What Was Stravinsky Trying To Accomplish With The Rite Of...

What Was Stravinsky Trying To Accomplish With The Rite Of...
What was Stravinsky trying to accomplish with The Rite of Spring? Why did he include so much
dissonance and irregular rhythm? Stravinsky was trying to get fame and publicity with The Rite of
Spring. The Rite of Spring, provoked a riot at its première. Depicting various scenes from pagan
ritual, the work features sharp dissonances and intense rhythms with abruptly shifting accents. The
choreography too was unconventional; the audience, used to the long and graceful lines of classical
ballet, was shocked by the angular movement centered more on the pelvis than the feet. He include
so much dissonance and irregular rhythm so that he can achieve his aim of making name, fame and
to provoke riot at the premier. What did Debussy mean when he said that
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European History as Told Through Diaghilevs Rite of Spring...
Many often associate the 19th Century with old–fashioned ideas and customs, whereas the 20th
Century is seen as the 'modern era'. So where in between these two extremes can historians label a
turning point as the end of one era, and the start of another? Modris Eksteins offers his view in Rites
of Spring, where he uses the Russian ballet of the same name as a metaphor for the changing society
during the World War I era. Eksteins views Germany as being the most modern nation in Europe,
despite the outcome of the war, and sees its characteristics in the ballet, with Serge Diaghilev as the
ringmaster behind it all. Diaghilev brings the ideas and talent of the blossoming Russia to Paris in
1913 with the premiere of Le Sacre du printempes. Even ... Show more content on Helpwriting.net
...
Germany also rushed into war as a way to prove them as a capable new entity on the European map.
It glorified war to its youth as being a speedy rite of passage for young men where they would be
able to get shipped off to war so as to gain manhood, and return to their families in a matter of a few
weeks. However this was incredibly unrealistic in every sense once the war started heating up; many
would be gone for long periods of time and possibly not return at all. Going to war was glorified to
such an extreme extent in Germany and was the cause for the greatest loss of life in history in what
is now called the 'Lost Generation'. While Germany thought its antagonistic actions in war were
justified in supporting their modern views and ideas, old–fashioned Britain felt their behavior was
warranted in that they were trying to defend the old regime that had dominated Western Europe for
centuries. Another changing aspect of culture in the early 20th Century is the morals and values of
the people. There became an increasing value in individualism and doing things for oneself rather
than glory. One example of this was when Charles Lindbergh successfully landed in Paris after
flying across the Atlantic Ocean by himself. He was considered a hero amongst the people because
he achieved his goal for himself rather than for his country or God. This idea was evident even more
after the publication of Erich Maria Ramarque's All Quiet on

Stravinsky
IGOR STRAVINSKY (1882–1871)
The Firebird Suite (1910; version from 1919)
Introduction – The Firebird and its Dance
Round of the Princesses (Khorovod)
Infernal Dance of King Kaschei
Berceuse
Finale
The first of Igor Stravinsky's three famous early ballets, The Firebird is the most traditional and
derivative. While The Firebird, similar to Petrushka and The Rite Of Spring, is unquestionably one
of Stravinsky's masterpieces, if considered strictly historically it can be, with some justice, viewed
as warmed–over Rimsky–Korsakov (the device of contrasting a folkloristic, diatonic style
representing human characters, with a highly chromatic style reserved for depicting the supernatural
had its most conspicuous use in Rimsky's ... Show more content on Helpwriting.net ...
Although it was The Firebird ballet, first performed in Paris in 1910, that began his international
career, and although the orchestral suite has remained his most popular work, he was still a little
embarrassed by it years afterwards. The original "wastefully large" instrumentation he revised in
1919, when he wrote a second suite, and again in 1945, when he put together a third and longer
orchestral suite. Such critical actions, he said, "are stronger than words."
The scenario for Firebird, as adapted by Fokine, follows an old Russian folk tale. The Tsarevitch,
Prince Ivan, is hunting the elusive Firebird, and during the night he wanders into a magical garden
(Introduction). As he walks through the garden he sees the Firebird, a beautiful bird with dazzling
plumage (The Firebird and her Dance and Firebird Variation). Ivan captures the Firebird, but agrees
to let her go free, after taking one of her feathers as a trophy. At sunrise, Ivan meets thirteen
princesses, who have come into the garden to dance and play with golden apples from the garden's
orchard (Round–Dance of the Princesses). Ivan learns that the garden belongs to the evil magician–
king Kaschei, who has enchanted the princesses, and who has the ability to turn his enemies into
stone. The prince, now in love with one of the princesses, vows to enter Kaschei's castle and free his
beloved. As soon as he

Igor Fedorovich Stravinsky Research Paper
Igor Fedorovich Stravinsky was born in Oranienbaum, Russia in 1882. He was the son of Fyodor
Ignat'evich Stravinsky. Igor Stravinsky is known as one of the best composers that Russia has ever
produced because of works such as Firebird, Rite of spring, and Petrushka. Stravinsky Career was
very interesting in that he was trained by one of the best composer of Russia, he was taken to Paris,
and he revolutionized music in his time.
Igor Stravinsky was introduce to music at an early age. His father was a bass singer in the local
opera house (White 3). He loved music since he was a baby. According to white he could frequently
hear his father, two room from his nursery practicing for a role (white). Even though his father made
a career out of music, ... Show more content on Helpwriting.net ...
His first performance of Firebird was what put Stravinsky in the musical map. Even though the
ballet went well with the public, Stravinsky knew that he still needed to improve (Huizenga). After
the success of firebird, Diaghilev wanted Stravinsky to immediately start working on another ballet.
To his surprise, Stravinsky had already started working on a piece himself. This piece would be
unveiled in Paris France in 1911 as Petrushka. Petrushka in some ways shows Stravinsky finally
reaching the musical sound he desired. According to Teachout Stravinsky's Petrushka, "Herald a
Complete change in the way musicians, and in particular creative musicians, thought about music. It
freed rhythm once and for all from old regularities, the old four–bar schemes, and allowed it to react
directly to variations in the melodic phrase"(Teachout 59). This is what Stravinsky had been
working towards all along. After his great success with Petrushka, Stravinsky started working in
what probable became his best known work Rite of spring. The concept of Rite of Spring had been
in Stravinsky's mind for a long time. He had this idea of making a ballet about the pagan sacrifices
that would occur during the beginning of spring. To show this barbaric tradition, Stravinsky
assembled an orchestra that went completely outside of the traditional tonality and intensify the
essence of dissonance (Vlad 31). Vlad says that

