﻨﻲ ؛‬ ‫‪‬‬ ‫ﻭﻴﺫ ‪‬ﺒﻨﻲ ؛‬ ‫ﻭ‬ ‫ﻭﻴﺤ ‪‬ﻟﻨﻲ ﺒﻌﻀﺎ ً ﻤﻨﻪ ؟‬ ‫ﻭ‬ ‫ﻫﺫﺍ ﺍﻟﻨﺎﻫﺽ ﻜﺎﻟﻤﺴﺘﻘﺒل‬ ‫‪‬‬ ‫ﺒﻴﻥ ﺨﻼﻴﺎ ﺍﻟﻤﺎﻀﻲ !!‬ ‫ﻫﺫﺍ ﺍﻟﺭﺍﻓﺽ‬ ‫‪‬‬ ‫ﺃﻥ ﺘﺭﻗﺩ ﺒﻌﺽ ﺨﻼﻴﺎﻩ‬ ‫‪‬‬ ‫ﻤﺤﺎﺼﺭﺓ ً ﺒﻤﺭﺍﻴﺎ ﺍﻟﺠﻭﻉ !!‬ ‫...................................................‬ ‫ﻴﺒﺩﻭ ﺃﻥ ﺴﻴﺠﺊ ﺍﻟﻨﻭﻡ ﺃﺨﻴﺭﺍ ً‬ ‫‪‬‬ ‫ﻭﻴﻨﺎﻤﺎﻥ ﻜﻌﺼﻔﻭﺭﻴﻥ ..‬ ‫ﻓﻬل ﻴﺘﺒﺩل ﻤﺎ ﺘﺭﻜﺎﻩ ﺃﻤﺎﻡ ﺍﻟﻌﺘﺒﺔ ِ‬ ‫‪‬‬ ‫ﺒﻬﺩﺍﻴﺎ ﺍﻟﺤﻠﻡ ؟ !!‬ ‫٢١‬ ‫اﻟﻔﻬﺮس‬
‫ﻟﻬﺎ / ﻟﻪ‬ ‫ﻟﻬﺎ ﺠﺴﺩ ُ ﺯﺌﺒﻘﻲ ﺍﻟﻤﺸﺎﻋﺭ ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﻲ ﻟﻭﻥ ِ ﻏﻴﻡ ﺍﻟﺴﺅﺍل ..‬ ‫ﻭﻨﻔﺴ ‪‬ﺔ ُ ُ ﺘﺸﺒﻪ ﺍﻟﺤﻠﺯﻭﻥ َ‬ ‫ﻴ‬ ‫ﻭﻋﻴﻥ ُ ﻜﻤﺜل ﻗﻤﻴﺹ ﺍﻟﺨﻴﺎل ِ ..‬ ‫‪‬‬ ‫ﺇﺫﺍ ﺃﻗﺒﻠﺕ ؛‬ ‫ﺘﻔ ‪‬ﺭ ﻋﻁﺭ ﺍﻟﺠﻨﻭﻥ ِ‬ ‫‪‬‬ ‫ﺠ‬ ‫ﺴﻤﺎﻭﺍﺘﻬﺎ ؛‬ ‫ﻜﺄﻋﺸﺎﺵ ﻁﻴﺭ ٍ‬ ‫ﻋﻭﺍﻁﻔﻬﺎ ﻜﻬﺭﻤﺎﻥ ..‬ ‫ﺴﺘﺎﺌﺭ ﻏﺭﻓﺘﻬﺎ ﺭﺠﻔﺔ ُ ُ ..‬ ‫‪‬‬ ‫ﺤﻴﻥ ﺘﻀﺤﻙ ..‬ ‫ﺘﻁﻔﻭ ﺍﻟﻤﻴﺎﻩ ﺍﻟﺴﺠﻴﻨﺔ ُ‬ ‫ﻴﺭﺘﻜﺏ ﺍﻟﻤﻭﺝ ﺭﻤل ﺍﻟﺸﻭﺍﻁﺊ .‬ ‫َ‬ ‫‪‬‬ ‫....................................................‬ ‫ﻤﻥ ﺫﺍ ﻴﻔﺽ ﺍﺤﻤﺭﺍﺭ ﺍﻷﻨﻭﺜﺔ ِ‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﺒﺎﻟ ﹼل ِ؟‬ ‫ﻁ‬ ‫ﻤﻥ ﺫﺍ ﻴﻔﺽ ﺘﻭﺤﺸﻬﺎ‬ ‫‪‬‬ ‫ﺒﺭﻁﻭﺒﺔ ِ ﻨﺼل ﺍﻟﻨﺩﻱ ؟‬ ‫ﺒﺎﻟﺼﻼﺒﺔ ِ‬ ‫ﺘﺭﺘﻜﺏ ﺍﻟﻠﻴﻥ ؟‬ ‫‪‬‬ ‫...............................................‬ ‫ﻟﻪ ﺠﺴﺩ ُ‬ ‫‪‬‬ ‫ﻤﻥ ﺨﻼﻴﺎ ﺍﻟﺭﻋﻭﺩ ِ‬ ‫ﻜﻨﻬﺭ ٍ ﺘﻤﻁﻲ ؛‬ ‫ﻟﻴﻘﻔﺯ ﻤﻥ ﻏﻴﻤﺔ ٍ ﻨﺤﻭ ﺃﺨﺭﻱ‬ ‫ﻟﻪ ﺼﻬﻠﺔ ُ ُ‬ ‫ﺒﻌﺭﺽ ِ ﺍﻟﺨﻴﺎل ِ‬ ‫٣١‬ ‫اﻟﻔﻬﺮس‬
‫ﻭﻤلﺀ ﺍﻟﻔﻀﺎﺀ..‬ ‫ﻭﻴﺴﻜﺏ ﻨﺯﻭﺘﻪ ﻓﻲ ﺍﺯﺩﺤﺎﻡ ﺍﻟﺨﻼﺀ..‬ ‫ﹶ‪‬‬ ‫ﻟﻪ ﻓﻲ ﺍﻟﻔﻀﻴﺤﺔ ِ ﻋﻴﻥ.‬ ‫‪‬‬ ‫ﻭﻗﻭل ُ ﺒﻠﻴﻎ ُ‬ ‫ﹸ‬ ‫ُ‬ ‫ﺇﺫﺍ ﻗﺎل ﻓﻲ ﺍﻷﺭﻨﺒﻴﻥ .‬ ‫‪‬‬ ‫َ‬ ‫‪‬ﺨ ‪‬ﺏ ُ ﻤﺎ ﻗﺩ ﺘﻴﺒﺱ‬ ‫‪‬‬ ‫ﻴ ﺼ‬ ‫ﻓﻲ ﺍﻟﺒﻴﻥ ﺒﻴﻥ .‬ ‫‪‬‬ ‫ﻴﺤﻁ ﻴﺩﻴﻪ ﻋﻠﻲ ﺍﻟﻜﻭﻜﺒﻴﻥ ْ.‬ ‫ﻭﻴﻌﺒﺭ ﺒﻌﺽ ﺍﻟﺤﺭﻭﻑ ِ ﺍﻟﻤﻌﺎﻗﺔ ِ ..‬ ‫‪‬‬ ‫ﻤﻥ ﻨﻘﻁﺔ ِ ﺍﻟﻭﻗﻑ‬ ‫ﻴﻜﺴﺭ ﻓﺎﺼﻠﺔ َ ﺍﻻﻨﻬﺯﺍﻡ ِ‬ ‫ﻭﻴﺨﺭﺝ ﻋﻥ ﺴﻁﻭﺓ ِ ﺍﻷﺒﺠﺩﻴﺔ ِ‬ ‫ﻴﻘﻁﻑ ﻓﺎﻜﻬﺔ َ ﺍﻟﻤﺴﺘﺤﻴل ْ.‬ ‫٤١‬ ‫اﻟﻔﻬﺮس‬
‫ﻫﺎﻤﺵ‬ ‫ﻴﻘﺎل : ﺇﻨﺎﺙ ﺍﻟﻌﻨﺎﻜﺏ ِ‬ ‫ُ‬ ‫ﺘﺄﻜل ﺫﻜﺭﺍﻨﻬﺎ‬ ‫ﺒﻌﺩﻤﺎ ﺘﻨﺘﺸﻲ ﺒﺎﻟﺠﻤﺎﻉ ِ‬ ‫ﻭﻤﻥ ﺨﻠﻑ ﻜل ﻟﺩﻴﻎ ٍ‬ ‫ﻭﻟﻭ ﺘﻌﻠﻤﻭﻥ‬ ‫ﺍﻤﺭﺃﺓ ْ.‬ ‫ﺇﻨﻬﺎ ﻗﻭﻟﺔ ٌ ﺴﻴﺌﺔ ْ.‬ ‫٥١‬ ‫اﻟﻔﻬﺮس‬
‫ﻫﻲ / ﻫﻭ‬ ‫ﻫﻲ ﻤﻬﺭﺓ ُ ﻏﻴﻡ ٍ‬ ‫ﻴﺼﻬل ﺒﻴﻥ ﻴﺩﻴﻬﺎ‬ ‫‪‬ﻬﺭ ُ ﻤﺭﺘﺒﻙ ُ‬ ‫‪‬‬ ‫ﻤ ‪‬‬ ‫ﻴﺘﺴﻠﻕ ﺭﺍﺌﺤﺔ َ ﺍﻟﺘﺒﻎ ِ‬ ‫ﻓﺘﺄﺨﺫﻩ ﻤﻥ ﺃﺫﻨﻴﻪ‬ ‫ﺇﻟﻲ ﺤﻴﺙ ﻁﻘﻭﺱ ٍ‬ ‫ﻻ ﻴﺩﺭﻙ ﺴﺭ ﻁﺭﺍﻭﺘﻬﺎ !!‬ ‫ِ‪‬‬ ‫ﺤﻴﺙ ﺍﻟﻔﺎﻜﻬﺔ‬ ‫ﹸ‬ ‫ﺍﻟﺴﺎﻜﻥ ُ ﻓﻲ ﺠﻠﺩﺘﻬﺎ‬ ‫ﻭﺤﺵ ﺍﻟﻌﻔﺔ ِ..‬ ‫ﹸ‬ ‫ﻭﺍﻟﻠﻐﺔ ُ ﺍﻟﻤﺴﻜﻭﻨﺔ ُ‬ ‫ﺒﺤﻠﻴﺏ ِﺍﻟﻤﻌﻨﻲ ..‬ ‫ﻭﻫﻭ ﺍﻟﻐﺠﺭﻱ‬ ‫‪‬‬ ‫ﺍﻟﻤﻁﺭﻭﺩ‬ ‫‪‬‬ ‫ﺍﻟﻁﺎﻟﻊ‬ ‫‪‬‬ ‫ﻤﻥ ﺒﻠﻭﺭ ﺍﻟﺩﻫﺸﺔ ِ‬ ‫ﻤﻥ ﺼﻭﻤﻌﺔ ِ ﺍﻟﺭﻋﺸﺔ ِ‬ ‫ﻴﺘﺤﺭﻙ ﺒﻴﻥ ﺠﻨﻭﻥ ﺯﺒﺭﺠﺩﻫﺎ‬ ‫ﻜﺎﻷﺭﻨﺏ ِ ﺇﺫ ﻴﺘﺫﺍﺌﺏ ؛‬ ‫‪‬‬ ‫ﺃﻭ ﻴﺘﺜﻌﻠﺏ ..‬ ‫‪‬‬ ‫ﻴﺤﻘﻨﻬﺎ ﺒﺎﻟﺼﻬﺩ ِ ﺍﻟﺼﺎﻋﺩ ِ‬ ‫ﻤﻥ ﻓﻀﺔ ِ ﻓﻭﻀﺎﻩ .‬ ‫ﺘﻘﻭل ﻟﻪ :‬ ‫ﻻ ﺘﺠﻠﺱ ﻓﻲ ﺍﻟﻭﺼﻑ ِ‬ ‫ﻭﻻ ﺘﺴﻘﻴﻨﻲ‬ ‫٦١‬ ‫اﻟﻔﻬﺮس‬
‫ﻤﻨﻘﻭﻉ ﺍﻟﻌﻁﺵ ِ ﺍﻟﻐﺠﺭﻱ .‬ ‫‪‬‬ ‫ﻴﺄﺨﺫﻫﺎ ﻤﻥ ﺃﺫﻨﻴﻬﺎ ﻟﻠﺒﺤﺭ ِ‬ ‫ﻴﻐﻭﺹ ﺒﻬﺎ ﻜﺎﻟﻘﻨﺩﺱ ِ ..‬ ‫ﺘﺼﺭﺥ ﻤلﺀ ﺍﻟﻐﻴﺒﻭﺒﺔ ِ :‬ ‫ﻴﺎ ﺍﻟﺤﺎﻤﺽ ﻓﻲ ﺠﺴﺩ ِ ﺍﻟﻠﻴﻤﻭﻥ‬ ‫‪‬‬ ‫ﻭﻴﺎ ﺘﺎﺭﻴﺦ ﺍﻟﺴﻜﺭ ِ‬ ‫ﻓﻲ ﺃﻋﻭﺍﺩ ِ ﺍﻟﻘﺼﺏ ِ‬ ‫ﺃﻨﺎ ﻋﺎﻁﻔﺘﻲ ﺯﻟﺯﺍل ُ‬ ‫ُ‬ ‫ﻻ ﻴﺘﺯﻴﺕ ﺇﻻ ﺒﺎﻟﻐﻭﺹ ِ ..‬ ‫‪ ‬ﹸ ﹼ‬ ‫ﻓﻼ ﺘﺘﺴﻠﻕ ﺭﺍﺌﺤﺔ َ ﺍﻟﺘﺒﻎ ِ؛‬ ‫ﺘﻌﺎل ﺇﻟﻲ ﺭﺍﺌﺤﺔ ِ ﺍﻟﻌﺭﻕ ِ‬ ‫َ‬ ‫ﺍﻟﻤﺘﻘﺎﻓﺯ ﻤﻥ ﺤﻔﻠﺘﻨﺎ ﻜل ﻤﺴﺎﺀ.‬ ‫‪‬‬ ‫٧١‬ ‫اﻟﻔﻬﺮس‬
‫ﻋﻼﻗﺔ..‬ ‫ﻨﻴﺯﻜﻪ ﺍﻟﺸﺎﺭ ‪‬؛ ﻴﺩﻋﻭﻫﺎ‬ ‫ﺩ‬ ‫ﻟﻠﺭﻗﺹ ﻋﻠﻲ ﻓﻠﻙ ﺍﻟﺭﻏﺒﺔ ِ ..‬ ‫ﺤﻴﻥ ﻴﺌﻥ ﻏﻤﻭﺽ ﺍﻟﻠﻴل ِ‬ ‫‪‬‬ ‫ﻴﺯﺍﻭﻟﻪ ﻫﺎﺘﻔﻬﺎ :‬ ‫ﻤﺎﺯﻟﺕ ﺘﺨﺎﻑ ﻤﻥ ﺍﻟﺴﻭﺴﻥ ؟‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻓﻤﺘﻲ ﻴﺎ ‪‬ﻬﺭﻱ ﺘﺨﺸﻭﺸﻥ ؟‬ ‫‪‬‬ ‫ﻤ‬ ‫ﻴﻨﻘﺽ ﻜﺫﺌﺏ ٍ ؛..‬ ‫ﻴﻘﺘﻨﺹ ﺃﺭﺍﻨﺏ ﻏﺎﺒﺘﻬﺎ.‬ ‫‪‬‬ ‫ﺴﻠﻁﺎﻥ ﺒﺭﺍﺀﺘﻬﺎ ﺍﻟﻭﺤﺸﻴﺔ ِ‬ ‫‪‬‬ ‫ﻻ ﻴﺭﺩﻋﻪ‬ ‫ﻏﻴﺭ ﻓﻡ ﺍﻟﻨﺎﺭ ﺍﻟﻐﺠﺭﻴﺔ..‬ ‫‪‬‬ ‫ﻤﻨﻬﻜﺔ ً ؛‬ ‫ﺘﻨﻬﻲ ﺭﻗﺼﺘﻬﺎ‬ ‫ﻭﺘﻨﺎﻡ .‬ ‫٨١‬ ‫اﻟﻔﻬﺮس‬
‫ﺒﻬﺎ ﻤﺎ ﺒﻬﺎ ..‬ ‫ﻜﺎﻟﻜﻭﺍﻜﺏ ِ‬ ‫ﺘﺒﺩﺃ ﻤﻥ ﺒﺫﺭﺓ ﺍﻟﺸﻤﺱ‬ ‫ﺤﺘﻰ ﺍﻜﺘﻤﺎل ﺍﻟﻤﺤﺎل .‬ ‫ﻟﻬﺎ ﺩﻭﺭﺓ ُ ُ ﻜﺎﻟﺸﻬﻭﺭ ِ‬ ‫ﻭﺘﺒﺩﺃ ﺒﺎﻟﺒﺩﺭ ِ‬ ‫ﺤﺘﻰ ﺍﺨﺘﻔﺎﺀ ﺍﻟﻬﻼل .‬ ‫ﻷﻓﺨﺎﺫﻫﺎ ﺤﺭﻗﺔ ُ ﺘﺘﺸﻅﻲ‬ ‫ﹸ‬ ‫ﻭﻟﻠﺒﻁﻥ ﻭﻫﺞ ﺍﺸﺘﻌﺎل .‬ ‫‪‬‬ ‫ﺒﻬﺎ ﻤﺎ ﺒﻬﺎ‬ ‫ﻭﻟﻬﺎ ﻤﺎ ﻟﻬﺎ :‬ ‫ﻜﻼﻡ ﺍﻟﻘﺭﻯ ..‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﻘﺎﻫﻲ..‬ ‫ﺍﻟﻌﺴﺎﻜﺭ ؛‬ ‫‪‬‬ ‫ﻭﺍﻟﺸﺭﻉ ..‬ ‫ﺤﻤﻲ ﺍﻟﺜﻌﺎﻟﺏ ِ‬ ‫ﻓﻲ ﻤﻬﺭﺠﺎﻥ ﺍﻟﺠﻤﺎل .‬ ‫ﻟﻬﺎ ﺭﻏﺒﺔ ﺍﻟﻔﺘﻙ ِ ﺒﺎﻟﻔﺘﻙ ِ‬ ‫ﹸ‬ ‫ﻜل ُ ﻟﻬﺎ ﺴ ‪‬ﺩ ُ‬ ‫ﻴ‪‬‬ ‫ُ‬ ‫ﻭﻻ ﺴ ‪‬ﺩ ُ ﻓﻭﻗﻬﺎ‬ ‫ﻴ‪‬‬ ‫ﻭﺤﺩﻫﺎ ﻓﻲ ﺠﻤﻴﻊ ﺍﻟﻤﻭﺍﺴﻡ‬ ‫ﻨﺎﻓﻭﺭﺓ ﺍﻟﻜﺭﻨﻔﺎل .‬ ‫ﻗﺩ ﺘﻘﺭ‬ ‫ﻭﻗﺩ ﺘﺴﺘﻘﺭ‬ ‫ﻭﻗﺩ ﺘﺘﺭﺍﺠﻊ‬ ‫٩١‬ ‫اﻟﻔﻬﺮس‬
‫ﺘﻀﻌﻑ ﻋﻨﺩ ﺍﻟﻜﻭﺍﺭﺙ؛‬ ‫ﻟﻜﻨﻬﺎ‬ ‫ﺘﺘﺴﺭﻱ ؛‬ ‫ﻭﺘﻠﻬﻭ‬ ‫ﻭﺘﺩﻨﻭ ؛‬ ‫ﻭﺘﺠﻔل ..‬ ‫ﺘﺒﺩﻱ ؛‬ ‫ﻭﺘﺨﻔﻲ ؛‬ ‫ﻭﺘﻌﺭﻑ ﻜﻴﻑ ﺘﻭﺍﺠﻪ‬ ‫ﻓﻲ ﺍﻟﻠﻴل ﺒﻌﺽ ﺍﻟﻨﺼﺎل .‬ ‫‪‬‬ ‫ﻭﺘﻔﻀﺢ ﺒﺎﻟﻔﻌل ِ ﻤﺎ ﻻ ﻴﻘﺎل .‬ ‫ﺘﺴﺘﻔﺯ ﺇﻟﻲ ﻤﺎ ﺘﺸﺎﺀ‬ ‫ﺨﻴﺎل ﺍﻟﺭﺠﺎل .‬ ‫َ‬ ‫ﺘﻔﺘﺢ ﺃﺒﻭﺍﺏ ﻜل ﺍﻷﻗﺎﺼﻲ‬ ‫‪‬‬ ‫ﺒﻤﻔﺘﺎﺡ ﺭﻭﺡ ﺍﻟﻁﺒﻴﻌﺔ ِ‬ ‫ﺒﺎﻟﺤﺏ ِ‬ ‫ﺒﺎﻟﻨﺎﺏ ِ‬ ‫ﺃﻭ ﺒﺎﻷﻅﺎﻓﺭ ِ‬ ‫ﺒﺎﻻﺭﺘﻴﺎﺏ ِ‬ ‫ﺘﺤ ﹼﺯ ﻗﺎﻓﻠﺔ َ ﺍﻻﺤﺘﻤﺎل .‬ ‫ﻔ‬ ‫٠٢‬ ‫اﻟﻔﻬﺮس‬
‫ﻗﻭﺱ..‬ ‫ﺒﻴﻥ ﺃﺤﻼﻤﻲ ؛ ﻭﺒﻴﻨﻲ‬ ‫ﺘﺭﻗﺹ ﺍﻤﺭﺃﺓ ٌ‬ ‫ﻋﻠﻲ ﺨﻴﻁ ِ ﺍﻟﻬﻭﺍﺀ ْ.‬ ‫ﺤﻴﻥ ﺃﻁﻠﺒﻬﺎ‬ ‫ﺃﺘﻭﻩ ﺒﺄﻟﻑ ِ ﺩﺭﺏ ٍ‬ ‫ﺃﻟﻑ ِ ﺒﺤﺭ ٍ ﻤﻥ ﺩﻤﺎﺀ.‬ ‫‪‬‬ ‫ﺤﻴﻥ ﺃﺭﻓﻀﻬﺎ‬ ‫ﺃﺼﻭﻍ ﻗﺼﺎﺌﺩﺍ‬ ‫ﹰ‬ ‫ﻤﻥ ﻜﺒﺭﻴﺎﺀ.‬ ‫‪‬‬ ‫١٢‬ ‫اﻟﻔﻬﺮس‬
‫ﺇﻨﺎﺙ ..‬ ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﺘﺸﻜل ﻏﻴﻤﺎ ً‬ ‫ُ‬ ‫ﻟﺘﻀﺎﺠﻊ ﺭﻋﺩﺍ ً..‬ ‫‪‬‬ ‫ﺘﻁﻔﺊ ﺃﺸﻭﺍﻕ ﺍﻟﻨﻴﺯﻙ ِ..‬ ‫ﹶ‬ ‫ﻴﺭﺘﻁﻡ ُ ﺍﻟﺤﻠﻡ ﺒﻬﺎ‬ ‫‪‬‬ ‫ﺒﺤﻠﻴﺏ ِ ﺍﻟﻌﻴﻥ.‬ ‫‪‬‬ ‫.........................‬ ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﻘﺒﻊ ﻓﻲ ﻤﻴﻡ ِ ﺍﻟﻤﻭﺍل ِ‬ ‫ﻭﺘﺘﺭﻙ ﻨﻜﻬﺘﻬﺎ ﻟﺜﻌﺎﻟﺏ‬ ‫ﺘﻨﻬﺸﻬﺎ ﻤﻥ ﺘﺤﺕ ﺍﻟﺠﻠﺩ .‬ ‫......................‬ ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﻁﻔﺭ ﻓﻲ ﻭﻫﻡ ِ ﻏﻼﻡ ٍ‬ ‫ﻴﺒﺘﺩﺉ ﺍﻟﺭﺸﺩ ﺒﻼ ﻭﻋﻲ ٍ..‬ ‫‪‬‬ ‫ﻏﻴﺭ ﺨﻴﺎل ٍ ﻤﻨﺫﻭﺭ ٍ‬ ‫‪‬‬ ‫ﻟﺼﺒﺎﻴﺎ ﺍﻟﻐﻲ .‬ ‫.......................‬ ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﻁﻌﻥ ﻓﺘﻨﺘﻬﺎ‬ ‫ﺤﺘﻰ ﻻ ﻴﺄﺨﺫﻫﺎ ‪‬ﺭﺍﺱ ﺍﻟﺭﻴﺢ‬ ‫ﺤ‬ ‫ﺇﻟﻲ ﺤﺭﺏ ٍ ؛‬ ‫ﻻ ﺘﻌﺭﻑ ﻏﺎﻴﺘﻬﺎ‬ ‫ﺘﺤﺭﻕ ﺫﺍﻜﺭﺓ َ ﺍﻟﺠﺩﺓ ِ‬ ‫ﻓﻲ ﺒﻴﺕ ﺍﻟﻤﺎﺀ .‬ ‫.........................‬ ‫٢٢‬ ‫اﻟﻔﻬﺮس‬
‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﺸﻬﻕ ﻓﻲ ﻫﻠﻊ ٍ‬ ‫ﻟﻤﺭﺍﻴﺎ ﻗﻠﺏ ٍ‬ ‫ﻫﺠﺭﺘﻪ ﺃﺸﺠﺎﺭ ﺍﻟﻭﺩ؛‬ ‫‪‬‬ ‫ﻓﻁﺎﺭ ﺒﺩﻭﻥ ﺠﻨﺎﺡ ٍ‬ ‫ﻟﻴﺤﻁ ﻋﻠﻲ ﺃﺒﻭﺍﺏ ﺍﻟﺴﺠﻥ .‬ ‫....................................‬ ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﺭﻜﺽ ﻓﻲ ﺤﻠﻡ ﺍﻟﺸﺎﺭﻉ‬ ‫ﻜﻤﺭﺍﻫﻘﺔ ٍ‬ ‫ﻟﻡ ﺘﻠﺴﻌﻬﺎ ﻤﺸﻜﺎﺓ ﺍﻟﻭﻗﺕ .‬ ‫...................................‬ ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﺸﺒﻬﻨﻲ‬ ‫ﺤﻴﻥ ﺃﻋﺭﻱ ﺃﻀﻐﺎﺙ ﺍﻟﺤﻠﻡ ِ‬ ‫ﹶ‬ ‫ﻭﺃﻓﻀﺢ ﺃﺴﺭﺍﺭ ﺍﻟﻭﻫﻡ ِ‬ ‫‪‬‬ ‫ﻭﺃﻜﺸﻑ ﻤﻜﻨﻭﻥ ﺍﻟﺫﺍﺕ .‬ ‫‪‬‬ ‫ﻫﻲ ﺃﻨﺜﻲ ؛‬ ‫ﺃﻨﺜﻲ‬ ‫ﻤﺎ ﺯﻟﺕ ﺃﻁﻭﻑ ﺒﻬﺎ ؛‬ ‫ﻤﻌﻬﺎ‬ ‫ﻨﺤﻠﻡ ﺒﺎل .........‬ ‫ﺁﺕ .‬ ‫٣٢‬ ‫اﻟﻔﻬﺮس‬
‫ﻓﺎﺼﻠﺔ‬ ‫ﻟﺴﺎﻥ ُ ﻁﻭﻴل ُ‬ ‫ُ‬ ‫‪‬‬ ‫ﺒﺜﻐﺭ ِ ﺍﻟﻔﻀﻭل.‬ ‫ْ‬ ‫ﺘﻘﻭل ؛‬ ‫ُ‬ ‫ﻟﺘﻨﻘﺽ‬ ‫‪‬‬ ‫ﻤﺎ ﻗﺩ‬ ‫ﺘﻘﻭل.‬ ‫ْ‬ ‫____________‬ ‫٤٢‬ ‫اﻟﻔﻬﺮس‬
