SlideShare a Scribd company logo
1 of 7
New Orleans Jazz Migrates North
                             To Chicago
Louis Armstrong (1901-71)                Jelly Roll Morton (1890-1941)
         trumpet                                        piano
Joe “King” Oliver (1885-1938) and his Creole Jazz
                                                                                                   Band
                                                                                       Dippermouth Blues, rec. 1923
                                                                                   New Orleans Jazz (12-bar blues form)
                                                                             Intro – 4 bars
                                                                             Chorus 1 – main melody and collective improvisation
                                                                             Chorus 2 – collective improvisation
                                                                             Chorus 3 – CLARINET solo (Johnny Dodds)
                                                                                          with band in stop time (1st and 3rd beats played
                                                                             only)
                                                                             Chorus 4 – CLARINET solo cont’d
                                                                             Chorus 5 – collective improvisation
                                                                             Chorus 6 – CORNET I solo (King Oliver)
                                                                             Chorus 7 - CORNET I solo cont’d
                                                                             Chorus 8 - CORNET I solo cont’d w/ break before final chorus
                                                                             Chorus 9 – collective improvisation




Left to right: Baby Dodds, drums; Honore Dutrey, trombone;
       Joe “King”Oliver, first cornet; Louis Armstrong, second cornet;
       Bill Johnson, bass/banjo; Johnny Dodds, clarinet; Lil Harden, piano
Louis Armstrong’s Hot Five
“Heebie Jeebies” (rec. 1926; written by Boyd Atkins)
              see Tick p. 412 on scat


                                           Louis Armstrong, trumpet
                                           Johnny St. Cyr, guitar/banjo
                                           Johnny Dodds, clarinet
                                           Kid Ory, trombone
                                           Lil Harden-Armstrong, piano
Louis Armstrong (1901-1971) and his Hot Five (with Earl Hines, piano)
                     West End Blues, rec. 1928
        New Orleans Jazz (12-bar blues form in each Chorus)

                                  INTRO – high register
                                  Chorus 1
                                  Chorus 2
                                  Chorus 3 – Armstrong, scat
                                  Chorus 4 – Hines, ragtime virtuosity
                                  Chorus 5
Duke Ellington, Old Man Blues, 1928
Duke Ellington, Diminuendo and Crescendo in Blue, 1937
                Excerpt of Chorus 7 of 22
Lester Young, Lester Leaps In, 1939
      Young’s solo, tenor sax

More Related Content

Similar to Powerpoint 1.new orleans jazz migrates north

This Jazz Man
This Jazz ManThis Jazz Man
This Jazz ManS Kennedy
 
Lainey's Jazz Music and Dance History Lecture Slides
Lainey's Jazz Music and Dance History Lecture SlidesLainey's Jazz Music and Dance History Lecture Slides
Lainey's Jazz Music and Dance History Lecture Slides"Elaine \"Lainey\"" Silver
 
Chapter 24Music in AmericaMusical TheaterPop Music .docx
Chapter 24Music in AmericaMusical TheaterPop Music .docxChapter 24Music in AmericaMusical TheaterPop Music .docx
Chapter 24Music in AmericaMusical TheaterPop Music .docxcravennichole326
 
Inside the Jazzomat New Perspectives for Jazz Research
Inside the Jazzomat New Perspectives for Jazz ResearchInside the Jazzomat New Perspectives for Jazz Research
Inside the Jazzomat New Perspectives for Jazz ResearchRandy Marmer
 
Music genre research
Music genre researchMusic genre research
Music genre researchehlolz
 
Jazz Concert Review Essay
Jazz Concert Review EssayJazz Concert Review Essay
Jazz Concert Review EssaySasha Jones
 
2010 02 09 Ma -- Ray Brown Charles Mingus Shelly Manne
2010 02 09 Ma -- Ray Brown Charles Mingus Shelly Manne2010 02 09 Ma -- Ray Brown Charles Mingus Shelly Manne
2010 02 09 Ma -- Ray Brown Charles Mingus Shelly ManneIvor Malherbe
 
