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PULP FICTION
  A2 Post Modernism
Objectives

• To look at why Pulp Fiction is considered a
  post modern film
• To understand how post modern features
  are used, uniquely in this film
• To consider to what extend it is post
  modern
Scenes we will watch
• The opening scene in the car and killing
  sections (Vincent’s story)
• Vincent and Mia and Jack Rabbit Slims.
• The killing of the black youth and the clean
  up.
• Butch and the weapons and rescuing
  Marsellus Wallace
The film
•   Made in 1993 with a production budget of only $9Million.

•   Directed and written by Quentin Tarantino

•   Followed the success of ‘Reservoir Dogs’, 1992, also
    directed by Quentin Tarantino.

•   Won numerous awards including the Palme d’Or at
    Cannes Film Festival.

•   Known as being containing many post modern features.
    For many, it is the quintessential post modern film.
Pulp Fiction as a post
     modern film
• Intertexuality
• Confusion over Space and Time
• Unconventional narrative structure
• Absurdity of plot and dialogue often
  concentrating on the trivial and mundane
• Style over substance
Watch film:


• Why do you think it is post modern?
1. Inter textuality

• The film is post modern as it references a
  huge amount of other films, owing to
  Tarantino’s almost encyclopaedic knowledge
  of film and desire to play with inter
  textuality.
• What intertextuality did you notice?
2. Confusion over Space
       and Time
• There is confusion over what time period
  the film is set in with conflicting details in
  the film, so the audience may conclude it has
  deliberately not been set in any time
  period, which as this is an unconventional
  part of the plot and narrative, is a post
  modern.
• How was this shown?
3. Unconventional
    Narrative structure

•   The narrative is non linear. This means it jumps from one
    period of time to another and is purposely playful.

•   Why would this be post modern?

•   What examples can you think of that show this?
3. Unconventional
   Narrative structure
• It reminds an audience that it is a film (not
  real life where events happens
  chronologically), and draws attention to
  narrative convention.
• Another feature which is playful and self
  referential is when Mia draws a square on
  the screen - reminds you it is a film and
  draws attention to construction of graphics
  on the screen.
4. Absurdity of plot and
     Mundane dialogue
  •   Pulp Fiction devotes time to random killings which seem absurd and
      mundane discussions or activities without any such narrative
      function.

Interestingly the mundane conversations are often about verbal definition,
and the difficulty of making it.

Why is this post modern?

What examples can you think of?
4. Absurdity of plot and
     Mundane dialogue
  •   These conversations about trivial meanings seem to relate both to:


a) a kind of realism (most of us spend quite a bit of time in trivial
conversations) and to
b) postmodernism’s sense of the slipperiness of the meaning of words and
wordplay

Scenes which do this are: Le Big Mac, Is a dog a filthy animal? The Foot
massage.
5. Style over Substance
•   What do you think?

•   Some think there are too many inter textual
    references and that they get in the way of the film
    being enjoyable.

•   Tarantino wanted film critics to discuss the film and
    was very conscious of rewarding cultural capital to a
    select few elite viewers with film knowledge

•   It remains a po-mo classic, and was a commercial
    success, but is still relatively cult with a niche audience.
Slides to watch from Colourful,
   but long, Pulp Fiction PPT
• Intertextuality - 3, 28, 11, 18, 14, 17, 26, 42
• Unconventional narrative: Space and Time -
  54
• Time period - 4
• High and low art - 50
• Realism - 9
• Bible - 8
Themes and meaning
•   It is a tragic film without the sadness and a comedy
    without a comic plot.

•   It champions itself as a film that bends political
    correctness.

•   From the beginning the title makes reference to the
    pulp American trashy novels that were popular and full
    of violence and by sanitising and glorifying the
    violence, it plays homage to it at the same time as
    being self referential and mocking it.
Themes and meaning
•   It looks at male honour (Butch rescuing Marsellus
    Wallace; Butch’s dad’s watch)

•   It also looks at American consumerism. (robbing
    wallets in Diner; 50c milkshake)

•   Women have secondary roles but the females are
    empowered and it is not sexist.

•   One of the themes is that you must take consequence
    for your actions, this moral message is seen when Vincent
    and Jules are seen cleaning the blood from the car in
    which the black youth is murdered.
Conclusion

• It has several post modern features
• It can definitely be concluded as post
  modern film
• Its post modern features, especially
  intertextuality are predominant and heavily
  used.

