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Key concepts in the
Convention
Unit 3 PowerPoint presentation
UNESCO
Intangible Cultural Heritage Section
2
Word cloud of the
Convention
© All Rights Reserved: UNESCO
3
In this presentation …
More about the Convention:
• A flexible instrument
• ‘Anchoring the Convention’
Terms to be discussed:
• Intangible heritage; elements
• Communities, groups, individuals
• Safeguarding
© All Rights Reserved: UNESCO
4
The Convention – a flexible
instrument
• Few obligations
• Few definitions
• Open definitions
• Non-exhaustive classifications (domains of ICH,
safeguarding measures)
• No official glossary
© All Rights Reserved: UNESCO
5
‘Anchoring the Convention’
at the country level
The term ‘ICH’ translated:
Di sản văn hóa phi vật thể (Vietnamese for ‘heritage – cultural, not [phi]
tangible’)
Mukei (Japanese for ‘not having form’)
© All Rights Reserved: UNESCO
(Russian)
(Tajik)
(Uzbek)
(Bulgarian for ‘non-material cultural heritage’)
dědictví (Czech), dedičstvo (Slovak), baština (Croatian)
6
© All Rights Reserved: UNESCO
INTANGIBLE CULTURAL HERITAGE
7
The Convention’s definition of
intangible cultural heritage (1)
© All Rights Reserved: UNESCO
Article 2.1:
the ‘Intangible Cultural Heritage’ means the practices, representations,
expressions, knowledge, skills
– as well as the instruments, objects, artefacts and cultural spaces associated
therewith –
that communities, groups and, in some cases, individuals recognize as part of
their cultural heritage.
8
© All Rights Reserved: UNESCO
Article 2.1 continues:
This intangible cultural heritage, transmitted from generation to generation, is
constantly recreated by communities and groups in response to their
environment, their interaction with nature and their history, and provides them
with a sense of identity and continuity, thus promoting respect for cultural
diversity and human creativity.
The Convention’s definition of
intangible cultural heritage (2)
9
© All Rights Reserved: UNESCO
Article 2.1 further:
For the purposes of this Convention, consideration will be given solely to such
intangible cultural heritage as is compatible with existing international human
rights instruments, as well as with the requirements of mutual respect among
communities, groups and individuals, and of sustainable development.
The Convention’s definition of
intangible cultural heritage (3)
10
Intangible heritage domains
Article 2.2
(a) oral traditions and expressions, including
language as a vehicle of the intangible cultural
heritage;
(b) performing arts;
(c) social practices, rituals and festive events;
(d) knowledge and practices concerning
nature and the universe;
(e) traditional craftsmanship.
© All Rights Reserved: UNESCO
Cultural space of Boysun District, Uzbekistan
© Uzteleradio Company of Uzbekistan
11
© All Rights Reserved: UNESCO
Domains on a national level:
food in Tajik national inventory
Article 2.2: The ‘intangible cultural heritage‘ (...) is manifested (...) inter alia
in the following domains’ (...)
12
Cultural space of Boysun District
(Uzbekistan)
• Numerous traditional rituals are still
alive in the Boysun District: on the eve
of the spring festival of Navruz, for
instance, a sowing ritual is held with
offerings of food. Family rites also
persist: 40 days after a birth, the evil
spirits are chased away with fire and
ashes; the circumcision of boys is
accompanied by goat fights and various
games, such as wrestling and horse
races. Ancient practices are still often
used to conduct wedding ceremonies,
funeral rites and shamanistic rituals to
cure the sick. Among other popular
traditions are ritual chants linked to
annual festivals, epic legends and
dances. ...
© All Rights Reserved: UNESCO
© Uzteleradio Company of Uzbekistan
13
Aitysh/Aitys, art of improvisation
(Kazakhstan and Kyrgyzstan)
• Aitysh/Aitys is a contest centred on
improvised oral poetry spoken or sung
to the accompaniment of traditional
musical instruments – the Kazakh
dombra or Kyrgyz komuz. Two
performers (akyns) compete with one
other to improvise verses on topical
themes in a battle of wits that alternates
between humorous ripostes and
penetrating philosophical reflections.
• The element is practised on a variety
of occasions, ranging from local
festivities to nationwide events, where
practitioners often use the contest to
raise important social issues.
© All Rights Reserved: UNESCO
© Ministry of Culture, Information and Tourism of the Kyrgyz Republic
14
© All Rights Reserved: UNESCO
COMMUNITIES,
GROUPS AND INDIVIDUALS
15
Defining the community
concerned
Under the Convention, ‘communities, groups
and individuals concerned’ means those who
participate in the practice or transmission of
the ICH element, and consider it to be part of
their cultural heritage.