‫ﻗﻭﺱ‬ ‫ﻴﺎ ﻫﺫﺍ ﺍﻟﻭﺍﻗﻑ ﻋﻨﺩ ﺍﻟﺤﺩ ﺍﻟﻔﺎﺼل.‬ ‫ﺃﻋﺭﺏ ﻤﺎ ﻓﻭﻕ ﺍﻟﺨﻁ ﺍﻟﻭﺍﺼل.‬ ‫ﺒﻴﻥ ﺍﻟﺤﻕ ؛ ﻭﺒﻴﻥ ﺍﻟﺒﺎﻁل.‬ ‫ﺍﻷﻨﺜﻰ‬ ‫ﻤﺒﺘﺩﺃ ٌ ﻋﺎﻁل.‬ ‫ﻴﺤﻴﻬﺎ ﻤﻥ ﻴﻬﻠﻙ ﻓﻴﻬﺎ‬ ‫‪‬‬ ‫ﻭﺍﻟﻔﺎﻋل‬ ‫ُ‬ ‫ﻤﺭﻓﻭﻉ ﺩﻭﻤﺎ ً .‬ ‫ٌ‬ ‫...............................‬ ‫٥٢‬ ‫اﻟﻔﻬﺮس‬
‫ﻤﺭﺍﻫﻘﺔ..‬ ‫ﺒﻐﺭﻭﺭ ِ ﻤﺭﺍﻫﻘﺔ ٍ‬ ‫ﺘﺴﺘﺒﻕ ﺍﻟﻭﻗﺕ َ‬ ‫ﺘﺭﻓﻭ ﺜﻘﺏ ﺍﻟﻠﻴل ِ‬ ‫‪‬‬ ‫ﺒﺼﺒﺢ ٍ ﻤﺤﺘﻘﻥ ٍ‬ ‫ﻓﻴﻀﺊ ..‬ ‫ﺒﺎﻟﻘﻠﻕ ِ ﺍﻟﺸﺎﺭﺩ ِ‬ ‫ﻓﻲ ﻤﺭﺁﺓ ﺤﻘﻴﺒﺘﻬﺎ‬ ‫ﺘﺴﺄل ُ ﻋﻥ ﺯﻴﺕ ِ ﺍﻟﻔﺎﻋل ِ‬ ‫ﻟﻴﺸﺎﻜﺱ ﺤﻠﻤﺔ َ ﻨﻬﺭ ﺍﻟﻔﺘﻨﺔ ِ‬ ‫‪‬‬ ‫ﻭﺘﺭﺩﺩ ﻓﻲ ﻫﻤﺱ ٍ :‬ ‫ﻤﺎ ﺃﺠﻤل ﺼﺩﺭﻱ‬ ‫َ‬ ‫ﺒل ..‬ ‫ﻤﺎ ﺃﺠﻤل ﻫﺫﺍ ﺍﻟﻤﻤﻠﻭﻙ ﺍﻟﻤﺎﻟﻙ‬ ‫َ‬ ‫ﻭﺍﻟﻜﻭﻥ ﺍﻟﻤﻜﻨﻭﻥ ﺍﻟﻬﺎﻟﻙ..‬ ‫ﺘﻁﻔﺭ ﺒﻬﺩﻴل ﺍﻟﺤﺎﺀﺍﺕ ﺍﻟﻤﻨﺩﻓﻌﺎﺕ‬ ‫ﻟﺘﺭﺴﻡ ﻤﺎ ﻻ ﻴﺭﺴﻡ .‬ ‫‪‬‬ ‫٦٢‬ ‫اﻟﻔﻬﺮس‬
‫ﻗﺎﺒﻠﺔ ..‬ ‫ﻴﺩﻫﺎ ﺘﺘﻭﻏل ُ..‬ ‫ﺒﻔﺤﻴﺢ ِ ﺃﻅﺎﻓﺭﻫﺎ‬ ‫ﺘﻤﺴﻙ‬ ‫ﺒﺘﻼﺒﻴﺏ ﺼﺭﺍﺥ ٍ ﻤﺤﺘﻘﻥ ٍ‬ ‫ﻓﻲ ﺭﺤﻡ ﺍﻟﺸﺎﻋﺭ ِ..‬ ‫ﺘﺴﺘﻭﻟﺩﻩ ﻜﺘﺎﺒﺎ ً‬ ‫ﻟﻭ ﺤﺎﻭل ﻴﻘﺭﺃﻩ ﺠﺒل ُ‬ ‫ُ‬ ‫ﻟﺘﺼﺩﻉ ْ.‬ ‫٧٢‬ ‫اﻟﻔﻬﺮس‬
‫ﺕ ﻡ ﻩ ل ..‬ ‫ﹶ ‪ْ  ‬‬ ‫ﺘﺩﻋﻭﻙ : ﺘﻤﻬل.‬ ‫ْ‬ ‫‪‬‬ ‫ﺩﺠﻥ ﻫﺫﺍ ﺍﻟﻔﻜﺭ ﺍﻟﻤﺘﻭﻫﺞ‬ ‫ﻓﻲ ﻓﻨﺠﺎﻥ ﺍﻟﺭﺃﺱ .‬ ‫ﻭﺭﻭﺽ ﻋﺎﺼﻔﺔ َ ﺍﻟﺭﻋﺸﺔ ِ‬ ‫ﻓﻲ ﺩﻭﺭﻕ ﻗﻠﺒﻙ ..‬ ‫ﻫﺩﺉ ﻏﻴﺒﻭﺒﺔ ﺩﻫﺸﺘﻙ‬ ‫ﻭﺠﻔﻑ ﺃﻨﻬﺎﺭ ﺃﻏﺎﻨﻴﻙ ﺍﻟﻌﺫﺭﺍﺀ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻗﺩ ﺃﻏﺭﻴﻙ ﺒﻤﺎ ﻻ ﺘﻌﺭﻓﻪ ﺍﻟﺼﻌﻠﻜﺔ ُ‬ ‫‪‬‬ ‫ﺃﺤﺎﺼﺭ ﺠﻐﺭﺍﻓﻴﺎ ﺃﺤﻼﻤﻙ ..‬ ‫ﺃﺤﺭﺍﺵ ﺨﻁﺎﻴﺎﻙ ..‬ ‫ﹶ‬ ‫ﺘﻤﻬل ..‬ ‫ﻻ ﺘﺘﻤﺎﺩﻱ ﻓﻲ ﺍﻟﺨﻭﺽ ِ ..‬ ‫ﻁﺭﻴﻘﻲ ﻤﺘﺭﻋﺔ ﺒﺎﻷﻓﻼﻙ ِ‬ ‫ﻤﺭﺼﻌﺔ ُ ُ ﺒﺎﻟﺨﻁﺭ ِ ﺍﻟﻐﺎﻤﺽ ِ ..‬ ‫ﻑ‬ ‫ﺕ‬ ‫ﻡ‬ ‫ﻫل.‬ ‫٨٢‬ ‫اﻟﻔﻬﺮس‬
‫ﺃﻨﺕ ﺍﻷﻨﺜﻰ‬ ‫ِ‬ ‫ﺒﻁﻤﻭﺡ ﺍﻟﺯﻫﺭﺓ ِ ﻭﻗﺕ ﺘﻔﺘﺤﻬﺎ‬ ‫ﹶ‬ ‫ﺘﺭﺘﻜﺏ ﺍﻟﻌﻁﺭ‬ ‫‪‬‬ ‫ﻜﻤﺎ ﻴﺭﺘﻜﺏ ﺍﻟﻤﺎﺀ ﻓﺤﻭﻟﺔ َ ﻨﺎﺭ ٍ‬ ‫‪‬‬ ‫ﺃﻨﺕ ِ ﺍﻷﻨﺜﻰ ..‬ ‫ﺒﺭﺩ ﺍﻟﻭﺤﺸﺔ ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﺩﻑﺀ ﺍﻟﻤﺒﻠﻭل ﺒﻌﺸﺏ ِ ﺍﻟﺭﻋﺸﺔ ِ‬ ‫ُ‬ ‫ﻭﺍﻟﺩﻤﻊ ﺍﻟﻀﺎﺤﻙ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺍﻟﻌﺴل ﺍﻟﻤﺘﻘﺎﻁﺭ ﻤﻥ ﺘﻴﻥ ﺍﻟﺸﻔﺘﻴﻥ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﺭﻴﺵ ﺍﻟﺭﻴﺢ ِ‬ ‫ﹸ‬ ‫ﻭﻫﺩﻫﺩﺓ ُ ﺴﺭﻴﺭ ِ ﺍﻟﻔﻭﻀﻰ‬ ‫ﻭﻓﺤﻴﺢ ﺍﻵﻫﺔ ِ ﺒﻴﻥ ﺍﻟﺠﺒﻠﻴﻥ‬ ‫‪‬‬ ‫ﻭﺤﻨﺎﻥ ﺍﻟﻀﻔﺔ ِ ﺤﻴﻥ ﻴﻼﻤﺴﻬﺎ‬ ‫‪‬‬ ‫ﺇﺒﻬﺎﻡ ﺍﻟﻨﻬﺭ ِ ..‬ ‫‪‬‬ ‫ﻭﻫﻴﺎﻡ ﻴﺘﻬﺠﻰ ﺍﻷﻓﻕ‬ ‫ﹶ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﻋﻴﻭﻥ ُ ﺘﺭﺼﺩ‬ ‫‪‬‬ ‫‪‬‬ ‫ِﺭ ﻏﺭﻭﺭ ﺍﻟﻨﻀﺞ‬ ‫ﺴ‬ ‫ﻭﺃﺤﻼﻡ ﺍﻟﻴﻘﻅﺔ ِ ؛ ﻭﺍﻟﻨﻭﻡ ..‬ ‫‪‬‬ ‫ﺃﻨﺕ ِ ﺍﻷﻨﺜﻰ..‬ ‫ﺒﻙ ِ‬ ‫ﻭﺇﻟﻴﻙ ِ‬ ‫ﻭﻓﻴﻙ ِ‬ ‫ﻴﻐﺎﻤﺭ ﻭﻋل ﺍﻟﺭﻏﺒﺔ ِ‬ ‫ُ‬ ‫‪‬‬ ‫ﻓﻲ ﺯﻟﺯﺍل ﺍﻟﻘﻠﺏ ِ ..‬ ‫ﻭﻴﺭﻜﺽ ﻓﻲ ﻏﺎﺒﺎﺕ ﺍﻟﺭﻭﺡ ِ‬ ‫‪‬‬ ‫ﺒﻌﻴﻥ ﺍﻟﺼﻘﺭ ِ ..‬ ‫٩٢‬ ‫اﻟﻔﻬﺮس‬
‫ﺃﻨﺕ ِ ﺍﻷﻨﺜﻰ ..‬ ‫ﺒﻙ ِ ؛ ﻭﺇﻟﻴﻙ ِ ؛ ﻭﻓﻴﻙ ِ‬ ‫ﻴﻌﻠﻭ ؛ ﻴﻬﺒﻁ‬ ‫ﻴﻬﺫﻱ ؛ ﻴﻌﻘل‬ ‫ﻴﺸﻭﻱ ﻓﻲ ﺘﻨﻭﺭﻙ ِ ﺴﻤﻜﺎ ً‬ ‫ﻴﻬﻭﻱ ﺍﻟﺤﺭﻕ .‬ ‫ﺃﻨﺕ ﺍﻷﻨﺜﻰ ..‬ ‫ِ‬ ‫ﺃﻨﺕ ِ ﺍﻷﻤﺎﺭﺓ ُ ﺒﺎﻟﺒﺭﻕ .‬ ‫٠٣‬ ‫اﻟﻔﻬﺮس‬
‫ﻤﻌﺎﺩﻟﺔ ..‬ ‫ﻫﺫﻩ ﺍﻷﻨﺜﻰ ﺍﻟﻤﻁﻴﻌﺔ ْ‬ ‫ﺘﺘﻘﻥ ﺍﻟﻜﺫﺏ‬ ‫‪‬‬ ‫ﻭﺃﺴﺭﺍﺭ ﺍﻟﺨﺩﻴﻌﺔ ْ‬ ‫‪‬‬ ‫ﻜﻠﻤﺎ ﺤﺎﻭﻟﺕ ﺃﻗﺘﻠﻬﺎ‬ ‫ﺃﺭﺍﻨﻲ‬ ‫ﺃﺯﺭﻉ ﻓﻲ ﺤﻘﻭل ِ ﺍﻟﺸﻌﺭ ِ‬ ‫ﺃﺸﺠﺎﺭ ﺍﻟﻔﺠﻴﻌﺔ ْ.‬ ‫‪‬‬ ‫١٣‬ ‫اﻟﻔﻬﺮس‬
‫ﺯﻫﺭﺓ ﺍﻟﻤﻠﺢ ِ‬ ‫ﹸ‬ ‫ﺇﻨﻬﺎ ﺯﻫﺭﺓ ٌ‬ ‫ﻨﺒﺘﺕ ﻓﻲ ﺒﺭﻜﺔ ِ ﺍﻟﻤﻠﺢ ِ‬ ‫ﻓﺎﻟﻤﺎﺀ ﻴﻅﻤﺄ ﻤﻥ ﺘﺤﺘﻬﺎ‬ ‫‪‬‬ ‫ﻭﺍﻟﺤﺯﻥ ‪‬ﻌﺸﺏ ُ..‬ ‫‪‬ﻴ‬ ‫ﻭﺍﻟﺤﻠﻡ ﻓﻴﻬﺎ ﻨﺒﻲ ٌ ﺘﻘﻴﺩ‬ ‫‪ ‬‬ ‫‪‬‬ ‫ﻓﻲ ﻤﻘﻠﺘﻴﻪ ﺍﻟﺴﺤﺎﺒﺔ ﻭﻫﻡ‬ ‫ﹸ ٌ‬ ‫ﻭﺒﻴﻥ ﻴﺩﻴﻪ ﺍﻟﻁﻭﺍﻟﻊ‬ ‫‪‬‬ ‫ﺨﺒﺯ ٌ ﺘﻌﻔﻥ..‬ ‫ﹼ‪‬‬ ‫ﻻ ﺸﺊ َ ﻴﻔ ِﺡ‬ ‫ﺭ‬ ‫ﺤﻴﻥ ﺘﺭﻱ ﺯﻫﺭﺓ ً‬ ‫ﻓﻲ ﺭﻤﺎﺩ ِ ﺍﻟﻤﺠﺎﻋﺔ ِ ﺘﻨﺒﺕ‬ ‫ﹸ‬ ‫ﻤﻥ ﺤﻭﻟﻬﺎ ﻴﻀﺤﻙ ﺍﻟﻤﻴﺘﻭﻥ ْ.‬ ‫٢٣‬ ‫اﻟﻔﻬﺮس‬
‫ﻗﻁﻊ‬ ‫ﺍﻟﻭﻟﺩ ﺍﻟﺸﺭﻴ ‪‬؛‬ ‫ﺭ‬ ‫‪‬‬ ‫ﻋﻠﻴﻪ ﺍﻟﻠﻌﻨﺔ ُ‬ ‫ﻴﺘﺄﺒﻁ ﻨﻌﻨﺎﻉ َ ﺍﻟﺩﻫﺸﺔ ِ‬ ‫ﻭﻴﺯﺝ ﺒﺄﻓﻜﺎﺭ ِ ﺍﻟﺤﺎﺭﺓ ِ ﻟﻠﺭﻴﺢ ِ‬ ‫ﻭﻴﺴﻜﻨﻬﺎ ﺍﻟﻤﻭﺝ َ..‬ ‫ﺍﻟﻭﻟﺩ ﺍﻟﺸﺭﻴﺭ ؛‬ ‫‪‬‬ ‫ﻋﻠﻴﻪ ﺍﻟﻠﻌﻨﺔ ُ‬ ‫ﺸﺎﻏﺏ ﻓﻲ ﺠﺯﺭ ٍ ﺴ ‪‬ﺠﻬﺎ ﺍﻟﻤﻠﺢ‬ ‫‪‬‬ ‫ﻴ‬ ‫‪‬‬ ‫ﻭﻏﺎﺩﺭﻫﺎ ﺍﻟﻔﻌل‬ ‫ُ‬ ‫ﻭﺤﺎﺼﺭﻫﺎ ﺍﻟﺘﺎﺒﻭﺕ ..‬ ‫ﹸ‬ ‫ﺍﻟﻭﻟﺩ ﺍﻟﺸﺭﻴﺭ ؛‬ ‫‪‬‬ ‫‪‬‬ ‫ﻋﻠﻴﻪ ﺍﻟﻠﻌﻨﺔ ُ‬ ‫ﺼﺎﺭﻉ ﻜل ﺘﻀﺎﺭﻴﺱ ِ ﺍﻟﻤﻨﻔﻲ‬ ‫ﺤﻁﻤﻬﺎ ﻗﻴﺩﺍ ً ؛ ﻗﻴﺩﺍ ً‬ ‫ﺤﺭﺭ ﺁﺨﺭ ﻤﺨﻠﻭﻗﺎﺕ ﺍﻟﺤﻠﻡ ِ‬ ‫‪ ‬‬ ‫ﻭﺃﻁﻠﻘﻪ ﻓﻲ ﺃﻓﻕ ِ ﺍﻟﺩﻓﺘﺭ.‬ ‫‪‬‬ ‫٣٣‬ ‫اﻟﻔﻬﺮس‬
‫ﺯﻴﺎﺭﺓ‬ ‫ﺩﻗﺕ ﺍﻟﻘﻠﺏ‬ ‫‪‬‬ ‫ﻭﺍﺴﺘﺄﺫﻨﺕ.‬ ‫ﹾ‬ ‫ﺩﺨﻠﺕ.‬ ‫ﹾ‬ ‫ﻓﺘﺸﺕ ﺒﺭﻫﺔ ً ﻓﻲ ﺍﻟﺩﻤﺎ ﺍﻟﺨﺎﻤﻠﺔ ْ.‬ ‫ﻗﻁﻔﺕ ﻭﺭﺩﺓ ً ﺫﺍﺒﻠﺔ ْ.‬ ‫ﻫﻴﺄﺕ ﻨﻔﺴﻬﺎ‬ ‫ﻟﻠﺴﺒﺎﺤﺔ ِ ﻋﺒﺭ ﺍﻟﺸﺭﺍﻴﻴﻥ‬ ‫‪‬‬ ‫ﻭﺼﻠﺕ ﻟﻠﻌﻘل ِ‬ ‫ﻗﻠﺒﺕ ﺃﻭﺭﺍﻗﻪ ﺍﻟﻤﻬﻤﻠﺔ ْ.‬ ‫ﺸﺎﻏﺒﺕ ﻓﻜﺭﺓ ً ﻋﺎﻁﻠﺔ ْ.‬ ‫ﻓﺘﺤﺕ ‪‬ﻠﺒﺔ َ ﺍﻻﻨﻔﻌﺎﻻﺕ ِ‬ ‫ﻋ‬ ‫ﺃﺨﺭﺠﺕ ﻭﺍﺤﺩﺍ ً‬ ‫ﺃﺸﻌﻠﺘﻪ‬ ‫ﺸﺒﺕ ﺍﻟﻨﺎﺭ ﻓﻲ ﺍﻟﻤﺴﺄﻟﺔ ْ.‬ ‫‪‬‬ ‫ﻫﺎﺩﺌﺔ ً‬ ‫ﻋﺎﺩﺕ ﺇﻟﻲ ﺍﻟﻘﻠﺏ ِ‬ ‫ﺃﻏﻠﻘﺕ ﺨﻠﻔﻬﺎ ﺍﻟﺒﺎﺏ‬ ‫‪‬‬ ‫ﻭﺍﺴﺘﺴﻠﻤﺕ ﺫﺍﻫﻠﺔ ْ.‬ ‫٤٣‬ ‫اﻟﻔﻬﺮس‬
‫ﻁﻴﺭ ُ ﻴﺠ ‪‬ﺩ ﺭﻴﺸﻪ‬ ‫ﹶُ‬ ‫ُ ﺩ‬ ‫ﺭﺠل ُ ﻟﻪ ﺤ ‪‬ﻲ..‬ ‫ِﺴ‬ ‫ُ‬ ‫ﻭﻤﻠﻙ ﺒﻨﺎ ِﻪ ِ ﻨﻔﺴﻲ ..‬ ‫ﻨ‬ ‫ﺒﺨﺒﺭﺘﻪ ﺴﻘﺎ ﺠﻤﺭﺍ..‬ ‫ﻭﺃﺭﺥ ﻟﻠﺼﺩﺍﻗﺔ ِ‬ ‫‪‬ﹶ‬ ‫ﺩﺍﺭ ﺒﺎﻟﺸﻤﺱ ِ ..‬ ‫‪‬‬ ‫ﺭﺠل ُ ؛ ﻜﻤﺎ ﻤﻁﺭ ﺍﻷﻤﺎﻥ ِ‬ ‫ُ‬ ‫ﺃﺼﺎﺒﻊ ُ‬ ‫‪‬‬ ‫ﺘﺼﻁﺎﺩ ﻤﻥ ﻋﺒﻕ ِ ﺍﻟﻤﻭﺍﻭﻴل ِ ﺍﻟﻨﺩﻴﺔ ِ‬ ‫‪‬‬ ‫ﺤﻜﻤﺔ َ ﺍﻟﻐﺭﺱ ِ ..‬ ‫ﺴﺄﻗﻭل :‬ ‫ُ‬ ‫ﻤﻥ ﻴﻤﺸﻲ ﻋﻠﻲ ﻗﺩﻤﻴﻥ‬ ‫‪‬‬ ‫ﻤﻥ ﻋﻤﺭ ٍ ..‬ ‫ﻭﻤﻥ ِﻌﺭ ٍ ..‬ ‫ﺸ‬ ‫ﻭﻴﺒﺩﻉ ‪‬ﻬﺭﺓ ً ؛‬ ‫ﻤ‬ ‫ﻭﺭﻤﻭﺸﻬﺎ ﻭﻁﻥ ُ‬ ‫‪‬‬ ‫ﻭﻴﻜﺘﺸﻑ ﺍﻟﺭﻤﻭﺯ َ ؛‬ ‫ﹸ‬ ‫ﻴﺅﻭل ﺍﻷﺤﻼﻡ ﺒﻴﻥ ﺍﻟﺤﺩﺱ ِ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﺍﻟﺩﺭﺱ ِ ..‬ ‫ﺭﺠل ُ ﻟﻪ ﺤﺱ ﺍﻟﻔﺤﻭﻟﺔ ِ ؛‬ ‫ِ ‪‬‬ ‫ُ‬ ‫ﻭﺍﻷﻤﻭﻤﺔ ِ ؛‬ ‫ﻭﺍﻟﺨﻴﺎل ﻤﻭﺼل ُ ﻟﻸﺼل ِ ..‬ ‫ُ‬ ‫ُ‬ ‫ﻭﻋﺎﻨﻘﺘﻪ ﻗﻀﻴﺔ ُ ُ ﻜﺎﻟﻤﺎﺀ ِ‬ ‫ﻓﻲ ﻁﻬﺭ ِ ﺍﻟﺤﺠﺎﺭﺓ ِ ؛‬ ‫ﻭﺍﻟﺘﺭﺍﺏ..‬ ‫ِ‬ ‫ﻭﻜﻠﻡ ﺍﻷﺸﺠﺎﺭ ؛‬ ‫‪‬‬ ‫ﹼ‪‬‬ ‫ﻭﺍﻷﻨﻬﺎﺭ‬ ‫ِ‬ ‫٥٣‬ ‫اﻟﻔﻬﺮس‬
‫ﻭﺍﺒﺘﻜﺭ ﺍﻟﻁﺭﻴﻘﺔ ِ ؛‬ ‫‪‬‬ ‫ﻭﺍﻟﻁﺭﻴﻕ ْ.‬ ‫ﺭﺠل ُ ﻟﻪ ﺨﺠل ﺍﻟﺒﺭﻴﻕ .‬ ‫ﹾ‬ ‫ُ‬ ‫ُ‬ ‫ﻭﻴﺩﺍﻩ ﺩﺍﻟﻴﺘﺎﻥ ﺘﻤﺘﺩﺍﻥ‬ ‫ﻤﺎ ﺒﻴﻥ ﺍﻟﺭﻁﻭﺒﺔ ِ ؛‬ ‫ﻭﺍﻟﺤﺭﻴﻕ ْ.‬ ‫ﻤﺎ ﺯﺍل ﻴﺒﺤﺙ ﻋﻥ ﺭﻓﻴﻕ.‬ ‫ﹾ‬ ‫ﺭﺠل ُ ؛ ﻜﻤﺎ ﻁﻴﺭ ٍ ﻴﺠ ‪‬ﺩ ﺭﻴﺸﻪ ﺤﻴﻨﺎ ً‬ ‫ﺩ‪‬‬ ‫ُ‬ ‫ﻴﻭﺴﻊ ﻋ ﹼﻪ ﺤﻴﻨﺎ ً‬ ‫ِ‪ ‬ﺸ‬ ‫ﻭﻴﺤﺼﺭﻩ ﺍﻟﻤﻀﻴﻕ.‬ ‫ﹾ‬ ‫ﻫﻭ ﻓﻲ ﺩﻤﻲ ﻴﺴﺭﻱ‬ ‫ﻭﻻ ﻏﺴﻕ ُ‬ ‫ﹸ‬ ‫ﻭﻻ ﺃﻓﻕ ُ ﺴﻭﻱ ﻋﻴﻨﻴﻪ‬ ‫ﹸ‬ ‫ﻏﺫﺍﻨﻲ ﺒﻌﺎﻁﻔﺔ ٍ‬ ‫ﻭﺃﻏﻨﻴﺔ ٍ‬ ‫ﻭﻋﺭﻓﻨﻲ ﻁﺭﻴﻕ ﺍﻟﺤﻠﻡ ِ‬ ‫ﻋﻠﻤﻨﻲ ﻜﻼﻡ ﺍﻟﻀﻭﺀ ِ‬ ‫‪‬‬ ‫ﺭﻭﻀﻨﻲ ﻋﻠﻲ ﺯﻤﻨﻲ .‬ ‫٦٣‬ ‫اﻟﻔﻬﺮس‬
‫ﺍﻤﺭﺃﺓ‬ ‫ﻫﻲ ﺍﻤﺭﺃﺓ ٌ‬ ‫ﻤﻥ ﻋﺒﻴﺭ ِ ﺍﻟﻁﻔﻭﻟﺔ‬ ‫- ﻴﺎ ﺴﻴﺩﻱ –‬ ‫ﻋﺸﻘﺘﻬﺎ ﺍﻟﻨﻭﺍﺭﺱ‬ ‫‪‬‬ ‫ﺤﻴﻨﺎ ً ﻤﻥ ﺍﻟﺩﻫﺭ ِ‬ ‫ﺠﺎﺩ ﻟﻬﺎ ﺍﻟﺒﺤﺭ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﺴﺭﺍﺭﻩ ؛‬ ‫ﻭﺍﻟﻶﻟﺊ..‬ ‫ﺤﻴﻥ ﻗﺎﺒﻠﺘﻬﺎ ﻓﻲ ﺍﻨﻔﻼﺘﺔ ِ ‪‬ﻠﻡ ٍ‬ ‫ﺤ‬ ‫ﺭﻤﺕ ﺒﺸﺒﺎﻙ ﺍﻟﻐﺭﺍﻡ ِ ﻋﻠﻲ‬ ‫‪‬‬ ‫ﺍﻟﻐﺭﺍﻡ ﻤﺸﻲ ﻓﻲ ﺍﻟﻌﺭﻭﻕ ِ‬ ‫‪‬‬ ‫ﺍﺤﺘﻘﻨﺕ‬ ‫ﺍﻨﻔﻠﺕ ﺇﻟﻲ ﺸﺎﻁﺊ ﺴﻨﺩﺴﻲ‬ ‫‪‬‬ ‫ﻭﻫﻴﺄﺕ ﺸﻭﻗﺎ‬ ‫ﹰ‬ ‫ﻭﻋ ‪‬ﺩﺕ ﻓﻲ ﻤﻔﺭﻕ ﺍﻟﻐﻴﺏ ِ ﺩﺭﺒﺎ ً‬ ‫ﺒ‬ ‫ﻭﻗﻠﺕ ُ :‬ ‫ﺘﺠﺊ ﻤﻊ ﺍﻟﻠﻴل‬ ‫ﺃﺴﺭﻱ ﺒﻬﺎ‬ ‫ﻟﻠﺫﻱ ﻻ ﻴﺠﻭﺩ ﺒﻪ ﺍﻟﺩﻫﺭ‬ ‫‪‬‬ ‫ﺇﻻ ﻟﻤﺜﻠﻲ..‬ ‫ﹼ‬ ‫ﻭﻜﺎﻥ ﻟﻬﺎ ﻤﺎ ﺘﺸﺎﺀ‬ ‫‪‬‬ ‫ﺍﻟﻨﻭﺍﺭﺱ‬ ‫‪‬‬ ‫ﻏﻴﻡ ﻤﻥ ﺍﻟﺭﻓﺭﻓﺎﺕ ِ‬ ‫ٌ‬ ‫ﻤﻥ ﺍﻟﺼﻭﺼﻭﺍﺕ ِ‬ ‫ﻟﻬﺎ ﺍﻟﺒﺤﺭ‬ ‫‪‬‬ ‫ﺃﺴﺭﺍﺭﻩ ؛‬ ‫‪‬‬ ‫ﻭﺍﻟﻶﻟﺊ..‬ ‫٧٣‬ ‫اﻟﻔﻬﺮس‬
‫ﻭﻟﻡ ﻴﺒﻕ ﻋﻨﺩﻱ‬ ‫ﺴﻭﻱ ﺒﻌﺽ ﺸﻴﺏ ٍ‬ ‫ﻭﺒﻌﺽ ﺭﻤﺎﺩ.‬ ‫‪‬‬ ‫٨٣‬ ‫اﻟﻔﻬﺮس‬
‫ﺍﻤﺭﺃﺓ ٌ ﺃﺨﺭﻱ‬ ‫ﺍﻤﺭﺃﺓ ُ ُ ..‬ ‫ﺘﺼل ﺍﻟﻤﻭﺠﺔ َ ﺒﺎﻟﺸﺎﻁﺊ ِ .‬ ‫ﻭﺘﺼﺎﺩﻕ ﺒﻴﻥ ﺍﻟﻌﺫﺏ ِ‬ ‫ﻭﺒﻴﻥ ﺍﻟﻤﻠﺢ ِ ..‬ ‫ﺘﺤﻴﻙ ﺍﻷﺒﻴﺽ ﺒﺎﻷﺴﻭﺩ ِ ..‬ ‫‪‬‬ ‫ﻭﺍﻟﻠﻴل ﺘﻠ ‪‬ﻨﻪ ﺒﺎﻟﻨﻭﺭ .‬ ‫‪‬‬ ‫َ ﻭ‬ ‫ﺍﻤﺭﺃﺓ ُ ُ ..‬ ‫ﻜﺎﻟﺒﻠﻭﺭ ْ .‬ ‫ﻜﻐﻨﺎﺀ ِ ﺍﻟﻔﺭﺤﺔ ِ‬ ‫ﺒﺎﻟ ‪‬ﺏ ﱢ ﺘﺩﻭﺭ .‬ ‫‪‬‬ ‫ﺤ‬ ‫ﻭﺘﻘ ‪‬ﻡ ﻟﻠﻔﻘﺭﺍﺀ ِ,‬ ‫ﺩ‪‬‬ ‫ﻭﻟﻸﻁﻔﺎل ِ,‬ ‫ﻭﻟﻸﺤﺯﺍﻥ ِ ﺍﻟﺜﻜﻠﻰ‬ ‫ﺃﻁﺒﺎﻕ ﺴﺭﻭﺭ .‬ ‫‪‬‬ ‫ﹶ‬ ‫٩٣‬ ‫اﻟﻔﻬﺮس‬
