This document discusses challenges facing potters and ceramics programs, as well as initiatives to support the industry. It summarizes that:
1) The pottery field faces threats like cheap imports, high costs, and changing consumer patterns that are hurting sales and leading fewer students to enroll in ceramics programs.
2) However, programs are adapting curriculums to better train students. Initiatives like "Adopt a Potter" also help fund apprenticeships to pass on skills and support young potters.
3) The document highlights several potters and programs in Canada and the US that are finding ways to keep the pottery tradition alive through teaching, apprenticeships, and community support
The ubiquity of social media is undeniable
in today’s world. This panel will address the
myriad of ways social media can be utilized
in ceramic education, studio practice and by
curators to further the conversation beyond the
physical world.
The ubiquity of social media is undeniable
in today’s world. This panel will address the
myriad of ways social media can be utilized
in ceramic education, studio practice and by
curators to further the conversation beyond the
physical world.
Clay artifacts have the power to arouse wonder and to tell powerful cultural stories—and America’s museums have fundamental responsibility to help make this happen. This much needed activation begins with a dedication to thinking anew about collections as a way to make them more relevant, not only within the walls of the institution but also within the community and, in this digital age, for the world at large. Time-worn approaches to historical interpretation need to give way to more inclusive approaches through the incorporation of new voices, new narratives, and newer ways of thinking and seeing. This talk explores a wide array of museum-based and education projects initiated by the Chipstone Foundation in its search for more powerful ways to tell vital clay narratives.
The Lawrence Arts Center and the University
of Kansas Department of Visual Art represent
the two largest arts organizations in Lawrence,
Kansas. This presentation will discuss how
these two institutions are collaborating
to bring communities and disciplines together,
and how partnerships like these can
In recent years, ceramics in New York have
been exhibited in highly respected galleries not
associated with ceramics. This highly promising
integration into the Fine Arts could bode well
for the future of the medium. An end to the
stigma of the “craft medium” and segregation
could finally be at hand.
This global history of earthenware is based on
the travel accounts of explorers in West and
Central Africa, Mesoamerica, and the Iberian
Peninsula. The central figures are the artisans
who made, merchants who hawked, and the
cooks who served meals made in clay pots. Clay
pots had been essential items in the kitchen and
on the table with cooks using earthen vessels to
make one-pot meals such as puddings, stews,
and soups. By looking at the recipes made in
these clay cooking pots, we can uncover the
historical context in which people made both
the earthen vessel as well as the food in them.
Awards for: Emerging Artists, Regina Brown Undergraduate Fellowships, NCECA Graduate Fellowships, National Student Juried Exhibition Award Recipients, 2014 NCECA International Residency Partnership Program Recipients, Cups of Merit, Board Appointment
Demonstrating Artist: Ching-Yuan Chang
Using color slip as the vehicle to express personal interpretation on the Taiwanese cultural phenomenon. Surface treatment of my works is not just about color, texture and design, it is about why I choose this techinique and how the process also plays part of the concept.
Demonstrating Artist: Ayumi Horie
Known for innovating a wheel technique involving no water, Ayumi will demonstrate dry throwing as a way to make bowls, plates, and match strikers. By using no water, a different texture, sensibility, and speed of making may develop that lays the groundwork for drawings to play off of. Ayumi will demonstrate sgraffito by drawing animal images on pots. Discussion will cover the role of social media, particularly Instagram, in the marketing of pots and how photographs can shift people's understanding of ceramics.
Kelly and Kyle Phelps - will demonstrate a variety of techniques used to create figurative relief work with an emphasis on storytelling. The twins will share their process from start to finish on how their work is created and discuss how the use of the figure can be the perfect vehicle to talk about topics that include but are not limited to social/political, environmental issues, race, religion, class, sexuality, gender, poverty, war, and other current issues. Sequential topics ranging from initial idea generation, music, personal interviews, site visits, material meaning, and other related topics that inspire and inform their work will be explained. Formal aspects of armature/relief board construction, composition, scale/proportion, figure sculpting, surface treatment, and final presentation will be revealed. In this two-day workshop, the twins will create a high relief figurative narrative that will be influenced by their blue-collar working class background.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
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More from NCECA (National Council on Education for the Ceramic Arts)
Clay artifacts have the power to arouse wonder and to tell powerful cultural stories—and America’s museums have fundamental responsibility to help make this happen. This much needed activation begins with a dedication to thinking anew about collections as a way to make them more relevant, not only within the walls of the institution but also within the community and, in this digital age, for the world at large. Time-worn approaches to historical interpretation need to give way to more inclusive approaches through the incorporation of new voices, new narratives, and newer ways of thinking and seeing. This talk explores a wide array of museum-based and education projects initiated by the Chipstone Foundation in its search for more powerful ways to tell vital clay narratives.
