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ryannickel
architectureportfolio
undergraduateportfolio ryannickel
TOC tableofcontents
project2
abstractanalysis pages4-8
project1
studioreconstructiondrawing pages1-3
project4
children’smuseum pages13-18
project3
studioresidence pages9-12
year: I
semester: fall 2012
professor: michael mead
result: gain an understanding of 2-dimensional space
page1
project1 studioreconstructiondrawing
after understanding how to draw in
perspective, capture an image of
the studio and create a
mirror-holding device that, when
placed in front of the camera,
reconstructs the room, while also
creating relationships.
next, create technical
drawings of the device in order to
show how it works, as well as a
technical drawing of the
reconstructed studio image.
page2
understandingspacein2D
project1
mirrordevicedrawings
plan
elevation
axon y
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a
r
1
p
r
o
f
m
i
c
h
a
e
l
m
e
a
d
studioreconstructiondrawing
page3
project1y
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a
r
1
p
r
o
f
m
i
c
h
a
e
l
m
e
a
d
page4
year: I
semester: spring 2013
professor: regina summers
result: form a base of creative development through
abstract design
project2 abstractanalysis
IMAGE
after being given the microscopic image (shown
to the right), analyze it for the rules and systems
that make it up. to further understand the image,
use those rules to create analytical drawings
(shown below).
next, go through a series of models in order to
transform the rules and systems in the
analytical drawings into an abstract space.
last, develop programmatic insertions in the
final model, without regards to gravity, in order to
begin to understand how program works.
y
e
a
r
1
p
r
o
f
r
e
g
i
n
a
s
u
m
m
e
r
s
page5
project2
sketchA
sketchB
sketchC
sketchD
sketchprocess
page6
baseofcreativedevelopment
project2
y
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a
r
1
p
r
o
f
r
e
g
i
n
a
s
u
m
m
e
r
s
finalmodel
through the development of my
models, I focused on certain
words that explained the rules
in the drawings. these words
were networking, void,
connectivity, and growth.
y
e
a
r
1
p
r
o
f
r
e
g
i
n
a
s
u
m
m
e
r
s
page7
project2
sectiondrawing
finalinsertionmodel
the insertions were designed to be
programmatic spaces where a scientist
could live and work. the insertions
consisted of a space for exchange,
contemplation, investigation, and a
bonus area.
page8
baseofcreativedevelopment
project2
y
e
a
r
1
p
r
o
f
r
e
g
i
n
a
s
u
m
m
e
r
s
exchange
needs to be able to fit at
least 10 people in order
for the scientist and his
colleagues to work
together.
contemplaion
required only to fit the
scientist, himself.
designed as a larger space
in order to give the scientist
a space for work and a
space to relax.
investigation
meant for 2 to 3 people.
there are 3 sub-spaces
within, designed to spark
inspiration, with the largest
of the 3, on top, meant to
be the scientist’s lab.
bonus area
soley for the scientist.
stems from the
contemplation space, and
is an even more private
areas.
year: II
semester: fall 2013
professor: clyde carpenter
result: understand how to design programmatically
page9
project3 studioresidence
on a specific site
design a studio residence for an
artist and her husband in New
York City, where a warehouse used
to sit. one side of the residence will
be backed up to a neighboring
building, and a predestrian street
runs down one side of the site,
which leads to a body of water. the
spatial program needs to consist
of:
parking
community living level
sleeping level
studio level for artist
office space for husband
roof terrace or garden
porch or balcony from ground level
page10
sitespecificdesign
project3
y
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a
r
2
p
r
o
f
c
l
y
d
e
c
a
r
p
e
n
t
e
r
the studio level is the most important level for the artist, herself.
designed to inspire, the open studio looks out toward the water
through a double-height window, which allows the north light to
flood in.
moving up through the rear stair, the second level is
designed as the community living level. the open plan holds
the kitchen, living room, and dining room, along with three
balconies and a central atrium.
the entry level is meant to serve as a space for the artist to
entertain clients. after entering under the covered porch, there
is a large gathering area where the artist can show her work.
this area also looks over the studio, and leads directly to it.
the top level is designed as an open living space, which
holds the couple’s bedroom and bathroom, along with the
husband’s office and a large balcony. while this level is the
most private from guests, it is left completely public to the
couple, meaning no doors except to the exterior balcony.
there is also a large central atrium so that the couple can see
down through the entire residence.
studio level entry level second level top level
y
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p
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c
l
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r
page11
project3
elevation and section
page12
sitespecificdesign
project3
y
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2
p
r
o
f
c
l
y
d
e
c
a
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p
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t
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r
finalmodel
as the design came together there were
certain concepts kept in mind that showed
throughout the model. examples included
the concept of transforming public space
into private space as the residence
moved upwards, controlling views in and
out of the residence, and the contrast
between the horizontal feel of the
exterior and the verticality expressed on
the interior.
year: III
semester: fall 2014
professor: martin summers
result: master 3D modeling softwares in order to design
page13
project4 children’smuseum
large-scale architecture
projectdescription
based off of a previous competition, design a
children’s museum in Louisville Kentucky.