‫ﺃﻡ‬ ‫ﺇ ﱠﻬﺎ ﻻ ﹸﺠﻴﺩ ﺍﻟﻜﻼﻡ ..‬ ‫‪‬‬ ‫ﺘ ‪‬‬ ‫ﻨ‬ ‫ﺘﻜﺩﺡ ﻓﻲ ﺍﻟﺒﻴﺕ ِ ﻁﻭل ﺍﻟﻨﻬﺎﺭ ِ ..‬ ‫َ‬ ‫ﻭﺤﻴﻥ ﻴﻨﺎﻡ ﺍﻟﺠﻤﻴﻊ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺴﺘﺨﻠﻊ ﺠﻠﺩ ﺍﻟﺼﺒﺎﺡ ِ ..‬ ‫‪‬‬ ‫ﻭﺘﻠﺒﺱ ﺠﻠﺩ ﺍﻟﻤﺴﺎﺀ ِ ..‬ ‫‪‬‬ ‫ﻭﺘﺄﺨﺫ ﺤ ‪‬ﺎ ‪‬ﻬﺎ ,‬ ‫ﻤﻤ‬ ‫ﻭﺘﻨﺎﻡ .‬ ‫‪‬‬ ‫٠٤‬ ‫اﻟﻔﻬﺮس‬
‫ﻫﻲ‬ ‫ﻫﻲ ﺁﺨﺭ ﺍﻤﺭﺃﺓ‬ ‫ﺘﺭﺍﻗﺼﺕ ﺍﻟﺤﺩﺍﺌﻕ ﺘﺤﺕ ﺨﻁﻭﺘﻬﺎ‬ ‫ﻭﺘﺴﺎﻗﻁ ﺍﻟﻤﻁﺭ ﺍﻟﻌﺼﻲ‬ ‫ﻭﺃﻴﻨﻌﺕ ﻤﺩﻥ ﻟﺒﺴﻤﺘﻬﺎ‬ ‫ﻭﺘﺼﺎﻓﺤﺕ ﺩﻭل .‬ ‫ﻫﻲ ﺁﺨﺭ ﺍﻤﺭﺃﺓ‬ ‫ﺘﻔﺘﺢ ﺘﺤﺕ ﺨﻁﻭﺘﻬﺎ ﺍﻟﺒﻨﻔﺴﺞ‬ ‫ﻭﺍﻨﺤﻨﻰ ﺍﻟﺭﻴﺤﺎﻥ‬ ‫ﻭﺍﺨﻀﺭﺕ ﻀﻔﺎﻑ ﺍﻟﻨﻬﺭ‬ ‫ﻋﻨﺩ ﻤﺭﻭﺭﻫﺎ‬ ‫ﻭﺃﺴﺘﺄﺫﻥ ﺍﻟﺨﺠل .‬ ‫ﻫﻲ ﺁﺨﺭ ﺍﻤﺭﺃﺓ‬ ‫ﺘﻨﺎﺴﻠﺕ ﺍﻟﻤﻭﺍﺴﻡ ﺒﻴﻥ ﻋﻴﻨﻴﻬﺎ‬ ‫ﺍﻟﻠﺘﻴﻥ ﺘﺼﺎﻟﺤﺕ‬ ‫ﻤﻥ ﺃﺠل ﻨﻅﺭﺘﻬﺎ ﺍﻟﺠﻭﺍﺭﺡ‬ ‫ﻭﺍﺴﺘﺤﻰ ﺍﻟﻔﺸل‬ ‫ﺇﻥ ﺸﺌﺕ ﺘﻌﺭﻓﻬﺎ‬ ‫ﺘﻌﺎل ﻟﺘﺭﺘﻭﻱ‬ ‫ﻤﻥ ﻨﺒﻊ ﻋﻴﻨﻴﻬﺎ ﺍﻟﻠﺘﻴﻥ ﺃﻁﻠﺘﺎ‬ ‫ﻓﺎﺼﻁﻔﺕ ﺍﻟﻔﺭﺴﺎﻥ‬ ‫ﻫﻴﺎ .... ﺃﻴﻬﺎ ﺍﻟﺭﺠل .‬ ‫١٤‬ ‫اﻟﻔﻬﺮس‬
‫ﺍﻟﻘﺼﻴﺩﺓ ..‬ ‫ﺍﻤﺭﺃﺓ ٌﻤﻥ ﻭﺭﻕ ٍ‬ ‫ﻭﻜﻼﻡ ٍ‬ ‫ﻭﺨﻴﺎل.‬ ‫ْ‬ ‫ﺒﻴﺕ ٌ ﻤﺄﻫﻭل ﻜﺎﻟﺴﺎﺤﺎﺕ ِ‬ ‫ٌ‬ ‫ﻭﻓﻘﻴﺭ ﻜﻴﺩﻱ..‬ ‫ٌ‬ ‫ﺘﺘﺤﺎﺸﻰ ﻓﻘﺩﺍﻨﻲ‬ ‫ﻭﺘﻅل ﺘﺭﺍﻗﺏ ﺤﺎﻻﺕ ٍ ﺘﺘﺠﻠﻲ‬ ‫‪‬‬ ‫ﻓﺎﻜﻬﺔ ً ﺘﺴﻘﻁ‬ ‫ﻭﻋﻼﻗﺎﺕ ٍ ﺒﺘﺭﺍﺀ‬ ‫‪‬‬ ‫ﻭﻁﻘﺴﺎ ً ﻴﺠﻨﺢ..‬ ‫‪‬‬ ‫ﺍﻤﺭﺃﺓ ٌ ..‬ ‫ﻜﺘﺏ ؛ ﻭﻤﺂﺜﺭ‬ ‫‪‬‬ ‫ٌ‬ ‫ﺍﺴﺘﻘﺒﻠﻬﺎ ﺨﺎﺭﺝ ﺃﻴﺎﻤﻲ‬ ‫ﻭﺘﺩﺍﻫﻤﻨﻲ ﻓﻲ ﻜل ﺘﻔﺎﺼﻴل ﺤﻴﺎﺘﻲ‬ ‫ﺘﺠﻤﻌﻨﻲ ﻤﻌﻬﺎ ﻓﻲ ﺼ ‪‬ﺭ ٍ‬ ‫ﻭ‬ ‫ﺘﺘﺭﻜﻨﻲ ﻀﻴﻔﺎ ً ﻴﺴﺘﺠﺩﻱ‬ ‫ﻭﺨﺴﺎﺭﺍﺕ ٍ ﻁﺎﺯﺠﺔ ٍ‬ ‫ﻭﺃﻤﺎﻥ ٍ ‪‬ﺘﻜﻠﺔ ْ .‬ ‫ﻤ‬ ‫ﺘﺘﻭﻋﺩﻨﻲ ﺒﺨﻴﺎﻨﺔ ِ ﺒﺤﺭﻱ‬ ‫ﻭﺘﻭﺍﻋﺩﻨﻲ ..‬ ‫ﻟﺘﺴﺭﻱ ﻗﻠﻘﻲ ﻓﻲ ﻨﺯﻫﺎﺕ ٍ‬ ‫ﻨﺸﻬﺩ ﻓﻴﻬﺎ ﹸﺠﺎﺭﺍ ً ﻤﻥ ﺃﺯﻤﺎﻥ ٍ ﺴﺎﺤﻘﺔ ٍ‬ ‫ﺘ‬ ‫ﻴﺄﺘﻭﻥ ؛ ﻭﻴﺘﻼﺸﻭﻥ ..‬ ‫ﺍﻤﺭﺃﺓ ٌ ..‬ ‫ﻟﻴﺴﺕ ﻜﻌﺸﺎﺌﻲ ﺍﻟﻤﺄﻟﻭﻑ ِ‬ ‫ﺘﺘﺭﻜﻨﻲ ﻓﻲ ﺍﻟﺭﻴﺢ ِ‬ ‫ﻋﻠﻲ ﺴﺎﺤل ِ ﻭﺭﻗﺔ ِ ﺘﻭﺕ ٍ‬ ‫ﺘﺤﻤل ﺭﺃﺴﻲ ﻜﺭﺓ ً ﺃﺭﻀﻴﺔ ْ.‬ ‫٢٤‬ ‫اﻟﻔﻬﺮس‬
‫ﻭﺒﻘﺎﻴﺎ ﺃﺯﻤﻨﺔ ٍ ..‬ ‫ﺘﺴﺄﻟﻨﻲ ﻋﻥ ﻴﻭﺴﻑ‬ ‫ﹶ‬ ‫ﻋﻥ ﻨﻭﺡ ٍ ..‬ ‫ﺘﺘﺭﻜﻨﻲ ﺩﺭﻭﻴﺸﺎ ً ﻤﺄﺨﻭﺫﺍ ً‬ ‫ﻷﺼﻴﺢ ﻜﺩﻴﻙ ٍ ﺃﺫﻥ ﻟﻠﻔﺠﺭ ِ‬ ‫ﹼ‪‬‬ ‫‪‬‬ ‫ﻋﻠﻲ ﺴﻁﺢ ِ ﺍﻟﺒﻴﺕ ِ ﺍﻷﺒﻴﺽ ِ ..‬ ‫ﻭﺘﺤﺎﺠﺠﻨﻲ :‬ ‫ﻻ ﺃﺭﺠﻭﻙ‬ ‫‪‬‬ ‫ﺇﺫﺍ ﻏﺎﺩﺭﺕ ﺭﺠﺎﺌﻲ ﻓﻴﻙ ..‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭﺇﺫﺍ ﺃﺤﺭﻗﺕ ﻨﺸﻴﺩﻱ‬ ‫ﻻ ﺃﻨﺴﻲ ﻜﻠﻤﺎﺕ ِ ﻨﺸﻴﺩﻙ..‬ ‫ِ‪‬‬ ‫ﺍﻤﺭﺃﺓ ٌ ..‬ ‫ﺘﺴﻌﻲ ﺒﻴﻥ ﻴﺩﻱ‬ ‫‪‬‬ ‫ﻭﻤﻥ ﺨﻠﻔﻲ ..‬ ‫ﻭﺘﻁﺎﺭﺩﻨﻲ..‬ ‫ﻜﺭﻤﺎل ٍ ﺘﺒﺘﻠﻊ ﺍﻟﺘﺎﺌﻪ ﻤﻥ ﻋﺭﺒﺎﺘﻲ‬ ‫ﻭﺭﻋﺎﻴﺎﻱ..‬ ‫‪‬‬ ‫ﻟﻴﺱ ﻤﻌﻲ ﻤﻨﻬﺎ ﺇﻻﻱ ..‬ ‫ﹼ ‪‬‬ ‫ﺤﻴﻥ ﺘﻬﺯ ﺸﺒﺎﺒﻴﻙ ﺭﺠﺎﺌﻲ‬ ‫‪‬‬ ‫ﺃﻓﺯﻉ ﻤﺼﺤﻭﺒﺎ ً ﺒﺼﺭﺍﺨﻲ‬ ‫‪‬‬ ‫ﺼﻭﺏ ﺴﻭﺍﺤﻠﻬﺎ ﺍﻟﻤﺭﺼﻭﻓﺔ ِ‬ ‫‪‬‬ ‫ﺒﺎﻟﺴﻔﻥ ِ ﺍﻟﻤﺤﻁﻭﻤﺔ ِ..‬ ‫ﻭﺃﻟﻭﺡ ﺒﺎﻟﺭﻭﺡ ِ ﺍﻟﻐﺭﻗﻰ ..‬ ‫‪‬‬ ‫ﺘﺘﺭﻜﻨﻲ ﺼ ‪‬ﺎﺩﺍ ً ؛‬ ‫ﻴ‬ ‫ﺼﻴﺩﺍ ً..‬ ‫ﻭﺘﻠ ‪‬ﺡ ﻟﻲ ﺒﺎﻟﺩﻋﻭﺍﺕ ْ.‬ ‫ﻭ‬ ‫٣٤‬ ‫اﻟﻔﻬﺮس‬
‫ﻓﺘﺎﺓ ..‬ ‫ﻜﺄﻨﻬﺎ ﺍﻟﺭﺅﻴﺎ ﺘﻬﺯﻨﻲ‬ ‫ﻜﻤﺎ ﺘﻬﺯﻨﻲ ﺍﻟﻤﻭﺍﺴﻡ ﺍﻟﺘﻲ ﻤﻀﺕ‬ ‫ﹾ‬ ‫‪‬‬ ‫ﻓﻲ ﺃ ‪‬ل ِ ﺍﻟﺼﺒﺎ‬ ‫ﻭ‬ ‫ﻭﺠﻤﺭﺓ ِ ﺍﻟﺸﺒﺎﺏ ْ.‬ ‫ﻜﺄﻨﻬﺎ ﺍﺒﺘﺴﺎﻤﺔ ٌ‬ ‫ﺠﺎﺩﺕ ﺒﻬﺎ ﻋﺎﺒﺭﺓ ٌ ﺤﺴﻨﺎﺀ .‬ ‫‪‬‬ ‫ﻤﺎ ﺯﺍل ﻓﻲ ﺜﻴﺎﺒﻲ ﻨﻜﻬﺔ ُ ﺍﻟﻘﺭﻯ‬ ‫ﻭﻓﻲ ﺩﻤﺎﺌﻲ ﺩﻫﺸﺔ ٌ‬ ‫ﻟﺤﺎﺭﻕ ِ ﺍﻟﻬﻭﻯ ..‬ ‫ﺃﻤﺴﻙ ﺒﻬﺎ ﻴﺎ ﺼﺎﺤﺒﻲ‬ ‫‪‬‬ ‫ﺘﻠﻙ ﺍﻟﻔﺘﺎﺓ ..‬ ‫ﺃﻤﺴﻙ ْ ﺒﻬﺎ ﻓﻲ ﺩﻭﺭﻕ ِ ﺍﻟﺭﻭﺡ ِ‬ ‫ﻭﺩﻋ‪‬ﻬﺎ ﺘﻠﺘﻬﺏ.‬ ‫‪‬‬ ‫ﻜﺄﻨﻬﺎ ﺩﻤﺎﺀ ﻋﺎﺸﻕ ٍ‬ ‫‪‬‬ ‫ﻓﻘﺩ ﺘﻜﺘﻔﺕ ﻴﺩﺍﻱ ﺒﺎﻟﺴﺅﺍل.‬ ‫ْ‬ ‫‪‬‬ ‫ﻭﺍﺴﺘﺄﺫﻥ ﺍﻟﺨﻴﺎل.‬ ‫ْ‬ ‫٤٤‬ ‫اﻟﻔﻬﺮس‬
‫ﺍﻟﻤﺠﻬﻭﻟﺔ‬ ‫ﺼﺎﺭﺤﺘﻬﺎ ﻫﻭﺍﺠﺴﻬﺎ ﻤ ‪‬ﺓ ً‬ ‫ﺭ‬ ‫ﻋﻥ ﺤﻘﻴﻘﺔ ِ ﻫﺫﺍ ﺍﻟﺠﺴﺩ .‬ ‫‪‬‬ ‫ﻗﺎﺭﺓ ُ ﺍﻟﺜﻠﺞ ِ ﺍﻟﺘﻲ ﺘﺘﻤ ‪‬ﺩ‬ ‫ﺩ‪‬‬ ‫ﻗﺩ ﺃﻜﻠﺕ ﻜل ﺸﺊ ٍ‬ ‫َ‬ ‫ﺸﻭﺍﺭﻋﻪ ؛‬ ‫‪‬‬ ‫ﻭﺍﻟﻘﺭﻯ‬ ‫ﻭﺍﻟﺤﺩﺍﺌﻕ..‬ ‫ﹶ‬ ‫ﻫﺫﺍ ﺍﻟﺠﺴﺩ‬ ‫‪‬‬ ‫ﻟﻡ‬ ‫ﻴﺒﻕ‬ ‫ﻓﻴﻪ‬ ‫ﺃﺤﺩ.‬ ‫‪‬‬ ‫...........................................‬ ‫ﻤﺒﺘﻠﺔ ٌ ؛ ﻜﺎﻟﺤﻭﺍﺭﻱ ﺍﻟﻘﺩﻴﻤﺔ ِ‬ ‫ﺘﻤﺸﻲ ﺇﻟﻲ ﺁﺨﺭ ِ ﺍﻟﻠﻴل ِ‬ ‫ﻴﺭﺸﻘﻬﺎ ﺍﻟﻌﺎﺒﺭﻭﻥ ﺒﻜل ِ ﺍﻟﺴﻬﺎﻡ.‬ ‫‪‬‬ ‫ﺘﺄﻭﻱ ﺇﻟﻲ ﻏﺭﻓﺔ ٍ ﻋﻨﺩ ﺴﺎﺤل ِ ﺍﻟﻨﻬﺭ ِ‬ ‫ﺘﻠﻀﻡ ﺃﻋﻀﺎ ‪‬ﻫﺎ ؛‬ ‫ﺀ‬ ‫ﻭﺘﻨﺎﻡ .‬ ‫‪‬‬ ‫ﺇﻨﻬﺎ ﻻ ﺘﺠﻴﺩ ﺴﻭﻱ ﺍﻟﺼﻤﺕ ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﺼﻤﺕ ﻜل ﺍﻟﻜﻼﻡ.‬ ‫‪‬‬ ‫ﹸ ُ‬ ‫........................................‬ ‫ﺴﺎﻫﻤﺔ ً ؛ ﻗﺒل ﺍﻟﻨﻭﻡ ِ‬ ‫َ‬ ‫ﺘﺴﺘﺭﺠﻊ ﺃﻴﺎﻡ ﺃﻨﻭﺜﺘﻬﺎ‬ ‫‪‬‬ ‫ﺘﺤﺼﻲ ﻓﻲ ﺍﻟﺫﺍﻜﺭﺓ ِ ﺨﻭﺍﺘﻤﻬﺎ‬ ‫ﻭﻗﻼﺌﺩﻫﺎ..‬ ‫٥٤‬ ‫اﻟﻔﻬﺮس‬
‫ﻭﺭﺴﺎﺌل ﺃﺒﻁﺎل ِ ﺭﻭﺍﻴﺘﻬﺎ ﺍﻟﺒﻠﻬﺎﺀ.‬ ‫‪‬‬ ‫َ‬ ‫ﺘﻘﺭﺃ ﺒﻌﺽ ﻭﺭﻴﻘﺎﺕ ٍ ﺼﻔﺭﺍﺀ.‬ ‫‪‬‬ ‫ﺘﻀﺤﻙ ﻓﻲ ﺍﺴﺘﺤﻴﺎﺀ ْ.‬ ‫ﺁﻩ ٍ ..‬ ‫ﻜﻡ ﻜﺎﻨﻭﺍ ﺭﻏﻡ ﺒﻼﻫﺘﻬﻡ ﺒﻠﻐﺎﺀ.!!‬ ‫‪‬‬ ‫...............................................‬ ‫ﺘﻔﺘﺵ ﻓﻲ ﺍﻟﺴﻨﻭﺍﺕ ِ ﺍﻟﻘﺩﻴﻤﺔ ِ‬ ‫ﻓﻲ ﻤﺨﺯﻥ ﺍﻟﺫﺍﻜﺭﺓ ْ.‬ ‫ﻋﻥ ﺍﻟﻠﺤﻅﺔ ِ ﺍﻟﻀﺎﺌﻌﺔ ْ.‬ ‫ﺘﻔﺘﺵ ﻓﻲ ﺍﻟﻌﺎﺒﺭﺍﺕ ِ‬ ‫ﻤﻥ ﺍﻟﻔﺎﺘﻨﺎﺕ ِ‬ ‫ﻋﻥ ﺍﻟﺒﺴﻤﺔ ِ ﺍﻟﻀﺎﺌﻌﺔ ْ.‬ ‫ﺘﻔﺘﺵ ﻓﻲ ﻜل ﺩﺭﺏ ٍ ﻤﺸﺘﻪ‬ ‫ﻋﻥ ﺍﻟﺨﻁﻭﺓ ِ ﺍﻟﻀﺎﺌﻌﺔ ْ.‬ ‫ﺘﻔﺘﺵ ﻓﻲ ﺠﺴﻤﻬﺎ‬ ‫ﻓﻲ ﺒﻘﺎﻴﺎ ﺍﻟﺜﻴﺎﺏ ِ ﺍﻟﻘﺩﻴﻤﺔ ِ‬ ‫ﻻ ﺸﺊ ﺴﻭﻱ ﺍﻵﻥ‬ ‫‪‬‬ ‫ﻭﺍﻵﻥ ..‬ ‫ﻤﺎﺫﺍ ﻴﻔﻴﺩ ﺍﻟﻨﺩﻡ؟ !!‬ ‫.........................................‬ ‫ﺤﻴﻥ ﺘﻀﺤﻙ‬ ‫‪‬‬ ‫ﻓﺎﻟﻀﺤﻙ ﻓﻴﻬﺎ ﺒﻜﺎﺀ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﺤﻴﻥ ﺘﺒﻜﻲ‬ ‫ﻓﻤﺎ ﻤﻥ ﺩﻤﻭﻉ ٍ ﻋﻠﻲ ﻤﻘﻠﺘﻴﻬﺎ‬ ‫ﻭﻟﻜﻥ ﺩﻤﺎﺀ ْ.‬ ‫ﺤﻴﻥ ﺘﺠﻠﺱ‬ ‫ﺃﻭ ﺘﺘﻤﺸﻲ ﻋﻠﻲ ﺴﺎﺤل ِ ﺍﻟﻨﻬﺭ ِ‬ ‫ﻋﻨﺩ ﺍﻟﻤﺴﺎﺀ ْ.‬ ‫ﺤﻴﻥ ﺘﺸﺭﺏ ﺸﺎﻴﻬﺎ ﺍﻟﻤ ‪‬‬ ‫‪‬ﺭ‬ ‫٦٤‬ ‫اﻟﻔﻬﺮس‬
‫ﻜﺄﻨﻪ ﺍﻟﺩﻭﺍﺀ ْ.‬ ‫ﺘﺸﻬﻕ ﺍﻟﻁﻴﻭﺭ ﻓﻲ ﺴﻼل ﺠﺴﻤﻬﺎ‬ ‫‪‬‬ ‫ﻭﻴﻬﺭﺏ ﺍﻟﻬﻭﺍﺀ ْ.‬ ‫ﻜﺄﻨﻬﺎ ﺘﺒ ‪‬ﺃﺕ ﻤﻥ ﺍﻨﺘﻤﺎﺀﻫﺎ‬ ‫ﺭ‬ ‫ﻟﻌﺎﻟﻡ ﺍﻟﻨﺴﺎﺀ ْ.‬ ‫.........................................‬ ‫ﻫﻨﺎﻙ ؛ ﻋﻠﻲ ﺤﺎﻓﺔ ِ ﺍﻟﻨﻬﺭ ِ‬ ‫‪‬‬ ‫ﻓﻲ ﺒﻴﺘﻬﺎ ﺍﻟﻤﺤﺩﻭﺩﺏ ِ ﺍﻟﻅﻬﺭ ِ‬ ‫ﺒﻐﺭﻓﺔ ٍ ﻓﻘﻴﺭﺓ ْ.‬ ‫ﺭﺃﻴﺘﻬﺎ ؛ ﻭﻗﺩ ﺘﻤ ‪‬ﺩﺕ ﻜﺠﺜﺔ ٍ‬ ‫ﺩ‬ ‫ﻋﻠﻲ ﺍﻟﺤﺼﻴﺭﺓ ْ.‬ ‫ﻨﻌﻡ .. ﺃﻨﺎ ﺭﺃﻴﺘﻬﺎ‬ ‫‪‬‬ ‫ﻓﻲ ﺍﻟﻐﺭﻓﺔ ِ ﺍﻟﻌﻤﻴﺎﺀ ْ.‬ ‫ﻫﻨﺎﻙ ﺠﻨﺏ ﺍﻟﻤﺎﺀ ْ.‬ ‫‪‬‬ ‫ﺘﻜﻭﻤﺕ ﻜﺤﻔﻨﺔ ٍ ﻤﻥ ﺍﻟﻌﻅﺎﻡ ْ.‬ ‫ﺘﻘ ‪‬ﺴﺕ ﻜﺄﻨﻬﺎ ﻋﻼﻤﺔ ﺍﺴﺘﻔﻬﺎﻡ.‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭ ﹾ‬ ‫ﺸﺤﻭﺒﻬﺎ ؛ ﺒﻼ ﻤﻼﻤﺢ ٍ‬ ‫ﻭﺃﺭﻀﻬﺎ ﺴﻤﺎﺀ ْ.‬ ‫ﻭﻟﻴﺱ ﻤﻥ ﺃﺴﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻜﺄﻨﻬﺎ ﺃﻨﺸﻭﺩﺓ ٌ ﺍﻟﻬﺠﺎﺀ ِ ؛ ﻭﺍﻟﺭﺜﺎﺀ ْ.‬ ‫ﺤﺭﻭﻓﻬﺎ ﻤﻥ ﺼﻤﺕ ٍ‬ ‫ﻋﻨﻭﺍﻨﻬﺎ ﺍﻟﺫﻱ ﻤﺤﺘﻪ ﻜﻑ ُ ﺍﻟﻭﻗﺕ ِ‬ ‫ﹼ‬ ‫ﻤﻘﺩﺱ ٌ ﻜﺎﻟﻤﻭﺕ ِ .‬ ‫٧٤‬ ‫اﻟﻔﻬﺮس‬
‫ﻫل ﻤﻥ ﻤﺯﻴﺩ؟!!‬ ‫ﻭﺨﺎﺌﻔﺔ ﻤﻥ ِﺼﻲ ﺍﻟﻀﻤﻴﺭ ِ‬ ‫ﻋ ‪‬‬ ‫ﹸﺼ ‪‬ﺭ ﻟﻠﺒﻴﻊ ِ ﻟﺤﻤﺎ ً‬ ‫ﺘ ﺩ‬ ‫ﻭﺘﻌﻠﻥ :‬ ‫ﺇﻥ ﺍﻟﺴﻴﺎﺴﺔ َ ﺴﻴﺭﻙ‬ ‫ٌ‬ ‫ﻭﻨﺤﻥ ﻏﺭﻴﺒﺎﻥ ﻓﻴﻪ ..‬ ‫ﻨﻌﻡ..‬ ‫‪‬‬ ‫ﺇﻨﻬﺎ ﻁﻔﻠﺔ ٌ‬ ‫ﺘﺤﺎﻭل ﺃﻥ ﺘﺼﻨﻊ ﺍﻟﻌﻴﺩ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﺭﺴﻡ ﻀﺤﻜﺘﻬﺎ‬ ‫ﻭﺘﻭﺯﻉ ﺨﺒﺯﺍ ً‬ ‫ﻭﺭﻭﺤﺎ ً ﻤﻼﻜﺎ ً‬ ‫ﻟﻤﻥ ﻻ ﻴﺭﻴﺩﻭﻥ ﺇﻻ ﺍﻟﺠﺴﺩ !!‬ ‫‪‬‬ ‫ﹼ‬ ‫................................‬ ‫ﻭﻜﺎﻟﺩﻋﻭﺍﺕ ِ ﺍﻟﻤﺤﺎﻁﺔ ِ ﺒﺎﻟﺭﻋﺏ ِ‬ ‫ﻓﻲ ﻜﺭﻨﻔﺎل ﺍﻟﺘﻨﻜﺭ ِ ؛ ﻭﺍﻟﻜﺫﺏ ِ‬ ‫ﺘﺒﻜﻲ ..‬ ‫ﻭﻴﺒﻜﻲ ﻋﻠﻲ ﺼﺩﺭﻫﺎ ﺍﻟﺤ ‪ُ ‬‬ ‫‪‬ﺏ‬ ‫ﻻ ﺘﻤﺴﺢ ﺍﻟﺩﻤﻊ‬ ‫‪‬‬ ‫ﻓﺎﻟﺩﻤﻊ ﺩﻡ ُ ﺍﻟﺒﻜﺎﺭﺓ ِ‬ ‫‪ ‬‬ ‫.....................................‬ ‫ﻜﻨﺕ ﺃﺭﺍﻗﺼﻬﺎ‬ ‫ﹸ‬ ‫ﻷﺅﻜﺩ ﺃﻥ ﺍﻟﺘﻤﺭﺩ ﻁﻔل‬ ‫‪ٌ ‬‬ ‫‪‬‬ ‫ﻭﺃﻥ ﺍﻟﺴﻤﺎﺀ ﻟﻬﺎ ﻨﻜﻬﺔ ُ ﺍﻟﻤﺎﺀ ِ‬ ‫‪‬‬ ‫ﻗﺎﻟﺕ :‬ ‫ﹾ‬ ‫ﻫﻲ ﺍﻟﺭﻋﺸﺔ ﺍﻟﻤﻠﻜﻴﺔ ُ‬ ‫ﹸ‬ ‫ﻋﻨﺩ ﺍﺤﺘﻘﺎﻥ ِ‬ ‫٨٤‬ ‫اﻟﻔﻬﺮس‬
‫ﺍﻟﺘﻘﺎﺀ ِ‬ ‫ﺍﻨﺩﻤﺎﺝ ِ ﺍﻟﺨﺘﺎﻨﻴﻥ ..‬ ‫ﺘﻔﺎﺤﺔ ُ ﺍﻟﻌﻤﺭ ِ‬ ‫ﻭﺍﻟﺤﺏ ُ ﻤﺤﺽ ﺍﺩﻋﺎﺀ ْ.‬ ‫‪‬‬ ‫‪ ‬‬ ‫ﺃﻤﺎﺘﺕ ﺇﺫﻥ‬ ‫ﹾ ‪‬‬ ‫ﻭﻫﻲ ﺘﻜﺘﺏ ﻓﻲ ﺁﺨﺭ ِ ﺍﻟﺴﻁﺭ ِ‬ ‫" ﻫل ﻤﻥ ﻤﺯﻴﺩ" ؟!‬ ‫‪‬‬ ‫٩٤‬ ‫اﻟﻔﻬﺮس‬