Jazz project.pptx
Jazz project.pptxJazz project.pptx
Jazz project.pptxwanyavyrlzz
 
Show Me Some R-E-S-P-E-C-T - The History of Flute in Jazz
Show Me Some R-E-S-P-E-C-T - The History of Flute in JazzShow Me Some R-E-S-P-E-C-T - The History of Flute in Jazz
Show Me Some R-E-S-P-E-C-T - The History of Flute in JazzJulia Moreno Perri
 
Eddie Lang - The Formative Years (1902-1925)
Eddie Lang - The Formative Years (1902-1925)Eddie Lang - The Formative Years (1902-1925)
Eddie Lang - The Formative Years (1902-1925)Eddie Lang Jazz Festival
 
Jazz power point
Jazz power pointJazz power point
Jazz power pointmcashdollar
 

Similar to Powerpoint 1.new orleans jazz migrates north (16)

Traditional Jazz
Traditional JazzTraditional Jazz
Traditional Jazz
 
1010 f11 10-10
1010 f11 10-101010 f11 10-10
1010 f11 10-10
 
Fall Concert Analysis
Fall Concert AnalysisFall Concert Analysis
Fall Concert Analysis
 
Jazz [Lenidejournal Com]
Jazz [Lenidejournal Com]Jazz [Lenidejournal Com]
Jazz [Lenidejournal Com]
 
This Jazz Man
This Jazz ManThis Jazz Man
This Jazz Man
 
Lainey's Jazz Music and Dance History Lecture Slides
Lainey's Jazz Music and Dance History Lecture SlidesLainey's Jazz Music and Dance History Lecture Slides
Lainey's Jazz Music and Dance History Lecture Slides
 
Chapter 24Music in AmericaMusical TheaterPop Music .docx
Chapter 24Music in AmericaMusical TheaterPop Music .docxChapter 24Music in AmericaMusical TheaterPop Music .docx
Chapter 24Music in AmericaMusical TheaterPop Music .docx
 
Inside the Jazzomat New Perspectives for Jazz Research
Inside the Jazzomat New Perspectives for Jazz ResearchInside the Jazzomat New Perspectives for Jazz Research
Inside the Jazzomat New Perspectives for Jazz Research
 
Music genre research
Music genre researchMusic genre research
Music genre research
 
Jazz Concert Review Essay
Jazz Concert Review EssayJazz Concert Review Essay
Jazz Concert Review Essay
 
2010 02 09 Ma -- Ray Brown Charles Mingus Shelly Manne
2010 02 09 Ma -- Ray Brown Charles Mingus Shelly Manne2010 02 09 Ma -- Ray Brown Charles Mingus Shelly Manne
2010 02 09 Ma -- Ray Brown Charles Mingus Shelly Manne
 
Jazz project.pptx
Jazz project.pptxJazz project.pptx
Jazz project.pptx
 
Show Me Some R-E-S-P-E-C-T - The History of Flute in Jazz
Show Me Some R-E-S-P-E-C-T - The History of Flute in JazzShow Me Some R-E-S-P-E-C-T - The History of Flute in Jazz
Show Me Some R-E-S-P-E-C-T - The History of Flute in Jazz
 
The 1st Pop that Popped - Jazz
The 1st Pop that Popped - JazzThe 1st Pop that Popped - Jazz
The 1st Pop that Popped - Jazz
 
Eddie Lang - The Formative Years (1902-1925)
Eddie Lang - The Formative Years (1902-1925)Eddie Lang - The Formative Years (1902-1925)
Eddie Lang - The Formative Years (1902-1925)
 
Jazz power point
Jazz power pointJazz power point
Jazz power point
 

More from rebakim

Minimalism rileyreich
Minimalism rileyreichMinimalism rileyreich
Minimalism rileyreichrebakim
 