Kuresi in Kazakhstan
© Ministry of Cultue and Sports of the Republic of Kazakhstan
© All Rights Reserved: UNESCO
16
Relationship between an
element and the community
concerned
© All Rights Reserved: UNESCO
Communities, groups and
individuals concerned
ICH
Creation, practice and
transmission;
stewardship
Sense of identity and
continuity, enjoyment,
self-respect,
sustainability, income
generation
17
Relationship between an
element and the community
concerned (scope)
© All Rights Reserved: UNESCO
Communities, groups and
individuals concerned
ICH
Cultural space of Boysun District, Uzbekistan
© Uzteleradio Company of Uzbekistan
Aitysh/Aitys, art of improvisation, Kazakhstan and Kyrgyzstan
© Ministry of Culture, Information and Tourism of the Kyrgyz Republic Spring procession of ljelje/kraljice (queens) from Gorjani, Croatia
© Ministry of Culture of the Republic of Croatia
18
© All Rights Reserved: UNESCO
SAFEGUARDING
19
Safeguarding concepts
© All Rights Reserved: UNESCO
• Safeguarding means ensuring the viability
of ICH (Article 2.3)
• Threats to viability are current problems
hampering the enactment and transmission
of the element
• Risks are anticipated problems
Kyrgyz epic trilogy: Manas, Semetey, Seytek
© Ministry of Culture, Information and Tourism of the Kyrgyz Republic
20
The Convention’s definition of
safeguarding
© All Rights Reserved: UNESCO
Article 2.3:
‘Safeguarding’ means measures aimed at ensuring the viability of the intangible
cultural heritage,
including the identification, documentation, research, preservation, protection,
promotion, enhancement, transmission, particularly through formal and non-
formal education,
as well as the revitalization of the various aspects of such heritage.
21
Key safeguarding measures
© All Rights Reserved: UNESCO
Inventorying
Presenting information on
ICH elements in a
systematic way
Revitalization
Strengthening of
endangered ICH
practices
Awareness-raising
Encouraging people to
understand and
appreciate ICH
Transmission
as a part of definition
of ICH and as a
specific safeguarding
measure
22
More safeguarding measures
© All Rights Reserved: UNESCO
• Documentation, research
• Identification, definition
• Preservation, protection
• Promotion, enhancement
• Transmission, e.g. through education
23
Role of communities in
safeguarding
© All Rights Reserved: UNESCO
Transmission
Enactment of ICH
Identification
Inventorying
Documentation
Research
Revitalization
Ensuring access to places and
materials
Transmission through education
Awareness-raising
Note: community
participation is
needed in all these
activities
24
In conclusion
© All Rights Reserved: UNESCO
Intangible cultural heritage is living heritage
Always changing
Defined, recognized, practised and transmitted by the people
(‘communities, groups and individuals’) who are the stewards
of that heritage
Safeguarding involves assisting communities to continue
practising, managing and transmitting their ICH
‘Communities, groups and individuals’ not defined under the
Convention
States Parties need to involve communities, groups and
individuals in safeguarding their ICH

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37510-EN.ppt

  • 1. Key concepts in the Convention Unit 3 PowerPoint presentation UNESCO Intangible Cultural Heritage Section
  • 2. 2 Word cloud of the Convention © All Rights Reserved: UNESCO
  • 3. 3 In this presentation … More about the Convention: • A flexible instrument • ‘Anchoring the Convention’ Terms to be discussed: • Intangible heritage; elements • Communities, groups, individuals • Safeguarding © All Rights Reserved: UNESCO
  • 4. 4 The Convention – a flexible instrument • Few obligations • Few definitions • Open definitions • Non-exhaustive classifications (domains of ICH, safeguarding measures) • No official glossary © All Rights Reserved: UNESCO
  • 5. 5 ‘Anchoring the Convention’ at the country level The term ‘ICH’ translated: Di sản văn hóa phi vật thể (Vietnamese for ‘heritage – cultural, not [phi] tangible’) Mukei (Japanese for ‘not having form’) © All Rights Reserved: UNESCO (Russian) (Tajik) (Uzbek) (Bulgarian for ‘non-material cultural heritage’) dědictví (Czech), dedičstvo (Slovak), baština (Croatian)
  • 6. 6 © All Rights Reserved: UNESCO INTANGIBLE CULTURAL HERITAGE
  • 7. 7 The Convention’s definition of intangible cultural heritage (1) © All Rights Reserved: UNESCO Article 2.1: the ‘Intangible Cultural Heritage’ means the practices, representations, expressions, knowledge, skills – as well as the instruments, objects, artefacts and cultural spaces associated therewith – that communities, groups and, in some cases, individuals recognize as part of their cultural heritage.
  • 8. 8 © All Rights Reserved: UNESCO Article 2.1 continues: This intangible cultural heritage, transmitted from generation to generation, is constantly recreated by communities and groups in response to their environment, their interaction with nature and their history, and provides them with a sense of identity and continuity, thus promoting respect for cultural diversity and human creativity. The Convention’s definition of intangible cultural heritage (2)
  • 9. 9 © All Rights Reserved: UNESCO Article 2.1 further: For the purposes of this Convention, consideration will be given solely to such intangible cultural heritage as is compatible with existing international human rights instruments, as well as with the requirements of mutual respect among communities, groups and individuals, and of sustainable development. The Convention’s definition of intangible cultural heritage (3)
  • 10. 10 Intangible heritage domains Article 2.2 (a) oral traditions and expressions, including language as a vehicle of the intangible cultural heritage; (b) performing arts; (c) social practices, rituals and festive events; (d) knowledge and practices concerning nature and the universe; (e) traditional craftsmanship. © All Rights Reserved: UNESCO Cultural space of Boysun District, Uzbekistan © Uzteleradio Company of Uzbekistan
  • 11. 11 © All Rights Reserved: UNESCO Domains on a national level: food in Tajik national inventory Article 2.2: The ‘intangible cultural heritage‘ (...) is manifested (...) inter alia in the following domains’ (...)
