The presentation shows how poster design changed from the 1890s to 1930s as the country shifted from pre-revolutionary consumerism to Stalin\'s totalitarism.
Here we will walk through an innovative use of typography that printing technology allowed to happen. Designers were able to use film and not be constrained by block print. We have recently gone through as similiar transformation in using type with the computer.
Piet Zwart was a Dutch photographer, typographer, and industrial designer born in 1885. He started his career in architecture but later became known for his design work for the Dutch Cable Factory and Dutch Postal Service. Zwart pioneered modern typography that broke from traditional rules through the use of primary colors, geometric shapes, repeated word patterns, and photomontage. He created 275 designs in 10 years for the Dutch Cable Factory focusing on typography. Zwart died in 1977 at the age of 92.
Constructivism was an avant-garde art movement that originated in Russia in the 1910s-1920s. It sought to reject the past and create an art that promoted order, unity, and peace. Key artists included Wassily Kandinsky, Laszlo Moholy-Nagy, El Lissitzky, and Alexander Rodchenko, who created reductive works using basic geometric elements that explored the relationship between art and its social function.
This document discusses the history of Times Square in New York City through images from 1880 to 1960, including the original Long Acre Square, early photos of Times Square from 1904 and 1919, images during World War II from 1942 to 1945, and the changing landscape and commercialization over time. It also references using film noir, cartoons, postcards and even blurry photos as historical sources to analyze and compare how Times Square has transformed.
This document provides historical context for four films - Metropolis (1927), Man with a Movie Camera (1929), A Propos de Nice (1930), and discusses themes related to depictions of cities in film. It notes the social and political contexts of the early 20th century that influenced German Expressionist filmmaking and early Soviet propaganda film. Specific sequences and visual techniques used in Metropolis and A Propos de Nice are analyzed. The importance of editing, rhythm, and non-literal storytelling in conveying ideas is highlighted. Peter Greenaway calls for developing a new audio-visual format beyond what cinema could achieve.
Cubism was an early 20th century avant-garde art movement that revolutionized European painting and sculpture. Between 1906-1914, Cubism was developed in stages by Spanish artist Pablo Picasso and French artist Georges Braque. They depicted objects from multiple viewpoints to represent the subject in a more abstract, yet realistic way. Later, artists like Juan Gris introduced collage elements like newspaper clippings. Cubism influenced visual arts by changing how people saw and understood the world.
This document provides a brief overview of fashion history from 1898-1970s including magazines, designers, artists, materials, and styles that served as inspiration for fashion illustrations. Key figures and works mentioned include Lanvin couture in the 1930s-50s, Wiener Werkstatte in 1907, and artists like Klimt, Bakst, Bassman, and Renie. The document was created by Pim Kramer in 2008 to showcase influences for fashion illustration.
Week 6 revolution and rebuilding constructivism, de stijl and the bauhaus DeborahJ
Constructivism, originating in Russia in the early 20th century, rejected autonomous art and advocated for art with social purposes. It influenced the Bauhaus school in Germany and the De Stijl movement in the Netherlands. Constructivist architecture aimed to combine advanced technology with communist ideals. Key figures included Rodchenko, Tatlin, and the Vesnin brothers, who designed functional yet artistic structures and objects. The Bauhaus school also aimed to integrate art and technology.
Here we will walk through an innovative use of typography that printing technology allowed to happen. Designers were able to use film and not be constrained by block print. We have recently gone through as similiar transformation in using type with the computer.
Piet Zwart was a Dutch photographer, typographer, and industrial designer born in 1885. He started his career in architecture but later became known for his design work for the Dutch Cable Factory and Dutch Postal Service. Zwart pioneered modern typography that broke from traditional rules through the use of primary colors, geometric shapes, repeated word patterns, and photomontage. He created 275 designs in 10 years for the Dutch Cable Factory focusing on typography. Zwart died in 1977 at the age of 92.
