SlideShare a Scribd company logo
1 of 17
Film Studies
Topic 3: Genre Theory
Film Genres
• Most people are familiar with the names of the genres of film
and TV, such as western (The Good, The Bad and The Ugly),
Science Fiction (Star Wars), soap opera (Neighbours), thriller
(Scream), romance (Bridget Jones, Love Actually) and
documentary (March of the Penguins)
• Each of these genres has a specific characteristics that
identify it
• The problem with writing about genre is that virtually no text
shows the characteristics of only 1 genre, although one genre
often predominates
• Film genres are various forms or identifiable types,
categories, classifications
• They are groups of films that are recurring and have similar,
familiar or instantly-recognisable patterns, structure, filmic
techniques or conventions - that include one or more of the
following:
- settings (and props)
- content and subject matter
- themes, mood, period, plot, central narrative events
- motifs, styles, structures, situations, recurring icons (e.g.,
six-guns and ten-gallon hats in Westerns)
- stock characters (or characterisations)
- stars
• Many films straddle several film genres.
Main genres
• Action
• Adventure
• Comedy
• Crime/Gangster
• Drama
• Epics/Historical
• Horror
• Musicals
• Science Fiction
• War
• Westerns
MAIN FILM GENRES
Action Films
- Action films usually include high energy, big-budget physical
stunts and chases, possibly with rescues, battles, fights, escapes,
destructive crises (floods, explosions, natural disasters, fires,
etc.), non-stop motion, spectacular rhythm and pacing, and
adventurous
- Often two-dimensional 'good-guy' heroes (or recently, heroines)
battling 'bad guys' - all designed for pure audience escapism.
- Includes the James Bond 'fantasy' spy/espionage series, martial
arts films
- A major sub-genre is the disaster film. See also Greatest Disaster
and Crowd Film Scenes and Greatest Classic Chase Scenes in
Films.
Adventure Films
• Adventure films are usually exciting stories, with new experiences
or exotic locales, very similar to or often paired with the action
film genre.
• They can include traditional swashbucklers, serialised films
(Indiana Jones), and historical spectacles (similar to the epics film
genre), searches or expeditions for lost continents, "jungle" and
"desert" epics, treasure hunts, disaster films, or searches for the
unknown.
Comedy Films
- Comedies are light-hearted plots consistently and deliberately
designed to amuse and provoke laughter (with one-liners, jokes,
etc.) by exaggerating the situation, the language, action,
relationships and characters.
- This section describes various forms of comedy through
cinematic history, including slapstick, screwball, spoofs and
parodies, romantic comedies, black comedy (dark satirical
comedy), and more.  I Love Lucy clip
Crime & Gangster Films (Film Noir)
- Crime (gangster) films are developed around the
sinister actions of criminals or mobsters, particularly
bank robbers, underworld figures, or ruthless
hoodlums who operate outside the law, stealing
and murdering their way through life.
- Criminal and gangster films are often categorised
as film noir or detective-mystery films - because of
underlying similarities between these cinematic
forms. This category includes a description of
various 'serial killer' films.
Drama Films
- Dramas are serious, plot-driven presentations, portraying
realistic characters, settings, life situations, and stories
involving intense character development and interaction.
- Usually, they are not focused on special-effects, comedy, or
action
- Dramatic films are probably the largest film genre, with
many subsets. See also the melodramas, epics (historical
dramas), or romantic genres.
- Dramatic biographical films (or "biopics") are a major sub-
genre, as are 'adult' films (with mature subject content).
Epics/Historical Films
- Epics include costume dramas, historical dramas, war films,
medieval romps, or 'period pictures' that often cover a
large expanse of time set against a vast, panoramic
backdrop.
- Epics often share elements of the elaborate adventure films
genre.
- Epics take an historical or imagined event, mythic,
legendary, or heroic figure, and add an extravagant setting
and lavish costumes, accompanied by grandeur and
spectacle, dramatic scope, high production values, and a
sweeping musical score.
Horror Films
- Horror films are designed to frighten and to invoke our hidden worst
fears, often in a terrifying, shocking finale, while captivating and
entertaining us at the same time in a cathartic experience.
- Horror films feature a wide range of styles, from the earliest silent
Nosferatu classic, to today's CGI monsters and deranged humans
- They are often combined with science fiction when the menace or
monster is related to a corruption of technology, or when Earth is
threatened by aliens.
- The fantasy and supernatural film genres are not usually
synonymous with the horror genre. There are many sub-genres of
horror: slasher, teen terror, serial killers, satanic, Dracula,
Frankenstein, etc  The Exorcist
Musicals (Dance) Films
- Musical/dance films are cinematic forms that emphasise full-
scale scores or song and dance routines in a significant way
(usually with a musical or dance performance integrated as part
of the film narrative), or they are films that are centred on
combinations of music, dance, song or choreography.
- Major subgenres include the musical comedy or the concert film.
Science Fiction Films
- Sci-fi films are often quasi-scientific, visionary and imaginative -
complete with heroes, aliens, distant planets, impossible quests,
improbable settings, fantastic places, great dark and shadowy
villains, futuristic technology, unknown and unknowable forces,
and extraordinary monsters ('things or creatures from space'),
either created by mad scientists or by nuclear havoc.
- They are sometimes an offshoot of fantasy films, or they share
some similarities with action/adventure films.
- Science fiction often expresses the potential of technology to
destroy humankind and easily overlaps with horror films,
particularly when technology or alien life forms become
malevolent, as in the "Atomic Age" of sci-fi films in the 1950s.
War (Anti-War) Films
- War films acknowledge the horror and heartbreak of war,
letting the actual combat fighting (against nations or
humankind) on land, sea, or in the air provide the primary plot
or background for the action of the film.
- War films are often paired with other genres, such as action,
adventure, drama, romance, comedy (black), suspense, and
even epics and westerns, and they often take a denunciatory
approach toward warfare.
- They may include POW tales, stories of military operations,
and training.
Westerns
- Westerns are the major defining genre of the American film
industry - a eulogy to the early days of the expansive American
frontier.
- They are one of the oldest, most enduring genres with very
recognisable plots, elements, and characters (six-guns, horses,
dusty towns and trails, cowboys, Indians, etc.).
- Over time, westerns have been re-defined, re-invented and
expanded, dismissed, re-discovered, and spoofed.
CRASH
• Crash is an Academy Award-winning drama film directed by
Paul Haggis. It premiered at the Toronto Film Festival in
September 2004, and was released internationally in 2005.
• The film is about racial and social tensions in Los Angeles. A
self-described "passion piece" for director Paul Haggis,
Crash was inspired by a real life incident in which his
Porsche was carjacked outside a video store on Wilshire
Boulevard in 1991.
• It won three Oscars for Best Picture, Best Original
Screenplay and Best Editing of 2005 at the 78th Academy
Awards
Plot
• The film depicts several characters living in Los Angeles
during a 36-hour period and brings them together
through car accidents, shootings, and carjackings.
• Most of the characters depicted in the film are racially
prejudiced in some way and become involved in
conflicts which force them to examine their own
prejudices.
• Through these characters' interactions, the film seeks
to depict and examine not only racial tension, but also
the distance between strangers in general.