Ensemble Vagabond's The Rite Of Spring
Ensemble Vagabond's debut performance of The Rite of Spring changed the history of Igor
Stravinsky's outrageous ballet. Arranged for Winds and Piano, Peter Facer has taken this momentous
piece to an entirely new level. With the Callaway Music Auditorium at maximum capacity,
Vagabond strode confidently onstage to roaring applause to give the performance of a lifetime.
Adam Mikulicz's bassoon solo to open the piece captured the audience while Emily Clements added
colour and ornamentation with both the flute and piccolo. Jodie Upton on clarinet and Peter Facer
on the oboe encompassed style, texture and timbre which broadened the sound of this small
ensemble. Conducting on the side, Facer kept the ensemble together in demanding sections. Julia
Brooke with her angelic horn sounded like an entire brass section packed into one instrument and
finally, Gladys Chua tied everything together with her outstanding ... Show more content on
Helpwriting.net ...
By swaying in the delicate phrases and jerking with the harsh ones, the performers became the
dancers in the ballet. They expressed different levels of emotion when required which reflected their
playing. Furthermore, the connection between these artists ensured an impeccable performance.
Seeing people look up and interact with each other reinforced their confidence and helped the
ensemble stay together. They moved and played together as one organism. Thus, short notes were
played identically by every person, creating sections of order in a piece of pandemonium. As the
piece ended, the performers smiled. Having put 7 years of work into this score, they stood proudly
and bowed. The audience erupted in applause. The Rite of Spring was reborn as the performers were
re–invited on stage three times. Considering the already high expectations of the performance and
the applause they received, it is obvious this performance is by far the most memorable UWA Lunch
Time Concert this

Rite Of Spring
"The Rite of spring" – (Le Sacre du printemps) – (September 1911 – March 1913) remains one of
the leading composition breakthroughs of the music of the 20th century. The artistic merit of this
piece is characterized by the revolutionary way of rhythmical and sonic craftsmanship and the
unorthodox manipulation of the orchestral forces resulting to unusual, for its times, colors and sonic
landscapes. The musical language of this piece is based on diatonic triachords, tetrachords etc.,
octatonic and modal complexes, all combined with melodic elements meticulously elaborated via
multiple rhythmical combinations. The goal of this paper is to present a thorough description of the
aspects that are pertinent to the dramaturgical flow by trying to rationalize

Summary Of Pina Bausch's Cafe M�ller And The Rite Of Spring
Pina Bausch's classic Café Müller and The Rite of Spring seem to come from completely different
worlds. The movement style, narratives, and musical scores are completely contrasting in the pieces.
However, there is one similarity between the two – the way Pina intelligently uses the music to
inform her movement. In both works she utilizes both stillness/silence and repetition to create power
and drama to match the music.
As I watched a tall woman, stumble blindly across a crowded stage in silence, the last thing that
crossed my mind was what kind of music could accompany such mundane yet ethereal movement.
If I were to have guessed what musical score would be used for Pina Bausch's abstract
choreography, I surely never would have imagined Henry Purcell's arias from Dido and Aeneas. On
a basic level, Pina's choreography seemed to have no correlation to the music. The sporadic rhythm
of her choreography never seemed to follow the trembling voice of the soprano or dramatic cry of
the violins. In fact, as furniture and dancers unpredictably crash around the stage, her choreography
almost serves as a second, contrasting musical score. At first, the choice of seemed as random as
which chair the sleep walking women ran into – yet her musical choice still seemed to fit perfectly.
Oddly enough, the choreography did have an obsessively regular rhythm, it just did not correlate
with the music's rhythms. In her piece, the dancers' bursts of violent movement are followed by long

Igor Stravinsky Rite Of Spring
A critique of The Rite of Spring by Igor Stravinsky and Folding by Shen Wei On November 22th, I
enjoyed the Rite of Spring and Folding at Centennial Hall in U of A. Both of them shocked me by
their unique way of performances. From the very beginning, The Rite of Spring by Igor Stravinsky
strengthens in a volatile sense of harmonious movements. The Rite of Spring is quite different from
classical ballets whose subtle interchange of the curvaceous, subjective lithesome in the flow of time
that romanticism savored. In this particular dance which was carefully planned by Igor Stravinsky,
Stravinsky's rhythms hit and batter; although highly asymmetric they are still pounded in such a new
way that the score requires innovation in harmonious representation to make Stravinsky's invention
workable. In this dance, there is no way are these rhythms presented subtly, in fact, they are
habitually stricken out in harmony by the huge orchestra that the work uses. Undeniably, one of the
most enjoyable facets of a noble performance, even without dance convention, is the way that it
looks. Their grey outfit and sporadic black tops make them a perfect blend. ... Show more content on
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It was as if there was nobody and only the ghost–like dancers onstage accompanied by irregular
music terrified me. So as to concentrate on the listener's discernment on the rhythm, musical
material, Stravinsky at times reduces to tiny repetitive configurations of a simple two or three pitch.
In tandem with this rectilinear plainness, The Rite of Spring's gargantuan crunching
synchronizations move at the stride of glaciers, this gradual harmonic movement puzzlingly
magnifying the general sense of drive and energy. These structures of sound, although distressingly
dissonant for an audience in 1913, are selected with perfect modification, and they reinforce
Stravinsky's complete arc with a structural indemnity on a practically Beethovenian

Igor Stravinsky Rite Of Spring
The Choreography of the Rite of Spring
It is a well–known fact that a large number of progressive artworks were not accepted by the
publicity at the time of their creation and it could take several decades for the society to do justice to
them. However, the ballet the Rite of Spring created by Igor Stravinsky, which is considered to be
one of the most crucial works of art in the twentieth century, as it marked the beginning of the
modernist era, caused a completely unpredictable reaction of the audience on its premiere in 1913 in
the Paris' Théâtre des Champs–Élysées. The significance of the Rite of Spring, however, is not only
the merit of Stravinsky but also of Nijinsky who deployed innovative choreography that has altered
the understanding ... Show more content on Helpwriting.net ...
It was influenced by the colonial practices and representations which asserted that non–Western
cultures are primitive and insufficiently developed. In addition, Paris of that period was captured by
such modern dance practices as the cakewalk, the apache, the grizzly bear, which were considered as
mass and undignified. Nevertheless, the connection between the aforementioned dance styles and
the Rite of Spring is obvious, as "the choreography for each deployed a kinetic vocabulary that
yoked together mechanisation and animal vitality ... that not only transgressed conventional
definitions of dance but also offered a physical expression of modernity as defined by, and through,
the atavistic body of the dancer" (Kennel 23). Therefore, the Rite of Spring with its unfamiliar
choreography appeared to be "primitive" to the highbrow audience of the Théâtre des Champs–
Élysées. However, it is noted that Nijinsky's choreography expressed modernity with its tensions in
a physical

Stravinsky's Rite Of Spring
The production of Stravinsky's Rite of Spring was made, to recreate the performance of the Paris
premiere. Although, many people did liked the premiere, about half of the people did not like it. At
the beginning of the ballet many people did not like the severe, and rigid music aspect of the ballet.
They were used to the original ballets, with the smooth, peaceful music and the clean lines. Even
with the disagreement about the ballet, it didn't hinder it, they continued doing the performances
overtime and many of the people who originally didn't like it came to actually really enjoy it. My
first reaction to this ballet was that the music, which was very dark, was very interesting/weird
considering that all the other ballets that I knew of