‫ﻫﻜﺫﺍ ..‬ ‫ﺘﻔﺘﺢ ﺍﻟﺭﺤﻡ ﺃﺒﻭﺍﺒﻬﺎ‬ ‫‪‬‬ ‫ﻴﻨﺴﻠﻭﻥ.‬ ‫‪‬‬ ‫ﻴﻨﻔﻀﻭﻥ ﹸﺒﺎﺭ ﺍﻟﻜﻤﻭﻥ ِ‬ ‫ﻏ ‪‬‬ ‫ﻭﻴﻨﺘﻔﻀﻭﻥ .‬ ‫ﺘﻔﺘﺢ ﺍﻟﺭﺤﻡ ﺃﺒﻭﺍﺒﻬﺎ‬ ‫‪‬‬ ‫ﻴﺩﺨﻠﻭﻥ.‬ ‫‪‬‬ ‫ﻴﻐﺴﻠﻭﻥ ﻏﺒﺎﺭ ﺍﻟﺤﻴﺎﺓ ِ‬ ‫‪‬‬ ‫ﻭﻴﻐﺘﺴﻠﻭﻥ.‬ ‫‪‬‬ ‫ﻫﺫﺍ ﺍﻟﻤﺴﺎﺀ ﺒﺭﺍﻤﺠﻪ‬ ‫‪‬‬ ‫ﺘﺴﺤﺏ ﺍﻟﻌﻴﻥ َ ﻟﻠﻨﻭﻡ ِ‬ ‫ﻻ ﺒﺄﺱ‬ ‫‪‬‬ ‫ﻓﻲ ﺍﻟﺤﻠﻡ ِ ﻗﺩ ﻴﻔﺭﺤﻭﻥ .‬ ‫‪‬‬ ‫ﻭﻗﺩ ﻴﻐﻀﺒﻭﻥ ْ .‬ ‫ﻭﻗﺩ .............‬ ‫ﻻ ﺒﺄﺱ ﻴﺴﺘﻴﻘﻅﻭﻥ ْ .‬ ‫‪‬‬ ‫ﺘﻔﺘﺢ ﺍﻟﺭﺤﻡ ﺃﺒﻭﺍﺒﻬﺎ‬ ‫‪‬‬ ‫ﻓﻲ ﺁﺨﺭ ِ ﺍﻷﻤﺭ ِ‬ ‫ﻤﻥ ﻜل ﻤﺎ ﻗﺩ ﻤﻀﻲ‬ ‫ﻴﻨﻬﻀﻭﻥ ْ .‬ ‫٠٥‬ ‫اﻟﻔﻬﺮس‬
‫ﺁﺨﺭ ﺍﻷﻤﺭ ..‬ ‫ﻴﻨﺎﻡ .. ﺘﻨﺎﻡ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺘﺼﺤﻭ .. ﻓﻴﺼﺤﻭ‬ ‫ﻭﺘﺩﺨل ﻓﻲ ﺼﺤﻭﻩ ِ‬ ‫ُ‬ ‫ﻭﻴﺩﺨل ﻓﻲ ﻨﻭﻤﻬﺎ‬ ‫ﺘﻐﻨﻲ ﻟﻪ .. ﻭﻴﻐﻨﻲ ﻟﻬﺎ‬ ‫ﺴﻴﻭﺼﻲ ﺒﻤﻴﺭﺍﺜﻪ‬ ‫ِِ‬ ‫ﻓﻲ ﺃﻭﺍﺨﺭ ِ ﺃﻴﺎ ِﻪ ِ ﻟﻠﻌﻴﺎل ِ‬ ‫ﻤ‬ ‫ﻭﻴﻭﺼﻲ ﻟﻬﺎ ﺒﺎﻟﻌﻴﺎل ِ‬ ‫ﻓﺘﺤﺼﻲ ﺍﻟﺫﻱ ﻗﺩ ﺘﺒﻘﻲ ﻤﻥ ﺍﻟﻌﻤﺭ ِ‬ ‫ﻫﺫﻱ ﺒﻘﺎﻴﺎ ﺍﻟﻤﻌﺎﺵ ِ‬ ‫ﺘﻨﺎﺩﻡ ﺫﺍﻜﺭﺓ ً ﻤﻥ ﺤﻴﺎﺀ ٍ‬ ‫ﻴﻨﺎﺩﻡ ﺫﺍﻜﺭﺓ ً ﻤﻥ ﺸﻘﺎﺀ ٍ‬ ‫ﻭﻓﻲ ﺁﺨﺭ ِ ﺍﻷﻤﺭ ِ‬ ‫ﻟﻴﺱ ﺴﻭﻱ ﺩﻤﻌﺔ ٍ‬ ‫ﺃﻭ ﺩﻋﺎﺀ.‬ ‫‪‬‬ ‫١٥‬ ‫اﻟﻔﻬﺮس‬

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6073

  • 1.
  • 2. ‫ﻫــﻲ ﺍﻷﻧﺜـﻰ .. !!‬ ‫ﺸﻌﺭ‬ ‫ﳏﻤﻮﺩ ﻋﺒﺪ ﺍﻟﺼﻤﺪ ﺯﻛﺮﻳﺎ‬ ‫٦٠٠٢ ﻡ‬
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫ﺍﻟﻔﻬﺭﺱ‬ ‫ﻣﺪﺧﻞ ...................................................................................................................................................... ٤‬ ‫هﻲ اﻷﻧﺜﻰ .. .............................................................................................................................................. ٥‬ ‫ﻧﺠﻤﺔ ...................................................................................................................................................... ٨‬ ‫ﻣﺮاﻗﺒﺔ .. .................................................................................................................................................. ٩‬ ‫ﻟﻬﺎ / ﻟﻪ .................................................................................................................................................. ٣١‬ ‫هﺎﻣﺶ ................................................................................................................................................... ٥١‬ ‫هﻲ / هﻮ ................................................................................................................................................ ٦١‬ ‫ﻋﻼﻗﺔ.. .................................................................................................................................................. ٨١‬ ‫ﺑﻬﺎ ﻣﺎ ﺑﻬﺎ .. ............................................................................................................................................ ٩١‬ ‫ﻗﻮس.. .................................................................................................................................................. ١٢‬ ‫إﻧﺎث ..................................................................................................................................................... ٢٢‬ ‫ﻣﻌﺎدﻟﺔ .. ................................................................................................................................................ ١٣‬ ‫زهﺮة اﻟﻤﻠﺢ ِ ............................................................................................................................................ ٢٣‬ ‫ُ‬ ‫ﻗﻄﻊ ...................................................................................................................................................... ٣٣‬ ‫زﻳﺎرة .................................................................................................................................................... ٤٣‬ ‫ﻃﻴﺮ ُ ﻳﺠ ّد رﻳﺸﻪ ...................................................................................................................................... ٥٣‬ ‫َُ‬ ‫ُ ﺪ‬ ‫اﻣﺮأة..................................................................................................................................................... ٧٣‬ ‫اﻣﺮأةٌ أﺧﺮي ........................................................................................................................................... ٩٣‬ ‫أم ......................................................................................................................................................... ٠٤‬ ‫هﻲ ....................................................................................................................................................... ١٤‬ ‫اﻟﻘﺼﻴﺪة .. .............................................................................................................................................. ٢٤‬ ‫ﻓﺘﺎة .. ................................................................................................................................................... ٤٤‬ ‫اﻟﻤﺠﻬﻮﻟﺔ ............................................................................................................................................... ٥٤‬ ‫هﻞ ﻣﻦ ﻣﺰﻳﺪ؟!!........................................................................................................................................ ٨٤‬ ‫هﻜﺬا .. .................................................................................................................................................. ٠٥‬ ‫ﺁﺧﺮ اﻷﻣﺮ .. ............................................................................................................................................ ١٥‬ ‫٣‬
  • 5. ‫ﻤﺩﺨل‬ ‫ﻫﻤﺎ ﺼﻭﺘﺎﻥ ﻤﺎﺌﻴﺎﻥ‬ ‫ﻴﻠﺘﻘﻴﺎﻥ ﻓﻲ ﻁﻘﺱ ٍ ﺠﻨﻭﻨﻲ‬ ‫ﻭﻴﻨﻔﺘﺤﺎﻥ ﻓﻲ ﺤﻠﻡ ٍ ﺒﺩﺍﺌﻲ‬ ‫ﻭﻴﻨﺩﻤﺠﺎﻥ ﻓﻲ ﺒﻴﻀﺔ ْ.‬ ‫ﻭﻤﺠﻬﻭﻻﻥ ﻤﺭﺘﺠﻔﺎﻥ‬ ‫ﻓﻲ ﺠﺴﺩﻴﻥ ﻴﺴﺘﺒﻘﺎﻥ‬ ‫ﻨﺤﻭ ﻏﻭﺍﻴﺔ ﺍﻟﺭﺅﻴﺎ ..‬ ‫ﻓﻜﻴﻑ ﻴﻔﺴﺭ ﺍﻟﻤﺎﺀﺍﻥ ﻋﺎﻁﻔﺔ ً‬ ‫ﺒﻘﺎﻉ ﺍﻟﻘﻠﺏ ؛ ﻜﺎﻟﻘﺩﺍﺱ‬ ‫ﺃﻭ ﻜﻁﻔﻭﻟﺔ ﺍﻟﻤﻌﻨﻲ ؟!!‬ ‫٤‬ ‫اﻟﻔﻬﺮس‬