More Related Content

What's hot

What's hot (20)

Genre analysis a2
Genre analysis a2Genre analysis a2
Genre analysis a2
 
Movies genres
Movies genresMovies genres
Movies genres
 
Identifying film genre
Identifying film genreIdentifying film genre
Identifying film genre
 
Genre powerpoint
Genre powerpointGenre powerpoint
Genre powerpoint
 
Genre work for media studies
Genre work for media studiesGenre work for media studies
Genre work for media studies
 
Film Genre
Film Genre Film Genre
Film Genre
 
Media studies Horror research
Media studies Horror researchMedia studies Horror research
Media studies Horror research
 
Auteur
AuteurAuteur
Auteur
 
Genre+filmgenre
Genre+filmgenreGenre+filmgenre
Genre+filmgenre
 
Genre exploration task 2
Genre exploration task 2Genre exploration task 2
Genre exploration task 2
 
Horror genre research
Horror genre researchHorror genre research
Horror genre research
 
Film genre
Film genreFilm genre
Film genre
 
Understanding Movies
Understanding MoviesUnderstanding Movies
Understanding Movies
 
Auteur Theory - Wes Anderson
Auteur Theory - Wes AndersonAuteur Theory - Wes Anderson
Auteur Theory - Wes Anderson
 
Media examples of genres
Media examples of genresMedia examples of genres
Media examples of genres
 
Evaluation Question One
Evaluation Question OneEvaluation Question One
Evaluation Question One
 
Genre analysis
Genre analysisGenre analysis
Genre analysis
 
Action genre conventions
Action genre conventionsAction genre conventions
Action genre conventions
 
