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RUSSELL SCHWARTZ 
Co-Principal 
Pandemic Marketing Corp 
310-801-4737 
PROFILE 
Highly knowledgeable marketing executive with exceptional communication skills and a record 
of major success at several motion picture studio and independent production companies. A 
broad skill set which includes budgetary finance, media planning and execution, creative 
advertising and executive staff management. 
PROFESSIONAL EXPERIENCE 
Relativity Media/Europa Films President, Marketing 2013 - 2014 
Managed a staff of over 40 people in publicity, digital, creative advertising, promotions and 
media buying. Among the titles released during his tenure: The Family, Don Jon, Free Birds, 3 
Days to Kill, Earth to Echo and The November Man. 
In addition to his core marketing job, Russell rans the Relativity Marketing Council, comprised 
of a group of young execs from the nine different divisions of Relativity Media (sports, brand, 
content, tv, etc) who come together on a monthly basis to cross pollinate ideas and how best to 
integrate. 
Pandemic Marketing President 2008 - 2012 
Pandemic Marketing provides marketing solutions to all areas of the motion picture industry. 
Pandemic employs a cadre of individuals and boutique companies in order to handle all types of 
theatrical and ancillary releases from small independent to big studio productions. Pandemic 
currently has a client base of over 15 companies it has worked with including MGM, National 
Geographic, 2929 Productions, Freestyle Releasing, Liddell Entertainment, CinemaNX Films, 
Darko Entertainment, Herrick Entertainment, Newmarket Pictures, Cinetic Media, Hart-Lunsford 
Pictures, Beyond Media Group, PCH Films, Freeman Films, Anonymous Content, Miramax, 
Screen Gems and Constantin Films
New Line Cinema President, Domestic Marketing 2001 to 2008 
- Managed staff of 60 people in Los Angeles and New York 
- Reported to COO of company and Co-Chairmen 
- Created and managed theatrical marketing campaigns for over 60 films including The 
Lord of the Rings Trilogy, Hairspray, Austin Powers, Elf, Wedding Crashers, About 
Schmidt, Rush Hour 2 and 3, A History of Violence, The Blade Trilogy, Texas Chainsaw 
Massacre 1 and 2, The Notebook and Monster in Law. 
- The templates created for these films were used for marketing campaigns worldwide as 
well as the Home Video and Television windows. 
- Oversaw all aspects of the evolution of the marketing campaign – creative advertising, 
broadcast media planning and execution, budget and finance, new media strategies, 
national promotions, merchandising and, of course, all publicity and talent related 
initiatives. 
- Generated a North America box office of $3.2 billion dollars for the company 
- Spearheaded all of New Line’s Academy Award campaigns that resulted in 38 
nominations and 18 Academy Award wins. 
- Yahoo/ShoWest Big Chair Award for Integrated Marketing for Wedding Crashers 
2006 
- Advertising Age Marketer of the Year Award for 2004 and 2006. 
- Winner of numerous awards for creative advertising 
USA Films President 1999 – 2001 
- Independent production and distribution company owned by Barry Diller’s IAC 
Interactive Corp (formally USAI, Inc) 
- Managed company of 50 employees that developed, produced and marketed independent 
motion pictures including Nurse Betty, Being John Malkovich, Topsy Turvey, Pitch Black 
- Traffic (2000) was company’s highest grossing film with $125 million at the box office 
and was nominated for five Academy Awards, winning four. 
Gramercy Pictures President 1992 – 1999 
- Wholly owned subsidiary of PolyGram Records. 
- Managed company of 45 employees 
- Conceived as a model taken from the record industry, the company broke new ground for 
its unique structure that mirrored the original United Artists of the 1960’s. 
- Gramercy served as the centralized marketing and distribution core for a number of 
independently owned production companies including Working Title Films, Propaganda 
Films, Interscope Productions and Egg Pictures (Jodie Foster). 
- Company’s most notable successes were Four Weddings and a Funeral, Fargo, Dead 
Man Walking, Bean, The Usual Suspects, Elizabeth, The Big Lebowski, Dazed and 
Confused, Clay Pigeons and When We Were Kings.