The Music Of Stravinsky's First Ballet
The music of Stravinsky has always been "ahead of time" in the way of using new and different
ways of presenting music. His early ballets such as Firebird, Petrushka, and The Rite of Spring
being a great example of his modernism and will to compose music which is both innovative and
shocking. For this essay I have chosen to write about The Firebird (1910) and The Rite of Spring
(1913). Firebird was Stravinsky's first Ballet and his first composition that reached many people
because of its modernism and exoticism. The Rite of Spring is still renowned for its portrayal of
primitivism, a concept that was accentuated by the riot that happened at its premiere.
The reason why I have chosen to write about The Firebird is because it was Stravinsky's first ballet
and a milestone in modernist culture. Because of its modernist attributes, The Firebird became very
famous within ballet circles.
The reason why I have chosen to write about The Rite of Spring is because of the controversy that
surrounded it after its premiere. The ballet was so shocking to many of the audience members
because some of the concepts explored in it were so different and new to them.
The Firebird is based on the Russian legend of the firebird and is said to be a beautiful large red,
orange and yellow bird. In the ballet, it is played by a ballet dancer whose costume is that of a half
bird and half man. In the 1900s, ballet costumes tended o be very elegant, and often in pale colours.
However, when Alekandr

Igor Stravinsky Conductors
In Igor Stravinsky's standpoint of a conductor, he describes a conductor being a "field . . . more for
the making of careers and exploitation of personalities . . . than a profession for the application of
exact and standardized disciplines." It is conclude that "the 'great' conductor . . . substitutes looking
for listening . . . [that] the important part of the performance becomes a gesture."
The essay begins with a comparison of conducting and politics. Politics is given a bad connotation;
as it is seen as a corrupt dealing. Stravinsky states, "The success of a conductor can be an
incomplete musician". He wants people to understand that conductors have no talent but are
"anglers", men scheming for fame. For example, conductors can enchant the society women and
critics on which is career dependents upon. Conductors have let the importance of their social
standing become more important than the music itself. ... Show more content on Helpwriting.net ...
He draws in the reader using an advanced vocabulary including "egotistical", "arbitrary authority",
and "corybantics" so one reads into thinking he has the power. Along the lines of emphasising
Stravinsky's power, the string of words "egotistical, false, arbitrary", give the conductor all power.
Stravinsky also uses the repetition of "a" and "p" in "power politics" and "arbitrary authority" to
stylize his writing. It also emphasises politics and authority which are two of the parties that
conducting is compared

Stravinsky Influence On Society
Stravinsky is undoubtedly now one of the most influential pioneers due to his musical innovations in
new music at the beginning of the 20th Century. Stravinsky was born in 1882, into the privileged
society of pre–revolutionary Russia. In his early years, he was raised strictly under the faith of the
Russian Orthodox Church, which is said to have led on to have a large impression on his
compositional styles. At the tender age of 9, Stravinsky's talent in keyboard improvisation had
become apparent – at this stage being influence by composers like Glinka and Tchaikovsky. During
his early 20's, although studying law at university, he began private lessons in composition from
Rimsky–Korsakov. It was during this time that Stravinsky began some of his well–known works,
such as Fireworks and a symphony, in which the talented young ... Show more content on
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Subsequent to this Stravinsky's career took another turn, into the ballet. During this time some of his
most famous ballet works produced The Firebird and Petrushka. These ballets began to demonstrate
the immense skill in Stravinsky's bold and audacious orchestral writing.
The Rite of Spring
In 1913, Stravinsky premiered his arguably most famous and influential work – The Rite of Spring.
This ballet ended up to potentially be a very controversial work, pioneering new ideas in both the
music and the choreography. This was Stravinsky's third ballet for Diaghilev's company, the Ballet
Russes, who primarily performed Russian themes. The Rite of Spring acts as a turning point in
Stravinsky's career, spurring revolutionary techniques to be

Le Sacre Du Printemps ( The Rite Of Spring )
Le Sacre du printemps (The Rite of Spring)
Igor Stravinsky was born June 17, 1882 in Oranienbaum, Russia. While studying law, Nicolai
Rimsky–Korsakov, a Russian composer and the most influential member of the composer group
known as The Five. Korsakov allegedly told him he should study music. He continued to study
under Korsakov his death in 1908. Stravinsky never had another teacher but caught the likes of
many Russian composers like Sergei Diaghilev, impresario of the famed Ballets Russes, who
allowed him to compose a ballet. Among his other compositions nothing compared to his next one
under Diaghilev. The result was the voluptuous and impressionistic, The Firebird in 1910, and later
in 1911, Petrushka. His next ballet would "ignite the most famous riot in the history of music. With
its savage rhythms, absence of melody, and barbaric energy, The Rite of Spring marks the true
beginnings of Twentieth Century music, and even today never fails to thrill or amaze listeners"
(Sherrane).
While he was composing The Firebird, Stravinsky had a sudden visual idea, a scene of pagan ritual
in which a chosen sacrificial virgin danced herself to death. Naturally such an image invites the
creation of a ballet to bring the dance to life. However, before put the vision to reality he had
another vision about a sassy yet sad little puppet from Russian street fairs; Petrushka. Eventually,
the ancient images of Russia would come back to him and would enjoy the popularity of people all
the way

Igor Stravinsky Rhetorical Analysis
In his derogatory passage, Igor Stravinsky discusses the common views and reputation of orchestra
conductors; he argues that conductors are not musical gods but rather destroyers of musical
compositions and the glory that they are meant to receive. Because Stravinsky is a composer
himself, he has firsthand experience with the relationship between composer and conductor and has
dealt with conductors that have conducted his compositions. Stravinsky's purpose in writing this
passage is to convince the reader of the false perspective they possess of conductors. He wants to
correct these pretenses and expose the façade of conducting in order for the reader to disassociate
the conductor with being the star of the performance and help them focus ... Show more content on
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In doing so, he encourages the reader to use the context of the paragraph to look into its meaning.
His placement of quotes around "great" clearly conveys his sarcastic tone because he is not in fact
praising the conductors in accordance to the like of actors, but, instead poking fun at them. The
conductors do not actually understand the meaning of the music and must therefore adapt the music
to themselves rather than themselves to the music; they are only standing in the way of genuine
music–making. Stravinsky also uses sarcasm in the last sentence to further his point by saying that
"If you are unable to listen to the music, you watch the corybantics, and if you are able, you had
better not go to the concert." The conductor should not be the star of the performance and, in
showing the audience what they should be feeling, the conductor minimizes the brilliance of the
composition. Furthermore, his bold statements regarding conductors emphasize his dislike for them
because he is figuratively attacking the profession, going beyond just harsh criticism. In using such
bold diction, Stravinsky also manages to convey a sense of informality, creating the illusion that he
is simply conversing with his audience. This in turn helps Stravinsky break down the wall between
author and reader by allowing the reader to relate more to the ideas being

The Firebird Suite Analysis
"The Firebird Suite" is a ballet composed by Igor Stravinsky in 1910. I am particularly fond of this
piece, and place it in my personal top five greatest musical compositions of all time. I first listened
to this piece back in 1999 when Disney's, Fantasia 2000 was released. While I do not remember the
visuals of the film, I recall the music quite clearly. I have forgotten about, "The Firebird Suite" until
I recently bought the CD, Stravinsky: The Rite of Spring, Firebird Suite (1999) at Barnes and Noble.
Listening to the piece again brought on a whirlwind of emotions and memories. For the purpose of
time, I will be focusing primarily on the last movement of the suite. The movement starts in the key
of B major in 3/2 time with the french horn, harp, and strings playing first. Dynamic wise, the
movement starts in piano while the french ... Show more content on Helpwriting.net ...
My experience as a music major in SUNY Potsdam attributed toward my various reactions
throughout this piece. Additionally, my fellow musicians at the Crane School of Music impacted the
way I view this type of music. While I already came into college with an appreciation for classical
music, my peers provided me with new ways to view this type of music, and I learned much by
observing them play. Beforehand, I could not put into words the emotions and experiences I felt
while listening to classical music. Interacting with and learning from my peers provided me a mean
to do so. "The Firebird Suite" is a piece of music that truly engages me and brings about a variety of
emotions and memories. Listening to this music gives me a sense of joy and pride of being a
musician and reminds me of why I love listening to this type of music. While other individuals may
prefer different types of music, this shows how music can impact people in various ways. This is
important for music therapists to understand as this can be used as a mean to heal our