on the 50,000 sf. site, create a museum four
levels tall in which the primary circulation
works through ramping. the program
requirements are loose, and only call for a
gift shop, offices, and a 200-seat auditorium,
with the rest of the space free for galleries of
my choosing.
architecturalconcept
encourage children to be excited when
progressing through life – aka the museum
– by creating, architecturally, reasons for
them to want to continue to move forward, or
up through the museum.
page14
largescaledesign
project4
y
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a
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t
i
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s
u
m
m
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s
BROADWAY
THIRDSTREET
UP
OUT
IN
TO PARKING
1 cave entry
2 museum entry
3 ticketing
4 information desk
5 lobby
6 auditorium
7 projection room
8 employee entrance
9 loading dock
10 semi-truck parking
11 freight elevator
12 storage
13 gift shop
14 elevators
15 egress stairs
16 restroom area
17 exit
accessible areas
overhead atriums
1st floor plan
1’ = 1/16”
1
2
3
4
5
6
7
8
9
10
11
12
13
14
14
15
15
15
16
17
the verticality of the entry off
third street is meant to entice
children immedietly, creating
a reason for them to look up,
and want to make their way
through the museum, in
order to reach the top.
inside, there are three
atriums that bring sunlight
from the roof down through
each level, also creating a
want for children to look up
in hopes of reaching the top
level.
y
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3
p
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u
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page15
project4
UP
UP
1
1 rest area
2 exhibit space
3 butterfly sanctuary preparation room
4 butterfly sanctuary
5 office entry
6 break room
7 offices
8 conference room
9 freight elevator
10 elevators
11 egress stairs
12 restroom areas
13 platform proceeding to 3rd floor
14 atriums
accessible areas
water
2nd floor plan
1’ = 1/16”
2
2
22
2
3
4
5
6
7
8
7
7
7
7
7
7
9
10
10
11
11
11
12
12
13
14
14
14
UP
UP
UP
UP
UP
1
1
1
2
1
3
3
4
4
5
4
6
1 exhibit space
2 vertical lookout
3 elevators
4 egress stairs
5 restroom area
6 freight elevator
7 atriums
accessible areas
3rd floor plan
1’ = 1/16”
page16
largescaledesign
project4
y
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p
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u
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s
7
7
7
y
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p
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m
a
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t
i
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s
u
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m
e
r
s
page17
project4
1
UP
2
2
2
2
2
3
4
4
6
6
5
7
7
8
7
9
9
9
1 rest area
2 exhibit space
3 restaurant/event space
4 exterior areas
5 freight elevator
6 elevators
7 egress stairs
8 restroom area
9 atriums
accessible areas
water
green space
4th floor plan
1’ = 1/16”
as you make your way to the
top level, your excitement
and progression is rewarded.
facing south-east, there is a
large roof-top garden with a
breath-taking view over the
city, intending to make the
child feel like he or she is on
top of the world.
page18
project4
y
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3
p
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f
m
a
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t
i
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u
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m
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s
largescaledesign
view towards
south-east facade
rest area coming from
the first level to the
second level

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150115_RWN_Portfolio

  • 2. undergraduateportfolio ryannickel TOC tableofcontents project2 abstractanalysis pages4-8 project1 studioreconstructiondrawing pages1-3 project4 children’smuseum pages13-18 project3 studioresidence pages9-12
  • 3. year: I semester: fall 2012 professor: michael mead result: gain an understanding of 2-dimensional space page1 project1 studioreconstructiondrawing after understanding how to draw in perspective, capture an image of the studio and create a mirror-holding device that, when placed in front of the camera, reconstructs the room, while also creating relationships. next, create technical drawings of the device in order to show how it works, as well as a technical drawing of the reconstructed studio image.
  • 6. page4 year: I semester: spring 2013 professor: regina summers result: form a base of creative development through abstract design project2 abstractanalysis IMAGE after being given the microscopic image (shown to the right), analyze it for the rules and systems that make it up. to further understand the image, use those rules to create analytical drawings (shown below). next, go through a series of models in order to transform the rules and systems in the analytical drawings into an abstract space. last, develop programmatic insertions in the final model, without regards to gravity, in order to begin to understand how program works.
  • 8. page6 baseofcreativedevelopment project2 y e a r 1 p r o f r e g i n a s u m m e r s finalmodel through the development of my models, I focused on certain words that explained the rules in the drawings. these words were networking, void, connectivity, and growth.
  • 9. y e a r 1 p r o f r e g i n a s u m m e r s page7 project2 sectiondrawing finalinsertionmodel the insertions were designed to be programmatic spaces where a scientist could live and work. the insertions consisted of a space for exchange, contemplation, investigation, and a bonus area.