Powerpoint.new vocality
Powerpoint.new vocalityPowerpoint.new vocality
Powerpoint.new vocalityrebakim
 
Score.messiaen valeurs
Score.messiaen valeursScore.messiaen valeurs
Score.messiaen valeursrebakim
 
Powerpoint.serialism
Powerpoint.serialismPowerpoint.serialism
Powerpoint.serialismrebakim
 
Powerpoint.country folkgospel
Powerpoint.country folkgospelPowerpoint.country folkgospel
Powerpoint.country folkgospelrebakim
 
Score.rodgers hammersteini can'tsayno
Score.rodgers hammersteini can'tsaynoScore.rodgers hammersteini can'tsayno
Score.rodgers hammersteini can'tsaynorebakim
 
Score.bernstein westsidecool
Score.bernstein westsidecoolScore.bernstein westsidecool
Score.bernstein westsidecoolrebakim
 
Powerpoint.modern jazz
Powerpoint.modern jazzPowerpoint.modern jazz
Powerpoint.modern jazzrebakim
 
Powerpoint.operetta
Powerpoint.operettaPowerpoint.operetta
Powerpoint.operettarebakim
 
Powerpoint.nazi germany.sovietrussia
Powerpoint.nazi germany.sovietrussiaPowerpoint.nazi germany.sovietrussia
Powerpoint.nazi germany.sovietrussiarebakim
 
Score.joplin.maple leafrag
Score.joplin.maple leafragScore.joplin.maple leafrag
Score.joplin.maple leafragrebakim
 
Score.bartók.concerto orch
Score.bartók.concerto orchScore.bartók.concerto orch
Score.bartók.concerto orchrebakim
 
Score.bartok.fekete fod
Score.bartok.fekete fodScore.bartok.fekete fod
Score.bartok.fekete fodrebakim
 
Scores.schoenberg pianopierrot
Scores.schoenberg pianopierrotScores.schoenberg pianopierrot
Scores.schoenberg pianopierrotrebakim
 
Powerpoint.expressionism
Powerpoint.expressionismPowerpoint.expressionism
Powerpoint.expressionismrebakim
 
Scores.stravinsky.rite.selections
Scores.stravinsky.rite.selectionsScores.stravinsky.rite.selections
Scores.stravinsky.rite.selectionsrebakim
 
Score.stravinsky.rite.intro
Score.stravinsky.rite.introScore.stravinsky.rite.intro
Score.stravinsky.rite.introrebakim
 
Score.debussy.reflets.nuages
Score.debussy.reflets.nuagesScore.debussy.reflets.nuages
Score.debussy.reflets.nuagesrebakim
 
Powerpoint class 2 historical avant garde debussy
Powerpoint class 2 historical avant garde debussyPowerpoint class 2 historical avant garde debussy
Powerpoint class 2 historical avant garde debussyrebakim
 

More from rebakim (19)

Minimalism rileyreich
Minimalism rileyreichMinimalism rileyreich
Minimalism rileyreich
 
Powerpoint.new vocality
Powerpoint.new vocalityPowerpoint.new vocality
Powerpoint.new vocality
 
Score.messiaen valeurs
Score.messiaen valeursScore.messiaen valeurs
Score.messiaen valeurs
 
Powerpoint.serialism
Powerpoint.serialismPowerpoint.serialism
Powerpoint.serialism
 
Powerpoint.country folkgospel
Powerpoint.country folkgospelPowerpoint.country folkgospel
Powerpoint.country folkgospel
 
Score.rodgers hammersteini can'tsayno
Score.rodgers hammersteini can'tsaynoScore.rodgers hammersteini can'tsayno
Score.rodgers hammersteini can'tsayno
 
Score.bernstein westsidecool
Score.bernstein westsidecoolScore.bernstein westsidecool
Score.bernstein westsidecool
 
