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Introductory analysis of TV documentaries.


A documentary can be either a film or a television programme which shows the audience
information about a specific topic.

Below are some of the features included in documentaries:

       Actuality: The filming of real life events/places or people.
       Exposition: The start of a documentary when something or someone is revealed, often a
       theme, e.g. fitness, smoking, or generally anything which is a problem in today’s society.
       Interviews: Asking questions to people who have something to do with the topic which the
       documentary is about.
       Voiceover: A commentator/ narrator, often with direct address to the audience.
       Poetic mode: The poetic mode of a documentary film tends towards subjective
       interpretations of its subjects.
       Expositional mode: The expositional mode moves sharply from the poetic mode in terms of
       visual practice and story-telling devices. Its aims are passing on information and persuading
       the viewer/audiences.
       Observational mode: The camera, while moving with subjects and staying within the action,
       remains as unobtrusive as possible, mutely recording events as they happen. Pure
       observational documentaries proceeded under some bylaws: no music, no interviews, no
       scene arrangement of any kind and also no narration.
       Reflexive mode: The reflexive mode considers the quality of documentary itself,
       demystifying its processes and considering its implication.
       Performative mode: The perfomrative mode engages its filmmaker in the story creating an
       almost autobiographical descriptions of subjective truths that are significant to the
       filmmaker him or herself.

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Introductory analysis of tv documentaries

  • 1. Introductory analysis of TV documentaries. A documentary can be either a film or a television programme which shows the audience information about a specific topic. Below are some of the features included in documentaries: Actuality: The filming of real life events/places or people. Exposition: The start of a documentary when something or someone is revealed, often a theme, e.g. fitness, smoking, or generally anything which is a problem in today’s society. Interviews: Asking questions to people who have something to do with the topic which the documentary is about. Voiceover: A commentator/ narrator, often with direct address to the audience. Poetic mode: The poetic mode of a documentary film tends towards subjective interpretations of its subjects. Expositional mode: The expositional mode moves sharply from the poetic mode in terms of visual practice and story-telling devices. Its aims are passing on information and persuading the viewer/audiences. Observational mode: The camera, while moving with subjects and staying within the action, remains as unobtrusive as possible, mutely recording events as they happen. Pure observational documentaries proceeded under some bylaws: no music, no interviews, no scene arrangement of any kind and also no narration. Reflexive mode: The reflexive mode considers the quality of documentary itself, demystifying its processes and considering its implication. Performative mode: The perfomrative mode engages its filmmaker in the story creating an almost autobiographical descriptions of subjective truths that are significant to the filmmaker him or herself.