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   -٢-
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫‪‬‬ ‫ﺍﻷﺭﺽ ﺘﺸﺭﺒﻬﺎ ﺍﻟﺩﻤﺎﺀ ......................................... - ٥ -‬ ‫ﻤﻭﺍﺠﻬــﺔ ................................................... - ٦ -‬ ‫ﺒﻭﺡ.. ﻭﺘﻐﺭﻴﺏ.. ﻭﻋﻭﺩ ..................................... - ٠١ -‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻋﻠﺕ ﻤﻼﻤﺤﻙ ﺍﻟﻘﺼﻴﺩﺓ ..................................... - ٥١ -‬ ‫ﻗﺩ ﺘﻬ ‪‬ﺄ ﻟﻠﻭﺼﻭل ............................................. - ٩١ -‬ ‫‪‬ﻴ‬ ‫ﹸﺭﻯ ﻫﻭ ﺍﻟﻭﻗﺕ؟!............................................ - ٢٢ -‬ ‫ﺘ‬ ‫ﻨﺎﻓﺫﺓ ﻓﻲ ﺠﺩﺍﺭ ﺍﻟﻤﺴﺎﻓﺎﺕ ..................................... - ٦٢ -‬ ‫ﺩﻋﻨﻲ ﺃﺼﹼﻲ ﻓﻲ ﻴﺩﻴﻙ ....................................... - ٠٣ -‬ ‫ﻠ‬ ‫ﻗ ‪‬ﺍﺱ ﺍﻟﻐﺭﻕ ................................................ - ٥٣ -‬ ‫ﹸﺩ‬ ‫‪‬ﻭﺭﺓ ﺍﻟﺘﻭ ‪‬ﺱ - ﺴﺒﺌ ‪‬ﺔ ...................................... - ٨٣ -‬ ‫‪ِ  ‬ﻴ‬ ‫ﺴ ‪ ‬ﹸ ﱠ ‪‬ﺠ‬ ‫ﺍﻟﺒﺸﺎﺭﺓ...................................................... - ٣٤ -‬ ‫ﻜﻴﻤﻴﺎﺀ ﺍﻟﺤﻭﺍﺩﻴﺕ ............................................ - ٦٤ -‬ ‫ﺘﺭﻨﻴﻤﺘﺎﻥ .................................................... - ٧٦ -‬ ‫ﻓﺭﺱ ﺍﻟﺨ ‪‬ﺎﺭ ............................................... - ٥٧ -‬ ‫ﹶﻀ‬ ‫ﺃﺒﺠﺩﻴﺔ ﺍﻟﺨﺭﺱ .............................................. - ٨٧ -‬ ‫ﺒﻀﺎﻋﺘﻬﺎ.. ﺭﺩﺕ ﻋﻠﻴﻬﺎ!! .................................... - ٢٨ -‬ ‫‪‬‬ ‫ﺭﺒﻤﺎ ﻓﻲ ﺍﻟﻤﺭﺓ ﺍﻟﻘﺎﺩﻤﺔ..ﺃﺩﺭﻙ ﺍﻟﻘﻁﺎﺭ ......................... - ٤٨ -‬ ‫ﺭﺤﻠﺔ.. ..................................................... - ٩٨ -‬ ‫-٣-‬
‫ﻭﺤﻲ........................................................ - ٠٩ -‬ ‫ﺭ ‪‬ﻤﺎ.. ...................................................... - ١٩ -‬ ‫‪‬ﺒ‬ ‫ﺭﻭﺘﻴﻥ.. .................................................... - ٢٩ -‬ ‫ﺠﺩﺏ.. ..................................................... - ٣٩ -‬ ‫ﻤﺎ ﻗﺒل ﺍﻟﻐﺭﻕ ............................................... - ٤٩ -‬ ‫-٤-‬
‫ﺍﻷﺭﺽ ﺘﺸﺭﺒﻬﺎ ﺍﻟﺩﻤﺎﺀ‬ ‫ﻫﻭ ﺍﻟﻐ ‪‬ﻴﺩ ﻓﻲ ﺃﻭﻜﺎﺭ ﻏﻔﻭﺘﻨﺎ‬ ‫ِﺭ‬ ‫ﻫﻭ ﺍﻟﻭ ‪‬ﺎﺀ ﺒﻴﻥ ﺍﻷﻓﻕ‬ ‫ﻀ‬ ‫ﺭﻏﻡ ﺍﻟﻐﻴﻡ ﻭﺍﻟﺭﻴﺏ‬ ‫‪ِ ‬‬ ‫‪‬ﺴﺎﻤﺭﻨﺎ‬ ‫ﻴ‬ ‫ﻭﻴﺴﻘﻴﻨﺎ‬ ‫ﻓﺭﺍﺘﹰ، ﺴﺎﺌﻐﹰ، ﻋﺫﺒﺎ‬ ‫ﺎ‬ ‫ﺎ‬ ‫ﻭﻟﻡ ﻴﺸﺭﺏ ﺴﻭﻯ ﺍﻟ ﱠﻌﺏ.‬ ‫ﺘ ِ‬ ‫ﺃﺭﻗﺘﻨﻲ ﺍﻟﺒﻭﺍﺩﺭ‬ ‫-٥-‬
‫ﻤﻭﺍﺠﻬــﺔ‬ ‫ﺇﻨﻲ ﺃﺠﻲﺀ ﻋﻠﻰ ﺒﺴﺎﻁ ﻗﺼﺎﺌﺩﻱ‬ ‫ﻋﱢﻲ ﺃﻏ ‪‬ﺭ ﺫﻟﻙ ﺍﻟﻌﻬﺩ ﺍﻟﻜﺌﻴﺏ ﺍﻟﺴﺭ ‪‬ﺩﻱ‬ ‫ﻤ ‪‬‬ ‫‪‬‬ ‫ﻴ‬ ‫ﻠ‬ ‫ﻋﱢﻲ ﺃﺒﻠل ﻭﺠﻨﺔ ﺍﻟﺯﻤﻥ ﺍﻟ ‪‬ﺒﻭﺱ‬ ‫ِ ﻌ ِ‬ ‫ﹶ‬ ‫ﻠ‬ ‫ﺒ ِﺤﻜﺔ ﺍﻟﻌﻤﺭ ﺍﻟﻨﺩﻱ‬ ‫ِ ﱠِ ‪‬‬ ‫ﻀ ِ‬ ‫ﻭﺃﺭﺹ ﺃﻁﺒﺎﻗﺎ ﻤﻥ ﺍﻷﻨﺴﺎﻡ‬ ‫ِ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﻤﻭﺍﺌﺩﻱ‬ ‫ﺇ ﱢﻲ ﺃﺠﻲﺀ ﻋﻠﻰ ﺒﺴﺎﻁ ﻗﺼﺎﺌﺩﻱ‬ ‫‪‬‬ ‫ﻨ‬ ‫ﻴﺎﻗﻭﺘﺔ ﺘﺯﺩﺍﺩ ﻨﻭﺭﺍ ﻓﻲ ﺍﻟﻤﺴﺎﺀ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﺃﻨﺸﻭﺩﺓ ﺭﻗﺼﺕ ﻋﻠﻰ ﻟﺤﻥ ﺍﻟﻤﺤﺒﺔ‬ ‫ِ‬ ‫ﹰ‬ ‫ﻭﺍﻨﺘﺸﺕ ﺒﺎﻷﻏﻨﻴﺎﺕ‬ ‫ﹾ‬ ‫***‬ ‫ﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﻫﺠﺭ ﺍﻟﺒﺴﻴﻁﺔ ﻭﺍﻨﺯﻭﻯ ﻓﻲ ﻤﻘﻠﺘ ‪‬؟!‬ ‫ﻲ‬ ‫ﹶ‬ ‫ﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﻏﻤﺭ ﺍﻟﻭﺠﻭﺩ ﺒﻨﺴﻤﺔ‬ ‫ٍ‬ ‫ﺭﻓﺕ ﺒﻜل ﺒﺭﺍﺀﺓ ﺘﺤﻨﻭ ﻋﻠ ‪‬؟!‬ ‫ﻲ‬ ‫ٍ‬ ‫ﱠ ﹾ‬ ‫-٦-‬
‫ﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﻴﺠﺘﺎﺤﻨﻲ‬ ‫ﻭﻴﺒﺙ ﻓﻲ ﻗﻠﺒﻲ ﺍﻟﻐﻨﺎﺀ؟!‬ ‫***‬ ‫ﻗﺩﺭ ﻭﻜل ﻤﺸﻴﺌﺔ‬ ‫ٍ‬ ‫‪‬‬ ‫ﻻ. ﻟﻥ ﺘﺭﺩ‬ ‫ﹸ ‪‬‬ ‫ْ‬ ‫ﺍﻟﺨﻭﻑ ﻓﻲ ﻫﺫﺍ ﺍﻟﺯﻤﺎﻥ‬ ‫ِ‬ ‫ﻤﻥ ﺍﻟﺘﺨﺒﻁ ﻓﻲ ﺴﺤﺎﺌﺏ ﺨﻭﻓﻨﺎ‬ ‫‪ِ‬‬ ‫ﻭﻤﻥ ﺍﻟﻨﺠﻭﻡ ﺍﻟﻤﺤﺭﻗﺎﺕ..‬ ‫ﻤﻥ ﺍﻟﻘﻤﺭ‬ ‫ﻗﺩﺭ..‬ ‫‪‬‬ ‫ﻗﺩﺭ..‬ ‫***‬ ‫ﻭﺍﻟﺸﻌﺭ ﺃﻨﻐﺎﻡ ﺤﺯﻴﻨﺔ‬ ‫ﹾ‬ ‫‪‬‬ ‫ﻭﺭﻓﺎﻗﻨﺎ ﻫﺠﺭﻭﺍ ﺍﻟﻤﺩﻴﻨﺔ‬ ‫ﻭﻗﺼﻴﺩﻨﺎ ﺍﻟﺴﻴﹸﺭ ﺃﻀﺤﻰ ﺘﺎﺌﻬﺎ‬ ‫ﹰ‬ ‫‪‬ﺎ‬ ‫ﻓﻲ ﻟﺠﺔ ﺍﻟﺯﻤﻥ ﺍﻷﺸﺭ‬ ‫‪‬‬ ‫ِ‬ ‫-٧-‬
‫ﻤﻥ ﺃﻨﺕ ﻓﻲ ﻴﻭﻡ ﺘﻠﺒﺩ‬ ‫ٍ ‪‬‬ ‫ﺒﺎﻟﻤﺨﺎﻭﻑ ﻭﺍﻟﺸﺭﺭ‪‬؟!‬ ‫ِ‬ ‫ﻤﻥ ﺃﻨﺕ ﻭﺍﻟﻌﻤﺭ ﺍﻏﺘﺭﺍﺒﺎ..‬ ‫ﹰ‬ ‫ﻴﻨﻁﻔﺊ؟!‬ ‫ﺒل ﻅﻠﺕ ﺃﺯﻋﻡ ﺃﻨﻙ ﺍﻟﺨل ﺍﻟﻭﻓﻲ‬ ‫‪‬‬ ‫ﻭﺭﺤﻴﻕ ﻨﻭﺭﻙ ﻻ ﻴﺤﺩ‬ ‫‪ ‬‬ ‫ﻭﻀﻴﺎﺀ ﻋﻁﺭﻙ ﻻ ﻴﺭﺩ‬ ‫‪ ‬‬ ‫‪‬‬ ‫ﻭﺒﺭﺍﺀﺓ ﺍﻟﻠﺤﻥ ﺍﻟﺠﻤﻴل..‬ ‫ﻫﻲ ﺍﻟﻤﺩﺩ‬ ‫‪‬‬ ‫ﻭﺠﻤﺎل ﻟﺤ ِﻙ..‬ ‫ُ ﻨ‬ ‫ﻭﺍﻟﺒﺭﺍﺀﺓ..‬ ‫ﹸ‬ ‫ﻏﺎﻴﺔ ﺃﺴﻤﻰ‬ ‫ﹲ‬ ‫ﻤﺎ ﺩﻭﻥ ﻭﺠﻬﻙ ﻓﻲ ﺍﻟﺤﻴﺎﺓ..‬ ‫ﻗﺩ ﺍﻨﺩﺜﺭ‬ ‫‪‬‬ ‫ﻤﺎ ﺃﻨﺕ ﺇﻻ ﻨﺒﺽ ﺤﻠﻡ ﺯﺍﺌﻑ..‬ ‫ٍ‬ ‫ٍ‬ ‫ﻻ ﻴﺴﺘﺠﻴﺏ ﻟﻨﺎ‬ ‫‪‬‬ ‫-٨-‬
‫ﺇﺫﺍ ﻏ ِﺏ ﺍﻟﻘﺩﺭ‬ ‫ﻀ‬ ‫ﻤﺎ ﺃﻨﺕ ﺇﻻ ﺯﻫﺭﺓ..‬ ‫ﹲ‬ ‫ﻗﺩ ﺠﺭﺩﺕ ﻤﻥ ﻜل ِﻴﺏ‬ ‫ﻁ ٍ‬ ‫‪  ‬ﹾ‬ ‫ﻓﺎﺭﺘﻤﺕ ﻓﻲ ﻏﻔﻭﺓ ﺒﻴﻥ ﺍﻟﺯﻫﺭ‬ ‫‪‬‬ ‫ٍ‬ ‫ﻤﺎ ﺃﻨﺕ ﺇﻻ ﻨﺴﻤﺔ..‬ ‫ﹲ‬ ‫ﹶ‬ ‫ﻗﺩ ﻗ ‪‬ﺩﺕ ﻓﻲ ﻜﻬﻑ ﺼﻤﺕ‬ ‫ﹸﻴ‬ ‫ﻤﺎ ﺃﻨﺕ ﺇﻻ ﺤﺸﺭﺠﺎﺕ ﺍﻟﻤﻭﺕ..‬ ‫ِ‬ ‫ﺇﺫ ﻤﺎ ﺘﻜﺎﺜﺭ ﻓﻲ ﺍﻟﺤﻨﺎﻴﺎ،‬ ‫ﻭﺍﻨﺘﺸﺭ‬ ‫‪‬‬ ‫***‬ ‫ﺍﻟﻨﻭﺭ ﻓﻲ ﺯﻤﻥ ﺍﻟﻭﻀﺎﻋﺔ ‪‬ﺴﺘﺒﺎﺡ‬ ‫‪‬‬ ‫ِﻤ‬ ‫ﻭﺍﻟﻨﺎﺱ ﻓﻭﻕ ﻤﻭﺍﺠﻌﻲ..‬ ‫ﻗﺩ ﺃﻋﺩﻤﻭﻩ‬ ‫ﺍﻟﻨﻭﺭ ﻓﻲ ﺃﺭﺤﺎ ِﻨﺎ ﺤﻤل ِﻔﺎﺡ‬ ‫ٌﺴ ‪‬‬ ‫ﻤ‬ ‫ﻓﻠـﺘﺭﺠﻤﻭﻩ!!‬ ‫-٩-‬
‫ﺒﻭﺡ.. ﻭﺘﻐﺭﻴﺏ.. ﻭﻋﻭﺩ‬ ‫ٌ‬ ‫ٌ‬ ‫ﺃﻨﻔﺎﺱ ﺤﻴﺭﻯ‬ ‫‪‬‬ ‫ﻭﺤﻨﻴﻥ ﻟﻠﺘﻴﻥ ِﻭﻟﻠﺯﻴﺘﻭﻥ‬ ‫‪‬‬ ‫ﻭﺴﻨﻴﻥ ﺍﻟﻌﺸﻕ ﺍﻟﻤﻨﻘﻭﺵ ﻋﻠﻰ ﻜﻔﻲ‬ ‫ﱠ‪‬‬ ‫ِ‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺸﺫﺍ ﺃﺤﻼﻡ ﺍﻷﺭﺽ ﺍﻟﺤﺎﻀﻨﺔ ﺍﻟﻨﻭﺭ‬ ‫ِ‬ ‫ِ‬ ‫ﺘﺤﺕ ﻅﻼل ﺍﻟﻨﺒﻕ ﺍﻟﺒﻠﻠﻭﺭﻱ ﺍﻟﻸﻻﺀ‬ ‫‪‬‬ ‫ِ‬ ‫***‬ ‫ﻤﻥ ﻗﺎل ﺒﺄﻥ ﺍﻟﺩﺍﺭ ﺨﻭﺍﺀ‪‬؟‬ ‫‪‬‬ ‫ﻭﺒﺄﻥ ﺍﻷﻫل ﺍﻗﺘﺭﻓﻭﺍ ﺫﻨﺒﺎ‬ ‫ﹰ‬ ‫ﻻ ﻜ ﱠﺎﺭﺓ ﺘﻤﺤﻭﻩ‬ ‫ﻔ ﹶ‬ ‫ﺒﻴﻨﺎ ﺼﻭﺕ ﻴﺴﻜﻥ ﻓﻲ‬ ‫‪ ‬‬ ‫ﹲ‬ ‫ﻴﺯﺃﺭ ﺩﻭﻤﺎ ﻓﻲ ﺃﺫﻨﻲ‬ ‫‪‬‬ ‫ﹰ‬ ‫‪‬‬ ‫"ﺒﻼﺩﻱ ﻭﺇﻥ ﺠﺎﺭﺕ ﻋﻠﻲ..‬ ‫‪‬‬ ‫ْ‬ ‫ﺃﻫﻠﻲ ﻭﺇﻥ ﻀ ﱡﻭﺍ ﻋﻠﻲ.."‬ ‫‪‬‬ ‫ْ‬ ‫ﻨ‬ ‫***‬ ‫- ٠١ -‬
‫ﻤﻥ ﺫﺍ ﻴﺨﺒﺭ ﻟﻴل ﺍﻟﻐﺭﺒﺔ‬ ‫ِ‬ ‫َ‬ ‫ﺃ ﱢﻲ ﹶﺒﺕ ﻴﻌﺸﻕ‬ ‫ﹸ‬ ‫ﻨ ﻨ ﹲ‬ ‫ﺒﻁﻥ ﺤﺩﻴﻘﺘﻪ ﺍﻟﻔﻴﺤﺎﺀ‬ ‫‪‬‬ ‫ِِ‬ ‫‪‬‬ ‫ﻭﺒﺄﻥ ﺭﺤﻴﻕ ﺍﻟﻭﻁﻥ ﺍﻷﺨﻀﺭ‬ ‫ِ‬ ‫ِ‬ ‫ﹶ‬ ‫ﻤﺎ ﺯﺍل ‪‬ﺭﺍﻭﺩ ‪‬ﻨﻘﻭ ‪‬ﻩ‬ ‫َ ﻴ ِ‪ ‬ﻋ ﺩ‬ ‫ﻭﺍﻟﻤ ‪‬ﺎﺩﺓ ﺘﺭﻗﺏ ﺩﻭﻤﺎ ﻋﻭﺩﺘﻪ‬ ‫ﹶ‪‬‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻴ ‪‬ﹸ‬ ‫ﻭﺘﻨﺎﺩﻱ ﻜل ﻤﻼﺌﻙ ﻋﺸﻕ ﺍﻟ ‪‬ﻭﺡ‬ ‫ِ ﺭ ‪‬‬ ‫ِ‬ ‫ﱠ‬ ‫ﻭﺘﺤ ‪‬ﹸﻬﻡ ﻭﺠﺩ ﻓﺭﺍﻕ ﻁﺎل‬ ‫ٍ َ‬ ‫‪‬‬ ‫ﹸ ‪‬ﻤﻠ‬ ‫ﻭ ﹶﺎل ﻋﻠﻴﻪ ﺍﻷﻤﺩ‬ ‫‪‬‬ ‫ﻁ‬ ‫***‬ ‫ﻭﻟﺩ‬ ‫‪‬‬ ‫ﺁﻨﺱ ﻨﻭﺭ ﺍﻟﺸﻌﺭ‬ ‫ِ‬ ‫‪ ‬‬ ‫ﺒﺠﺒل ﺍﻟﻁﻭﺭ‬ ‫‪‬‬ ‫ِ‬ ‫ﻓﺎﻨﻔﺠﺭﺕ ﻤﻨﻪ ﻋﻴﻭﻥ ﺍﻟﺒﻬﺠﺔ‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻷﺤﺯﺍﻥ‬ ‫ﻭﻨﻤﺎ..‬ ‫- ١١ -‬
‫ﻭﻨﻤﺎ..‬ ‫ﻭﻨﻤﺎ‬ ‫ﺃﻴﻘﻥ ﺃﻥ ﺍﻟﺸﻌﺭ ﺤﻴﺎﺓ‬ ‫ﹾ‬ ‫‪ ‬‬ ‫ﺃﻭﺭﻑ ‪‬ﻠﻤﺎ‬ ‫ﹶﺤ ﹰ‬ ‫ﺒﻴﻥ ﺠﻭﺍﻨﺢ ﺃﻟ ِ ﺍﻟﺭﻭﺡ‬ ‫‪‬‬ ‫ِ ﹶﻕ‬ ‫ﻤﻥ ﺫﺍ ﻴﺨﺒﺭ ﻤﻭﺴﻰ‬ ‫‪‬‬ ‫ﺃﻥ ﺍﻟﻨﺎﺭ ﻨﺫﻴﺭ‬ ‫‪‬‬ ‫ﻴﺒﻌﺙ ﺒﺭﻗﻴﺎﺕ ﺍﻟ ‪‬ﺯﻥ‬ ‫ِ ﺤ ‪‬‬ ‫ﹸ‬ ‫ﺇﻟﻰ ﻓﺭﻋﻭﻥ‬ ‫‪‬‬ ‫.........‬ ‫.........‬ ‫ﺁﻩ ﻤﻭﺴﻰ‬ ‫ٍ‬ ‫ﺇ ﱢﻲ ﺍﺸﺘﻘﺕ ﺍﻟﺒﻘﻌﺔ ﻭﺍﻟﻭﺍﺩﻱ‬ ‫ﻨ‬ ‫ﻭﺍﻟﻠﻴل ﺍﺭﺘﻌﺵ ﻭﻟﻡ ‪‬ﺴﺭ‬ ‫ﻴ ِ‬ ‫ﻭﻟﻴﺎل ﻋﺸﺭ..‬ ‫ٍ‬ ‫ﻭﺸﻬﻭﺭ ﻋﺸﺭ..‬ ‫‪‬‬ ‫- ٢١ -‬
‫ﻭﺴﻨﻴﻥ ﻋﺸﺭ..‬ ‫‪‬‬ ‫ﻭﻤﺎ ﻤﻥ ﻓﺠﺭ‬ ‫***‬ ‫ﻴﻭﻤﺎ ﻴﺄﺘﻲ ﻤﻥ ﺃﺤﺸﺎﺀ ﺍﻟﻠﻴل‬ ‫ِ ِ‬ ‫ﹰ‬ ‫ﺒﺭﻴﻕ‬ ‫‪‬ﻠﻬﻡ ﻨﻔﺴﻲ ﺃﻥ ﺘﺘﺠﺩﺩ‬ ‫ﻴ‬ ‫ﹸﻨﺒﺕ ﺜﻭﺭﺍﺕ ﺠﺎﻤﺤﺔ‬ ‫ﹰ‬ ‫ٍ‬ ‫ﺘ‬ ‫ﻻ ﺘﺘﺒ ‪‬ﺩ‬ ‫ﺩ‬ ‫ﻴﻠﻬﻡ ﻨﻔﺴﻲ ﺃﻻ ﺘﺒﻌﺩ‬ ‫ﻤﻬﻤﺎ ﻜﺎﻥ ﺍﻟﺴﺩ‬ ‫‪‬‬ ‫ﺴﻴﺄﺘﻲ ﻫﺫﺍ ﺍﻟﺒﻭﺡ‬ ‫‪‬‬ ‫ﻴﹶﻤﻠﻡ ﺃﺸﻼﺀ ﺍﻹﻏﻤﺎﺀﺓ‬ ‫ِ‬ ‫‪‬ﻠ ِ ‪‬‬ ‫ﺸﻠﻭﺍ‬ ‫ﹰ‬ ‫ﺸﻠﻭﺍ‬ ‫ﹰ‬ ‫ﻭﻴﺸﻜﻠ ِﻲ ‪‬ﺒﺤﺎ‬ ‫‪ ‬ﹶ ﱢﹸﻨ ﺼ ﹰ‬ ‫ﻴﺨﺭﺝ ﺩﻭﻤﺎ ﻤﻥ ﺃﻴﻜﺘﻪ‬ ‫ِ‬ ‫ﹰ‬ ‫‪‬‬ ‫- ٣١ -‬
‫ﻜﻲ ﻴﺘﺤﺭﺭ ﻤﻥ ﺸﺭﻨﻘﺔ ﺍﻟﻠﻴل‬ ‫ِ‬ ‫ﻴﻐﻭﺹ ﺒﻤﺠﻤﻊ ﺒﺤﺭﻱ ﻓﺭﺡ‬ ‫ِ‪ٍ  ‬‬ ‫ﻴﺒﺘل ﺒﺠﺭﺡ ﺍﻟﻐﺭﺒﺔ‬ ‫ِ‬ ‫ﱡ‬ ‫ﻓﻴﻌﻭﺩ !‬ ‫- ٤١ -‬
‫ﻭﻋﻠﺕ ﻤﻼﻤﺤﻙ ﺍﻟﻘﺼﻴﺩﺓ‬ ‫ﻤﺎ ﺯﻟﺕ ﺘﺒﺤﺙ ﻋﻥ ﻤﻼﻤﺤﻙ ﺍﻟﺠﺩﻴﺩﺓ‬ ‫ﻭﺘﻨﺎﻡ ﻤلﺀ ﺍﻟﺭﻭﺡ ﺃ ﱠﺎﺕ ﺍﻏﺘﺭﺍﺏ‬ ‫ﻨ‬ ‫ﺘﺴﺘﻘﺒل ﺍﻷﺤﻼﻡ ﻤﻤﺯﻭﺠﺎ ﺒﻭﺠﺩﻙ‬ ‫ﹰ‬ ‫ﺘﺴﺘﺭﻴﺢ ﻋﻠﻰ ﻭﺴﺎﺌﺩﻫﺎ ﺍﻟﺭﻗﻴﻘﺔ‬ ‫ﺘﺴﺘﻘﻲ ﻤﻥ ﻨﻬﺭﻫﺎ ﻋﺴﻼ‬ ‫ﹰ‬ ‫ﻭﺘﺭﺘﺸﻑ ﺍﻟﺭﻀﺎﺏ‬ ‫***‬ ‫ﻤﺎ ﺯﻟﺕ ﻓﻲ ﻗﻠﻕ ﺘﺴﺎﻓﺭ‬ ‫ٍ‬ ‫ﺩﻭﻨﻤﺎ ﺯﺍﺩ‬ ‫ٍ‬ ‫ﻴﺨﺎﺼﻤﻙ ﺍﻟﻭﺼﻭل‬ ‫ﺘﺒﺩﻭ ﻟﻙ ﺍﻵﻓﺎﻕ‬ ‫ﹸ‬ ‫ﺒﻌﻀﺎ ﻤﻥ ﺘﺠﺎﻭﻴﻑ ﺍﻟﻐﻤﺎﻡ‬ ‫ﹰ‬ ‫ﺤﺘﻰ ﻴﻔﺎﺠﺌﻙ ﺍﻟﻤﺩﻯ‬ ‫ﺃﻥ ﺍﻟﺫﻱ ﻗﺩ ﻴﺤﺘﻭﻴﻙ ﺍﻵﻥ‬ ‫- ٥١ -‬
‫ﻁﻭﻓﺎﻥ ﺍﻷﻓﻭل‬ ‫ﻓﺎﺭﺠﻊ ﺇﻟﻰ ﺒﻴﺕ ﺍﻜﺘﻤﺎﻟﻙ‬ ‫ﻤﻔﻌﻤﺎ ﺒﺠﺭﺍﺡ ﺃﻤﻨﻴﺔ ﺒﻌﻴﺩﺓ‬ ‫ٍ‬ ‫ﹰ‬ ‫ﻭﺍﻅﻔﺭ ﺒﻬﺎ‬ ‫ﻓﻘﺩ ﺍﺭﺘﻘﺕ ﻜل ﺍﻟﺘﻼل‬ ‫***‬ ‫ﻤﺎﺫﺍ ﺴﻴﺒﻘﻰ ﻓﻲ ﻓﻨﺎﺀ ﺍﻟﺭﻭﺡ ﺒﻌﺩ ﹶﻨﺎﺌﻬﺎ‬ ‫ﻓ‬ ‫ﻭﻏﺩﺍ ﺴﺘﻬﺩﻡ ﺫﻜﺭﻴﺎﺘﻲ ﻭﺍﻟﻤﻨﺎﺯل‬ ‫ﹰ‬ ‫ﻭ ‪‬ﻁل ﺫﺌﺏ ﺍﻟﺨﻭﻑ ﻤﻥ ﻜﻬﻑ ﺍﺸﺘﻴﺎﻗﻲ‬ ‫ﻴ ﱡ‬ ‫ﺸﺎﻫﺭﺍ ﺴﻴﻑ ﺍﻟﻔﺭﺍﻕ..‬ ‫ﹰ‬ ‫ﻭﻻ ‪‬ﻨﺎﺯل!‬ ‫ﻤ‬ ‫***‬ ‫ﺼ ‪‬ﺏ ﺴﻬﺎﻤﻙ ﺼﻭﺒ ‪‬ﺎ‬ ‫‪  ‬ﻬ‬ ‫ﻭ‬ ‫ﻭﺍﺭﺤل ﻟﺘﺒﻘﻰ ﻗﺭﺒﻬﺎ‬ ‫ﺇﻥ ﺍﻟﺫﻱ ﻋﺸﻕ ﺍﻟﻤﻠﻴﺤﺔ‬ ‫ﹶ‬ ‫ﻭﺍﺴﺘﻘﻰ ﻋ ﱠﺎﺒﻬﺎ‬ ‫‪‬ﻨ‬ ‫- ٦١ -‬
‫ﺩﻭﻤﺎ ﺴﻴﺭﺠﻭ ﻨﻭﺭﻫﺎ‬ ‫ﹰ‬ ‫ﻭﻨﻌﻴﻤﻬﺎ ﻭﻋﺫﺍﺒﻬﺎ‬ ‫ﻭﻴﻅل ﻓﻲ ﺩﺭﺏ ﺍﻟﻬﻭﻯ‬ ‫ﻁﻴﺭﺍ ﻴﻐﺎﺯل ﺴﺭﺒﻬﺎ‬ ‫ﹰ‬ ‫***‬ ‫ﺇﻨﻲ ﺭﺴﻤﺘﻙ ﻨﺠﻤﺔ‬ ‫ﹰ‬ ‫ﻗﺩ ﻀﻭَﺘﻨﻲ‬ ‫‪‬ﺃ‬ ‫ﺃﺴﻜﺭﺘﻨﻲ ﻤﻥ ﻨﺒﻴﺫ ﺩﻤﺎﺌﻬﺎ‬ ‫ﻭﻏﺩﺍ ﺴﺘﺴﻜﺭ ﻤﻥ ﺩﻤﻲ‬ ‫ﹰ‬ ‫"ﻭﻟﻘﺩ ﺫﻜﺭﺘﻙ ﻭﺍﻟﺭﻤﺎﺡ ﻨﻭﺍﻫل‬ ‫ُ‬ ‫ﻤ ﱢﻲ"‬ ‫ﻨ‬ ‫ﻭﺴﻴﻑ ﺍﻟﻌﺸﻕ ﻴﻜﺴﺭ ﺃﻋﻅﻤﻲ‬ ‫***‬ ‫ﻫﺫﻱ ﺍﻷﻏﺎﻨﻲ ﺘﺭﺘﺨﻲ ﺃﻫﺩﺍﺒﻬﺎ‬ ‫ﺤﺘﻰ ﺘﻐﻁﻲ ﺼﺒﻭﺘﻙ‬ ‫ﻭﻨﺴﻴﻤﻬﺎ ﺍﻟﺭ ﱠﺎﻑ ﻗﺩ ﻤﻸ ﺍﻟ ‪‬ﻨﺎ‬ ‫َ ﺩ‬ ‫ﻓ ﹸ‬ ‫- ٧١ -‬
‫ﺩﻓﺌﺎ ﻭﺃﺤﻼﻤﺎ ﺠﺩﻴﺩﺓ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻭﺒﺩﺩ ﻤﻥ ﻓﻴﺎﻓﻲ ﺍﻟ ‪‬ﻭﺡ ﻗﻴﻅﺎ‬ ‫ﺭ ِ ﹰ‬ ‫‪‬‬ ‫ﺤﺘﻰ ﺘﻤﻠﻜﻙ ﺍﻟﺠﻭﻯ‬ ‫ﻭﻋﻠﺕ ﻤﻼﻤﺤﻙ ﺍﻟﻘﺼﻴﺩﺓ !!!‬ ‫- ٨١ -‬
‫ﻗﺩ ﺘﻬ ‪‬ﺄ ﻟﻠﻭﺼﻭل‬ ‫‪‬ﻴ‬ ‫ﻫﻲ.. ﻻ ﺘﻬﻡ‬ ‫ﻫﻲ ﹸﺒﻠﺔ - ﻋﻔﻭﺍ - ﺘﻤﺭ ﻋﻠﻰ ﺸﻔﺎﻩ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﻗ ﹲ‬ ‫ﻗﺼﺎﺌﺩﻱ‬ ‫ﻫﻲ ﺭﻋﺸﺔ ﺘﺴﺭﻱ ﺒﺒﻴﺩﺍﺀ‬ ‫ٍ‬ ‫ﹲ‬ ‫ﺘﺭﺍﺀﺕ ﻗﺭﺏ ﺸﻼل ﺃﺼﻡ‬ ‫ٍ‬ ‫ﻫﻲ.. ﻻ ﺘﻬﻡ‬ ‫ﻭﻫﻲ ﻭﺸﻭﺸﺎﺕ ﺍﻟﻨﻭﺭ‬ ‫ﻓﻲ ﻗﺒﻭ ﺘﻤ ‪‬ﺩ ﺒﻴﻥ ﺃﺸﻼﺀ‬ ‫ٍ‬ ‫ٍ ﺩ‬ ‫ﻴﺨﺎﺼﺭﻫﺎ ﺍﻷﻟﻡ‬ ‫ﻭﺒﻤﺭﻴﻤﻴ ِﻬﺎ ﺍﺴﺘﻁﺎﻋﺕ ﺃﻥ ﺘﻬﺯ ﺍﻟﺭﻭﺡ‬ ‫‪‬‬ ‫‪‬‬ ‫‪ ِ    ِ ‬ﺘ‬ ‫ﻜﻲ ﻴ ‪‬ﺎﻗﻁ ﺍﻟﻔ ‪‬ﺡ ﺍﻟﺨﻀﻡ‬ ‫ﺴﹶﹶ ﺭ‬ ‫ﻫﻲ.. ﻻ ﺘﻬﻡ‬ ‫ﻭﺇﺫﺍ ﺍﻟﻁﻴﻭﻑ ﺘﻭﻀَﺕ ﺒﺭﺒﻴﻌﻬﺎ‬ ‫‪‬ﺄ‬ ‫ﻭﺍﺯﻴ ﹶﺕ ﻜل ﺍﻟﻤﺩﺍﺌﻥ‬ ‫ِ‬ ‫ﱡ‬ ‫‪ ‬ﻨ‬ ‫- ٩١ -‬