  • 6. ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﻭﺃ ‪‬ل ﻟﻔﻅﺔ ٍ ﻓﻲ ﺍﻟﻜﻭﻥ ِ‬ ‫ﻭُ‬ ‫ﻴﺒﻨﻴﻬﺎ ﻀﻤﻴﺭ ﺍﻟﺤﺏ ﻟﻠﻤﺤﺴﻭﺱ‬ ‫‪‬‬ ‫ﻴﻨﻁﻘﻬﺎ ﻟﺴﺎﻥ ﺍﻟﺸﻌﺭ ﻟﻠﻤﺠﻬﻭل ِ‬ ‫‪‬‬ ‫ﻤﺒﺫﻭل ُ ﻟﺤﻀﺭﺘﻬﺎ ﻏﻨﺎﺀ ﺍﻟﺒﺭ ِ ﻭﺍﻟﺒﺤﺭ ِ‬ ‫‪ ‬‬ ‫ُ‬ ‫ﻭﺭﻋﺸﺔ ُ ﺠﻤﺭﺓ ٍ ﻓﻲ ﺍﻟﺜﻠﺞ ِ‬ ‫ﺭﻋﺸﺔ ُ ﺜﻠﺠﺔ ٍ ﻓﻲ ﺍﻟﺠﻤﺭ ِ‬ ‫ﻤﻥ ﻤ ﹼﺎ ﻴﺫﻭﻕ ُ ﺤﻼل ﺤﺎﻤﻀﻬﺎ‬ ‫َ‬ ‫‪ ‬ﻨ‬ ‫ﺴﺘﺸﻌﻠﻪ ؛‬ ‫ﻭﺘﻨﺜﺭﻩ ﻤﻭﺍﻋﻴﺩﺍ ً‬ ‫ﻴﻬﻨﺩﺱ ﻜل ﻓﺎﺼﻠﺔ ٍ ؛ ﺒﻤﻭﻫﺒﺔ ٍ‬ ‫ﻭﻴﺸﻌﻠﻬﺎ ..‬ ‫........................................‬ ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﺭﻋﻭﻨﺘﻬﺎ ؛ ﺍﻨﻔﺠﺎﺭ ﺍﻹﺜﻡ ِ‬ ‫‪‬‬ ‫ﻜل ﺨﻠﻴﺔ ٍ ﺘﻨﻤﻭ ﺒﻼ ﺤ ‪ ٍ ‬؛‬ ‫‪‬ﺏ‬ ‫ُ‬ ‫ﻭﻻ ‪‬ﻠﻡ ٍ ﺴﺘﻐﻭﻴﻨﺎ ؛ ﺘﺤﻁﻤﻨﺎ ..‬ ‫ﺤ‬ ‫ﻭﺘﺘﺭﻙ ﻓﻲ ﺨﻤﺎﺌﻠﻨﺎ‬ ‫ﻓﻀﺎﺀﺍﺕ ٍ ﺒﻼ ﻤﻌﻨﻲ‬ ‫ﻤﺴﺎﻓﺎﺕ ٍ ﻤﻥ ﺍﻟﺠﺩﻭﻯ ؛‬ ‫ﺒﻼ ﺠﺩﻭﻯ ..‬ ‫.................................‬ ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﻜﻼﻡ ﺍﻟﻌﻁﺭ ِ‬ ‫‪‬‬ ‫ﻨﺠﻭﻯ ﺍﻟﻀﻭﺀ ِ‬ ‫ﻏﺎﺒﺎﺕ ُ ُ ؛‬ ‫ﻭﺃﻭﺩﻴﺔ ُ ُ ؛‬ ‫ﻭﺍﻟﺴﻨﺔ ُ ُ ﻤﻥ ﺍﻟﻠﻬﺏ ِ‬ ‫٥‬ ‫اﻟﻔﻬﺮس‬
  • 7. ‫ﺃﻨﺎ ؛ ﻭﺘﺩ ُ ﺒﺨﻴﻤﺘﻬﺎ‬ ‫‪‬‬ ‫ﻭﻗﻨﺩﻴل ُ ُ ﺒﻐﻴﻤﺘﻬﺎ ...‬ ‫ﻋﻠﻲ ﻤﻬل ٍ ﺘﺸﺩ ﺩﻤﻲ‬ ‫ﻭﺘﺯﺠﺭﻨﻲ ﻋﻠﻲ ﻤﻬل ٍ‬ ‫ﻭﺘﺄﻤﺭﻨﻲ :‬ ‫ﻋﻨﻴﻔﺎ ﹸﺽ ْ ﻋﻠﻲ ﻤﻬل ٍ‬ ‫ﹰﺨ‬ ‫ﻭﺘﻐﻭﻴﻨﻲ ﺇﻟﻲ ﻗﻔﺹ ٍ‬ ‫ﻭﺘﺤﺒﺴﻨﻲ ﻋﻠﻲ ﻤﻬل ٍ ..‬ ‫...........................................‬ ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﻜﻘﻁﺭﺓ ِ ﺩﻫﺸﺔ ٍ ﺨﺭﺴﺎﺀ ؛ ﺘﻔﺠﺌﻨﺎ‬ ‫ﻭﺘﺸﻌل ﻨﺎﺭ ﻏﺎﻤﻀﻬﺎ ..‬ ‫‪‬‬ ‫ﻋﺫﻭﺒﺘﻬﺎ ؛‬ ‫ﻤﻠﻭﺤﺘﻬﺎ ؛‬ ‫ﻭﺤﺎﻤﻀﻬﺎ ..‬ ‫ﻓﻨﺭﻜﺽ ﻓﻲ ﻤﺒﺎﻫﺠﻬﺎ‬ ‫ﻭﻓﻲ ﺤﺎﻨﺎﺘﻬﺎ ﺍﻟﻤﻜﺘﻅﺔ ﺍﻵﻫﺎﺕ ِ‬ ‫ﺘﻤﻨﺤﻨﺎ ﻏﺭﺍﺌﺒﻬﺎ ..‬ ‫..........................................‬ ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﻟﻬﺎ ﻓﻲ ﻟﻬﺠﺔ ِ ﺍﻟﻤﺭﺁﺓ ِ ﺘﺎﺭﻴﺦ ُ ؛‬ ‫ﹸ‬ ‫ﻭﺃﺤﺠﻴﺔ ُ ُ‬ ‫ﻭﻗﺎﻓﻴﺘﺎﻥ ﺘﻨﻔﺘﺤﺎﻥ‬ ‫ﻤﺜل ﺴﺤﺎﺒﺔ ﺍﻟﺘﻨﻭﺭ ﻓﻲ ﺍﻷﻋﺼﺎﺏ ِ‬ ‫ﺘﻨﺴﻜﺒﺎﻥ ﻜﺎﻟﺘﺭﻴﺎﻕ‬ ‫ﻓﻲ ﺭﻭﺤﻲ ﻋﻠﻲ ﻤﻬل ٍ ..‬ ‫.........................................‬ ‫ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﻜﺂﺨﺭ ﻟﻔﻅﺔ ٍ ﻓﻲ ﺍﻟﻜﻭﻥ ِ ؛‬ ‫٦‬ ‫اﻟﻔﻬﺮس‬
  • 8. ‫ﺃﻟﻔﻅﻬﺎ‬ ‫ﻓﺘﺴﻤﻌﻨﻲ ﻏﻨﺎﺀ ﺍﻟﻤﺎﺀ ِ ..‬ ‫‪‬‬ ‫ﻫل ﻴﺒﻘﻲ ﺒﻬﺫﺍ ﺍﻷﺩﻫﻡ ﺍﻟﺒﺸﺭﻱ‬ ‫ﻏﻴﺭ ﻏﺭﺍﺌﺏ ﺍﻷﻨﺜﻰ ؟!!‬ ‫٧‬ ‫اﻟﻔﻬﺮس‬
  • 9. ‫ﻨﺠﻤﺔ ..‬ ‫ﻨﻌﻡ ..‬ ‫ﺇﻨﻬﺎ ﻨﺠﻤﺔ ٌ ﻓﻲ ﺴﻤﺎﺀ ﻓﺅﺍﺩﻱ‬ ‫ﻭﺤﻴﻥ ﺘﺭﻑ ُ‬ ‫ﹶ ِ ﹼً‬ ‫ﺘﺸﻑ ُ..‬ ‫ﹶِ ﹼ‬ ‫ﻭﺘﻁﺒﻊ ﺭﻭﺤﺎ ﻋﻠﻲ ﺍﻟﻀﻭﺀ ِ‬ ‫ﹰ‬ ‫ﺘﻠﺒﺱ ‪‬ﺭﻱ ﺍﻟﺘﻭﻫﺞ ِ‬ ‫ﻋ‬ ‫ﺘﻤﺘﺩ ﻜﺎﻟﺒﺤﺭ‬ ‫ِ‬ ‫‪‬‬ ‫ﺘﻤﻨﺢ ﻭﺠﻬﻲ ﺴﻤﺎﺕ ﻏﺭﻴﺯﻴﺔ َ ﺍﻟﻁﻬﺭ ِ‬ ‫ٍ‬ ‫ﺤﻴﻥ ﺘﺼﺎﻓﺢ ﺁﺨﺭ ﻋﺎﺼﻤﺔ ٍ‬ ‫‪‬‬ ‫ﻓﻲ ﺨﺭﻴﻁﺔ ِ ﻫﺫﺍ ﺍﻟﺠﺴﺩ.‬ ‫‪‬‬ ‫ﺘﺼﻴﺭ ﺍﻟﺩﻤﺎﺀ ﻁﻴﻭﺭﺍ ﺘﻐﺎﺯﻟﻬﺎ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺴﺎﻓﺔ ُ ﻭﺠﻪ َ ﻓﺘﺎﺓ ٍ‬ ‫ﺘﻁل ﻤﻥ ﺍﻟﻤﺸﺭﺒﻴﺔ ِ‬ ‫ﻭﺍﻟﻔﺊ ﻤﺤﺽ ﺍﺴﺘﺭﺍﺤﺔ ِ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﺍﻟﻌﻤﺭ ﻗﺎﻁﺭﺓ ً ﻟﻠﺴﻔﺭ..‬ ‫‪‬‬ ‫ﻨﻌﻡ ..‬ ‫ﺇﻨﻬﺎ ﻨﺠﻤﺔ ٌ ﻓﻲ ﺴﻤﺎﺀ ِ ﻓﺅﺍﺩﻱ‬ ‫ﺃﺨﺒﺅﻫﺎ ﻓﻲ ﺩﻤﻲ‬ ‫ﻓﻲ ﻋﻴﻭﻨﻲ‬ ‫ﻭﺘﻠﺒﺱ ﺃﻀﻭﺍ ‪‬ﻫﺎ ﺠﻠﺩﺘﻲ .‬ ‫ﺀ‬ ‫٨‬ ‫اﻟﻔﻬﺮس‬
  • 10. ‫ﻤﺭﺍﻗﺒﺔ ..‬ ‫ﻴﻐﺯل ﺸﻬﻘﺘﻪ ﺨﻠﻑ ﻗﻤﺎﻁ ﺍﻟﻌﻔﺔ ِ‬ ‫ﻭﻴﻁ ‪‬ﺭﻫﺎ ﻤﻥ ﻨﺎﻓﺫﺓ ﺍﻟﻔﻭﻀﻰ..‬ ‫ﻴ‬ ‫ﻟﻠﻔﻭﻀﻰ ..‬ ‫ﺍﻟﺠﻭﻉ ﻴﺤﺎﺼﺭ ﺼﺭﺨﺘﻪ ﺍﻟﻤﻜﺒﻭﺘﺔ‬ ‫ﻓﻲ ﺃﻗﺼﻲ ﺤﺴﺭﺘﻬﺎ..‬ ‫ﻴﺼﻬل ﺒﺎﻟﺯﻓﺭﺓ ِ‬ ‫ﻓﺘﺯﻟﺯل ﺠﺩﺭﺍﻥ ﺍﻟﻭﻗﺕ ِ ..‬ ‫‪‬‬ ‫ﻴﺘﻭﻕ ﻜﻘﻁﺭﺓ ِ ﻤﺎﺀ ٍ ﻟﻠﺠﻤﺭ .‬ ‫..................................................‬ ‫ﺘﺒﺤﺙ ﻋﻥ ﺭﺩﺓ ِ ﻓﻌل ٍ‬ ‫ﻓﻲ ﺤﺠﻡ ِ ﺯﻻﺯﻟﻬﺎ‬ ‫ﻋﻥ ﺜﻠﺞ ٍ ﻴﺤﺭﻗﻬﺎ..‬ ‫ﻋﻥ ﻨﻤل ٍ ؛‬ ‫ﺃﻭ ﺤﺘﻰ ﺩﺏ ٍ‬ ‫‪‬‬ ‫ﻴﺭﻋﻰ ﻓﻲ ﺍﻟﻌﺴل ِ ﺍﻟﻤﻠﻜﻲ ..‬ ‫ﺘﺨﻔﻲ ﺍﻟﻘﻨﺩﻴﻠﻴﻥ ﺒﻌﺎﺼﻤﺔ ِ ﺍﻟﻨﺒﻊ ِ‬ ‫ﻭﺭﺍﺀ ﻤﺴﺎﻓﺎﺕ ﺍﻟﻌﻤﺭ .‬ ‫................................................‬ ‫ﻴﺩﻋﻭﻫﺎ ﻟﺯﻴﺎﺭﺓ ﻏﺭﻓﺘﻪ‬ ‫ﻴﻀﺤﻙ ﺩﺍﺨﻠﻬﺎ ..؛‬ ‫ﻴﺴﺄﻟﻬﺎ:‬ ‫ﻤﻥ ﺃﻴﻥ ﺃﺘﺎﻨﻲ ﻫﺫﺍ ؟‬ ‫ﻭﺇﻟﻲ ﺃﻱ ﺃﻤﺎﻥ ٍ‬ ‫ﺃﻭ ﺃﻱ ﺩﻤﺎﺭ ٍ ﻴﺄﺨﺫﻨﻲ؟‬ ‫ﺃﺘﺭﺍﻩ ﺇﺫﺍ ﻗﺎل‬ ‫َ‬ ‫ﺇﺫﺍ ﺼﺎل ؛‬ ‫َ‬ ‫ﺇﺫﺍ ﺠﺎل‬ ‫َ‬ ‫ﺃﻓﻲ ﺫﻟﻙ ﺒﺄﺱ ُ ؟‬ ‫‪‬‬ ‫٩‬ ‫اﻟﻔﻬﺮس‬
  • 11. ‫ﺘﺒﺘﺴﻡ ُ ..‬ ‫ﺃﻋﺭﻑ ﻜﻴﻑ ﺴﺄﻤﻨﻌﻪ‬ ‫ﹸ‬ ‫ﻤﻥ ﻗﻁﻑ ﻋﻨﺎﻗﻴﺩﻱ ؛‬ ‫ﻭﺃﻨﺎ ﺃﺘﺄﺭﺠﺢ ﻜﺎﻟﻤﻭﺝ ِ ﺍﻟﺴﻜﺭﺍﻥ ِ‬ ‫ﻋﻠﻲ ﺸﺎﻁﺊ ﻏﻔﻠﺘﻪ .‬ ‫ﺃﻋﺭﻑ ﻜﻴﻑ ﺴﺄﻤﻨﻊ‬ ‫ﹸ‬ ‫ﺤﺒﺎﺕ ﺍﻟﻌﺴل ﺍﻟﻤﻠﻜﻲ‬ ‫ﻤﻥ ﺍﻟﺭﻗﺹ ﻋﻠﻲ ﻁﺎﻭﻟﺔ ِ ﺍﻟﻨﻤل ِ ؛‬ ‫ﺃﻭ ﺍﻟﺩﺏ ِ‬ ‫‪‬‬ ‫ﻭﺃﻋﺭﻑ ﻜﻴﻑ ﺃﺭﺍﻭﻍ‬ ‫ﻋﻴﻨﻴﻪ ﺍﻟﺯﺍﺌﻐﺘﻴﻥ‬ ‫ﻜﻘﻁﻴﻥ ﻏﺭﻴﺒﻴﻥ ..‬ ‫ﻭﻜﻴﻑ ﺃﺩﺍﺭﻱ ﺍﻟﺸﻭﻕ‬ ‫ﹶ‬ ‫ﻟﺯﻨﺩﻴﻪ ﺍﻟﻤﻔﺘﻭﻟﻴﻥ‬ ‫ﻭﻤﺎﺌﺩﺓ ﺍﻟﺼﺩﺭ ﺍﻟﻭﺍﺴﻊ ِ ..‬ ‫ﻜﻴﻑ ﺴﺄﻤﻨﻊ ﻗﻭﺱ ﺸﻘﺎﻭﺘﻪ‬ ‫ﻋﻥ ﺴﺤﺏ ﺍﻷﻭﺘﺎﺭ ﺍﻟﻤﻜﺘﻅﺔ ِ‬ ‫ﺒﺎﻟﻨﻐﻡ ِ ﺍﻟﻬﻤﺠﻲ ..‬ ‫ﻭﺃﻥ ﺒﺈﻤﻜﺎﻨﻲ‬ ‫ﺃﻥ ﺃﺤﺒﺱ ﺃﻋﺸﺎﺏ ﺍﻟﺭﻏﺒﺔ ِ‬ ‫‪‬‬ ‫ﺩﻭﻥ ﻤﻴﺎﻩ ٍ‬ ‫ﺤﺘﻰ ﺘﺫﻭﻱ ؛ ﻭﺘﻤﻭﺕ ..‬ ‫ﻭﺃﻥ ﺒﺈﻤﻜﺎﻨﻲ ﺃﻥ ﺃﺭﺩﻉ َ ﺼﻭﻟﺘﻪ ؛‬ ‫ﺃﻭ ﺠﻭﻟﺘﻪ‬ ‫ﻗﺒل ؛ ﻭﺒﻌﺩ ﺍﻟﻘﻭل ..‬ ‫ﻭﺃﻋﺭﻑ ُ ..‬ ‫ﻻ ﺒﺄﺱ ﺇﺫﻥ.‬ ‫‪ ‬‬ ‫ﺘﻘﺒل ﺩﻋﻭﺘﻪ .‬ ‫...................................................‬ ‫ﻗ ‪‬ﺍﻡ ﺍﻟﻌﺘﺒﺔ‬ ‫ﺩ‬ ‫ﻴﻠﻘﻲ ﻋﻥ ﻜﺎﻫﻠﻪ‬ ‫٠١‬ ‫اﻟﻔﻬﺮس‬
  • 12. ‫ﻋﻤﺭﺍ ً ﻤﻥ ﻜﺒﺕ ٍ‬ ‫ﺘﻠﻘﻲ ﻋﻥ ﻜﺎﻫﻠﻬﺎ‬ ‫ﻋﻤﺭﺍ ً ﻤﻥ ﻜﺫﺏ ٍ‬ ‫ﻴﺘﻘﺩﻤﻬﺎ..‬ ‫ﺘﺘﺒﻌﻪ .....‬ ‫.................................................‬ ‫ﺘﺨﻠﻊ ﻤﻌﻁﻔﻬﺎ‬ ‫ﻓﻴﻀﺊ ﺍﻟﻘﻨﺩﻴﻼﻥ‬ ‫ﺯﻭﺍﻴﺎ ﻏﺭﻓﺘﻪ ﺍﻟﻤﻜﺘﻅﺔ ﺒﺎﻟﻔﻭﻀﻰ‬ ‫ﻭﺍﻟﻔﻬﺩﺍﻥ ﺍﻟﻤﺭﺘﺠﻔﺎﻥ ؛‬ ‫ﺍﻟﻤﺭﺘﺒﻜﺎﻥ ؛‬ ‫ﻴﻁﻼﻥ ؛‬ ‫ﺴﻭﺍﺩ ﻋﻴﻭﻨﻬﻤﺎ ﻤﺘﻘﺩ ُ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻴﺤﺎﺼﺭ ﻤﺎ ﻴﺘﻨﺎﺜﺭ‬ ‫ﻓﻲ ﺃﺭﻜﺎﻥ ﺍﻟﻐﺭﻓﺔ ِ ﻤﻥ ﺃﻁﻼل ٍ‬ ‫ﺘﻁﻠﻕ ﺫﺌﺒﺘﻬﺎ ﺍﻟﻤﺴﺠﻭﻨﺔ‬ ‫ﻤﻥ ﺩﻭﺭﻕ ﻓﺘﻨﺘﻬﺎ‬ ‫ﻴﻁﻠﻕ ﺃﻓﻌﺎﻩ ﺍﻟﻤﺠﻨﻭﻨﺔ‬ ‫ﻤﻥ ﺠﺤﺭ ﺍﻟﻐﻔﻭﺓ ِ‬ ‫ﻴﻁﻔﺭ ﺒﻴﻨﻬﻤﺎ ﻨﺒﺽ ُ‬ ‫‪‬‬ ‫ﻜﻐﺯﺍل ٍ ﻴﺭﻜﺽ ُ ..‬ ‫ﻴﺴﺘﻠﻕ ؛‬ ‫ﻜﻤﺎ ﺘﺴﺘﻠﻘﻲ ﺍﻟﺸﻤﺱ‬ ‫‪‬‬ ‫ﻋﻠﻲ ﺒﻁﻥ ِ ﺍﻟﺒﺤﺭ ِ‬ ‫ﻴﻌﺩل ﺃﻤﻭﺍﺝ ﻭﺴﺎﺩﺘﻪ ..‬ ‫‪‬‬ ‫ُِ‬ ‫ﺘﻀﺒﻁ ﺇﻴﻘﺎﻉ ﻗﺼﻴﺩﺘﻪ‬ ‫‪‬‬ ‫ﻜﺎﻟﻐﻴﻤﺔ ﻓﻲ ﺒﺤﺭ ﻓﻀﺎﺀ ٍ ؛‬ ‫ﻴﻨﺴﻲ ﻫﻨﺩﺴﺔ َ ﺍﻟﻜﻭﻥ ِ ؛‬ ‫ﻭﻴﻬﻁل ..‬ ‫ُ‬ ‫ﺘﺴﺒﺢ ..‬ ‫‪‬‬ ‫١١‬ ‫اﻟﻔﻬﺮس‬
  • 13. ‫ﻴﺒﺘل ﺍﻟﻌﺸﺏ ﺍﻟﻤﺤﺒﻭﺱ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺒﺄﺴﻭﺍﺭ ﺍﻟﺭﻏﺒﺔ ِ‬ ‫ﻴﻨﺩﻱ ﺭﻤل ﺸﻭﺍﻁﺌﻬﺎ..‬ ‫ُ‬ ‫ﻴﺘﻭﺭﺩ ﻭﺠﻪ ﺍﻟﻌﻤﺭ‬ ‫ِ‬ ‫‪‬‬ ‫ﺒﻔﻀﺔ ِ ﻨﺭﺠﺴﻬﺎ ..‬ ‫ﻴﻀﺤﻙ ﺩﺍﺨﹸﻬﺎ ؛‬ ‫ﻠ‬ ‫ﻴﺴﺄﻟﻬﺎ :‬ ‫ﻤﻥ ﻴﺄﺨﺫ ﻜل ﻤﻼﺒﺱ ﻋﻤﺭﻱ ؛‬ ‫‪‬‬ ‫ﻴﺘﺭﻜﻨﻲ ﻋﺎﺭﻴﺔ ً‬ ‫ﺩﻭﻥ ﻭﺭﻴﻘﺔ ﺘﻭﺕ ٍ ؟‬ ‫ﻤﻥ ﻴﺠﻠﺩﻨﻲ ﺒﺎﻟﺜﻠﺞ ِ ؛‬ ‫‪‬‬ ‫ﻭﻴﻨﺯﻋﻨﻲ ﻤﻥ ﺩﻑﺀ ﺍﻷﻤﻥ ِ ؟‬ ‫ﻤﻥ ﻴﺄﺨﺫﻨﻲ ؛‬ ‫‪‬‬ ‫ﻭﻴﺫ ‪‬ﺒﻨﻲ ؛‬ ‫ﻭ‬ ‫ﻭﻴﺤ ‪‬ﻟﻨﻲ ﺒﻌﻀﺎ ً ﻤﻨﻪ ؟‬ ‫ﻭ‬ ‫ﻫﺫﺍ ﺍﻟﻨﺎﻫﺽ ﻜﺎﻟﻤﺴﺘﻘﺒل‬ ‫‪‬‬ ‫ﺒﻴﻥ ﺨﻼﻴﺎ ﺍﻟﻤﺎﻀﻲ !!‬ ‫ﻫﺫﺍ ﺍﻟﺭﺍﻓﺽ‬ ‫‪‬‬ ‫ﺃﻥ ﺘﺭﻗﺩ ﺒﻌﺽ ﺨﻼﻴﺎﻩ‬ ‫‪‬‬ ‫ﻤﺤﺎﺼﺭﺓ ً ﺒﻤﺭﺍﻴﺎ ﺍﻟﺠﻭﻉ !!‬ ‫...................................................‬ ‫ﻴﺒﺩﻭ ﺃﻥ ﺴﻴﺠﺊ ﺍﻟﻨﻭﻡ ﺃﺨﻴﺭﺍ ً‬ ‫‪‬‬ ‫ﻭﻴﻨﺎﻤﺎﻥ ﻜﻌﺼﻔﻭﺭﻴﻥ ..‬ ‫ﻓﻬل ﻴﺘﺒﺩل ﻤﺎ ﺘﺭﻜﺎﻩ ﺃﻤﺎﻡ ﺍﻟﻌﺘﺒﺔ ِ‬ ‫‪‬‬ ‫ﺒﻬﺩﺍﻴﺎ ﺍﻟﺤﻠﻡ ؟ !!‬ ‫٢١‬ ‫اﻟﻔﻬﺮس‬
  • 14. ‫ﻟﻬﺎ / ﻟﻪ‬ ‫ﻟﻬﺎ ﺠﺴﺩ ُ ﺯﺌﺒﻘﻲ ﺍﻟﻤﺸﺎﻋﺭ ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﻲ ﻟﻭﻥ ِ ﻏﻴﻡ ﺍﻟﺴﺅﺍل ..‬ ‫ﻭﻨﻔﺴ ‪‬ﺔ ُ ُ ﺘﺸﺒﻪ ﺍﻟﺤﻠﺯﻭﻥ َ‬ ‫ﻴ‬ ‫ﻭﻋﻴﻥ ُ ﻜﻤﺜل ﻗﻤﻴﺹ ﺍﻟﺨﻴﺎل ِ ..‬ ‫‪‬‬ ‫ﺇﺫﺍ ﺃﻗﺒﻠﺕ ؛‬ ‫ﺘﻔ ‪‬ﺭ ﻋﻁﺭ ﺍﻟﺠﻨﻭﻥ ِ‬ ‫‪‬‬ ‫ﺠ‬ ‫ﺴﻤﺎﻭﺍﺘﻬﺎ ؛‬ ‫ﻜﺄﻋﺸﺎﺵ ﻁﻴﺭ ٍ‬ ‫ﻋﻭﺍﻁﻔﻬﺎ ﻜﻬﺭﻤﺎﻥ ..‬ ‫ﺴﺘﺎﺌﺭ ﻏﺭﻓﺘﻬﺎ ﺭﺠﻔﺔ ُ ُ ..‬ ‫‪‬‬ ‫ﺤﻴﻥ ﺘﻀﺤﻙ ..‬ ‫ﺘﻁﻔﻭ ﺍﻟﻤﻴﺎﻩ ﺍﻟﺴﺠﻴﻨﺔ ُ‬ ‫ﻴﺭﺘﻜﺏ ﺍﻟﻤﻭﺝ ﺭﻤل ﺍﻟﺸﻭﺍﻁﺊ .‬ ‫َ‬ ‫‪‬‬ ‫....................................................‬ ‫ﻤﻥ ﺫﺍ ﻴﻔﺽ ﺍﺤﻤﺭﺍﺭ ﺍﻷﻨﻭﺜﺔ ِ‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﺒﺎﻟ ﹼل ِ؟‬ ‫ﻁ‬ ‫ﻤﻥ ﺫﺍ ﻴﻔﺽ ﺘﻭﺤﺸﻬﺎ‬ ‫‪‬‬ ‫ﺒﺭﻁﻭﺒﺔ ِ ﻨﺼل ﺍﻟﻨﺩﻱ ؟‬ ‫ﺒﺎﻟﺼﻼﺒﺔ ِ‬ ‫ﺘﺭﺘﻜﺏ ﺍﻟﻠﻴﻥ ؟‬ ‫‪‬‬ ‫...............................................‬ ‫ﻟﻪ ﺠﺴﺩ ُ‬ ‫‪‬‬ ‫ﻤﻥ ﺨﻼﻴﺎ ﺍﻟﺭﻋﻭﺩ ِ‬ ‫ﻜﻨﻬﺭ ٍ ﺘﻤﻁﻲ ؛‬ ‫ﻟﻴﻘﻔﺯ ﻤﻥ ﻏﻴﻤﺔ ٍ ﻨﺤﻭ ﺃﺨﺭﻱ‬ ‫ﻟﻪ ﺼﻬﻠﺔ ُ ُ‬ ‫ﺒﻌﺭﺽ ِ ﺍﻟﺨﻴﺎل ِ‬ ‫٣١‬ ‫اﻟﻔﻬﺮس‬