Powerpoint.modern jazz
Powerpoint.modern jazzPowerpoint.modern jazz
Powerpoint.modern jazz
 
Powerpoint.operetta
Powerpoint.operettaPowerpoint.operetta
Powerpoint.operetta
 
Powerpoint.nazi germany.sovietrussia
Powerpoint.nazi germany.sovietrussiaPowerpoint.nazi germany.sovietrussia
Powerpoint.nazi germany.sovietrussia
 
Score.joplin.maple leafrag
Score.joplin.maple leafragScore.joplin.maple leafrag
Score.joplin.maple leafrag
 
Score.bartók.concerto orch
Score.bartók.concerto orchScore.bartók.concerto orch
Score.bartók.concerto orch
 
Score.bartok.fekete fod
Score.bartok.fekete fodScore.bartok.fekete fod
Score.bartok.fekete fod
 
Scores.schoenberg pianopierrot
Scores.schoenberg pianopierrotScores.schoenberg pianopierrot
Scores.schoenberg pianopierrot
 
Powerpoint.expressionism
Powerpoint.expressionismPowerpoint.expressionism
Powerpoint.expressionism
 
Scores.stravinsky.rite.selections
Scores.stravinsky.rite.selectionsScores.stravinsky.rite.selections
Scores.stravinsky.rite.selections
 
Score.stravinsky.rite.intro
Score.stravinsky.rite.introScore.stravinsky.rite.intro
Score.stravinsky.rite.intro
 
Score.debussy.reflets.nuages
Score.debussy.reflets.nuagesScore.debussy.reflets.nuages
Score.debussy.reflets.nuages
 
Powerpoint class 2 historical avant garde debussy
Powerpoint class 2 historical avant garde debussyPowerpoint class 2 historical avant garde debussy
Powerpoint class 2 historical avant garde debussy
 

Powerpoint 1.new orleans jazz migrates north

  • 1. New Orleans Jazz Migrates North To Chicago Louis Armstrong (1901-71) Jelly Roll Morton (1890-1941) trumpet piano
  • 2. Joe “King” Oliver (1885-1938) and his Creole Jazz Band Dippermouth Blues, rec. 1923 New Orleans Jazz (12-bar blues form) Intro – 4 bars Chorus 1 – main melody and collective improvisation Chorus 2 – collective improvisation Chorus 3 – CLARINET solo (Johnny Dodds) with band in stop time (1st and 3rd beats played only) Chorus 4 – CLARINET solo cont’d Chorus 5 – collective improvisation Chorus 6 – CORNET I solo (King Oliver) Chorus 7 - CORNET I solo cont’d Chorus 8 - CORNET I solo cont’d w/ break before final chorus Chorus 9 – collective improvisation Left to right: Baby Dodds, drums; Honore Dutrey, trombone; Joe “King”Oliver, first cornet; Louis Armstrong, second cornet; Bill Johnson, bass/banjo; Johnny Dodds, clarinet; Lil Harden, piano
  • 3. Louis Armstrong’s Hot Five “Heebie Jeebies” (rec. 1926; written by Boyd Atkins) see Tick p. 412 on scat Louis Armstrong, trumpet Johnny St. Cyr, guitar/banjo Johnny Dodds, clarinet Kid Ory, trombone Lil Harden-Armstrong, piano
  • 4. Louis Armstrong (1901-1971) and his Hot Five (with Earl Hines, piano) West End Blues, rec. 1928 New Orleans Jazz (12-bar blues form in each Chorus) INTRO – high register Chorus 1 Chorus 2 Chorus 3 – Armstrong, scat Chorus 4 – Hines, ragtime virtuosity Chorus 5
  • 5. Duke Ellington, Old Man Blues, 1928
  • 6. Duke Ellington, Diminuendo and Crescendo in Blue, 1937 Excerpt of Chorus 7 of 22
  • 7. Lester Young, Lester Leaps In, 1939 Young’s solo, tenor sax