‫ﺃﻗﺒﻠﺕ ﻤﻥ ﺘ ‪‬ﻫﺎ - ﻓﻲ ﻏﻴﺭ ﻤﺎ ﺸﺒﻕ -‬ ‫ٍ‬ ‫ﹶﻭ‬ ‫ﻟﺘﺨﺭﺝ ﻤﻥ ﺤﺩﺍﺌﻘﻬﺎ ﺍﻟﺒﺭﻴﻕ ﺍﻟﺴﻭﺴﻨﻲ‬ ‫ﻭﺘﺭﻑ ﻤﻴﺴﺎﺀ‬ ‫ً‬ ‫ﱠ‬ ‫ﻭﺘﺭﻨﻭ ﻜﻲ ﺘﻐﺎﺯل ﻓﺎﺘﻨﺎﺕ ﺍﻟﻜﻭﻥ‬ ‫ﺘﻨﺴﺞ ﻟﻠﺠﻤﻭﻉ ﻋﺒﺎﺀﺓ ﺍﻟﺸﻭﻕ ﺍﻟﺸﺠﻲ‬ ‫...................‬ ‫...................‬ ‫ﺒﻠﻠﻭﺭﺓ ﻁﻔﻘﺕ ﺘﺭﺍﻭﺩ‬ ‫ﹲ‬ ‫ﻤﻥ ﺘﻬﻴﺄ ﻟﻠﻭﺼﻭل‬ ‫ِ‬ ‫‪َ‬‬ ‫ﻨﺒﻴﺔ ﺘﻨﻬﻰ ﻋﻥ ﺍﻟﺒﻐﻀﺎﺀ‬ ‫‪‬ﹲ‬ ‫ﺘﺄﻤﺭ ﺒﺎﻟﺘﻁﻠﻊ ﻟﻠﺯﻤﺎﻥ ﺍﻟﻜﻭﺜﺭﻱ‬ ‫ﺘﻭﺩﻱ ﺒﻤﻥ ﺭﻓﺽ ﺍﻹﻗﺎﻤﺔ‬ ‫ﺒﺎﻟﻘﺼﻴﺩﺓ‬ ‫ﻭﺍﻨﺯﻭﻯ‬ ‫ﺨﻠﻑ ﺍﻟﺸﻤﻭﺱ ﻴﻁﺎﺭﺩ ﺍﻟﻨﺠﻡ ﺍﻟﺴﻨﻲ‬ ‫‪‬‬ ‫ْ‬ ‫ﻫﻲ ﻗﺒﻠﺔ‬ ‫ﹲ‬ ‫- ٠٢ -‬
‫ﻫﻲ ﺭﻋﺸﺔ‬ ‫ﹲ‬ ‫ﻭﺇﺫﺍ ﺍﻟﻁﻴﻭﻑ ﺘﻭﻀﺄﺕ ﺒﻨﺴﻴﻤﻬﺎ‬ ‫ﺒﻠﻠﻭﺭﺓ ﻭﻨﺒﻴﺔ‬ ‫ﹲ‬ ‫ﹲ‬ ‫ﻫﻲ...‬ ‫ﻫﻲ ﻜل ﺸﻲ !!‬ ‫‪‬‬ ‫ْ‬ ‫- ١٢ -‬
‫ﹸﺭﻯ ﻫﻭ ﺍﻟﻭﻗﺕ؟!‬ ‫ﺘ‬ ‫ﺼﻤﺕ ﺍﻟﺠﺩﺍﺭ ﻴﻭﺩ ﺃﻥ ﻴﻐﺘﺎل ﻀﺤﻜﺘﻬﺎ‬ ‫ﻭ ‪‬ﺩﺨﻠﻬﺎ ﻓﺼﻭﻻ ‪‬ﻤﻌﻨﺎﺕ ﻓﻲ ﺍﻟﻜﺂﺒﺔ‬ ‫ِ‬ ‫ٍ‬ ‫ﹰﻤ‬ ‫ﻴ‬ ‫ﻻ ﺘﻤ ‪‬ﻱ ﻤﻥ ﺸﺭﺍﻴﻴﻨﻲ‬ ‫‪‬ﺭ‬ ‫ﻭﻻ ﺘﺩﻋﻲ ﺩﻤﻭﻋﻲ ﻜﻠﻤﺔ ﺨﺠﻠﻰ‬ ‫ﹰ‬ ‫ﺇﺫﺍ ﺍﺤﺘﺩﻡ ﺍﻟﺤﻭﺍﺭ‬ ‫ﻫﻴﺎ ﺍﻓﺘﺤﻲ ﻜل ﺍﻟﻨﻭﺍﻓﺫ‬ ‫ِ‬ ‫ﻭﺍﻗﺭﺌﻲ ﺤﺭﻓﺎ ﻀﺤﻭﻜﺎ‬ ‫ﹰ‬ ‫ﺭﺒﻤﺎ ﻴﻐﺘﺎل - ﻋﻨﺩ ﺒﻜﺎﺌﻪ - ﺼﻤﺕ ﺍﻟﺠﺩﺍﺭ‬ ‫***‬ ‫ﺍﻵﻥ ﻓﻲ ﻤﻘﺩﻭﺭ ﺃﻏﻨﻴﺘﻲ‬ ‫ﺍﺨﺘﻼﺱ ﺍﻟﻠﺤﻥ ﻤﻥ ﺃﻭﺘﺎﺭﻫﻡ‬ ‫ﺠﺫﺏ ﺍﻟﺠﻤﺎﻫﻴﺭ‬ ‫ﺍﻟﺘﺨﻔﻲ ﻓﻲ ﺘﻤﺎﺌﻤﻬﻡ‬ ‫ﻭﻗﻭﻓﻲ ﻓﻲ ﺍﻟﻤﻘﺩﻤﺔ‬ ‫- ٢٢ -‬
‫ﺍﻨﺘﻅﺎﺭﻱ..‬ ‫ﻜل ﻤﺎ ﺃﺤﺘﺎﺠﻪ‬ ‫ﱡ‬ ‫ﺃﻥ ﺘﻤﻨﺤﻲ ﺍﻟﺤﺒﺭ ﺍﻟﺒﻜﺎﺀ‬ ‫ﻭﺘﻘﺭﺌﻲ ﺤﺭﻓﺎ ﻀﺤﻭﻜﺎ ﺭﺒﻤﺎ ﻴﻌﻁـﻲ ﺃﺼـﺎﺒﻌﻨﺎ ﺍﺤﺘـﺭﺍﻑ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﺍﻟﻠﻤﺱ‬ ‫ﻴﻤﻨﺤﻨﺎ ﺍﺨﺘﺼﺎﺭ ﺍﻟﻠﻴل‬ ‫ﻫﻨﺩﺴﺔ ﺍﻟﻨﻬﺎﺭ‬ ‫***‬ ‫ﺍﻵﻥ‬ ‫ﻟﻴﺱ ﺍﻵﻥ ﺇﻻ ﻴﻘﻅﺔ ﻓﻲ ﺍﻟﻔﺠﺭ‬ ‫ِ‬ ‫ﹲ‬ ‫ﺘﺼﻁﺎﺩ ﺍﻟﻜﻨﺎﺭ‬ ‫ﺘﻌﺎﺘﺏ ﺍﻟﺒﺤﺭ ﺍﻟﻤﻬﺎﺩﻥ‬ ‫ﻭﺍﻟﺸﻭﺍﻁﺊ‬ ‫ﺤﻴﻥ ﺘﺭﻓﺽ ﺃﻥ ﺘﻔﺽ ﺒﻜﺎﺭﺓ‬ ‫ﺍﻟﻤﻭﺝ ﺍﻟﺸﻘﻲ‬ ‫ﺍﻵﻥ ﻟﻲ ﺃﻥ ﺃﺯﺭﻉ ﺍﻷﺤﻼﻡ‬ ‫- ٣٢ -‬
‫ﺒﻴﻥ ﻀﻠﻭﻋﻬﺎ ﻋﺒﺎﺩ ﺸﻭﻕ‬ ‫ٍ‬ ‫ﻜﱠﻤﺎ ﺩﺍﺭﺕ ﺒﺄﻓﻘﻲ ﺩﻭﺭﺓ‬ ‫ﹰ‬ ‫ﹸﻠ‬ ‫ﻋﺎﺩﺕ ﺇﻟﻴﻬﺎ ﺭﻭﺤﻬﺎ‬ ‫ﻜﺎﻟﻭﻗﺕ‬ ‫ِ‬ ‫ﻻ ﻴﺩﺭﻱ ﺒﺩﺍﻴﺘﻪ‬ ‫ﻭﻻ ﻴﺩﺭﻱ ﻨﻬﺎﻴﺘﻪ‬ ‫ﻭﻻ ﻴﺩﺭﻱ ﻤﺘﻰ ﺩﻗﺕ ﺴﻭﻴﻌﺎﺕ ﺍﻟﺭﺤﻴل‬ ‫***‬ ‫ﻫﻴﺎ ﺍﻓﺘﺤﻲ ﻜل ﺍﻟﻨﻭﺍﻓﺫ‬ ‫ﻟﻡ ﻴﻌﺩ ﻓﻲ ﺍﻟﺴﻭﻕ ﻏﻴﺭ ﺒﻀﺎﻋﺘﻲ‬ ‫ﺍﻷﺜﻤﺎﻥ ﺒﺎﻫﻅﺔ‬ ‫ﹲ‬ ‫ﺘﻁﻭﻗﻨﺎ ﻨﺩﺍﺀﺍﺕ ﺍﻷﻨﺎﻤل‬ ‫ﻜﻴﻑ ﺃﺤﺩﺜﺕ ﺍﻨﻔﺼﺎﻻ‬ ‫ﹰ‬ ‫ﺒﻴﻥ ﻫﻤﻬﻤﺘﻲ ﻭﺒﻴﻨﻲ‬ ‫ﻜﻴﻑ ﺃﻥ ﺍﻟﻘﻠﺏ‬ ‫ﻭﺍﺴﺘﻌﺼﺕ ﻋﻠﻰ ﺍﻷﻨﺎﺕ ﻋﻴﻨﻲ‬ ‫- ٤٢ -‬
‫ﻜل ﻤﺎ ﺃﺤﺘﺎﺠﻪ‬ ‫ﺃﻥ ﺘﺒﺩﺌﻲ ﺍﻟﺴﻴﺭ ﺍﻟﻤﻘﺩﺱ‬ ‫ﻨﺤﻭ ﻨﺎﺭﻱ‬ ‫ﻟﻡ ﻴﻌﺩ ﻟﻠﺒﺤﺭ ﺸﻁﺂﻥ‬ ‫‪‬‬ ‫ﻭﻻ ﻟﻐﺘﻲ ﺘﻔﻲ ﺒﺎﻟﺒﻭﺡ‬ ‫ِ‬ ‫ﺃﺠﻭﺒﺘﻲ ﺴﺅﺍﻻﺕ‬ ‫ﹲ‬ ‫ﻭﺃﺴﺌﻠﺘﻲ ﻋﺼﺎﻓﻴﺭ‬ ‫‪‬‬ ‫ﺘﻔﺭ ﻤﻥ ﺍﻷﺼﻴل ﺇﻟﻰ ﺍﻷﺼﻴل !‬ ‫ِ‬ ‫ِ‪‬‬ ‫- ٥٢ -‬
‫ﻨﺎﻓﺫﺓ ﻓﻲ ﺠﺩﺍﺭ ﺍﻟﻤﺴﺎﻓﺎﺕ‬ ‫ﺍﻟﻔﺭﺍﺸﺔ ﺘﻤﻨﺢ ﺍﻟﻨﺎﺌﻤﻴﻥ ﻋﻠﻰ ﺍﻟﻁﺭﻗﺎﺕ‬ ‫ﺭﻏﻴﻑ ﺍﻟﺼﺒﺎﺡ‬ ‫ﻭﺘﻤﻨﺢ ﺍﻟﻨﺎﺌﻤﺎﺕ ﺒﺤﻀﻥ ﺍﺌﺘﻼﻓﻲ‬ ‫ﺠﻨﻭﻨﻲ‬ ‫ﻓﻼ ﺘﻁﻤﺴﻭﺍ ﻭﺠﻬﻬﺎ ﺒﺎﻟﺘﻔﺎﻋﻴل‬ ‫ﺇﻨﻲ ﺃﺅﺭﺥ ﻟﻠﺤﺯﻥ ﻓﻭﻕ ﺍﻟﺠﻨﺎﺡ‬ ‫ﻭﺍﻟﻔﺭﺍﺸﺔ ﺘﺴﺘﻌﺫﺏ ﺍﻟﻤﻭﺕ ﺩﻭﻨﻲ.‬ ‫***‬ ‫ﺍﻟﻐﻨﺎﺀ ﺘﺴﺭﺏ ﺒﻴﻥ ﺍﻷﺯﻗﺔ‬ ‫ﹼِ‬ ‫ﻴﺒﺤﺙ ﻋﻨﻬﺎ‬ ‫ﻭﻴﺼﻬل ﻓﻲ ﺍﻟﻤﻴﺎﺩﻴﻥ‬ ‫ﻜﻴﻑ ﺍﺭﺘﻀﺕ ﺃﻥ ﺘﻐﻴﺏ‬ ‫ﺍﻟﻐﻨﺎﺀ ﺘﺸ ﱠل ﺼﻠﺼﺎﻟﺔ‬ ‫ﹰ‬ ‫ﻜ‬ ‫ﻓﻲ ﺃﻜ ﱢ ﺍﻟﻌﻴﺎل‬ ‫ﹸﻑ‬ ‫- ٦٢ -‬
‫ﻭﺍﻟﻨﺴﺎﺀ ﻴﻭ ‪‬ﺨﻨﻪ‬ ‫ﺒ‬ ‫ﺤﻴﻥ ﻴﻐﺴﻠﻥ ﺃﺜﻭﺍﺏ ﺃﻁﻔﺎﻟﻬﻥ‬ ‫ﺍﻟﻐﻨﺎﺀ/...‬ ‫‪‬‬ ‫.....ﺍﻟﺒﻜﺎﺀ..‬ ‫***‬ ‫ﺍﻟﺸﺘﺎﺀ ﻟﺠﻭﺀ ﺇﻟﻰ ﻤﺭﻓﺄ ﺍﻟﺒﺩﺀ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺍﻟﺒﺤﺭ ﺠ ﱠﻑ ﺃﺜﺩﺍﺀﻫﺎ ﺤﻴﻥ ﻤﺹ ﺤﻠﻴﺏ ﺍﻟﺭﺠﻭﻉ‬ ‫‪‬‬ ‫ﻔ‬ ‫ﻴﻀﺎﺠﻌﻬﺎ ﻤﺭﺓ‬ ‫ﹰ‬ ‫ﺜﻡ ﻴﺨﺒﻭ‬ ‫ﻴﺸﺘﻬﻴﻬﺎ ﻜﺜﻴﺭﺍ‬ ‫ﹰ‬ ‫ﻴﻔﻴﺽ ﻗﻠﻴﻼ‬ ‫ﹰ‬ ‫ﻭﻴﻤﻨﻊ‬ ‫‪‬‬ ‫ﺤﺘﻰ ﺘﺠﻭﻉ..‬ ‫***‬ ‫- ٧٢ -‬
‫ﺍﻟﺸﺘﺎﺀ ﻴﺭﺍﺩﻭ ﺒﻴﻨﻠﻭﺏ ﻋﻥ ﻨﻔﺴﻬﺎ‬ ‫‪‬‬ ‫ﺍﻟﻐﻨﺎﺀ ﻴﺨﺒﺊ ﻓﻲ ﻜﻔﻬﺎ ﻟﺤﻨﻪ‬ ‫ﻭﺍﻟﻔﺭﺍﺸﺔ‬ ‫ﹸ‬ ‫ﺤﻁﺕ ﻋﻠﻰ ﺭﺃﺴﻪ ﻜﺎﻟﻔﺭﺍﺸﺔ‬ ‫ِ‬ ‫ﺍﻟﺸﺘﺎﺀ..‬ ‫‪‬‬ ‫ﺍﻟﻐﻨﺎﺀ..‬ ‫‪‬‬ ‫ﺍﻟﻔﺭﺍﺸﺔ..‬ ‫ﹸ‬ ‫ﺠﻨﺩ ﻤﻥ ﺍﷲ ﻓﻲ ﺃﺭﻀﻬﺎ ﻭﺍﻟﻔﺘﻰ ﻓﻲ ﺒﺤﺎﺭ ﺍﻟﺘﺭﺩﺩ‬ ‫‪‬‬ ‫ﻋﺎﺭ‬ ‫ٍ‬ ‫ﻴﻬﺎﺘﻔﻬﺎ ﻋﺒﺭ ﺃ ﱠﺎﺕ ﻗﻠﺒﻪ‬ ‫ﻨ ِ‬ ‫ﻓﻤﻥ ﻴﺴﺭﻕ ﺍﻟﺜﻭﺏ ﻤﻥ ﺒﻴﺘﻬﺎ‬ ‫ﻴﺭﺒﻁ ﺍﻟﺒﻨﺕ ﻓﻲ ﻁﺭﻑ ﺜﻭﺒﻪ..‬ ‫..........‬ ‫..........‬ ‫"ﺒﻴﻨﻠﻭﺏ" ﻟﻡ ﺘﺩﺭ‬ ‫ﺃﻥ ﺍﻟﺴﻔﻴﻨﺔ ﻓﻲ ﺍﻟﺒﺤﺭ‬ ‫- ٨٢ -‬
‫ﺘﺒﻜﻲ ﻓﺘﺎﻫﺎ‬ ‫ﻭ ﹸﻭ ِﻋﻬﺎ ﻜﻠﻤﺔ ﻗﺎﻟﻬﺎ‬ ‫ﹰ‬ ‫ﺘ ﺩ‬ ‫ﺜﻡ ﻤﺎﺕ‬ ‫ﻫﻲ ﺍﻵﻥ "ﺒﻴﻨﻠﻭﺏ"‬ ‫‪‬‬ ‫ﺘﺠﻤﻊ ﺃﺸﻼﺀﻩ‬ ‫‪‬‬ ‫ﺘﻭﻗﺩ ﺍﻟﺸﻤﻊ‬ ‫ﺘﻔﺘﺢ ﻨﺎﻓﺫﺓ ﻓﻲ ﺠﺩﺍﺭ ﺍﻟﻤﺴﺎﻓﺎﺕ‬ ‫ﹰ‬ ‫ﺤﺘﻰ ﻴﻌﻭﺩ..!!‬ ‫- ٩٢ -‬
‫ﺩﻋﻨﻲ ﺃﺼﹼﻲ ﻓﻲ ﻴﺩﻴﻙ‬ ‫ﻠ‬ ‫ﻤﻥ ﺩﻤﻊ ﻋﻴﻨﻴﻙ ﺍﻜﺘﻤﺎل ﺍﻟ ﱡﻬﺭ‬ ‫ﻁ‬ ‫ﻭﻭ ‪‬ﻭﺀ ﻗﻠﺒﻲ ﻤﻥ ﻤﻴﺎﻩ ﻗﺼﺎﺌ ِﻙ‬ ‫ﺩ‬ ‫ِ‬ ‫ﻀ ‪‬‬ ‫ﻭﻜﺫﺍ ﺍﻋﺘﻜﺎﻓﻲ ﻓﻲ ﺭﺤﺎﺒﻙ ﺴﻨﺔ‬ ‫ِ ‪ ‬ﱠ ﹲ‬ ‫ﻓﺈﺫﺍ ﺼﻼﺘﻲ ﻓﻲ ﻴﺩﻴﻙ ﻤﺜﺎﺒﺔ‬ ‫ﹲ‬ ‫ﻭﺃﺤﻕ ﻟﻲ‬ ‫ﱡ‬ ‫ﻴﺎ ﺃ ‪‬ﻟﻲ..‬ ‫ﻭ‬ ‫َﻏ ِﺩ ﺴﻴﻭﻓﻙ ﻓﻲ ﻓﺅﺍﺩ ﺍﻟﻌﺎﺒﺜﻴﻥ‬ ‫ﺃ ﻤ‬ ‫ﺍﻤﺩﺩ ﻴﺩﻴﻙ ﻓﺈﻨﻨﻲ‬ ‫ﺃﺸﺘﺎﻕ ﺼﻭﺭﺘﻙ ﺍﻟﻤﻘ ‪‬ﺴﺔ‬ ‫ﺩ ﹶ‬ ‫ﺍﻟﺘﻲ ﻓﻴﻬﺎ ﻗﺼﻴﺩﻱ ﻴﻨﺤﻨﻲ‬ ‫ﺤﺒﺎ ﻴﻘ ‪‬ل ﻭﺠﻨﺘﻴﻙ‬ ‫‪  ‬ﹰ ‪ ‬ﹶﺒ ُ‬ ‫ﻴﺠﺜﻭ ﻴﻨﺎﺠﻲ ﺫﻟﻙ ﺍﻟﻘﻤﺭ‬ ‫ﺍﻟﺫﻱ ﺃﻀﺤﻰ ﻴﻐﺎﺯل ﻤﻘﻠﺘﻴﻙ‬ ‫ﺩﻋﻨﻲ ﺃﺼﻠﻲ ﻓﻲ ﻴﺩﻴﻙ‬ ‫- ٠٣ -‬
‫ﺃﻨﺕ ﺍﻟﺫﻱ ﻋﱠﻤ ﹶﻨﻲ‬ ‫ﻠﺘ‬ ‫ﺃﻥ ﺍﻟﺘ ‪‬ﺘل ﻓﻲ ﺭﺤﺎﺏ ﺍﻟﺨﻭﻑ‬ ‫‪ ‬ﱠﺒ ﱡ َ‬ ‫ﻤﻌﺼﻴﺔ ﻭ ﹸﻔﺭ‬ ‫ﹲ ﻜ ‪‬‬ ‫ﺃﻨﺕ ﺍﻟﺫﻱ ﻭ ‪‬ﻴﺘﻨﻲ‬ ‫ﺼ‬ ‫ﺃﻥ ﺍﻟﺸﻬﺎﺩﺓ ﻓﻲ ﺴﺒﻴل ﺍﻟﺤ ‪ ‬ﹶﻔﺭ‬ ‫‪‬ﺏ ﻅ ‪‬‬ ‫ﹶ‬ ‫ﺃﻨﺕ ﺍﻟﺫﻱ ﻏ ‪‬ﺭﺕ ﺭﺴﻡ ﻤﻼﻤﺤﻲ‬ ‫ﻴ ﹶ‬ ‫ﺃﺴﻜﻨﺕ ﺸﻌﺭﻙ ﻜﺎﻟ ﱠﺴﻴﻡ ﺒﺄﻀﹸﻌﻲ‬ ‫ﻠ‬ ‫‪ ‬ﻨ ِ‬ ‫ﹶ‬ ‫ﻭﻏﺯﻭﺕ ﻜل ﺠﻭﺍﺭﺤﻲ‬ ‫ﹶ‬ ‫ﻭﺃﻨﺎ ﺍﻟﺫﻱ ﻗﺩ ﺤﺎﻕ ﺒﻲ ﻤﺎ ﺤﺎﻕ ﺒﻙ‬ ‫ﻭﻗﺩ ﺍﻋﺘﺭﺍﻨﻲ ﻤﺎ ﺍﻋﺘﺭﺍﻙ‬ ‫ﺯﻤﻥ ﻴﻌﺎﻨﺩ ﺭﻓﻘﺔ ﺍﻟﻌﻤﺭ ﺍﻟﺠﻤﻴل‬ ‫ِ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻭﺼﺏ ﺘﺩﱠﻰ‬ ‫‪ ‬ﹶ ‪‬ﻟ‬ ‫ﻭﺍﻟﺤﺒﻴﺒﺔ ﻗﱠﻤﺎ ﺘﻬﻔﻭ ﺇﻟﻴﻙ‬ ‫ﻠ‬ ‫ﺩﻋﻨﻲ ﺃﺼﻠﻲ ﻓﻲ ﻴﺩﻴﻙ‬ ‫ﺃﺭﻯ ﺍﻟﻤﺴﺎﺠﺩ ﺃﻴﻨﻌﺕ‬ ‫ﻓﻲ ﺭﺍﺤ ﹶﻴﻙ ﺃﺠﻨﺔ‬ ‫ِﱠ ﹰ‬ ‫ﺘ‬ ‫- ١٣ -‬
‫ﺘﻨﻤﻭ ﻋﻠﻰ ﻗﻭﺕ ﺍﻟﻤﺤﺒﺔ‬ ‫‪ِ‬‬ ‫ﺘﺭﺘﻭﻱ ﻋﺴﻼ ‪‬ﺼ ﱠﻰ‬ ‫ﹰﻤ ﻔ‬ ‫ﻗﺩ ﺘﻘ ﱠﺭ ﻤﻥ ﺃﺼﺎﺒ ِﻙ ﺍﻟﺭﻗﻴﻘﺔ‬ ‫ﻌ‬ ‫ﹶﻁ‬ ‫ﻭﺘﻅل ﺘﺼﻬل ﻓﻲ ﺴﺭﺍﺩﻴﺏ ﻴﻔﺎﺭ ﹸﻬﺎ ﺍﻟﺠﹶﺩ‬ ‫‪‬ﻠ‬ ‫ٍ ِﻗ‬ ‫ﹶﱡ‬ ‫‪‬ﺩ ﻓﺎﻟﻤﻘﺎﻡ ﻤﻘﺎﻡ ﻭﺩ‬ ‫‪  ‬‬ ‫ﻋ‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺭﺠل/ ﺍﻟﻜ ‪‬ﺩ‬ ‫ﺒ‬ ‫ﻗﻠﺏ ﺇﻟﻰ ﺍﻟﻘﻬﺭ ﺍﻨﺘﻤﻰ‬ ‫‪‬‬ ‫ﻨﻭﺭ ﺘﻤ ‪‬ﻗﻪ ﺩﻴﺎﺠﻴﺭ ﺍﻷﻤﺩ‬ ‫‪ ‬ﹸ ‪‬ﺯ ﹸ ‪‬‬ ‫ﻤﺎ ﺒﻴﻥ ﻤﺨﺒﻭل ﻭﻭﻏﺩ‬ ‫‪‬‬ ‫ٍ‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺭﺠل ﺍﻟﻜ ‪‬ﺩ‬ ‫ﺒ‬ ‫ِﺩﻨﻲ ﺒﺄﻨﻙ ﻋﺎﺌﺩ‬ ‫‪‬‬ ‫ﻋ‬ ‫ﺠ ‪‬ﺍﺀ ﺴﺎﻋ ِﻨﺎ ﺍﻟﺘﻲ‬ ‫ﺘ‬ ‫ﺭ ‪‬‬ ‫ﻗﺩ ﺃﻟﻬﺒﺕ ﻓﻴﻙ ﺍﻟﻤﺸﺎ ِﺭ‬ ‫ﻋ‬ ‫‪ ‬ﹾ ‪‬‬ ‫ﻋﺩﻨﻲ ﺒﺄﻨﻙ ﺜﺎﺌﺭ‬ ‫‪‬‬ ‫ِﻠﻴﻭﻥ ﺜﺎﺌﺭ‬ ‫ﻤ ‪‬‬ ‫ﻋﺩﻨﻲ ﺒﺄﻨﻙ ﻟﻥ ﺘﺠﻲﺀ ﺒﺭﻓﻘﺔ ﺍﻟﺯﻤﻥ ﺍﻟﻨﻌﺎﺱ‬ ‫ِ‬ ‫ِ‬ ‫- ٢٣ -‬
‫ﺘﺫﻭﺏ ﻨﻭﻤﺎ‬ ‫‪‬‬ ‫ﻋﺩﻨﻲ ﺒﺄﻨﻙ ﻟﻥ ﺘﺒﻴﻊ ﺍﻷﺭﺽ ﻴﻭﻤﺎ‬ ‫ﻋﺩﻨﻲ ﺒﺄﻨﻙ ﻴﺎ ﺼﺩﻴﻘﻲ ﻏﺎﻀﺏ‬ ‫‪‬‬ ‫ﻤﻥ ﺃﻱ ﻭﻏﺩ ﺒﺎﻟﻠﻅﻰ‬ ‫ٍ‬ ‫ﻴﻐﺘﺎل ﺸﺎﻋﺭﻨﺎ ﺍﻟﺒﺭﻱﺀ‬ ‫‪‬‬ ‫ﻴﻅل ﻴﻌﺒﺙ ﺒﺎﻟﺯﻫﻭﺭ ﺍﻟﻨ ‪‬ﺭﺍﺕ ﺍﻟﺤﻭﺭ‬ ‫ِ‬ ‫ﻴ ِ‬ ‫ﹸ‬ ‫ﱡ‬ ‫ﻴﻨﻬﺵ ﻓﻲ ﺍﻟﻤﻘﺎﺒﺭ‬ ‫ﹸ‬ ‫ﺇﻥ ﺍﻟﻤﻘﺎﺒﺭ ﻓﻲ ﺘﺭﺍﺒﻲ ﺃﺜﻤﺭﺕ‬ ‫ﻋﻨﺒﺎ ﻭﺯﻴﺘﻭﻨﺎ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻭﻤﺭﺠﺎ ﻗﺩ ﺘﺴﻠﻕ ﻫﺎﻤﺘﻲ‬ ‫‪‬ﱠ ﹶ‬ ‫ﹰ‬ ‫ﻭﺍﻤﺘﺩ ﺒﺎﻟﻌﺒﻕ/ ﺍﻟﺠﻬﺎﺩ‬ ‫ِ‬ ‫ﻭﺃﻁل ﺘ ‪‬ﺍﻗﺎ ﺇﻟﻰ ﺍﻷﻤﻭﺍﺝ‬ ‫ِ‬ ‫ﱠ ﻭ ﹰ‬ ‫ﻜﻴﻤﺎ ﻴﻨﺘﻤﻲ ﻟﻠﺯﻭﺭﻕ ﺍﻟﺜﻭﺍﺭ‬ ‫ﻴﺤﺘﻀﻥ ﺍﻟﺒﻘﺎﻉ‬ ‫ﻭﻤﻀﻰ ﻴﻜ ‪‬ﺭ ﻓﻲ ‪‬ﺭﺍﺜﻲ ﺍﻟﻤﺨﻀ ‪ِ ‬‬ ‫‪ ‬ﹶﺒ ‪ ‬ﻤ ِ ‪  ‬ﹶ ‪‬ﺒﺔ‬ ‫ﺍﻟﺘﻲ ﻗﺩ ﺃﺤﺯﻨﺘﻨﻲ‬ ‫- ٣٣ -‬
‫ﺍﻟ ‪‬ﺭﺡ ﺃﻜﺒﺭ..‬ ‫ﺠ ‪‬‬ ‫ﺍﻟ ‪‬ﺭﺡ ﺃﻜﺒﺭ..‬ ‫ﺠ ‪ ‬‬ ‫ﻤﻥ ﺃﻏﺎ ِﻴﻙ ﺍﻟ ِﺩﺍﻉ‬ ‫ﻨ ‪ ‬ﺨ‬ ‫ﺍﻟﺠﺭﺡ ﺃﻜﺒﺭ..‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺭﺠل/ ﺍﻟﻤﺯﺍﺩ/‬ ‫ُ‬ ‫ﺍﻻﻏﺘﻴﺎل/‬ ‫ﺍﻻﻀﻁﻬﺎﺩ/‬ ‫ﺍﻻﻟﺘﻴﺎﻉ/‬ ‫ﺍﻟﺠﺭﺡ ﺃﻜﺒﺭ..‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺭﺠل/ ﺍﻟﻘﻨﺎﻉ!!‬ ‫- ٤٣ -‬
‫ﻗ ‪‬ﺍﺱ ﺍﻟﻐﺭﻕ‬ ‫ﹸﺩ‬ ‫ﺫﺍﻙ ﺍﻟﺫﻱ ﻗﺩ ﺸﺩ ﺃﻏﻁﻴﺔ ﺍﻟﻨﺩﻯ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﺍﻟﻭﺠﻭﻩ‬ ‫ﺜﻡ ﺍﺴﺘﻌﺎﺭ ﻤﻥ ﺍﻟﺒﺤﺎﺭ ﺍﻟﻤﺎﺀ‬ ‫‪‬‬ ‫ﻜﻴﻤﺎ ﻴﻨﻁﻔﻲ ﻅﻤﺄ ﺍﻟﻘﺼﻴﺩﺓ‬ ‫ُ‬ ‫ﻻ.. ﻟﻡ ﻴﻤﺕ‬ ‫ﻟﻤﺎ ﺭﺃﻯ ﻓﻲ ﻟﻴﻠﻪ ﺨﻴﻼ‬ ‫ﹰ‬ ‫ﻴﻐﻭﺹ ﺼﻬﻴﻠﻬﺎ‬ ‫ﻓﻲ ﺒﻁﻥ ﺃﻏﻨﻴﺔ‬ ‫ٍ‬ ‫ﺘﻬﺎﺩﺕ ﻟﻠﺭﺠﺎل ﺍﻟﻁﻴﺒﻴﻥ‬ ‫***‬ ‫ﻜﻲ ﻻ ﻴﺭﺍﻩ ﺍﻟﻨﺎﺱ‬ ‫ﺃﻏﺭﻕ ﺭﺃﺴﻪ‬ ‫ﻤﺘﺨﻔﻴﺎ ﻤﻥ ﺩﻤﻌﻬﻡ‬ ‫ﹰ‬ ‫ﻭﻤﺴﺎﻓﺭﺍ ﻓﻲ ﻨﻭﺒﺔ ﺍﻟﻤﻭﺕ‬ ‫ِ‬ ‫ﹰ‬ ‫- ٥٣ -‬
‫ﻜﻲ ﻻ ﺘﺤﺭﺭﻩ ﺍﻟﻔﺘﺎﺓ‬ ‫ﹸ‬ ‫ﺃﻤ ‪‬ﻫﺎ ﺒﺘﺨﺎﺼﺭ ﻟﻡ ﺘﻨﺴﻪ‬ ‫ٍ‬ ‫ﺩ‬ ‫ﺜﻡ ﺍﺴﺘﺤﺎل ﹸﺴﻴﻤﺔ‬ ‫ﻨ ﹰ‬ ‫ﺃﻭ ﻏﻴﻤﺔ‬ ‫ﹰ‬ ‫ﺴﺭﻋﺎﻥ ﻤﺎ ﺘﺸﺩﻭ ﻟﻬﺎ ﺘﺭﻨﻴﻤﺔ ﺍﻟﺼﻤﺕ‬ ‫ﻫﺫﺍ ﺍﻟﺫﻱ ﻗﺩ ﺸﺩ ﺃﻏﻁﻴﺔ ﺍﻟﻨﺩﻯ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﺍﻟﻭﺠﻭﻩ‬ ‫ﻭﺃﻋﺎﺭ ﺼﺎﺭﻴﺔ ﺍﻟﻔﻨﺎﺀ ﺨﻠﻭﺩﻫﺎ‬ ‫ﻫﺫﺍ ﺍﻟﺫﻱ ﺃﻋﻁﺎﻩ ﻨﻴﺴﺎﻥ ﺍﻟﺨﺼﻴﺏ‬ ‫ﺃﺭﻴ ‪‬ﻪ‬ ‫ﺠ‬ ‫***‬ ‫ﺴﻴﺒﺩﺩ ﺍﻟﺜﻠﺞ ﺍﻟﻤﻌﺎﻨﺩ‬ ‫ﻭﻴﺼﺎﺩﻕ ﺍﻟﺸﻤﺱ ﺍﻟﺘﻲ ﻗ ‪‬ﺕ ﻀﻔﺎﺌﺭﻫﺎ‬ ‫ﹸﺼ‬ ‫ﻭﺃ ‪‬ﻗﻬﺎ ﺍﻟﻤﻐﻴﺏ‬ ‫ﺭ‬ ‫ﻜﻭﻨﻲ ﻤﺭﺍﻓﺌﻪ ﺍﻟﻤﻬﻴﻀﺔ‬ ‫ﹶ‬ ‫ﻤ ‪‬ﻗﻲ ﺍﻟﻀﺤﻙ ﺍﻟﻤﻬﺎﺩﻥ‬ ‫ﺯ‬ ‫- ٦٣ -‬
‫ﻓﻭﻕ ﻁﺎﻭﻟﺔ ﺍﻟﺘﻘﺎﻤﺭ‬ ‫ﻭﺍﺒﺘﻨﻲ ﺒﻴﺘﺎ ﻟﻪ ﺘﺤﺕ ﺍﻟﺼﻠﻴﺏ‬ ‫ﹰ‬ ‫...........................‬ ‫...........................‬ ‫ﺍﻟﻤﻭﺝ ﺃﻋﻠﻥ ﺜﻭﺭﺘﻪ‬ ‫ﻭﺍﻟﻤﻭﺕ ﻴﺨﺭﺝ ﻤﻥ ﺯﺠﺎﺠﺎﺕ ﺍﻟﻨﺒﻴﺫ‬ ‫ﻤﻁ ‪‬ﻗﺎ ﻜل ﺍﻟﺤﻨﺎﺠﺭ‬ ‫ﻭﹰ‬ ‫ﻤﺎﺫﺍ ﺴﻴﻔﻌل ﺫﻟﻙ ﺍﻟﻘﻠﺏ ﺍﻟﻭﺴﻴﻊ؟‬ ‫ﻫل ﻴﺴﺘﻌﻴﻥ ﺒﻘ ‪‬ﺭﺍﺕ‬ ‫ﹸﺒ ٍ‬ ‫ﻗﺩ ﺤﻤﻠﻥ ﺍﻟﻭﻗﺕ ﻓﻭﻕ ﺠﻨﺎﺤﻬﻥ‬ ‫ﺃﻡ ‪‬ﻠ ِﻡ ﺍﻟﺒﺤﺭ ﺍﻟﻨ ‪‬ﻡ..؟!‬ ‫ﱠﻬ‬ ‫ﻴﺠ‬ ‫- ٧٣ -‬
‫‪‬ﻭﺭﺓ ﺍﻟﺘﻭ ‪‬ﺱ - ﺴﺒﺌ ‪‬ﺔ‬ ‫‪ِ  ‬ﻴ‬ ‫ﺴ ‪ ‬ﹸ ﱠ ‪‬ﺠ‬ ‫ﻨ ِﻴﻤﹰ ﻭﻤﻠﹾﻜﺎ ﻜ ِﻴﺭﺍ ﺭﺃﻴﺕ‬ ‫ﹶ ﻌ ﺎ ‪  ‬ﹰ ﹶﺒ ﹰ ‪  َ ‬ﹸ‬ ‫ﻭﻋﺭ‪‬ﺸﺎ ﻭﺴﻴﺩﺓ ﻤﺴﺘ ‪‬ﺍﺩﺓ‬ ‫‪  ‬ﹰ ‪    ‬ﹰ ‪  ‬ﹶﺯ ‪ ‬ﹾ‬ ‫ﺘﺭﻑ ﻋﹶﻰ ﺭﻜﺒ ‪‬ﺎ ﺍﻷﻏﻨ ‪‬ﺎﺕ‬ ‫ﹶ ِ ﱡ ‪‬ﻠ ‪ ‬ﹾ ِﻬ ُ ﹾ ِﻴ‬ ‫‪‬ﺘﺭ ‪‬ل ﻋﻥ ﺩﺭﺒ ‪‬ﺎ ﺍﻟ ﱠﺎﺌ ‪‬ﺎﺕ‬ ‫ﻭ ﹶ ‪‬ﺤ ُ ‪ِ    ‬ﻬ ﻨ ِﺒ‬ ‫ﻟﻜﻲ ﻴﺴﺘ ِﻴﺩ ﺍﻟﻔ ِﻴﺩ ِﻼﺩﻩ‬ ‫ِ ﹶ ‪   ‬ﹶﻌ ‪ ‬ﹾ ﹶﻘ ‪ ‬ﺒ ‪ ‬‬ ‫***‬ ‫ﺇﻟﻴ ‪‬ﺎ ﻋﺒﺭﺕ‬ ‫ِﹶ ‪‬ﻬ ‪   ‬ﹸ‬ ‫‪ ‬ﹶﺎ ‪‬ﺎ ‪ ‬ﺭﻋﺩ ﻭﺒﺭﻕ‬ ‫ﺠﻨ ﺤ ﻱ ‪      ‬ﹸ‬ ‫ﻴ ِﻴ ‪‬ﺍﻥ ﺨﻠﻑ ﺍﺤﺘ ‪‬ﺎل ﺍﻟﻭ ‪‬ﻭل‬ ‫‪‬ﻁ ﺭ ِ ﹶ ﹾ ﹶ ‪ِ ‬ﻤ ِ ﹾ ‪‬ﺼ‬ ‫ﻭﺠﺩﺏ ﺍﻟﻔ ‪‬ﻭل‬ ‫‪ ِ   ‬ﹾ ﹸﺼ‬ ‫ﻴﺸﺩﻫ ‪‬ﺎ ﻫﻤﺱ ﺸﻭ ٍ‬ ‫‪ ‬ﹸ ‪ ‬ﻤ ‪   ‬ﹶ ‪‬ﻕ‬ ‫ﻭ ﹶﻭﻕ‬ ‫‪‬ﺘ ﹲ‬ ‫ﻭﺩل‬ ‫‪ ‬ﱞ‬ ‫ﻭﺴﻤﺕ‬ ‫‪  ‬ﹸ‬ ‫- ٨٣ -‬
‫ﺇﻟﻴ ‪‬ﺎ ﻋﺒﺭﺕ‬ ‫ِﹶ ‪‬ﻬ ‪   ‬ﹸ‬ ‫ﻭ ‪‬ﺎ ﺃﺠ ‪  ‬ﺍﻟﻘﻠﺏ‬ ‫‪‬ﻤ َ ‪‬ﻬﺩ ﹾ ﹶ ﹾ ‪‬‬ ‫ﻏﻴﺭ ﺍﻓﺘ ﹶﺎ ِﻲ ﺒﻔﺭﺩﻭﺴ ‪‬ﺎ‬ ‫ﹶ ‪  ‬ﹾ ِﺘ ﻨ ِ ِ ‪ِ   ‬ﻬ‬ ‫‪‬ﺍﻨﺘ ﹶﺎ ِﻱ ﻤ ‪‬ﺍ ِﻴﺩ ‪‬ﺎ‬ ‫ﻭ ﹾ ِﻅ ﺭ ‪‬ﻭ ﻋ ‪‬ﻫ‬ ‫***‬ ‫ﻨ ِﻴﻤﹰ ﻭﻤﻠﹾﻜﺎ ﺒ ‪‬ﺍ ﺫِ ‪ ‬ﺍﻟﻜﺒﺭ ‪‬ﺎﺀ‬ ‫ﹶﻌ ﺎ ‪  ‬ﹰ ‪‬ﺩ ﹶﻟﻙ ﹾ ِ ‪ِ ‬ﻴ‬ ‫ﻓﻁﻭﻕ ﺴﻠﻴ ‪‬ﺎﻥ ﹶﺎ ِ ‪‬ﺓ ﺍﻟﺸﻭﻕ‬ ‫ﹶ ﹶ ‪ ‬ﹾ ‪ ‬ﹶ ‪ ‬ﻤ ‪ ‬ﺨ ﺼﺭ ﹶ ﱠ ‪ِ ‬‬ ‫‪‬ﺍﻨﻔﺭ.......‬ ‫ﻭ ﹾِ ‪‬‬ ‫........... ﺨ ﹶﺎﻓﺎ‬ ‫ِﻔ ﹶ‬ ‫ﻷ ﱠﺎ ﻨﻘﺸ ﹶﺎ ﻋﹶﻰ ﻭﺠﻪ ﺒﻠ ِﻴﺱ‬ ‫َﻨ ﹶ ﹶ ﹾﻨ ‪‬ﻠ ‪  ِ  ‬ﹾﻘ ‪‬‬ ‫ﺃﺴ ﹶﺎﺭ ﻭﺠﺩ‬ ‫َ ‪‬ﻔ ‪ٍ   ‬‬ ‫ﻭﺒﻌﺩ ﻗِﻴل ﻤﻥ ﺍﻟﻐﻴﺙ‬ ‫‪    ‬ﹶﻠ ٍ ِ ‪ ‬ﹾ ﹶ ‪ِ ‬‬ ‫‪‬ﺎﺝ ﺍﻟ ﱠﻭ ‪‬ﺱ ِﻴ ﹶﺎ‬ ‫ﻫ ‪ ‬ﺘ ‪‬ﺠ ‪ ‬ﻓ ﻨ‬ ‫ﻓﺭﻤ ﹶﺎ ﻤﻥ ﺍﻟ ‪‬ﺎﺒ ِﻴﻥ ﺍﻋﺘ ‪‬ﺍﻓﺎ‬ ‫ﹶ ‪ ‬ﻨ ِ ‪ ‬ﺼ ِﺌ ‪ِ  ‬ﺭ‬ ‫ﺒﺄﻥ ﺍﻟ ِﻼﺩ ﺇ ﹶﺍ ‪‬ﺎ ﺍﺴﺘﻤﺩﺕ ﻤﻥ ﺍﻟ ﱠﺎﺱ‬ ‫ِ َ ‪ ‬ﹾﺒ ‪ِ ‬ﺫ ﻤ ‪ ‬ﹶ ‪  ‬ﹾ ِ ‪ ‬ﻨ‬ ‫ﹶﺎ ﹶﺎﺘ ِﻡ‬ ‫ﻁ ﻗ ِﻬ‬ ‫- ٩٣ -‬