Igor Stravinsky Controversy
"The Rite of Spring" was certainly the most controversial piece of orchestral music. The piece,
composed by Russian Composer Igor Stravinsky, included lots of uncommon musical elements. But
was it really that uncommon? The world–changing ballet was so controversial when it debuted in
1913, because it completely contradicted the common rhythmic and harmonic languages of most of
the music of the time. Stravinsky's music, however, was based off early classical music and other
compositions written before, where these composers were also accused of composing controversial
music, plus Stravinsky's early life experiences impacted his music. "Le Sacre du Printemps" (The
original name) was one of the most controversial ballets in history. The 33–minute ... Show more
content on Helpwriting.net ...
Johann Sebastian Bach also wrote lots of controversial music. Some of his keyboard words included
"bended" notes to resemble a specific string or woodwind technique. This was executed as too
chromatic and dissonant to most people and the church. At the time, this was uncommon and
unaccepted from a baroque composer, but clearly it wasn't thought of so bad for a while because
Bach's death marked the end of the Baroque era. Beethoven broke many rules too. His ninth
symphony which was premiered in 1824 was nowhere near as unconventional of The Rite of Spring,
however, at the time of Beethoven, writing a symphony that was over an hour long, included a full
chorus and vocal soloists, and was expressive and romantic as it was, was in fact unconventional for
his time. Beethoven's music was so rebelliously emotional, the last seven years of his life marked
the beginning of the Romantic era. This meant that Beethoven's music was so influential and unique
he started the world's brand new "norm" of music in 1820, when the Romantic Era started.
Stravinsky's composition took place at the end of the romantic era and went into the 20th century
era. It is not coincidental that these composers who were shunned at the time ended up being so
revolutionary and influential that a new musical age

Igor Stravinsky Research Paper
Although Igor Stravinsky was a Christian and Claude Debussy was a hedonistic atheist, they were
both modern classical composers. However, this was not their only similarity. They also studied
music at a college, quickly rose to fame, and composed in several different styles.
One similarity was their studies of music. They both studied music at colleges. Debussy, despite his
lack of formal schooling, went to the Paris Conservatory for eleven years, starting at the young age
of eleven. Although his experimentation with dissonance led him to trouble, he continued to use it
throughout his life. Stravinsky spent three years studying composition with Rimsky–Korsakov, a
Russian composer and teacher, while studying for a law degree. The two became ... Show more
Debussy, at the age of eighteen, was sponsored by Madame Nadejda von Meck, who was also the
patroness of Tchaikovsky. However, Madame von Meck permitted Debussy to Travel with her and
her family, unlike her arrangement with Tchaikovsky. Although this encouraged his career, it made
him have an expensive taste the rest of his life, forcing him to never be in a financially safe place.
Stravinsky achieved fame through his teacher and friend, Rimsky–Korsakov, who arranged for some
of Stravinsky's music to be played. Diaghilev, who worked for the Russian Ballet Company, heard
the music and commissioned Stravinsky to write an original ballet. Stravinsky found inspiration in
old legends, creating the The Firebird. A few years later, Stravinsky wrote one of his most famous
works, The Rite of Spring. This ballet caused a riot, partly because of the strange music, including a
very high bassoon piece, but Stravinsky put all the blame on the choreographer, Nijinsky. Despite
the controversy over his music, or perhaps because of it, Stravinsky rapidly became a known name
in the music world. Although the ways in which the two became famous were different, they both
greatly influenced classical music of the twentieth

Rite Of Spring Choreography
There are certain dances that took the public by surprise during the period of the Ballets Russes, one
specifically being The Rite of Spring, its choreography going against the specific expectations of
classical ballet at the time. The performance itself even managed to incite riots within the public, not
for being graphic or of a lude quality, but instead for the fact that it challenged the traditional
choreography. It's interesting to note the strong negative reaction that The Rite of Spring received
when all it did was broach classical ballet stylistically. Especially when comparing it to two of the
more surprising and innovative, in choreography, performances that directly explored male and
female sexual awakening, those two being Afternoon ... Show more content on Helpwriting.net ...
Afternoon of a Faun seems very much like the adult version of "Little Red Riding Hood", showing
the slyness of the faun being similar to that of the wolf in the fairytale story. The wolf disguising
himself as her grandmother telling her sweet things to lure her in closer for him to eat her and the
faun acting timid towards the nymph to lure her closer so that she may satisfy his sexual appetite.
Spectre of the Rose looks at this young girls sexual awakening not in a subtle and immature manner
of her having a doll to play with in her dream, but her wishes to be the doll to the male and have him
play with her. She gives herself over completely and willingly in her dream, allowing the Rose to
dance with her and take her wherever he pleases. One must also keep in mind that this being her
dream, it is looked at through a lens of her controlling him and he controlling her. Because it is her
dream, her mind controls what may occur and it is apparent that she wants a man to have his own
way with her and when looking at the dance you see exactly that, the Rose controlling the young
girl, but forgetting along the way that she, being the dreamer, is truly controlling him. This
manipulative and deceitful quality are

Igor Stravinsky's The Rite Of Spring
As I listened to Igor Stravinsky download 70, Stravinsky's musical piece differs from that of the
romantic era by the unadorned lines, raw energy, and elemental truth in which was incorporated into
his musical piece I listened to and analyzed The Rite of Spring. During this period modern artists
such as Igor Stravinsky were determined to turn the public away from Romantic idealism and back
to harsh reality, as stated. In this particular piece it was heard to have intensifying metallic sounds
which are not expected catching the listeners as well as the dancers of this particular art off guard.
Whereas, in the romantic era calm signifying sounds are incorporated in each musical piece. In The
Rite of Spring Stravinsky takes the listeners as well

Emo Culture
In today's society there are many different subculture tendencies amongst young people, they are
various and interpenetrating, but to the bigger part of them is leading the element music and above
all such kind of music, that is with a history of many years, transformed in classic for many
generations. But recently one very different from the entire subcultures tendencies phenomenon,
called emo style, especially strongly caused a sensation. It is different not only at the way of
clothing, at the type of music preferences, at the type of behavior, but it is different at the way, it
understands the world and itself. It is one "sad" subculture to a great degree namely because of the
way, it perceives the ambient reality.
The emo subculture is ... Show more content on Helpwriting.net ...
The emos aren't slaves of some brand, those sneakers they have to possess at any price.
Bracelets, belts with caps, hats – all these accessories are various and multicolored and they
contradict to the tortured and lacerated soul of the emo representative.
Also very significant accessory is the ring, piercing the lower lip of the young subculture person.
The emo–tional nature of the subculture youth...
At their nature the emo representatives are extremely sensitive characters. The psychologists define
them as introverts, who don't want to communicate with the ambient world. Because of that they
find a field of manifestation in the poetry. The poems that they write are dark, dispiriting, depressive
and they inspire sadness and nostalgia. In this respect they to a great degree resemble to the Goths.
The life and the pain are basic topics in the poetry of the young creators. The specialists advise the
parents to pay more attention to their subculture person at home, because namely this way of living
of the young people leads to things, for those I'll speak down below in the text and that are
incorrigible
In fact this type young people, as all the rest, need love and seek it all the time. Just in the process of
this search they fall into the dark bottom of their souls and they suffer desperately. They suffer, they
cry and they listen to their favorite emocore bands – the only ones that understand them.
For all these