Constructivism was an avant-garde art movement that originated in Russia in the 1910s-1920s. It sought to reject the past and create an art that promoted order, unity, and peace. Key artists included Wassily Kandinsky, Laszlo Moholy-Nagy, El Lissitzky, and Alexander Rodchenko, who created reductive works using basic geometric elements that explored the relationship between art and its social function.
This document discusses the history of Times Square in New York City through images from 1880 to 1960, including the original Long Acre Square, early photos of Times Square from 1904 and 1919, images during World War II from 1942 to 1945, and the changing landscape and commercialization over time. It also references using film noir, cartoons, postcards and even blurry photos as historical sources to analyze and compare how Times Square has transformed.
This document provides historical context for four films - Metropolis (1927), Man with a Movie Camera (1929), A Propos de Nice (1930), and discusses themes related to depictions of cities in film. It notes the social and political contexts of the early 20th century that influenced German Expressionist filmmaking and early Soviet propaganda film. Specific sequences and visual techniques used in Metropolis and A Propos de Nice are analyzed. The importance of editing, rhythm, and non-literal storytelling in conveying ideas is highlighted. Peter Greenaway calls for developing a new audio-visual format beyond what cinema could achieve.
Cubism was an early 20th century avant-garde art movement that revolutionized European painting and sculpture. Between 1906-1914, Cubism was developed in stages by Spanish artist Pablo Picasso and French artist Georges Braque. They depicted objects from multiple viewpoints to represent the subject in a more abstract, yet realistic way. Later, artists like Juan Gris introduced collage elements like newspaper clippings. Cubism influenced visual arts by changing how people saw and understood the world.
This document provides a brief overview of fashion history from 1898-1970s including magazines, designers, artists, materials, and styles that served as inspiration for fashion illustrations. Key figures and works mentioned include Lanvin couture in the 1930s-50s, Wiener Werkstatte in 1907, and artists like Klimt, Bakst, Bassman, and Renie. The document was created by Pim Kramer in 2008 to showcase influences for fashion illustration.
Week 6 revolution and rebuilding constructivism, de stijl and the bauhaus DeborahJ
Constructivism, originating in Russia in the early 20th century, rejected autonomous art and advocated for art with social purposes. It influenced the Bauhaus school in Germany and the De Stijl movement in the Netherlands. Constructivist architecture aimed to combine advanced technology with communist ideals. Key figures included Rodchenko, Tatlin, and the Vesnin brothers, who designed functional yet artistic structures and objects. The Bauhaus school also aimed to integrate art and technology.
This document provides an overview of the genesis of 20th century design through key figures and movements that influenced modern art and design. It discusses notable designers like Frank Lloyd Wright, the Vienna Secession group, and the Dusseldorf School of Arts and Crafts. It also summarizes several influential art movements in the early 20th century like Cubism, Futurism, Dada, Surrealism, and Expressionism that impacted graphic design through painters such as Picasso, Duchamp, Kandinsky, and more. The document also highlights the role of photography in the modern movement through the works of photographers including Man Ray, Coburn, and others.
This document profiles 6 leading 3D street artists from around the world: Kurt Wenner transforms Renaissance art into 3D street paintings; Julian Beever creates chalk drawings that wash away after a day; Tracy Lee Stum holds the world record for largest street painting and works in biblical and exotic themes; Eduardo Relero illustrates fanciful sidewalk chalk drawings in Spain; Eric Grohe was a graphic designer who began creating trompe l'oeil murals depicting patriotic American scenes. These artists pioneer new techniques in 3D anamorphic street art, combining classical skills with modern urban media.
Alexander Rodchenko was a Russian artist and photographer who was a pioneer of Constructivism. Some of his key contributions included creating non-representational sculptures made of materials like wood and metal, and photographs that emphasized dynamic compositions through unusual angles and high contrasts of light and dark. As a photographer, he was among the first in the Soviet Union to use a Leica camera and developed an innovative style that transformed ordinary objects and scenes into abstract forms.
The document discusses the life and work of Dutch designer Piet Zwart. It describes how he was influenced by De Stijl and constructivism and focused on functional typography. It provides examples of his work designing advertisements for the Dutch Cable Factory in the 1920s-1930s. It also mentions his later career focusing on industrial, interior and furniture design.