‫ﹶﻼ ﺒ ‪ِ ‬ﻠﺭﺏ ﺃﻥ ‪‬ﺘ ‪‬ﻠل‬ ‫ﻓ ‪‬ﺩ ﻟ ‪  َ  ‬ﻴ ﹶﺴﱠ َ‬ ‫ﻤﻥ ﺜﻘﺏ ﺇﺠ ‪‬ﺎﺩﻫﻡ‬ ‫ِ ‪ ‬ﹸ ﹾ ِ ِ ‪‬ﻬ ِ ِ ‪‬‬ ‫ﺒﺴ ‪‬ﻼﺕ‬ ‫‪ ‬ﻤ ٍ‬ ‫ﻭﻋﻬ‪‬ﺩﺍ ﺠ ِﻴ ‪‬ﺍ‬ ‫‪  ‬ﹰ ‪‬ﺩ ﺩ‬ ‫***‬ ‫ﺴﻠﻴ ‪‬ﺎﻥ ﺜﺒﺕ ﺠ ﹸﻭﺭ ﺍﻟﻤ ‪‬ﺎﻟﻙ‬ ‫‪ ‬ﹶ ‪‬ﻤ ‪ ‬ﹶ ‪ ‬ﹾ ‪ ‬ﺫ ‪ ‬ﹾ ‪‬ﻤ ِ ِ‬ ‫‪‬ﺍﺘل ﺍﻟﻨ ِﻴ ‪‬ﺍ‬ ‫ﻭ ﹾ ُ ﱠﺸ ﺩ‬ ‫ﻓﻘﺩ ﻴﺴﺘ ِﻴل ﺍﻟﺒ ِﻴﺩ‬ ‫ﹶ ﹶ ‪   ‬ﹶﺤ ُ ﹾ ‪ ‬ﻌ ‪‬‬ ‫- ِﻔﻀ ِ ﺍﻟﻌ ﹶﺎ ِﻴﺕ -‬ ‫ﺒ ﹶ ‪‬ل ﹾ ‪‬ﻔ ﺭ ِ‬ ‫ﺃﻗ ‪  ‬ﻤﻥ ﻁﺭ ِ ‪ ‬ﺍﻟﻨﺯﻗﻲ‬ ‫َ ﹾﺭﺏ ِ ‪ ‬ﹶ ‪‬ﻓﻙ ﱠ ‪ ِ ‬‬ ‫ﻭﻗﺩ ﺘﺤﺘ ِﻴ ﹶﺎ ﺍﻟﻤ ‪‬ﺎﺀﺍﺕ‬ ‫‪ ‬ﹶ ‪ ‬ﹶ ‪ ‬ﹶﻭ ﻨ ﹾ ‪‬ﺴ ‪ ‬ﹸ‬ ‫ﺤ ﱠﻰ ﻴﻅل ﺍﻟﺒ ِﻴﺩ ﺒ ِﻴ ‪‬ﺍ‬ ‫‪‬ﺘ ‪ ‬ﹶ ﱠ ﹾ ‪ ‬ﻌ ‪  ‬ﻌ ﺩ‬ ‫ﹶﻼ ﺃﻨﺕ ِﺭﺕ ﺍﻟﻨﺒﻲ‬ ‫ﻓ َ ﹾ ﹶ ﺼ ‪ ‬ﹶ ﱠِ ‪‬‬ ‫‪‬ﻻ ﻟﻤﺘ ِﻲ ‪‬ﻭﻥ ﺫﺒ ٍ‬ ‫ﻭ ﹸ ‪ ‬ﹶﻨ ﺩ ‪ ‬ﹶ ‪ ‬ﺢ‬ ‫ﻟﺌﻼ ﺃ ‪‬ﻭ ‪‬ﺍ‬ ‫ِ َ ﱠ َﻋ ﺩ‬ ‫***‬ ‫- ٠٤ -‬
‫ﺴﻠﻴ ‪‬ﺎﻥ ﺇﻥ ﺃﺭ ‪‬ﻘﺘ ‪ ‬ﺍﻟ ﱠ ‪‬ﺍ ِﻴﺱ‬ ‫‪‬ﹶ ‪‬ﻤ ‪ َ  ِ ‬ﻫ ﹶ ﹾﻙ ﻨﻭ ﻤ ‪‬‬ ‫ﹶﺎﺨﻠﻊ ﻋﻥ ﺍﻟ ﱠﺍﺕ ‪‬ﻤﺕ ﺍﻟﻤﹸﻭﻙ‬ ‫ﻓ ﹾﹶ ‪ ِ  ‬ﺫ ِ ﺴ ‪ ‬ﹶ ﹾ ‪‬ﻠ ِ‬ ‫ﻷﻥ ﺍﻟﻤﹸﻭﻙ ﺇ ﹶﺍ ﺩﺨﹸﻭﺍ ﻗﺭ ‪ ‬ﹰ‬ ‫‪ ‬ﹾ ‪‬ﻠ ‪ِ ‬ﺫ ‪ ‬ﹶﻠ ﹶ ‪‬ﻴﺔ‬ ‫ﺃﻓ ‪ ‬ﻭ ‪‬ﺎ‬ ‫َ ﹾﺴ ﺩ ﻫ‬ ‫ﻭﺠﻌﹸﻭﺍ ﺃﻋﺯﺘ ‪‬ﺎ ‪‬ﺎﺸ ِﻴ ﹶﺎ‬ ‫‪  ‬ﻠ َ ِ ‪ ‬ﹶﻬ ﻋ ِﻘ ﻨ‬ ‫ﹶﻼ ﺘﻤﺨﺭﻥ ِﻲ ﻋ ‪‬ﺎﺏ ﺍﻟ ﱠﻼﻡ‬ ‫ﻓ ﹶ ‪ ‬ﹸ ‪  ‬ﻓ ‪‬ﺒ ِ ﻅ ِ‬ ‫‪‬ﻻ ﺘﺴﻠ ‪‬ﻨ ‪ ‬ﻫ ِﻱ ﺍﻟﺸ ‪‬ﻭﺱ‬ ‫ﱡﻤ‬ ‫ﻭ ﹶ ‪‬ﹸﺒ ﱠﻙ ‪‬ﺫ‬ ‫***‬ ‫ﺃ ‪‬ﺎ ‪‬ﺍﻟ ِﻱ ﻗﺩ ﺃ ‪‬ﺎﺩ ﺍﻟﻘ ‪‬ﻭﻥ‬ ‫َﻤ ﻭ ﱠﺫ ﹶ ‪َ ‬ﺒ ‪ ‬ﹾ ﹸﺭ ‪‬‬ ‫ﻭﺃﻀ ﹶﻰ ﻋﹶﻰ ﺍﻟ ﱡﻭﺭ ﹸﻭ ‪‬ﺍ‬ ‫‪ َ‬ﻔ ‪‬ﻠ ﻨ ِ ﻨ ﺭ‬ ‫ﻭﺃﻋ ﹶﻰ ﻟﻤﻥ ﻴﺭﺘ ِﻱ‬ ‫‪ َ‬ﻁ ِ ‪    ‬ﹶﻭ‬ ‫ِﺎﺴ ِﻼﺏ ﺍﻟﻨ ‪‬ﺎﺀ‬ ‫ﺒ ‪‬ﺘ ِ ﱢ ﺴ ِ‬ ‫‪ ‬ﺍ ِﻴﺘﻪ ‪‬ﺍﻟﻘ ‪‬ﻭ ‪‬ﺍ‬ ‫ﻴﻭ ﻗ ﹶ ‪ ‬ﻭ ﹾ ﹸﺼ ﺭ‬ ‫ﺴﺄﺤ ﹸﺭ ِﻲ ﻜﻑ ﻫ ﹶﺍ ﺍﻟﺯ ‪‬ﺎﻥ‬ ‫‪ َ‬ﻔ ‪ ‬ﻓ ﹶ ﱢ ‪‬ﺫ ‪‬ﻤ ِ‬ ‫ﺒﺴﻥ ﺍﻟﻘ ﹶﺎﺩ‬ ‫ِ ِ ‪ ‬ﹾ ﹶﺘ ِ‬ ‫ﻋﺭﻓﺕ ﻜ ِﻴﺭﺍ‬ ‫‪  ‬ﹾ ﹸ ﹶﺜ ﹰ‬ ‫- ١٤ -‬
‫ﻓﻤﺕ ﻜ ِﻴ ‪‬ﺍ‬ ‫ﹶ ِ ﱡ ﹶﺜ ﺭ‬ ‫ﻜﺘﺒﺕ ﺃ ‪‬ﺎ ِﻴﺭ ﻋﺸﻕ ﺍﻟﻤﹸﻭﻙ‬ ‫ﹶ ﹶ ‪ ‬ﹸ َﺴ ﻁ ‪ ِ ‬ﹾ ِ ﹾ ‪‬ﻠ ِ‬ ‫ﻓﺠﻑ ﻤ ‪‬ﺍ ِﻱ‬ ‫ﹶ ‪ ‬ﱠ ِﺩ ﺩ‬ ‫ﺭﺃﻴﺕ ﻨ ِﻴﻤﹰ ﻭﻤﻠﹾﻜﺎ‬ ‫‪  َ ‬ﹸ ﹶﻌ ﺎ ‪  ‬ﹰ‬ ‫ﻭﺴﻴﺩﺓ ﹶﺎﺼﺭﺘ ‪‬ﺎ ﺍﻟﺒ ‪‬ﺍ ِﻱ‬ ‫‪    ‬ﹰ ﺨ ‪  ‬ﹾﻬ ﹾ ‪‬ﻭ ﺩ‬ ‫ﺘﺭﻑ ﻋﹶﻰ ﺭﻜﺒ ‪‬ﺎ ﺍﻷﻏﻨ ‪‬ﺎﺕ‬ ‫ﹶ ِ ﱡ ‪‬ﻠ ‪ ‬ﹾ ِﻬ ُ ﹾ ِﻴ ﹸ‬ ‫‪‬ﺘﻨ ِﺽ ِﻲ ﻤﻘﻠﺘﻴ ‪‬ﺎ ﺍﻟﺤ ‪‬ﺎﺓ‬ ‫ﻭ ﹶ ﹾﺒ ‪ ‬ﻓ ‪ ‬ﹾﹶ ﹶ ‪‬ﻬ ﹾ ‪‬ﻴ ﹸ‬ ‫‪‬ﻟ ِﻨ ِﻲ ‪‬ﺎ ﺍﺴﺘ ‪‬ﺩﺕ ِﻼ ِﻱ!‬ ‫ﻭ ﹶ ﻜ ﱠﻨ ﻤ ‪ ‬ﹶ ﻌ ﱡ ﺒ ﺩ‬ ‫- ٢٤ -‬
‫ﺍﻟﺒﺸﺎﺭﺓ‬ ‫ﻴﺎ ﺼﺎﺤﺒﻲ ﺍﺘﺭﻜﺎﻨﻲ ﺇﻨﻨﻲ ﻜﺩﺭ‬ ‫ﹶِ ‪‬‬ ‫‪‬‬ ‫ﻭﺍﻟﻘﻠﺏ ﻓﻲ ﺩﻤﻌﻪ ﻗﺩ ﺒﺎﺕ ﻴﻨﻔﻁﺭ‬ ‫‪‬‬ ‫ﻭﺍﻟﻌﻴﻥ ﻤﻥ ﺸﻭﻗﻬﺎ ﻨﺎﻤﺕ ﻋﻠﻰ ﻀﺠﺭ‬ ‫ٍ‬ ‫ﻭﺍﺴﺘل ﻤﻨﻬﺎ ﺒﺭﻴﻕ ﺍﻟﺒﻬﺠﺔ ﺍﻟ ‪‬ﺠﺭ‬ ‫ِ ﻀ‪‬‬ ‫ﻭﺍﻟﺭﻭﺡ ﻓﻲ ﺠﺩﺒﻬﺎ ﻤﺎ ﺒﱠﻬﺎ ﺒﺭﺩ‬ ‫ﻠ ‪ ‬‬ ‫ﺘﻠﻬﻭ ﺒﻬﺎ ﺍﻟﻨﺎﺌﺒﺎﺕ ﺍﻟﺴﻭﺩ ﻭﺍﻟﻜﺩﺭ‬ ‫‪‬‬ ‫ﻻ ﹸﺴﻠﻤﺎﻨﻲ ﻟﺒﻭﺡ ﺍﻟﻤﺸﺘﻜﻲ ﻜﻤﺩﺍ‬ ‫ﹰ‬ ‫ﺘ‬ ‫ﻋل ﺍﻟﻨﻭﻯ ُﺠﺯﻯ ﺒﻪ ﻴﻭﻤﺎ ﻭﺃﺴﺘﺘﺭ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﺃ‬ ‫ﱠ‬ ‫ﻤﺎ ﺯﺍﺭﻨﻲ ﻁﻴﻔﻬﺎ ﺇﻻ ﻭﺃﺴﻠﻤﻨﻲ‬ ‫ﻟﻠﻨﺎﺭ.. ﻻ ﺘﺤﺭﻗﻲ ﻋﻭﺩﻱ ﺃﻴﺎ ﺴﻘﺭ‬ ‫‪‬‬ ‫ﻤﺎ ﺯﺍﺭﻨﻲ ﻁﻴﻔﻬﺎ ﺇﻻ ﻭﺤ ‪‬ﻗﻨﻲ‬ ‫ﺭ‬ ‫ﻁﻴﻑ ﺍﻷﺤﺒﺔ ﻻ ﻴﺒﻘﻲ ﻭﻻ ﻴﺫﺭ‬ ‫‪‬‬ ‫‪ِ‬‬ ‫ﻜﻴﻑ ﺍﻟﺴﺒﻴل ﺇﻟﻰ ﺸﺩﻭ ﺃﻟﻭﺫ ﺒﻪ‬ ‫ٍ ﹸ‬ ‫ﻤﻥ ﺍﻟﻠﻘﺎ.. ﻭﻟﻬﺎ ﺍﻷﻨﻐﺎﻡ ﻭﺍﻟﻭﺘﺭ‬ ‫‪‬‬ ‫- ٣٤ -‬
‫ﻤ ‪‬ﻭﺍ ﺇﻟﻲ ﻜﺅﻭﺱ ﺍﻟﺨﻤﺭ ﺼﺎﻓﻴﺔ‬ ‫ﹰ‬ ‫‪‬‬ ‫‪‬ﺩ‬ ‫ﺤﺘﻰ ﺃﻏﻭﺹ ﺒﻬﺎ.. ﺃﺤﻴﺎ ﻭُﺤﺘﻀﺭ‬ ‫‪‬‬ ‫ﺃ‬ ‫ﺃﻭ ﻓﺎﺒﺘﻨﻭﺍ ﺩﺍﺭﺓ ﺒﺎﻟﻘﻠﺏ ﺃﺴﻜﻨ ‪‬ﺎ‬ ‫ﻬ‬ ‫ﹰ‬ ‫ﺃﻗﻀﻲ ﺒﻬﺎ ﺤ ‪‬ﺘﻲ ﺩﻭﻤﺎ ﻭﺃﻋﺘﻤﺭ‬ ‫‪‬‬ ‫ﹰ‬ ‫ِﺠ‬ ‫ﻤﺎ ﻟﻲ ﺃﺭﻯ ﺍﻟﻨﺎﻅﺭﻴﻥ ﺍﺴﺘﻨﻜﺭﻭﺍ ﺃ ﹶﺭﻱ‬ ‫َﺜ‬ ‫ﺒﺎﷲ ﻫﻼ ﺩﺭﻯ ﺒﺎﻟﻌﺎﺸﻕ ﺍﻟﻨﻅﺭ‬ ‫‪‬‬ ‫ﱠ‬ ‫ﻫ ‪‬ﻭﺍ ﻤﻌﺎﺒﺩﻜﻡ ﺜﻡ ﺍﺤﻔﻅﻭﺍ ﻜﻠﻤﻲ‬ ‫ﺩ‬ ‫ﺇﻨﻲ ﺭﺴﻭل ﻟﻤﻥ ﺒﺎﻟﺸﻭﻕ ﻗﺩ ﻜﻔﺭﻭﺍ‬ ‫ٌ‬ ‫ﺇ ﱢﻲ ﺼﻔﻲ ﺃﺘﻰ ﻤﻥ ﺒﻠﺩﺓ ﻭﺃ ‪‬ﺕ‬ ‫ٍ ﺩ‬ ‫‪‬‬ ‫ﻨ‬ ‫ﻓﺘﻴﺎﻨﻬﺎ ﺒﻌﺩﻤﺎ ﺃﻀﻨﺎﻫﻡ ﺍﻟﺤﺫﺭ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻻ ﺘﺤﺫﺭﻭﺍ ﻟﻭﻋﺔ ﻤ ‪‬ﺕ ﻨﻭﺍﺠﺫﻫﺎ‬ ‫ﹰ ﺩ‬ ‫ﻓﻲ ﻟﺤﻤﻜﻡ ﻭﺍﻀﺭﺒﻭﺍ ﻓﻲ ﺍﻟﺴﻬﺩ ﻭﺍﻨﺘﺸﺭﻭﺍ‬ ‫ﺨﻭﻀﻭﺍ ﻤﻌﺎﺭﻜﻜﻡ ﻓﺎﻟﺸﻭﻕ ﻤﺫﻫﺒﻜﻡ‬ ‫ﻭﻀﻭﺀﻜﻡ ﻗﺩﻡ.. ﺼﻼﺘﻜﻡ ﺃﺜﺭ‬ ‫َﹶ ‪‬‬ ‫‪‬‬ ‫ﻗﺩ ﺴ ﱢﺭﺕ ﻓﻲ ﻋﺭﻭﻕ ﺍﻟﻜﻭﻥ ﺁﻴ ﹸﻡ‬ ‫‪‬ﻜ ‪‬‬ ‫‪‬ﻁ‬ ‫ﻭﺍﺯ ‪‬ﻨﺕ ﺒﺎﻟﻭﺠﻴﺏ ﺍﻟﺜﺎﺌﺭ ﺍﻟ ‪‬ﻭﺭ‬ ‫ﺴ‪‬‬ ‫‪‬ﻴ‬ ‫- ٤٤ -‬
‫ﻓﺎﺴﺘﻤﺴﻜﻭﺍ ﺒﺎﻟﻘﻠﻭﺏ ﺍﻟﺤﻭﺭ ﻤﻌ‪‬ﺘ ‪‬ﻤﺎ‬ ‫‪ ‬ﺼ ﹰ‬ ‫ﻭﺍﺴﺘﻴ ِﻨﻭﺍ ﺃ ﱠﻪ ﻤﺎ ﺨﺎﻨﻜﻡ ﻗﺩﺭ‬ ‫‪‬‬ ‫ﻘ ﻨ‪‬‬ ‫ﻟﻜﻡ ﻜﺘﺎﺏ ﺤﻭﻯ ﺘﺭﻴﺎﻕ ﺘﺠﺭﺒﺔ‬ ‫ٍ‬ ‫‪‬‬ ‫ﻗل ﻟﻠﺫﻴﻥ ﺍﺤﺘﻤﻭﺍ ﺒﺎﻟﺸﻭﻕ.. ﻤﺎ ﺍﻟﺨﺒ ‪‬؟‬ ‫ﺭ‬ ‫ﻗﺎﻟﻭﺍ ﻋﻬﺩﻨﺎﻜﻡ ﺩﻭﻥ ﺍﻟﻬﻭﻯ ﻋﺩﻤﺎ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺃﺭﻀﺎ ﻟﺩﻴﺠﻭﺭﻫﺎ ﻗﺩ ﻋﺎﻓﻬﺎ ﻗﻤﺭ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﺇ ﱢﻲ ﺍﻨﺘﻅﺭﺕ ﺍﻨﺒﻼﺝ ﺍﻟﻨﻭﺭ ﻓﻲ ﺩﻤﻜﻡ‬ ‫ﹸ‬ ‫ﻨ‬ ‫ﻴﺎ ﻁﺎﻟﻤﺎ ﺸﺎﻗﻨﻲ ﻤﻨﻜﻡ ﻭﺃﻨﺘﻅﺭ !!‬ ‫‪‬‬ ‫- ٥٤ -‬
‫ﻜﻴﻤﻴﺎﺀ ﺍﻟﺤﻭﺍﺩﻴﺕ‬ ‫ﺘﻨﺎﻡ ﺍﻟﺭﺅﻯ ﻗﻁﺭﺓ ﻓﻰ ﺴـﺤـﺎﺒﻪ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﺘﻨﺎﻭﺸﻬـﺎ ﺩﻋـــﻭﺓ ﻭﺍﺴﺘﺠـﺎﺒﻪ‬ ‫‪‬‬ ‫ﹲ‬ ‫ﻓﺘﺴﻘﻁ ﺇﺜﺭ ﺍﻨﻔﺠـﺎﺭ ﺍﻟـﺘــﻔﺎﺴﻴﺭ‬ ‫ﻁﻴﺭﺍ ﻋﻠﻰ ﺍﻷﺭﺽ ﻴﺸﻜـﻭ ﻋﺫﺍﺒــﻪ‬ ‫‪‬‬ ‫ﻴــﺭﻑ ﺒﺄﻓـﻕ ﺍﻟـﺭﺘــﺎﺒﺔ ﻨﺒﻀـﺎ‬ ‫ﻏﺭﻴﻘﺎ ﻴـــﺭﺍﻭﻍ ﻤـﻭﺝ ﺍﻟﺭﺘــﺎﺒﻪ‬ ‫ﺴــﺅﺍﻻ ﻴﻔﻙ ﻁـــﻼﺴﻡ ﻋــﻬﺩ‬ ‫ﺘﻭﻟﻰ ﻭﺸﻘـــﻕ ﻭﺠﻪ ﺍﻹﺠـــﺎﺒﻪ‬ ‫ﻴﻨــﺎﻭل ﺤﻜﻤﺘـﻪ ﺸــــﻬـﺭﺯﺍﺩ‬ ‫ﻓﻴﻔﻘـﺩ ﺴﻴــﻑ ﺤﻜﻴــﻡ ﺼــﻭﺍﺒﻪ‬ ‫ﻭﻴﺘـــﺭﻜﻬﺎ - ﻭﺍﻟـﻭﺴﺎﺩﺓ ﺸﻬﻘﻰ -‬ ‫ﺘﺸﺎﻜل ﺒﻴﻥ ﺍﻷﺴﻰ ﻭﺍﻟـــﺩﻋـــﺎﺒﻪ‬ ‫ﻴﺅﺍﻨﺴﻬـﺎ ﺸﻬــﺭﻴــﺎﺭ ﻟـــﺘﻬﺩﺍ‬ ‫ﻭﺘﻐﻔﻭ ﻋﻥ ﺍﻟﺠﺭﻡ ﻋﻴﻥ ﺍﻟـﺭﻗـﺎﺒﻪ‬ ‫- ٦٤ -‬
‫ﻟﻴﻨﻔﺽ ﻋﻥ ﺭﻴﺸﻪ ﺍﻟﻨﻭﻡ ﺩﻴﻙ ﺍﻟﺼﺒﺎﺡ‬ ‫‪ ‬‬ ‫ﻴﺭﺍﻗﺏ ﻗﺎﻓﻠﺔ ﺘﻔﺭﻍ ﺍﻵﻥ ﺃﻭﺭﺍﻗﻬﺎ‬ ‫ﻗﺭﺏ ﻨﻬﺭ‬ ‫ﺘﺭﺍﻗﺹ ﺠﻬﻼ ﻋﻠﻰ ﻀﻔﺘﻴﻪ ﺍﻟﺤﺭﻴﻕ‬ ‫ﹰ‬ ‫ﻴﺭﺍﻗﺏ ﻋﺎﻫﺭﺓ ﺘﺨﻠﻊ ﺍﻵﻥ ﺃﺜﻭﺍﺒﻬﺎ‬ ‫ﻴﺸﺘﻬﻴﻬﺎ....‬ ‫ﻭﺸﻴﺌﺎ ﻓﺸﻴﺌﺎ ﻴﻀﻴﻊ ﺍﻟﻁﺭﻴﻕ‬ ‫ﹸ‬ ‫ﻭﺸﻴﺌﺎ ﻓﺸﻴﺌﺎ ﻴﻀﻴﻕ ﺍﻟﺒﺭﺍﺡ‬ ‫ﻴﺭﻯ ﺸﻬﺭﻴﺎﺭ‬ ‫ﻭﻓﻰ ﻜﻔﻪ ﺴﻴﻔﻪ ﻤﺜﺨﻥ ﺒﺎﻟﺠﺭﺍﺡ‬ ‫ﺘﻁﺎﺭﺩﻩ ﻭﻟﻭﻻﺕ‬ ‫ﻓﻴﻤﺸﻰ ﻤﻜﺒﺎ ﻋﻠﻰ ﻭﺠﻬﻪ ﻓﻰ ﺍﻷﺯﻗﺔ‬ ‫ﻴﻁﺤﻨﻪ ﺍﻟﻅﻤﺄ ﺍﻟﻤﺘﺴﺭﺏ ﻤﻥ ﺠﻠﺩﻩ‬ ‫ﻓﻰ ﻏﺯﺍﺭﻩ‬ ‫ﺠﻭﻋﻪ/ﻅﻠﻪ‬ ‫ﻭﺍﻟﺼﻐﺎﺭ ﻴﻭﺩﻭﻥ ﻟﻭ ﻗﻨﺼﻭﺍ ﺭﺃﺴﻪ‬ ‫- ٧٤ -‬
‫ﺒﺎﻟﺤﺠﺎﺭﻩ‬ ‫ﹸﺭﻯ ﺃﻯ ﻏﺎﺭ ﺴﻴـــﺄﻭﻯ ﺍﻷﻤــﻴﺭ‬ ‫‪‬‬ ‫ﺘ‬ ‫ﻴﻬـﺩﻯﺀ ﺭﺠﻔﺘﻪ ﻭﺍﺼــﻁﺨﺎﺒــﻪ؟‬ ‫ﺘـــﺭﻯ ﻤﻥ ﺴﻴﻐـــﺴل ﺃﺜﻭﺍﺒـﻪ‬ ‫ﻭﺍﻟﺭﺩﻯ ﺒﻘﻌـﺔ ﺘﺴﺘﺒﻴــﺢ ﺜﻴـﺎﺒﻪ؟‬ ‫ﻴﻨـﺎﺩﻯ ﻏـــﺯﺍﻻﺘﻪ ﻴﺘﻬﺠـــﻰ‬ ‫ﺤﺭﻭﻓﺎ ﺒﻤﺎﺀ ﺍﻟﺠﻨﻭﻥ ﻤـــــﺫﺍﺒﻪ‬ ‫ﺤـﺯﻤﺔ ﻤﻥ ﻨﻜــﺎﺕ ﺍﺒﺘﻬـﺎﺝ ﻭﻟﻤﺎ‬ ‫ﺘﺠﺩ ﺒﻴـﻥ ﻀﻴــﻕ ﺍﻟﻤﺭﺍﺜﻰ ﺭﺤـﺎﺒﻪ‬ ‫ﻗـﺒﺎﺒﺎ ﻋﻠﻴﻬﺎ ﺍﺴﺘﻘــــﺎﻡ ﺍﻟــﻬﻼل‬ ‫ﺭﺌﻴﺴﺎ ﺘـــﻭﺩ ﺍﻟﻨﺠﻭﻡ ﺍﻨﺘﺨـﺎﺒﻪ‬ ‫ﺠــﻤﺎﻋﺎﺕ ﺫﻜـﺭ ﺘـــﻁﻤﺌﻨﻪ‬ ‫ﺒﻌﺩ ﺃﻥ ﻤل ﺭﻋـــﺩﺘـﻪ ﻭﺍﺭﺘﻴﺎﺒﻪ‬ ‫ﻭﺃﻤــﺴﻰ ﻋﻠﻰ ﺤﺎﻓﺔ ﺍﻟـﺠﺭﺡ ﻴﺒﻜﻰ‬ ‫ﻴﺘﺭﺠﻡ ﺒﺎﻟﻨﻬﻨﻬــﺎﺕ ﺍﻀـــﻁﺭﺍﺒﻪ‬ ‫- ٨٤ -‬
‫ﻫﻨﺎ ﻜل ﺸﻰﺀ ﻴﻘﻴﻨــﺎ ﺘﺴـــﺎﻭﻯ‬ ‫ﻁﻨﻴﻥ ﺍﻟﻌﻨﺎﺩل، ﺸـــﺩﻭ ﺍﻟـﺫﺒــﺎﺒﻪ‬ ‫ﻫﻨﺎ ﺸﻬﺭﺯﺍﺩ ﺘﻘﺹ ﺍﻟﺤﻜﺎﻴﺎ‬ ‫ﻋﻥ ﺍﻟﻔﺎﺘﻨﺎﺕ ﺍﻟﻠﻭﺍﺘﻰ ﺍﺨﺘﺼﺭﻥ ﺍﻟﻤﺴﺎﻓﺔ‬ ‫ﹶ‬ ‫ﺒﻴﻥ ﺍﻟﺴﻤﺎﺀ‬ ‫ﻭﺒﻴﻥ ﺍﻨﻔﻼﺕ ﺍﻟﺯﺭﻭﻉ‬ ‫ﻤﻥ ﺍﻟﺘﺭﺒﺔ ﺍﻟﺤﺎﻟﻜﻪ‬ ‫ﻭﻓﻭﻕ ﺍﻷﺴﺭﺓ ﺘﻅﻬﺭ ﻜل ﺍﻟﺨﻔﺎﻴﺎ‬ ‫ﺇﺫﺍ ﺒﺩﻟﺕ ﺠﻤﻠﺔ ﺍﻷﻤﺭ‬ ‫ﺒﺎﻟﻨﺒﺭﺓ ﺍﻟﺸﺎﺌﻜﻪ‬ ‫ﻟﺩﻴﻨﺎ ﻤﻥ ﺍﻟﻀﺤﻙ‬ ‫ﻤﺎ ﻴﻔﺘﺢ ﺍﻟﺒﺎﺏ ﻟﻠﻤﻭﺕ‬ ‫ﻤﺎ ﻴﻨﺯﻉ ﺍﻟﺠﻠﺩ ﻋﻥ ﺸﻬﻘﺎﺕ ﺍﻟﻌﻅﺎﻡ‬ ‫ﻟﺩﻴﻨﺎ ﻤﻥ ﺍﻟﺩﻤﻊ‬ ‫ﻤﺎ ﻴﻤﻨﺢ ﺍﻟﻭﺭﺩ ﻭﻗﺘﺎ‬ ‫ﻟﻴﻨﻤﻭ ﻋﻠﻰ ﺨﺩﻫﻡ ﻤﺭﺓ ﻜل ﻋﺎﻡ‬ ‫- ٩٤ -‬
‫ﻟﺩﻴﻨﺎ ﻤﻥ ﺍﻟـﻀﺤﻙ ﻭﺍﻟﺩﻤـــﻊ ﻤﺎ‬ ‫ﻴﻔﺘﺢ ﺍﻟﺠــﺭﺡ ﺒﻌﺩ ﺍﻟﺘﺌﺎﻡ ﺍﻹﺼــﺎﺒﻪ‬ ‫ﻭﻤــﺎ ﻴﻤﻨﺢ ﺍﻟـــﻭﺍﺠﻤﻴﻥ ﺍﺒﺘﺴـﺎﻤﺎ‬ ‫ﻭﻴﻤـﻸ ﺃﻋﻁـﺎﻓﻬﻡ ﺒﺎﻟــﻨﺠـﺎﺒـﻪ‬ ‫ﺭﺠﻴﻡ ﻫــﻭ ﺍﻟـــﻜﻴﺩ ﻴـﺎﺴـﻴﺩﻯ‬ ‫ﻟﻪ ﻓﻰ ﺍﻟﺤﺸﺎ ﻁﻌﻨـﺔ ﻤﺴﺘﻁـﺎﺒـﻪ‬ ‫ﺘﺤــﺞ ﻗﻠـــﻭﺏ ﺍﻟــﺭﺠﺎل ﺇﻟﻴﻪ‬ ‫ﻭﺘـﺭﺸﻑ ﻓﻲ ﻜـل ﺸـﻭﻁ ﺭﻀـﺎﺒﻪ‬ ‫ﺭﺠﻴـــﻡ ﻭﻫــﻡ ﺩﺍﺌﻤﺎ ﻴﺒﺘــﻐﻭﻥ‬ ‫‪‬‬ ‫ﻟﺩﻴﻨﺎ ﺼﻨﻭﻑ ﺍﻟﻀـﻨﻰ ﻭﺍﻟـﺼﺒــﺎﺒﻪ‬ ‫ﻨﻤﺭ ﺒﻬﻡ ﻓﻭﻕ ﺤـﺩ ﺍﻟــﺼــﺭﺍﻁ‬ ‫ﻓﻴﺴﺘﻘﺒل ﺍﻟــــﻤﺴﺘﺒﺩ ﻋـﻘــﺎﺒﻪ‬ ‫ﻴﺤــﺎﺭﺏ ﻁــﻴﻑ ﺍﻟﺠﻤﺎل ﻤﻬﻴﻀﺎ‬ ‫ﻓﻴـﺭﺸــﻕ ﻓﻰ ﺭﻜﺒﺘﻴـﻪ ﺤـﺭﺍﺒﻪ‬ ‫ﻨﺨﻁ ﻋﻠﻰ ﺨﺩﻩ ﻀﺤﻜﺔ‬ ‫ﺘﺴﺘﻔﺯ ﺍﻟﻘﻨﺎﻓﺫ ﺒﻴﻥ ﺍﻟﻀﻠﻭﻉ‬ ‫- ٠٥ -‬
‫ﻓﺘﻠﻐﻰ ﺍﻟﺤﺩﻭﺩﺍ‬ ‫ﻀﺤﻜﺔ ﻻ ﺘﺤﺎﺒﻰ ﺼﺭﺍﺥ ﺭﻀﻴﻊ‬ ‫ﻋﻠﻰ ﺼﺩﺭ ﺜﻜﻠﻰ‬ ‫ﻓﺘﺅﺘﻰ ﺍﻟﺴﻤﺎﻭﺍﺕ ﻓﻰ ﻜل ﺤﻴﻥ‬ ‫ﻏﺩﺍ ﻀﺎﺤﻜﺎ‬ ‫ﻭﺸﻬﻴﺩﺍ‬ ‫ﻀﺤﻜﺔ ﻴﺴﺘﻅل ﺒﻬﺎ ﺍﻟﻌﺎﺒﺭﻭﻥ ﺇﻟﻰ ﺍﻟﻤﻭﺕ‬ ‫ِ‬ ‫ﻴﺎﺃﻴﻬﺎ ﺍﻟﻤﻭﺕ‬ ‫ﺼﺏ ﻟﻨﺎ ﺍﻟﻀﺤﻙ ﺒﻴﻥ ﺤﻠﻭﻕ ﺍﻷﻓﺎﻋﻰ‬ ‫‪‬‬ ‫ﻭﺩﻋﻨﺎ ﻨﻌﺎﻨﻕ ﻓﻰ ﺭﻭﻋﺔ ﺍﻟﺴﻡ‬ ‫ﻤﻭﺘﺎ ﺠﺩﻴﺩﺍ‬ ‫.........‬ ‫..............‬ ‫ﻫﻨﺎﻟﻙ ﺃﺩﺭﻙ ﻤﻭﻻﻯ ﺼﺒﺢ‬ ‫ﻴﻭﺩ ﺍﻟﻠﺠﻭﺀ ﺇﻟﻰ ﺍﻟﻘﺼﺭ‬ ‫ﺨﻭﻓﺎ ﻤﻥ ﺍﻟﻤﻭﺕ‬ ‫ﻜﻴﻑ ﺍﻟﻘﺼﻭﺭ ﻤﻥ ﺍﻟﻤﻭﺕ ﺘﻨﺠﻭ‬ ‫ﻭﻜﻴﻑ ﺍﻟﻤﻭﺍﻗﻴﺕ ﺘﺨﻁﻭ ﺇﻟﻰ ﺍﻟﻘﺒﺭ‬ ‫ِ‬ ‫ﺒﺎﻟﺭﻭﺡ ﺨﻁﻭﺍ ﻭﺌﻴﺩﺍ؟!‬ ‫- ١٥ -‬
‫ﺴﻼﻤﺎ ﻋـﻠﻰ ﺼﺒﺤــﻜﻡ ﻴﺎﺼﻐــﺎﺭ‬ ‫‪‬‬ ‫ﺍﻟﻤﺴﺎﺀ ﺴﻴـﺭﺸﻕ ﻓﻰ ﺍﻟﻘﻠــﺏ ﻨـﺎﺒﻪ‬ ‫ﺴﻼﻤﺎ ﻋﻠﻰ ﻨﺨـل ﻁــــﻴﺒﺔ ﻭﻫﻭ‬ ‫ﻤﻬﻴﺏ ﻭﺇﻥ ﻓﻘــﺩﺘـﻪ ﺍﻟﻤﻬــﺎﺒﻪ‬ ‫ﺃﺒﻭ ﺍﻟﻬﻭل ﻴﺠﻤﻊ ﺃﻨــﻔﺎ ﺘـﻨـــﺎﺜﺭ‬ ‫ﻓــﻭﻕ ﺘﺭﺍﺏ ﻴــــﺯﺝ ﺘـﺭﺍﺒﻪ‬ ‫ﻴﻤﺎﺭﺱ ﻁﻘﺱ ﺍﻟﻨﻘﺎﻫﺔ ﻤـﻥ ﺠــﺭﺤﻪ‬ ‫ﺜـﻡ ﻴﻨــﺯﻑ ﺘـــﺒﺭ ﺍﻟــﺼﻼﺒﻪ‬ ‫ﻴﻔـﺭ ﺇﻟﻰ ﺍﻟﻨﻴل ﺤـــﻴﻥ ﺘﻀﻴﻕ ﺍﻟـ‬ ‫ﺼﺤـﺎﺭﻯ ﺒﻪ ﻴﺴﺘﻤﻴــــل ﺸﺭﺍﺒﻪ‬ ‫ﺴــﻼﻤﺎ ﻋـﻠﻰ ﺍﻟﻨﻴل ﺤﻴﻥ ﻴﻔﺽ‬ ‫ﺒﻸﻻﺌﻪ ﻏﺎﺒــﺔ ﺇﺜــﺭ ﻏــﺎﺒﻪ‬ ‫ﺘﻘﺘﻔﻴـــﻪ ﺍﻟـﺜﻜﺎﻟﻰ، ﻴﻠﻤﻠﻤﻥ ﺃﺸﻼﺀ‬ ‫ﺃﺯﻭﺍﺠﻬـﻥ ﻭﺘﺒــــﻜﻰ ﺭﺒﺎﺒـﻪ‬ ‫ﻓﺘﺴﻊ ﻋﺠﺎﻑ ﺴﻴﻤــﺼـــﺼﻨﻪ‬ ‫ﻭﻴﺸﺩﺩﻥ ﺤﻭل ﺍﻟــﻤﺼﺏ ﺍﻟﻌﺼﺎﺒﻪ‬ ‫ﻭ ﺒـﻴﻥ ﺍﻟــﺤﺠﺎﺭ ﺜـــﻭﻯ ﺃﺒﻜﻡ‬ ‫ﻴﻔـﻙ ﺍﻟـﺭﻤﻭﺯ ﻟـــﻨﺎ ﺒﺎﻹﻨـﺎﺒﻪ‬ ‫- ٢٥ -‬
‫ﺇﺫﻥ ﻜـل ﺸﻰﺀ ﻴﻘﻴﻨــــﺎ ﺘﺴﺎﻭﻯ‬ ‫ً‬ ‫ﻁـﻨﻴﻥ ﺍﻟــــﻌﻨﺎﺩل، ﺸﺩﻭ ﺍﻟﺫﺒﺎﺒﻪ‬ ‫ﻫﻨﺎ ﺸﻬﺭﺯﺍﺩ ﺘﻘﺹ ﺍﻟﺤﻜﺎﻴﺎ‬ ‫ﻋﻥ ﺍﻟﺴﻨﺩﺒﺎﺩ‬ ‫ﻭﻗﺩ ﺍﺸﻌل ﺍﻟﻤﻔﺭﺩﺍﺕ ﺒﺴﻴﺭﺘﻪ‬ ‫ﻭﺍﻫﺘﺩﻯ ﺒﺎﻟﻤﻭﺍﻭﻴل‬ ‫ﺤﺘﻰ ﻴﻭ ‪‬ﺩ ﺒﻴﻥ ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﺤ‬ ‫- ﻓﻰ ﻫﺩﺃﺓ ﺍﻷﻤﺴﻴﺎﺕ -‬ ‫ﻭﺒﻴﻥ ﺍﻟﻌﺠﺏ‬ ‫ﺸﺠﺎﻋﺘﻪ ﻨﺨﻠﺔ‬ ‫ﻤﻥ ﺭﺤﻴﻕ ﺍﻟﺭﻤﺎل ﺍﺭﺘﻭﺕ‬ ‫ﺤﻴﻥ ﺸﺒﺕ‬ ‫ﻓﺄﻤﻁﺭﺕ ﺍﻟﻁﻴﺒﻴﻥ‬ ‫ﻁﻌﺎﻡ ﺍﻟﻔﻘﻴﺭ ﻭﺤﻠﻭﻯ ﺍﻟﻐﻨﻰ‬ ‫) ١(‬ ‫ﻭﺯﺍﺩ ﺍﻟﻤﺴﺎﻓﺭ ﻭﺍﻟﻤﻐـﺘﺭﺏ‬ ‫ﻗﺼﺎﺌﺩﻩ...‬ ‫ﻓﻰ ﻋﻴﻭﻥ ﺍﻟﺼﻐﺎﺭ ﺍﻨﺘﻔﺎﺽ‬ ‫ﻭﺒﻴﻥ ﻀﻠﻭﻉ ﺍﻟﺸﻴﻭﺥ ﻨﺩﻯ‬ ‫ً‬ ‫- ٣٥ -‬