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Pulp fiction

  • 1. PULP FICTION A2 Post Modernism
  • 2. Objectives • To look at why Pulp Fiction is considered a post modern film • To understand how post modern features are used, uniquely in this film • To consider to what extend it is post modern
  • 3. Scenes we will watch • The opening scene in the car and killing sections (Vincent’s story) • Vincent and Mia and Jack Rabbit Slims. • The killing of the black youth and the clean up. • Butch and the weapons and rescuing Marsellus Wallace
  • 4. The film • Made in 1993 with a production budget of only $9Million. • Directed and written by Quentin Tarantino • Followed the success of ‘Reservoir Dogs’, 1992, also directed by Quentin Tarantino. • Won numerous awards including the Palme d’Or at Cannes Film Festival. • Known as being containing many post modern features. For many, it is the quintessential post modern film.
  • 5. Pulp Fiction as a post modern film • Intertexuality • Confusion over Space and Time • Unconventional narrative structure • Absurdity of plot and dialogue often concentrating on the trivial and mundane • Style over substance
  • 6. Watch film: • Why do you think it is post modern?
  • 7. 1. Inter textuality • The film is post modern as it references a huge amount of other films, owing to Tarantino’s almost encyclopaedic knowledge of film and desire to play with inter textuality. • What intertextuality did you notice?
  • 8. 2. Confusion over Space and Time • There is confusion over what time period the film is set in with conflicting details in the film, so the audience may conclude it has deliberately not been set in any time period, which as this is an unconventional part of the plot and narrative, is a post modern. • How was this shown?
  • 9. 3. Unconventional Narrative structure • The narrative is non linear. This means it jumps from one period of time to another and is purposely playful. • Why would this be post modern? • What examples can you think of that show this?
  • 10. 3. Unconventional Narrative structure • It reminds an audience that it is a film (not real life where events happens chronologically), and draws attention to narrative convention. • Another feature which is playful and self referential is when Mia draws a square on the screen - reminds you it is a film and draws attention to construction of graphics on the screen.
  • 11. 4. Absurdity of plot and Mundane dialogue • Pulp Fiction devotes time to random killings which seem absurd and mundane discussions or activities without any such narrative function. Interestingly the mundane conversations are often about verbal definition, and the difficulty of making it. Why is this post modern? What examples can you think of?
  • 12. 4. Absurdity of plot and Mundane dialogue • These conversations about trivial meanings seem to relate both to: a) a kind of realism (most of us spend quite a bit of time in trivial conversations) and to b) postmodernism’s sense of the slipperiness of the meaning of words and wordplay Scenes which do this are: Le Big Mac, Is a dog a filthy animal? The Foot massage.
  • 13. 5. Style over Substance • What do you think? • Some think there are too many inter textual references and that they get in the way of the film being enjoyable. • Tarantino wanted film critics to discuss the film and was very conscious of rewarding cultural capital to a select few elite viewers with film knowledge • It remains a po-mo classic, and was a commercial success, but is still relatively cult with a niche audience.
  • 14. Slides to watch from Colourful, but long, Pulp Fiction PPT • Intertextuality - 3, 28, 11, 18, 14, 17, 26, 42 • Unconventional narrative: Space and Time - 54 • Time period - 4 • High and low art - 50 • Realism - 9 • Bible - 8
  • 15. Themes and meaning • It is a tragic film without the sadness and a comedy without a comic plot. • It champions itself as a film that bends political correctness. • From the beginning the title makes reference to the pulp American trashy novels that were popular and full of violence and by sanitising and glorifying the violence, it plays homage to it at the same time as being self referential and mocking it.
  • 16. Themes and meaning • It looks at male honour (Butch rescuing Marsellus Wallace; Butch’s dad’s watch) • It also looks at American consumerism. (robbing wallets in Diner; 50c milkshake) • Women have secondary roles but the females are empowered and it is not sexist. • One of the themes is that you must take consequence for your actions, this moral message is seen when Vincent and Jules are seen cleaning the blood from the car in which the black youth is murdered.
  • 17. Conclusion • It has several post modern features • It can definitely be concluded as post modern film • Its post modern features, especially intertextuality are predominant and heavily used.