The Lawrence Arts Center and the University
of Kansas Department of Visual Art represent
the two largest arts organizations in Lawrence,
Kansas. This presentation will discuss how
these two institutions are collaborating
to bring communities and disciplines together,
and how partnerships like these can
In recent years, ceramics in New York have
been exhibited in highly respected galleries not
associated with ceramics. This highly promising
integration into the Fine Arts could bode well
for the future of the medium. An end to the
stigma of the “craft medium” and segregation
could finally be at hand.
This global history of earthenware is based on
the travel accounts of explorers in West and
Central Africa, Mesoamerica, and the Iberian
Peninsula. The central figures are the artisans
who made, merchants who hawked, and the
cooks who served meals made in clay pots. Clay
pots had been essential items in the kitchen and
on the table with cooks using earthen vessels to
make one-pot meals such as puddings, stews,
and soups. By looking at the recipes made in
these clay cooking pots, we can uncover the
historical context in which people made both
the earthen vessel as well as the food in them.
Awards for: Emerging Artists, Regina Brown Undergraduate Fellowships, NCECA Graduate Fellowships, National Student Juried Exhibition Award Recipients, 2014 NCECA International Residency Partnership Program Recipients, Cups of Merit, Board Appointment
Demonstrating Artist: Ching-Yuan Chang
Using color slip as the vehicle to express personal interpretation on the Taiwanese cultural phenomenon. Surface treatment of my works is not just about color, texture and design, it is about why I choose this techinique and how the process also plays part of the concept.
Demonstrating Artist: Ayumi Horie
Known for innovating a wheel technique involving no water, Ayumi will demonstrate dry throwing as a way to make bowls, plates, and match strikers. By using no water, a different texture, sensibility, and speed of making may develop that lays the groundwork for drawings to play off of. Ayumi will demonstrate sgraffito by drawing animal images on pots. Discussion will cover the role of social media, particularly Instagram, in the marketing of pots and how photographs can shift people's understanding of ceramics.
Kelly and Kyle Phelps - will demonstrate a variety of techniques used to create figurative relief work with an emphasis on storytelling. The twins will share their process from start to finish on how their work is created and discuss how the use of the figure can be the perfect vehicle to talk about topics that include but are not limited to social/political, environmental issues, race, religion, class, sexuality, gender, poverty, war, and other current issues. Sequential topics ranging from initial idea generation, music, personal interviews, site visits, material meaning, and other related topics that inspire and inform their work will be explained. Formal aspects of armature/relief board construction, composition, scale/proportion, figure sculpting, surface treatment, and final presentation will be revealed. In this two-day workshop, the twins will create a high relief figurative narrative that will be influenced by their blue-collar working class background.
More from NCECA (National Council on Education for the Ceramic Arts) (20)
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
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4. Threats
• Chinese ceramic imports
• Costs to attend major sales
• High rent of prime sales/studio locations
• Rising costs of land
• Problems getting a mortgage
• Change in tourist patterns
• Cut back in government grants
5. Hurting Sales in Canada..
• Implementation of the passport [2008]
• Value of the Canadian $ in relation to the US $
• 9/11
• Rise in price of petrol
• Recession and stock market crash [2008]
18. Yasuko our 10th adopted apprentice.
Throwing practice with host potter
Akiko Hirai
19. Lucas passing on skills to Darren the next apprentice.
My apprentices are funded by myself,
But like to get involved in the charity too !
Darren who is now working independently is now a Trustee
20. Anna Simmons Learning Kiln Building
Jeromy has taken Anna on at his own cost for a second year
of training
21. Fleen and Micki wood firing
Fleen is now working independently as a potter
and has also become a trustee of AaP !