Repertoire of elements
Repertoire of elements Repertoire of elements
Repertoire of elements
 
The homework for Media
The homework for MediaThe homework for Media
The homework for Media
 

Viewers also liked

finalfrontpostcard (2)
finalfrontpostcard (2)finalfrontpostcard (2)
finalfrontpostcard (2)Abby Hassett
 
Ensayo sobre las normas niif nias nuevo lenguaje contable 15-11-2.016 pdf
Ensayo sobre las normas niif nias nuevo lenguaje contable 15-11-2.016 pdfEnsayo sobre las normas niif nias nuevo lenguaje contable 15-11-2.016 pdf
Ensayo sobre las normas niif nias nuevo lenguaje contable 15-11-2.016 pdfLucy Bellorin
 
Transición de VenPCGA a Ven-Nif-Pyme
Transición de VenPCGA a Ven-Nif-PymeTransición de VenPCGA a Ven-Nif-Pyme
Transición de VenPCGA a Ven-Nif-PymeEnnuvi Mejias
 
Normas Internacionales de Contabilidad
Normas Internacionales de ContabilidadNormas Internacionales de Contabilidad
Normas Internacionales de Contabilidadcarmen
 

Viewers also liked (6)

finalfrontpostcard (2)
finalfrontpostcard (2)finalfrontpostcard (2)
finalfrontpostcard (2)
 
BA VEN-NIF Nº6
BA VEN-NIF Nº6BA VEN-NIF Nº6
BA VEN-NIF Nº6
 
BA VEN-NIF Nº2
BA VEN-NIF Nº2BA VEN-NIF Nº2
BA VEN-NIF Nº2
 
Ensayo sobre las normas niif nias nuevo lenguaje contable 15-11-2.016 pdf
Ensayo sobre las normas niif nias nuevo lenguaje contable 15-11-2.016 pdfEnsayo sobre las normas niif nias nuevo lenguaje contable 15-11-2.016 pdf
Ensayo sobre las normas niif nias nuevo lenguaje contable 15-11-2.016 pdf
 
Transición de VenPCGA a Ven-Nif-Pyme
Transición de VenPCGA a Ven-Nif-PymeTransición de VenPCGA a Ven-Nif-Pyme
Transición de VenPCGA a Ven-Nif-Pyme
 
Normas Internacionales de Contabilidad
Normas Internacionales de ContabilidadNormas Internacionales de Contabilidad
Normas Internacionales de Contabilidad
 

Similar to Film Genres: Action, Adventure, Comedy & More

Similar to Film Genres: Action, Adventure, Comedy & More (20)

Main film genres
Main film genresMain film genres
Main film genres
 
Movie Genres
Movie GenresMovie Genres
Movie Genres
 
Film Genre
Film GenreFilm Genre
Film Genre
 
Film Genres
Film GenresFilm Genres
Film Genres
 
Film Sub Genres
Film Sub GenresFilm Sub Genres
Film Sub Genres
 
Genres of Fim Making
Genres of Fim MakingGenres of Fim Making
Genres of Fim Making
 
Film genre
Film genreFilm genre
Film genre
 
Soundtrack research
Soundtrack researchSoundtrack research
Soundtrack research
 
Genre powerpoint
Genre powerpointGenre powerpoint
Genre powerpoint
 
Film genre
Film genreFilm genre
Film genre
 
EPE 222 Film genre & Criticism
EPE 222 Film genre & CriticismEPE 222 Film genre & Criticism
EPE 222 Film genre & Criticism
 
Short film genre research
Short film genre researchShort film genre research
Short film genre research
 
Genre media
Genre mediaGenre media
Genre media
 
Drama
DramaDrama
Drama
 
Drama
DramaDrama
Drama
 
Film Genre
Film GenreFilm Genre
Film Genre
 
Genres of movies
Genres of moviesGenres of movies
Genres of movies
 
Genres of films
Genres of filmsGenres of films
Genres of films
 
Codes and conventions
Codes and conventionsCodes and conventions
Codes and conventions
 
Genres
GenresGenres
Genres
 

More from Robin Stienberg

Reading2- Moving Ethnography Online- Researching Brazilian MigrantsGÇÖ Online...
Reading2- Moving Ethnography Online- Researching Brazilian MigrantsGÇÖ Online...Reading2- Moving Ethnography Online- Researching Brazilian MigrantsGÇÖ Online...
Reading2- Moving Ethnography Online- Researching Brazilian MigrantsGÇÖ Online...Robin Stienberg
 