Rite Of Spring
It is unusual that a score music of a ballet can stand on its own of being a magnificent masterpiece.
That is the case of the so popular orchestral concert "The Rite of Spring" written by Russian
composer Igor Stravinsky in 1913. Even though this work has a lot of history and controversy
attached to it, this review will focus more in the music and how we react to it.
My general reaction to the composition is that without seen the ballet you can pretty much have an
idea of what is this piece about. It doesn't provoked you a feeling of tranquility as you would expect
from the music of that time period, rather it makes you feel anxious and uncomfortable throughout
the all piece, and especially the combination of high pitch and bass instruments.
In this orchestral concert there are two main sections, "A Kiss of the Earth" and "The Exalted
Sacrifice."
The orchestral concert opens the first section with the bassoon making the mood of the piece starts
with kind of a calm and pleasant feeling that ... Show more content on Helpwriting.net ...
The increased tension in this section is mostly created by the string instruments, especially cellos
and violins. The tension in the successive portion comes back to a stable state to be then increased
again towards the end of it. The instruments involved are many, but the ones that stood out the most
were: Violin, piccolo, and the triangle. The music in 6:53 changes to a slower melody, but the
intensity is carry on and a suspense feeling is added due to the use of the timpani. The shift in
intensity in the 7:47 is hard to notice because it's almost carried over from the pre section, but it is a
little bit higher due to the faster speed of the bass and high pitch instruments. Again in 8:16 there is
a change in the mood of the piece to a more settle and calm state, this is due to the lower speed and
the soft tone of the notes played by the woodwinds and the

Analysis Of The Rite Of Spring
"The Rite of Spring" (Le Sacre du Printemps) Part I: The Adoration of the Earth by Igor Stravinsky
was written was written in 1913 for the Paris dance troupe, the Ballets Russes company; the
productions of Serge Diaghilev. The ballet was considered controversial and caused a small riot
during the performance between the two groups; supporters and detractors. "The Rite of Spring" was
written during the Modern Era of music. The characteristics of music during this period used
nonsymmetrical patterns in the meter based on five, seven, eleven, or thirteen beats per measure.
The meter could shift constantly changing the flow of the music. Composers started using sharply
contrasting rhythms simultaneous , this is called polyrhythm. Early modern composers wrote
melodies in relation to the instruments instead of the voice. Harmonies became more complex
during this time. Composers used stacked chords adding as much as seven notes to one chord. These
chords were highly dissonant and were known as polyharmony cords. These chords redefined the
tonality and needed new ways of organization in music. These chords also could make distinctions
with the dissonance and consonance in music. "The Rite of Spring" represents these typical music
traits for the modern era. The meter is constantly changing and is different for each instrument.
When the piece first starts the 4/4 time is used, but the bass clef quickly switches to a ¾ time for one
measure then switches back to 4/4 for one

Stravinsky Spring Influences
Igor Stravinsky's ballet The Rite of Spring is a representation of his Russian roots and everything
that he celebrated. His Russian roots influenced him greatly throughout his career, writing
compositions that reflected his life and Russia itself.
The symbol of Spring to them represents their new year such as a revival of the crops and fams that
was crucial to living. Emboding the new beginnings, t
Born on June 17, 1882 in Oranienbaum, Russia, Igor Stravinsky was raised in St. Petersburg by his
father and mother. Family already with a muscial background, Stravinsky did not want to pursue the
same career as his father and mother. While attending the University of St. Petersburg, Stravinsky
met Nikolai Rimsky–Korsakov who changed his mind from studying law to become a music
composer. After the arrival of the first World War, Stravinsky along with his wife and children fled
from Russia. Stravinsky then proceeded to travel the world with his music. Though Stravinsky
moved from New York City to Los Angeles, his time spent in Paris helped influence his inspiration
for The Rites of Spring as the ... Show more content on Helpwriting.net ...
The piece opens with what seems to be sounds of a clarinet, but it is actually a bassoon reaching
high notes in the key range. As the movement continues, the piece is in a steady beat of offbeats
from the instruments replicating the praise towards Spring harvesting. The meter is at a steady at a
pace longer than the usual 4/4. Although the music is steady, you hear the orchestra wanting to push
the tempo, always on top of the beat, driving the music and dancing forward. Later in the piece, the
music turns dark, changing keys, and the melody becomes obvious and simple, reflecting that of the
indigenous people of Russia; possibly signalling the end of the piece or reflecting the nature of
impending war that threatens the Russian

Rite Of Spring
Ballet is the art form that generated the movement by human body. It is theatrical which performed
on a stage with elaborate costume, scenic design and lighting. Ballet can tell a story, thought and
emotion through the dance. In addition, ballet can be charmed, exiting or provoking.
The analyses these two style ballet "Sleeping Beauty" and "Rite of Spring." this paper will describe
the harmony, texture, and characteristic, which use the dissonance that help clarify stylistic
identification, especially with regard to contemporary instrumental dance repertories of lute and
ensemble music.
An overall sound of "Sleeping beauty" is fantastic with the many string or wind of the instruments
in style period in 19th century, which can noticeable in ... Show more content on Helpwriting.net ...
Classical save is essentially classless and international and expresses otherworldliness and lightness
of being. Their choreography indicated such a perfect form as a dance symphony, which based on
the classical dance and provided all significant meaning such as free thought.
On the other hand, "Right Spring" was a work for a revolutionary time, which explosive sense of
musical movement. From the beginning the music became more and more intense and complex.
That gave the feeling of fighting for the space, attractive and massive uproar. Move a little bit
further, the music become violent, sharp and intensely dissonant. The performers indicated the trill
which highlighting the most savage looking, depressing, which worse than a vagrant that ever seen.
Men who look like neanderthals were jump up and down to response in a completely unpredictable
rhythm. However, the way they moved where in the graceful way imaginable and intensity to
everyone's mind. Aggressive, barbaric music is one thing, but this music is romantically savage.
Extensive melodies highlight the beauty of the characters, the story and the expression of human