  • 10. page8 baseofcreativedevelopment project2 y e a r 1 p r o f r e g i n a s u m m e r s exchange needs to be able to fit at least 10 people in order for the scientist and his colleagues to work together. contemplaion required only to fit the scientist, himself. designed as a larger space in order to give the scientist a space for work and a space to relax. investigation meant for 2 to 3 people. there are 3 sub-spaces within, designed to spark inspiration, with the largest of the 3, on top, meant to be the scientist’s lab. bonus area soley for the scientist. stems from the contemplation space, and is an even more private areas.
  • 11. year: II semester: fall 2013 professor: clyde carpenter result: understand how to design programmatically page9 project3 studioresidence on a specific site design a studio residence for an artist and her husband in New York City, where a warehouse used to sit. one side of the residence will be backed up to a neighboring building, and a predestrian street runs down one side of the site, which leads to a body of water. the spatial program needs to consist of: parking community living level sleeping level studio level for artist office space for husband roof terrace or garden porch or balcony from ground level
  • 12. page10 sitespecificdesign project3 y e a r 2 p r o f c l y d e c a r p e n t e r the studio level is the most important level for the artist, herself. designed to inspire, the open studio looks out toward the water through a double-height window, which allows the north light to flood in. moving up through the rear stair, the second level is designed as the community living level. the open plan holds the kitchen, living room, and dining room, along with three balconies and a central atrium. the entry level is meant to serve as a space for the artist to entertain clients. after entering under the covered porch, there is a large gathering area where the artist can show her work. this area also looks over the studio, and leads directly to it. the top level is designed as an open living space, which holds the couple’s bedroom and bathroom, along with the husband’s office and a large balcony. while this level is the most private from guests, it is left completely public to the couple, meaning no doors except to the exterior balcony. there is also a large central atrium so that the couple can see down through the entire residence. studio level entry level second level top level
  • 14. page12 sitespecificdesign project3 y e a r 2 p r o f c l y d e c a r p e n t e r finalmodel as the design came together there were certain concepts kept in mind that showed throughout the model. examples included the concept of transforming public space into private space as the residence moved upwards, controlling views in and out of the residence, and the contrast between the horizontal feel of the exterior and the verticality expressed on the interior.
  • 15. year: III semester: fall 2014 professor: martin summers result: master 3D modeling softwares in order to design page13 project4 children’smuseum large-scale architecture projectdescription based off of a previous competition, design a children’s museum in Louisville Kentucky. on the 50,000 sf. site, create a museum four levels tall in which the primary circulation works through ramping. the program requirements are loose, and only call for a gift shop, offices, and a 200-seat auditorium, with the rest of the space free for galleries of my choosing. architecturalconcept encourage children to be excited when progressing through life – aka the museum – by creating, architecturally, reasons for them to want to continue to move forward, or up through the museum.
  • 16. page14 largescaledesign project4 y e a r 3 p r o f m a r t i n s u m m e r s BROADWAY THIRDSTREET UP OUT IN TO PARKING 1 cave entry 2 museum entry 3 ticketing 4 information desk 5 lobby 6 auditorium 7 projection room 8 employee entrance 9 loading dock 10 semi-truck parking 11 freight elevator 12 storage 13 gift shop 14 elevators 15 egress stairs 16 restroom area 17 exit accessible areas overhead atriums 1st floor plan 1’ = 1/16” 1 2 3 4 5 6 7 8 9 10 11 12 13 14 14 15 15 15 16 17 the verticality of the entry off third street is meant to entice children immedietly, creating a reason for them to look up, and want to make their way through the museum, in order to reach the top. inside, there are three atriums that bring sunlight from the roof down through each level, also creating a want for children to look up in hopes of reaching the top level.
  • 17. y e a r 3 p r o f m a r t i n s u m m e r s page15 project4 UP UP 1 1 rest area 2 exhibit space 3 butterfly sanctuary preparation room 4 butterfly sanctuary 5 office entry 6 break room 7 offices 8 conference room 9 freight elevator 10 elevators 11 egress stairs 12 restroom areas 13 platform proceeding to 3rd floor 14 atriums accessible areas water 2nd floor plan 1’ = 1/16” 2 2 22 2 3 4 5 6 7 8 7 7 7 7 7 7 9 10 10 11 11 11 12 12 13 14 14 14 UP
  • 18. UP UP UP UP 1 1 1 2 1 3 3 4 4 5 4 6 1 exhibit space 2 vertical lookout 3 elevators 4 egress stairs 5 restroom area 6 freight elevator 7 atriums accessible areas 3rd floor plan 1’ = 1/16” page16 largescaledesign project4 y e a r 3 p r o f m a r t i n s u m m e r s 7 7 7
  • 19. y e a r 3 p r o f m a r t i n s u m m e r s page17 project4 1 UP 2 2 2 2 2 3 4 4 6 6 5 7 7 8 7 9 9 9 1 rest area 2 exhibit space 3 restaurant/event space 4 exterior areas 5 freight elevator 6 elevators 7 egress stairs 8 restroom area 9 atriums accessible areas water green space 4th floor plan 1’ = 1/16” as you make your way to the top level, your excitement and progression is rewarded. facing south-east, there is a large roof-top garden with a breath-taking view over the city, intending to make the child feel like he or she is on top of the world.