‫ﻴﺎﻟﻬﺫﻯ ﺍﻟﻘﺼﺎﺌﺩ‬ ‫ﺤﻴﻥ ﺘﺴﺎﻓﺭ ﻓﻰ ﺍﻟﺭﻭﺡ ﻋﻁﺭﺍ‬ ‫ﻭﻋﻁﺭﺍ ﻤﻥ ﺍﻟﺭﻭﺡ- ﻓﻰ ﻟﺤﻅﺎﺕ ﺍﻟﺼﻔﺎ-‬ ‫ﹰ‬ ‫ﺘﻨﺴﺭﺏ‬ ‫ﻤﻼﻤﺤﻪ...‬ ‫ﻟﻴﺱ ﺸﻰﺀ ﺴﻭﺍﻫﺎ‬ ‫ﻴﻔﺭﻕ ﻓﻰ ﺩﻋﺔ ﺒﻴﻥ ﺜﻭﺭﺓ ﺤﻠﻡ‬ ‫ﻭﺒﻴﻥ ﺍﺒﺘﻬﺎﺝ ﻏﻀﺏ‬ ‫ﺇﻨﻪ ﺭﺍﺠل ﻓﻰ ﺍﻟﺒﺤﺎﺭ‬ ‫ﻭﻓﻭﻕ ﺍﻟﺫﺭﻯ ﺭﺍﻜﺏ‬ ‫ﻟﻴﺘﻪ ﺨ ﹼﻑ ﺍﻟﻭﻁﺀ‬ ‫ﻔ‬ ‫ﺤﻴﻥ ﺍﺭﺘــﻘﻰ ﺼﻬـﻭﺓ ﺍﻟــﻤﺠﺩ‬ ‫ﺃﺩﺭﻙ ﻤﻥ ﻤﻭﻁﻥ ﺍﻟﻨــﺎﺌﺒﺎﺕ ﺍﻗﺘﺭﺍﺒﻪ‬ ‫ﻷﻥ ﺍﻟﻔـــﺘﻰ ﺃﺼﻠــﻪ ﻤﻥ ﺘـﺭﺍﺏ‬ ‫ﺴﻴﻌﻠﻥ ﻟﻠﻌــﺎﻟــﻤﻴﻥ ﺍﻨﺘﺴــﺎﺒﻪ‬ ‫ﺴﻴﻨﻘﺵ ﻓﻰ ﺍﻟﻘـﻠﺏ ﺒﻴﺕ ﺍﻟﻘﺼـــﻴﺩ‬ ‫ﻭﻴﻭﺩﻋﻨـﺎ ﺴﻤﺘــﻪ ﻭﺸﺒﺎﺒـــﻪ‬ ‫- ٤٥ -‬
‫ﺴﻴــﺭﺤل ﺒﻴــﻥ ﺸﻘﻭﻕ ﺍﻟﺭﻤﺎل‬ ‫ﻟﻴﻘـﺭﺃ ﻟﻠـــﻤﻴﺘﻴـﻥ ﻜﺘــﺎﺒـــﻪ‬ ‫ﻨﺭﺍﻩ ﻴﺤﺎﻭﺭ ﺒﻁـــﺵ ﺍﻟـﻁﻭﺍﺤﻴﻥ‬ ‫ﻴﺜﻘﻠﻬﺎ ﺒﻁـــﺸــﻪ ﻭﺍﻟﺘﻬـــﺎﺒﻪ‬ ‫ﻟﻙ ﺍﻟﻤﺠﺩ ﻴﺎ ﺍﺒﻥ ﺍﻟـــﺭﻴﺎﺡ ﻭﻴﺎ ﻨﺒـ‬ ‫ﺘﺔ ﺍﻟـﻨﻭﺭ ﻓﻰ ﻅﻠﻤﺔ ﻤﺴﺘﻁﺎﺒﻪ‬ ‫ﻟﻙ ﺍﻟﻤﺠــــﺩ ﺤﻴﻥ ﺍﺤﺘﻭﺍﻙ ﺍﻟﻔﻨﺎﺀ‬ ‫ﻓﺄﺯﻤﻌـﺕ ﺭﻓـــــﻀﺎ ﺘﺸﻕ ﻋﺒﺎﺒﻪ‬ ‫ﺘﺭﻭﻴـــــﻙ، ﺘﻬﺩﻴﻙ، ﺘﻜﺴﺭ ﻋﻨﻙ‬ ‫ﺍﻟﺴﻼﺴل ﺩﻋــــﻭﺘﻙ ﺍﻟـﻤﺴﺘﺠﺎﺒﻪ‬ ‫ﻓﻴﻨﺴــﻜﺏ ﺍﻟﻨﺼﺭ ﻓﻰ ﺍﻷﺭﺽ ﻜﺭﻫﺎ‬ ‫ﻭﻤﻥ ﺜﻡ ﻁـــــﻭﻋﺎ ﻴﻌﻴﺩ ﺍﻨﺴﻜﺎﺒﻪ‬ ‫ﻭﻴﺴــﺄﻟﻨﺎ ﻋﻥ ﺨـﺭﺍﺝ ﺍﻟﺴﺤﺎﺒﻪ‬ ‫ﻟﺌﻼ ﻴﻘﺎﻴﻀﻨــــﺎ ﺸـــﻬﺭﻴﺎﺭ‬ ‫ﻓﻴﺎ ﺸﻬﺭﺯﺍﺩ‬ ‫ﻤﺩﺍﻓﻌﻬﻡ ﺴﻭﻑ ﺘﻘﺫﻑ ﺃﺼﻼﺒﻨﺎ ﺒﺎﻟﻘﻨﺎﺒل‬ ‫ﻓﺈﻤﺎ ﺘﻘﺼﻴﻥ ﻟﻠﺜﺎﻜﻼﺕ ﺍﻟﺤﻜﺎﻴﺎ‬ ‫ﻭﺇﻤﺎ ﺘﻠﻭﺤﻴﻥ ﻓﻰ ﺍﻷﻓﻕ‬ ‫- ﺤﻴﻥ ﻴﻁﻭل ﺍﻟﺤﺼﺎﺭ -‬ ‫- ٥٥ -‬
‫ﻤﻜﻠﻠﺔ ﺒﺎﻟﺴﻨﺎﺒل‬ ‫ﹸﺸﻕ ﺍﻷﺨﺎﺩﻴﺩ ﻜل ﺼﺒﺎﺡ‬ ‫ﺘ ﱡ‬ ‫ﻟﺘﺒﻠﻊ ﺼﻭﺕ ﺍﻟﻨﻭﺍﻗﻴﺱ‬ ‫ﺘﺨﻨﻕ ﺼﻭﺕ ﺍﻟﻤﺅﺫﻥ‬ ‫ِ‬ ‫ﺘﻌﺘﺯﻡ ﺍﻟﺒﻴﻊ ﻟﻠﻨﺎﺭ ﺩﻭﻥ ﻤﻘﺎﺒل‬ ‫ﻭﻓﻰ ﺍﻟﻠﻴل‬ ‫ﺘﺴﺘﻘﺒل ﺍﻟﺒﻠﺩﺓ ﺍﻟﻤﻁﻤﺌﻨﺔ‬ ‫ﹸ‬ ‫ﺠﻴﺸﺎ ﻴﺠﺭ ﺍﻟﻌﺭﺍﻕ‬ ‫ﹶ‬ ‫ﻭﻤﺼﺭ‬ ‫‪‬‬ ‫ﻭﻏﺭﻨﺎﻁﺔ ﺍﻟﻤﺘﻌﺒﻴﻥ‬ ‫ﻭﺒﺎﺒل‬ ‫ﺃﻫﺫﺍ ﻫﻭ ﺍﻟﺤﺸﺭ...‬ ‫ﺃﻡ ﺨﻁﻭﺓ ﻟﻸﻤﺎﻡ‬ ‫ﺘﻐﻴﺭ ﺸﻜل ﺍﻟﺤﻭﺍﺩﺙ‬ ‫ﹸﻨﺴﻲ ﺍﻟﻌﺒﺎﺩ ﺍﻟﺘﻭﺍﺭﻴﺦ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﺘ‬ ‫ﻭﺍﻟﻜﻠﻤﺎﺕ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﹶ‬ ‫ﻤﻥ ﺫﺍ ﺴﻴﻨﺴﻰ...؟!‬ ‫ﻭﺼﻭﺕ ﺍﻟﻬﺯﻴﻤﺔ‬ ‫- ٦٥ -‬
‫ﺩﻤﺩﻤﺔ ﻓﻰ ﻋﺭﻭﻕ ﺍﻟﺠﺯﺍﺌﺭ ﺼﺎﺭ‬ ‫ﹰ‬ ‫ﻭﺃﻏﻨﻴﺔ ﻭﺤﺭﻴﻘﺎ ﻭﺃﻨﺴﺎ‬ ‫ﹰ‬ ‫ﺘﺭﺍﻫﺎ ﺍﻟﺠﺯﺍﺌﺭ ﻓﻰ ﺍﻟﻨﻭﻡ‬ ‫ﺘﺤﻤل ﺒﻴﻥ ﻴﺩﻴﻬﺎ ﺍﻟﻤﺼﺎﺒﻴﺢ‬ ‫ﺘﺒﺤﺙ ﻋﻨﻬﺎ...‬ ‫ﻟﺘﺠﺩل ﺸﻌﺭ ﺍﻟﺠﻤﻴﻠﺔ ﺇﻜﻠﻴل ﺯﻫﺭ‬ ‫ٍ‬ ‫ﻴﻁﻭﻑ ﺒﺒﻴﺭﻭﺕ، ﺒﻐﺩﺍﺩ، ﺒﺎﺭﻴﺱ‬ ‫ﻴﻨﺸﻰﺀ ﻓﻰ ﻜل ﺃﺭﺽ‬ ‫ﻤﻘﺎﻤﺎ ﻜﺭﻴ ًﺎ ﻭﻗﺩ ًﺎ‬ ‫ﺴ‬ ‫ﻤ‬ ‫ﺃﻴﺎ ﺸﻬﺭﺯﺍﺩ ﺍﻓﺘـﺤـﻰ ﺍﻟﺴﺠــﻥ‬ ‫ﺇﻥ ﺍﻷﻤﺎﺯﻴﻎ ﻴﺴﺘﺴﻬـﻠﻭﻥ ﺼﻌـــﺎﺒﻪ‬ ‫ﻭﻁــﺎﺭﻕ ﺴـــل ﺍﻟـﺴﻼﺡ ﻜﺠﺭﻡ‬ ‫ﱠ‬ ‫ﻴﻜﺭﺭ ﺭﻏﻡ ﺍﻟﻌـﻘﺎﺏ ﺍﺭﺘﻜـﺎﺒـﻪ‬ ‫ﻴﺤــ ‪‬ل ﺃﺤــﻼﻤﻨــــﺎ ﺜـﻭﺭﺓ‬ ‫ﻭ‬ ‫ﻭﺍﻟـﺒﻼﺩ ﺍﻟﺴـــﺒﺎﻴﺎ ﺘﻭﺩ ﺍﻨﺘﺩﺍﺒـﻪ‬ ‫ﻴﻐﻴﺽ ﻓـﻨـﺠﺘﺭ ﺫﻜﺭﺍﻩ ﻨﺒﻌــــﺎ‬ ‫ﻟﻨﺭﺸﻑ ﻭﻗــﺕ ﺍﻟﺠﻔـــﺎﻑ ﺴﺭﺍﺒﻪ‬ ‫- ٧٥ -‬
‫ﻨﻭﺴـــﻊ ﻟـ ﺍﺒﻥ ﻜﻭﻟـﻤﺒﻭﺱ ﺒﻴﻥ‬ ‫ﺍﻟﻤـــﻀـﻴﻕ ﻁﺭﻴﻘﺎ ﻟﻴﺒﻨﻰ ﻗﺒﺎﺒﻪ‬ ‫ﻨﻬـﻨﻰﺀ ﺃﻨﻔﺴﻨــــﺎ ﺒﺎﻟـــﺒﺭﻴﻕ‬ ‫ِ‬ ‫ﻟﻨﻘـــــﺭﺃ ﻗﺒل ﺍﻟﻘﺩﻭﻡ ﺨﻁـﺎﺒﻪ‬ ‫- ﻟﻜﻡ ﻤﺎ ﻟﻜﻡ.. ﻭﺍﻟﺸــﺭﺍﻉ ﻴﻘــﺭﺭ‬ ‫ﻨﺤﻭ ﺍﻟــــﺘﺭﺍﺏ ﺍﻟﻨﻔﻴﺱ ﺫﻫﺎﺒﻪ‬ ‫- ﻟﻜﻡ ﻤﺎ ﻟﻜﻡ ﻭﺍﻟﺨـــﻠﻭﺩ ﺍﺼﻁﻔﺎﻨﻰ‬ ‫ﻭﺍﻭﻗﺩ ﻤﻥ ﻨــﺎﻅﺭﻯ ﺸﻬﺎﺒﻪ‬ ‫‪‬‬ ‫ﻫﻨـﺎ ﻜــل ﺸﻰﺀ ﺘﺄﺼــــل ﻓﻴﻨﺎ‬ ‫ﱠ‬ ‫ﻁﻨﻴﻥ ﺍﻟـــﻌﻨﺎﺩل، ﺸـــﺩﻭ ﺍﻟﺫﺒﺎﺒﻪ‬ ‫ﻫﻨﺎ ﺸﻬﺭﺯﺍﺩ...‬ ‫ﺘﺼﺎﻓﺢ ﻋﻨﺩ ﺍﻜﺘﻤﺎل ﺍﻟﺼﻔﻭﻑ‬ ‫) ٢(‬ ‫"ﺨﻭﺍﻥ ﺍﻨﺩﺭﻴﻪ"‬ ‫ﺘﺸﻴﺭ ﺒﺈﺼﺒﻌﻬﺎ ﻟﻠﻘﻭﺍﻓل ﺤﻴﻥ ﺘﻤﺭ‬ ‫ﻭﺘﺴﻜﺏ ﺒﻌﻀﺎ ﻤﻥ ﺍﻟﺸﻌﺭ،‬ ‫ﺒﻌﻀﺎ ﻤﻥ ﺍﻷﻏﻨﻴـﺎﺕ ﺍﻟﻠـﻭﺍﺘﻰ ﺘﻔـﻙ‬ ‫ﺍﻹﺴﺎﺭﺍ‬ ‫- ﺨﺫﻭﺍ ﻤﺎ ﺍﺴﺘﻁﻌﺘﻡ !‬ ‫- ٨٥ -‬
‫ﻓﺒﻌﺩ ﺍﺸﺘﻌﺎل ﺍﻟﺘﺼﺤﺭ ﻓﻰ ﺃﺭﻀﻜﻡ‬ ‫ﺴﻭﻑ ﻴﻔﺘﺢ ﺒﺴﺘﺎﻨﻜﻡ ﺤﻀﻨﻪ ﻜﻰ ﻴﻀـﻡ‬ ‫ﺍﻟﺨﻀﺎﺭﺍ‬ ‫- ﺨﺫﻭﺍ ﻴﺎﺭﻓﺎﻕ‬ ‫ﺨﺫﻭﺍ ﺤﺫﺭﻜﻡ‬ ‫"ﺇﻴﺯﺍﺒﻴل" ﺴﺘﺄﻜل ﺭﻤﺎﻨﺔ ﻓﻰ ﺍﻟﺴﺭﻴﺭ‬ ‫ِ‬ ‫ﻭﺘﻀﺤﻙ‬ ‫ﺤﻴﻥ ﺘﺭﻯ "ﻤﻘﺩﻡ ﺍﻟﻘﺒﺭﻱ" )٣(ﺍﻟﻀﺭﻴﺭ‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻴﺠﻭﺱ ﺨﻼل ﺍﻟﺘﻭﺍﺸﻴﺢ‬ ‫ﻴﺒﺤﺙ ﻋﻥ ﻤﻭﻁﻰﺀ ﻻ ﻴﺜﻴﺭ ﺍﻟﻐﺒﺎﺭﺍ‬ ‫ﻫﻭ ﺍﻟﺒﺤﺭ...‬ ‫ﻴﺤﻤل ﻟﻠﻤﺘﻌﺒﻴﻥ ﺍﻟﺩﻭﺍﺀ‬ ‫ﻭﻴﻭﺩﻉ ﻗﻠﺏ ﺍﻟﻨﻴﺎﻡ ﺍﻟﻨﻬﺎﺭﺍ‬ ‫ﻫﻭ ﺍﻟﺒﺤﺭ...‬ ‫ﻤﻥ ﻴﺴﺘﻁﻴﻊ ﺍﻟﺘﺒﺨﺘﺭ ﻓﻰ ﺍﻷﺭﺽ ﻓﺨﺭﺍ‬ ‫ﺇﺫﺍ ﻤﺎ ﺍﺴﺘﺒﺩ ﺍﻟﺠﻔﺎﻑ ﺒﻨﺎ‬ ‫ﻭﺍﺴﺘﺒﺎﺡ ﺍﻟﻔﺨﺎﺭﺍ‬ ‫ﻫﻭ ﺍﻟﺒﺤﺭ...‬ ‫- ٩٥ -‬
‫ﻴﻠﻔﻅ ﻓﻰ ﻜل ﺤﻴﻥ ﻋﺭﻭ ًﺎ‬ ‫ﺴ‬ ‫ﺘﺤﺎﻭل ﺃﻥ ﺘﺩﻓﻊ ﺍﻟﺠﻬل ﻋﻨﻬﺎ‬ ‫ﻟﺘﻠﺒﺱ ﻓﻰ ﺍﻟﻤﺠﺩ ﺃﺒﻬﻰ ﺭﺩﺍﺀ‬ ‫ﻋﺭﻭﺴﺎ ﺘﺴﺎﻕ ﺇﻟﻰ ﺍﻟﻨﺎﺭ ﺭﺍﻀﻴﺔ‬ ‫ﻋﻠﻬﺎ ﺘﺴﻤﻊ ﺍﻟﻘﺱ‬ ‫‪‬‬ ‫ﻴﺸﻔﻊ ﻋﻨﺩ ﺃﺒﻴﻬﺎ ﺍﻟﺫﻯ ﻓﻰ ﺍﻟﺴﻤﺎﺀ‬ ‫"ﺃﻴﻬﺎ ﺍﻟﺭﺏ..."‬ ‫ﺃﺨﻔﻴﺕ ﺒﻌﻀﺎ ﻤﻥ ﺍﻟﻨﻭﺭ ﻋﻨﺎ‬ ‫) ٤(‬ ‫ﻭﺃﻋﻁﻴﺘﻪ ﺯﻤﺭﺓ ﺍﻟﺒﺴﻁﺎﺀ"‬ ‫ﻓﻼ ﻓﺭﻕ ﺒﻴﻥ ﺍﻟﺤﻴﺎﺓ‬ ‫ِ‬ ‫ﻭﺒﻴﻥ ﺍﻟﻤﻤﺎﺕ‬ ‫ﺇﺫﺍ ﺼﺎﺭ ﻜل ﺍﻟﺭﺠﺎل ﻋﺒﻴﺩﺍ‬ ‫ﻭﻜل ﺍﻹﻨﺎﺙ ﺇﻤﺎﺀ‬ ‫‪‬‬ ‫....................‬ ‫...................‬ ‫ﻫﻨﺎ ﺸﻬﺭﻴﺎﺭ...‬ ‫ﻴﻘﺹ ﺠﻨﺎﺡ ﺍﻟﺤﺭﻭﻑ‬ ‫ﻟﺌﻼ ﺘﻔﺭ ﻤﻥ ﺍﻟﻘﺼﺭ‬ ‫- ٠٦ -‬
‫ﺘﺸﻌل ﻓﻰ ﺍﻟﺒﻠﺩﺓ ﺍﻟﻤﻁﻤﺌﻨﺔ‬ ‫ﺠﺫﻭﺘﻬﺎ ﺍﻟﺨﺎﺒﻴﻪ‬ ‫ﻭﻤﺴﺭﻭﺭ ﻴﺤﺼﻰ ﻋﺩﺍﺩ ﺍﻟﻌﺫﺍﺭﻯ‬ ‫ﻴﺘﻤﺘﻡ :‬ ‫" ﻴﺎﻟﻴﺘﻬﺎ ﻜﺎﻨﺕ ﺍﻟﻘﺎﻀﻴﻪ..."‬ ‫ﻓﻴﺎ ﺸﻬﺭﺯﺍﺩ...‬ ‫ﻏﺩﺍ ﺴﺘﺩﻭﺭ ﺍﻟﺩﻭﺍﺌﺭ‬ ‫ﺘﻜﺘﺴﺏ ﺍﻟﺭﻭﺡ ﺒﻌﺩ ﻤﺭﻭﺭ ﺍﻟﺴﻨﻴﻥ ﺍﻟﻌﺭﺍﻓﺔ‬ ‫ﺘﺼﻴﺭ ﺍﻟﻤﺩﻴﻨﺔ ﻏﻴﺭ ﺍﻟﻤﺩﻴﻨﺔ‬ ‫ِ‬ ‫ﻭﺍﻟﺩﺭﺏ ﻴﻤﻨﺢ ﺃﺠﻴﺎﻟﻨﺎ‬ ‫- ﺭﻏﻡ ﻀﻴﻕ ﺍﻟﺒﺭﺍﺡ -‬ ‫ﺍﺘﺴﺎﻉ ﺍﻟﻤﺴﺎﻓﺔ‬ ‫ﹾ‬ ‫ﺃﻓﻕ ﺸﻬﺭﻴﺎﺭ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﻓﺒﻌﺩ ﻗﻠﻴل ﻤﻥ ﺍﻟﻘﻬﺭ‬ ‫ﺴﻭﻑ ﻨﻨ ﱢﺢ ﺃﺫﻫﺎﻨﻬﻡ‬ ‫ﻘ‬ ‫ﺒﻌﺩﻤﺎ ﺍﺴﺘﺸﻬﺩ ﺍﻟﻤﻐﺭﻀﻭﻥ ﺒﺴﻔﺭ ﺍﻟﺨﺭﺍﻓﺔ‬ ‫ﺃﻓﻕ ﺸﻬﺭﻴﺎﺭ‬ ‫ﹾ‬ ‫ﻓﺒﻌﺩ ﻗﻠﻴل‬ ‫- ١٦ -‬
‫ﻴﺠﻰﺀ ﺍﻟﻤﻌﺭﻱ‬ ‫)٥(‪La pibliatique National de Paris‬‬ ‫ﻤﻤﻌــــــﻨﺎ ﻓﻰ ﺍﻟﻜﺂﺒﻪ‬ ‫‪‬‬ ‫ﻴﺤــــﺎﻭل ﺃﻥ ﻴﺴﺘﻌﻴﺩ ﺍﻟﻤـﻭﺍﻗﻴﺕ‬ ‫ﻴﻔــــﺭﻕ ﺒﻴﻥ ﺍﻟﺫﻯ ﻗﺩ ﺘﺸــﺎﺒﻪ‬ ‫ﺭﺴــﺎﻟﺘﻪ ﻓﻰ ﺃﺼﺎﺒﻊ "ﺩﺍﻨـــﺘﻰ"‬ ‫ﻴﻨﻘﺤﻬـﺎ ﺩﻭﻥ ﺃﻯ ﺍﺴــﺘـــﺭﺍﺒﻪ‬ ‫ﻜﻤﻥ ﻴﺸﺘــﺭﻯ ﻤﻥ ﻓـﻘﻴﺭ ﺒﻀـﺎﻋﺘﻪ‬ ‫ﻋﻨﻭﺓ ﺜﻡ ﻴﺒـــﺩﻯ ﺍﻗﺘﻀـــﺎﺒﻪ‬ ‫ﻭﻴﺴـــــﺭﻕ ﻤﻥ ﻟﺒﺩﺓ ﺍﻟﻠﻴﺙ ﻁﻌﻤﺎ‬ ‫ﻓﻴﺤﻤﻰ ﺍﻟﻌــﺭﻴﻥ ﻟﻴﺨﻔﻰ ﺍﺴﺘـﻼﺒﻪ‬ ‫ﻫﻨﺎ ﺴــﻭﻑ ﻴﺼــــﻌﺩ "ﻟﻭﺭﻜﺎ"‬ ‫ﻤﻨﺼﺘـــﻪ ﻜﺎﺸﻔﺎ ﻟﻠﻘﻀﺎﺀ ﻨﻘﺎﺒﻪ‬ ‫ﻴـ ‪‬ﻭﻥ ﺒــﺭﻫـــﺎﻨﻪ ﻤﺴﺘﻌـﻴﺫﺍ‬ ‫ﺩ‬ ‫ﻤﻥ ﺍﻟـﻅﻠﻤﺎﺕ ﺒﻨـــﻭﺭ ﺍﻟﺤﺠﺎﺒﻪ‬ ‫"ﻓﻰ ﻗﻁﺭﺓ ﺍﻟﻤﺎﺀ ﻜﺎﻥ ﺍﻟﻀﺭﻴﺭ‬ ‫ﻴﻔﺘﺵ ﻋﻥ ﻜﻠﻤﺔ ﻻ ﻴﻘﻭل ﺒﻬﺎ‬ ‫ﺃﻨﻪ ﻻ ﻴﺭﻴﺩ ﺍﻟﻜﻼﻤﺎ‬ ‫- ٢٦ -‬
‫ﺴﻴﺼﻨﻊ ﻤﻥ ﺼﻭﺘﻪ ﺨﺎﺘﻤﺎ‬ ‫) ٦(‬ ‫ﺜﻡ ﻓﻰ ﺇﺼﺒﻊ ﺍﻟﺼﻤﺕ ﻴﺜﺒﺘﻪ"‬ ‫ﻋﻴﻨﻪ ﺭﺍﻴﺔ‬ ‫ﺃﺼﻠﻬﺎ ﺜﺎﺒﺕ ﻓﻰ ﺍﻟﺘﺭﺍﺏ‬ ‫ِ‬ ‫ﻭﻟﻜﻨﻬﺎ ﺘﻘﺭﻯﺀ ﺍﻟﻌﺎﻟﻤﻴﻥ ﺍﻟﺴﻼﻤﺎ‬ ‫ﺘﺭﺍﻫﻡ ﻴﻨﺎﻤﻭﻥ ﺘﺤﺕ ﺍﻷﺴﺭﺓ‬ ‫‪ِ‬‬ ‫ﺤﻴﻥ ﻴﺭﻥ ﺍﻟﺠﺭﺱ‬ ‫‪‬‬ ‫ﻭﺤﻴﻥ ﺘﺤﻠﻕ ﻓﻭﻕ ﺍﻟﺭﺅﻭﺱ ﺍﻟﺼﻘﻭﺭ‬ ‫‪‬‬ ‫ﻴﺩﺴﻭﻥ ﻓﻰ ﺠﻴﺒﻬﻡ ﻤﻔﺭﺩﺍﺕ ﺍﻟﺨﺭﺱ‬ ‫‪‬‬ ‫ﻫﻨﺎ ﺴﻭﻑ ﻴﺩﺨل "ﻟﻭﺭﻜﺎ" ﺭﺅﺍﻫﻡ‬ ‫ﻴﻬﺵ ﺍﻟﺼﻘﻭﺭ‬ ‫ﻴﺸﺎﻁﺭﻫﻡ ﻴﻘﻅﺔ ﻭﻤﻨﺎﻤﺎ‬ ‫ﻓﻴﺯﻋﻕ "ﺇﻴﻠﻭﺍﺭ" ﻓﻰ ﺍﻟﺸﺎﻨﺯﻟﻴﺯﻴﻪ‬ ‫"ﺒﺎﺭﻴﺱ ﻤﻘﺭﻭﺭﺓ ﻴﺎﺭﻓﺎﻕ‬ ‫ﺒﺎﺭﻴﺱ ﺠﺎﺌﻌﺔ‬ ‫ﻟﻡ ﺘﻌﺩ ﺘﺄﻜل ﺍﻟﻜﺴﺘﻨﺎﺀ ﻋﻠﻰ ﺍﻟﻁﺭﻗﺎﺕ‬ ‫ﺒﺎﺭﻴﺱ ﺘﻠﺒﺱ ﺜﻭﺏ ﻋﺠﻭﺯ‬ ‫ﻭﻭﺍﻗﻔﺔ ﺴﺘﻨﺎﻡ ﺒﻘﺎﻁﺭﺓ ﻴﺤﺘﻭﻴﻬﺎ ﺍﺨﺘﻨﺎﻕ‬ ‫- ٣٦ -‬
‫ﻓﻭﻕ ﺫﻟﻙ ﺜﻤﺔ ﺒﺅﺱ‬ ‫) ٧(‬ ‫ﻴﻨﺎل ﺍﻟﻤﺴﺎﻜﻴﻥ"‬ ‫ﻭﺍﻟﻨﻴل ﻴﺼﻌﺩ "ﺇﻴﻔل"‬ ‫ﻴﻤﻁﺭ ﺒﺅﺴﺎ ﻋﺘﻴﻘﺎ‬ ‫ﻭﻤﺨﺘﻠﻔﺎ ﻓﻰ ﺍﻟﻤﺫﺍﻕ‬ ‫ﹾ‬ ‫ﺒﺄﻗﻼﻡ "ﺃﻴﻠــﻭﺍﺭ" ﻨﻜــﺘﺏ ﻓﺎﻋﻠﻥ‬ ‫ﻓﻌﻭﻟﻥ، ﻓﻠﻡ ﻻ ﺘﺼـﺢ ﺍﻟﻜـﺘﺎﺒﻪ‬ ‫ﻭﻟﻡ ﺤﻴﻥ ﻴﺭﺸـﻕ ﺒﻭﺩﻟــﻴﺭ ﺃﺯﻫـﺎﺭﻩ‬ ‫ﻓﻰ ﺩﻤـﺎﻨﺎ... ﺘﻔـــــﻭﺡ ﺍﻟﻐﺭﺍﺒﻪ‬ ‫ﻭﻴﺼﻬـل ﺘﺤﺕ ﺍﻟﺠﻠﻭﺩ ﺍﺨــﺘـﻼﻑ‬ ‫ﻓﻴﻔــﺭﺯ ﻓﻭﻕ ﺍﻟﺨﺩﻭﺩ ﺨﻀـﺎﺒﻪ‬ ‫ﺇﺫﻥ ﻜﻴﻑ ﻨﻨﺠﻭ ﻭﻜﻴﻑ ﺴﻨﻘﺼـﺩ‬ ‫ﻋﻨﺩ ﺍﻟـﺨﻼﺹ ﺴﺒﻴل ﺍﻟــﻘــﺭﺍﺒﻪ؟!‬ ‫ﺇﺫﻥ ﻜـﻴﻑ ﻨﻨﺠــــﻭ ﻭﺸﻌــﺭﻯ‬ ‫ﻴﻌﺎﻨﻕ ﺒﻴﻥ ﺼﻠﻴل ﺍﻟﺨﻼﻑ ﺍﻏﺘﺭﺍﺒﻪ‬ ‫ﻓـﻴﺎ ﺸﻬــــﺭﺯﺍﺩ ﺍﻟـﻤﺴﺎﻓﺔ ﺒﻴﻨﻰ‬ ‫ﻭﺒﻴﻥ ﺍﻟﺴﺤــــــﺎﺒﺔ ﻗﺩﺭ ﺴﺤﺎﺒﻪ‬ ‫ِ‬ ‫ﺨـﺫﻯ ﺍﻟـﻌﻬﺩ ﻤﻨﻰ ﺨﺫﻯ ﺍﻟﺸﻌﺭ ﻤﻨﻰ‬ ‫- ٤٦ -‬
‫ﺒﻪ ﻴﻔــﺘﺩﻯ ﺸﻬﺭﻴﺎﺭ ﺍﻨﺘﺤــﺎﺒﻪ‬ ‫ﺇﺫﺍ ﺍﻟﻜﻭﻥ ﻴــﻭﻤﺎ ﺃﺭﺍﺩ ﺍﻟﺤﻴﺎﺓ‬ ‫ﹶ‬ ‫ﻓﻜـل ﺴﻴﻔﺘﺢ ﻟﻠـــــﻨﻭﺭ ﺒﺎﺒﻪ‬ ‫ّ‬ ‫ﻭﻤﻥ ﻻ ﻴﺤـﺏ ﺼﻌــﻭﺩ ﺍﻟﺠﺒﺎل‬ ‫ﺴﻴﻌـــﻠـﻥ ﻗﺒل ﺍﻟﺤﻀﻭﺭ ﻏﻴﺎﺒﻪ‬ ‫ﻫﻨــــﺎ ﻜل ﺸﻰﺀ ﻴﻘﻴﻨﺎ ﺘﺴﺎﻭﻯ‬ ‫ﻁـــﻨﻴﻥ ﺍﻟـﻌﻨﺎﺩل، ﺸﺩﻭ ﺍﻟــﺫﺒﺎﺒﻪ‬ ‫- ٥٦ -‬
‫ﻫﻭﺍﻤﺵ ﺍﻟﻨﺹ:‬ ‫١- ﺃﺤﻤﺩ ﺸﻭﻗﻰ.‬ ‫٢- ﺨﻭﺍﻥ ﺃﻨﺩﺭﻴﻪ: ﺃﻭل ﺒﺎﺤﺙ ﺃﻭﺭﻭﺒﻰ ﻴﺸﻴﺩ ﺒﺄﺜﺭ ﺍﻟﻌﺭﺏ ﻓﻰ‬ ‫ﺍﻟﺤـﻀﺎﺭﺓ ﺍﻷﻭﺭﺒﻴﺔ، ﻭﻴﻨﻭﻩ ﺒﻔﻀـﻠﻬﻡ ﻓـﻰ ﻋﺼـﺭ‬ ‫ﺍﻟﻨﻬﻀﺔ، ﻜﺎﻥ ﻤﻥ ﺍﻟﻴﺴﻭﻋﻴﻴﻥ ﺍﻟﺫﻴﻨﻁﺭﺩﻭﺍ ﻤـﻥ ﺃﺴـﺒﺎﻨﻴﺎ‬ ‫ﺴﻨﺔ ٦٧١، ﻭﻗﺩ ﻨﺸﺭ ﺍﻟﻘﺱ ﺍﻟﻤﺴﻴﺤﻰ ﻜﺘﺎﺒﺎ ﻓـﻰ ﺴـﺒﻌﺔ‬ ‫ﻤﺠﻠﺩﺍﺕ ﺒﻌﻨﻭﺍﻥ " ‪Delli Origine, Progress estato‬‬ ‫‪ attuale d,ougni litteratura‬ﻋﺎﻡ ٢٨٧١-٩٩٧١،‬ ‫ﺜﻡ ﺃﻋﺎﺩ ﻨﺸﺭ ﺍﻟﻜﺘﺎﺏ ﻓﻰ ﺭﻭﻤﺎ ﻭﻨﻘﺤﻪ ﻭﻭﺴﻌﻪ ﺒﻴﻥ ﺴﻨﺘﻰ‬ ‫٨,٨١ﻭ ٧١٨١ ﻓﺠﺎﺀ ﻓﻰ ﺜﻤﺎﻨﻴﺔ ﻤﺠﻠﺩﺍﺕ.‬ ‫٣- ﻤﻘﺩﻡ ﺒﻥ ﻤﻌﺎﻓﻰ ﺍﻟﻘﺒﺭﻯ ﺍﻟﻀﺭﻴﺭ، ﺸـﺎﻋﺭ ﺃﻨﺩﻟﺴـﻰ،‬ ‫ﺃﻭل ﻤﻥ ﻨﻅﻡ ﺍﻟﻤﻭﺸﺤﺎﺕ.‬ ‫٤- ﺍﻟﻘﺩﻴﺱ ﻤﺘﻰ، ﺒﺘﺼﺭﻑ.‬ ‫٥- ﺍﻟﻤﻜﺘﺒﺔ ﺍﻟﻭﻁﻨﻴﺔ ﺒﺒﺎﺭﻴﺱ، ﻭﻫﻰ ﻤﻌﻨﻴـﺔ ﺒﺎﻟﺩﺭﺍﺴـﺎﺕ‬ ‫ﺍﻟﺸﺭﻗﻴﺔ ﻭﻋﻠﻭﻡ ﺍﻟﺸﺭﻕ ﺍﻷﻭﺴﻁ.‬ ‫٦- ﻤﻥ ﻗﺼﻴﺩﺓ "ﺍﻟﺼﺒﻰ ﺍﻷﺨـﺭﺱ" ﻟﻠﺸـﺎﻋﺭ "ﻟﻭﺭﻜـﺎ"‬ ‫ﺒﺘﺼﺭﻑ.‬ ‫٧- )٧( ﺍﻷﺒﻴﺎﺕ ﻟﻠﺸـﺎﻋﺭ ﺍﻟﻔﺭﻨﺴـﻰ "ﺒـﻭل ﺍﻴﻠـﻭﺍﺭ".‬ ‫"٥٩٨١-٥٢٩١ ".‬ ‫- ٦٦ -‬
‫ﺘﺭﻨﻴﻤﺘﺎﻥ‬ ‫"ﺘﺭﻨﻴﻤﺔ" )١(:‬ ‫ﺃﺤﻼﻡ ﻋﻁﺸﻰ‬ ‫‪‬‬ ‫ﺘﺴﺘﺤﻠﺏ ﻜل ﺍﻷﻤل ﺍﻟﻁﺎﺭﺡ‬ ‫ﻓﻲ ﻋﻨﻘﻭﺩ ﺍﻟﻐﺩ‬ ‫ﻭﻁﻤﻭﺤﻙ ﺠﺎﺌﺭ‬ ‫ﻭﺒﻘﺎﻴﺎ ﻤﻥ ﻓﺭﺡ ﻤﻜﺘﻭﻡ‬ ‫ٍ‬ ‫ﻨﺼل ﻴﻘﺘﺤﻡ ﺍﻟﺠﺭﺡ ﺍﻟﻐﺎﺌﺭ‬ ‫***‬ ‫ﹸﺸﻌل ﻨﺎﺭﻙ‬ ‫ﺘ‬ ‫ﺘﺘﺩﻓﺄ ﺒﺩﻤﻭﻋﻙ‬ ‫ﺘﺘﺼﺒﺏ ﺭﻓﻀﺎ ﻭﻗﺒﻭﻻ‬ ‫ﹰ‬ ‫ﺘﺭﺸﻕ ﺼﺒﻭﺘﻬﺎ ﺒﻴﻥ ﻋﺭﻭﻗﻙ‬ ‫ﻓﺎﺴﺘﺠﻤﻊ ﻜل ﻗﻭﺍﻙ‬ ‫- ٧٦ -‬
‫ﻟﺘﺭﻗﻰ‬ ‫ﻗﺩ ﻴﺘﺴ ﱠﻰ ﻟﻠﻨﻭﺭ‬ ‫ﻨ‬ ‫ﺍﻟﺘﻁﻭﺍﻑ ﺤﻭﺍﻟﻴﻙ ﺭﺴﻭﻻ‬ ‫ﺘﺸﻌﻠﻙ ﺒﻀﺤﻜﺘﻬﺎ‬ ‫ﺘﻐﺩﻭ ﺇﺜﺭ ﺍﻟﻭﻟﺩ ﺍﻟﻌﺫﺭﻱ‬ ‫ﻨﺒﻴﺎ ﻤﻘﺘﻭﻻ‬ ‫‪‬ﹰ‬ ‫***‬ ‫ﻴﺎﻟﺒﺭﺍﺀﺘﻬﺎ..‬ ‫ﻫﻲ ﺤﺎﻀﺭﺓ ﻓﻲ ﻗﻠﺒﻙ‬ ‫ﹲ‬ ‫ﻜﺤﻀﻭﺭ ﺩﻤﺎﺌﻙ..‬ ‫ﻭﺇﺫﺍ ﺸﺎﺀﺕ ﺃﻥ ﺘﺨﺭﺝ ﻤﻨﻙ‬ ‫ﺃﺤﺒﺘﻙ‬ ‫ﻭﻁﻌﻨﺘﻙ ﺒﺨﻨﺠﺭﻫﺎ..!!‬ ‫- ٨٦ -‬
‫"ﺘﺭﻨﻴﻤﺔ" )٢(:‬ ‫ﺒﺭﻭﺍﺯ..‬ ‫‪‬‬ ‫ﻭﻋﺒﻴﺭ..‬ ‫‪‬‬ ‫ﻭﺍﻟﻭﺭﺩﺓ ﺘﻨﻔﺙ ﺴﻤﺎ‬ ‫ﹸ ‪ ‬ﹰ‬ ‫ﹸ‬ ‫ﻓﻲ ﻭﺠﻪ ﺍﻟﻁﻔل ﺍﻟﻤﺎﺴﻙ ﺒﺎﻟﺒﺭﻭﺍﺯ‬ ‫...........................‬ ‫...........................‬ ‫ﻟﻭ ﺃﻥ ﺍﻟﺭﻭﺽ ﺍﻋﺘﺭﺽ‬ ‫ﻭﻗﺎﻭﻡ ﺴﻡ ﺍﻟﻭﺭﺩﺓ‬ ‫‪‬‬ ‫ﻤﺎ ﺍﺘﺸﺤﺕ ﺒﺎﻟﺩﻤﻊ ﺍﻟﻨﺠﻤﺎﺕ‬ ‫ﻤﺎ ﻁﻠﻊ ﻨﻬﺎﺭ‬ ‫ﻤﺎ ﺍﺴﺘﻴﻘﻅ ﻗﻠﺏ ﺍﻟﻁﻔل‬ ‫ﻟﻴﻨﻅﺭ ﻓﻲ ﺍﻟﺒﺭﻭﺍﺯ‬ ‫ﻓﺘﻘﺘﻠﻪ ﺍﻷﺯﻫﺎﺭ‬ ‫.......................‬ ‫.......................‬ ‫- ٩٦ -‬
‫ﻟﻥ ﺃﻨﻅﺭ ﻓﻲ ﻭﺠﻪ ﺍﻤﺭﺃﺓ‬ ‫ٍ‬ ‫ﺘﻐﺘﺴل ﺒﻌﻁﺭ ﺍﻟﻌﺸﻕ‬ ‫ﺘﻠﺒﺱ ﺜﻭﺏ ﺍﻟﺭﻗﺔ‬ ‫ﻭﺘﺨﺎﺼﺭ ﺩﻑﺀ ﺍﻷﻗﻤﺎﺭ‬ ‫ﺘﺨﺘﺯل ﻤﻼﻤﺢ ﻨﻭﺭ ﺍﻟﻜﻭﻥ‬ ‫ﻓﻲ ﻨﻅﺭﺍﺕ ﺍﻟﻌﻴﻨﻴﻥ‬ ‫ﻜﻲ ﺘﺫﺒﺢ ﻗﻠﺏ ﺍﻟﻭﻟﺩ ﺍﻟﻨﺎﻁﻕ ﺒﺎﻷﺸﻌﺎﺭ !!‬ ‫ﺼﻭﻟﻭ:-‬ ‫ﻜﻭﻨﻲ ﻓﻲ ﺍﻷﻭﺭﺩﺓ ﺍﻟﺩﻓﺎﻗﺔ‬ ‫ﻋﺼﻔﻭﺭﺍ‬ ‫ﹰ‬ ‫ﺒﻴﻥ ﺍﻟﻌﻴﻥ ﻭﺒﻴﻥ ﺍﻟﻘﻠﺏ ﻴﺴﺎﻓﺭ‬ ‫ﺠﻭﺩﻱ ﺒﺎﺴﺘﺭﺨﺎﺌﻙ ﻓﻲ ﻜﻔﻲ‬ ‫‪‬‬ ‫ْ‬ ‫ﺇﻨﻲ ﻗﺩ ﺃﻋﻠﻨﺕ ﻭﺠﻭﺩﻱ‬ ‫ﻓﻲ ﻋﻴﻨﻴﻙ‬ ‫ﺃﻨﺕ ﺍﻟﺭﺏ‬ ‫‪‬‬ ‫ﺃﻨﺕ ﺍﻟﺩﺴﺘﻭﺭ‬ ‫ﺍﻟﻘﺎﻨﻭﻥ‬ ‫ﺍﻟﺸﻌﺭ‬ ‫ﻗﻠﺒﻲ ﺩﻭﻨﻙ ﻗﻠﺏ ﻜﺎﻓﺭ !!‬ ‫‪‬‬ ‫- ٠٧ -‬
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5964

  • 1.