  • 15. ‫ﻭﻤلﺀ ﺍﻟﻔﻀﺎﺀ..‬ ‫ﻭﻴﺴﻜﺏ ﻨﺯﻭﺘﻪ ﻓﻲ ﺍﺯﺩﺤﺎﻡ ﺍﻟﺨﻼﺀ..‬ ‫ﹶ‪‬‬ ‫ﻟﻪ ﻓﻲ ﺍﻟﻔﻀﻴﺤﺔ ِ ﻋﻴﻥ.‬ ‫‪‬‬ ‫ﻭﻗﻭل ُ ﺒﻠﻴﻎ ُ‬ ‫ﹸ‬ ‫ُ‬ ‫ﺇﺫﺍ ﻗﺎل ﻓﻲ ﺍﻷﺭﻨﺒﻴﻥ .‬ ‫‪‬‬ ‫َ‬ ‫‪‬ﺨ ‪‬ﺏ ُ ﻤﺎ ﻗﺩ ﺘﻴﺒﺱ‬ ‫‪‬‬ ‫ﻴ ﺼ‬ ‫ﻓﻲ ﺍﻟﺒﻴﻥ ﺒﻴﻥ .‬ ‫‪‬‬ ‫ﻴﺤﻁ ﻴﺩﻴﻪ ﻋﻠﻲ ﺍﻟﻜﻭﻜﺒﻴﻥ ْ.‬ ‫ﻭﻴﻌﺒﺭ ﺒﻌﺽ ﺍﻟﺤﺭﻭﻑ ِ ﺍﻟﻤﻌﺎﻗﺔ ِ ..‬ ‫‪‬‬ ‫ﻤﻥ ﻨﻘﻁﺔ ِ ﺍﻟﻭﻗﻑ‬ ‫ﻴﻜﺴﺭ ﻓﺎﺼﻠﺔ َ ﺍﻻﻨﻬﺯﺍﻡ ِ‬ ‫ﻭﻴﺨﺭﺝ ﻋﻥ ﺴﻁﻭﺓ ِ ﺍﻷﺒﺠﺩﻴﺔ ِ‬ ‫ﻴﻘﻁﻑ ﻓﺎﻜﻬﺔ َ ﺍﻟﻤﺴﺘﺤﻴل ْ.‬ ‫٤١‬ ‫اﻟﻔﻬﺮس‬
  • 16. ‫ﻫﺎﻤﺵ‬ ‫ﻴﻘﺎل : ﺇﻨﺎﺙ ﺍﻟﻌﻨﺎﻜﺏ ِ‬ ‫ُ‬ ‫ﺘﺄﻜل ﺫﻜﺭﺍﻨﻬﺎ‬ ‫ﺒﻌﺩﻤﺎ ﺘﻨﺘﺸﻲ ﺒﺎﻟﺠﻤﺎﻉ ِ‬ ‫ﻭﻤﻥ ﺨﻠﻑ ﻜل ﻟﺩﻴﻎ ٍ‬ ‫ﻭﻟﻭ ﺘﻌﻠﻤﻭﻥ‬ ‫ﺍﻤﺭﺃﺓ ْ.‬ ‫ﺇﻨﻬﺎ ﻗﻭﻟﺔ ٌ ﺴﻴﺌﺔ ْ.‬ ‫٥١‬ ‫اﻟﻔﻬﺮس‬
  • 17. ‫ﻫﻲ / ﻫﻭ‬ ‫ﻫﻲ ﻤﻬﺭﺓ ُ ﻏﻴﻡ ٍ‬ ‫ﻴﺼﻬل ﺒﻴﻥ ﻴﺩﻴﻬﺎ‬ ‫‪‬ﻬﺭ ُ ﻤﺭﺘﺒﻙ ُ‬ ‫‪‬‬ ‫ﻤ ‪‬‬ ‫ﻴﺘﺴﻠﻕ ﺭﺍﺌﺤﺔ َ ﺍﻟﺘﺒﻎ ِ‬ ‫ﻓﺘﺄﺨﺫﻩ ﻤﻥ ﺃﺫﻨﻴﻪ‬ ‫ﺇﻟﻲ ﺤﻴﺙ ﻁﻘﻭﺱ ٍ‬ ‫ﻻ ﻴﺩﺭﻙ ﺴﺭ ﻁﺭﺍﻭﺘﻬﺎ !!‬ ‫ِ‪‬‬ ‫ﺤﻴﺙ ﺍﻟﻔﺎﻜﻬﺔ‬ ‫ﹸ‬ ‫ﺍﻟﺴﺎﻜﻥ ُ ﻓﻲ ﺠﻠﺩﺘﻬﺎ‬ ‫ﻭﺤﺵ ﺍﻟﻌﻔﺔ ِ..‬ ‫ﹸ‬ ‫ﻭﺍﻟﻠﻐﺔ ُ ﺍﻟﻤﺴﻜﻭﻨﺔ ُ‬ ‫ﺒﺤﻠﻴﺏ ِﺍﻟﻤﻌﻨﻲ ..‬ ‫ﻭﻫﻭ ﺍﻟﻐﺠﺭﻱ‬ ‫‪‬‬ ‫ﺍﻟﻤﻁﺭﻭﺩ‬ ‫‪‬‬ ‫ﺍﻟﻁﺎﻟﻊ‬ ‫‪‬‬ ‫ﻤﻥ ﺒﻠﻭﺭ ﺍﻟﺩﻫﺸﺔ ِ‬ ‫ﻤﻥ ﺼﻭﻤﻌﺔ ِ ﺍﻟﺭﻋﺸﺔ ِ‬ ‫ﻴﺘﺤﺭﻙ ﺒﻴﻥ ﺠﻨﻭﻥ ﺯﺒﺭﺠﺩﻫﺎ‬ ‫ﻜﺎﻷﺭﻨﺏ ِ ﺇﺫ ﻴﺘﺫﺍﺌﺏ ؛‬ ‫‪‬‬ ‫ﺃﻭ ﻴﺘﺜﻌﻠﺏ ..‬ ‫‪‬‬ ‫ﻴﺤﻘﻨﻬﺎ ﺒﺎﻟﺼﻬﺩ ِ ﺍﻟﺼﺎﻋﺩ ِ‬ ‫ﻤﻥ ﻓﻀﺔ ِ ﻓﻭﻀﺎﻩ .‬ ‫ﺘﻘﻭل ﻟﻪ :‬ ‫ﻻ ﺘﺠﻠﺱ ﻓﻲ ﺍﻟﻭﺼﻑ ِ‬ ‫ﻭﻻ ﺘﺴﻘﻴﻨﻲ‬ ‫٦١‬ ‫اﻟﻔﻬﺮس‬
  • 18. ‫ﻤﻨﻘﻭﻉ ﺍﻟﻌﻁﺵ ِ ﺍﻟﻐﺠﺭﻱ .‬ ‫‪‬‬ ‫ﻴﺄﺨﺫﻫﺎ ﻤﻥ ﺃﺫﻨﻴﻬﺎ ﻟﻠﺒﺤﺭ ِ‬ ‫ﻴﻐﻭﺹ ﺒﻬﺎ ﻜﺎﻟﻘﻨﺩﺱ ِ ..‬ ‫ﺘﺼﺭﺥ ﻤلﺀ ﺍﻟﻐﻴﺒﻭﺒﺔ ِ :‬ ‫ﻴﺎ ﺍﻟﺤﺎﻤﺽ ﻓﻲ ﺠﺴﺩ ِ ﺍﻟﻠﻴﻤﻭﻥ‬ ‫‪‬‬ ‫ﻭﻴﺎ ﺘﺎﺭﻴﺦ ﺍﻟﺴﻜﺭ ِ‬ ‫ﻓﻲ ﺃﻋﻭﺍﺩ ِ ﺍﻟﻘﺼﺏ ِ‬ ‫ﺃﻨﺎ ﻋﺎﻁﻔﺘﻲ ﺯﻟﺯﺍل ُ‬ ‫ُ‬ ‫ﻻ ﻴﺘﺯﻴﺕ ﺇﻻ ﺒﺎﻟﻐﻭﺹ ِ ..‬ ‫‪ ‬ﹸ ﹼ‬ ‫ﻓﻼ ﺘﺘﺴﻠﻕ ﺭﺍﺌﺤﺔ َ ﺍﻟﺘﺒﻎ ِ؛‬ ‫ﺘﻌﺎل ﺇﻟﻲ ﺭﺍﺌﺤﺔ ِ ﺍﻟﻌﺭﻕ ِ‬ ‫َ‬ ‫ﺍﻟﻤﺘﻘﺎﻓﺯ ﻤﻥ ﺤﻔﻠﺘﻨﺎ ﻜل ﻤﺴﺎﺀ.‬ ‫‪‬‬ ‫٧١‬ ‫اﻟﻔﻬﺮس‬
  • 19. ‫ﻋﻼﻗﺔ..‬ ‫ﻨﻴﺯﻜﻪ ﺍﻟﺸﺎﺭ ‪‬؛ ﻴﺩﻋﻭﻫﺎ‬ ‫ﺩ‬ ‫ﻟﻠﺭﻗﺹ ﻋﻠﻲ ﻓﻠﻙ ﺍﻟﺭﻏﺒﺔ ِ ..‬ ‫ﺤﻴﻥ ﻴﺌﻥ ﻏﻤﻭﺽ ﺍﻟﻠﻴل ِ‬ ‫‪‬‬ ‫ﻴﺯﺍﻭﻟﻪ ﻫﺎﺘﻔﻬﺎ :‬ ‫ﻤﺎﺯﻟﺕ ﺘﺨﺎﻑ ﻤﻥ ﺍﻟﺴﻭﺴﻥ ؟‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻓﻤﺘﻲ ﻴﺎ ‪‬ﻬﺭﻱ ﺘﺨﺸﻭﺸﻥ ؟‬ ‫‪‬‬ ‫ﻤ‬ ‫ﻴﻨﻘﺽ ﻜﺫﺌﺏ ٍ ؛..‬ ‫ﻴﻘﺘﻨﺹ ﺃﺭﺍﻨﺏ ﻏﺎﺒﺘﻬﺎ.‬ ‫‪‬‬ ‫ﺴﻠﻁﺎﻥ ﺒﺭﺍﺀﺘﻬﺎ ﺍﻟﻭﺤﺸﻴﺔ ِ‬ ‫‪‬‬ ‫ﻻ ﻴﺭﺩﻋﻪ‬ ‫ﻏﻴﺭ ﻓﻡ ﺍﻟﻨﺎﺭ ﺍﻟﻐﺠﺭﻴﺔ..‬ ‫‪‬‬ ‫ﻤﻨﻬﻜﺔ ً ؛‬ ‫ﺘﻨﻬﻲ ﺭﻗﺼﺘﻬﺎ‬ ‫ﻭﺘﻨﺎﻡ .‬ ‫٨١‬ ‫اﻟﻔﻬﺮس‬
  • 20. ‫ﺒﻬﺎ ﻤﺎ ﺒﻬﺎ ..‬ ‫ﻜﺎﻟﻜﻭﺍﻜﺏ ِ‬ ‫ﺘﺒﺩﺃ ﻤﻥ ﺒﺫﺭﺓ ﺍﻟﺸﻤﺱ‬ ‫ﺤﺘﻰ ﺍﻜﺘﻤﺎل ﺍﻟﻤﺤﺎل .‬ ‫ﻟﻬﺎ ﺩﻭﺭﺓ ُ ُ ﻜﺎﻟﺸﻬﻭﺭ ِ‬ ‫ﻭﺘﺒﺩﺃ ﺒﺎﻟﺒﺩﺭ ِ‬ ‫ﺤﺘﻰ ﺍﺨﺘﻔﺎﺀ ﺍﻟﻬﻼل .‬ ‫ﻷﻓﺨﺎﺫﻫﺎ ﺤﺭﻗﺔ ُ ﺘﺘﺸﻅﻲ‬ ‫ﹸ‬ ‫ﻭﻟﻠﺒﻁﻥ ﻭﻫﺞ ﺍﺸﺘﻌﺎل .‬ ‫‪‬‬ ‫ﺒﻬﺎ ﻤﺎ ﺒﻬﺎ‬ ‫ﻭﻟﻬﺎ ﻤﺎ ﻟﻬﺎ :‬ ‫ﻜﻼﻡ ﺍﻟﻘﺭﻯ ..‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﻘﺎﻫﻲ..‬ ‫ﺍﻟﻌﺴﺎﻜﺭ ؛‬ ‫‪‬‬ ‫ﻭﺍﻟﺸﺭﻉ ..‬ ‫ﺤﻤﻲ ﺍﻟﺜﻌﺎﻟﺏ ِ‬ ‫ﻓﻲ ﻤﻬﺭﺠﺎﻥ ﺍﻟﺠﻤﺎل .‬ ‫ﻟﻬﺎ ﺭﻏﺒﺔ ﺍﻟﻔﺘﻙ ِ ﺒﺎﻟﻔﺘﻙ ِ‬ ‫ﹸ‬ ‫ﻜل ُ ﻟﻬﺎ ﺴ ‪‬ﺩ ُ‬ ‫ﻴ‪‬‬ ‫ُ‬ ‫ﻭﻻ ﺴ ‪‬ﺩ ُ ﻓﻭﻗﻬﺎ‬ ‫ﻴ‪‬‬ ‫ﻭﺤﺩﻫﺎ ﻓﻲ ﺠﻤﻴﻊ ﺍﻟﻤﻭﺍﺴﻡ‬ ‫ﻨﺎﻓﻭﺭﺓ ﺍﻟﻜﺭﻨﻔﺎل .‬ ‫ﻗﺩ ﺘﻘﺭ‬ ‫ﻭﻗﺩ ﺘﺴﺘﻘﺭ‬ ‫ﻭﻗﺩ ﺘﺘﺭﺍﺠﻊ‬ ‫٩١‬ ‫اﻟﻔﻬﺮس‬
  • 21. ‫ﺘﻀﻌﻑ ﻋﻨﺩ ﺍﻟﻜﻭﺍﺭﺙ؛‬ ‫ﻟﻜﻨﻬﺎ‬ ‫ﺘﺘﺴﺭﻱ ؛‬ ‫ﻭﺘﻠﻬﻭ‬ ‫ﻭﺘﺩﻨﻭ ؛‬ ‫ﻭﺘﺠﻔل ..‬ ‫ﺘﺒﺩﻱ ؛‬ ‫ﻭﺘﺨﻔﻲ ؛‬ ‫ﻭﺘﻌﺭﻑ ﻜﻴﻑ ﺘﻭﺍﺠﻪ‬ ‫ﻓﻲ ﺍﻟﻠﻴل ﺒﻌﺽ ﺍﻟﻨﺼﺎل .‬ ‫‪‬‬ ‫ﻭﺘﻔﻀﺢ ﺒﺎﻟﻔﻌل ِ ﻤﺎ ﻻ ﻴﻘﺎل .‬ ‫ﺘﺴﺘﻔﺯ ﺇﻟﻲ ﻤﺎ ﺘﺸﺎﺀ‬ ‫ﺨﻴﺎل ﺍﻟﺭﺠﺎل .‬ ‫َ‬ ‫ﺘﻔﺘﺢ ﺃﺒﻭﺍﺏ ﻜل ﺍﻷﻗﺎﺼﻲ‬ ‫‪‬‬ ‫ﺒﻤﻔﺘﺎﺡ ﺭﻭﺡ ﺍﻟﻁﺒﻴﻌﺔ ِ‬ ‫ﺒﺎﻟﺤﺏ ِ‬ ‫ﺒﺎﻟﻨﺎﺏ ِ‬ ‫ﺃﻭ ﺒﺎﻷﻅﺎﻓﺭ ِ‬ ‫ﺒﺎﻻﺭﺘﻴﺎﺏ ِ‬ ‫ﺘﺤ ﹼﺯ ﻗﺎﻓﻠﺔ َ ﺍﻻﺤﺘﻤﺎل .‬ ‫ﻔ‬ ‫٠٢‬ ‫اﻟﻔﻬﺮس‬
  • 22. ‫ﻗﻭﺱ..‬ ‫ﺒﻴﻥ ﺃﺤﻼﻤﻲ ؛ ﻭﺒﻴﻨﻲ‬ ‫ﺘﺭﻗﺹ ﺍﻤﺭﺃﺓ ٌ‬ ‫ﻋﻠﻲ ﺨﻴﻁ ِ ﺍﻟﻬﻭﺍﺀ ْ.‬ ‫ﺤﻴﻥ ﺃﻁﻠﺒﻬﺎ‬ ‫ﺃﺘﻭﻩ ﺒﺄﻟﻑ ِ ﺩﺭﺏ ٍ‬ ‫ﺃﻟﻑ ِ ﺒﺤﺭ ٍ ﻤﻥ ﺩﻤﺎﺀ.‬ ‫‪‬‬ ‫ﺤﻴﻥ ﺃﺭﻓﻀﻬﺎ‬ ‫ﺃﺼﻭﻍ ﻗﺼﺎﺌﺩﺍ‬ ‫ﹰ‬ ‫ﻤﻥ ﻜﺒﺭﻴﺎﺀ.‬ ‫‪‬‬ ‫١٢‬ ‫اﻟﻔﻬﺮس‬
  • 23. ‫ﺇﻨﺎﺙ ..‬ ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﺘﺸﻜل ﻏﻴﻤﺎ ً‬ ‫ُ‬ ‫ﻟﺘﻀﺎﺠﻊ ﺭﻋﺩﺍ ً..‬ ‫‪‬‬ ‫ﺘﻁﻔﺊ ﺃﺸﻭﺍﻕ ﺍﻟﻨﻴﺯﻙ ِ..‬ ‫ﹶ‬ ‫ﻴﺭﺘﻁﻡ ُ ﺍﻟﺤﻠﻡ ﺒﻬﺎ‬ ‫‪‬‬ ‫ﺒﺤﻠﻴﺏ ِ ﺍﻟﻌﻴﻥ.‬ ‫‪‬‬ ‫.........................‬ ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﻘﺒﻊ ﻓﻲ ﻤﻴﻡ ِ ﺍﻟﻤﻭﺍل ِ‬ ‫ﻭﺘﺘﺭﻙ ﻨﻜﻬﺘﻬﺎ ﻟﺜﻌﺎﻟﺏ‬ ‫ﺘﻨﻬﺸﻬﺎ ﻤﻥ ﺘﺤﺕ ﺍﻟﺠﻠﺩ .‬ ‫......................‬ ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﻁﻔﺭ ﻓﻲ ﻭﻫﻡ ِ ﻏﻼﻡ ٍ‬ ‫ﻴﺒﺘﺩﺉ ﺍﻟﺭﺸﺩ ﺒﻼ ﻭﻋﻲ ٍ..‬ ‫‪‬‬ ‫ﻏﻴﺭ ﺨﻴﺎل ٍ ﻤﻨﺫﻭﺭ ٍ‬ ‫‪‬‬ ‫ﻟﺼﺒﺎﻴﺎ ﺍﻟﻐﻲ .‬ ‫.......................‬ ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﻁﻌﻥ ﻓﺘﻨﺘﻬﺎ‬ ‫ﺤﺘﻰ ﻻ ﻴﺄﺨﺫﻫﺎ ‪‬ﺭﺍﺱ ﺍﻟﺭﻴﺢ‬ ‫ﺤ‬ ‫ﺇﻟﻲ ﺤﺭﺏ ٍ ؛‬ ‫ﻻ ﺘﻌﺭﻑ ﻏﺎﻴﺘﻬﺎ‬ ‫ﺘﺤﺭﻕ ﺫﺍﻜﺭﺓ َ ﺍﻟﺠﺩﺓ ِ‬ ‫ﻓﻲ ﺒﻴﺕ ﺍﻟﻤﺎﺀ .‬ ‫.........................‬ ‫٢٢‬ ‫اﻟﻔﻬﺮس‬
  • 24. ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﺸﻬﻕ ﻓﻲ ﻫﻠﻊ ٍ‬ ‫ﻟﻤﺭﺍﻴﺎ ﻗﻠﺏ ٍ‬ ‫ﻫﺠﺭﺘﻪ ﺃﺸﺠﺎﺭ ﺍﻟﻭﺩ؛‬ ‫‪‬‬ ‫ﻓﻁﺎﺭ ﺒﺩﻭﻥ ﺠﻨﺎﺡ ٍ‬ ‫ﻟﻴﺤﻁ ﻋﻠﻲ ﺃﺒﻭﺍﺏ ﺍﻟﺴﺠﻥ .‬ ‫....................................‬ ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﺭﻜﺽ ﻓﻲ ﺤﻠﻡ ﺍﻟﺸﺎﺭﻉ‬ ‫ﻜﻤﺭﺍﻫﻘﺔ ٍ‬ ‫ﻟﻡ ﺘﻠﺴﻌﻬﺎ ﻤﺸﻜﺎﺓ ﺍﻟﻭﻗﺕ .‬ ‫...................................‬ ‫ﺃﻨﺜﻲ ؛‬ ‫ﺘﺸﺒﻬﻨﻲ‬ ‫ﺤﻴﻥ ﺃﻋﺭﻱ ﺃﻀﻐﺎﺙ ﺍﻟﺤﻠﻡ ِ‬ ‫ﹶ‬ ‫ﻭﺃﻓﻀﺢ ﺃﺴﺭﺍﺭ ﺍﻟﻭﻫﻡ ِ‬ ‫‪‬‬ ‫ﻭﺃﻜﺸﻑ ﻤﻜﻨﻭﻥ ﺍﻟﺫﺍﺕ .‬ ‫‪‬‬ ‫ﻫﻲ ﺃﻨﺜﻲ ؛‬ ‫ﺃﻨﺜﻲ‬ ‫ﻤﺎ ﺯﻟﺕ ﺃﻁﻭﻑ ﺒﻬﺎ ؛‬ ‫ﻤﻌﻬﺎ‬ ‫ﻨﺤﻠﻡ ﺒﺎل .........‬ ‫ﺁﺕ .‬ ‫٣٢‬ ‫اﻟﻔﻬﺮس‬
  • 25. ‫ﻓﺎﺼﻠﺔ‬ ‫ﻟﺴﺎﻥ ُ ﻁﻭﻴل ُ‬ ‫ُ‬ ‫‪‬‬ ‫ﺒﺜﻐﺭ ِ ﺍﻟﻔﻀﻭل.‬ ‫ْ‬ ‫ﺘﻘﻭل ؛‬ ‫ُ‬ ‫ﻟﺘﻨﻘﺽ‬ ‫‪‬‬ ‫ﻤﺎ ﻗﺩ‬ ‫ﺘﻘﻭل.‬ ‫ْ‬ ‫____________‬ ‫٤٢‬ ‫اﻟﻔﻬﺮس‬
  • 26. ‫ﻗﻭﺱ‬ ‫ﻴﺎ ﻫﺫﺍ ﺍﻟﻭﺍﻗﻑ ﻋﻨﺩ ﺍﻟﺤﺩ ﺍﻟﻔﺎﺼل.‬ ‫ﺃﻋﺭﺏ ﻤﺎ ﻓﻭﻕ ﺍﻟﺨﻁ ﺍﻟﻭﺍﺼل.‬ ‫ﺒﻴﻥ ﺍﻟﺤﻕ ؛ ﻭﺒﻴﻥ ﺍﻟﺒﺎﻁل.‬ ‫ﺍﻷﻨﺜﻰ‬ ‫ﻤﺒﺘﺩﺃ ٌ ﻋﺎﻁل.‬ ‫ﻴﺤﻴﻬﺎ ﻤﻥ ﻴﻬﻠﻙ ﻓﻴﻬﺎ‬ ‫‪‬‬ ‫ﻭﺍﻟﻔﺎﻋل‬ ‫ُ‬ ‫ﻤﺭﻓﻭﻉ ﺩﻭﻤﺎ ً .‬ ‫ٌ‬ ‫...............................‬ ‫٥٢‬ ‫اﻟﻔﻬﺮس‬
  • 27. ‫ﻤﺭﺍﻫﻘﺔ..‬ ‫ﺒﻐﺭﻭﺭ ِ ﻤﺭﺍﻫﻘﺔ ٍ‬ ‫ﺘﺴﺘﺒﻕ ﺍﻟﻭﻗﺕ َ‬ ‫ﺘﺭﻓﻭ ﺜﻘﺏ ﺍﻟﻠﻴل ِ‬ ‫‪‬‬ ‫ﺒﺼﺒﺢ ٍ ﻤﺤﺘﻘﻥ ٍ‬ ‫ﻓﻴﻀﺊ ..‬ ‫ﺒﺎﻟﻘﻠﻕ ِ ﺍﻟﺸﺎﺭﺩ ِ‬ ‫ﻓﻲ ﻤﺭﺁﺓ ﺤﻘﻴﺒﺘﻬﺎ‬ ‫ﺘﺴﺄل ُ ﻋﻥ ﺯﻴﺕ ِ ﺍﻟﻔﺎﻋل ِ‬ ‫ﻟﻴﺸﺎﻜﺱ ﺤﻠﻤﺔ َ ﻨﻬﺭ ﺍﻟﻔﺘﻨﺔ ِ‬ ‫‪‬‬ ‫ﻭﺘﺭﺩﺩ ﻓﻲ ﻫﻤﺱ ٍ :‬ ‫ﻤﺎ ﺃﺠﻤل ﺼﺩﺭﻱ‬ ‫َ‬ ‫ﺒل ..‬ ‫ﻤﺎ ﺃﺠﻤل ﻫﺫﺍ ﺍﻟﻤﻤﻠﻭﻙ ﺍﻟﻤﺎﻟﻙ‬ ‫َ‬ ‫ﻭﺍﻟﻜﻭﻥ ﺍﻟﻤﻜﻨﻭﻥ ﺍﻟﻬﺎﻟﻙ..‬ ‫ﺘﻁﻔﺭ ﺒﻬﺩﻴل ﺍﻟﺤﺎﺀﺍﺕ ﺍﻟﻤﻨﺩﻓﻌﺎﺕ‬ ‫ﻟﺘﺭﺴﻡ ﻤﺎ ﻻ ﻴﺭﺴﻡ .‬ ‫‪‬‬ ‫٦٢‬ ‫اﻟﻔﻬﺮس‬
  • 28. ‫ﻗﺎﺒﻠﺔ ..‬ ‫ﻴﺩﻫﺎ ﺘﺘﻭﻏل ُ..‬ ‫ﺒﻔﺤﻴﺢ ِ ﺃﻅﺎﻓﺭﻫﺎ‬ ‫ﺘﻤﺴﻙ‬ ‫ﺒﺘﻼﺒﻴﺏ ﺼﺭﺍﺥ ٍ ﻤﺤﺘﻘﻥ ٍ‬ ‫ﻓﻲ ﺭﺤﻡ ﺍﻟﺸﺎﻋﺭ ِ..‬ ‫ﺘﺴﺘﻭﻟﺩﻩ ﻜﺘﺎﺒﺎ ً‬ ‫ﻟﻭ ﺤﺎﻭل ﻴﻘﺭﺃﻩ ﺠﺒل ُ‬ ‫ُ‬ ‫ﻟﺘﺼﺩﻉ ْ.‬ ‫٧٢‬ ‫اﻟﻔﻬﺮس‬