Reading 3- David Gauntlett - Ten things wrong with the media 'effects' model
Reading 3- David Gauntlett - Ten things wrong with the media 'effects' modelReading 3- David Gauntlett - Ten things wrong with the media 'effects' model
Reading 3- David Gauntlett - Ten things wrong with the media 'effects' modelRobin Stienberg
 
Reading1- Watching GÇ£CharmedGÇ¥- Why Teen Television Appeals to Women
Reading1- Watching GÇ£CharmedGÇ¥- Why Teen Television Appeals to WomenReading1- Watching GÇ£CharmedGÇ¥- Why Teen Television Appeals to Women
Reading1- Watching GÇ£CharmedGÇ¥- Why Teen Television Appeals to WomenRobin Stienberg
 
HR Budget Planning for Excellence Holdings Pte
HR Budget Planning for Excellence Holdings PteHR Budget Planning for Excellence Holdings Pte
HR Budget Planning for Excellence Holdings PteRobin Stienberg
 
Asas-shdeholdings-report
Asas-shdeholdings-reportAsas-shdeholdings-report
Asas-shdeholdings-reportRobin Stienberg
 
MED110 - Essay ver 2-231116
MED110 - Essay ver 2-231116MED110 - Essay ver 2-231116
MED110 - Essay ver 2-231116Robin Stienberg
 
Assignment 2 - Lighting is the Magic
Assignment 2 - Lighting is the MagicAssignment 2 - Lighting is the Magic
Assignment 2 - Lighting is the MagicRobin Stienberg
 
Ironman & Hollywood Final Draft 2016
Ironman & Hollywood Final Draft 2016Ironman & Hollywood Final Draft 2016
Ironman & Hollywood Final Draft 2016Robin Stienberg
 
S7234046I_LPM-VIS-401C-0_160000000594856
S7234046I_LPM-VIS-401C-0_160000000594856S7234046I_LPM-VIS-401C-0_160000000594856
S7234046I_LPM-VIS-401C-0_160000000594856Robin Stienberg
 
S7234046I_16T000000025583
S7234046I_16T000000025583S7234046I_16T000000025583
S7234046I_16T000000025583Robin Stienberg
 
S7234046I_CI-DIP-34-1_16Q000000025580
S7234046I_CI-DIP-34-1_16Q000000025580S7234046I_CI-DIP-34-1_16Q000000025580
S7234046I_CI-DIP-34-1_16Q000000025580Robin Stienberg
 

More from Robin Stienberg (20)

Reading2- Moving Ethnography Online- Researching Brazilian MigrantsGÇÖ Online...
Reading2- Moving Ethnography Online- Researching Brazilian MigrantsGÇÖ Online...Reading2- Moving Ethnography Online- Researching Brazilian MigrantsGÇÖ Online...
Reading2- Moving Ethnography Online- Researching Brazilian MigrantsGÇÖ Online...
 
Reading 3- David Gauntlett - Ten things wrong with the media 'effects' model
Reading 3- David Gauntlett - Ten things wrong with the media 'effects' modelReading 3- David Gauntlett - Ten things wrong with the media 'effects' model
Reading 3- David Gauntlett - Ten things wrong with the media 'effects' model
 
Reading1- Watching GÇ£CharmedGÇ¥- Why Teen Television Appeals to Women
Reading1- Watching GÇ£CharmedGÇ¥- Why Teen Television Appeals to WomenReading1- Watching GÇ£CharmedGÇ¥- Why Teen Television Appeals to Women
Reading1- Watching GÇ£CharmedGÇ¥- Why Teen Television Appeals to Women
 
The FIRST LEAP-sma
The FIRST LEAP-sma The FIRST LEAP-sma
The FIRST LEAP-sma
 
Bio D project2017
Bio D project2017Bio D project2017
Bio D project2017
 
HR Budget Planning for Excellence Holdings Pte
HR Budget Planning for Excellence Holdings PteHR Budget Planning for Excellence Holdings Pte
HR Budget Planning for Excellence Holdings Pte
 
shde-holdings2017
shde-holdings2017shde-holdings2017
shde-holdings2017
 
Asas-shdeholdings-report
Asas-shdeholdings-reportAsas-shdeholdings-report
Asas-shdeholdings-report
 
tmc-result122016
tmc-result122016tmc-result122016
tmc-result122016
 
MED110 - Essay ver 2-231116
MED110 - Essay ver 2-231116MED110 - Essay ver 2-231116
MED110 - Essay ver 2-231116
 