The Rite of Spring Essay
When one thinks of a ballet they hear soft rhythmic notes and see elegantly dancing ballerinas softly
tip–toeing around the stage. This is also what people in early 1900's expected to see when they
planned to attend a ballet. However, a couple of motivated artists in 1913 literally planned to change
the design of ballet, music and dance forever. On May 29, 1913 a ballet named The Rite of Spring
premiered in Paris, France. The original title as it translates from Russian to French is; Le Sacre du
Printemps, meaning the rite of spring, but the literal translation from Russian to English means
"Sacred Spring". The ballet and music were composed by Igor Stravinsky, with the help of Nicholas
Roerich, who proposed the general idea behind the ... Show more content on Helpwriting.net ...
Unlike traditional ballet The Rite of Spring featured sharply bent arms and legs that focused on
barbarian depictions of life rather than the elegant, graceful representations used in conventional
ballet. The violent dance steps depicted fertility rites, which is what provoked the earliest
interruptions during the ballet. While Nijinsky was creating the dance for the ballet, Roerich was
creating the setting and costumes to accurately portray this sacrificial rite. The use of such primitive
pagan images were something that the people were not accustomed to. It was a topic that the world
was not yet ready to deal with. But the visuals of the ballet were not the only historic part; the music
had an even greater impact. The music was composed by Igor Stravinsky, who considered himself
an inventor of music. He was also known for many controversial works reminiscent of Nijinsky. He
created many works that blasted the whole realm of music into other possibilities, in which it would
never return from. He started his career writing music for other ballets like Firebird and Petrouchka,
which were grand and familiar like traditional ballet, but had a small hint of a more modern tone. It
was not until The Rite of Spring that Stravinsky's work was truly inspirational. This work tested the
future of the 20th century classical music, and in many ways it paved the path to a modernized view.
There are still many who do not understand how he

Igor Stravinsky
Igor Stravinsky (1882–1971) is one of the most prominent and well–known composers of the
twentieth century. A Russian composer, pianist, and conductor, Stravinsky quickly rose to
international fame with his ballets, The Firebird (1910), Petrushka (1911), and Rite of Spring
(1913). These ballets were tonally and rhythmically complex, giving Stravinsky a reputation of
pushing musical boundaries. A master of stylistic diversity and having composed in a range of
genres, Stravinsky's works can be divided into three major periods: his Russian period (1907–1919),
his Neoclassical period (1920–1954), and his Serial period (1954–1968). His Neoclassical period
was the longest of the three and the most significant. Neoclassicism was a twentieth–century ...
Show more content on Helpwriting.net ...
As the title reveals, this 20–25–minute work is made up of of three movements: Mvt. I: Overture;
Allegro, Andante; Mvt. II: Interlude Andante; Interlude: L'istesso tempo, and Mvt. III: Con moto.
Referred to as his 'war symphony' by Stravinsky himself, this symphony was composed in response
to the Second World War. While it was composed during his neoclassical period, this work
challenges the norms of neoclassicism in ways that his other pieces composed during this era do not.
This paper will argue that Stravinsky's Symphony in Three Movements, while not one of his better
known pieces, is still a work that is representative of his life and style as a composer. Through in–
depth study of historical and analytical sources, it will look at how this work is a mixture of material
and styles from Stravinsky's works as well as from works of other composers. We will explore
Stravinsky's role in the neoclassical period, and how this symphony follows the general rules of
neoclassicism while also involving more abstract and strange compositional ideas that are not
neoclassical in nature. We will look at the different life and world events that influenced this work,
and how this work influenced his later compositions, such as The Rake's Progress. Primary sources
will be used to better understand Stravinsky's thoughts and motivations for this

Neoclassicism Vs. Modernism Essay
Igor Stravinsky makes for a first–class example of differences and similarities between
neoclassicism and modernism. Modernism is defined as "A term used in music to denote a multi–
faceted but distinct and continuous tradition within 20th–century composition"1, while
neoclassicism may be defined as "A movement of style in the works of certain 20th–century
composers, who, particularly during the period between the two world wars, revived the balanced
forms and clearly perceptible thematic processes of earlier styles to replace what were, to them, the
increasingly exaggerated gestures and formlessness of late Romanticism"2 By not only comparing
his works to others but within his own body of work the two movements can be better ... Show more
In addition to asymmetrical rhythms the use of polytonality is vibrant throughout the piece
especially in the introduction which begins with different clarinets playing polytonal. Stravinsky
structured The Rite very differently, melody was not the only dominant feature of the piece, other
features such as the fore mentioned polytonality and asymmetrical rhythms were also at the
dominant features of the piece. By breaking from many common practices of his own and of the
time, Stravinsky created a piece slated in modernism's history. While The Rite was a piece of
modernist material, Stravinsky later moved on to neoclassicism, Pulcinella greatly represents a small
portion of Stravinsky's neoclassical repertoire. Like Stravinsky his contemporary in another art form
was Pablo Picasso, interestingly enough he played a huge part in the design of the visuals in
Pulcinella. Both emphasize or accentuate certain features within their works. Where Stravinsky may
accentuate his neoclassical works with features from his predecessors, Picasso accentuates his art
with his perceptions, such as his Stravinsky portrait that cast's Stravinsky with a very large body, a
small head but a rather large nose. Both emphasized certain themes within their works of art.
Pulcinella, is also often compared to Schoenberg's Pierrot lunaire, an earlier piece set to seven
poems and performed in sprechstimme. While Pulcinella was a ballet performed in a

Essay on The Age of Innocence by Edith Wharton
Edith Wharton was the author of The Age of Innocence, a novel published in 1920. In the book,
many topics were considered, such as divorce, the empowerment of women, and the lifestyle of the
wealthy. The inspiration for these motifs occurred throughout her life. Although Edith Wharton's
work was not well–received, the topics included in her writings held many truths about upper–class
society in the late 1800s; therefore, Edith Wharton was influenced by her past and societal
experiences. Wharton received inspiration for her writings through her upbringing. Edith Wharton
lived in upper–class New York City, which is the setting of her novel The Age of Innocence. "But
I'm improvident: I live in the moment when I'm happy" (Wharton 87). This ... Show more content on
Helpwriting.net ...
The suffrage movement had an enormous influence on Edith Wharton. This impact is made clear in
her writings. Edith Wharton had a feminist view on life. "I'm sick of the hypocrisy that would bury
alive a woman of her age if her husband prefers to live with harlots" (Wharton 26). Through this
quotation, it is made evident that Edith Wharton believed males and females were equals and should
be treated as such. "You mustn't think that a girl knows as little as her parents imagine. One hears
and one notices–one has one's feelings and ideas" (Wharton 96). In this quotation, Edith Wharton
shows the controversial idea of women being more than mere objects. Wharton's works all showcase
feminist ideals.
The art of the time also had an influence on Edith Wharton. Many of the paintings and musical
pieces contributed ideas as controversial as the ideas in her stories. One of these was The Rite of
Spring, a musical piece composed by Igor Stravinsky in 1914. Stravinsky's music and the
corresponding choreography were strange and offensive to many of the audience members. These
two elements combined caused the audience to riot.
The Rite of Spring relates to the controversial idea of feminism, which was used by Wharton
throughout her literary works. Many people in the early 1900s opposed the women's rights'
movement. However, the few people that fought for women's suffrage fought for it with much
tenacity. As women's