  • 29. ‫ﺕ ﻡ ﻩ ل ..‬ ‫ﹶ ‪ْ  ‬‬ ‫ﺘﺩﻋﻭﻙ : ﺘﻤﻬل.‬ ‫ْ‬ ‫‪‬‬ ‫ﺩﺠﻥ ﻫﺫﺍ ﺍﻟﻔﻜﺭ ﺍﻟﻤﺘﻭﻫﺞ‬ ‫ﻓﻲ ﻓﻨﺠﺎﻥ ﺍﻟﺭﺃﺱ .‬ ‫ﻭﺭﻭﺽ ﻋﺎﺼﻔﺔ َ ﺍﻟﺭﻋﺸﺔ ِ‬ ‫ﻓﻲ ﺩﻭﺭﻕ ﻗﻠﺒﻙ ..‬ ‫ﻫﺩﺉ ﻏﻴﺒﻭﺒﺔ ﺩﻫﺸﺘﻙ‬ ‫ﻭﺠﻔﻑ ﺃﻨﻬﺎﺭ ﺃﻏﺎﻨﻴﻙ ﺍﻟﻌﺫﺭﺍﺀ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻗﺩ ﺃﻏﺭﻴﻙ ﺒﻤﺎ ﻻ ﺘﻌﺭﻓﻪ ﺍﻟﺼﻌﻠﻜﺔ ُ‬ ‫‪‬‬ ‫ﺃﺤﺎﺼﺭ ﺠﻐﺭﺍﻓﻴﺎ ﺃﺤﻼﻤﻙ ..‬ ‫ﺃﺤﺭﺍﺵ ﺨﻁﺎﻴﺎﻙ ..‬ ‫ﹶ‬ ‫ﺘﻤﻬل ..‬ ‫ﻻ ﺘﺘﻤﺎﺩﻱ ﻓﻲ ﺍﻟﺨﻭﺽ ِ ..‬ ‫ﻁﺭﻴﻘﻲ ﻤﺘﺭﻋﺔ ﺒﺎﻷﻓﻼﻙ ِ‬ ‫ﻤﺭﺼﻌﺔ ُ ُ ﺒﺎﻟﺨﻁﺭ ِ ﺍﻟﻐﺎﻤﺽ ِ ..‬ ‫ﻑ‬ ‫ﺕ‬ ‫ﻡ‬ ‫ﻫل.‬ ‫٨٢‬ ‫اﻟﻔﻬﺮس‬
  • 30. ‫ﺃﻨﺕ ﺍﻷﻨﺜﻰ‬ ‫ِ‬ ‫ﺒﻁﻤﻭﺡ ﺍﻟﺯﻫﺭﺓ ِ ﻭﻗﺕ ﺘﻔﺘﺤﻬﺎ‬ ‫ﹶ‬ ‫ﺘﺭﺘﻜﺏ ﺍﻟﻌﻁﺭ‬ ‫‪‬‬ ‫ﻜﻤﺎ ﻴﺭﺘﻜﺏ ﺍﻟﻤﺎﺀ ﻓﺤﻭﻟﺔ َ ﻨﺎﺭ ٍ‬ ‫‪‬‬ ‫ﺃﻨﺕ ِ ﺍﻷﻨﺜﻰ ..‬ ‫ﺒﺭﺩ ﺍﻟﻭﺤﺸﺔ ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﺩﻑﺀ ﺍﻟﻤﺒﻠﻭل ﺒﻌﺸﺏ ِ ﺍﻟﺭﻋﺸﺔ ِ‬ ‫ُ‬ ‫ﻭﺍﻟﺩﻤﻊ ﺍﻟﻀﺎﺤﻙ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺍﻟﻌﺴل ﺍﻟﻤﺘﻘﺎﻁﺭ ﻤﻥ ﺘﻴﻥ ﺍﻟﺸﻔﺘﻴﻥ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﺭﻴﺵ ﺍﻟﺭﻴﺢ ِ‬ ‫ﹸ‬ ‫ﻭﻫﺩﻫﺩﺓ ُ ﺴﺭﻴﺭ ِ ﺍﻟﻔﻭﻀﻰ‬ ‫ﻭﻓﺤﻴﺢ ﺍﻵﻫﺔ ِ ﺒﻴﻥ ﺍﻟﺠﺒﻠﻴﻥ‬ ‫‪‬‬ ‫ﻭﺤﻨﺎﻥ ﺍﻟﻀﻔﺔ ِ ﺤﻴﻥ ﻴﻼﻤﺴﻬﺎ‬ ‫‪‬‬ ‫ﺇﺒﻬﺎﻡ ﺍﻟﻨﻬﺭ ِ ..‬ ‫‪‬‬ ‫ﻭﻫﻴﺎﻡ ﻴﺘﻬﺠﻰ ﺍﻷﻓﻕ‬ ‫ﹶ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﻋﻴﻭﻥ ُ ﺘﺭﺼﺩ‬ ‫‪‬‬ ‫‪‬‬ ‫ِﺭ ﻏﺭﻭﺭ ﺍﻟﻨﻀﺞ‬ ‫ﺴ‬ ‫ﻭﺃﺤﻼﻡ ﺍﻟﻴﻘﻅﺔ ِ ؛ ﻭﺍﻟﻨﻭﻡ ..‬ ‫‪‬‬ ‫ﺃﻨﺕ ِ ﺍﻷﻨﺜﻰ..‬ ‫ﺒﻙ ِ‬ ‫ﻭﺇﻟﻴﻙ ِ‬ ‫ﻭﻓﻴﻙ ِ‬ ‫ﻴﻐﺎﻤﺭ ﻭﻋل ﺍﻟﺭﻏﺒﺔ ِ‬ ‫ُ‬ ‫‪‬‬ ‫ﻓﻲ ﺯﻟﺯﺍل ﺍﻟﻘﻠﺏ ِ ..‬ ‫ﻭﻴﺭﻜﺽ ﻓﻲ ﻏﺎﺒﺎﺕ ﺍﻟﺭﻭﺡ ِ‬ ‫‪‬‬ ‫ﺒﻌﻴﻥ ﺍﻟﺼﻘﺭ ِ ..‬ ‫٩٢‬ ‫اﻟﻔﻬﺮس‬
  • 31. ‫ﺃﻨﺕ ِ ﺍﻷﻨﺜﻰ ..‬ ‫ﺒﻙ ِ ؛ ﻭﺇﻟﻴﻙ ِ ؛ ﻭﻓﻴﻙ ِ‬ ‫ﻴﻌﻠﻭ ؛ ﻴﻬﺒﻁ‬ ‫ﻴﻬﺫﻱ ؛ ﻴﻌﻘل‬ ‫ﻴﺸﻭﻱ ﻓﻲ ﺘﻨﻭﺭﻙ ِ ﺴﻤﻜﺎ ً‬ ‫ﻴﻬﻭﻱ ﺍﻟﺤﺭﻕ .‬ ‫ﺃﻨﺕ ﺍﻷﻨﺜﻰ ..‬ ‫ِ‬ ‫ﺃﻨﺕ ِ ﺍﻷﻤﺎﺭﺓ ُ ﺒﺎﻟﺒﺭﻕ .‬ ‫٠٣‬ ‫اﻟﻔﻬﺮس‬
  • 32. ‫ﻤﻌﺎﺩﻟﺔ ..‬ ‫ﻫﺫﻩ ﺍﻷﻨﺜﻰ ﺍﻟﻤﻁﻴﻌﺔ ْ‬ ‫ﺘﺘﻘﻥ ﺍﻟﻜﺫﺏ‬ ‫‪‬‬ ‫ﻭﺃﺴﺭﺍﺭ ﺍﻟﺨﺩﻴﻌﺔ ْ‬ ‫‪‬‬ ‫ﻜﻠﻤﺎ ﺤﺎﻭﻟﺕ ﺃﻗﺘﻠﻬﺎ‬ ‫ﺃﺭﺍﻨﻲ‬ ‫ﺃﺯﺭﻉ ﻓﻲ ﺤﻘﻭل ِ ﺍﻟﺸﻌﺭ ِ‬ ‫ﺃﺸﺠﺎﺭ ﺍﻟﻔﺠﻴﻌﺔ ْ.‬ ‫‪‬‬ ‫١٣‬ ‫اﻟﻔﻬﺮس‬
  • 33. ‫ﺯﻫﺭﺓ ﺍﻟﻤﻠﺢ ِ‬ ‫ﹸ‬ ‫ﺇﻨﻬﺎ ﺯﻫﺭﺓ ٌ‬ ‫ﻨﺒﺘﺕ ﻓﻲ ﺒﺭﻜﺔ ِ ﺍﻟﻤﻠﺢ ِ‬ ‫ﻓﺎﻟﻤﺎﺀ ﻴﻅﻤﺄ ﻤﻥ ﺘﺤﺘﻬﺎ‬ ‫‪‬‬ ‫ﻭﺍﻟﺤﺯﻥ ‪‬ﻌﺸﺏ ُ..‬ ‫‪‬ﻴ‬ ‫ﻭﺍﻟﺤﻠﻡ ﻓﻴﻬﺎ ﻨﺒﻲ ٌ ﺘﻘﻴﺩ‬ ‫‪ ‬‬ ‫‪‬‬ ‫ﻓﻲ ﻤﻘﻠﺘﻴﻪ ﺍﻟﺴﺤﺎﺒﺔ ﻭﻫﻡ‬ ‫ﹸ ٌ‬ ‫ﻭﺒﻴﻥ ﻴﺩﻴﻪ ﺍﻟﻁﻭﺍﻟﻊ‬ ‫‪‬‬ ‫ﺨﺒﺯ ٌ ﺘﻌﻔﻥ..‬ ‫ﹼ‪‬‬ ‫ﻻ ﺸﺊ َ ﻴﻔ ِﺡ‬ ‫ﺭ‬ ‫ﺤﻴﻥ ﺘﺭﻱ ﺯﻫﺭﺓ ً‬ ‫ﻓﻲ ﺭﻤﺎﺩ ِ ﺍﻟﻤﺠﺎﻋﺔ ِ ﺘﻨﺒﺕ‬ ‫ﹸ‬ ‫ﻤﻥ ﺤﻭﻟﻬﺎ ﻴﻀﺤﻙ ﺍﻟﻤﻴﺘﻭﻥ ْ.‬ ‫٢٣‬ ‫اﻟﻔﻬﺮس‬
  • 34. ‫ﻗﻁﻊ‬ ‫ﺍﻟﻭﻟﺩ ﺍﻟﺸﺭﻴ ‪‬؛‬ ‫ﺭ‬ ‫‪‬‬ ‫ﻋﻠﻴﻪ ﺍﻟﻠﻌﻨﺔ ُ‬ ‫ﻴﺘﺄﺒﻁ ﻨﻌﻨﺎﻉ َ ﺍﻟﺩﻫﺸﺔ ِ‬ ‫ﻭﻴﺯﺝ ﺒﺄﻓﻜﺎﺭ ِ ﺍﻟﺤﺎﺭﺓ ِ ﻟﻠﺭﻴﺢ ِ‬ ‫ﻭﻴﺴﻜﻨﻬﺎ ﺍﻟﻤﻭﺝ َ..‬ ‫ﺍﻟﻭﻟﺩ ﺍﻟﺸﺭﻴﺭ ؛‬ ‫‪‬‬ ‫ﻋﻠﻴﻪ ﺍﻟﻠﻌﻨﺔ ُ‬ ‫ﺸﺎﻏﺏ ﻓﻲ ﺠﺯﺭ ٍ ﺴ ‪‬ﺠﻬﺎ ﺍﻟﻤﻠﺢ‬ ‫‪‬‬ ‫ﻴ‬ ‫‪‬‬ ‫ﻭﻏﺎﺩﺭﻫﺎ ﺍﻟﻔﻌل‬ ‫ُ‬ ‫ﻭﺤﺎﺼﺭﻫﺎ ﺍﻟﺘﺎﺒﻭﺕ ..‬ ‫ﹸ‬ ‫ﺍﻟﻭﻟﺩ ﺍﻟﺸﺭﻴﺭ ؛‬ ‫‪‬‬ ‫‪‬‬ ‫ﻋﻠﻴﻪ ﺍﻟﻠﻌﻨﺔ ُ‬ ‫ﺼﺎﺭﻉ ﻜل ﺘﻀﺎﺭﻴﺱ ِ ﺍﻟﻤﻨﻔﻲ‬ ‫ﺤﻁﻤﻬﺎ ﻗﻴﺩﺍ ً ؛ ﻗﻴﺩﺍ ً‬ ‫ﺤﺭﺭ ﺁﺨﺭ ﻤﺨﻠﻭﻗﺎﺕ ﺍﻟﺤﻠﻡ ِ‬ ‫‪ ‬‬ ‫ﻭﺃﻁﻠﻘﻪ ﻓﻲ ﺃﻓﻕ ِ ﺍﻟﺩﻓﺘﺭ.‬ ‫‪‬‬ ‫٣٣‬ ‫اﻟﻔﻬﺮس‬
  • 35. ‫ﺯﻴﺎﺭﺓ‬ ‫ﺩﻗﺕ ﺍﻟﻘﻠﺏ‬ ‫‪‬‬ ‫ﻭﺍﺴﺘﺄﺫﻨﺕ.‬ ‫ﹾ‬ ‫ﺩﺨﻠﺕ.‬ ‫ﹾ‬ ‫ﻓﺘﺸﺕ ﺒﺭﻫﺔ ً ﻓﻲ ﺍﻟﺩﻤﺎ ﺍﻟﺨﺎﻤﻠﺔ ْ.‬ ‫ﻗﻁﻔﺕ ﻭﺭﺩﺓ ً ﺫﺍﺒﻠﺔ ْ.‬ ‫ﻫﻴﺄﺕ ﻨﻔﺴﻬﺎ‬ ‫ﻟﻠﺴﺒﺎﺤﺔ ِ ﻋﺒﺭ ﺍﻟﺸﺭﺍﻴﻴﻥ‬ ‫‪‬‬ ‫ﻭﺼﻠﺕ ﻟﻠﻌﻘل ِ‬ ‫ﻗﻠﺒﺕ ﺃﻭﺭﺍﻗﻪ ﺍﻟﻤﻬﻤﻠﺔ ْ.‬ ‫ﺸﺎﻏﺒﺕ ﻓﻜﺭﺓ ً ﻋﺎﻁﻠﺔ ْ.‬ ‫ﻓﺘﺤﺕ ‪‬ﻠﺒﺔ َ ﺍﻻﻨﻔﻌﺎﻻﺕ ِ‬ ‫ﻋ‬ ‫ﺃﺨﺭﺠﺕ ﻭﺍﺤﺩﺍ ً‬ ‫ﺃﺸﻌﻠﺘﻪ‬ ‫ﺸﺒﺕ ﺍﻟﻨﺎﺭ ﻓﻲ ﺍﻟﻤﺴﺄﻟﺔ ْ.‬ ‫‪‬‬ ‫ﻫﺎﺩﺌﺔ ً‬ ‫ﻋﺎﺩﺕ ﺇﻟﻲ ﺍﻟﻘﻠﺏ ِ‬ ‫ﺃﻏﻠﻘﺕ ﺨﻠﻔﻬﺎ ﺍﻟﺒﺎﺏ‬ ‫‪‬‬ ‫ﻭﺍﺴﺘﺴﻠﻤﺕ ﺫﺍﻫﻠﺔ ْ.‬ ‫٤٣‬ ‫اﻟﻔﻬﺮس‬
  • 36. ‫ﻁﻴﺭ ُ ﻴﺠ ‪‬ﺩ ﺭﻴﺸﻪ‬ ‫ﹶُ‬ ‫ُ ﺩ‬ ‫ﺭﺠل ُ ﻟﻪ ﺤ ‪‬ﻲ..‬ ‫ِﺴ‬ ‫ُ‬ ‫ﻭﻤﻠﻙ ﺒﻨﺎ ِﻪ ِ ﻨﻔﺴﻲ ..‬ ‫ﻨ‬ ‫ﺒﺨﺒﺭﺘﻪ ﺴﻘﺎ ﺠﻤﺭﺍ..‬ ‫ﻭﺃﺭﺥ ﻟﻠﺼﺩﺍﻗﺔ ِ‬ ‫‪‬ﹶ‬ ‫ﺩﺍﺭ ﺒﺎﻟﺸﻤﺱ ِ ..‬ ‫‪‬‬ ‫ﺭﺠل ُ ؛ ﻜﻤﺎ ﻤﻁﺭ ﺍﻷﻤﺎﻥ ِ‬ ‫ُ‬ ‫ﺃﺼﺎﺒﻊ ُ‬ ‫‪‬‬ ‫ﺘﺼﻁﺎﺩ ﻤﻥ ﻋﺒﻕ ِ ﺍﻟﻤﻭﺍﻭﻴل ِ ﺍﻟﻨﺩﻴﺔ ِ‬ ‫‪‬‬ ‫ﺤﻜﻤﺔ َ ﺍﻟﻐﺭﺱ ِ ..‬ ‫ﺴﺄﻗﻭل :‬ ‫ُ‬ ‫ﻤﻥ ﻴﻤﺸﻲ ﻋﻠﻲ ﻗﺩﻤﻴﻥ‬ ‫‪‬‬ ‫ﻤﻥ ﻋﻤﺭ ٍ ..‬ ‫ﻭﻤﻥ ِﻌﺭ ٍ ..‬ ‫ﺸ‬ ‫ﻭﻴﺒﺩﻉ ‪‬ﻬﺭﺓ ً ؛‬ ‫ﻤ‬ ‫ﻭﺭﻤﻭﺸﻬﺎ ﻭﻁﻥ ُ‬ ‫‪‬‬ ‫ﻭﻴﻜﺘﺸﻑ ﺍﻟﺭﻤﻭﺯ َ ؛‬ ‫ﹸ‬ ‫ﻴﺅﻭل ﺍﻷﺤﻼﻡ ﺒﻴﻥ ﺍﻟﺤﺩﺱ ِ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﺍﻟﺩﺭﺱ ِ ..‬ ‫ﺭﺠل ُ ﻟﻪ ﺤﺱ ﺍﻟﻔﺤﻭﻟﺔ ِ ؛‬ ‫ِ ‪‬‬ ‫ُ‬ ‫ﻭﺍﻷﻤﻭﻤﺔ ِ ؛‬ ‫ﻭﺍﻟﺨﻴﺎل ﻤﻭﺼل ُ ﻟﻸﺼل ِ ..‬ ‫ُ‬ ‫ُ‬ ‫ﻭﻋﺎﻨﻘﺘﻪ ﻗﻀﻴﺔ ُ ُ ﻜﺎﻟﻤﺎﺀ ِ‬ ‫ﻓﻲ ﻁﻬﺭ ِ ﺍﻟﺤﺠﺎﺭﺓ ِ ؛‬ ‫ﻭﺍﻟﺘﺭﺍﺏ..‬ ‫ِ‬ ‫ﻭﻜﻠﻡ ﺍﻷﺸﺠﺎﺭ ؛‬ ‫‪‬‬ ‫ﹼ‪‬‬ ‫ﻭﺍﻷﻨﻬﺎﺭ‬ ‫ِ‬ ‫٥٣‬ ‫اﻟﻔﻬﺮس‬
  • 37. ‫ﻭﺍﺒﺘﻜﺭ ﺍﻟﻁﺭﻴﻘﺔ ِ ؛‬ ‫‪‬‬ ‫ﻭﺍﻟﻁﺭﻴﻕ ْ.‬ ‫ﺭﺠل ُ ﻟﻪ ﺨﺠل ﺍﻟﺒﺭﻴﻕ .‬ ‫ﹾ‬ ‫ُ‬ ‫ُ‬ ‫ﻭﻴﺩﺍﻩ ﺩﺍﻟﻴﺘﺎﻥ ﺘﻤﺘﺩﺍﻥ‬ ‫ﻤﺎ ﺒﻴﻥ ﺍﻟﺭﻁﻭﺒﺔ ِ ؛‬ ‫ﻭﺍﻟﺤﺭﻴﻕ ْ.‬ ‫ﻤﺎ ﺯﺍل ﻴﺒﺤﺙ ﻋﻥ ﺭﻓﻴﻕ.‬ ‫ﹾ‬ ‫ﺭﺠل ُ ؛ ﻜﻤﺎ ﻁﻴﺭ ٍ ﻴﺠ ‪‬ﺩ ﺭﻴﺸﻪ ﺤﻴﻨﺎ ً‬ ‫ﺩ‪‬‬ ‫ُ‬ ‫ﻴﻭﺴﻊ ﻋ ﹼﻪ ﺤﻴﻨﺎ ً‬ ‫ِ‪ ‬ﺸ‬ ‫ﻭﻴﺤﺼﺭﻩ ﺍﻟﻤﻀﻴﻕ.‬ ‫ﹾ‬ ‫ﻫﻭ ﻓﻲ ﺩﻤﻲ ﻴﺴﺭﻱ‬ ‫ﻭﻻ ﻏﺴﻕ ُ‬ ‫ﹸ‬ ‫ﻭﻻ ﺃﻓﻕ ُ ﺴﻭﻱ ﻋﻴﻨﻴﻪ‬ ‫ﹸ‬ ‫ﻏﺫﺍﻨﻲ ﺒﻌﺎﻁﻔﺔ ٍ‬ ‫ﻭﺃﻏﻨﻴﺔ ٍ‬ ‫ﻭﻋﺭﻓﻨﻲ ﻁﺭﻴﻕ ﺍﻟﺤﻠﻡ ِ‬ ‫ﻋﻠﻤﻨﻲ ﻜﻼﻡ ﺍﻟﻀﻭﺀ ِ‬ ‫‪‬‬ ‫ﺭﻭﻀﻨﻲ ﻋﻠﻲ ﺯﻤﻨﻲ .‬ ‫٦٣‬ ‫اﻟﻔﻬﺮس‬
  • 38. ‫ﺍﻤﺭﺃﺓ‬ ‫ﻫﻲ ﺍﻤﺭﺃﺓ ٌ‬ ‫ﻤﻥ ﻋﺒﻴﺭ ِ ﺍﻟﻁﻔﻭﻟﺔ‬ ‫- ﻴﺎ ﺴﻴﺩﻱ –‬ ‫ﻋﺸﻘﺘﻬﺎ ﺍﻟﻨﻭﺍﺭﺱ‬ ‫‪‬‬ ‫ﺤﻴﻨﺎ ً ﻤﻥ ﺍﻟﺩﻫﺭ ِ‬ ‫ﺠﺎﺩ ﻟﻬﺎ ﺍﻟﺒﺤﺭ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﺴﺭﺍﺭﻩ ؛‬ ‫ﻭﺍﻟﻶﻟﺊ..‬ ‫ﺤﻴﻥ ﻗﺎﺒﻠﺘﻬﺎ ﻓﻲ ﺍﻨﻔﻼﺘﺔ ِ ‪‬ﻠﻡ ٍ‬ ‫ﺤ‬ ‫ﺭﻤﺕ ﺒﺸﺒﺎﻙ ﺍﻟﻐﺭﺍﻡ ِ ﻋﻠﻲ‬ ‫‪‬‬ ‫ﺍﻟﻐﺭﺍﻡ ﻤﺸﻲ ﻓﻲ ﺍﻟﻌﺭﻭﻕ ِ‬ ‫‪‬‬ ‫ﺍﺤﺘﻘﻨﺕ‬ ‫ﺍﻨﻔﻠﺕ ﺇﻟﻲ ﺸﺎﻁﺊ ﺴﻨﺩﺴﻲ‬ ‫‪‬‬ ‫ﻭﻫﻴﺄﺕ ﺸﻭﻗﺎ‬ ‫ﹰ‬ ‫ﻭﻋ ‪‬ﺩﺕ ﻓﻲ ﻤﻔﺭﻕ ﺍﻟﻐﻴﺏ ِ ﺩﺭﺒﺎ ً‬ ‫ﺒ‬ ‫ﻭﻗﻠﺕ ُ :‬ ‫ﺘﺠﺊ ﻤﻊ ﺍﻟﻠﻴل‬ ‫ﺃﺴﺭﻱ ﺒﻬﺎ‬ ‫ﻟﻠﺫﻱ ﻻ ﻴﺠﻭﺩ ﺒﻪ ﺍﻟﺩﻫﺭ‬ ‫‪‬‬ ‫ﺇﻻ ﻟﻤﺜﻠﻲ..‬ ‫ﹼ‬ ‫ﻭﻜﺎﻥ ﻟﻬﺎ ﻤﺎ ﺘﺸﺎﺀ‬ ‫‪‬‬ ‫ﺍﻟﻨﻭﺍﺭﺱ‬ ‫‪‬‬ ‫ﻏﻴﻡ ﻤﻥ ﺍﻟﺭﻓﺭﻓﺎﺕ ِ‬ ‫ٌ‬ ‫ﻤﻥ ﺍﻟﺼﻭﺼﻭﺍﺕ ِ‬ ‫ﻟﻬﺎ ﺍﻟﺒﺤﺭ‬ ‫‪‬‬ ‫ﺃﺴﺭﺍﺭﻩ ؛‬ ‫‪‬‬ ‫ﻭﺍﻟﻶﻟﺊ..‬ ‫٧٣‬ ‫اﻟﻔﻬﺮس‬
  • 39. ‫ﻭﻟﻡ ﻴﺒﻕ ﻋﻨﺩﻱ‬ ‫ﺴﻭﻱ ﺒﻌﺽ ﺸﻴﺏ ٍ‬ ‫ﻭﺒﻌﺽ ﺭﻤﺎﺩ.‬ ‫‪‬‬ ‫٨٣‬ ‫اﻟﻔﻬﺮس‬
  • 40. ‫ﺍﻤﺭﺃﺓ ٌ ﺃﺨﺭﻱ‬ ‫ﺍﻤﺭﺃﺓ ُ ُ ..‬ ‫ﺘﺼل ﺍﻟﻤﻭﺠﺔ َ ﺒﺎﻟﺸﺎﻁﺊ ِ .‬ ‫ﻭﺘﺼﺎﺩﻕ ﺒﻴﻥ ﺍﻟﻌﺫﺏ ِ‬ ‫ﻭﺒﻴﻥ ﺍﻟﻤﻠﺢ ِ ..‬ ‫ﺘﺤﻴﻙ ﺍﻷﺒﻴﺽ ﺒﺎﻷﺴﻭﺩ ِ ..‬ ‫‪‬‬ ‫ﻭﺍﻟﻠﻴل ﺘﻠ ‪‬ﻨﻪ ﺒﺎﻟﻨﻭﺭ .‬ ‫‪‬‬ ‫َ ﻭ‬ ‫ﺍﻤﺭﺃﺓ ُ ُ ..‬ ‫ﻜﺎﻟﺒﻠﻭﺭ ْ .‬ ‫ﻜﻐﻨﺎﺀ ِ ﺍﻟﻔﺭﺤﺔ ِ‬ ‫ﺒﺎﻟ ‪‬ﺏ ﱢ ﺘﺩﻭﺭ .‬ ‫‪‬‬ ‫ﺤ‬ ‫ﻭﺘﻘ ‪‬ﻡ ﻟﻠﻔﻘﺭﺍﺀ ِ,‬ ‫ﺩ‪‬‬ ‫ﻭﻟﻸﻁﻔﺎل ِ,‬ ‫ﻭﻟﻸﺤﺯﺍﻥ ِ ﺍﻟﺜﻜﻠﻰ‬ ‫ﺃﻁﺒﺎﻕ ﺴﺭﻭﺭ .‬ ‫‪‬‬ ‫ﹶ‬ ‫٩٣‬ ‫اﻟﻔﻬﺮس‬
  • 41. ‫ﺃﻡ‬ ‫ﺇ ﱠﻬﺎ ﻻ ﹸﺠﻴﺩ ﺍﻟﻜﻼﻡ ..‬ ‫‪‬‬ ‫ﺘ ‪‬‬ ‫ﻨ‬ ‫ﺘﻜﺩﺡ ﻓﻲ ﺍﻟﺒﻴﺕ ِ ﻁﻭل ﺍﻟﻨﻬﺎﺭ ِ ..‬ ‫َ‬ ‫ﻭﺤﻴﻥ ﻴﻨﺎﻡ ﺍﻟﺠﻤﻴﻊ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺴﺘﺨﻠﻊ ﺠﻠﺩ ﺍﻟﺼﺒﺎﺡ ِ ..‬ ‫‪‬‬ ‫ﻭﺘﻠﺒﺱ ﺠﻠﺩ ﺍﻟﻤﺴﺎﺀ ِ ..‬ ‫‪‬‬ ‫ﻭﺘﺄﺨﺫ ﺤ ‪‬ﺎ ‪‬ﻬﺎ ,‬ ‫ﻤﻤ‬ ‫ﻭﺘﻨﺎﻡ .‬ ‫‪‬‬ ‫٠٤‬ ‫اﻟﻔﻬﺮس‬
  • 42. ‫ﻫﻲ‬ ‫ﻫﻲ ﺁﺨﺭ ﺍﻤﺭﺃﺓ‬ ‫ﺘﺭﺍﻗﺼﺕ ﺍﻟﺤﺩﺍﺌﻕ ﺘﺤﺕ ﺨﻁﻭﺘﻬﺎ‬ ‫ﻭﺘﺴﺎﻗﻁ ﺍﻟﻤﻁﺭ ﺍﻟﻌﺼﻲ‬ ‫ﻭﺃﻴﻨﻌﺕ ﻤﺩﻥ ﻟﺒﺴﻤﺘﻬﺎ‬ ‫ﻭﺘﺼﺎﻓﺤﺕ ﺩﻭل .‬ ‫ﻫﻲ ﺁﺨﺭ ﺍﻤﺭﺃﺓ‬ ‫ﺘﻔﺘﺢ ﺘﺤﺕ ﺨﻁﻭﺘﻬﺎ ﺍﻟﺒﻨﻔﺴﺞ‬ ‫ﻭﺍﻨﺤﻨﻰ ﺍﻟﺭﻴﺤﺎﻥ‬ ‫ﻭﺍﺨﻀﺭﺕ ﻀﻔﺎﻑ ﺍﻟﻨﻬﺭ‬ ‫ﻋﻨﺩ ﻤﺭﻭﺭﻫﺎ‬ ‫ﻭﺃﺴﺘﺄﺫﻥ ﺍﻟﺨﺠل .‬ ‫ﻫﻲ ﺁﺨﺭ ﺍﻤﺭﺃﺓ‬ ‫ﺘﻨﺎﺴﻠﺕ ﺍﻟﻤﻭﺍﺴﻡ ﺒﻴﻥ ﻋﻴﻨﻴﻬﺎ‬ ‫ﺍﻟﻠﺘﻴﻥ ﺘﺼﺎﻟﺤﺕ‬ ‫ﻤﻥ ﺃﺠل ﻨﻅﺭﺘﻬﺎ ﺍﻟﺠﻭﺍﺭﺡ‬ ‫ﻭﺍﺴﺘﺤﻰ ﺍﻟﻔﺸل‬ ‫ﺇﻥ ﺸﺌﺕ ﺘﻌﺭﻓﻬﺎ‬ ‫ﺘﻌﺎل ﻟﺘﺭﺘﻭﻱ‬ ‫ﻤﻥ ﻨﺒﻊ ﻋﻴﻨﻴﻬﺎ ﺍﻟﻠﺘﻴﻥ ﺃﻁﻠﺘﺎ‬ ‫ﻓﺎﺼﻁﻔﺕ ﺍﻟﻔﺭﺴﺎﻥ‬ ‫ﻫﻴﺎ .... ﺃﻴﻬﺎ ﺍﻟﺭﺠل .‬ ‫١٤‬ ‫اﻟﻔﻬﺮس‬