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫‪‬‬ ‫ﺍﻷﺭﺽ ﺘﺸﺭﺒﻬﺎ ﺍﻟﺩﻤﺎﺀ ......................................... - ٥ -‬ ‫ﻤﻭﺍﺠﻬــﺔ ................................................... - ٦ -‬ ‫ﺒﻭﺡ.. ﻭﺘﻐﺭﻴﺏ.. ﻭﻋﻭﺩ ..................................... - ٠١ -‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻋﻠﺕ ﻤﻼﻤﺤﻙ ﺍﻟﻘﺼﻴﺩﺓ ..................................... - ٥١ -‬ ‫ﻗﺩ ﺘﻬ ‪‬ﺄ ﻟﻠﻭﺼﻭل ............................................. - ٩١ -‬ ‫‪‬ﻴ‬ ‫ﹸﺭﻯ ﻫﻭ ﺍﻟﻭﻗﺕ؟!............................................ - ٢٢ -‬ ‫ﺘ‬ ‫ﻨﺎﻓﺫﺓ ﻓﻲ ﺠﺩﺍﺭ ﺍﻟﻤﺴﺎﻓﺎﺕ ..................................... - ٦٢ -‬ ‫ﺩﻋﻨﻲ ﺃﺼﹼﻲ ﻓﻲ ﻴﺩﻴﻙ ....................................... - ٠٣ -‬ ‫ﻠ‬ ‫ﻗ ‪‬ﺍﺱ ﺍﻟﻐﺭﻕ ................................................ - ٥٣ -‬ ‫ﹸﺩ‬ ‫‪‬ﻭﺭﺓ ﺍﻟﺘﻭ ‪‬ﺱ - ﺴﺒﺌ ‪‬ﺔ ...................................... - ٨٣ -‬ ‫‪ِ  ‬ﻴ‬ ‫ﺴ ‪ ‬ﹸ ﱠ ‪‬ﺠ‬ ‫ﺍﻟﺒﺸﺎﺭﺓ...................................................... - ٣٤ -‬ ‫ﻜﻴﻤﻴﺎﺀ ﺍﻟﺤﻭﺍﺩﻴﺕ ............................................ - ٦٤ -‬ ‫ﺘﺭﻨﻴﻤﺘﺎﻥ .................................................... - ٧٦ -‬ ‫ﻓﺭﺱ ﺍﻟﺨ ‪‬ﺎﺭ ............................................... - ٥٧ -‬ ‫ﹶﻀ‬ ‫ﺃﺒﺠﺩﻴﺔ ﺍﻟﺨﺭﺱ .............................................. - ٨٧ -‬ ‫ﺒﻀﺎﻋﺘﻬﺎ.. ﺭﺩﺕ ﻋﻠﻴﻬﺎ!! .................................... - ٢٨ -‬ ‫‪‬‬ ‫ﺭﺒﻤﺎ ﻓﻲ ﺍﻟﻤﺭﺓ ﺍﻟﻘﺎﺩﻤﺔ..ﺃﺩﺭﻙ ﺍﻟﻘﻁﺎﺭ ......................... - ٤٨ -‬ ‫ﺭﺤﻠﺔ.. ..................................................... - ٩٨ -‬ ‫-٣-‬
  • 5. ‫ﻭﺤﻲ........................................................ - ٠٩ -‬ ‫ﺭ ‪‬ﻤﺎ.. ...................................................... - ١٩ -‬ ‫‪‬ﺒ‬ ‫ﺭﻭﺘﻴﻥ.. .................................................... - ٢٩ -‬ ‫ﺠﺩﺏ.. ..................................................... - ٣٩ -‬ ‫ﻤﺎ ﻗﺒل ﺍﻟﻐﺭﻕ ............................................... - ٤٩ -‬ ‫-٤-‬
  • 6. ‫ﺍﻷﺭﺽ ﺘﺸﺭﺒﻬﺎ ﺍﻟﺩﻤﺎﺀ‬ ‫ﻫﻭ ﺍﻟﻐ ‪‬ﻴﺩ ﻓﻲ ﺃﻭﻜﺎﺭ ﻏﻔﻭﺘﻨﺎ‬ ‫ِﺭ‬ ‫ﻫﻭ ﺍﻟﻭ ‪‬ﺎﺀ ﺒﻴﻥ ﺍﻷﻓﻕ‬ ‫ﻀ‬ ‫ﺭﻏﻡ ﺍﻟﻐﻴﻡ ﻭﺍﻟﺭﻴﺏ‬ ‫‪ِ ‬‬ ‫‪‬ﺴﺎﻤﺭﻨﺎ‬ ‫ﻴ‬ ‫ﻭﻴﺴﻘﻴﻨﺎ‬ ‫ﻓﺭﺍﺘﹰ، ﺴﺎﺌﻐﹰ، ﻋﺫﺒﺎ‬ ‫ﺎ‬ ‫ﺎ‬ ‫ﻭﻟﻡ ﻴﺸﺭﺏ ﺴﻭﻯ ﺍﻟ ﱠﻌﺏ.‬ ‫ﺘ ِ‬ ‫ﺃﺭﻗﺘﻨﻲ ﺍﻟﺒﻭﺍﺩﺭ‬ ‫-٥-‬
  • 7. ‫ﻤﻭﺍﺠﻬــﺔ‬ ‫ﺇﻨﻲ ﺃﺠﻲﺀ ﻋﻠﻰ ﺒﺴﺎﻁ ﻗﺼﺎﺌﺩﻱ‬ ‫ﻋﱢﻲ ﺃﻏ ‪‬ﺭ ﺫﻟﻙ ﺍﻟﻌﻬﺩ ﺍﻟﻜﺌﻴﺏ ﺍﻟﺴﺭ ‪‬ﺩﻱ‬ ‫ﻤ ‪‬‬ ‫‪‬‬ ‫ﻴ‬ ‫ﻠ‬ ‫ﻋﱢﻲ ﺃﺒﻠل ﻭﺠﻨﺔ ﺍﻟﺯﻤﻥ ﺍﻟ ‪‬ﺒﻭﺱ‬ ‫ِ ﻌ ِ‬ ‫ﹶ‬ ‫ﻠ‬ ‫ﺒ ِﺤﻜﺔ ﺍﻟﻌﻤﺭ ﺍﻟﻨﺩﻱ‬ ‫ِ ﱠِ ‪‬‬ ‫ﻀ ِ‬ ‫ﻭﺃﺭﺹ ﺃﻁﺒﺎﻗﺎ ﻤﻥ ﺍﻷﻨﺴﺎﻡ‬ ‫ِ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﻤﻭﺍﺌﺩﻱ‬ ‫ﺇ ﱢﻲ ﺃﺠﻲﺀ ﻋﻠﻰ ﺒﺴﺎﻁ ﻗﺼﺎﺌﺩﻱ‬ ‫‪‬‬ ‫ﻨ‬ ‫ﻴﺎﻗﻭﺘﺔ ﺘﺯﺩﺍﺩ ﻨﻭﺭﺍ ﻓﻲ ﺍﻟﻤﺴﺎﺀ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﺃﻨﺸﻭﺩﺓ ﺭﻗﺼﺕ ﻋﻠﻰ ﻟﺤﻥ ﺍﻟﻤﺤﺒﺔ‬ ‫ِ‬ ‫ﹰ‬ ‫ﻭﺍﻨﺘﺸﺕ ﺒﺎﻷﻏﻨﻴﺎﺕ‬ ‫ﹾ‬ ‫***‬ ‫ﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﻫﺠﺭ ﺍﻟﺒﺴﻴﻁﺔ ﻭﺍﻨﺯﻭﻯ ﻓﻲ ﻤﻘﻠﺘ ‪‬؟!‬ ‫ﻲ‬ ‫ﹶ‬ ‫ﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﻏﻤﺭ ﺍﻟﻭﺠﻭﺩ ﺒﻨﺴﻤﺔ‬ ‫ٍ‬ ‫ﺭﻓﺕ ﺒﻜل ﺒﺭﺍﺀﺓ ﺘﺤﻨﻭ ﻋﻠ ‪‬؟!‬ ‫ﻲ‬ ‫ٍ‬ ‫ﱠ ﹾ‬ ‫-٦-‬
  • 8. ‫ﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﻴﺠﺘﺎﺤﻨﻲ‬ ‫ﻭﻴﺒﺙ ﻓﻲ ﻗﻠﺒﻲ ﺍﻟﻐﻨﺎﺀ؟!‬ ‫***‬ ‫ﻗﺩﺭ ﻭﻜل ﻤﺸﻴﺌﺔ‬ ‫ٍ‬ ‫‪‬‬ ‫ﻻ. ﻟﻥ ﺘﺭﺩ‬ ‫ﹸ ‪‬‬ ‫ْ‬ ‫ﺍﻟﺨﻭﻑ ﻓﻲ ﻫﺫﺍ ﺍﻟﺯﻤﺎﻥ‬ ‫ِ‬ ‫ﻤﻥ ﺍﻟﺘﺨﺒﻁ ﻓﻲ ﺴﺤﺎﺌﺏ ﺨﻭﻓﻨﺎ‬ ‫‪ِ‬‬ ‫ﻭﻤﻥ ﺍﻟﻨﺠﻭﻡ ﺍﻟﻤﺤﺭﻗﺎﺕ..‬ ‫ﻤﻥ ﺍﻟﻘﻤﺭ‬ ‫ﻗﺩﺭ..‬ ‫‪‬‬ ‫ﻗﺩﺭ..‬ ‫***‬ ‫ﻭﺍﻟﺸﻌﺭ ﺃﻨﻐﺎﻡ ﺤﺯﻴﻨﺔ‬ ‫ﹾ‬ ‫‪‬‬ ‫ﻭﺭﻓﺎﻗﻨﺎ ﻫﺠﺭﻭﺍ ﺍﻟﻤﺩﻴﻨﺔ‬ ‫ﻭﻗﺼﻴﺩﻨﺎ ﺍﻟﺴﻴﹸﺭ ﺃﻀﺤﻰ ﺘﺎﺌﻬﺎ‬ ‫ﹰ‬ ‫‪‬ﺎ‬ ‫ﻓﻲ ﻟﺠﺔ ﺍﻟﺯﻤﻥ ﺍﻷﺸﺭ‬ ‫‪‬‬ ‫ِ‬ ‫-٧-‬
  • 9. ‫ﻤﻥ ﺃﻨﺕ ﻓﻲ ﻴﻭﻡ ﺘﻠﺒﺩ‬ ‫ٍ ‪‬‬ ‫ﺒﺎﻟﻤﺨﺎﻭﻑ ﻭﺍﻟﺸﺭﺭ‪‬؟!‬ ‫ِ‬ ‫ﻤﻥ ﺃﻨﺕ ﻭﺍﻟﻌﻤﺭ ﺍﻏﺘﺭﺍﺒﺎ..‬ ‫ﹰ‬ ‫ﻴﻨﻁﻔﺊ؟!‬ ‫ﺒل ﻅﻠﺕ ﺃﺯﻋﻡ ﺃﻨﻙ ﺍﻟﺨل ﺍﻟﻭﻓﻲ‬ ‫‪‬‬ ‫ﻭﺭﺤﻴﻕ ﻨﻭﺭﻙ ﻻ ﻴﺤﺩ‬ ‫‪ ‬‬ ‫ﻭﻀﻴﺎﺀ ﻋﻁﺭﻙ ﻻ ﻴﺭﺩ‬ ‫‪ ‬‬ ‫‪‬‬ ‫ﻭﺒﺭﺍﺀﺓ ﺍﻟﻠﺤﻥ ﺍﻟﺠﻤﻴل..‬ ‫ﻫﻲ ﺍﻟﻤﺩﺩ‬ ‫‪‬‬ ‫ﻭﺠﻤﺎل ﻟﺤ ِﻙ..‬ ‫ُ ﻨ‬ ‫ﻭﺍﻟﺒﺭﺍﺀﺓ..‬ ‫ﹸ‬ ‫ﻏﺎﻴﺔ ﺃﺴﻤﻰ‬ ‫ﹲ‬ ‫ﻤﺎ ﺩﻭﻥ ﻭﺠﻬﻙ ﻓﻲ ﺍﻟﺤﻴﺎﺓ..‬ ‫ﻗﺩ ﺍﻨﺩﺜﺭ‬ ‫‪‬‬ ‫ﻤﺎ ﺃﻨﺕ ﺇﻻ ﻨﺒﺽ ﺤﻠﻡ ﺯﺍﺌﻑ..‬ ‫ٍ‬ ‫ٍ‬ ‫ﻻ ﻴﺴﺘﺠﻴﺏ ﻟﻨﺎ‬ ‫‪‬‬ ‫-٨-‬
  • 10. ‫ﺇﺫﺍ ﻏ ِﺏ ﺍﻟﻘﺩﺭ‬ ‫ﻀ‬ ‫ﻤﺎ ﺃﻨﺕ ﺇﻻ ﺯﻫﺭﺓ..‬ ‫ﹲ‬ ‫ﻗﺩ ﺠﺭﺩﺕ ﻤﻥ ﻜل ِﻴﺏ‬ ‫ﻁ ٍ‬ ‫‪  ‬ﹾ‬ ‫ﻓﺎﺭﺘﻤﺕ ﻓﻲ ﻏﻔﻭﺓ ﺒﻴﻥ ﺍﻟﺯﻫﺭ‬ ‫‪‬‬ ‫ٍ‬ ‫ﻤﺎ ﺃﻨﺕ ﺇﻻ ﻨﺴﻤﺔ..‬ ‫ﹲ‬ ‫ﹶ‬ ‫ﻗﺩ ﻗ ‪‬ﺩﺕ ﻓﻲ ﻜﻬﻑ ﺼﻤﺕ‬ ‫ﹸﻴ‬ ‫ﻤﺎ ﺃﻨﺕ ﺇﻻ ﺤﺸﺭﺠﺎﺕ ﺍﻟﻤﻭﺕ..‬ ‫ِ‬ ‫ﺇﺫ ﻤﺎ ﺘﻜﺎﺜﺭ ﻓﻲ ﺍﻟﺤﻨﺎﻴﺎ،‬ ‫ﻭﺍﻨﺘﺸﺭ‬ ‫‪‬‬ ‫***‬ ‫ﺍﻟﻨﻭﺭ ﻓﻲ ﺯﻤﻥ ﺍﻟﻭﻀﺎﻋﺔ ‪‬ﺴﺘﺒﺎﺡ‬ ‫‪‬‬ ‫ِﻤ‬ ‫ﻭﺍﻟﻨﺎﺱ ﻓﻭﻕ ﻤﻭﺍﺠﻌﻲ..‬ ‫ﻗﺩ ﺃﻋﺩﻤﻭﻩ‬ ‫ﺍﻟﻨﻭﺭ ﻓﻲ ﺃﺭﺤﺎ ِﻨﺎ ﺤﻤل ِﻔﺎﺡ‬ ‫ٌﺴ ‪‬‬ ‫ﻤ‬ ‫ﻓﻠـﺘﺭﺠﻤﻭﻩ!!‬ ‫-٩-‬
  • 11. ‫ﺒﻭﺡ.. ﻭﺘﻐﺭﻴﺏ.. ﻭﻋﻭﺩ‬ ‫ٌ‬ ‫ٌ‬ ‫ﺃﻨﻔﺎﺱ ﺤﻴﺭﻯ‬ ‫‪‬‬ ‫ﻭﺤﻨﻴﻥ ﻟﻠﺘﻴﻥ ِﻭﻟﻠﺯﻴﺘﻭﻥ‬ ‫‪‬‬ ‫ﻭﺴﻨﻴﻥ ﺍﻟﻌﺸﻕ ﺍﻟﻤﻨﻘﻭﺵ ﻋﻠﻰ ﻜﻔﻲ‬ ‫ﱠ‪‬‬ ‫ِ‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺸﺫﺍ ﺃﺤﻼﻡ ﺍﻷﺭﺽ ﺍﻟﺤﺎﻀﻨﺔ ﺍﻟﻨﻭﺭ‬ ‫ِ‬ ‫ِ‬ ‫ﺘﺤﺕ ﻅﻼل ﺍﻟﻨﺒﻕ ﺍﻟﺒﻠﻠﻭﺭﻱ ﺍﻟﻸﻻﺀ‬ ‫‪‬‬ ‫ِ‬ ‫***‬ ‫ﻤﻥ ﻗﺎل ﺒﺄﻥ ﺍﻟﺩﺍﺭ ﺨﻭﺍﺀ‪‬؟‬ ‫‪‬‬ ‫ﻭﺒﺄﻥ ﺍﻷﻫل ﺍﻗﺘﺭﻓﻭﺍ ﺫﻨﺒﺎ‬ ‫ﹰ‬ ‫ﻻ ﻜ ﱠﺎﺭﺓ ﺘﻤﺤﻭﻩ‬ ‫ﻔ ﹶ‬ ‫ﺒﻴﻨﺎ ﺼﻭﺕ ﻴﺴﻜﻥ ﻓﻲ‬ ‫‪ ‬‬ ‫ﹲ‬ ‫ﻴﺯﺃﺭ ﺩﻭﻤﺎ ﻓﻲ ﺃﺫﻨﻲ‬ ‫‪‬‬ ‫ﹰ‬ ‫‪‬‬ ‫"ﺒﻼﺩﻱ ﻭﺇﻥ ﺠﺎﺭﺕ ﻋﻠﻲ..‬ ‫‪‬‬ ‫ْ‬ ‫ﺃﻫﻠﻲ ﻭﺇﻥ ﻀ ﱡﻭﺍ ﻋﻠﻲ.."‬ ‫‪‬‬ ‫ْ‬ ‫ﻨ‬ ‫***‬ ‫- ٠١ -‬
  • 12. ‫ﻤﻥ ﺫﺍ ﻴﺨﺒﺭ ﻟﻴل ﺍﻟﻐﺭﺒﺔ‬ ‫ِ‬ ‫َ‬ ‫ﺃ ﱢﻲ ﹶﺒﺕ ﻴﻌﺸﻕ‬ ‫ﹸ‬ ‫ﻨ ﻨ ﹲ‬ ‫ﺒﻁﻥ ﺤﺩﻴﻘﺘﻪ ﺍﻟﻔﻴﺤﺎﺀ‬ ‫‪‬‬ ‫ِِ‬ ‫‪‬‬ ‫ﻭﺒﺄﻥ ﺭﺤﻴﻕ ﺍﻟﻭﻁﻥ ﺍﻷﺨﻀﺭ‬ ‫ِ‬ ‫ِ‬ ‫ﹶ‬ ‫ﻤﺎ ﺯﺍل ‪‬ﺭﺍﻭﺩ ‪‬ﻨﻘﻭ ‪‬ﻩ‬ ‫َ ﻴ ِ‪ ‬ﻋ ﺩ‬ ‫ﻭﺍﻟﻤ ‪‬ﺎﺩﺓ ﺘﺭﻗﺏ ﺩﻭﻤﺎ ﻋﻭﺩﺘﻪ‬ ‫ﹶ‪‬‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻴ ‪‬ﹸ‬ ‫ﻭﺘﻨﺎﺩﻱ ﻜل ﻤﻼﺌﻙ ﻋﺸﻕ ﺍﻟ ‪‬ﻭﺡ‬ ‫ِ ﺭ ‪‬‬ ‫ِ‬ ‫ﱠ‬ ‫ﻭﺘﺤ ‪‬ﹸﻬﻡ ﻭﺠﺩ ﻓﺭﺍﻕ ﻁﺎل‬ ‫ٍ َ‬ ‫‪‬‬ ‫ﹸ ‪‬ﻤﻠ‬ ‫ﻭ ﹶﺎل ﻋﻠﻴﻪ ﺍﻷﻤﺩ‬ ‫‪‬‬ ‫ﻁ‬ ‫***‬ ‫ﻭﻟﺩ‬ ‫‪‬‬ ‫ﺁﻨﺱ ﻨﻭﺭ ﺍﻟﺸﻌﺭ‬ ‫ِ‬ ‫‪ ‬‬ ‫ﺒﺠﺒل ﺍﻟﻁﻭﺭ‬ ‫‪‬‬ ‫ِ‬ ‫ﻓﺎﻨﻔﺠﺭﺕ ﻤﻨﻪ ﻋﻴﻭﻥ ﺍﻟﺒﻬﺠﺔ‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻷﺤﺯﺍﻥ‬ ‫ﻭﻨﻤﺎ..‬ ‫- ١١ -‬
  • 13. ‫ﻭﻨﻤﺎ..‬ ‫ﻭﻨﻤﺎ‬ ‫ﺃﻴﻘﻥ ﺃﻥ ﺍﻟﺸﻌﺭ ﺤﻴﺎﺓ‬ ‫ﹾ‬ ‫‪ ‬‬ ‫ﺃﻭﺭﻑ ‪‬ﻠﻤﺎ‬ ‫ﹶﺤ ﹰ‬ ‫ﺒﻴﻥ ﺠﻭﺍﻨﺢ ﺃﻟ ِ ﺍﻟﺭﻭﺡ‬ ‫‪‬‬ ‫ِ ﹶﻕ‬ ‫ﻤﻥ ﺫﺍ ﻴﺨﺒﺭ ﻤﻭﺴﻰ‬ ‫‪‬‬ ‫ﺃﻥ ﺍﻟﻨﺎﺭ ﻨﺫﻴﺭ‬ ‫‪‬‬ ‫ﻴﺒﻌﺙ ﺒﺭﻗﻴﺎﺕ ﺍﻟ ‪‬ﺯﻥ‬ ‫ِ ﺤ ‪‬‬ ‫ﹸ‬ ‫ﺇﻟﻰ ﻓﺭﻋﻭﻥ‬ ‫‪‬‬ ‫.........‬ ‫.........‬ ‫ﺁﻩ ﻤﻭﺴﻰ‬ ‫ٍ‬ ‫ﺇ ﱢﻲ ﺍﺸﺘﻘﺕ ﺍﻟﺒﻘﻌﺔ ﻭﺍﻟﻭﺍﺩﻱ‬ ‫ﻨ‬ ‫ﻭﺍﻟﻠﻴل ﺍﺭﺘﻌﺵ ﻭﻟﻡ ‪‬ﺴﺭ‬ ‫ﻴ ِ‬ ‫ﻭﻟﻴﺎل ﻋﺸﺭ..‬ ‫ٍ‬ ‫ﻭﺸﻬﻭﺭ ﻋﺸﺭ..‬ ‫‪‬‬ ‫- ٢١ -‬
  • 14. ‫ﻭﺴﻨﻴﻥ ﻋﺸﺭ..‬ ‫‪‬‬ ‫ﻭﻤﺎ ﻤﻥ ﻓﺠﺭ‬ ‫***‬ ‫ﻴﻭﻤﺎ ﻴﺄﺘﻲ ﻤﻥ ﺃﺤﺸﺎﺀ ﺍﻟﻠﻴل‬ ‫ِ ِ‬ ‫ﹰ‬ ‫ﺒﺭﻴﻕ‬ ‫‪‬ﻠﻬﻡ ﻨﻔﺴﻲ ﺃﻥ ﺘﺘﺠﺩﺩ‬ ‫ﻴ‬ ‫ﹸﻨﺒﺕ ﺜﻭﺭﺍﺕ ﺠﺎﻤﺤﺔ‬ ‫ﹰ‬ ‫ٍ‬ ‫ﺘ‬ ‫ﻻ ﺘﺘﺒ ‪‬ﺩ‬ ‫ﺩ‬ ‫ﻴﻠﻬﻡ ﻨﻔﺴﻲ ﺃﻻ ﺘﺒﻌﺩ‬ ‫ﻤﻬﻤﺎ ﻜﺎﻥ ﺍﻟﺴﺩ‬ ‫‪‬‬ ‫ﺴﻴﺄﺘﻲ ﻫﺫﺍ ﺍﻟﺒﻭﺡ‬ ‫‪‬‬ ‫ﻴﹶﻤﻠﻡ ﺃﺸﻼﺀ ﺍﻹﻏﻤﺎﺀﺓ‬ ‫ِ‬ ‫‪‬ﻠ ِ ‪‬‬ ‫ﺸﻠﻭﺍ‬ ‫ﹰ‬ ‫ﺸﻠﻭﺍ‬ ‫ﹰ‬ ‫ﻭﻴﺸﻜﻠ ِﻲ ‪‬ﺒﺤﺎ‬ ‫‪ ‬ﹶ ﱢﹸﻨ ﺼ ﹰ‬ ‫ﻴﺨﺭﺝ ﺩﻭﻤﺎ ﻤﻥ ﺃﻴﻜﺘﻪ‬ ‫ِ‬ ‫ﹰ‬ ‫‪‬‬ ‫- ٣١ -‬
  • 15. ‫ﻜﻲ ﻴﺘﺤﺭﺭ ﻤﻥ ﺸﺭﻨﻘﺔ ﺍﻟﻠﻴل‬ ‫ِ‬ ‫ﻴﻐﻭﺹ ﺒﻤﺠﻤﻊ ﺒﺤﺭﻱ ﻓﺭﺡ‬ ‫ِ‪ٍ  ‬‬ ‫ﻴﺒﺘل ﺒﺠﺭﺡ ﺍﻟﻐﺭﺒﺔ‬ ‫ِ‬ ‫ﱡ‬ ‫ﻓﻴﻌﻭﺩ !‬ ‫- ٤١ -‬
  • 16. ‫ﻭﻋﻠﺕ ﻤﻼﻤﺤﻙ ﺍﻟﻘﺼﻴﺩﺓ‬ ‫ﻤﺎ ﺯﻟﺕ ﺘﺒﺤﺙ ﻋﻥ ﻤﻼﻤﺤﻙ ﺍﻟﺠﺩﻴﺩﺓ‬ ‫ﻭﺘﻨﺎﻡ ﻤلﺀ ﺍﻟﺭﻭﺡ ﺃ ﱠﺎﺕ ﺍﻏﺘﺭﺍﺏ‬ ‫ﻨ‬ ‫ﺘﺴﺘﻘﺒل ﺍﻷﺤﻼﻡ ﻤﻤﺯﻭﺠﺎ ﺒﻭﺠﺩﻙ‬ ‫ﹰ‬ ‫ﺘﺴﺘﺭﻴﺢ ﻋﻠﻰ ﻭﺴﺎﺌﺩﻫﺎ ﺍﻟﺭﻗﻴﻘﺔ‬ ‫ﺘﺴﺘﻘﻲ ﻤﻥ ﻨﻬﺭﻫﺎ ﻋﺴﻼ‬ ‫ﹰ‬ ‫ﻭﺘﺭﺘﺸﻑ ﺍﻟﺭﻀﺎﺏ‬ ‫***‬ ‫ﻤﺎ ﺯﻟﺕ ﻓﻲ ﻗﻠﻕ ﺘﺴﺎﻓﺭ‬ ‫ٍ‬ ‫ﺩﻭﻨﻤﺎ ﺯﺍﺩ‬ ‫ٍ‬ ‫ﻴﺨﺎﺼﻤﻙ ﺍﻟﻭﺼﻭل‬ ‫ﺘﺒﺩﻭ ﻟﻙ ﺍﻵﻓﺎﻕ‬ ‫ﹸ‬ ‫ﺒﻌﻀﺎ ﻤﻥ ﺘﺠﺎﻭﻴﻑ ﺍﻟﻐﻤﺎﻡ‬ ‫ﹰ‬ ‫ﺤﺘﻰ ﻴﻔﺎﺠﺌﻙ ﺍﻟﻤﺩﻯ‬ ‫ﺃﻥ ﺍﻟﺫﻱ ﻗﺩ ﻴﺤﺘﻭﻴﻙ ﺍﻵﻥ‬ ‫- ٥١ -‬
  • 17. ‫ﻁﻭﻓﺎﻥ ﺍﻷﻓﻭل‬ ‫ﻓﺎﺭﺠﻊ ﺇﻟﻰ ﺒﻴﺕ ﺍﻜﺘﻤﺎﻟﻙ‬ ‫ﻤﻔﻌﻤﺎ ﺒﺠﺭﺍﺡ ﺃﻤﻨﻴﺔ ﺒﻌﻴﺩﺓ‬ ‫ٍ‬ ‫ﹰ‬ ‫ﻭﺍﻅﻔﺭ ﺒﻬﺎ‬ ‫ﻓﻘﺩ ﺍﺭﺘﻘﺕ ﻜل ﺍﻟﺘﻼل‬ ‫***‬ ‫ﻤﺎﺫﺍ ﺴﻴﺒﻘﻰ ﻓﻲ ﻓﻨﺎﺀ ﺍﻟﺭﻭﺡ ﺒﻌﺩ ﹶﻨﺎﺌﻬﺎ‬ ‫ﻓ‬ ‫ﻭﻏﺩﺍ ﺴﺘﻬﺩﻡ ﺫﻜﺭﻴﺎﺘﻲ ﻭﺍﻟﻤﻨﺎﺯل‬ ‫ﹰ‬ ‫ﻭ ‪‬ﻁل ﺫﺌﺏ ﺍﻟﺨﻭﻑ ﻤﻥ ﻜﻬﻑ ﺍﺸﺘﻴﺎﻗﻲ‬ ‫ﻴ ﱡ‬ ‫ﺸﺎﻫﺭﺍ ﺴﻴﻑ ﺍﻟﻔﺭﺍﻕ..‬ ‫ﹰ‬ ‫ﻭﻻ ‪‬ﻨﺎﺯل!‬ ‫ﻤ‬ ‫***‬ ‫ﺼ ‪‬ﺏ ﺴﻬﺎﻤﻙ ﺼﻭﺒ ‪‬ﺎ‬ ‫‪  ‬ﻬ‬ ‫ﻭ‬ ‫ﻭﺍﺭﺤل ﻟﺘﺒﻘﻰ ﻗﺭﺒﻬﺎ‬ ‫ﺇﻥ ﺍﻟﺫﻱ ﻋﺸﻕ ﺍﻟﻤﻠﻴﺤﺔ‬ ‫ﹶ‬ ‫ﻭﺍﺴﺘﻘﻰ ﻋ ﱠﺎﺒﻬﺎ‬ ‫‪‬ﻨ‬ ‫- ٦١ -‬
  • 18. ‫ﺩﻭﻤﺎ ﺴﻴﺭﺠﻭ ﻨﻭﺭﻫﺎ‬ ‫ﹰ‬ ‫ﻭﻨﻌﻴﻤﻬﺎ ﻭﻋﺫﺍﺒﻬﺎ‬ ‫ﻭﻴﻅل ﻓﻲ ﺩﺭﺏ ﺍﻟﻬﻭﻯ‬ ‫ﻁﻴﺭﺍ ﻴﻐﺎﺯل ﺴﺭﺒﻬﺎ‬ ‫ﹰ‬ ‫***‬ ‫ﺇﻨﻲ ﺭﺴﻤﺘﻙ ﻨﺠﻤﺔ‬ ‫ﹰ‬ ‫ﻗﺩ ﻀﻭَﺘﻨﻲ‬ ‫‪‬ﺃ‬ ‫ﺃﺴﻜﺭﺘﻨﻲ ﻤﻥ ﻨﺒﻴﺫ ﺩﻤﺎﺌﻬﺎ‬ ‫ﻭﻏﺩﺍ ﺴﺘﺴﻜﺭ ﻤﻥ ﺩﻤﻲ‬ ‫ﹰ‬ ‫"ﻭﻟﻘﺩ ﺫﻜﺭﺘﻙ ﻭﺍﻟﺭﻤﺎﺡ ﻨﻭﺍﻫل‬ ‫ُ‬ ‫ﻤ ﱢﻲ"‬ ‫ﻨ‬ ‫ﻭﺴﻴﻑ ﺍﻟﻌﺸﻕ ﻴﻜﺴﺭ ﺃﻋﻅﻤﻲ‬ ‫***‬ ‫ﻫﺫﻱ ﺍﻷﻏﺎﻨﻲ ﺘﺭﺘﺨﻲ ﺃﻫﺩﺍﺒﻬﺎ‬ ‫ﺤﺘﻰ ﺘﻐﻁﻲ ﺼﺒﻭﺘﻙ‬ ‫ﻭﻨﺴﻴﻤﻬﺎ ﺍﻟﺭ ﱠﺎﻑ ﻗﺩ ﻤﻸ ﺍﻟ ‪‬ﻨﺎ‬ ‫َ ﺩ‬ ‫ﻓ ﹸ‬ ‫- ٧١ -‬
  • 19. ‫ﺩﻓﺌﺎ ﻭﺃﺤﻼﻤﺎ ﺠﺩﻴﺩﺓ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻭﺒﺩﺩ ﻤﻥ ﻓﻴﺎﻓﻲ ﺍﻟ ‪‬ﻭﺡ ﻗﻴﻅﺎ‬ ‫ﺭ ِ ﹰ‬ ‫‪‬‬ ‫ﺤﺘﻰ ﺘﻤﻠﻜﻙ ﺍﻟﺠﻭﻯ‬ ‫ﻭﻋﻠﺕ ﻤﻼﻤﺤﻙ ﺍﻟﻘﺼﻴﺩﺓ !!!‬ ‫- ٨١ -‬
  • 20. ‫ﻗﺩ ﺘﻬ ‪‬ﺄ ﻟﻠﻭﺼﻭل‬ ‫‪‬ﻴ‬ ‫ﻫﻲ.. ﻻ ﺘﻬﻡ‬ ‫ﻫﻲ ﹸﺒﻠﺔ - ﻋﻔﻭﺍ - ﺘﻤﺭ ﻋﻠﻰ ﺸﻔﺎﻩ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﻗ ﹲ‬ ‫ﻗﺼﺎﺌﺩﻱ‬ ‫ﻫﻲ ﺭﻋﺸﺔ ﺘﺴﺭﻱ ﺒﺒﻴﺩﺍﺀ‬ ‫ٍ‬ ‫ﹲ‬ ‫ﺘﺭﺍﺀﺕ ﻗﺭﺏ ﺸﻼل ﺃﺼﻡ‬ ‫ٍ‬ ‫ﻫﻲ.. ﻻ ﺘﻬﻡ‬ ‫ﻭﻫﻲ ﻭﺸﻭﺸﺎﺕ ﺍﻟﻨﻭﺭ‬ ‫ﻓﻲ ﻗﺒﻭ ﺘﻤ ‪‬ﺩ ﺒﻴﻥ ﺃﺸﻼﺀ‬ ‫ٍ‬ ‫ٍ ﺩ‬ ‫ﻴﺨﺎﺼﺭﻫﺎ ﺍﻷﻟﻡ‬ ‫ﻭﺒﻤﺭﻴﻤﻴ ِﻬﺎ ﺍﺴﺘﻁﺎﻋﺕ ﺃﻥ ﺘﻬﺯ ﺍﻟﺭﻭﺡ‬ ‫‪‬‬ ‫‪‬‬ ‫‪ ِ    ِ ‬ﺘ‬ ‫ﻜﻲ ﻴ ‪‬ﺎﻗﻁ ﺍﻟﻔ ‪‬ﺡ ﺍﻟﺨﻀﻡ‬ ‫ﺴﹶﹶ ﺭ‬ ‫ﻫﻲ.. ﻻ ﺘﻬﻡ‬ ‫ﻭﺇﺫﺍ ﺍﻟﻁﻴﻭﻑ ﺘﻭﻀَﺕ ﺒﺭﺒﻴﻌﻬﺎ‬ ‫‪‬ﺄ‬ ‫ﻭﺍﺯﻴ ﹶﺕ ﻜل ﺍﻟﻤﺩﺍﺌﻥ‬ ‫ِ‬ ‫ﱡ‬ ‫‪ ‬ﻨ‬ ‫- ٩١ -‬