OCT2016
OCT2016OCT2016
OCT2016
 
Assignment 2 - Lighting is the Magic
Assignment 2 - Lighting is the MagicAssignment 2 - Lighting is the Magic
Assignment 2 - Lighting is the Magic
 
Ironman & Hollywood Final Draft 2016
Ironman & Hollywood Final Draft 2016Ironman & Hollywood Final Draft 2016
Ironman & Hollywood Final Draft 2016
 
S7234046I_LPM-VIS-401C-0_160000000594856
S7234046I_LPM-VIS-401C-0_160000000594856S7234046I_LPM-VIS-401C-0_160000000594856
S7234046I_LPM-VIS-401C-0_160000000594856
 
tmc results
tmc resultstmc results
tmc results
 
Mise en scene 14.10.14
Mise en scene 14.10.14Mise en scene 14.10.14
Mise en scene 14.10.14
 
S7234046I_16T000000025583
S7234046I_16T000000025583S7234046I_16T000000025583
S7234046I_16T000000025583
 
S7234046I_CI-DIP-34-1_16Q000000025580
S7234046I_CI-DIP-34-1_16Q000000025580S7234046I_CI-DIP-34-1_16Q000000025580
S7234046I_CI-DIP-34-1_16Q000000025580
 
Script Friends (1)
Script Friends (1)Script Friends (1)
Script Friends (1)
 