  • 12. 12 Cultural space of Boysun District (Uzbekistan) • Numerous traditional rituals are still alive in the Boysun District: on the eve of the spring festival of Navruz, for instance, a sowing ritual is held with offerings of food. Family rites also persist: 40 days after a birth, the evil spirits are chased away with fire and ashes; the circumcision of boys is accompanied by goat fights and various games, such as wrestling and horse races. Ancient practices are still often used to conduct wedding ceremonies, funeral rites and shamanistic rituals to cure the sick. Among other popular traditions are ritual chants linked to annual festivals, epic legends and dances. ... © All Rights Reserved: UNESCO © Uzteleradio Company of Uzbekistan
  • 13. 13 Aitysh/Aitys, art of improvisation (Kazakhstan and Kyrgyzstan) • Aitysh/Aitys is a contest centred on improvised oral poetry spoken or sung to the accompaniment of traditional musical instruments – the Kazakh dombra or Kyrgyz komuz. Two performers (akyns) compete with one other to improvise verses on topical themes in a battle of wits that alternates between humorous ripostes and penetrating philosophical reflections. • The element is practised on a variety of occasions, ranging from local festivities to nationwide events, where practitioners often use the contest to raise important social issues. © All Rights Reserved: UNESCO © Ministry of Culture, Information and Tourism of the Kyrgyz Republic
  • 14. 14 © All Rights Reserved: UNESCO COMMUNITIES, GROUPS AND INDIVIDUALS
  • 15. 15 Defining the community concerned Under the Convention, ‘communities, groups and individuals concerned’ means those who participate in the practice or transmission of the ICH element, and consider it to be part of their cultural heritage. Kuresi in Kazakhstan © Ministry of Cultue and Sports of the Republic of Kazakhstan © All Rights Reserved: UNESCO
  • 16. 16 Relationship between an element and the community concerned © All Rights Reserved: UNESCO Communities, groups and individuals concerned ICH Creation, practice and transmission; stewardship Sense of identity and continuity, enjoyment, self-respect, sustainability, income generation
  • 17. 17 Relationship between an element and the community concerned (scope) © All Rights Reserved: UNESCO Communities, groups and individuals concerned ICH Cultural space of Boysun District, Uzbekistan © Uzteleradio Company of Uzbekistan Aitysh/Aitys, art of improvisation, Kazakhstan and Kyrgyzstan © Ministry of Culture, Information and Tourism of the Kyrgyz Republic Spring procession of ljelje/kraljice (queens) from Gorjani, Croatia © Ministry of Culture of the Republic of Croatia
  • 18. 18 © All Rights Reserved: UNESCO SAFEGUARDING
  • 19. 19 Safeguarding concepts © All Rights Reserved: UNESCO • Safeguarding means ensuring the viability of ICH (Article 2.3) • Threats to viability are current problems hampering the enactment and transmission of the element • Risks are anticipated problems Kyrgyz epic trilogy: Manas, Semetey, Seytek © Ministry of Culture, Information and Tourism of the Kyrgyz Republic
  • 20. 20 The Convention’s definition of safeguarding © All Rights Reserved: UNESCO Article 2.3: ‘Safeguarding’ means measures aimed at ensuring the viability of the intangible cultural heritage, including the identification, documentation, research, preservation, protection, promotion, enhancement, transmission, particularly through formal and non- formal education, as well as the revitalization of the various aspects of such heritage.
  • 21. 21 Key safeguarding measures © All Rights Reserved: UNESCO Inventorying Presenting information on ICH elements in a systematic way Revitalization Strengthening of endangered ICH practices Awareness-raising Encouraging people to understand and appreciate ICH Transmission as a part of definition of ICH and as a specific safeguarding measure
  • 22. 22 More safeguarding measures © All Rights Reserved: UNESCO • Documentation, research • Identification, definition • Preservation, protection • Promotion, enhancement • Transmission, e.g. through education
  • 23. 23 Role of communities in safeguarding © All Rights Reserved: UNESCO Transmission Enactment of ICH Identification Inventorying Documentation Research Revitalization Ensuring access to places and materials Transmission through education Awareness-raising Note: community participation is needed in all these activities
  • 24. 24 In conclusion © All Rights Reserved: UNESCO Intangible cultural heritage is living heritage Always changing Defined, recognized, practised and transmitted by the people (‘communities, groups and individuals’) who are the stewards of that heritage Safeguarding involves assisting communities to continue practising, managing and transmitting their ICH ‘Communities, groups and individuals’ not defined under the Convention States Parties need to involve communities, groups and individuals in safeguarding their ICH