  • 21. ‫ﺃﻗﺒﻠﺕ ﻤﻥ ﺘ ‪‬ﻫﺎ - ﻓﻲ ﻏﻴﺭ ﻤﺎ ﺸﺒﻕ -‬ ‫ٍ‬ ‫ﹶﻭ‬ ‫ﻟﺘﺨﺭﺝ ﻤﻥ ﺤﺩﺍﺌﻘﻬﺎ ﺍﻟﺒﺭﻴﻕ ﺍﻟﺴﻭﺴﻨﻲ‬ ‫ﻭﺘﺭﻑ ﻤﻴﺴﺎﺀ‬ ‫ً‬ ‫ﱠ‬ ‫ﻭﺘﺭﻨﻭ ﻜﻲ ﺘﻐﺎﺯل ﻓﺎﺘﻨﺎﺕ ﺍﻟﻜﻭﻥ‬ ‫ﺘﻨﺴﺞ ﻟﻠﺠﻤﻭﻉ ﻋﺒﺎﺀﺓ ﺍﻟﺸﻭﻕ ﺍﻟﺸﺠﻲ‬ ‫...................‬ ‫...................‬ ‫ﺒﻠﻠﻭﺭﺓ ﻁﻔﻘﺕ ﺘﺭﺍﻭﺩ‬ ‫ﹲ‬ ‫ﻤﻥ ﺘﻬﻴﺄ ﻟﻠﻭﺼﻭل‬ ‫ِ‬ ‫‪َ‬‬ ‫ﻨﺒﻴﺔ ﺘﻨﻬﻰ ﻋﻥ ﺍﻟﺒﻐﻀﺎﺀ‬ ‫‪‬ﹲ‬ ‫ﺘﺄﻤﺭ ﺒﺎﻟﺘﻁﻠﻊ ﻟﻠﺯﻤﺎﻥ ﺍﻟﻜﻭﺜﺭﻱ‬ ‫ﺘﻭﺩﻱ ﺒﻤﻥ ﺭﻓﺽ ﺍﻹﻗﺎﻤﺔ‬ ‫ﺒﺎﻟﻘﺼﻴﺩﺓ‬ ‫ﻭﺍﻨﺯﻭﻯ‬ ‫ﺨﻠﻑ ﺍﻟﺸﻤﻭﺱ ﻴﻁﺎﺭﺩ ﺍﻟﻨﺠﻡ ﺍﻟﺴﻨﻲ‬ ‫‪‬‬ ‫ْ‬ ‫ﻫﻲ ﻗﺒﻠﺔ‬ ‫ﹲ‬ ‫- ٠٢ -‬
  • 22. ‫ﻫﻲ ﺭﻋﺸﺔ‬ ‫ﹲ‬ ‫ﻭﺇﺫﺍ ﺍﻟﻁﻴﻭﻑ ﺘﻭﻀﺄﺕ ﺒﻨﺴﻴﻤﻬﺎ‬ ‫ﺒﻠﻠﻭﺭﺓ ﻭﻨﺒﻴﺔ‬ ‫ﹲ‬ ‫ﹲ‬ ‫ﻫﻲ...‬ ‫ﻫﻲ ﻜل ﺸﻲ !!‬ ‫‪‬‬ ‫ْ‬ ‫- ١٢ -‬
  • 23. ‫ﹸﺭﻯ ﻫﻭ ﺍﻟﻭﻗﺕ؟!‬ ‫ﺘ‬ ‫ﺼﻤﺕ ﺍﻟﺠﺩﺍﺭ ﻴﻭﺩ ﺃﻥ ﻴﻐﺘﺎل ﻀﺤﻜﺘﻬﺎ‬ ‫ﻭ ‪‬ﺩﺨﻠﻬﺎ ﻓﺼﻭﻻ ‪‬ﻤﻌﻨﺎﺕ ﻓﻲ ﺍﻟﻜﺂﺒﺔ‬ ‫ِ‬ ‫ٍ‬ ‫ﹰﻤ‬ ‫ﻴ‬ ‫ﻻ ﺘﻤ ‪‬ﻱ ﻤﻥ ﺸﺭﺍﻴﻴﻨﻲ‬ ‫‪‬ﺭ‬ ‫ﻭﻻ ﺘﺩﻋﻲ ﺩﻤﻭﻋﻲ ﻜﻠﻤﺔ ﺨﺠﻠﻰ‬ ‫ﹰ‬ ‫ﺇﺫﺍ ﺍﺤﺘﺩﻡ ﺍﻟﺤﻭﺍﺭ‬ ‫ﻫﻴﺎ ﺍﻓﺘﺤﻲ ﻜل ﺍﻟﻨﻭﺍﻓﺫ‬ ‫ِ‬ ‫ﻭﺍﻗﺭﺌﻲ ﺤﺭﻓﺎ ﻀﺤﻭﻜﺎ‬ ‫ﹰ‬ ‫ﺭﺒﻤﺎ ﻴﻐﺘﺎل - ﻋﻨﺩ ﺒﻜﺎﺌﻪ - ﺼﻤﺕ ﺍﻟﺠﺩﺍﺭ‬ ‫***‬ ‫ﺍﻵﻥ ﻓﻲ ﻤﻘﺩﻭﺭ ﺃﻏﻨﻴﺘﻲ‬ ‫ﺍﺨﺘﻼﺱ ﺍﻟﻠﺤﻥ ﻤﻥ ﺃﻭﺘﺎﺭﻫﻡ‬ ‫ﺠﺫﺏ ﺍﻟﺠﻤﺎﻫﻴﺭ‬ ‫ﺍﻟﺘﺨﻔﻲ ﻓﻲ ﺘﻤﺎﺌﻤﻬﻡ‬ ‫ﻭﻗﻭﻓﻲ ﻓﻲ ﺍﻟﻤﻘﺩﻤﺔ‬ ‫- ٢٢ -‬
  • 24. ‫ﺍﻨﺘﻅﺎﺭﻱ..‬ ‫ﻜل ﻤﺎ ﺃﺤﺘﺎﺠﻪ‬ ‫ﱡ‬ ‫ﺃﻥ ﺘﻤﻨﺤﻲ ﺍﻟﺤﺒﺭ ﺍﻟﺒﻜﺎﺀ‬ ‫ﻭﺘﻘﺭﺌﻲ ﺤﺭﻓﺎ ﻀﺤﻭﻜﺎ ﺭﺒﻤﺎ ﻴﻌﻁـﻲ ﺃﺼـﺎﺒﻌﻨﺎ ﺍﺤﺘـﺭﺍﻑ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﺍﻟﻠﻤﺱ‬ ‫ﻴﻤﻨﺤﻨﺎ ﺍﺨﺘﺼﺎﺭ ﺍﻟﻠﻴل‬ ‫ﻫﻨﺩﺴﺔ ﺍﻟﻨﻬﺎﺭ‬ ‫***‬ ‫ﺍﻵﻥ‬ ‫ﻟﻴﺱ ﺍﻵﻥ ﺇﻻ ﻴﻘﻅﺔ ﻓﻲ ﺍﻟﻔﺠﺭ‬ ‫ِ‬ ‫ﹲ‬ ‫ﺘﺼﻁﺎﺩ ﺍﻟﻜﻨﺎﺭ‬ ‫ﺘﻌﺎﺘﺏ ﺍﻟﺒﺤﺭ ﺍﻟﻤﻬﺎﺩﻥ‬ ‫ﻭﺍﻟﺸﻭﺍﻁﺊ‬ ‫ﺤﻴﻥ ﺘﺭﻓﺽ ﺃﻥ ﺘﻔﺽ ﺒﻜﺎﺭﺓ‬ ‫ﺍﻟﻤﻭﺝ ﺍﻟﺸﻘﻲ‬ ‫ﺍﻵﻥ ﻟﻲ ﺃﻥ ﺃﺯﺭﻉ ﺍﻷﺤﻼﻡ‬ ‫- ٣٢ -‬
  • 25. ‫ﺒﻴﻥ ﻀﻠﻭﻋﻬﺎ ﻋﺒﺎﺩ ﺸﻭﻕ‬ ‫ٍ‬ ‫ﻜﱠﻤﺎ ﺩﺍﺭﺕ ﺒﺄﻓﻘﻲ ﺩﻭﺭﺓ‬ ‫ﹰ‬ ‫ﹸﻠ‬ ‫ﻋﺎﺩﺕ ﺇﻟﻴﻬﺎ ﺭﻭﺤﻬﺎ‬ ‫ﻜﺎﻟﻭﻗﺕ‬ ‫ِ‬ ‫ﻻ ﻴﺩﺭﻱ ﺒﺩﺍﻴﺘﻪ‬ ‫ﻭﻻ ﻴﺩﺭﻱ ﻨﻬﺎﻴﺘﻪ‬ ‫ﻭﻻ ﻴﺩﺭﻱ ﻤﺘﻰ ﺩﻗﺕ ﺴﻭﻴﻌﺎﺕ ﺍﻟﺭﺤﻴل‬ ‫***‬ ‫ﻫﻴﺎ ﺍﻓﺘﺤﻲ ﻜل ﺍﻟﻨﻭﺍﻓﺫ‬ ‫ﻟﻡ ﻴﻌﺩ ﻓﻲ ﺍﻟﺴﻭﻕ ﻏﻴﺭ ﺒﻀﺎﻋﺘﻲ‬ ‫ﺍﻷﺜﻤﺎﻥ ﺒﺎﻫﻅﺔ‬ ‫ﹲ‬ ‫ﺘﻁﻭﻗﻨﺎ ﻨﺩﺍﺀﺍﺕ ﺍﻷﻨﺎﻤل‬ ‫ﻜﻴﻑ ﺃﺤﺩﺜﺕ ﺍﻨﻔﺼﺎﻻ‬ ‫ﹰ‬ ‫ﺒﻴﻥ ﻫﻤﻬﻤﺘﻲ ﻭﺒﻴﻨﻲ‬ ‫ﻜﻴﻑ ﺃﻥ ﺍﻟﻘﻠﺏ‬ ‫ﻭﺍﺴﺘﻌﺼﺕ ﻋﻠﻰ ﺍﻷﻨﺎﺕ ﻋﻴﻨﻲ‬ ‫- ٤٢ -‬
  • 26. ‫ﻜل ﻤﺎ ﺃﺤﺘﺎﺠﻪ‬ ‫ﺃﻥ ﺘﺒﺩﺌﻲ ﺍﻟﺴﻴﺭ ﺍﻟﻤﻘﺩﺱ‬ ‫ﻨﺤﻭ ﻨﺎﺭﻱ‬ ‫ﻟﻡ ﻴﻌﺩ ﻟﻠﺒﺤﺭ ﺸﻁﺂﻥ‬ ‫‪‬‬ ‫ﻭﻻ ﻟﻐﺘﻲ ﺘﻔﻲ ﺒﺎﻟﺒﻭﺡ‬ ‫ِ‬ ‫ﺃﺠﻭﺒﺘﻲ ﺴﺅﺍﻻﺕ‬ ‫ﹲ‬ ‫ﻭﺃﺴﺌﻠﺘﻲ ﻋﺼﺎﻓﻴﺭ‬ ‫‪‬‬ ‫ﺘﻔﺭ ﻤﻥ ﺍﻷﺼﻴل ﺇﻟﻰ ﺍﻷﺼﻴل !‬ ‫ِ‬ ‫ِ‪‬‬ ‫- ٥٢ -‬
  • 27. ‫ﻨﺎﻓﺫﺓ ﻓﻲ ﺠﺩﺍﺭ ﺍﻟﻤﺴﺎﻓﺎﺕ‬ ‫ﺍﻟﻔﺭﺍﺸﺔ ﺘﻤﻨﺢ ﺍﻟﻨﺎﺌﻤﻴﻥ ﻋﻠﻰ ﺍﻟﻁﺭﻗﺎﺕ‬ ‫ﺭﻏﻴﻑ ﺍﻟﺼﺒﺎﺡ‬ ‫ﻭﺘﻤﻨﺢ ﺍﻟﻨﺎﺌﻤﺎﺕ ﺒﺤﻀﻥ ﺍﺌﺘﻼﻓﻲ‬ ‫ﺠﻨﻭﻨﻲ‬ ‫ﻓﻼ ﺘﻁﻤﺴﻭﺍ ﻭﺠﻬﻬﺎ ﺒﺎﻟﺘﻔﺎﻋﻴل‬ ‫ﺇﻨﻲ ﺃﺅﺭﺥ ﻟﻠﺤﺯﻥ ﻓﻭﻕ ﺍﻟﺠﻨﺎﺡ‬ ‫ﻭﺍﻟﻔﺭﺍﺸﺔ ﺘﺴﺘﻌﺫﺏ ﺍﻟﻤﻭﺕ ﺩﻭﻨﻲ.‬ ‫***‬ ‫ﺍﻟﻐﻨﺎﺀ ﺘﺴﺭﺏ ﺒﻴﻥ ﺍﻷﺯﻗﺔ‬ ‫ﹼِ‬ ‫ﻴﺒﺤﺙ ﻋﻨﻬﺎ‬ ‫ﻭﻴﺼﻬل ﻓﻲ ﺍﻟﻤﻴﺎﺩﻴﻥ‬ ‫ﻜﻴﻑ ﺍﺭﺘﻀﺕ ﺃﻥ ﺘﻐﻴﺏ‬ ‫ﺍﻟﻐﻨﺎﺀ ﺘﺸ ﱠل ﺼﻠﺼﺎﻟﺔ‬ ‫ﹰ‬ ‫ﻜ‬ ‫ﻓﻲ ﺃﻜ ﱢ ﺍﻟﻌﻴﺎل‬ ‫ﹸﻑ‬ ‫- ٦٢ -‬
  • 28. ‫ﻭﺍﻟﻨﺴﺎﺀ ﻴﻭ ‪‬ﺨﻨﻪ‬ ‫ﺒ‬ ‫ﺤﻴﻥ ﻴﻐﺴﻠﻥ ﺃﺜﻭﺍﺏ ﺃﻁﻔﺎﻟﻬﻥ‬ ‫ﺍﻟﻐﻨﺎﺀ/...‬ ‫‪‬‬ ‫.....ﺍﻟﺒﻜﺎﺀ..‬ ‫***‬ ‫ﺍﻟﺸﺘﺎﺀ ﻟﺠﻭﺀ ﺇﻟﻰ ﻤﺭﻓﺄ ﺍﻟﺒﺩﺀ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺍﻟﺒﺤﺭ ﺠ ﱠﻑ ﺃﺜﺩﺍﺀﻫﺎ ﺤﻴﻥ ﻤﺹ ﺤﻠﻴﺏ ﺍﻟﺭﺠﻭﻉ‬ ‫‪‬‬ ‫ﻔ‬ ‫ﻴﻀﺎﺠﻌﻬﺎ ﻤﺭﺓ‬ ‫ﹰ‬ ‫ﺜﻡ ﻴﺨﺒﻭ‬ ‫ﻴﺸﺘﻬﻴﻬﺎ ﻜﺜﻴﺭﺍ‬ ‫ﹰ‬ ‫ﻴﻔﻴﺽ ﻗﻠﻴﻼ‬ ‫ﹰ‬ ‫ﻭﻴﻤﻨﻊ‬ ‫‪‬‬ ‫ﺤﺘﻰ ﺘﺠﻭﻉ..‬ ‫***‬ ‫- ٧٢ -‬
  • 29. ‫ﺍﻟﺸﺘﺎﺀ ﻴﺭﺍﺩﻭ ﺒﻴﻨﻠﻭﺏ ﻋﻥ ﻨﻔﺴﻬﺎ‬ ‫‪‬‬ ‫ﺍﻟﻐﻨﺎﺀ ﻴﺨﺒﺊ ﻓﻲ ﻜﻔﻬﺎ ﻟﺤﻨﻪ‬ ‫ﻭﺍﻟﻔﺭﺍﺸﺔ‬ ‫ﹸ‬ ‫ﺤﻁﺕ ﻋﻠﻰ ﺭﺃﺴﻪ ﻜﺎﻟﻔﺭﺍﺸﺔ‬ ‫ِ‬ ‫ﺍﻟﺸﺘﺎﺀ..‬ ‫‪‬‬ ‫ﺍﻟﻐﻨﺎﺀ..‬ ‫‪‬‬ ‫ﺍﻟﻔﺭﺍﺸﺔ..‬ ‫ﹸ‬ ‫ﺠﻨﺩ ﻤﻥ ﺍﷲ ﻓﻲ ﺃﺭﻀﻬﺎ ﻭﺍﻟﻔﺘﻰ ﻓﻲ ﺒﺤﺎﺭ ﺍﻟﺘﺭﺩﺩ‬ ‫‪‬‬ ‫ﻋﺎﺭ‬ ‫ٍ‬ ‫ﻴﻬﺎﺘﻔﻬﺎ ﻋﺒﺭ ﺃ ﱠﺎﺕ ﻗﻠﺒﻪ‬ ‫ﻨ ِ‬ ‫ﻓﻤﻥ ﻴﺴﺭﻕ ﺍﻟﺜﻭﺏ ﻤﻥ ﺒﻴﺘﻬﺎ‬ ‫ﻴﺭﺒﻁ ﺍﻟﺒﻨﺕ ﻓﻲ ﻁﺭﻑ ﺜﻭﺒﻪ..‬ ‫..........‬ ‫..........‬ ‫"ﺒﻴﻨﻠﻭﺏ" ﻟﻡ ﺘﺩﺭ‬ ‫ﺃﻥ ﺍﻟﺴﻔﻴﻨﺔ ﻓﻲ ﺍﻟﺒﺤﺭ‬ ‫- ٨٢ -‬
  • 30. ‫ﺘﺒﻜﻲ ﻓﺘﺎﻫﺎ‬ ‫ﻭ ﹸﻭ ِﻋﻬﺎ ﻜﻠﻤﺔ ﻗﺎﻟﻬﺎ‬ ‫ﹰ‬ ‫ﺘ ﺩ‬ ‫ﺜﻡ ﻤﺎﺕ‬ ‫ﻫﻲ ﺍﻵﻥ "ﺒﻴﻨﻠﻭﺏ"‬ ‫‪‬‬ ‫ﺘﺠﻤﻊ ﺃﺸﻼﺀﻩ‬ ‫‪‬‬ ‫ﺘﻭﻗﺩ ﺍﻟﺸﻤﻊ‬ ‫ﺘﻔﺘﺢ ﻨﺎﻓﺫﺓ ﻓﻲ ﺠﺩﺍﺭ ﺍﻟﻤﺴﺎﻓﺎﺕ‬ ‫ﹰ‬ ‫ﺤﺘﻰ ﻴﻌﻭﺩ..!!‬ ‫- ٩٢ -‬
  • 31. ‫ﺩﻋﻨﻲ ﺃﺼﹼﻲ ﻓﻲ ﻴﺩﻴﻙ‬ ‫ﻠ‬ ‫ﻤﻥ ﺩﻤﻊ ﻋﻴﻨﻴﻙ ﺍﻜﺘﻤﺎل ﺍﻟ ﱡﻬﺭ‬ ‫ﻁ‬ ‫ﻭﻭ ‪‬ﻭﺀ ﻗﻠﺒﻲ ﻤﻥ ﻤﻴﺎﻩ ﻗﺼﺎﺌ ِﻙ‬ ‫ﺩ‬ ‫ِ‬ ‫ﻀ ‪‬‬ ‫ﻭﻜﺫﺍ ﺍﻋﺘﻜﺎﻓﻲ ﻓﻲ ﺭﺤﺎﺒﻙ ﺴﻨﺔ‬ ‫ِ ‪ ‬ﱠ ﹲ‬ ‫ﻓﺈﺫﺍ ﺼﻼﺘﻲ ﻓﻲ ﻴﺩﻴﻙ ﻤﺜﺎﺒﺔ‬ ‫ﹲ‬ ‫ﻭﺃﺤﻕ ﻟﻲ‬ ‫ﱡ‬ ‫ﻴﺎ ﺃ ‪‬ﻟﻲ..‬ ‫ﻭ‬ ‫َﻏ ِﺩ ﺴﻴﻭﻓﻙ ﻓﻲ ﻓﺅﺍﺩ ﺍﻟﻌﺎﺒﺜﻴﻥ‬ ‫ﺃ ﻤ‬ ‫ﺍﻤﺩﺩ ﻴﺩﻴﻙ ﻓﺈﻨﻨﻲ‬ ‫ﺃﺸﺘﺎﻕ ﺼﻭﺭﺘﻙ ﺍﻟﻤﻘ ‪‬ﺴﺔ‬ ‫ﺩ ﹶ‬ ‫ﺍﻟﺘﻲ ﻓﻴﻬﺎ ﻗﺼﻴﺩﻱ ﻴﻨﺤﻨﻲ‬ ‫ﺤﺒﺎ ﻴﻘ ‪‬ل ﻭﺠﻨﺘﻴﻙ‬ ‫‪  ‬ﹰ ‪ ‬ﹶﺒ ُ‬ ‫ﻴﺠﺜﻭ ﻴﻨﺎﺠﻲ ﺫﻟﻙ ﺍﻟﻘﻤﺭ‬ ‫ﺍﻟﺫﻱ ﺃﻀﺤﻰ ﻴﻐﺎﺯل ﻤﻘﻠﺘﻴﻙ‬ ‫ﺩﻋﻨﻲ ﺃﺼﻠﻲ ﻓﻲ ﻴﺩﻴﻙ‬ ‫- ٠٣ -‬
  • 32. ‫ﺃﻨﺕ ﺍﻟﺫﻱ ﻋﱠﻤ ﹶﻨﻲ‬ ‫ﻠﺘ‬ ‫ﺃﻥ ﺍﻟﺘ ‪‬ﺘل ﻓﻲ ﺭﺤﺎﺏ ﺍﻟﺨﻭﻑ‬ ‫‪ ‬ﱠﺒ ﱡ َ‬ ‫ﻤﻌﺼﻴﺔ ﻭ ﹸﻔﺭ‬ ‫ﹲ ﻜ ‪‬‬ ‫ﺃﻨﺕ ﺍﻟﺫﻱ ﻭ ‪‬ﻴﺘﻨﻲ‬ ‫ﺼ‬ ‫ﺃﻥ ﺍﻟﺸﻬﺎﺩﺓ ﻓﻲ ﺴﺒﻴل ﺍﻟﺤ ‪ ‬ﹶﻔﺭ‬ ‫‪‬ﺏ ﻅ ‪‬‬ ‫ﹶ‬ ‫ﺃﻨﺕ ﺍﻟﺫﻱ ﻏ ‪‬ﺭﺕ ﺭﺴﻡ ﻤﻼﻤﺤﻲ‬ ‫ﻴ ﹶ‬ ‫ﺃﺴﻜﻨﺕ ﺸﻌﺭﻙ ﻜﺎﻟ ﱠﺴﻴﻡ ﺒﺄﻀﹸﻌﻲ‬ ‫ﻠ‬ ‫‪ ‬ﻨ ِ‬ ‫ﹶ‬ ‫ﻭﻏﺯﻭﺕ ﻜل ﺠﻭﺍﺭﺤﻲ‬ ‫ﹶ‬ ‫ﻭﺃﻨﺎ ﺍﻟﺫﻱ ﻗﺩ ﺤﺎﻕ ﺒﻲ ﻤﺎ ﺤﺎﻕ ﺒﻙ‬ ‫ﻭﻗﺩ ﺍﻋﺘﺭﺍﻨﻲ ﻤﺎ ﺍﻋﺘﺭﺍﻙ‬ ‫ﺯﻤﻥ ﻴﻌﺎﻨﺩ ﺭﻓﻘﺔ ﺍﻟﻌﻤﺭ ﺍﻟﺠﻤﻴل‬ ‫ِ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻭﺼﺏ ﺘﺩﱠﻰ‬ ‫‪ ‬ﹶ ‪‬ﻟ‬ ‫ﻭﺍﻟﺤﺒﻴﺒﺔ ﻗﱠﻤﺎ ﺘﻬﻔﻭ ﺇﻟﻴﻙ‬ ‫ﻠ‬ ‫ﺩﻋﻨﻲ ﺃﺼﻠﻲ ﻓﻲ ﻴﺩﻴﻙ‬ ‫ﺃﺭﻯ ﺍﻟﻤﺴﺎﺠﺩ ﺃﻴﻨﻌﺕ‬ ‫ﻓﻲ ﺭﺍﺤ ﹶﻴﻙ ﺃﺠﻨﺔ‬ ‫ِﱠ ﹰ‬ ‫ﺘ‬ ‫- ١٣ -‬
  • 33. ‫ﺘﻨﻤﻭ ﻋﻠﻰ ﻗﻭﺕ ﺍﻟﻤﺤﺒﺔ‬ ‫‪ِ‬‬ ‫ﺘﺭﺘﻭﻱ ﻋﺴﻼ ‪‬ﺼ ﱠﻰ‬ ‫ﹰﻤ ﻔ‬ ‫ﻗﺩ ﺘﻘ ﱠﺭ ﻤﻥ ﺃﺼﺎﺒ ِﻙ ﺍﻟﺭﻗﻴﻘﺔ‬ ‫ﻌ‬ ‫ﹶﻁ‬ ‫ﻭﺘﻅل ﺘﺼﻬل ﻓﻲ ﺴﺭﺍﺩﻴﺏ ﻴﻔﺎﺭ ﹸﻬﺎ ﺍﻟﺠﹶﺩ‬ ‫‪‬ﻠ‬ ‫ٍ ِﻗ‬ ‫ﹶﱡ‬ ‫‪‬ﺩ ﻓﺎﻟﻤﻘﺎﻡ ﻤﻘﺎﻡ ﻭﺩ‬ ‫‪  ‬‬ ‫ﻋ‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺭﺠل/ ﺍﻟﻜ ‪‬ﺩ‬ ‫ﺒ‬ ‫ﻗﻠﺏ ﺇﻟﻰ ﺍﻟﻘﻬﺭ ﺍﻨﺘﻤﻰ‬ ‫‪‬‬ ‫ﻨﻭﺭ ﺘﻤ ‪‬ﻗﻪ ﺩﻴﺎﺠﻴﺭ ﺍﻷﻤﺩ‬ ‫‪ ‬ﹸ ‪‬ﺯ ﹸ ‪‬‬ ‫ﻤﺎ ﺒﻴﻥ ﻤﺨﺒﻭل ﻭﻭﻏﺩ‬ ‫‪‬‬ ‫ٍ‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺭﺠل ﺍﻟﻜ ‪‬ﺩ‬ ‫ﺒ‬ ‫ِﺩﻨﻲ ﺒﺄﻨﻙ ﻋﺎﺌﺩ‬ ‫‪‬‬ ‫ﻋ‬ ‫ﺠ ‪‬ﺍﺀ ﺴﺎﻋ ِﻨﺎ ﺍﻟﺘﻲ‬ ‫ﺘ‬ ‫ﺭ ‪‬‬ ‫ﻗﺩ ﺃﻟﻬﺒﺕ ﻓﻴﻙ ﺍﻟﻤﺸﺎ ِﺭ‬ ‫ﻋ‬ ‫‪ ‬ﹾ ‪‬‬ ‫ﻋﺩﻨﻲ ﺒﺄﻨﻙ ﺜﺎﺌﺭ‬ ‫‪‬‬ ‫ِﻠﻴﻭﻥ ﺜﺎﺌﺭ‬ ‫ﻤ ‪‬‬ ‫ﻋﺩﻨﻲ ﺒﺄﻨﻙ ﻟﻥ ﺘﺠﻲﺀ ﺒﺭﻓﻘﺔ ﺍﻟﺯﻤﻥ ﺍﻟﻨﻌﺎﺱ‬ ‫ِ‬ ‫ِ‬ ‫- ٢٣ -‬
  • 34. ‫ﺘﺫﻭﺏ ﻨﻭﻤﺎ‬ ‫‪‬‬ ‫ﻋﺩﻨﻲ ﺒﺄﻨﻙ ﻟﻥ ﺘﺒﻴﻊ ﺍﻷﺭﺽ ﻴﻭﻤﺎ‬ ‫ﻋﺩﻨﻲ ﺒﺄﻨﻙ ﻴﺎ ﺼﺩﻴﻘﻲ ﻏﺎﻀﺏ‬ ‫‪‬‬ ‫ﻤﻥ ﺃﻱ ﻭﻏﺩ ﺒﺎﻟﻠﻅﻰ‬ ‫ٍ‬ ‫ﻴﻐﺘﺎل ﺸﺎﻋﺭﻨﺎ ﺍﻟﺒﺭﻱﺀ‬ ‫‪‬‬ ‫ﻴﻅل ﻴﻌﺒﺙ ﺒﺎﻟﺯﻫﻭﺭ ﺍﻟﻨ ‪‬ﺭﺍﺕ ﺍﻟﺤﻭﺭ‬ ‫ِ‬ ‫ﻴ ِ‬ ‫ﹸ‬ ‫ﱡ‬ ‫ﻴﻨﻬﺵ ﻓﻲ ﺍﻟﻤﻘﺎﺒﺭ‬ ‫ﹸ‬ ‫ﺇﻥ ﺍﻟﻤﻘﺎﺒﺭ ﻓﻲ ﺘﺭﺍﺒﻲ ﺃﺜﻤﺭﺕ‬ ‫ﻋﻨﺒﺎ ﻭﺯﻴﺘﻭﻨﺎ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻭﻤﺭﺠﺎ ﻗﺩ ﺘﺴﻠﻕ ﻫﺎﻤﺘﻲ‬ ‫‪‬ﱠ ﹶ‬ ‫ﹰ‬ ‫ﻭﺍﻤﺘﺩ ﺒﺎﻟﻌﺒﻕ/ ﺍﻟﺠﻬﺎﺩ‬ ‫ِ‬ ‫ﻭﺃﻁل ﺘ ‪‬ﺍﻗﺎ ﺇﻟﻰ ﺍﻷﻤﻭﺍﺝ‬ ‫ِ‬ ‫ﱠ ﻭ ﹰ‬ ‫ﻜﻴﻤﺎ ﻴﻨﺘﻤﻲ ﻟﻠﺯﻭﺭﻕ ﺍﻟﺜﻭﺍﺭ‬ ‫ﻴﺤﺘﻀﻥ ﺍﻟﺒﻘﺎﻉ‬ ‫ﻭﻤﻀﻰ ﻴﻜ ‪‬ﺭ ﻓﻲ ‪‬ﺭﺍﺜﻲ ﺍﻟﻤﺨﻀ ‪ِ ‬‬ ‫‪ ‬ﹶﺒ ‪ ‬ﻤ ِ ‪  ‬ﹶ ‪‬ﺒﺔ‬ ‫ﺍﻟﺘﻲ ﻗﺩ ﺃﺤﺯﻨﺘﻨﻲ‬ ‫- ٣٣ -‬
  • 35. ‫ﺍﻟ ‪‬ﺭﺡ ﺃﻜﺒﺭ..‬ ‫ﺠ ‪‬‬ ‫ﺍﻟ ‪‬ﺭﺡ ﺃﻜﺒﺭ..‬ ‫ﺠ ‪ ‬‬ ‫ﻤﻥ ﺃﻏﺎ ِﻴﻙ ﺍﻟ ِﺩﺍﻉ‬ ‫ﻨ ‪ ‬ﺨ‬ ‫ﺍﻟﺠﺭﺡ ﺃﻜﺒﺭ..‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺭﺠل/ ﺍﻟﻤﺯﺍﺩ/‬ ‫ُ‬ ‫ﺍﻻﻏﺘﻴﺎل/‬ ‫ﺍﻻﻀﻁﻬﺎﺩ/‬ ‫ﺍﻻﻟﺘﻴﺎﻉ/‬ ‫ﺍﻟﺠﺭﺡ ﺃﻜﺒﺭ..‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺭﺠل/ ﺍﻟﻘﻨﺎﻉ!!‬ ‫- ٤٣ -‬
  • 36. ‫ﻗ ‪‬ﺍﺱ ﺍﻟﻐﺭﻕ‬ ‫ﹸﺩ‬ ‫ﺫﺍﻙ ﺍﻟﺫﻱ ﻗﺩ ﺸﺩ ﺃﻏﻁﻴﺔ ﺍﻟﻨﺩﻯ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﺍﻟﻭﺠﻭﻩ‬ ‫ﺜﻡ ﺍﺴﺘﻌﺎﺭ ﻤﻥ ﺍﻟﺒﺤﺎﺭ ﺍﻟﻤﺎﺀ‬ ‫‪‬‬ ‫ﻜﻴﻤﺎ ﻴﻨﻁﻔﻲ ﻅﻤﺄ ﺍﻟﻘﺼﻴﺩﺓ‬ ‫ُ‬ ‫ﻻ.. ﻟﻡ ﻴﻤﺕ‬ ‫ﻟﻤﺎ ﺭﺃﻯ ﻓﻲ ﻟﻴﻠﻪ ﺨﻴﻼ‬ ‫ﹰ‬ ‫ﻴﻐﻭﺹ ﺼﻬﻴﻠﻬﺎ‬ ‫ﻓﻲ ﺒﻁﻥ ﺃﻏﻨﻴﺔ‬ ‫ٍ‬ ‫ﺘﻬﺎﺩﺕ ﻟﻠﺭﺠﺎل ﺍﻟﻁﻴﺒﻴﻥ‬ ‫***‬ ‫ﻜﻲ ﻻ ﻴﺭﺍﻩ ﺍﻟﻨﺎﺱ‬ ‫ﺃﻏﺭﻕ ﺭﺃﺴﻪ‬ ‫ﻤﺘﺨﻔﻴﺎ ﻤﻥ ﺩﻤﻌﻬﻡ‬ ‫ﹰ‬ ‫ﻭﻤﺴﺎﻓﺭﺍ ﻓﻲ ﻨﻭﺒﺔ ﺍﻟﻤﻭﺕ‬ ‫ِ‬ ‫ﹰ‬ ‫- ٥٣ -‬
  • 37. ‫ﻜﻲ ﻻ ﺘﺤﺭﺭﻩ ﺍﻟﻔﺘﺎﺓ‬ ‫ﹸ‬ ‫ﺃﻤ ‪‬ﻫﺎ ﺒﺘﺨﺎﺼﺭ ﻟﻡ ﺘﻨﺴﻪ‬ ‫ٍ‬ ‫ﺩ‬ ‫ﺜﻡ ﺍﺴﺘﺤﺎل ﹸﺴﻴﻤﺔ‬ ‫ﻨ ﹰ‬ ‫ﺃﻭ ﻏﻴﻤﺔ‬ ‫ﹰ‬ ‫ﺴﺭﻋﺎﻥ ﻤﺎ ﺘﺸﺩﻭ ﻟﻬﺎ ﺘﺭﻨﻴﻤﺔ ﺍﻟﺼﻤﺕ‬ ‫ﻫﺫﺍ ﺍﻟﺫﻱ ﻗﺩ ﺸﺩ ﺃﻏﻁﻴﺔ ﺍﻟﻨﺩﻯ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻓﻭﻕ ﺍﻟﻭﺠﻭﻩ‬ ‫ﻭﺃﻋﺎﺭ ﺼﺎﺭﻴﺔ ﺍﻟﻔﻨﺎﺀ ﺨﻠﻭﺩﻫﺎ‬ ‫ﻫﺫﺍ ﺍﻟﺫﻱ ﺃﻋﻁﺎﻩ ﻨﻴﺴﺎﻥ ﺍﻟﺨﺼﻴﺏ‬ ‫ﺃﺭﻴ ‪‬ﻪ‬ ‫ﺠ‬ ‫***‬ ‫ﺴﻴﺒﺩﺩ ﺍﻟﺜﻠﺞ ﺍﻟﻤﻌﺎﻨﺩ‬ ‫ﻭﻴﺼﺎﺩﻕ ﺍﻟﺸﻤﺱ ﺍﻟﺘﻲ ﻗ ‪‬ﺕ ﻀﻔﺎﺌﺭﻫﺎ‬ ‫ﹸﺼ‬ ‫ﻭﺃ ‪‬ﻗﻬﺎ ﺍﻟﻤﻐﻴﺏ‬ ‫ﺭ‬ ‫ﻜﻭﻨﻲ ﻤﺭﺍﻓﺌﻪ ﺍﻟﻤﻬﻴﻀﺔ‬ ‫ﹶ‬ ‫ﻤ ‪‬ﻗﻲ ﺍﻟﻀﺤﻙ ﺍﻟﻤﻬﺎﺩﻥ‬ ‫ﺯ‬ ‫- ٦٣ -‬
  • 38. ‫ﻓﻭﻕ ﻁﺎﻭﻟﺔ ﺍﻟﺘﻘﺎﻤﺭ‬ ‫ﻭﺍﺒﺘﻨﻲ ﺒﻴﺘﺎ ﻟﻪ ﺘﺤﺕ ﺍﻟﺼﻠﻴﺏ‬ ‫ﹰ‬ ‫...........................‬ ‫...........................‬ ‫ﺍﻟﻤﻭﺝ ﺃﻋﻠﻥ ﺜﻭﺭﺘﻪ‬ ‫ﻭﺍﻟﻤﻭﺕ ﻴﺨﺭﺝ ﻤﻥ ﺯﺠﺎﺠﺎﺕ ﺍﻟﻨﺒﻴﺫ‬ ‫ﻤﻁ ‪‬ﻗﺎ ﻜل ﺍﻟﺤﻨﺎﺠﺭ‬ ‫ﻭﹰ‬ ‫ﻤﺎﺫﺍ ﺴﻴﻔﻌل ﺫﻟﻙ ﺍﻟﻘﻠﺏ ﺍﻟﻭﺴﻴﻊ؟‬ ‫ﻫل ﻴﺴﺘﻌﻴﻥ ﺒﻘ ‪‬ﺭﺍﺕ‬ ‫ﹸﺒ ٍ‬ ‫ﻗﺩ ﺤﻤﻠﻥ ﺍﻟﻭﻗﺕ ﻓﻭﻕ ﺠﻨﺎﺤﻬﻥ‬ ‫ﺃﻡ ‪‬ﻠ ِﻡ ﺍﻟﺒﺤﺭ ﺍﻟﻨ ‪‬ﻡ..؟!‬ ‫ﱠﻬ‬ ‫ﻴﺠ‬ ‫- ٧٣ -‬
  • 39. ‫‪‬ﻭﺭﺓ ﺍﻟﺘﻭ ‪‬ﺱ - ﺴﺒﺌ ‪‬ﺔ‬ ‫‪ِ  ‬ﻴ‬ ‫ﺴ ‪ ‬ﹸ ﱠ ‪‬ﺠ‬ ‫ﻨ ِﻴﻤﹰ ﻭﻤﻠﹾﻜﺎ ﻜ ِﻴﺭﺍ ﺭﺃﻴﺕ‬ ‫ﹶ ﻌ ﺎ ‪  ‬ﹰ ﹶﺒ ﹰ ‪  َ ‬ﹸ‬ ‫ﻭﻋﺭ‪‬ﺸﺎ ﻭﺴﻴﺩﺓ ﻤﺴﺘ ‪‬ﺍﺩﺓ‬ ‫‪  ‬ﹰ ‪    ‬ﹰ ‪  ‬ﹶﺯ ‪ ‬ﹾ‬ ‫ﺘﺭﻑ ﻋﹶﻰ ﺭﻜﺒ ‪‬ﺎ ﺍﻷﻏﻨ ‪‬ﺎﺕ‬ ‫ﹶ ِ ﱡ ‪‬ﻠ ‪ ‬ﹾ ِﻬ ُ ﹾ ِﻴ‬ ‫‪‬ﺘﺭ ‪‬ل ﻋﻥ ﺩﺭﺒ ‪‬ﺎ ﺍﻟ ﱠﺎﺌ ‪‬ﺎﺕ‬ ‫ﻭ ﹶ ‪‬ﺤ ُ ‪ِ    ‬ﻬ ﻨ ِﺒ‬ ‫ﻟﻜﻲ ﻴﺴﺘ ِﻴﺩ ﺍﻟﻔ ِﻴﺩ ِﻼﺩﻩ‬ ‫ِ ﹶ ‪   ‬ﹶﻌ ‪ ‬ﹾ ﹶﻘ ‪ ‬ﺒ ‪ ‬‬ ‫***‬ ‫ﺇﻟﻴ ‪‬ﺎ ﻋﺒﺭﺕ‬ ‫ِﹶ ‪‬ﻬ ‪   ‬ﹸ‬ ‫‪ ‬ﹶﺎ ‪‬ﺎ ‪ ‬ﺭﻋﺩ ﻭﺒﺭﻕ‬ ‫ﺠﻨ ﺤ ﻱ ‪      ‬ﹸ‬ ‫ﻴ ِﻴ ‪‬ﺍﻥ ﺨﻠﻑ ﺍﺤﺘ ‪‬ﺎل ﺍﻟﻭ ‪‬ﻭل‬ ‫‪‬ﻁ ﺭ ِ ﹶ ﹾ ﹶ ‪ِ ‬ﻤ ِ ﹾ ‪‬ﺼ‬ ‫ﻭﺠﺩﺏ ﺍﻟﻔ ‪‬ﻭل‬ ‫‪ ِ   ‬ﹾ ﹸﺼ‬ ‫ﻴﺸﺩﻫ ‪‬ﺎ ﻫﻤﺱ ﺸﻭ ٍ‬ ‫‪ ‬ﹸ ‪ ‬ﻤ ‪   ‬ﹶ ‪‬ﻕ‬ ‫ﻭ ﹶﻭﻕ‬ ‫‪‬ﺘ ﹲ‬ ‫ﻭﺩل‬ ‫‪ ‬ﱞ‬ ‫ﻭﺴﻤﺕ‬ ‫‪  ‬ﹸ‬ ‫- ٨٣ -‬
  • 40. ‫ﺇﻟﻴ ‪‬ﺎ ﻋﺒﺭﺕ‬ ‫ِﹶ ‪‬ﻬ ‪   ‬ﹸ‬ ‫ﻭ ‪‬ﺎ ﺃﺠ ‪  ‬ﺍﻟﻘﻠﺏ‬ ‫‪‬ﻤ َ ‪‬ﻬﺩ ﹾ ﹶ ﹾ ‪‬‬ ‫ﻏﻴﺭ ﺍﻓﺘ ﹶﺎ ِﻲ ﺒﻔﺭﺩﻭﺴ ‪‬ﺎ‬ ‫ﹶ ‪  ‬ﹾ ِﺘ ﻨ ِ ِ ‪ِ   ‬ﻬ‬ ‫‪‬ﺍﻨﺘ ﹶﺎ ِﻱ ﻤ ‪‬ﺍ ِﻴﺩ ‪‬ﺎ‬ ‫ﻭ ﹾ ِﻅ ﺭ ‪‬ﻭ ﻋ ‪‬ﻫ‬ ‫***‬ ‫ﻨ ِﻴﻤﹰ ﻭﻤﻠﹾﻜﺎ ﺒ ‪‬ﺍ ﺫِ ‪ ‬ﺍﻟﻜﺒﺭ ‪‬ﺎﺀ‬ ‫ﹶﻌ ﺎ ‪  ‬ﹰ ‪‬ﺩ ﹶﻟﻙ ﹾ ِ ‪ِ ‬ﻴ‬ ‫ﻓﻁﻭﻕ ﺴﻠﻴ ‪‬ﺎﻥ ﹶﺎ ِ ‪‬ﺓ ﺍﻟﺸﻭﻕ‬ ‫ﹶ ﹶ ‪ ‬ﹾ ‪ ‬ﹶ ‪ ‬ﻤ ‪ ‬ﺨ ﺼﺭ ﹶ ﱠ ‪ِ ‬‬ ‫‪‬ﺍﻨﻔﺭ.......‬ ‫ﻭ ﹾِ ‪‬‬ ‫........... ﺨ ﹶﺎﻓﺎ‬ ‫ِﻔ ﹶ‬ ‫ﻷ ﱠﺎ ﻨﻘﺸ ﹶﺎ ﻋﹶﻰ ﻭﺠﻪ ﺒﻠ ِﻴﺱ‬ ‫َﻨ ﹶ ﹶ ﹾﻨ ‪‬ﻠ ‪  ِ  ‬ﹾﻘ ‪‬‬ ‫ﺃﺴ ﹶﺎﺭ ﻭﺠﺩ‬ ‫َ ‪‬ﻔ ‪ٍ   ‬‬ ‫ﻭﺒﻌﺩ ﻗِﻴل ﻤﻥ ﺍﻟﻐﻴﺙ‬ ‫‪    ‬ﹶﻠ ٍ ِ ‪ ‬ﹾ ﹶ ‪ِ ‬‬ ‫‪‬ﺎﺝ ﺍﻟ ﱠﻭ ‪‬ﺱ ِﻴ ﹶﺎ‬ ‫ﻫ ‪ ‬ﺘ ‪‬ﺠ ‪ ‬ﻓ ﻨ‬ ‫ﻓﺭﻤ ﹶﺎ ﻤﻥ ﺍﻟ ‪‬ﺎﺒ ِﻴﻥ ﺍﻋﺘ ‪‬ﺍﻓﺎ‬ ‫ﹶ ‪ ‬ﻨ ِ ‪ ‬ﺼ ِﺌ ‪ِ  ‬ﺭ‬ ‫ﺒﺄﻥ ﺍﻟ ِﻼﺩ ﺇ ﹶﺍ ‪‬ﺎ ﺍﺴﺘﻤﺩﺕ ﻤﻥ ﺍﻟ ﱠﺎﺱ‬ ‫ِ َ ‪ ‬ﹾﺒ ‪ِ ‬ﺫ ﻤ ‪ ‬ﹶ ‪  ‬ﹾ ِ ‪ ‬ﻨ‬ ‫ﹶﺎ ﹶﺎﺘ ِﻡ‬ ‫ﻁ ﻗ ِﻬ‬ ‫- ٩٣ -‬