TMC-FLM202-2016
TMC-FLM202-2016TMC-FLM202-2016
TMC-FLM202-2016
 

Film Genres: Action, Adventure, Comedy & More

  • 1. Film Studies Topic 3: Genre Theory
  • 2. Film Genres • Most people are familiar with the names of the genres of film and TV, such as western (The Good, The Bad and The Ugly), Science Fiction (Star Wars), soap opera (Neighbours), thriller (Scream), romance (Bridget Jones, Love Actually) and documentary (March of the Penguins) • Each of these genres has a specific characteristics that identify it • The problem with writing about genre is that virtually no text shows the characteristics of only 1 genre, although one genre often predominates • Film genres are various forms or identifiable types, categories, classifications
  • 3. • They are groups of films that are recurring and have similar, familiar or instantly-recognisable patterns, structure, filmic techniques or conventions - that include one or more of the following: - settings (and props) - content and subject matter - themes, mood, period, plot, central narrative events - motifs, styles, structures, situations, recurring icons (e.g., six-guns and ten-gallon hats in Westerns) - stock characters (or characterisations) - stars • Many films straddle several film genres.
  • 4. Main genres • Action • Adventure • Comedy • Crime/Gangster • Drama • Epics/Historical • Horror • Musicals • Science Fiction • War • Westerns
  • 5. MAIN FILM GENRES Action Films - Action films usually include high energy, big-budget physical stunts and chases, possibly with rescues, battles, fights, escapes, destructive crises (floods, explosions, natural disasters, fires, etc.), non-stop motion, spectacular rhythm and pacing, and adventurous - Often two-dimensional 'good-guy' heroes (or recently, heroines) battling 'bad guys' - all designed for pure audience escapism. - Includes the James Bond 'fantasy' spy/espionage series, martial arts films - A major sub-genre is the disaster film. See also Greatest Disaster and Crowd Film Scenes and Greatest Classic Chase Scenes in Films.
  • 6. Adventure Films • Adventure films are usually exciting stories, with new experiences or exotic locales, very similar to or often paired with the action film genre. • They can include traditional swashbucklers, serialised films (Indiana Jones), and historical spectacles (similar to the epics film genre), searches or expeditions for lost continents, "jungle" and "desert" epics, treasure hunts, disaster films, or searches for the unknown.
  • 7. Comedy Films - Comedies are light-hearted plots consistently and deliberately designed to amuse and provoke laughter (with one-liners, jokes, etc.) by exaggerating the situation, the language, action, relationships and characters. - This section describes various forms of comedy through cinematic history, including slapstick, screwball, spoofs and parodies, romantic comedies, black comedy (dark satirical comedy), and more.  I Love Lucy clip
  • 8. Crime & Gangster Films (Film Noir) - Crime (gangster) films are developed around the sinister actions of criminals or mobsters, particularly bank robbers, underworld figures, or ruthless hoodlums who operate outside the law, stealing and murdering their way through life. - Criminal and gangster films are often categorised as film noir or detective-mystery films - because of underlying similarities between these cinematic forms. This category includes a description of various 'serial killer' films.
  • 9. Drama Films - Dramas are serious, plot-driven presentations, portraying realistic characters, settings, life situations, and stories involving intense character development and interaction. - Usually, they are not focused on special-effects, comedy, or action - Dramatic films are probably the largest film genre, with many subsets. See also the melodramas, epics (historical dramas), or romantic genres. - Dramatic biographical films (or "biopics") are a major sub- genre, as are 'adult' films (with mature subject content).
  • 10. Epics/Historical Films - Epics include costume dramas, historical dramas, war films, medieval romps, or 'period pictures' that often cover a large expanse of time set against a vast, panoramic backdrop. - Epics often share elements of the elaborate adventure films genre. - Epics take an historical or imagined event, mythic, legendary, or heroic figure, and add an extravagant setting and lavish costumes, accompanied by grandeur and spectacle, dramatic scope, high production values, and a sweeping musical score.
  • 11. Horror Films - Horror films are designed to frighten and to invoke our hidden worst fears, often in a terrifying, shocking finale, while captivating and entertaining us at the same time in a cathartic experience. - Horror films feature a wide range of styles, from the earliest silent Nosferatu classic, to today's CGI monsters and deranged humans - They are often combined with science fiction when the menace or monster is related to a corruption of technology, or when Earth is threatened by aliens. - The fantasy and supernatural film genres are not usually synonymous with the horror genre. There are many sub-genres of horror: slasher, teen terror, serial killers, satanic, Dracula, Frankenstein, etc  The Exorcist
  • 12. Musicals (Dance) Films - Musical/dance films are cinematic forms that emphasise full- scale scores or song and dance routines in a significant way (usually with a musical or dance performance integrated as part of the film narrative), or they are films that are centred on combinations of music, dance, song or choreography. - Major subgenres include the musical comedy or the concert film.
  • 13. Science Fiction Films - Sci-fi films are often quasi-scientific, visionary and imaginative - complete with heroes, aliens, distant planets, impossible quests, improbable settings, fantastic places, great dark and shadowy villains, futuristic technology, unknown and unknowable forces, and extraordinary monsters ('things or creatures from space'), either created by mad scientists or by nuclear havoc. - They are sometimes an offshoot of fantasy films, or they share some similarities with action/adventure films. - Science fiction often expresses the potential of technology to destroy humankind and easily overlaps with horror films, particularly when technology or alien life forms become malevolent, as in the "Atomic Age" of sci-fi films in the 1950s.
  • 14. War (Anti-War) Films - War films acknowledge the horror and heartbreak of war, letting the actual combat fighting (against nations or humankind) on land, sea, or in the air provide the primary plot or background for the action of the film. - War films are often paired with other genres, such as action, adventure, drama, romance, comedy (black), suspense, and even epics and westerns, and they often take a denunciatory approach toward warfare. - They may include POW tales, stories of military operations, and training.
  • 15. Westerns - Westerns are the major defining genre of the American film industry - a eulogy to the early days of the expansive American frontier. - They are one of the oldest, most enduring genres with very recognisable plots, elements, and characters (six-guns, horses, dusty towns and trails, cowboys, Indians, etc.). - Over time, westerns have been re-defined, re-invented and expanded, dismissed, re-discovered, and spoofed.
  • 16. CRASH • Crash is an Academy Award-winning drama film directed by Paul Haggis. It premiered at the Toronto Film Festival in September 2004, and was released internationally in 2005. • The film is about racial and social tensions in Los Angeles. A self-described "passion piece" for director Paul Haggis, Crash was inspired by a real life incident in which his Porsche was carjacked outside a video store on Wilshire Boulevard in 1991. • It won three Oscars for Best Picture, Best Original Screenplay and Best Editing of 2005 at the 78th Academy Awards
  • 17. Plot • The film depicts several characters living in Los Angeles during a 36-hour period and brings them together through car accidents, shootings, and carjackings. • Most of the characters depicted in the film are racially prejudiced in some way and become involved in conflicts which force them to examine their own prejudices. • Through these characters' interactions, the film seeks to depict and examine not only racial tension, but also the distance between strangers in general.