The Rite Of Spring
The Rite of Spring" is a ballet by Pina Bausch. The original production was choreographed by
Vaslav Nijinsky and premiered in 1913. The music, by Igor Stravinsky, is written about a pagan
sacrificial ritual. Pina Bausch's interpretation of this music through dance emphasizes different
gender roles (Savarino, 15). Through dance and the intertwined theme of the ritual sacrifice of a
young woman, Pina Bauch's choreography portrays the self–sacrificial path that women are forced
to follow in traditional societies through both desperate and unpretentious movements that are both
original and pay tribute to the initial choreography by Nijinsky.
"The Rite of Spring" first premiered as a ballet set in Pagan Russia. In its first version, by Vaslav
Nijinsky, the ballet caused rioting and controversy in the theater when it premiered in Paris in 1913.
The music, by Igor Stravinsky, is intense and uncommonly powerful. The audience was so shocked
by the discordant melodies and the pounding, turned–in choreography that was performed on stage
that they began to shout during the performance (Hensher, "The Rite of Spring– a rude awakening).
The ballet's main theme is the sacrifice of a young woman to the gods of spring. In Pina Bausch's
version, this theme is continued, albeit ... Show more content on Helpwriting.net ...
This is visible at 22:07 when one girl kneels down to the dress and another pulls her away. The
female corps de ballet contracts down onto on each other's shoulders at 22:15. At 22:23, they form a
close circle and at 23:03 repeat the movements from the large circle with the men, but this time
more desperately and with the men as observers. The women's feet point and lift higher off the
ground than before and their alonges are more desperate as they move closer to one another.
Throughout this section, the men stand and watch without emotion, in

Les Demoiselles D Avignon
Rite of Spring vs. Les Demoiselles d'Avignon
Igor Stravinsky and Pablo Picasso were the two major artists who created their most well–known
artworks in the 18th century. Stravinsky created the Rite of Spring, a musical work that focused on
ballet. On the other hand, Picasso painted the Les Demoiselles d'Avignon, which "became the most
famous example of cubism painting," (Pablopicasso.org). Despite the fact that the Rite of Spring and
Les Demoiselles d'Avignon are two different works, they share a few similarities for a number of
reasons.
First of all, the Rite of Spring and Les Demoiselles d'Avignon were created in an abstract style and
also out of the ordinary. The music in the Rite of Spring was "angular, dissonant, and totally
unpredictable," ... Show more content on Helpwriting.net ...
According to NPR online, Harvard University professor Thomas Kelly suggests that "one of the
reasons that the Paris premiere of 'The Rite of Spring' created such a furor is that it shattered
everyone's expectation," (NPR Online). For example, "the evening's program began innocently with
a performance of 'Les Sylphides'. However, as the follow–up piece, it turned out to be anything but
spring–like. One of the dancers recalled that Vaslav Nijinsky's shocking choreography was
physically unnatural to perform," (NPR Online). Picasso's Les Demoiselles d'Avignon received
"unanimous shock, distaste, and outrage by a group of painters, patrons, and art critics," (PBS). In
addition, "the painter Matisse is angered by the work, which he considers a hoax, an attempt to pain
the fourth dimension," (PBS). The critic Salmon wrote, "It was the ugliness of the faces that froze
with horror the half–converted," (PBS). Painter Derain also made a rude, inhumane comment stating
that, "One day we shall find Pablo has hanged himself behind his great canvas," (PBS). These
unpleasant comments, however, did not prevent Stravinsky and Picasso's works from being
displayed in theaters, textbooks, and art

Essay The Rites of Spring by Modris Eksteins
Modris Eksteins presented a tour–de–force interpretation of the political, social and cultural climate
of the early twentieth century. His sources were not merely the more traditional sources of the
historian: political, military and economic accounts; rather, he drew from the rich, heady brew of art,
music, dance, literature and philosophy as well. Eksteins examined ways in which life influenced,
imitated, and even became art. Eksteins argues that life and art, as well as death, became so
intermeshed as to be indistinguishable from one another. The title of the book, The Rites of Spring,
and the plunge into the world of the Ballet Russe in the first chapter, made clear that Eksteins
intended to use Stravinsky's ballet as an image for ... Show more content on Helpwriting.net ...
Germany was, relatively speaking, a new nation; new as a single nation. Russian contributions to
music and dance were new; they did not date back centuries like in England, France, Germany and
Italy. Politically, Germany found herself in a similar situation. She was new and wanted to make her
place among the great powers; she saw herself as the innovator, a progressive spirit, as opposed to
wearied France and conservative Britain. Eksteins contends that because Germans saw themselves
as the agent of (inevitable) progress, they felt their role in The Great War was defensive rather than
aggressive. To attack Germany was to attack the future. This belief that they must defend their
homeland from those who would deny the future, sustained the Germans during and after the war,
and into the next one. Eksteins realized that Hitler was not an anomaly; Hitler touched a sympathetic
chord within the Germans. Although Eksteins discussed that any group may want to find scapegoats
when things go wrong, citing the tendencies of the French to look beyond themselves for
explanations of failure, he implies that, in Germany, finding scapegoats produced such horrific
results because preexisting sentiments of anti–Semitism combined with the violence and power of
Nazism. His depiction of the vibrant and dynamic, "pep rally‿ mentality with its appeal to

Rite Of Spring Monologue
Uproarious laughter! Outcries of boos and grunts! Scarfs, hats, and shoes being thrown everywhere!
And, worst of all, people getting trampled and beaten on for no reason. Believe it or not, that is what
I had witnessed in the audience last night at the premiere of a new ballet called
The Rite of Spring by up and coming Russian composer, Igor Stravinsky. Although this ballet was
not well–received by its audience, the theater was so packed that it took me over 15 minutes to find
a decent seat to sit in! As soon as the beginning started with it's very poetic and dreamy bassoon
solo, the audience started to laugh and giggle. That puzzled me because I was enjoying the bassoon
solo a lot and actually found it to be quite mesmerizing. I felt really pleased by ... Show more
I felt very indifferent to the music because it sounded like Stravinsky took random notes from
several keys at the same time and threw them onto paper without caring about beauty. In addition, I
absolutely hated the dancing
(or should I say stomping) that I saw! Although we Parisians requested Russian ballet with an exotic
and oriental character to it, stomping is not necessary! It mocks the elegance and grace that so many
dancers work so hard at perfecting for performance on stage. When The Rite of
Spring finally reached the Sacrificial Dance section, it messed with my already upset ears and mind
even more than any other section of the ballet. It sounded extremely nightmarish to me through its
outpourings of even more weird types of dissonances and unpredictable rhythmic unevenness that
made me feel sick, especially as the music gradually grew wilder until the end.
The Rite of Spring was unlike anything that I had heard before which is great, but the severe novelty
of the music made it very difficult to listen to and appreciate. As soon as it ended,

Music In Igor Stravinsky's The Rite Of Spring
Igor Stravinsky's ballet The Rite of Spring is a representation of his Russian roots and everything
that he and his culture celebrated. Stravinsky managed to bring an earthy and wild tone to an
orchestra that audiences were used to being so elegant and high class. The symbol of spring to the
Russian culture represents their new year with the revival of the crops and unity that was crucial to
living. Embodying the gathering of people with their relationship with the Earth, Stravinsky brought
music back to the origins of dance.
Born on June 17, 1882 in Oranienbaum, Russia, Igor Stravinsky was raised in St. Petersburg by his
father and mother. The family already with a musical background, Stravinsky did not want to pursue
the same career as his father and mother. While attending the University of St. Petersburg,
Stravinsky met the son of the composer Nikolai Rimsky–Korsakov who changed his mind from
studying law to become a music composer. After the arrival of the first World War, Stravinsky, along
with his wife and children, fled from Russia. Stravinsky then proceeded to travel the world with his
music, moving to France with his family in 1920. Though Stravinsky moved from New York City to
Los Angeles, his time spent in Paris helped influence his inspiration for The Rites of Spring as the
Parisian culture was diffused from Russia. During his time in back in Russia, Igor Stravinsky spent a
summer in Ustilug where he discovered that the spring season is very influential