  • 41. ‫ﹶﻼ ﺒ ‪ِ ‬ﻠﺭﺏ ﺃﻥ ‪‬ﺘ ‪‬ﻠل‬ ‫ﻓ ‪‬ﺩ ﻟ ‪  َ  ‬ﻴ ﹶﺴﱠ َ‬ ‫ﻤﻥ ﺜﻘﺏ ﺇﺠ ‪‬ﺎﺩﻫﻡ‬ ‫ِ ‪ ‬ﹸ ﹾ ِ ِ ‪‬ﻬ ِ ِ ‪‬‬ ‫ﺒﺴ ‪‬ﻼﺕ‬ ‫‪ ‬ﻤ ٍ‬ ‫ﻭﻋﻬ‪‬ﺩﺍ ﺠ ِﻴ ‪‬ﺍ‬ ‫‪  ‬ﹰ ‪‬ﺩ ﺩ‬ ‫***‬ ‫ﺴﻠﻴ ‪‬ﺎﻥ ﺜﺒﺕ ﺠ ﹸﻭﺭ ﺍﻟﻤ ‪‬ﺎﻟﻙ‬ ‫‪ ‬ﹶ ‪‬ﻤ ‪ ‬ﹶ ‪ ‬ﹾ ‪ ‬ﺫ ‪ ‬ﹾ ‪‬ﻤ ِ ِ‬ ‫‪‬ﺍﺘل ﺍﻟﻨ ِﻴ ‪‬ﺍ‬ ‫ﻭ ﹾ ُ ﱠﺸ ﺩ‬ ‫ﻓﻘﺩ ﻴﺴﺘ ِﻴل ﺍﻟﺒ ِﻴﺩ‬ ‫ﹶ ﹶ ‪   ‬ﹶﺤ ُ ﹾ ‪ ‬ﻌ ‪‬‬ ‫- ِﻔﻀ ِ ﺍﻟﻌ ﹶﺎ ِﻴﺕ -‬ ‫ﺒ ﹶ ‪‬ل ﹾ ‪‬ﻔ ﺭ ِ‬ ‫ﺃﻗ ‪  ‬ﻤﻥ ﻁﺭ ِ ‪ ‬ﺍﻟﻨﺯﻗﻲ‬ ‫َ ﹾﺭﺏ ِ ‪ ‬ﹶ ‪‬ﻓﻙ ﱠ ‪ ِ ‬‬ ‫ﻭﻗﺩ ﺘﺤﺘ ِﻴ ﹶﺎ ﺍﻟﻤ ‪‬ﺎﺀﺍﺕ‬ ‫‪ ‬ﹶ ‪ ‬ﹶ ‪ ‬ﹶﻭ ﻨ ﹾ ‪‬ﺴ ‪ ‬ﹸ‬ ‫ﺤ ﱠﻰ ﻴﻅل ﺍﻟﺒ ِﻴﺩ ﺒ ِﻴ ‪‬ﺍ‬ ‫‪‬ﺘ ‪ ‬ﹶ ﱠ ﹾ ‪ ‬ﻌ ‪  ‬ﻌ ﺩ‬ ‫ﹶﻼ ﺃﻨﺕ ِﺭﺕ ﺍﻟﻨﺒﻲ‬ ‫ﻓ َ ﹾ ﹶ ﺼ ‪ ‬ﹶ ﱠِ ‪‬‬ ‫‪‬ﻻ ﻟﻤﺘ ِﻲ ‪‬ﻭﻥ ﺫﺒ ٍ‬ ‫ﻭ ﹸ ‪ ‬ﹶﻨ ﺩ ‪ ‬ﹶ ‪ ‬ﺢ‬ ‫ﻟﺌﻼ ﺃ ‪‬ﻭ ‪‬ﺍ‬ ‫ِ َ ﱠ َﻋ ﺩ‬ ‫***‬ ‫- ٠٤ -‬
  • 42. ‫ﺴﻠﻴ ‪‬ﺎﻥ ﺇﻥ ﺃﺭ ‪‬ﻘﺘ ‪ ‬ﺍﻟ ﱠ ‪‬ﺍ ِﻴﺱ‬ ‫‪‬ﹶ ‪‬ﻤ ‪ َ  ِ ‬ﻫ ﹶ ﹾﻙ ﻨﻭ ﻤ ‪‬‬ ‫ﹶﺎﺨﻠﻊ ﻋﻥ ﺍﻟ ﱠﺍﺕ ‪‬ﻤﺕ ﺍﻟﻤﹸﻭﻙ‬ ‫ﻓ ﹾﹶ ‪ ِ  ‬ﺫ ِ ﺴ ‪ ‬ﹶ ﹾ ‪‬ﻠ ِ‬ ‫ﻷﻥ ﺍﻟﻤﹸﻭﻙ ﺇ ﹶﺍ ﺩﺨﹸﻭﺍ ﻗﺭ ‪ ‬ﹰ‬ ‫‪ ‬ﹾ ‪‬ﻠ ‪ِ ‬ﺫ ‪ ‬ﹶﻠ ﹶ ‪‬ﻴﺔ‬ ‫ﺃﻓ ‪ ‬ﻭ ‪‬ﺎ‬ ‫َ ﹾﺴ ﺩ ﻫ‬ ‫ﻭﺠﻌﹸﻭﺍ ﺃﻋﺯﺘ ‪‬ﺎ ‪‬ﺎﺸ ِﻴ ﹶﺎ‬ ‫‪  ‬ﻠ َ ِ ‪ ‬ﹶﻬ ﻋ ِﻘ ﻨ‬ ‫ﹶﻼ ﺘﻤﺨﺭﻥ ِﻲ ﻋ ‪‬ﺎﺏ ﺍﻟ ﱠﻼﻡ‬ ‫ﻓ ﹶ ‪ ‬ﹸ ‪  ‬ﻓ ‪‬ﺒ ِ ﻅ ِ‬ ‫‪‬ﻻ ﺘﺴﻠ ‪‬ﻨ ‪ ‬ﻫ ِﻱ ﺍﻟﺸ ‪‬ﻭﺱ‬ ‫ﱡﻤ‬ ‫ﻭ ﹶ ‪‬ﹸﺒ ﱠﻙ ‪‬ﺫ‬ ‫***‬ ‫ﺃ ‪‬ﺎ ‪‬ﺍﻟ ِﻱ ﻗﺩ ﺃ ‪‬ﺎﺩ ﺍﻟﻘ ‪‬ﻭﻥ‬ ‫َﻤ ﻭ ﱠﺫ ﹶ ‪َ ‬ﺒ ‪ ‬ﹾ ﹸﺭ ‪‬‬ ‫ﻭﺃﻀ ﹶﻰ ﻋﹶﻰ ﺍﻟ ﱡﻭﺭ ﹸﻭ ‪‬ﺍ‬ ‫‪ َ‬ﻔ ‪‬ﻠ ﻨ ِ ﻨ ﺭ‬ ‫ﻭﺃﻋ ﹶﻰ ﻟﻤﻥ ﻴﺭﺘ ِﻱ‬ ‫‪ َ‬ﻁ ِ ‪    ‬ﹶﻭ‬ ‫ِﺎﺴ ِﻼﺏ ﺍﻟﻨ ‪‬ﺎﺀ‬ ‫ﺒ ‪‬ﺘ ِ ﱢ ﺴ ِ‬ ‫‪ ‬ﺍ ِﻴﺘﻪ ‪‬ﺍﻟﻘ ‪‬ﻭ ‪‬ﺍ‬ ‫ﻴﻭ ﻗ ﹶ ‪ ‬ﻭ ﹾ ﹸﺼ ﺭ‬ ‫ﺴﺄﺤ ﹸﺭ ِﻲ ﻜﻑ ﻫ ﹶﺍ ﺍﻟﺯ ‪‬ﺎﻥ‬ ‫‪ َ‬ﻔ ‪ ‬ﻓ ﹶ ﱢ ‪‬ﺫ ‪‬ﻤ ِ‬ ‫ﺒﺴﻥ ﺍﻟﻘ ﹶﺎﺩ‬ ‫ِ ِ ‪ ‬ﹾ ﹶﺘ ِ‬ ‫ﻋﺭﻓﺕ ﻜ ِﻴﺭﺍ‬ ‫‪  ‬ﹾ ﹸ ﹶﺜ ﹰ‬ ‫- ١٤ -‬
  • 43. ‫ﻓﻤﺕ ﻜ ِﻴ ‪‬ﺍ‬ ‫ﹶ ِ ﱡ ﹶﺜ ﺭ‬ ‫ﻜﺘﺒﺕ ﺃ ‪‬ﺎ ِﻴﺭ ﻋﺸﻕ ﺍﻟﻤﹸﻭﻙ‬ ‫ﹶ ﹶ ‪ ‬ﹸ َﺴ ﻁ ‪ ِ ‬ﹾ ِ ﹾ ‪‬ﻠ ِ‬ ‫ﻓﺠﻑ ﻤ ‪‬ﺍ ِﻱ‬ ‫ﹶ ‪ ‬ﱠ ِﺩ ﺩ‬ ‫ﺭﺃﻴﺕ ﻨ ِﻴﻤﹰ ﻭﻤﻠﹾﻜﺎ‬ ‫‪  َ ‬ﹸ ﹶﻌ ﺎ ‪  ‬ﹰ‬ ‫ﻭﺴﻴﺩﺓ ﹶﺎﺼﺭﺘ ‪‬ﺎ ﺍﻟﺒ ‪‬ﺍ ِﻱ‬ ‫‪    ‬ﹰ ﺨ ‪  ‬ﹾﻬ ﹾ ‪‬ﻭ ﺩ‬ ‫ﺘﺭﻑ ﻋﹶﻰ ﺭﻜﺒ ‪‬ﺎ ﺍﻷﻏﻨ ‪‬ﺎﺕ‬ ‫ﹶ ِ ﱡ ‪‬ﻠ ‪ ‬ﹾ ِﻬ ُ ﹾ ِﻴ ﹸ‬ ‫‪‬ﺘﻨ ِﺽ ِﻲ ﻤﻘﻠﺘﻴ ‪‬ﺎ ﺍﻟﺤ ‪‬ﺎﺓ‬ ‫ﻭ ﹶ ﹾﺒ ‪ ‬ﻓ ‪ ‬ﹾﹶ ﹶ ‪‬ﻬ ﹾ ‪‬ﻴ ﹸ‬ ‫‪‬ﻟ ِﻨ ِﻲ ‪‬ﺎ ﺍﺴﺘ ‪‬ﺩﺕ ِﻼ ِﻱ!‬ ‫ﻭ ﹶ ﻜ ﱠﻨ ﻤ ‪ ‬ﹶ ﻌ ﱡ ﺒ ﺩ‬ ‫- ٢٤ -‬
  • 44. ‫ﺍﻟﺒﺸﺎﺭﺓ‬ ‫ﻴﺎ ﺼﺎﺤﺒﻲ ﺍﺘﺭﻜﺎﻨﻲ ﺇﻨﻨﻲ ﻜﺩﺭ‬ ‫ﹶِ ‪‬‬ ‫‪‬‬ ‫ﻭﺍﻟﻘﻠﺏ ﻓﻲ ﺩﻤﻌﻪ ﻗﺩ ﺒﺎﺕ ﻴﻨﻔﻁﺭ‬ ‫‪‬‬ ‫ﻭﺍﻟﻌﻴﻥ ﻤﻥ ﺸﻭﻗﻬﺎ ﻨﺎﻤﺕ ﻋﻠﻰ ﻀﺠﺭ‬ ‫ٍ‬ ‫ﻭﺍﺴﺘل ﻤﻨﻬﺎ ﺒﺭﻴﻕ ﺍﻟﺒﻬﺠﺔ ﺍﻟ ‪‬ﺠﺭ‬ ‫ِ ﻀ‪‬‬ ‫ﻭﺍﻟﺭﻭﺡ ﻓﻲ ﺠﺩﺒﻬﺎ ﻤﺎ ﺒﱠﻬﺎ ﺒﺭﺩ‬ ‫ﻠ ‪ ‬‬ ‫ﺘﻠﻬﻭ ﺒﻬﺎ ﺍﻟﻨﺎﺌﺒﺎﺕ ﺍﻟﺴﻭﺩ ﻭﺍﻟﻜﺩﺭ‬ ‫‪‬‬ ‫ﻻ ﹸﺴﻠﻤﺎﻨﻲ ﻟﺒﻭﺡ ﺍﻟﻤﺸﺘﻜﻲ ﻜﻤﺩﺍ‬ ‫ﹰ‬ ‫ﺘ‬ ‫ﻋل ﺍﻟﻨﻭﻯ ُﺠﺯﻯ ﺒﻪ ﻴﻭﻤﺎ ﻭﺃﺴﺘﺘﺭ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﺃ‬ ‫ﱠ‬ ‫ﻤﺎ ﺯﺍﺭﻨﻲ ﻁﻴﻔﻬﺎ ﺇﻻ ﻭﺃﺴﻠﻤﻨﻲ‬ ‫ﻟﻠﻨﺎﺭ.. ﻻ ﺘﺤﺭﻗﻲ ﻋﻭﺩﻱ ﺃﻴﺎ ﺴﻘﺭ‬ ‫‪‬‬ ‫ﻤﺎ ﺯﺍﺭﻨﻲ ﻁﻴﻔﻬﺎ ﺇﻻ ﻭﺤ ‪‬ﻗﻨﻲ‬ ‫ﺭ‬ ‫ﻁﻴﻑ ﺍﻷﺤﺒﺔ ﻻ ﻴﺒﻘﻲ ﻭﻻ ﻴﺫﺭ‬ ‫‪‬‬ ‫‪ِ‬‬ ‫ﻜﻴﻑ ﺍﻟﺴﺒﻴل ﺇﻟﻰ ﺸﺩﻭ ﺃﻟﻭﺫ ﺒﻪ‬ ‫ٍ ﹸ‬ ‫ﻤﻥ ﺍﻟﻠﻘﺎ.. ﻭﻟﻬﺎ ﺍﻷﻨﻐﺎﻡ ﻭﺍﻟﻭﺘﺭ‬ ‫‪‬‬ ‫- ٣٤ -‬
  • 45. ‫ﻤ ‪‬ﻭﺍ ﺇﻟﻲ ﻜﺅﻭﺱ ﺍﻟﺨﻤﺭ ﺼﺎﻓﻴﺔ‬ ‫ﹰ‬ ‫‪‬‬ ‫‪‬ﺩ‬ ‫ﺤﺘﻰ ﺃﻏﻭﺹ ﺒﻬﺎ.. ﺃﺤﻴﺎ ﻭُﺤﺘﻀﺭ‬ ‫‪‬‬ ‫ﺃ‬ ‫ﺃﻭ ﻓﺎﺒﺘﻨﻭﺍ ﺩﺍﺭﺓ ﺒﺎﻟﻘﻠﺏ ﺃﺴﻜﻨ ‪‬ﺎ‬ ‫ﻬ‬ ‫ﹰ‬ ‫ﺃﻗﻀﻲ ﺒﻬﺎ ﺤ ‪‬ﺘﻲ ﺩﻭﻤﺎ ﻭﺃﻋﺘﻤﺭ‬ ‫‪‬‬ ‫ﹰ‬ ‫ِﺠ‬ ‫ﻤﺎ ﻟﻲ ﺃﺭﻯ ﺍﻟﻨﺎﻅﺭﻴﻥ ﺍﺴﺘﻨﻜﺭﻭﺍ ﺃ ﹶﺭﻱ‬ ‫َﺜ‬ ‫ﺒﺎﷲ ﻫﻼ ﺩﺭﻯ ﺒﺎﻟﻌﺎﺸﻕ ﺍﻟﻨﻅﺭ‬ ‫‪‬‬ ‫ﱠ‬ ‫ﻫ ‪‬ﻭﺍ ﻤﻌﺎﺒﺩﻜﻡ ﺜﻡ ﺍﺤﻔﻅﻭﺍ ﻜﻠﻤﻲ‬ ‫ﺩ‬ ‫ﺇﻨﻲ ﺭﺴﻭل ﻟﻤﻥ ﺒﺎﻟﺸﻭﻕ ﻗﺩ ﻜﻔﺭﻭﺍ‬ ‫ٌ‬ ‫ﺇ ﱢﻲ ﺼﻔﻲ ﺃﺘﻰ ﻤﻥ ﺒﻠﺩﺓ ﻭﺃ ‪‬ﺕ‬ ‫ٍ ﺩ‬ ‫‪‬‬ ‫ﻨ‬ ‫ﻓﺘﻴﺎﻨﻬﺎ ﺒﻌﺩﻤﺎ ﺃﻀﻨﺎﻫﻡ ﺍﻟﺤﺫﺭ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻻ ﺘﺤﺫﺭﻭﺍ ﻟﻭﻋﺔ ﻤ ‪‬ﺕ ﻨﻭﺍﺠﺫﻫﺎ‬ ‫ﹰ ﺩ‬ ‫ﻓﻲ ﻟﺤﻤﻜﻡ ﻭﺍﻀﺭﺒﻭﺍ ﻓﻲ ﺍﻟﺴﻬﺩ ﻭﺍﻨﺘﺸﺭﻭﺍ‬ ‫ﺨﻭﻀﻭﺍ ﻤﻌﺎﺭﻜﻜﻡ ﻓﺎﻟﺸﻭﻕ ﻤﺫﻫﺒﻜﻡ‬ ‫ﻭﻀﻭﺀﻜﻡ ﻗﺩﻡ.. ﺼﻼﺘﻜﻡ ﺃﺜﺭ‬ ‫َﹶ ‪‬‬ ‫‪‬‬ ‫ﻗﺩ ﺴ ﱢﺭﺕ ﻓﻲ ﻋﺭﻭﻕ ﺍﻟﻜﻭﻥ ﺁﻴ ﹸﻡ‬ ‫‪‬ﻜ ‪‬‬ ‫‪‬ﻁ‬ ‫ﻭﺍﺯ ‪‬ﻨﺕ ﺒﺎﻟﻭﺠﻴﺏ ﺍﻟﺜﺎﺌﺭ ﺍﻟ ‪‬ﻭﺭ‬ ‫ﺴ‪‬‬ ‫‪‬ﻴ‬ ‫- ٤٤ -‬
  • 46. ‫ﻓﺎﺴﺘﻤﺴﻜﻭﺍ ﺒﺎﻟﻘﻠﻭﺏ ﺍﻟﺤﻭﺭ ﻤﻌ‪‬ﺘ ‪‬ﻤﺎ‬ ‫‪ ‬ﺼ ﹰ‬ ‫ﻭﺍﺴﺘﻴ ِﻨﻭﺍ ﺃ ﱠﻪ ﻤﺎ ﺨﺎﻨﻜﻡ ﻗﺩﺭ‬ ‫‪‬‬ ‫ﻘ ﻨ‪‬‬ ‫ﻟﻜﻡ ﻜﺘﺎﺏ ﺤﻭﻯ ﺘﺭﻴﺎﻕ ﺘﺠﺭﺒﺔ‬ ‫ٍ‬ ‫‪‬‬ ‫ﻗل ﻟﻠﺫﻴﻥ ﺍﺤﺘﻤﻭﺍ ﺒﺎﻟﺸﻭﻕ.. ﻤﺎ ﺍﻟﺨﺒ ‪‬؟‬ ‫ﺭ‬ ‫ﻗﺎﻟﻭﺍ ﻋﻬﺩﻨﺎﻜﻡ ﺩﻭﻥ ﺍﻟﻬﻭﻯ ﻋﺩﻤﺎ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺃﺭﻀﺎ ﻟﺩﻴﺠﻭﺭﻫﺎ ﻗﺩ ﻋﺎﻓﻬﺎ ﻗﻤﺭ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﺇ ﱢﻲ ﺍﻨﺘﻅﺭﺕ ﺍﻨﺒﻼﺝ ﺍﻟﻨﻭﺭ ﻓﻲ ﺩﻤﻜﻡ‬ ‫ﹸ‬ ‫ﻨ‬ ‫ﻴﺎ ﻁﺎﻟﻤﺎ ﺸﺎﻗﻨﻲ ﻤﻨﻜﻡ ﻭﺃﻨﺘﻅﺭ !!‬ ‫‪‬‬ ‫- ٥٤ -‬
  • 47. ‫ﻜﻴﻤﻴﺎﺀ ﺍﻟﺤﻭﺍﺩﻴﺕ‬ ‫ﺘﻨﺎﻡ ﺍﻟﺭﺅﻯ ﻗﻁﺭﺓ ﻓﻰ ﺴـﺤـﺎﺒﻪ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﺘﻨﺎﻭﺸﻬـﺎ ﺩﻋـــﻭﺓ ﻭﺍﺴﺘﺠـﺎﺒﻪ‬ ‫‪‬‬ ‫ﹲ‬ ‫ﻓﺘﺴﻘﻁ ﺇﺜﺭ ﺍﻨﻔﺠـﺎﺭ ﺍﻟـﺘــﻔﺎﺴﻴﺭ‬ ‫ﻁﻴﺭﺍ ﻋﻠﻰ ﺍﻷﺭﺽ ﻴﺸﻜـﻭ ﻋﺫﺍﺒــﻪ‬ ‫‪‬‬ ‫ﻴــﺭﻑ ﺒﺄﻓـﻕ ﺍﻟـﺭﺘــﺎﺒﺔ ﻨﺒﻀـﺎ‬ ‫ﻏﺭﻴﻘﺎ ﻴـــﺭﺍﻭﻍ ﻤـﻭﺝ ﺍﻟﺭﺘــﺎﺒﻪ‬ ‫ﺴــﺅﺍﻻ ﻴﻔﻙ ﻁـــﻼﺴﻡ ﻋــﻬﺩ‬ ‫ﺘﻭﻟﻰ ﻭﺸﻘـــﻕ ﻭﺠﻪ ﺍﻹﺠـــﺎﺒﻪ‬ ‫ﻴﻨــﺎﻭل ﺤﻜﻤﺘـﻪ ﺸــــﻬـﺭﺯﺍﺩ‬ ‫ﻓﻴﻔﻘـﺩ ﺴﻴــﻑ ﺤﻜﻴــﻡ ﺼــﻭﺍﺒﻪ‬ ‫ﻭﻴﺘـــﺭﻜﻬﺎ - ﻭﺍﻟـﻭﺴﺎﺩﺓ ﺸﻬﻘﻰ -‬ ‫ﺘﺸﺎﻜل ﺒﻴﻥ ﺍﻷﺴﻰ ﻭﺍﻟـــﺩﻋـــﺎﺒﻪ‬ ‫ﻴﺅﺍﻨﺴﻬـﺎ ﺸﻬــﺭﻴــﺎﺭ ﻟـــﺘﻬﺩﺍ‬ ‫ﻭﺘﻐﻔﻭ ﻋﻥ ﺍﻟﺠﺭﻡ ﻋﻴﻥ ﺍﻟـﺭﻗـﺎﺒﻪ‬ ‫- ٦٤ -‬
  • 48. ‫ﻟﻴﻨﻔﺽ ﻋﻥ ﺭﻴﺸﻪ ﺍﻟﻨﻭﻡ ﺩﻴﻙ ﺍﻟﺼﺒﺎﺡ‬ ‫‪ ‬‬ ‫ﻴﺭﺍﻗﺏ ﻗﺎﻓﻠﺔ ﺘﻔﺭﻍ ﺍﻵﻥ ﺃﻭﺭﺍﻗﻬﺎ‬ ‫ﻗﺭﺏ ﻨﻬﺭ‬ ‫ﺘﺭﺍﻗﺹ ﺠﻬﻼ ﻋﻠﻰ ﻀﻔﺘﻴﻪ ﺍﻟﺤﺭﻴﻕ‬ ‫ﹰ‬ ‫ﻴﺭﺍﻗﺏ ﻋﺎﻫﺭﺓ ﺘﺨﻠﻊ ﺍﻵﻥ ﺃﺜﻭﺍﺒﻬﺎ‬ ‫ﻴﺸﺘﻬﻴﻬﺎ....‬ ‫ﻭﺸﻴﺌﺎ ﻓﺸﻴﺌﺎ ﻴﻀﻴﻊ ﺍﻟﻁﺭﻴﻕ‬ ‫ﹸ‬ ‫ﻭﺸﻴﺌﺎ ﻓﺸﻴﺌﺎ ﻴﻀﻴﻕ ﺍﻟﺒﺭﺍﺡ‬ ‫ﻴﺭﻯ ﺸﻬﺭﻴﺎﺭ‬ ‫ﻭﻓﻰ ﻜﻔﻪ ﺴﻴﻔﻪ ﻤﺜﺨﻥ ﺒﺎﻟﺠﺭﺍﺡ‬ ‫ﺘﻁﺎﺭﺩﻩ ﻭﻟﻭﻻﺕ‬ ‫ﻓﻴﻤﺸﻰ ﻤﻜﺒﺎ ﻋﻠﻰ ﻭﺠﻬﻪ ﻓﻰ ﺍﻷﺯﻗﺔ‬ ‫ﻴﻁﺤﻨﻪ ﺍﻟﻅﻤﺄ ﺍﻟﻤﺘﺴﺭﺏ ﻤﻥ ﺠﻠﺩﻩ‬ ‫ﻓﻰ ﻏﺯﺍﺭﻩ‬ ‫ﺠﻭﻋﻪ/ﻅﻠﻪ‬ ‫ﻭﺍﻟﺼﻐﺎﺭ ﻴﻭﺩﻭﻥ ﻟﻭ ﻗﻨﺼﻭﺍ ﺭﺃﺴﻪ‬ ‫- ٧٤ -‬
  • 49. ‫ﺒﺎﻟﺤﺠﺎﺭﻩ‬ ‫ﹸﺭﻯ ﺃﻯ ﻏﺎﺭ ﺴﻴـــﺄﻭﻯ ﺍﻷﻤــﻴﺭ‬ ‫‪‬‬ ‫ﺘ‬ ‫ﻴﻬـﺩﻯﺀ ﺭﺠﻔﺘﻪ ﻭﺍﺼــﻁﺨﺎﺒــﻪ؟‬ ‫ﺘـــﺭﻯ ﻤﻥ ﺴﻴﻐـــﺴل ﺃﺜﻭﺍﺒـﻪ‬ ‫ﻭﺍﻟﺭﺩﻯ ﺒﻘﻌـﺔ ﺘﺴﺘﺒﻴــﺢ ﺜﻴـﺎﺒﻪ؟‬ ‫ﻴﻨـﺎﺩﻯ ﻏـــﺯﺍﻻﺘﻪ ﻴﺘﻬﺠـــﻰ‬ ‫ﺤﺭﻭﻓﺎ ﺒﻤﺎﺀ ﺍﻟﺠﻨﻭﻥ ﻤـــــﺫﺍﺒﻪ‬ ‫ﺤـﺯﻤﺔ ﻤﻥ ﻨﻜــﺎﺕ ﺍﺒﺘﻬـﺎﺝ ﻭﻟﻤﺎ‬ ‫ﺘﺠﺩ ﺒﻴـﻥ ﻀﻴــﻕ ﺍﻟﻤﺭﺍﺜﻰ ﺭﺤـﺎﺒﻪ‬ ‫ﻗـﺒﺎﺒﺎ ﻋﻠﻴﻬﺎ ﺍﺴﺘﻘــــﺎﻡ ﺍﻟــﻬﻼل‬ ‫ﺭﺌﻴﺴﺎ ﺘـــﻭﺩ ﺍﻟﻨﺠﻭﻡ ﺍﻨﺘﺨـﺎﺒﻪ‬ ‫ﺠــﻤﺎﻋﺎﺕ ﺫﻜـﺭ ﺘـــﻁﻤﺌﻨﻪ‬ ‫ﺒﻌﺩ ﺃﻥ ﻤل ﺭﻋـــﺩﺘـﻪ ﻭﺍﺭﺘﻴﺎﺒﻪ‬ ‫ﻭﺃﻤــﺴﻰ ﻋﻠﻰ ﺤﺎﻓﺔ ﺍﻟـﺠﺭﺡ ﻴﺒﻜﻰ‬ ‫ﻴﺘﺭﺠﻡ ﺒﺎﻟﻨﻬﻨﻬــﺎﺕ ﺍﻀـــﻁﺭﺍﺒﻪ‬ ‫- ٨٤ -‬
  • 50. ‫ﻫﻨﺎ ﻜل ﺸﻰﺀ ﻴﻘﻴﻨــﺎ ﺘﺴـــﺎﻭﻯ‬ ‫ﻁﻨﻴﻥ ﺍﻟﻌﻨﺎﺩل، ﺸـــﺩﻭ ﺍﻟـﺫﺒــﺎﺒﻪ‬ ‫ﻫﻨﺎ ﺸﻬﺭﺯﺍﺩ ﺘﻘﺹ ﺍﻟﺤﻜﺎﻴﺎ‬ ‫ﻋﻥ ﺍﻟﻔﺎﺘﻨﺎﺕ ﺍﻟﻠﻭﺍﺘﻰ ﺍﺨﺘﺼﺭﻥ ﺍﻟﻤﺴﺎﻓﺔ‬ ‫ﹶ‬ ‫ﺒﻴﻥ ﺍﻟﺴﻤﺎﺀ‬ ‫ﻭﺒﻴﻥ ﺍﻨﻔﻼﺕ ﺍﻟﺯﺭﻭﻉ‬ ‫ﻤﻥ ﺍﻟﺘﺭﺒﺔ ﺍﻟﺤﺎﻟﻜﻪ‬ ‫ﻭﻓﻭﻕ ﺍﻷﺴﺭﺓ ﺘﻅﻬﺭ ﻜل ﺍﻟﺨﻔﺎﻴﺎ‬ ‫ﺇﺫﺍ ﺒﺩﻟﺕ ﺠﻤﻠﺔ ﺍﻷﻤﺭ‬ ‫ﺒﺎﻟﻨﺒﺭﺓ ﺍﻟﺸﺎﺌﻜﻪ‬ ‫ﻟﺩﻴﻨﺎ ﻤﻥ ﺍﻟﻀﺤﻙ‬ ‫ﻤﺎ ﻴﻔﺘﺢ ﺍﻟﺒﺎﺏ ﻟﻠﻤﻭﺕ‬ ‫ﻤﺎ ﻴﻨﺯﻉ ﺍﻟﺠﻠﺩ ﻋﻥ ﺸﻬﻘﺎﺕ ﺍﻟﻌﻅﺎﻡ‬ ‫ﻟﺩﻴﻨﺎ ﻤﻥ ﺍﻟﺩﻤﻊ‬ ‫ﻤﺎ ﻴﻤﻨﺢ ﺍﻟﻭﺭﺩ ﻭﻗﺘﺎ‬ ‫ﻟﻴﻨﻤﻭ ﻋﻠﻰ ﺨﺩﻫﻡ ﻤﺭﺓ ﻜل ﻋﺎﻡ‬ ‫- ٩٤ -‬
  • 51. ‫ﻟﺩﻴﻨﺎ ﻤﻥ ﺍﻟـﻀﺤﻙ ﻭﺍﻟﺩﻤـــﻊ ﻤﺎ‬ ‫ﻴﻔﺘﺢ ﺍﻟﺠــﺭﺡ ﺒﻌﺩ ﺍﻟﺘﺌﺎﻡ ﺍﻹﺼــﺎﺒﻪ‬ ‫ﻭﻤــﺎ ﻴﻤﻨﺢ ﺍﻟـــﻭﺍﺠﻤﻴﻥ ﺍﺒﺘﺴـﺎﻤﺎ‬ ‫ﻭﻴﻤـﻸ ﺃﻋﻁـﺎﻓﻬﻡ ﺒﺎﻟــﻨﺠـﺎﺒـﻪ‬ ‫ﺭﺠﻴﻡ ﻫــﻭ ﺍﻟـــﻜﻴﺩ ﻴـﺎﺴـﻴﺩﻯ‬ ‫ﻟﻪ ﻓﻰ ﺍﻟﺤﺸﺎ ﻁﻌﻨـﺔ ﻤﺴﺘﻁـﺎﺒـﻪ‬ ‫ﺘﺤــﺞ ﻗﻠـــﻭﺏ ﺍﻟــﺭﺠﺎل ﺇﻟﻴﻪ‬ ‫ﻭﺘـﺭﺸﻑ ﻓﻲ ﻜـل ﺸـﻭﻁ ﺭﻀـﺎﺒﻪ‬ ‫ﺭﺠﻴـــﻡ ﻭﻫــﻡ ﺩﺍﺌﻤﺎ ﻴﺒﺘــﻐﻭﻥ‬ ‫‪‬‬ ‫ﻟﺩﻴﻨﺎ ﺼﻨﻭﻑ ﺍﻟﻀـﻨﻰ ﻭﺍﻟـﺼﺒــﺎﺒﻪ‬ ‫ﻨﻤﺭ ﺒﻬﻡ ﻓﻭﻕ ﺤـﺩ ﺍﻟــﺼــﺭﺍﻁ‬ ‫ﻓﻴﺴﺘﻘﺒل ﺍﻟــــﻤﺴﺘﺒﺩ ﻋـﻘــﺎﺒﻪ‬ ‫ﻴﺤــﺎﺭﺏ ﻁــﻴﻑ ﺍﻟﺠﻤﺎل ﻤﻬﻴﻀﺎ‬ ‫ﻓﻴـﺭﺸــﻕ ﻓﻰ ﺭﻜﺒﺘﻴـﻪ ﺤـﺭﺍﺒﻪ‬ ‫ﻨﺨﻁ ﻋﻠﻰ ﺨﺩﻩ ﻀﺤﻜﺔ‬ ‫ﺘﺴﺘﻔﺯ ﺍﻟﻘﻨﺎﻓﺫ ﺒﻴﻥ ﺍﻟﻀﻠﻭﻉ‬ ‫- ٠٥ -‬
  • 52. ‫ﻓﺘﻠﻐﻰ ﺍﻟﺤﺩﻭﺩﺍ‬ ‫ﻀﺤﻜﺔ ﻻ ﺘﺤﺎﺒﻰ ﺼﺭﺍﺥ ﺭﻀﻴﻊ‬ ‫ﻋﻠﻰ ﺼﺩﺭ ﺜﻜﻠﻰ‬ ‫ﻓﺘﺅﺘﻰ ﺍﻟﺴﻤﺎﻭﺍﺕ ﻓﻰ ﻜل ﺤﻴﻥ‬ ‫ﻏﺩﺍ ﻀﺎﺤﻜﺎ‬ ‫ﻭﺸﻬﻴﺩﺍ‬ ‫ﻀﺤﻜﺔ ﻴﺴﺘﻅل ﺒﻬﺎ ﺍﻟﻌﺎﺒﺭﻭﻥ ﺇﻟﻰ ﺍﻟﻤﻭﺕ‬ ‫ِ‬ ‫ﻴﺎﺃﻴﻬﺎ ﺍﻟﻤﻭﺕ‬ ‫ﺼﺏ ﻟﻨﺎ ﺍﻟﻀﺤﻙ ﺒﻴﻥ ﺤﻠﻭﻕ ﺍﻷﻓﺎﻋﻰ‬ ‫‪‬‬ ‫ﻭﺩﻋﻨﺎ ﻨﻌﺎﻨﻕ ﻓﻰ ﺭﻭﻋﺔ ﺍﻟﺴﻡ‬ ‫ﻤﻭﺘﺎ ﺠﺩﻴﺩﺍ‬ ‫.........‬ ‫..............‬ ‫ﻫﻨﺎﻟﻙ ﺃﺩﺭﻙ ﻤﻭﻻﻯ ﺼﺒﺢ‬ ‫ﻴﻭﺩ ﺍﻟﻠﺠﻭﺀ ﺇﻟﻰ ﺍﻟﻘﺼﺭ‬ ‫ﺨﻭﻓﺎ ﻤﻥ ﺍﻟﻤﻭﺕ‬ ‫ﻜﻴﻑ ﺍﻟﻘﺼﻭﺭ ﻤﻥ ﺍﻟﻤﻭﺕ ﺘﻨﺠﻭ‬ ‫ﻭﻜﻴﻑ ﺍﻟﻤﻭﺍﻗﻴﺕ ﺘﺨﻁﻭ ﺇﻟﻰ ﺍﻟﻘﺒﺭ‬ ‫ِ‬ ‫ﺒﺎﻟﺭﻭﺡ ﺨﻁﻭﺍ ﻭﺌﻴﺩﺍ؟!‬ ‫- ١٥ -‬
  • 53. ‫ﺴﻼﻤﺎ ﻋـﻠﻰ ﺼﺒﺤــﻜﻡ ﻴﺎﺼﻐــﺎﺭ‬ ‫‪‬‬ ‫ﺍﻟﻤﺴﺎﺀ ﺴﻴـﺭﺸﻕ ﻓﻰ ﺍﻟﻘﻠــﺏ ﻨـﺎﺒﻪ‬ ‫ﺴﻼﻤﺎ ﻋﻠﻰ ﻨﺨـل ﻁــــﻴﺒﺔ ﻭﻫﻭ‬ ‫ﻤﻬﻴﺏ ﻭﺇﻥ ﻓﻘــﺩﺘـﻪ ﺍﻟﻤﻬــﺎﺒﻪ‬ ‫ﺃﺒﻭ ﺍﻟﻬﻭل ﻴﺠﻤﻊ ﺃﻨــﻔﺎ ﺘـﻨـــﺎﺜﺭ‬ ‫ﻓــﻭﻕ ﺘﺭﺍﺏ ﻴــــﺯﺝ ﺘـﺭﺍﺒﻪ‬ ‫ﻴﻤﺎﺭﺱ ﻁﻘﺱ ﺍﻟﻨﻘﺎﻫﺔ ﻤـﻥ ﺠــﺭﺤﻪ‬ ‫ﺜـﻡ ﻴﻨــﺯﻑ ﺘـــﺒﺭ ﺍﻟــﺼﻼﺒﻪ‬ ‫ﻴﻔـﺭ ﺇﻟﻰ ﺍﻟﻨﻴل ﺤـــﻴﻥ ﺘﻀﻴﻕ ﺍﻟـ‬ ‫ﺼﺤـﺎﺭﻯ ﺒﻪ ﻴﺴﺘﻤﻴــــل ﺸﺭﺍﺒﻪ‬ ‫ﺴــﻼﻤﺎ ﻋـﻠﻰ ﺍﻟﻨﻴل ﺤﻴﻥ ﻴﻔﺽ‬ ‫ﺒﻸﻻﺌﻪ ﻏﺎﺒــﺔ ﺇﺜــﺭ ﻏــﺎﺒﻪ‬ ‫ﺘﻘﺘﻔﻴـــﻪ ﺍﻟـﺜﻜﺎﻟﻰ، ﻴﻠﻤﻠﻤﻥ ﺃﺸﻼﺀ‬ ‫ﺃﺯﻭﺍﺠﻬـﻥ ﻭﺘﺒــــﻜﻰ ﺭﺒﺎﺒـﻪ‬ ‫ﻓﺘﺴﻊ ﻋﺠﺎﻑ ﺴﻴﻤــﺼـــﺼﻨﻪ‬ ‫ﻭﻴﺸﺩﺩﻥ ﺤﻭل ﺍﻟــﻤﺼﺏ ﺍﻟﻌﺼﺎﺒﻪ‬ ‫ﻭ ﺒـﻴﻥ ﺍﻟــﺤﺠﺎﺭ ﺜـــﻭﻯ ﺃﺒﻜﻡ‬ ‫ﻴﻔـﻙ ﺍﻟـﺭﻤﻭﺯ ﻟـــﻨﺎ ﺒﺎﻹﻨـﺎﺒﻪ‬ ‫- ٢٥ -‬
  • 54. ‫ﺇﺫﻥ ﻜـل ﺸﻰﺀ ﻴﻘﻴﻨــــﺎ ﺘﺴﺎﻭﻯ‬ ‫ً‬ ‫ﻁـﻨﻴﻥ ﺍﻟــــﻌﻨﺎﺩل، ﺸﺩﻭ ﺍﻟﺫﺒﺎﺒﻪ‬ ‫ﻫﻨﺎ ﺸﻬﺭﺯﺍﺩ ﺘﻘﺹ ﺍﻟﺤﻜﺎﻴﺎ‬ ‫ﻋﻥ ﺍﻟﺴﻨﺩﺒﺎﺩ‬ ‫ﻭﻗﺩ ﺍﺸﻌل ﺍﻟﻤﻔﺭﺩﺍﺕ ﺒﺴﻴﺭﺘﻪ‬ ‫ﻭﺍﻫﺘﺩﻯ ﺒﺎﻟﻤﻭﺍﻭﻴل‬ ‫ﺤﺘﻰ ﻴﻭ ‪‬ﺩ ﺒﻴﻥ ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﺤ‬ ‫- ﻓﻰ ﻫﺩﺃﺓ ﺍﻷﻤﺴﻴﺎﺕ -‬ ‫ﻭﺒﻴﻥ ﺍﻟﻌﺠﺏ‬ ‫ﺸﺠﺎﻋﺘﻪ ﻨﺨﻠﺔ‬ ‫ﻤﻥ ﺭﺤﻴﻕ ﺍﻟﺭﻤﺎل ﺍﺭﺘﻭﺕ‬ ‫ﺤﻴﻥ ﺸﺒﺕ‬ ‫ﻓﺄﻤﻁﺭﺕ ﺍﻟﻁﻴﺒﻴﻥ‬ ‫ﻁﻌﺎﻡ ﺍﻟﻔﻘﻴﺭ ﻭﺤﻠﻭﻯ ﺍﻟﻐﻨﻰ‬ ‫) ١(‬ ‫ﻭﺯﺍﺩ ﺍﻟﻤﺴﺎﻓﺭ ﻭﺍﻟﻤﻐـﺘﺭﺏ‬ ‫ﻗﺼﺎﺌﺩﻩ...‬ ‫ﻓﻰ ﻋﻴﻭﻥ ﺍﻟﺼﻐﺎﺭ ﺍﻨﺘﻔﺎﺽ‬ ‫ﻭﺒﻴﻥ ﻀﻠﻭﻉ ﺍﻟﺸﻴﻭﺥ ﻨﺩﻯ‬ ‫ً‬ ‫- ٣٥ -‬
