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The Representation of
Gender in ‘City of God’.

    (Meirelles/Lund, Brazil, 2002).
How is gender (men and women) represented?
 In Fernando Meirelles evocative masterpiece ‘City of God’, the
  representation of gender is of paramount importance in imbuing the text with
  gendered realism – the effect that gender plays in life and death is significant,
  and pervades the text as a reminder that even in todays society, gender is still
  a pertinent aspect of general life.

 The representation of gender in the film can be seen to be stereotypical –
  men have power, women do not, men are physically strong, women are not,
  men kill, women do not. In fact, the only way that women can control their
  men is through a sexual hold – showing that their influence is purely
  animalistic.

 In the film, the drug trade is highly important in creating power. However it
  is interesting to observe that none of the drug dealers are female – this could
  be a pointed commentary on the insufficiencies females are perceived to have
  in terms of power - we have very few female presidents, for example.

 Men assert their power in a variety of ways throughout the film: they are in
  control of the drug trade, they seek sexual gratification through rape, they
  brandish guns at a moments notice – it is in these ways that their iron-like
  grip over the women is enforced; a representation of their primal instincts
  being enforced upon ‘their’ women – a derogatory representation of what it is
  to be a female.
What are good scenes to talk about in relation to the

        representation of gender (men and women)?
 In the film, one scene that raises pertinent issues regarding the issue of females
  being viewed as objects for mens sexual gratification is when Knockout Ned’s
  girlfriend is brutally raped whilst he is forced to hear her animalistic screams
  as his head is pressed down onto the cold gravel ground. This portrays women
  as empty vessels for mens charged emotions - weak individuals with no
  strength to fight their sexual oppressors.

 Ironically, a later scene in the film contrasts this view when a journalist uses
  sex to manipulate Rocket. This is a negative representation of women as it is
  depicting them as being sexually predatory; using men to meet their own needs
  with no consideration of the potential consequences. They are effectively
  gaining an element of power via a purely sexual hold.

 In another shocking scene in the film, Shorty kills his wife after finds her with
  another man. He brutally beats her with a shovel and then buries her. This
  horrifying depiction of male violence suggest how women often become
  victims; not victors.
                                      3
What might be challenging about the
       representation of gender (men and women)?

    One aspect of the film that presents a challenging representation of gender is
    when Bernice persuades Shaggy to depart the city of God with her as she has
    fallen pregnant with his baby. This is challenging as the balance of power has
    swung from man-woman to woman-man - it is bernice who is fundamental in
    inciting the change in her life (leaving the slum), not shaggy.

 Another aspect of the film that raises interesting questions is how the women
  who try to use power are indirectly responsible for the death of the man they
  love - Shaggy and Benny are both tragically shot as a result of their efforts to
  leave the City of god.




                                       4
What messages might the audience take from this

          film about gender (men and women)?
 One of the most profound messages that an audience may take from the film is
  how the stereotypical depiction of men and women may have changed in
  developed countries, but has remained the same in non-developed countries.
  The stereotypical portrayal of men as being strong and woman being weak is
  richly conveyed in Meirelles stunning text, raising tragic questions as to why
  these formulaic ‘roles’ have still not changed.




                                     5

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City of god gender

  • 1. The Representation of Gender in ‘City of God’. (Meirelles/Lund, Brazil, 2002).
  • 2. How is gender (men and women) represented?  In Fernando Meirelles evocative masterpiece ‘City of God’, the representation of gender is of paramount importance in imbuing the text with gendered realism – the effect that gender plays in life and death is significant, and pervades the text as a reminder that even in todays society, gender is still a pertinent aspect of general life.  The representation of gender in the film can be seen to be stereotypical – men have power, women do not, men are physically strong, women are not, men kill, women do not. In fact, the only way that women can control their men is through a sexual hold – showing that their influence is purely animalistic.  In the film, the drug trade is highly important in creating power. However it is interesting to observe that none of the drug dealers are female – this could be a pointed commentary on the insufficiencies females are perceived to have in terms of power - we have very few female presidents, for example.  Men assert their power in a variety of ways throughout the film: they are in control of the drug trade, they seek sexual gratification through rape, they brandish guns at a moments notice – it is in these ways that their iron-like grip over the women is enforced; a representation of their primal instincts being enforced upon ‘their’ women – a derogatory representation of what it is to be a female.
  • 3. What are good scenes to talk about in relation to the representation of gender (men and women)?  In the film, one scene that raises pertinent issues regarding the issue of females being viewed as objects for mens sexual gratification is when Knockout Ned’s girlfriend is brutally raped whilst he is forced to hear her animalistic screams as his head is pressed down onto the cold gravel ground. This portrays women as empty vessels for mens charged emotions - weak individuals with no strength to fight their sexual oppressors.  Ironically, a later scene in the film contrasts this view when a journalist uses sex to manipulate Rocket. This is a negative representation of women as it is depicting them as being sexually predatory; using men to meet their own needs with no consideration of the potential consequences. They are effectively gaining an element of power via a purely sexual hold.  In another shocking scene in the film, Shorty kills his wife after finds her with another man. He brutally beats her with a shovel and then buries her. This horrifying depiction of male violence suggest how women often become victims; not victors. 3
  • 4. What might be challenging about the representation of gender (men and women)?  One aspect of the film that presents a challenging representation of gender is when Bernice persuades Shaggy to depart the city of God with her as she has fallen pregnant with his baby. This is challenging as the balance of power has swung from man-woman to woman-man - it is bernice who is fundamental in inciting the change in her life (leaving the slum), not shaggy.  Another aspect of the film that raises interesting questions is how the women who try to use power are indirectly responsible for the death of the man they love - Shaggy and Benny are both tragically shot as a result of their efforts to leave the City of god. 4
  • 5. What messages might the audience take from this film about gender (men and women)?  One of the most profound messages that an audience may take from the film is how the stereotypical depiction of men and women may have changed in developed countries, but has remained the same in non-developed countries. The stereotypical portrayal of men as being strong and woman being weak is richly conveyed in Meirelles stunning text, raising tragic questions as to why these formulaic ‘roles’ have still not changed. 5