  • 43. ‫ﺍﻟﻘﺼﻴﺩﺓ ..‬ ‫ﺍﻤﺭﺃﺓ ٌﻤﻥ ﻭﺭﻕ ٍ‬ ‫ﻭﻜﻼﻡ ٍ‬ ‫ﻭﺨﻴﺎل.‬ ‫ْ‬ ‫ﺒﻴﺕ ٌ ﻤﺄﻫﻭل ﻜﺎﻟﺴﺎﺤﺎﺕ ِ‬ ‫ٌ‬ ‫ﻭﻓﻘﻴﺭ ﻜﻴﺩﻱ..‬ ‫ٌ‬ ‫ﺘﺘﺤﺎﺸﻰ ﻓﻘﺩﺍﻨﻲ‬ ‫ﻭﺘﻅل ﺘﺭﺍﻗﺏ ﺤﺎﻻﺕ ٍ ﺘﺘﺠﻠﻲ‬ ‫‪‬‬ ‫ﻓﺎﻜﻬﺔ ً ﺘﺴﻘﻁ‬ ‫ﻭﻋﻼﻗﺎﺕ ٍ ﺒﺘﺭﺍﺀ‬ ‫‪‬‬ ‫ﻭﻁﻘﺴﺎ ً ﻴﺠﻨﺢ..‬ ‫‪‬‬ ‫ﺍﻤﺭﺃﺓ ٌ ..‬ ‫ﻜﺘﺏ ؛ ﻭﻤﺂﺜﺭ‬ ‫‪‬‬ ‫ٌ‬ ‫ﺍﺴﺘﻘﺒﻠﻬﺎ ﺨﺎﺭﺝ ﺃﻴﺎﻤﻲ‬ ‫ﻭﺘﺩﺍﻫﻤﻨﻲ ﻓﻲ ﻜل ﺘﻔﺎﺼﻴل ﺤﻴﺎﺘﻲ‬ ‫ﺘﺠﻤﻌﻨﻲ ﻤﻌﻬﺎ ﻓﻲ ﺼ ‪‬ﺭ ٍ‬ ‫ﻭ‬ ‫ﺘﺘﺭﻜﻨﻲ ﻀﻴﻔﺎ ً ﻴﺴﺘﺠﺩﻱ‬ ‫ﻭﺨﺴﺎﺭﺍﺕ ٍ ﻁﺎﺯﺠﺔ ٍ‬ ‫ﻭﺃﻤﺎﻥ ٍ ‪‬ﺘﻜﻠﺔ ْ .‬ ‫ﻤ‬ ‫ﺘﺘﻭﻋﺩﻨﻲ ﺒﺨﻴﺎﻨﺔ ِ ﺒﺤﺭﻱ‬ ‫ﻭﺘﻭﺍﻋﺩﻨﻲ ..‬ ‫ﻟﺘﺴﺭﻱ ﻗﻠﻘﻲ ﻓﻲ ﻨﺯﻫﺎﺕ ٍ‬ ‫ﻨﺸﻬﺩ ﻓﻴﻬﺎ ﹸﺠﺎﺭﺍ ً ﻤﻥ ﺃﺯﻤﺎﻥ ٍ ﺴﺎﺤﻘﺔ ٍ‬ ‫ﺘ‬ ‫ﻴﺄﺘﻭﻥ ؛ ﻭﻴﺘﻼﺸﻭﻥ ..‬ ‫ﺍﻤﺭﺃﺓ ٌ ..‬ ‫ﻟﻴﺴﺕ ﻜﻌﺸﺎﺌﻲ ﺍﻟﻤﺄﻟﻭﻑ ِ‬ ‫ﺘﺘﺭﻜﻨﻲ ﻓﻲ ﺍﻟﺭﻴﺢ ِ‬ ‫ﻋﻠﻲ ﺴﺎﺤل ِ ﻭﺭﻗﺔ ِ ﺘﻭﺕ ٍ‬ ‫ﺘﺤﻤل ﺭﺃﺴﻲ ﻜﺭﺓ ً ﺃﺭﻀﻴﺔ ْ.‬ ‫٢٤‬ ‫اﻟﻔﻬﺮس‬
  • 44. ‫ﻭﺒﻘﺎﻴﺎ ﺃﺯﻤﻨﺔ ٍ ..‬ ‫ﺘﺴﺄﻟﻨﻲ ﻋﻥ ﻴﻭﺴﻑ‬ ‫ﹶ‬ ‫ﻋﻥ ﻨﻭﺡ ٍ ..‬ ‫ﺘﺘﺭﻜﻨﻲ ﺩﺭﻭﻴﺸﺎ ً ﻤﺄﺨﻭﺫﺍ ً‬ ‫ﻷﺼﻴﺢ ﻜﺩﻴﻙ ٍ ﺃﺫﻥ ﻟﻠﻔﺠﺭ ِ‬ ‫ﹼ‪‬‬ ‫‪‬‬ ‫ﻋﻠﻲ ﺴﻁﺢ ِ ﺍﻟﺒﻴﺕ ِ ﺍﻷﺒﻴﺽ ِ ..‬ ‫ﻭﺘﺤﺎﺠﺠﻨﻲ :‬ ‫ﻻ ﺃﺭﺠﻭﻙ‬ ‫‪‬‬ ‫ﺇﺫﺍ ﻏﺎﺩﺭﺕ ﺭﺠﺎﺌﻲ ﻓﻴﻙ ..‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭﺇﺫﺍ ﺃﺤﺭﻗﺕ ﻨﺸﻴﺩﻱ‬ ‫ﻻ ﺃﻨﺴﻲ ﻜﻠﻤﺎﺕ ِ ﻨﺸﻴﺩﻙ..‬ ‫ِ‪‬‬ ‫ﺍﻤﺭﺃﺓ ٌ ..‬ ‫ﺘﺴﻌﻲ ﺒﻴﻥ ﻴﺩﻱ‬ ‫‪‬‬ ‫ﻭﻤﻥ ﺨﻠﻔﻲ ..‬ ‫ﻭﺘﻁﺎﺭﺩﻨﻲ..‬ ‫ﻜﺭﻤﺎل ٍ ﺘﺒﺘﻠﻊ ﺍﻟﺘﺎﺌﻪ ﻤﻥ ﻋﺭﺒﺎﺘﻲ‬ ‫ﻭﺭﻋﺎﻴﺎﻱ..‬ ‫‪‬‬ ‫ﻟﻴﺱ ﻤﻌﻲ ﻤﻨﻬﺎ ﺇﻻﻱ ..‬ ‫ﹼ ‪‬‬ ‫ﺤﻴﻥ ﺘﻬﺯ ﺸﺒﺎﺒﻴﻙ ﺭﺠﺎﺌﻲ‬ ‫‪‬‬ ‫ﺃﻓﺯﻉ ﻤﺼﺤﻭﺒﺎ ً ﺒﺼﺭﺍﺨﻲ‬ ‫‪‬‬ ‫ﺼﻭﺏ ﺴﻭﺍﺤﻠﻬﺎ ﺍﻟﻤﺭﺼﻭﻓﺔ ِ‬ ‫‪‬‬ ‫ﺒﺎﻟﺴﻔﻥ ِ ﺍﻟﻤﺤﻁﻭﻤﺔ ِ..‬ ‫ﻭﺃﻟﻭﺡ ﺒﺎﻟﺭﻭﺡ ِ ﺍﻟﻐﺭﻗﻰ ..‬ ‫‪‬‬ ‫ﺘﺘﺭﻜﻨﻲ ﺼ ‪‬ﺎﺩﺍ ً ؛‬ ‫ﻴ‬ ‫ﺼﻴﺩﺍ ً..‬ ‫ﻭﺘﻠ ‪‬ﺡ ﻟﻲ ﺒﺎﻟﺩﻋﻭﺍﺕ ْ.‬ ‫ﻭ‬ ‫٣٤‬ ‫اﻟﻔﻬﺮس‬
  • 45. ‫ﻓﺘﺎﺓ ..‬ ‫ﻜﺄﻨﻬﺎ ﺍﻟﺭﺅﻴﺎ ﺘﻬﺯﻨﻲ‬ ‫ﻜﻤﺎ ﺘﻬﺯﻨﻲ ﺍﻟﻤﻭﺍﺴﻡ ﺍﻟﺘﻲ ﻤﻀﺕ‬ ‫ﹾ‬ ‫‪‬‬ ‫ﻓﻲ ﺃ ‪‬ل ِ ﺍﻟﺼﺒﺎ‬ ‫ﻭ‬ ‫ﻭﺠﻤﺭﺓ ِ ﺍﻟﺸﺒﺎﺏ ْ.‬ ‫ﻜﺄﻨﻬﺎ ﺍﺒﺘﺴﺎﻤﺔ ٌ‬ ‫ﺠﺎﺩﺕ ﺒﻬﺎ ﻋﺎﺒﺭﺓ ٌ ﺤﺴﻨﺎﺀ .‬ ‫‪‬‬ ‫ﻤﺎ ﺯﺍل ﻓﻲ ﺜﻴﺎﺒﻲ ﻨﻜﻬﺔ ُ ﺍﻟﻘﺭﻯ‬ ‫ﻭﻓﻲ ﺩﻤﺎﺌﻲ ﺩﻫﺸﺔ ٌ‬ ‫ﻟﺤﺎﺭﻕ ِ ﺍﻟﻬﻭﻯ ..‬ ‫ﺃﻤﺴﻙ ﺒﻬﺎ ﻴﺎ ﺼﺎﺤﺒﻲ‬ ‫‪‬‬ ‫ﺘﻠﻙ ﺍﻟﻔﺘﺎﺓ ..‬ ‫ﺃﻤﺴﻙ ْ ﺒﻬﺎ ﻓﻲ ﺩﻭﺭﻕ ِ ﺍﻟﺭﻭﺡ ِ‬ ‫ﻭﺩﻋ‪‬ﻬﺎ ﺘﻠﺘﻬﺏ.‬ ‫‪‬‬ ‫ﻜﺄﻨﻬﺎ ﺩﻤﺎﺀ ﻋﺎﺸﻕ ٍ‬ ‫‪‬‬ ‫ﻓﻘﺩ ﺘﻜﺘﻔﺕ ﻴﺩﺍﻱ ﺒﺎﻟﺴﺅﺍل.‬ ‫ْ‬ ‫‪‬‬ ‫ﻭﺍﺴﺘﺄﺫﻥ ﺍﻟﺨﻴﺎل.‬ ‫ْ‬ ‫٤٤‬ ‫اﻟﻔﻬﺮس‬
  • 46. ‫ﺍﻟﻤﺠﻬﻭﻟﺔ‬ ‫ﺼﺎﺭﺤﺘﻬﺎ ﻫﻭﺍﺠﺴﻬﺎ ﻤ ‪‬ﺓ ً‬ ‫ﺭ‬ ‫ﻋﻥ ﺤﻘﻴﻘﺔ ِ ﻫﺫﺍ ﺍﻟﺠﺴﺩ .‬ ‫‪‬‬ ‫ﻗﺎﺭﺓ ُ ﺍﻟﺜﻠﺞ ِ ﺍﻟﺘﻲ ﺘﺘﻤ ‪‬ﺩ‬ ‫ﺩ‪‬‬ ‫ﻗﺩ ﺃﻜﻠﺕ ﻜل ﺸﺊ ٍ‬ ‫َ‬ ‫ﺸﻭﺍﺭﻋﻪ ؛‬ ‫‪‬‬ ‫ﻭﺍﻟﻘﺭﻯ‬ ‫ﻭﺍﻟﺤﺩﺍﺌﻕ..‬ ‫ﹶ‬ ‫ﻫﺫﺍ ﺍﻟﺠﺴﺩ‬ ‫‪‬‬ ‫ﻟﻡ‬ ‫ﻴﺒﻕ‬ ‫ﻓﻴﻪ‬ ‫ﺃﺤﺩ.‬ ‫‪‬‬ ‫...........................................‬ ‫ﻤﺒﺘﻠﺔ ٌ ؛ ﻜﺎﻟﺤﻭﺍﺭﻱ ﺍﻟﻘﺩﻴﻤﺔ ِ‬ ‫ﺘﻤﺸﻲ ﺇﻟﻲ ﺁﺨﺭ ِ ﺍﻟﻠﻴل ِ‬ ‫ﻴﺭﺸﻘﻬﺎ ﺍﻟﻌﺎﺒﺭﻭﻥ ﺒﻜل ِ ﺍﻟﺴﻬﺎﻡ.‬ ‫‪‬‬ ‫ﺘﺄﻭﻱ ﺇﻟﻲ ﻏﺭﻓﺔ ٍ ﻋﻨﺩ ﺴﺎﺤل ِ ﺍﻟﻨﻬﺭ ِ‬ ‫ﺘﻠﻀﻡ ﺃﻋﻀﺎ ‪‬ﻫﺎ ؛‬ ‫ﺀ‬ ‫ﻭﺘﻨﺎﻡ .‬ ‫‪‬‬ ‫ﺇﻨﻬﺎ ﻻ ﺘﺠﻴﺩ ﺴﻭﻱ ﺍﻟﺼﻤﺕ ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﺼﻤﺕ ﻜل ﺍﻟﻜﻼﻡ.‬ ‫‪‬‬ ‫ﹸ ُ‬ ‫........................................‬ ‫ﺴﺎﻫﻤﺔ ً ؛ ﻗﺒل ﺍﻟﻨﻭﻡ ِ‬ ‫َ‬ ‫ﺘﺴﺘﺭﺠﻊ ﺃﻴﺎﻡ ﺃﻨﻭﺜﺘﻬﺎ‬ ‫‪‬‬ ‫ﺘﺤﺼﻲ ﻓﻲ ﺍﻟﺫﺍﻜﺭﺓ ِ ﺨﻭﺍﺘﻤﻬﺎ‬ ‫ﻭﻗﻼﺌﺩﻫﺎ..‬ ‫٥٤‬ ‫اﻟﻔﻬﺮس‬
  • 47. ‫ﻭﺭﺴﺎﺌل ﺃﺒﻁﺎل ِ ﺭﻭﺍﻴﺘﻬﺎ ﺍﻟﺒﻠﻬﺎﺀ.‬ ‫‪‬‬ ‫َ‬ ‫ﺘﻘﺭﺃ ﺒﻌﺽ ﻭﺭﻴﻘﺎﺕ ٍ ﺼﻔﺭﺍﺀ.‬ ‫‪‬‬ ‫ﺘﻀﺤﻙ ﻓﻲ ﺍﺴﺘﺤﻴﺎﺀ ْ.‬ ‫ﺁﻩ ٍ ..‬ ‫ﻜﻡ ﻜﺎﻨﻭﺍ ﺭﻏﻡ ﺒﻼﻫﺘﻬﻡ ﺒﻠﻐﺎﺀ.!!‬ ‫‪‬‬ ‫...............................................‬ ‫ﺘﻔﺘﺵ ﻓﻲ ﺍﻟﺴﻨﻭﺍﺕ ِ ﺍﻟﻘﺩﻴﻤﺔ ِ‬ ‫ﻓﻲ ﻤﺨﺯﻥ ﺍﻟﺫﺍﻜﺭﺓ ْ.‬ ‫ﻋﻥ ﺍﻟﻠﺤﻅﺔ ِ ﺍﻟﻀﺎﺌﻌﺔ ْ.‬ ‫ﺘﻔﺘﺵ ﻓﻲ ﺍﻟﻌﺎﺒﺭﺍﺕ ِ‬ ‫ﻤﻥ ﺍﻟﻔﺎﺘﻨﺎﺕ ِ‬ ‫ﻋﻥ ﺍﻟﺒﺴﻤﺔ ِ ﺍﻟﻀﺎﺌﻌﺔ ْ.‬ ‫ﺘﻔﺘﺵ ﻓﻲ ﻜل ﺩﺭﺏ ٍ ﻤﺸﺘﻪ‬ ‫ﻋﻥ ﺍﻟﺨﻁﻭﺓ ِ ﺍﻟﻀﺎﺌﻌﺔ ْ.‬ ‫ﺘﻔﺘﺵ ﻓﻲ ﺠﺴﻤﻬﺎ‬ ‫ﻓﻲ ﺒﻘﺎﻴﺎ ﺍﻟﺜﻴﺎﺏ ِ ﺍﻟﻘﺩﻴﻤﺔ ِ‬ ‫ﻻ ﺸﺊ ﺴﻭﻱ ﺍﻵﻥ‬ ‫‪‬‬ ‫ﻭﺍﻵﻥ ..‬ ‫ﻤﺎﺫﺍ ﻴﻔﻴﺩ ﺍﻟﻨﺩﻡ؟ !!‬ ‫.........................................‬ ‫ﺤﻴﻥ ﺘﻀﺤﻙ‬ ‫‪‬‬ ‫ﻓﺎﻟﻀﺤﻙ ﻓﻴﻬﺎ ﺒﻜﺎﺀ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﺤﻴﻥ ﺘﺒﻜﻲ‬ ‫ﻓﻤﺎ ﻤﻥ ﺩﻤﻭﻉ ٍ ﻋﻠﻲ ﻤﻘﻠﺘﻴﻬﺎ‬ ‫ﻭﻟﻜﻥ ﺩﻤﺎﺀ ْ.‬ ‫ﺤﻴﻥ ﺘﺠﻠﺱ‬ ‫ﺃﻭ ﺘﺘﻤﺸﻲ ﻋﻠﻲ ﺴﺎﺤل ِ ﺍﻟﻨﻬﺭ ِ‬ ‫ﻋﻨﺩ ﺍﻟﻤﺴﺎﺀ ْ.‬ ‫ﺤﻴﻥ ﺘﺸﺭﺏ ﺸﺎﻴﻬﺎ ﺍﻟﻤ ‪‬‬ ‫‪‬ﺭ‬ ‫٦٤‬ ‫اﻟﻔﻬﺮس‬
  • 48. ‫ﻜﺄﻨﻪ ﺍﻟﺩﻭﺍﺀ ْ.‬ ‫ﺘﺸﻬﻕ ﺍﻟﻁﻴﻭﺭ ﻓﻲ ﺴﻼل ﺠﺴﻤﻬﺎ‬ ‫‪‬‬ ‫ﻭﻴﻬﺭﺏ ﺍﻟﻬﻭﺍﺀ ْ.‬ ‫ﻜﺄﻨﻬﺎ ﺘﺒ ‪‬ﺃﺕ ﻤﻥ ﺍﻨﺘﻤﺎﺀﻫﺎ‬ ‫ﺭ‬ ‫ﻟﻌﺎﻟﻡ ﺍﻟﻨﺴﺎﺀ ْ.‬ ‫.........................................‬ ‫ﻫﻨﺎﻙ ؛ ﻋﻠﻲ ﺤﺎﻓﺔ ِ ﺍﻟﻨﻬﺭ ِ‬ ‫‪‬‬ ‫ﻓﻲ ﺒﻴﺘﻬﺎ ﺍﻟﻤﺤﺩﻭﺩﺏ ِ ﺍﻟﻅﻬﺭ ِ‬ ‫ﺒﻐﺭﻓﺔ ٍ ﻓﻘﻴﺭﺓ ْ.‬ ‫ﺭﺃﻴﺘﻬﺎ ؛ ﻭﻗﺩ ﺘﻤ ‪‬ﺩﺕ ﻜﺠﺜﺔ ٍ‬ ‫ﺩ‬ ‫ﻋﻠﻲ ﺍﻟﺤﺼﻴﺭﺓ ْ.‬ ‫ﻨﻌﻡ .. ﺃﻨﺎ ﺭﺃﻴﺘﻬﺎ‬ ‫‪‬‬ ‫ﻓﻲ ﺍﻟﻐﺭﻓﺔ ِ ﺍﻟﻌﻤﻴﺎﺀ ْ.‬ ‫ﻫﻨﺎﻙ ﺠﻨﺏ ﺍﻟﻤﺎﺀ ْ.‬ ‫‪‬‬ ‫ﺘﻜﻭﻤﺕ ﻜﺤﻔﻨﺔ ٍ ﻤﻥ ﺍﻟﻌﻅﺎﻡ ْ.‬ ‫ﺘﻘ ‪‬ﺴﺕ ﻜﺄﻨﻬﺎ ﻋﻼﻤﺔ ﺍﺴﺘﻔﻬﺎﻡ.‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭ ﹾ‬ ‫ﺸﺤﻭﺒﻬﺎ ؛ ﺒﻼ ﻤﻼﻤﺢ ٍ‬ ‫ﻭﺃﺭﻀﻬﺎ ﺴﻤﺎﺀ ْ.‬ ‫ﻭﻟﻴﺱ ﻤﻥ ﺃﺴﻤﺎﺀ.‬ ‫‪‬‬ ‫ﻜﺄﻨﻬﺎ ﺃﻨﺸﻭﺩﺓ ٌ ﺍﻟﻬﺠﺎﺀ ِ ؛ ﻭﺍﻟﺭﺜﺎﺀ ْ.‬ ‫ﺤﺭﻭﻓﻬﺎ ﻤﻥ ﺼﻤﺕ ٍ‬ ‫ﻋﻨﻭﺍﻨﻬﺎ ﺍﻟﺫﻱ ﻤﺤﺘﻪ ﻜﻑ ُ ﺍﻟﻭﻗﺕ ِ‬ ‫ﹼ‬ ‫ﻤﻘﺩﺱ ٌ ﻜﺎﻟﻤﻭﺕ ِ .‬ ‫٧٤‬ ‫اﻟﻔﻬﺮس‬
  • 49. ‫ﻫل ﻤﻥ ﻤﺯﻴﺩ؟!!‬ ‫ﻭﺨﺎﺌﻔﺔ ﻤﻥ ِﺼﻲ ﺍﻟﻀﻤﻴﺭ ِ‬ ‫ﻋ ‪‬‬ ‫ﹸﺼ ‪‬ﺭ ﻟﻠﺒﻴﻊ ِ ﻟﺤﻤﺎ ً‬ ‫ﺘ ﺩ‬ ‫ﻭﺘﻌﻠﻥ :‬ ‫ﺇﻥ ﺍﻟﺴﻴﺎﺴﺔ َ ﺴﻴﺭﻙ‬ ‫ٌ‬ ‫ﻭﻨﺤﻥ ﻏﺭﻴﺒﺎﻥ ﻓﻴﻪ ..‬ ‫ﻨﻌﻡ..‬ ‫‪‬‬ ‫ﺇﻨﻬﺎ ﻁﻔﻠﺔ ٌ‬ ‫ﺘﺤﺎﻭل ﺃﻥ ﺘﺼﻨﻊ ﺍﻟﻌﻴﺩ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﺭﺴﻡ ﻀﺤﻜﺘﻬﺎ‬ ‫ﻭﺘﻭﺯﻉ ﺨﺒﺯﺍ ً‬ ‫ﻭﺭﻭﺤﺎ ً ﻤﻼﻜﺎ ً‬ ‫ﻟﻤﻥ ﻻ ﻴﺭﻴﺩﻭﻥ ﺇﻻ ﺍﻟﺠﺴﺩ !!‬ ‫‪‬‬ ‫ﹼ‬ ‫................................‬ ‫ﻭﻜﺎﻟﺩﻋﻭﺍﺕ ِ ﺍﻟﻤﺤﺎﻁﺔ ِ ﺒﺎﻟﺭﻋﺏ ِ‬ ‫ﻓﻲ ﻜﺭﻨﻔﺎل ﺍﻟﺘﻨﻜﺭ ِ ؛ ﻭﺍﻟﻜﺫﺏ ِ‬ ‫ﺘﺒﻜﻲ ..‬ ‫ﻭﻴﺒﻜﻲ ﻋﻠﻲ ﺼﺩﺭﻫﺎ ﺍﻟﺤ ‪ُ ‬‬ ‫‪‬ﺏ‬ ‫ﻻ ﺘﻤﺴﺢ ﺍﻟﺩﻤﻊ‬ ‫‪‬‬ ‫ﻓﺎﻟﺩﻤﻊ ﺩﻡ ُ ﺍﻟﺒﻜﺎﺭﺓ ِ‬ ‫‪ ‬‬ ‫.....................................‬ ‫ﻜﻨﺕ ﺃﺭﺍﻗﺼﻬﺎ‬ ‫ﹸ‬ ‫ﻷﺅﻜﺩ ﺃﻥ ﺍﻟﺘﻤﺭﺩ ﻁﻔل‬ ‫‪ٌ ‬‬ ‫‪‬‬ ‫ﻭﺃﻥ ﺍﻟﺴﻤﺎﺀ ﻟﻬﺎ ﻨﻜﻬﺔ ُ ﺍﻟﻤﺎﺀ ِ‬ ‫‪‬‬ ‫ﻗﺎﻟﺕ :‬ ‫ﹾ‬ ‫ﻫﻲ ﺍﻟﺭﻋﺸﺔ ﺍﻟﻤﻠﻜﻴﺔ ُ‬ ‫ﹸ‬ ‫ﻋﻨﺩ ﺍﺤﺘﻘﺎﻥ ِ‬ ‫٨٤‬ ‫اﻟﻔﻬﺮس‬
  • 50. ‫ﺍﻟﺘﻘﺎﺀ ِ‬ ‫ﺍﻨﺩﻤﺎﺝ ِ ﺍﻟﺨﺘﺎﻨﻴﻥ ..‬ ‫ﺘﻔﺎﺤﺔ ُ ﺍﻟﻌﻤﺭ ِ‬ ‫ﻭﺍﻟﺤﺏ ُ ﻤﺤﺽ ﺍﺩﻋﺎﺀ ْ.‬ ‫‪‬‬ ‫‪ ‬‬ ‫ﺃﻤﺎﺘﺕ ﺇﺫﻥ‬ ‫ﹾ ‪‬‬ ‫ﻭﻫﻲ ﺘﻜﺘﺏ ﻓﻲ ﺁﺨﺭ ِ ﺍﻟﺴﻁﺭ ِ‬ ‫" ﻫل ﻤﻥ ﻤﺯﻴﺩ" ؟!‬ ‫‪‬‬ ‫٩٤‬ ‫اﻟﻔﻬﺮس‬
  • 51. ‫ﻫﻜﺫﺍ ..‬ ‫ﺘﻔﺘﺢ ﺍﻟﺭﺤﻡ ﺃﺒﻭﺍﺒﻬﺎ‬ ‫‪‬‬ ‫ﻴﻨﺴﻠﻭﻥ.‬ ‫‪‬‬ ‫ﻴﻨﻔﻀﻭﻥ ﹸﺒﺎﺭ ﺍﻟﻜﻤﻭﻥ ِ‬ ‫ﻏ ‪‬‬ ‫ﻭﻴﻨﺘﻔﻀﻭﻥ .‬ ‫ﺘﻔﺘﺢ ﺍﻟﺭﺤﻡ ﺃﺒﻭﺍﺒﻬﺎ‬ ‫‪‬‬ ‫ﻴﺩﺨﻠﻭﻥ.‬ ‫‪‬‬ ‫ﻴﻐﺴﻠﻭﻥ ﻏﺒﺎﺭ ﺍﻟﺤﻴﺎﺓ ِ‬ ‫‪‬‬ ‫ﻭﻴﻐﺘﺴﻠﻭﻥ.‬ ‫‪‬‬ ‫ﻫﺫﺍ ﺍﻟﻤﺴﺎﺀ ﺒﺭﺍﻤﺠﻪ‬ ‫‪‬‬ ‫ﺘﺴﺤﺏ ﺍﻟﻌﻴﻥ َ ﻟﻠﻨﻭﻡ ِ‬ ‫ﻻ ﺒﺄﺱ‬ ‫‪‬‬ ‫ﻓﻲ ﺍﻟﺤﻠﻡ ِ ﻗﺩ ﻴﻔﺭﺤﻭﻥ .‬ ‫‪‬‬ ‫ﻭﻗﺩ ﻴﻐﻀﺒﻭﻥ ْ .‬ ‫ﻭﻗﺩ .............‬ ‫ﻻ ﺒﺄﺱ ﻴﺴﺘﻴﻘﻅﻭﻥ ْ .‬ ‫‪‬‬ ‫ﺘﻔﺘﺢ ﺍﻟﺭﺤﻡ ﺃﺒﻭﺍﺒﻬﺎ‬ ‫‪‬‬ ‫ﻓﻲ ﺁﺨﺭ ِ ﺍﻷﻤﺭ ِ‬ ‫ﻤﻥ ﻜل ﻤﺎ ﻗﺩ ﻤﻀﻲ‬ ‫ﻴﻨﻬﻀﻭﻥ ْ .‬ ‫٠٥‬ ‫اﻟﻔﻬﺮس‬
  • 52. ‫ﺁﺨﺭ ﺍﻷﻤﺭ ..‬ ‫ﻴﻨﺎﻡ .. ﺘﻨﺎﻡ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺘﺼﺤﻭ .. ﻓﻴﺼﺤﻭ‬ ‫ﻭﺘﺩﺨل ﻓﻲ ﺼﺤﻭﻩ ِ‬ ‫ُ‬ ‫ﻭﻴﺩﺨل ﻓﻲ ﻨﻭﻤﻬﺎ‬ ‫ﺘﻐﻨﻲ ﻟﻪ .. ﻭﻴﻐﻨﻲ ﻟﻬﺎ‬ ‫ﺴﻴﻭﺼﻲ ﺒﻤﻴﺭﺍﺜﻪ‬ ‫ِِ‬ ‫ﻓﻲ ﺃﻭﺍﺨﺭ ِ ﺃﻴﺎ ِﻪ ِ ﻟﻠﻌﻴﺎل ِ‬ ‫ﻤ‬ ‫ﻭﻴﻭﺼﻲ ﻟﻬﺎ ﺒﺎﻟﻌﻴﺎل ِ‬ ‫ﻓﺘﺤﺼﻲ ﺍﻟﺫﻱ ﻗﺩ ﺘﺒﻘﻲ ﻤﻥ ﺍﻟﻌﻤﺭ ِ‬ ‫ﻫﺫﻱ ﺒﻘﺎﻴﺎ ﺍﻟﻤﻌﺎﺵ ِ‬ ‫ﺘﻨﺎﺩﻡ ﺫﺍﻜﺭﺓ ً ﻤﻥ ﺤﻴﺎﺀ ٍ‬ ‫ﻴﻨﺎﺩﻡ ﺫﺍﻜﺭﺓ ً ﻤﻥ ﺸﻘﺎﺀ ٍ‬ ‫ﻭﻓﻲ ﺁﺨﺭ ِ ﺍﻷﻤﺭ ِ‬ ‫ﻟﻴﺱ ﺴﻭﻱ ﺩﻤﻌﺔ ٍ‬ ‫ﺃﻭ ﺩﻋﺎﺀ.‬ ‫‪‬‬ ‫١٥‬ ‫اﻟﻔﻬﺮس‬