Constructivist architecture flourished in the Soviet Union in the 1920s-1930s, combining advanced technology with communist ideals. It aimed to revolutionize architecture with projects like Vladimir Tatlin's unbuilt "Tatlin's Tower" proposal of 1919. Constructivism featured a severe geometric style and was an influential early modern architecture movement before declining in the early 1930s. Its emphasis on industrial materials like glass and steel still influences architecture today.
The document discusses several early 20th century art movements that influenced graphic design, including Cubism, Futurism, Dada, Surrealism, and Expressionism. Cubism depicted subjects from multiple angles and used geometric forms inspired by African masks. Futurism, led by Filippo Marinetti, celebrated speed, technology, and modernity. Dada sought to attack artistic tradition through works by artists like Marcel Duchamp. Surrealism incorporated techniques like collage and photomontage. Expressionism aimed to convey emotional experiences through works from artists such as Käthe Schmidt Kollwitz. These movements explored new approaches to visual composition that expanded what was considered art and influenced innovative designs.
This document summarizes the Constructivism art movement from 1919-1934 in Russia. It discusses key Russian Constructivist artists like El Lissitzky, Vladimir Tatlin, and Lyubov Popova who believed art should serve practical purposes and promoted the use of industrial materials. They incorporated photography, photomontage, and graphic design into their works. Lissitzky in particular sought to combine Suprematist painting with architecture by creating three-dimensional environments using two-dimensional shapes. Constructivism had a significant influence on design and architecture in both Russia and Germany in the early 20th century.
Walter Benjamin and digital media - for COM 520Yonty Friesem
This document provides an overview of Walter Benjamin's life and work. It summarizes that Benjamin was a German literary critic and philosopher born in 1892 who studied at several universities in Germany and earned his PhD in 1919. Some of his most influential works examined the mechanical reproduction of art and its implications in the modern era. The document also presents several examples of artworks throughout history to illustrate Benjamin's ideas.
Neo-Plasticism was a Dutch abstract art movement founded in the 1920s by Piet Mondrian. It is characterized by compositions using only horizontal and vertical lines and rectangles of primary colors. Key artists in the movement included Piet Mondrian, Theo van Doesburg, Charmion von Wiegand, Ilya Bolotowsky, and Vilmos Huszar. Their works featured sparse compositions focusing on these primary geometric forms and limited color palettes.
Vladimir Tatlin is considered the founder of Constructivism for his 1919 model of the Monument to the Third International. Constructivism proposed replacing artistic composition with construction, analyzing materials to design functional objects for industry. Key artists included Tatlin, Rodchenko, Popova and Stepanova. Constructivism spread beyond Russia through the 1922 Dusseldorf Congress and the work of El Lissitzky in Germany, influencing Bauhaus and later American sculpture.
Constructivism originated in Russia after World War 1 as an artistic movement that rejected autonomous art and sought to use art as a catalyst for social change. Key figures included Vladimir Tatlin, Alexander Rodchenko, and El Lissitzky. Tatlin's Monument to the Third International from 1919-1920 came to symbolize the movement's focus on functional, dynamic works of art that could inspire social change. Constructivism emphasized usefulness over aesthetics and sought to bring art to the masses.
History of Graphic Design lecture on The Bauhaus and The New Typography for History of Graphic Design, First Year, Digital Media Design, Red River College
Walter Ruttmann was a German film director born in 1887 who studied painting and architecture and began his film career in the 1920s creating "absolute" films that were part of the avant-garde movement. Some of his most notable films include Opus I from 1921, Berlin: Symphony of a Great City from 1927, which depicted a day in the life of Berlin through montage and fast-paced editing, and Weekend, an urban landscape film.