  • 55. ‫ﻴﺎﻟﻬﺫﻯ ﺍﻟﻘﺼﺎﺌﺩ‬ ‫ﺤﻴﻥ ﺘﺴﺎﻓﺭ ﻓﻰ ﺍﻟﺭﻭﺡ ﻋﻁﺭﺍ‬ ‫ﻭﻋﻁﺭﺍ ﻤﻥ ﺍﻟﺭﻭﺡ- ﻓﻰ ﻟﺤﻅﺎﺕ ﺍﻟﺼﻔﺎ-‬ ‫ﹰ‬ ‫ﺘﻨﺴﺭﺏ‬ ‫ﻤﻼﻤﺤﻪ...‬ ‫ﻟﻴﺱ ﺸﻰﺀ ﺴﻭﺍﻫﺎ‬ ‫ﻴﻔﺭﻕ ﻓﻰ ﺩﻋﺔ ﺒﻴﻥ ﺜﻭﺭﺓ ﺤﻠﻡ‬ ‫ﻭﺒﻴﻥ ﺍﺒﺘﻬﺎﺝ ﻏﻀﺏ‬ ‫ﺇﻨﻪ ﺭﺍﺠل ﻓﻰ ﺍﻟﺒﺤﺎﺭ‬ ‫ﻭﻓﻭﻕ ﺍﻟﺫﺭﻯ ﺭﺍﻜﺏ‬ ‫ﻟﻴﺘﻪ ﺨ ﹼﻑ ﺍﻟﻭﻁﺀ‬ ‫ﻔ‬ ‫ﺤﻴﻥ ﺍﺭﺘــﻘﻰ ﺼﻬـﻭﺓ ﺍﻟــﻤﺠﺩ‬ ‫ﺃﺩﺭﻙ ﻤﻥ ﻤﻭﻁﻥ ﺍﻟﻨــﺎﺌﺒﺎﺕ ﺍﻗﺘﺭﺍﺒﻪ‬ ‫ﻷﻥ ﺍﻟﻔـــﺘﻰ ﺃﺼﻠــﻪ ﻤﻥ ﺘـﺭﺍﺏ‬ ‫ﺴﻴﻌﻠﻥ ﻟﻠﻌــﺎﻟــﻤﻴﻥ ﺍﻨﺘﺴــﺎﺒﻪ‬ ‫ﺴﻴﻨﻘﺵ ﻓﻰ ﺍﻟﻘـﻠﺏ ﺒﻴﺕ ﺍﻟﻘﺼـــﻴﺩ‬ ‫ﻭﻴﻭﺩﻋﻨـﺎ ﺴﻤﺘــﻪ ﻭﺸﺒﺎﺒـــﻪ‬ ‫- ٤٥ -‬
  • 56. ‫ﺴﻴــﺭﺤل ﺒﻴــﻥ ﺸﻘﻭﻕ ﺍﻟﺭﻤﺎل‬ ‫ﻟﻴﻘـﺭﺃ ﻟﻠـــﻤﻴﺘﻴـﻥ ﻜﺘــﺎﺒـــﻪ‬ ‫ﻨﺭﺍﻩ ﻴﺤﺎﻭﺭ ﺒﻁـــﺵ ﺍﻟـﻁﻭﺍﺤﻴﻥ‬ ‫ﻴﺜﻘﻠﻬﺎ ﺒﻁـــﺸــﻪ ﻭﺍﻟﺘﻬـــﺎﺒﻪ‬ ‫ﻟﻙ ﺍﻟﻤﺠﺩ ﻴﺎ ﺍﺒﻥ ﺍﻟـــﺭﻴﺎﺡ ﻭﻴﺎ ﻨﺒـ‬ ‫ﺘﺔ ﺍﻟـﻨﻭﺭ ﻓﻰ ﻅﻠﻤﺔ ﻤﺴﺘﻁﺎﺒﻪ‬ ‫ﻟﻙ ﺍﻟﻤﺠــــﺩ ﺤﻴﻥ ﺍﺤﺘﻭﺍﻙ ﺍﻟﻔﻨﺎﺀ‬ ‫ﻓﺄﺯﻤﻌـﺕ ﺭﻓـــــﻀﺎ ﺘﺸﻕ ﻋﺒﺎﺒﻪ‬ ‫ﺘﺭﻭﻴـــــﻙ، ﺘﻬﺩﻴﻙ، ﺘﻜﺴﺭ ﻋﻨﻙ‬ ‫ﺍﻟﺴﻼﺴل ﺩﻋــــﻭﺘﻙ ﺍﻟـﻤﺴﺘﺠﺎﺒﻪ‬ ‫ﻓﻴﻨﺴــﻜﺏ ﺍﻟﻨﺼﺭ ﻓﻰ ﺍﻷﺭﺽ ﻜﺭﻫﺎ‬ ‫ﻭﻤﻥ ﺜﻡ ﻁـــــﻭﻋﺎ ﻴﻌﻴﺩ ﺍﻨﺴﻜﺎﺒﻪ‬ ‫ﻭﻴﺴــﺄﻟﻨﺎ ﻋﻥ ﺨـﺭﺍﺝ ﺍﻟﺴﺤﺎﺒﻪ‬ ‫ﻟﺌﻼ ﻴﻘﺎﻴﻀﻨــــﺎ ﺸـــﻬﺭﻴﺎﺭ‬ ‫ﻓﻴﺎ ﺸﻬﺭﺯﺍﺩ‬ ‫ﻤﺩﺍﻓﻌﻬﻡ ﺴﻭﻑ ﺘﻘﺫﻑ ﺃﺼﻼﺒﻨﺎ ﺒﺎﻟﻘﻨﺎﺒل‬ ‫ﻓﺈﻤﺎ ﺘﻘﺼﻴﻥ ﻟﻠﺜﺎﻜﻼﺕ ﺍﻟﺤﻜﺎﻴﺎ‬ ‫ﻭﺇﻤﺎ ﺘﻠﻭﺤﻴﻥ ﻓﻰ ﺍﻷﻓﻕ‬ ‫- ﺤﻴﻥ ﻴﻁﻭل ﺍﻟﺤﺼﺎﺭ -‬ ‫- ٥٥ -‬
  • 57. ‫ﻤﻜﻠﻠﺔ ﺒﺎﻟﺴﻨﺎﺒل‬ ‫ﹸﺸﻕ ﺍﻷﺨﺎﺩﻴﺩ ﻜل ﺼﺒﺎﺡ‬ ‫ﺘ ﱡ‬ ‫ﻟﺘﺒﻠﻊ ﺼﻭﺕ ﺍﻟﻨﻭﺍﻗﻴﺱ‬ ‫ﺘﺨﻨﻕ ﺼﻭﺕ ﺍﻟﻤﺅﺫﻥ‬ ‫ِ‬ ‫ﺘﻌﺘﺯﻡ ﺍﻟﺒﻴﻊ ﻟﻠﻨﺎﺭ ﺩﻭﻥ ﻤﻘﺎﺒل‬ ‫ﻭﻓﻰ ﺍﻟﻠﻴل‬ ‫ﺘﺴﺘﻘﺒل ﺍﻟﺒﻠﺩﺓ ﺍﻟﻤﻁﻤﺌﻨﺔ‬ ‫ﹸ‬ ‫ﺠﻴﺸﺎ ﻴﺠﺭ ﺍﻟﻌﺭﺍﻕ‬ ‫ﹶ‬ ‫ﻭﻤﺼﺭ‬ ‫‪‬‬ ‫ﻭﻏﺭﻨﺎﻁﺔ ﺍﻟﻤﺘﻌﺒﻴﻥ‬ ‫ﻭﺒﺎﺒل‬ ‫ﺃﻫﺫﺍ ﻫﻭ ﺍﻟﺤﺸﺭ...‬ ‫ﺃﻡ ﺨﻁﻭﺓ ﻟﻸﻤﺎﻡ‬ ‫ﺘﻐﻴﺭ ﺸﻜل ﺍﻟﺤﻭﺍﺩﺙ‬ ‫ﹸﻨﺴﻲ ﺍﻟﻌﺒﺎﺩ ﺍﻟﺘﻭﺍﺭﻴﺦ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﺘ‬ ‫ﻭﺍﻟﻜﻠﻤﺎﺕ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﹶ‬ ‫ﻤﻥ ﺫﺍ ﺴﻴﻨﺴﻰ...؟!‬ ‫ﻭﺼﻭﺕ ﺍﻟﻬﺯﻴﻤﺔ‬ ‫- ٦٥ -‬
  • 58. ‫ﺩﻤﺩﻤﺔ ﻓﻰ ﻋﺭﻭﻕ ﺍﻟﺠﺯﺍﺌﺭ ﺼﺎﺭ‬ ‫ﹰ‬ ‫ﻭﺃﻏﻨﻴﺔ ﻭﺤﺭﻴﻘﺎ ﻭﺃﻨﺴﺎ‬ ‫ﹰ‬ ‫ﺘﺭﺍﻫﺎ ﺍﻟﺠﺯﺍﺌﺭ ﻓﻰ ﺍﻟﻨﻭﻡ‬ ‫ﺘﺤﻤل ﺒﻴﻥ ﻴﺩﻴﻬﺎ ﺍﻟﻤﺼﺎﺒﻴﺢ‬ ‫ﺘﺒﺤﺙ ﻋﻨﻬﺎ...‬ ‫ﻟﺘﺠﺩل ﺸﻌﺭ ﺍﻟﺠﻤﻴﻠﺔ ﺇﻜﻠﻴل ﺯﻫﺭ‬ ‫ٍ‬ ‫ﻴﻁﻭﻑ ﺒﺒﻴﺭﻭﺕ، ﺒﻐﺩﺍﺩ، ﺒﺎﺭﻴﺱ‬ ‫ﻴﻨﺸﻰﺀ ﻓﻰ ﻜل ﺃﺭﺽ‬ ‫ﻤﻘﺎﻤﺎ ﻜﺭﻴ ًﺎ ﻭﻗﺩ ًﺎ‬ ‫ﺴ‬ ‫ﻤ‬ ‫ﺃﻴﺎ ﺸﻬﺭﺯﺍﺩ ﺍﻓﺘـﺤـﻰ ﺍﻟﺴﺠــﻥ‬ ‫ﺇﻥ ﺍﻷﻤﺎﺯﻴﻎ ﻴﺴﺘﺴﻬـﻠﻭﻥ ﺼﻌـــﺎﺒﻪ‬ ‫ﻭﻁــﺎﺭﻕ ﺴـــل ﺍﻟـﺴﻼﺡ ﻜﺠﺭﻡ‬ ‫ﱠ‬ ‫ﻴﻜﺭﺭ ﺭﻏﻡ ﺍﻟﻌـﻘﺎﺏ ﺍﺭﺘﻜـﺎﺒـﻪ‬ ‫ﻴﺤــ ‪‬ل ﺃﺤــﻼﻤﻨــــﺎ ﺜـﻭﺭﺓ‬ ‫ﻭ‬ ‫ﻭﺍﻟـﺒﻼﺩ ﺍﻟﺴـــﺒﺎﻴﺎ ﺘﻭﺩ ﺍﻨﺘﺩﺍﺒـﻪ‬ ‫ﻴﻐﻴﺽ ﻓـﻨـﺠﺘﺭ ﺫﻜﺭﺍﻩ ﻨﺒﻌــــﺎ‬ ‫ﻟﻨﺭﺸﻑ ﻭﻗــﺕ ﺍﻟﺠﻔـــﺎﻑ ﺴﺭﺍﺒﻪ‬ ‫- ٧٥ -‬
  • 59. ‫ﻨﻭﺴـــﻊ ﻟـ ﺍﺒﻥ ﻜﻭﻟـﻤﺒﻭﺱ ﺒﻴﻥ‬ ‫ﺍﻟﻤـــﻀـﻴﻕ ﻁﺭﻴﻘﺎ ﻟﻴﺒﻨﻰ ﻗﺒﺎﺒﻪ‬ ‫ﻨﻬـﻨﻰﺀ ﺃﻨﻔﺴﻨــــﺎ ﺒﺎﻟـــﺒﺭﻴﻕ‬ ‫ِ‬ ‫ﻟﻨﻘـــــﺭﺃ ﻗﺒل ﺍﻟﻘﺩﻭﻡ ﺨﻁـﺎﺒﻪ‬ ‫- ﻟﻜﻡ ﻤﺎ ﻟﻜﻡ.. ﻭﺍﻟﺸــﺭﺍﻉ ﻴﻘــﺭﺭ‬ ‫ﻨﺤﻭ ﺍﻟــــﺘﺭﺍﺏ ﺍﻟﻨﻔﻴﺱ ﺫﻫﺎﺒﻪ‬ ‫- ﻟﻜﻡ ﻤﺎ ﻟﻜﻡ ﻭﺍﻟﺨـــﻠﻭﺩ ﺍﺼﻁﻔﺎﻨﻰ‬ ‫ﻭﺍﻭﻗﺩ ﻤﻥ ﻨــﺎﻅﺭﻯ ﺸﻬﺎﺒﻪ‬ ‫‪‬‬ ‫ﻫﻨـﺎ ﻜــل ﺸﻰﺀ ﺘﺄﺼــــل ﻓﻴﻨﺎ‬ ‫ﱠ‬ ‫ﻁﻨﻴﻥ ﺍﻟـــﻌﻨﺎﺩل، ﺸـــﺩﻭ ﺍﻟﺫﺒﺎﺒﻪ‬ ‫ﻫﻨﺎ ﺸﻬﺭﺯﺍﺩ...‬ ‫ﺘﺼﺎﻓﺢ ﻋﻨﺩ ﺍﻜﺘﻤﺎل ﺍﻟﺼﻔﻭﻑ‬ ‫) ٢(‬ ‫"ﺨﻭﺍﻥ ﺍﻨﺩﺭﻴﻪ"‬ ‫ﺘﺸﻴﺭ ﺒﺈﺼﺒﻌﻬﺎ ﻟﻠﻘﻭﺍﻓل ﺤﻴﻥ ﺘﻤﺭ‬ ‫ﻭﺘﺴﻜﺏ ﺒﻌﻀﺎ ﻤﻥ ﺍﻟﺸﻌﺭ،‬ ‫ﺒﻌﻀﺎ ﻤﻥ ﺍﻷﻏﻨﻴـﺎﺕ ﺍﻟﻠـﻭﺍﺘﻰ ﺘﻔـﻙ‬ ‫ﺍﻹﺴﺎﺭﺍ‬ ‫- ﺨﺫﻭﺍ ﻤﺎ ﺍﺴﺘﻁﻌﺘﻡ !‬ ‫- ٨٥ -‬
  • 60. ‫ﻓﺒﻌﺩ ﺍﺸﺘﻌﺎل ﺍﻟﺘﺼﺤﺭ ﻓﻰ ﺃﺭﻀﻜﻡ‬ ‫ﺴﻭﻑ ﻴﻔﺘﺢ ﺒﺴﺘﺎﻨﻜﻡ ﺤﻀﻨﻪ ﻜﻰ ﻴﻀـﻡ‬ ‫ﺍﻟﺨﻀﺎﺭﺍ‬ ‫- ﺨﺫﻭﺍ ﻴﺎﺭﻓﺎﻕ‬ ‫ﺨﺫﻭﺍ ﺤﺫﺭﻜﻡ‬ ‫"ﺇﻴﺯﺍﺒﻴل" ﺴﺘﺄﻜل ﺭﻤﺎﻨﺔ ﻓﻰ ﺍﻟﺴﺭﻴﺭ‬ ‫ِ‬ ‫ﻭﺘﻀﺤﻙ‬ ‫ﺤﻴﻥ ﺘﺭﻯ "ﻤﻘﺩﻡ ﺍﻟﻘﺒﺭﻱ" )٣(ﺍﻟﻀﺭﻴﺭ‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻴﺠﻭﺱ ﺨﻼل ﺍﻟﺘﻭﺍﺸﻴﺢ‬ ‫ﻴﺒﺤﺙ ﻋﻥ ﻤﻭﻁﻰﺀ ﻻ ﻴﺜﻴﺭ ﺍﻟﻐﺒﺎﺭﺍ‬ ‫ﻫﻭ ﺍﻟﺒﺤﺭ...‬ ‫ﻴﺤﻤل ﻟﻠﻤﺘﻌﺒﻴﻥ ﺍﻟﺩﻭﺍﺀ‬ ‫ﻭﻴﻭﺩﻉ ﻗﻠﺏ ﺍﻟﻨﻴﺎﻡ ﺍﻟﻨﻬﺎﺭﺍ‬ ‫ﻫﻭ ﺍﻟﺒﺤﺭ...‬ ‫ﻤﻥ ﻴﺴﺘﻁﻴﻊ ﺍﻟﺘﺒﺨﺘﺭ ﻓﻰ ﺍﻷﺭﺽ ﻓﺨﺭﺍ‬ ‫ﺇﺫﺍ ﻤﺎ ﺍﺴﺘﺒﺩ ﺍﻟﺠﻔﺎﻑ ﺒﻨﺎ‬ ‫ﻭﺍﺴﺘﺒﺎﺡ ﺍﻟﻔﺨﺎﺭﺍ‬ ‫ﻫﻭ ﺍﻟﺒﺤﺭ...‬ ‫- ٩٥ -‬
  • 61. ‫ﻴﻠﻔﻅ ﻓﻰ ﻜل ﺤﻴﻥ ﻋﺭﻭ ًﺎ‬ ‫ﺴ‬ ‫ﺘﺤﺎﻭل ﺃﻥ ﺘﺩﻓﻊ ﺍﻟﺠﻬل ﻋﻨﻬﺎ‬ ‫ﻟﺘﻠﺒﺱ ﻓﻰ ﺍﻟﻤﺠﺩ ﺃﺒﻬﻰ ﺭﺩﺍﺀ‬ ‫ﻋﺭﻭﺴﺎ ﺘﺴﺎﻕ ﺇﻟﻰ ﺍﻟﻨﺎﺭ ﺭﺍﻀﻴﺔ‬ ‫ﻋﻠﻬﺎ ﺘﺴﻤﻊ ﺍﻟﻘﺱ‬ ‫‪‬‬ ‫ﻴﺸﻔﻊ ﻋﻨﺩ ﺃﺒﻴﻬﺎ ﺍﻟﺫﻯ ﻓﻰ ﺍﻟﺴﻤﺎﺀ‬ ‫"ﺃﻴﻬﺎ ﺍﻟﺭﺏ..."‬ ‫ﺃﺨﻔﻴﺕ ﺒﻌﻀﺎ ﻤﻥ ﺍﻟﻨﻭﺭ ﻋﻨﺎ‬ ‫) ٤(‬ ‫ﻭﺃﻋﻁﻴﺘﻪ ﺯﻤﺭﺓ ﺍﻟﺒﺴﻁﺎﺀ"‬ ‫ﻓﻼ ﻓﺭﻕ ﺒﻴﻥ ﺍﻟﺤﻴﺎﺓ‬ ‫ِ‬ ‫ﻭﺒﻴﻥ ﺍﻟﻤﻤﺎﺕ‬ ‫ﺇﺫﺍ ﺼﺎﺭ ﻜل ﺍﻟﺭﺠﺎل ﻋﺒﻴﺩﺍ‬ ‫ﻭﻜل ﺍﻹﻨﺎﺙ ﺇﻤﺎﺀ‬ ‫‪‬‬ ‫....................‬ ‫...................‬ ‫ﻫﻨﺎ ﺸﻬﺭﻴﺎﺭ...‬ ‫ﻴﻘﺹ ﺠﻨﺎﺡ ﺍﻟﺤﺭﻭﻑ‬ ‫ﻟﺌﻼ ﺘﻔﺭ ﻤﻥ ﺍﻟﻘﺼﺭ‬ ‫- ٠٦ -‬
  • 62. ‫ﺘﺸﻌل ﻓﻰ ﺍﻟﺒﻠﺩﺓ ﺍﻟﻤﻁﻤﺌﻨﺔ‬ ‫ﺠﺫﻭﺘﻬﺎ ﺍﻟﺨﺎﺒﻴﻪ‬ ‫ﻭﻤﺴﺭﻭﺭ ﻴﺤﺼﻰ ﻋﺩﺍﺩ ﺍﻟﻌﺫﺍﺭﻯ‬ ‫ﻴﺘﻤﺘﻡ :‬ ‫" ﻴﺎﻟﻴﺘﻬﺎ ﻜﺎﻨﺕ ﺍﻟﻘﺎﻀﻴﻪ..."‬ ‫ﻓﻴﺎ ﺸﻬﺭﺯﺍﺩ...‬ ‫ﻏﺩﺍ ﺴﺘﺩﻭﺭ ﺍﻟﺩﻭﺍﺌﺭ‬ ‫ﺘﻜﺘﺴﺏ ﺍﻟﺭﻭﺡ ﺒﻌﺩ ﻤﺭﻭﺭ ﺍﻟﺴﻨﻴﻥ ﺍﻟﻌﺭﺍﻓﺔ‬ ‫ﺘﺼﻴﺭ ﺍﻟﻤﺩﻴﻨﺔ ﻏﻴﺭ ﺍﻟﻤﺩﻴﻨﺔ‬ ‫ِ‬ ‫ﻭﺍﻟﺩﺭﺏ ﻴﻤﻨﺢ ﺃﺠﻴﺎﻟﻨﺎ‬ ‫- ﺭﻏﻡ ﻀﻴﻕ ﺍﻟﺒﺭﺍﺡ -‬ ‫ﺍﺘﺴﺎﻉ ﺍﻟﻤﺴﺎﻓﺔ‬ ‫ﹾ‬ ‫ﺃﻓﻕ ﺸﻬﺭﻴﺎﺭ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﻓﺒﻌﺩ ﻗﻠﻴل ﻤﻥ ﺍﻟﻘﻬﺭ‬ ‫ﺴﻭﻑ ﻨﻨ ﱢﺢ ﺃﺫﻫﺎﻨﻬﻡ‬ ‫ﻘ‬ ‫ﺒﻌﺩﻤﺎ ﺍﺴﺘﺸﻬﺩ ﺍﻟﻤﻐﺭﻀﻭﻥ ﺒﺴﻔﺭ ﺍﻟﺨﺭﺍﻓﺔ‬ ‫ﺃﻓﻕ ﺸﻬﺭﻴﺎﺭ‬ ‫ﹾ‬ ‫ﻓﺒﻌﺩ ﻗﻠﻴل‬ ‫- ١٦ -‬
  • 63. ‫ﻴﺠﻰﺀ ﺍﻟﻤﻌﺭﻱ‬ ‫)٥(‪La pibliatique National de Paris‬‬ ‫ﻤﻤﻌــــــﻨﺎ ﻓﻰ ﺍﻟﻜﺂﺒﻪ‬ ‫‪‬‬ ‫ﻴﺤــــﺎﻭل ﺃﻥ ﻴﺴﺘﻌﻴﺩ ﺍﻟﻤـﻭﺍﻗﻴﺕ‬ ‫ﻴﻔــــﺭﻕ ﺒﻴﻥ ﺍﻟﺫﻯ ﻗﺩ ﺘﺸــﺎﺒﻪ‬ ‫ﺭﺴــﺎﻟﺘﻪ ﻓﻰ ﺃﺼﺎﺒﻊ "ﺩﺍﻨـــﺘﻰ"‬ ‫ﻴﻨﻘﺤﻬـﺎ ﺩﻭﻥ ﺃﻯ ﺍﺴــﺘـــﺭﺍﺒﻪ‬ ‫ﻜﻤﻥ ﻴﺸﺘــﺭﻯ ﻤﻥ ﻓـﻘﻴﺭ ﺒﻀـﺎﻋﺘﻪ‬ ‫ﻋﻨﻭﺓ ﺜﻡ ﻴﺒـــﺩﻯ ﺍﻗﺘﻀـــﺎﺒﻪ‬ ‫ﻭﻴﺴـــــﺭﻕ ﻤﻥ ﻟﺒﺩﺓ ﺍﻟﻠﻴﺙ ﻁﻌﻤﺎ‬ ‫ﻓﻴﺤﻤﻰ ﺍﻟﻌــﺭﻴﻥ ﻟﻴﺨﻔﻰ ﺍﺴﺘـﻼﺒﻪ‬ ‫ﻫﻨﺎ ﺴــﻭﻑ ﻴﺼــــﻌﺩ "ﻟﻭﺭﻜﺎ"‬ ‫ﻤﻨﺼﺘـــﻪ ﻜﺎﺸﻔﺎ ﻟﻠﻘﻀﺎﺀ ﻨﻘﺎﺒﻪ‬ ‫ﻴـ ‪‬ﻭﻥ ﺒــﺭﻫـــﺎﻨﻪ ﻤﺴﺘﻌـﻴﺫﺍ‬ ‫ﺩ‬ ‫ﻤﻥ ﺍﻟـﻅﻠﻤﺎﺕ ﺒﻨـــﻭﺭ ﺍﻟﺤﺠﺎﺒﻪ‬ ‫"ﻓﻰ ﻗﻁﺭﺓ ﺍﻟﻤﺎﺀ ﻜﺎﻥ ﺍﻟﻀﺭﻴﺭ‬ ‫ﻴﻔﺘﺵ ﻋﻥ ﻜﻠﻤﺔ ﻻ ﻴﻘﻭل ﺒﻬﺎ‬ ‫ﺃﻨﻪ ﻻ ﻴﺭﻴﺩ ﺍﻟﻜﻼﻤﺎ‬ ‫- ٢٦ -‬
  • 64. ‫ﺴﻴﺼﻨﻊ ﻤﻥ ﺼﻭﺘﻪ ﺨﺎﺘﻤﺎ‬ ‫) ٦(‬ ‫ﺜﻡ ﻓﻰ ﺇﺼﺒﻊ ﺍﻟﺼﻤﺕ ﻴﺜﺒﺘﻪ"‬ ‫ﻋﻴﻨﻪ ﺭﺍﻴﺔ‬ ‫ﺃﺼﻠﻬﺎ ﺜﺎﺒﺕ ﻓﻰ ﺍﻟﺘﺭﺍﺏ‬ ‫ِ‬ ‫ﻭﻟﻜﻨﻬﺎ ﺘﻘﺭﻯﺀ ﺍﻟﻌﺎﻟﻤﻴﻥ ﺍﻟﺴﻼﻤﺎ‬ ‫ﺘﺭﺍﻫﻡ ﻴﻨﺎﻤﻭﻥ ﺘﺤﺕ ﺍﻷﺴﺭﺓ‬ ‫‪ِ‬‬ ‫ﺤﻴﻥ ﻴﺭﻥ ﺍﻟﺠﺭﺱ‬ ‫‪‬‬ ‫ﻭﺤﻴﻥ ﺘﺤﻠﻕ ﻓﻭﻕ ﺍﻟﺭﺅﻭﺱ ﺍﻟﺼﻘﻭﺭ‬ ‫‪‬‬ ‫ﻴﺩﺴﻭﻥ ﻓﻰ ﺠﻴﺒﻬﻡ ﻤﻔﺭﺩﺍﺕ ﺍﻟﺨﺭﺱ‬ ‫‪‬‬ ‫ﻫﻨﺎ ﺴﻭﻑ ﻴﺩﺨل "ﻟﻭﺭﻜﺎ" ﺭﺅﺍﻫﻡ‬ ‫ﻴﻬﺵ ﺍﻟﺼﻘﻭﺭ‬ ‫ﻴﺸﺎﻁﺭﻫﻡ ﻴﻘﻅﺔ ﻭﻤﻨﺎﻤﺎ‬ ‫ﻓﻴﺯﻋﻕ "ﺇﻴﻠﻭﺍﺭ" ﻓﻰ ﺍﻟﺸﺎﻨﺯﻟﻴﺯﻴﻪ‬ ‫"ﺒﺎﺭﻴﺱ ﻤﻘﺭﻭﺭﺓ ﻴﺎﺭﻓﺎﻕ‬ ‫ﺒﺎﺭﻴﺱ ﺠﺎﺌﻌﺔ‬ ‫ﻟﻡ ﺘﻌﺩ ﺘﺄﻜل ﺍﻟﻜﺴﺘﻨﺎﺀ ﻋﻠﻰ ﺍﻟﻁﺭﻗﺎﺕ‬ ‫ﺒﺎﺭﻴﺱ ﺘﻠﺒﺱ ﺜﻭﺏ ﻋﺠﻭﺯ‬ ‫ﻭﻭﺍﻗﻔﺔ ﺴﺘﻨﺎﻡ ﺒﻘﺎﻁﺭﺓ ﻴﺤﺘﻭﻴﻬﺎ ﺍﺨﺘﻨﺎﻕ‬ ‫- ٣٦ -‬
  • 65. ‫ﻓﻭﻕ ﺫﻟﻙ ﺜﻤﺔ ﺒﺅﺱ‬ ‫) ٧(‬ ‫ﻴﻨﺎل ﺍﻟﻤﺴﺎﻜﻴﻥ"‬ ‫ﻭﺍﻟﻨﻴل ﻴﺼﻌﺩ "ﺇﻴﻔل"‬ ‫ﻴﻤﻁﺭ ﺒﺅﺴﺎ ﻋﺘﻴﻘﺎ‬ ‫ﻭﻤﺨﺘﻠﻔﺎ ﻓﻰ ﺍﻟﻤﺫﺍﻕ‬ ‫ﹾ‬ ‫ﺒﺄﻗﻼﻡ "ﺃﻴﻠــﻭﺍﺭ" ﻨﻜــﺘﺏ ﻓﺎﻋﻠﻥ‬ ‫ﻓﻌﻭﻟﻥ، ﻓﻠﻡ ﻻ ﺘﺼـﺢ ﺍﻟﻜـﺘﺎﺒﻪ‬ ‫ﻭﻟﻡ ﺤﻴﻥ ﻴﺭﺸـﻕ ﺒﻭﺩﻟــﻴﺭ ﺃﺯﻫـﺎﺭﻩ‬ ‫ﻓﻰ ﺩﻤـﺎﻨﺎ... ﺘﻔـــــﻭﺡ ﺍﻟﻐﺭﺍﺒﻪ‬ ‫ﻭﻴﺼﻬـل ﺘﺤﺕ ﺍﻟﺠﻠﻭﺩ ﺍﺨــﺘـﻼﻑ‬ ‫ﻓﻴﻔــﺭﺯ ﻓﻭﻕ ﺍﻟﺨﺩﻭﺩ ﺨﻀـﺎﺒﻪ‬ ‫ﺇﺫﻥ ﻜﻴﻑ ﻨﻨﺠﻭ ﻭﻜﻴﻑ ﺴﻨﻘﺼـﺩ‬ ‫ﻋﻨﺩ ﺍﻟـﺨﻼﺹ ﺴﺒﻴل ﺍﻟــﻘــﺭﺍﺒﻪ؟!‬ ‫ﺇﺫﻥ ﻜـﻴﻑ ﻨﻨﺠــــﻭ ﻭﺸﻌــﺭﻯ‬ ‫ﻴﻌﺎﻨﻕ ﺒﻴﻥ ﺼﻠﻴل ﺍﻟﺨﻼﻑ ﺍﻏﺘﺭﺍﺒﻪ‬ ‫ﻓـﻴﺎ ﺸﻬــــﺭﺯﺍﺩ ﺍﻟـﻤﺴﺎﻓﺔ ﺒﻴﻨﻰ‬ ‫ﻭﺒﻴﻥ ﺍﻟﺴﺤــــــﺎﺒﺔ ﻗﺩﺭ ﺴﺤﺎﺒﻪ‬ ‫ِ‬ ‫ﺨـﺫﻯ ﺍﻟـﻌﻬﺩ ﻤﻨﻰ ﺨﺫﻯ ﺍﻟﺸﻌﺭ ﻤﻨﻰ‬ ‫- ٤٦ -‬
  • 66. ‫ﺒﻪ ﻴﻔــﺘﺩﻯ ﺸﻬﺭﻴﺎﺭ ﺍﻨﺘﺤــﺎﺒﻪ‬ ‫ﺇﺫﺍ ﺍﻟﻜﻭﻥ ﻴــﻭﻤﺎ ﺃﺭﺍﺩ ﺍﻟﺤﻴﺎﺓ‬ ‫ﹶ‬ ‫ﻓﻜـل ﺴﻴﻔﺘﺢ ﻟﻠـــــﻨﻭﺭ ﺒﺎﺒﻪ‬ ‫ّ‬ ‫ﻭﻤﻥ ﻻ ﻴﺤـﺏ ﺼﻌــﻭﺩ ﺍﻟﺠﺒﺎل‬ ‫ﺴﻴﻌـــﻠـﻥ ﻗﺒل ﺍﻟﺤﻀﻭﺭ ﻏﻴﺎﺒﻪ‬ ‫ﻫﻨــــﺎ ﻜل ﺸﻰﺀ ﻴﻘﻴﻨﺎ ﺘﺴﺎﻭﻯ‬ ‫ﻁـــﻨﻴﻥ ﺍﻟـﻌﻨﺎﺩل، ﺸﺩﻭ ﺍﻟــﺫﺒﺎﺒﻪ‬ ‫- ٥٦ -‬
  • 67. ‫ﻫﻭﺍﻤﺵ ﺍﻟﻨﺹ:‬ ‫١- ﺃﺤﻤﺩ ﺸﻭﻗﻰ.‬ ‫٢- ﺨﻭﺍﻥ ﺃﻨﺩﺭﻴﻪ: ﺃﻭل ﺒﺎﺤﺙ ﺃﻭﺭﻭﺒﻰ ﻴﺸﻴﺩ ﺒﺄﺜﺭ ﺍﻟﻌﺭﺏ ﻓﻰ‬ ‫ﺍﻟﺤـﻀﺎﺭﺓ ﺍﻷﻭﺭﺒﻴﺔ، ﻭﻴﻨﻭﻩ ﺒﻔﻀـﻠﻬﻡ ﻓـﻰ ﻋﺼـﺭ‬ ‫ﺍﻟﻨﻬﻀﺔ، ﻜﺎﻥ ﻤﻥ ﺍﻟﻴﺴﻭﻋﻴﻴﻥ ﺍﻟﺫﻴﻨﻁﺭﺩﻭﺍ ﻤـﻥ ﺃﺴـﺒﺎﻨﻴﺎ‬ ‫ﺴﻨﺔ ٦٧١، ﻭﻗﺩ ﻨﺸﺭ ﺍﻟﻘﺱ ﺍﻟﻤﺴﻴﺤﻰ ﻜﺘﺎﺒﺎ ﻓـﻰ ﺴـﺒﻌﺔ‬ ‫ﻤﺠﻠﺩﺍﺕ ﺒﻌﻨﻭﺍﻥ " ‪Delli Origine, Progress estato‬‬ ‫‪ attuale d,ougni litteratura‬ﻋﺎﻡ ٢٨٧١-٩٩٧١،‬ ‫ﺜﻡ ﺃﻋﺎﺩ ﻨﺸﺭ ﺍﻟﻜﺘﺎﺏ ﻓﻰ ﺭﻭﻤﺎ ﻭﻨﻘﺤﻪ ﻭﻭﺴﻌﻪ ﺒﻴﻥ ﺴﻨﺘﻰ‬ ‫٨,٨١ﻭ ٧١٨١ ﻓﺠﺎﺀ ﻓﻰ ﺜﻤﺎﻨﻴﺔ ﻤﺠﻠﺩﺍﺕ.‬ ‫٣- ﻤﻘﺩﻡ ﺒﻥ ﻤﻌﺎﻓﻰ ﺍﻟﻘﺒﺭﻯ ﺍﻟﻀﺭﻴﺭ، ﺸـﺎﻋﺭ ﺃﻨﺩﻟﺴـﻰ،‬ ‫ﺃﻭل ﻤﻥ ﻨﻅﻡ ﺍﻟﻤﻭﺸﺤﺎﺕ.‬ ‫٤- ﺍﻟﻘﺩﻴﺱ ﻤﺘﻰ، ﺒﺘﺼﺭﻑ.‬ ‫٥- ﺍﻟﻤﻜﺘﺒﺔ ﺍﻟﻭﻁﻨﻴﺔ ﺒﺒﺎﺭﻴﺱ، ﻭﻫﻰ ﻤﻌﻨﻴـﺔ ﺒﺎﻟﺩﺭﺍﺴـﺎﺕ‬ ‫ﺍﻟﺸﺭﻗﻴﺔ ﻭﻋﻠﻭﻡ ﺍﻟﺸﺭﻕ ﺍﻷﻭﺴﻁ.‬ ‫٦- ﻤﻥ ﻗﺼﻴﺩﺓ "ﺍﻟﺼﺒﻰ ﺍﻷﺨـﺭﺱ" ﻟﻠﺸـﺎﻋﺭ "ﻟﻭﺭﻜـﺎ"‬ ‫ﺒﺘﺼﺭﻑ.‬ ‫٧- )٧( ﺍﻷﺒﻴﺎﺕ ﻟﻠﺸـﺎﻋﺭ ﺍﻟﻔﺭﻨﺴـﻰ "ﺒـﻭل ﺍﻴﻠـﻭﺍﺭ".‬ ‫"٥٩٨١-٥٢٩١ ".‬ ‫- ٦٦ -‬
  • 68. ‫ﺘﺭﻨﻴﻤﺘﺎﻥ‬ ‫"ﺘﺭﻨﻴﻤﺔ" )١(:‬ ‫ﺃﺤﻼﻡ ﻋﻁﺸﻰ‬ ‫‪‬‬ ‫ﺘﺴﺘﺤﻠﺏ ﻜل ﺍﻷﻤل ﺍﻟﻁﺎﺭﺡ‬ ‫ﻓﻲ ﻋﻨﻘﻭﺩ ﺍﻟﻐﺩ‬ ‫ﻭﻁﻤﻭﺤﻙ ﺠﺎﺌﺭ‬ ‫ﻭﺒﻘﺎﻴﺎ ﻤﻥ ﻓﺭﺡ ﻤﻜﺘﻭﻡ‬ ‫ٍ‬ ‫ﻨﺼل ﻴﻘﺘﺤﻡ ﺍﻟﺠﺭﺡ ﺍﻟﻐﺎﺌﺭ‬ ‫***‬ ‫ﹸﺸﻌل ﻨﺎﺭﻙ‬ ‫ﺘ‬ ‫ﺘﺘﺩﻓﺄ ﺒﺩﻤﻭﻋﻙ‬ ‫ﺘﺘﺼﺒﺏ ﺭﻓﻀﺎ ﻭﻗﺒﻭﻻ‬ ‫ﹰ‬ ‫ﺘﺭﺸﻕ ﺼﺒﻭﺘﻬﺎ ﺒﻴﻥ ﻋﺭﻭﻗﻙ‬ ‫ﻓﺎﺴﺘﺠﻤﻊ ﻜل ﻗﻭﺍﻙ‬ ‫- ٧٦ -‬
  • 69. ‫ﻟﺘﺭﻗﻰ‬ ‫ﻗﺩ ﻴﺘﺴ ﱠﻰ ﻟﻠﻨﻭﺭ‬ ‫ﻨ‬ ‫ﺍﻟﺘﻁﻭﺍﻑ ﺤﻭﺍﻟﻴﻙ ﺭﺴﻭﻻ‬ ‫ﺘﺸﻌﻠﻙ ﺒﻀﺤﻜﺘﻬﺎ‬ ‫ﺘﻐﺩﻭ ﺇﺜﺭ ﺍﻟﻭﻟﺩ ﺍﻟﻌﺫﺭﻱ‬ ‫ﻨﺒﻴﺎ ﻤﻘﺘﻭﻻ‬ ‫‪‬ﹰ‬ ‫***‬ ‫ﻴﺎﻟﺒﺭﺍﺀﺘﻬﺎ..‬ ‫ﻫﻲ ﺤﺎﻀﺭﺓ ﻓﻲ ﻗﻠﺒﻙ‬ ‫ﹲ‬ ‫ﻜﺤﻀﻭﺭ ﺩﻤﺎﺌﻙ..‬ ‫ﻭﺇﺫﺍ ﺸﺎﺀﺕ ﺃﻥ ﺘﺨﺭﺝ ﻤﻨﻙ‬ ‫ﺃﺤﺒﺘﻙ‬ ‫ﻭﻁﻌﻨﺘﻙ ﺒﺨﻨﺠﺭﻫﺎ..!!‬ ‫- ٨٦ -‬
  • 70. ‫"ﺘﺭﻨﻴﻤﺔ" )٢(:‬ ‫ﺒﺭﻭﺍﺯ..‬ ‫‪‬‬ ‫ﻭﻋﺒﻴﺭ..‬ ‫‪‬‬ ‫ﻭﺍﻟﻭﺭﺩﺓ ﺘﻨﻔﺙ ﺴﻤﺎ‬ ‫ﹸ ‪ ‬ﹰ‬ ‫ﹸ‬ ‫ﻓﻲ ﻭﺠﻪ ﺍﻟﻁﻔل ﺍﻟﻤﺎﺴﻙ ﺒﺎﻟﺒﺭﻭﺍﺯ‬ ‫...........................‬ ‫...........................‬ ‫ﻟﻭ ﺃﻥ ﺍﻟﺭﻭﺽ ﺍﻋﺘﺭﺽ‬ ‫ﻭﻗﺎﻭﻡ ﺴﻡ ﺍﻟﻭﺭﺩﺓ‬ ‫‪‬‬ ‫ﻤﺎ ﺍﺘﺸﺤﺕ ﺒﺎﻟﺩﻤﻊ ﺍﻟﻨﺠﻤﺎﺕ‬ ‫ﻤﺎ ﻁﻠﻊ ﻨﻬﺎﺭ‬ ‫ﻤﺎ ﺍﺴﺘﻴﻘﻅ ﻗﻠﺏ ﺍﻟﻁﻔل‬ ‫ﻟﻴﻨﻅﺭ ﻓﻲ ﺍﻟﺒﺭﻭﺍﺯ‬ ‫ﻓﺘﻘﺘﻠﻪ ﺍﻷﺯﻫﺎﺭ‬ ‫.......................‬ ‫.......................‬ ‫- ٩٦ -‬
  • 71. ‫ﻟﻥ ﺃﻨﻅﺭ ﻓﻲ ﻭﺠﻪ ﺍﻤﺭﺃﺓ‬ ‫ٍ‬ ‫ﺘﻐﺘﺴل ﺒﻌﻁﺭ ﺍﻟﻌﺸﻕ‬ ‫ﺘﻠﺒﺱ ﺜﻭﺏ ﺍﻟﺭﻗﺔ‬ ‫ﻭﺘﺨﺎﺼﺭ ﺩﻑﺀ ﺍﻷﻗﻤﺎﺭ‬ ‫ﺘﺨﺘﺯل ﻤﻼﻤﺢ ﻨﻭﺭ ﺍﻟﻜﻭﻥ‬ ‫ﻓﻲ ﻨﻅﺭﺍﺕ ﺍﻟﻌﻴﻨﻴﻥ‬ ‫ﻜﻲ ﺘﺫﺒﺢ ﻗﻠﺏ ﺍﻟﻭﻟﺩ ﺍﻟﻨﺎﻁﻕ ﺒﺎﻷﺸﻌﺎﺭ !!‬ ‫ﺼﻭﻟﻭ:-‬ ‫ﻜﻭﻨﻲ ﻓﻲ ﺍﻷﻭﺭﺩﺓ ﺍﻟﺩﻓﺎﻗﺔ‬ ‫ﻋﺼﻔﻭﺭﺍ‬ ‫ﹰ‬ ‫ﺒﻴﻥ ﺍﻟﻌﻴﻥ ﻭﺒﻴﻥ ﺍﻟﻘﻠﺏ ﻴﺴﺎﻓﺭ‬ ‫ﺠﻭﺩﻱ ﺒﺎﺴﺘﺭﺨﺎﺌﻙ ﻓﻲ ﻜﻔﻲ‬ ‫‪‬‬ ‫ْ‬ ‫ﺇﻨﻲ ﻗﺩ ﺃﻋﻠﻨﺕ ﻭﺠﻭﺩﻱ‬ ‫ﻓﻲ ﻋﻴﻨﻴﻙ‬ ‫ﺃﻨﺕ ﺍﻟﺭﺏ‬ ‫‪‬‬ ‫ﺃﻨﺕ ﺍﻟﺩﺴﺘﻭﺭ‬ ‫ﺍﻟﻘﺎﻨﻭﻥ‬ ‫ﺍﻟﺸﻌﺭ‬ ‫ﻗﻠﺒﻲ ﺩﻭﻨﻙ ﻗﻠﺏ ﻜﺎﻓﺭ !!‬ ‫‪‬‬ ‫- ٠٧ -‬