The Poetic Experience Of Rite Of Spring
The Poetic Experience of "Rite of Spring" Poetry provides an experience, no matter how the poet
wishes to convey their message. Many poems have a clear rhyme while other poems ignore rhyme
and instead focus the on structure or style, this is not the case for "Rite of Spring" by Seamus
Heaney. "Rite of Spring" offers the reader the experience of rhyme and rhythm, with four lines
rhyming and a rhythm that is noticeable throughout the entire poem. While rhyme is very important
in the poem (as well as the rhythm), imagery is also important in "Rite of Spring". In addition,
rhyme, rhythm and imagery all help the personification in the poem become enhanced, which
achieves an experience that leaves the reader satisfied with what they have read. Therefore, these
elements of poetry are effectively used throughout the poem, and leave a lasting experience to the
reader. In this essay, I will seek to prove that Rite of Spring provides an adequate use of poetic
devices that adds to the overall experience of the poem.
The first poetic device I noticed in "Rite of Spring" was the usage of rhyme. From the first stanza to
the last, the poem has a rhyme scheme. It follows an end rhyme style, with the rhyme being at the
end of a line. This allows for the experience of rhyme to be expected in each stanza. The first three
stanzas follow a rhyme style in which the last two lines rhyme, seen in many modern and pre–
modern poems. This rhyme has purpose throughout the poem, as the first three

The Rite of Spring
Dance Critique: The Rite of Spring
The Rite of Spring was choreographed by Vaslav Nijinsky, a Russian dancer and choreographer. He
joined The Imperial School of Ballet in 1900 and was later the lead dancer of the Ballet Russes. He
eventually choreographed many works, one of them being Le Sacre du Printemps (The Rite of
Spring) in 1913. He "exceeded the limits of traditional ballet" and the Rite was an example of this.
In 1919 he was diagnosed with schizophrenia and spent the rest of his life in and out of hospitals
until he died in London on April 8, 1950. The Rite of Spring was performed by Sergei Diaghilev's
Ballet Russes on May 29th, 1913 at the Theatre des Champs Elysees in Paris. It was later remade by
the Joffrey Ballet in ... Show more content on Helpwriting.net ...
I think Nijinsky decided to use the circle dancing as his spatial configuration because the circles
allowed for more use of the stage and it symbolizes the rituals of natives are all connected during
their celebrations and sacrifices. By having the males and females separated Nijinsky made a strong
statement that I believe is that the only thing that brings the sexes together is their important ritual of
sacrifice. For most of the performance, the dancers were in unison. This helps the audience capture
everything that is occurring. It allows the crowd to focus their attention on the important aspect of
the performance instead of trying to go back and forth from one side of the stage to another. The
spectators can also appreciate the movement of the dancers more if they are in unison. It also helped
Nijinsky show what he felt was important in the performance if everyone was doing the same thing.
There were some instances that the dancers were so n'sync that they looked like robots. The moves
that they made seemed simples, for example, their stomping didn't seem complicated but to do it at
the same time looked very complex and harder. Najinsky showed in The Rite of Spring that these
performances could be about normal people and their traditions instead of fantasy. The dancers were
hunched over and close to the ground and loose with their bodies which is more

Stravinsky And Bartok 's Influence On The Modern Period
Stravinsky and Bartok's Influence in the Modern Period Moving out of the Classical (1750–1820)
and Romantic (1820–1890) period came to be the Modern period, which took place from 1890 –
1950. This period allowed for upcoming artists in this era to collaborate different styles from the
Classical and Romantic period, as seen in the patterns of the composers' pieces. The Modern Period
has many influential artists that have been respected through history. Taking a close analysis at Igor
Stravinsky, 1882 – 1971 (Yudkin, 202), and Bela Bartok, 1881 – 1945 (Yudkin, 215), by assessing
their life and music gives a deeper meaning of what it meant to live through the Modern time frame.
During the life of both of these composers the world went ... Show more content on Helpwriting.net
...
At the age of nine, Stravinsky started practicing Piano (Siohan, 13). Igor began being introduced to
the music scene around the age nine; he was finally allowed to attend his parents music parties
(Siohan 13). When his father starred in Glinka's Ruslan and Ludmila, young Igor visits the set
behind stage (Siohan, 14). Igor is in awe of Glinka's light transparent orchestration which is vivid
through the texture of his sound (Siohan 14). Stravinsky went through studying law, not letting it get
in the way of his main focus music; he graduated in 1905 then married his cousin Catherine
Nossenko (Siohan, 20). Igor, "enjoyed wrestling with mysterious of counterpoint" (Siohoan 15),
which explains why he created such a bond with his teacher Rimsky–Korsakov. He later established
many other compositions with and without Rimsky–korsakov such as The Rite of Spring and
Symphony B flat minor (opus I), 1907 (Siohan, 20). Bela Bartok was born in 1881, in Hungary
(Yudkin, 215). Bartok growing up in the same time period as Stravinsky took a very similar
approach to his compositions. "His work grew out of the nationalist movement of the second half of
the 19th century" (Yudkin 215), this is visible in Bartok's work. His work is mixed with a flow of
contemporary styles. Bela Bartok had three careers, the first two support the third heavily and give
the shapely manor to his

Stravinsky Rite Of Spring Essay
Timpani and Stravinsky
Stravinsky's Rite of Spring and its evolutionary impact towards timpani in an orchestral setting
The musical importance and relevance of Stravinsky's compositions established him as one of the
dominant composers of the 20th century. By the early 19th century Stravinsky's score The Rite of
Spring was premiered. The Rite of Spring clearly established Stravinsky as a new and unique
composer setting him apart from his previous Russian teacher and composer Rimsky–Korsakov and
on a large composer established him as the modernist he is know as today. While on a broad scale
the Rite is know as one of Stravinsky's most prolific Russian period works, Stravinsky's use of the
timpani throughout the ballet ushered in a new era of compositional method for the instrument.
Stravinsky separates himself from his predecessors (specifically his teacher Korsakov) by exploiting
the modern aspects and improvements of timpani. Stravinsky writes for a wider pitch range and by
using Stravinskian compositional methods changes the role of timpani in the orchestra by writing
melodic fragments, rhythmic ostinati and "motor" driven segments, and support/emphasis segments.
He also employs other special instructions and divisions of timpani writing that add to his unique ...
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Rimsky Korsakov was Stravinsky's teacher and mentor. Much of Korsakov' style can initial be seen
in Stravinsky's writing, specifically in works such as Firebird. Unlike Firebird, the Rite of spring
breaks away from Korsakov's style. The timpani parts of Scheherazade and The Rite prove the
drastic differences between the two composers writing style. The timpani writing in Scheherazade
parallel Korsakov's lush romantic writing style. Often times specifically in the first and 4th mvmt
the timpani rolls on a B or E filling out the texture of the orchestra and providing lyrical, sustained
support to the

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