Kajian tindakan ini melibatkan 3 orang pelajar yang mempunyai masalah dalam penulisan dan menggunakan teknik visual dan verbal untuk meningkatkan penulisan mereka. Teknik ini berkesan bagi 2 pelajar tetapi tidak bagi 1 pelajar. Satu kajian lain mengenai penggunaan manipulatif matematik mendapati kaedah ini memberi kesan positif kepada pemahaman pelajar. Kajian ketiga pada universiti mengenai penerapan konstru
El documento describe una propiedad llamada Quintana Caro que se ofrece como un oasis de tranquilidad para pasar el Día de Acción de Gracias de 2009. La propiedad incluye varias áreas como estacionamiento, sala, cocina, terrazas, recámaras, alberca, jacuzzi y un área de alberca y temazcal. Se invita a las personas a solicitar más información sobre reservar la propiedad para pasar el fin de semana festivo con la familia y amigos en un entorno natural.
This document summarizes a meeting of the CoSN delegation from the United States with Dutch education leaders. The goal of the meeting was for the US delegation to learn what the Dutch have learned from their experiences using ICT in education, including both successes and challenges. The agenda included presentations on ICT in Dutch education and two specific cases - digital identity management and the use of social media. The overall goal was for the US delegation to gain insights into the Dutch approach to stimulating integration of ICT in education.
This document provides an overview of the genesis of 20th century design through key figures and movements that influenced modern art and design. It discusses notable designers like Frank Lloyd Wright, the Vienna Secession group, and the Dusseldorf School of Arts and Crafts. It also summarizes several influential art movements in the early 20th century like Cubism, Futurism, Dada, Surrealism, and Expressionism that impacted graphic design through painters such as Picasso, Duchamp, Kandinsky, and more. The document also highlights the role of photography in the modern movement through the works of photographers including Man Ray, Coburn, and others.
This document profiles 6 leading 3D street artists from around the world: Kurt Wenner transforms Renaissance art into 3D street paintings; Julian Beever creates chalk drawings that wash away after a day; Tracy Lee Stum holds the world record for largest street painting and works in biblical and exotic themes; Eduardo Relero illustrates fanciful sidewalk chalk drawings in Spain; Eric Grohe was a graphic designer who began creating trompe l'oeil murals depicting patriotic American scenes. These artists pioneer new techniques in 3D anamorphic street art, combining classical skills with modern urban media.
Alexander Rodchenko was a Russian artist and photographer who was a pioneer of Constructivism. Some of his key contributions included creating non-representational sculptures made of materials like wood and metal, and photographs that emphasized dynamic compositions through unusual angles and high contrasts of light and dark. As a photographer, he was among the first in the Soviet Union to use a Leica camera and developed an innovative style that transformed ordinary objects and scenes into abstract forms.
The document discusses the life and work of Dutch designer Piet Zwart. It describes how he was influenced by De Stijl and constructivism and focused on functional typography. It provides examples of his work designing advertisements for the Dutch Cable Factory in the 1920s-1930s. It also mentions his later career focusing on industrial, interior and furniture design.
Constructivist architecture flourished in the Soviet Union in the 1920s-1930s, combining advanced technology with communist ideals. It aimed to revolutionize architecture with projects like Vladimir Tatlin's unbuilt "Tatlin's Tower" proposal of 1919. Constructivism featured a severe geometric style and was an influential early modern architecture movement before declining in the early 1930s. Its emphasis on industrial materials like glass and steel still influences architecture today.
The document discusses several early 20th century art movements that influenced graphic design, including Cubism, Futurism, Dada, Surrealism, and Expressionism. Cubism depicted subjects from multiple angles and used geometric forms inspired by African masks. Futurism, led by Filippo Marinetti, celebrated speed, technology, and modernity. Dada sought to attack artistic tradition through works by artists like Marcel Duchamp. Surrealism incorporated techniques like collage and photomontage. Expressionism aimed to convey emotional experiences through works from artists such as Käthe Schmidt Kollwitz. These movements explored new approaches to visual composition that expanded what was considered art and influenced innovative designs.