Miramax Films Executive Vice President 1989- 1992 
- Managed staff of 20 that oversaw all marketing functions of the company prior to the 
company’s sale to Disney 
- Films included Academy Award-winning My Left Foot and Cinema Paradiso, the 
Academy Award-nominated The Grifters; as well as Madonna: Truth Or Dare and The 
Cook, The Thief, His Wife and Her Love 
Island Pictures / Island Alive VP Marketing / President 1983 - 1989 
- One of the first companies that spearheaded the American Independent Cinema 
movement of the 1980’s 
- Films produced and distributed included El Norte, Stop Making Sense, Kiss of the 
Spider Woman, Choose Me, Mona Lisa, She’s Gotta Have It, A Trip to Bountiful 
AFFILIATIONS 
- Member, Motion Picture Academy of Arts and Sciences 
o Public Relations Branch Nominating and Rules Council 
- Member, British Academy of Film and Television Arts 
- Member, Film Independent LA 
TEACHING ACCREDITATION 
- Lecturer - AFI, UCLA, Peter Stark Producing Program, USC 
- Panelist/Moderator - Sundance Film Festival, American Film Market, Cannes, Sundance 
Institute summer producing program 
- Adjunct Professor, Chapman University, Dodge School of Film and Media

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Russell Schwartz CV

  • 1. RUSSELL SCHWARTZ Co-Principal Pandemic Marketing Corp 310-801-4737 PROFILE Highly knowledgeable marketing executive with exceptional communication skills and a record of major success at several motion picture studio and independent production companies. A broad skill set which includes budgetary finance, media planning and execution, creative advertising and executive staff management. PROFESSIONAL EXPERIENCE Relativity Media/Europa Films President, Marketing 2013 - 2014 Managed a staff of over 40 people in publicity, digital, creative advertising, promotions and media buying. Among the titles released during his tenure: The Family, Don Jon, Free Birds, 3 Days to Kill, Earth to Echo and The November Man. In addition to his core marketing job, Russell rans the Relativity Marketing Council, comprised of a group of young execs from the nine different divisions of Relativity Media (sports, brand, content, tv, etc) who come together on a monthly basis to cross pollinate ideas and how best to integrate. Pandemic Marketing President 2008 - 2012 Pandemic Marketing provides marketing solutions to all areas of the motion picture industry. Pandemic employs a cadre of individuals and boutique companies in order to handle all types of theatrical and ancillary releases from small independent to big studio productions. Pandemic currently has a client base of over 15 companies it has worked with including MGM, National Geographic, 2929 Productions, Freestyle Releasing, Liddell Entertainment, CinemaNX Films, Darko Entertainment, Herrick Entertainment, Newmarket Pictures, Cinetic Media, Hart-Lunsford Pictures, Beyond Media Group, PCH Films, Freeman Films, Anonymous Content, Miramax, Screen Gems and Constantin Films
  • 2. New Line Cinema President, Domestic Marketing 2001 to 2008 - Managed staff of 60 people in Los Angeles and New York - Reported to COO of company and Co-Chairmen - Created and managed theatrical marketing campaigns for over 60 films including The Lord of the Rings Trilogy, Hairspray, Austin Powers, Elf, Wedding Crashers, About Schmidt, Rush Hour 2 and 3, A History of Violence, The Blade Trilogy, Texas Chainsaw Massacre 1 and 2, The Notebook and Monster in Law. - The templates created for these films were used for marketing campaigns worldwide as well as the Home Video and Television windows. - Oversaw all aspects of the evolution of the marketing campaign – creative advertising, broadcast media planning and execution, budget and finance, new media strategies, national promotions, merchandising and, of course, all publicity and talent related initiatives. - Generated a North America box office of $3.2 billion dollars for the company - Spearheaded all of New Line’s Academy Award campaigns that resulted in 38 nominations and 18 Academy Award wins. - Yahoo/ShoWest Big Chair Award for Integrated Marketing for Wedding Crashers 2006 - Advertising Age Marketer of the Year Award for 2004 and 2006. - Winner of numerous awards for creative advertising USA Films President 1999 – 2001 - Independent production and distribution company owned by Barry Diller’s IAC Interactive Corp (formally USAI, Inc) - Managed company of 50 employees that developed, produced and marketed independent motion pictures including Nurse Betty, Being John Malkovich, Topsy Turvey, Pitch Black - Traffic (2000) was company’s highest grossing film with $125 million at the box office and was nominated for five Academy Awards, winning four. Gramercy Pictures President 1992 – 1999 - Wholly owned subsidiary of PolyGram Records. - Managed company of 45 employees - Conceived as a model taken from the record industry, the company broke new ground for its unique structure that mirrored the original United Artists of the 1960’s. - Gramercy served as the centralized marketing and distribution core for a number of independently owned production companies including Working Title Films, Propaganda Films, Interscope Productions and Egg Pictures (Jodie Foster). - Company’s most notable successes were Four Weddings and a Funeral, Fargo, Dead Man Walking, Bean, The Usual Suspects, Elizabeth, The Big Lebowski, Dazed and Confused, Clay Pigeons and When We Were Kings.
  • 3. Miramax Films Executive Vice President 1989- 1992 - Managed staff of 20 that oversaw all marketing functions of the company prior to the company’s sale to Disney - Films included Academy Award-winning My Left Foot and Cinema Paradiso, the Academy Award-nominated The Grifters; as well as Madonna: Truth Or Dare and The Cook, The Thief, His Wife and Her Love Island Pictures / Island Alive VP Marketing / President 1983 - 1989 - One of the first companies that spearheaded the American Independent Cinema movement of the 1980’s - Films produced and distributed included El Norte, Stop Making Sense, Kiss of the Spider Woman, Choose Me, Mona Lisa, She’s Gotta Have It, A Trip to Bountiful AFFILIATIONS - Member, Motion Picture Academy of Arts and Sciences o Public Relations Branch Nominating and Rules Council - Member, British Academy of Film and Television Arts - Member, Film Independent LA TEACHING ACCREDITATION - Lecturer - AFI, UCLA, Peter Stark Producing Program, USC - Panelist/Moderator - Sundance Film Festival, American Film Market, Cannes, Sundance Institute summer producing program - Adjunct Professor, Chapman University, Dodge School of Film and Media