This document summarizes the Constructivism art movement from 1919-1934 in Russia. It discusses key Russian Constructivist artists like El Lissitzky, Vladimir Tatlin, and Lyubov Popova who believed art should serve practical purposes and promoted the use of industrial materials. They incorporated photography, photomontage, and graphic design into their works. Lissitzky in particular sought to combine Suprematist painting with architecture by creating three-dimensional environments using two-dimensional shapes. Constructivism had a significant influence on design and architecture in both Russia and Germany in the early 20th century.
Walter Benjamin and digital media - for COM 520Yonty Friesem
This document provides an overview of Walter Benjamin's life and work. It summarizes that Benjamin was a German literary critic and philosopher born in 1892 who studied at several universities in Germany and earned his PhD in 1919. Some of his most influential works examined the mechanical reproduction of art and its implications in the modern era. The document also presents several examples of artworks throughout history to illustrate Benjamin's ideas.
Neo-Plasticism was a Dutch abstract art movement founded in the 1920s by Piet Mondrian. It is characterized by compositions using only horizontal and vertical lines and rectangles of primary colors. Key artists in the movement included Piet Mondrian, Theo van Doesburg, Charmion von Wiegand, Ilya Bolotowsky, and Vilmos Huszar. Their works featured sparse compositions focusing on these primary geometric forms and limited color palettes.
Vladimir Tatlin is considered the founder of Constructivism for his 1919 model of the Monument to the Third International. Constructivism proposed replacing artistic composition with construction, analyzing materials to design functional objects for industry. Key artists included Tatlin, Rodchenko, Popova and Stepanova. Constructivism spread beyond Russia through the 1922 Dusseldorf Congress and the work of El Lissitzky in Germany, influencing Bauhaus and later American sculpture.
Constructivism originated in Russia after World War 1 as an artistic movement that rejected autonomous art and sought to use art as a catalyst for social change. Key figures included Vladimir Tatlin, Alexander Rodchenko, and El Lissitzky. Tatlin's Monument to the Third International from 1919-1920 came to symbolize the movement's focus on functional, dynamic works of art that could inspire social change. Constructivism emphasized usefulness over aesthetics and sought to bring art to the masses.
History of Graphic Design lecture on The Bauhaus and The New Typography for History of Graphic Design, First Year, Digital Media Design, Red River College
Walter Ruttmann was a German film director born in 1887 who studied painting and architecture and began his film career in the 1920s creating "absolute" films that were part of the avant-garde movement. Some of his most notable films include Opus I from 1921, Berlin: Symphony of a Great City from 1927, which depicted a day in the life of Berlin through montage and fast-paced editing, and Weekend, an urban landscape film.
Kajian tindakan ini melibatkan 3 orang pelajar yang mempunyai masalah dalam penulisan dan menggunakan teknik visual dan verbal untuk meningkatkan penulisan mereka. Teknik ini berkesan bagi 2 pelajar tetapi tidak bagi 1 pelajar. Satu kajian lain mengenai penggunaan manipulatif matematik mendapati kaedah ini memberi kesan positif kepada pemahaman pelajar. Kajian ketiga pada universiti mengenai penerapan konstru
El documento describe una propiedad llamada Quintana Caro que se ofrece como un oasis de tranquilidad para pasar el Día de Acción de Gracias de 2009. La propiedad incluye varias áreas como estacionamiento, sala, cocina, terrazas, recámaras, alberca, jacuzzi y un área de alberca y temazcal. Se invita a las personas a solicitar más información sobre reservar la propiedad para pasar el fin de semana festivo con la familia y amigos en un entorno natural.
This document summarizes a meeting of the CoSN delegation from the United States with Dutch education leaders. The goal of the meeting was for the US delegation to learn what the Dutch have learned from their experiences using ICT in education, including both successes and challenges. The agenda included presentations on ICT in Dutch education and two specific cases - digital identity management and the use of social media. The overall goal was for the US delegation to gain insights into the Dutch approach to stimulating integration of ICT in education.
1. 50 years of Russian history in posters 1890 - 1940 Kirill Kalinin
2. Lithography (from Greek - lithos, "stone" + graphο, "to write") is a method for printing using a plate or stone with a completely smooth surface