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Rising again: forgotten Japanese American
photography – in pictures
Troves of works by these west coast pictorialists were lost during the second world war – but
a new exhibition shows just how influential they were
Main image:
Flowered up … Taizo Kato, Bowl with Two White Roses, circa 1920.
Photograph: Lauren Miller Gallery
Wed 8 Dec 2021 07.00 GMT
Kango Takamura, Woman Playing the Biwa, circa 1930s
In the 1920s and 30s, LA, San Francisco and Seattle were home to a vibrant community of
photographers. These cities were also home to a rapidly growing population of Japanese
immigrants. By the 1920s, an increasing number identified as Japanese American and forged a
unique cultural identity in places like LA’s Little Tokyo — it was in this context that a new
movement of Japanese American pictorialist photography emerged. Prewar Japanese American
Pictorialism is at Laurence Miller Gallery, New York until 22 January 2022. All pictures appear here
by courtesy of the gallery
Riso Itano, Water Lily #3, circa 1929
Due to the tremendous loss of material and documentation from the era, the contributions of
Japanese Americans to the development of art photography in the US were vastly underestimated
in early histories. In recent decades, devoted research by individuals such as the writer, collector,
and curator Dennis Reed have made immense contributions to improving our understanding of
this previously neglected period
Isamu Yasuda, Morning Walk #2, circa 1928
The attack on Pearl Harbour in 1941 upended the lives of innumerable Japanese Americans. With
the passage of the Enemy Alien Act, cameras were considered contraband when found in the
possession of Japanese Americans. Beginning in 1942, more than 120,000 Japanese Americans
were incarcerated at internment camps. Troves of photographic material and archives were lost
and destroyed amid this persecution

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Rising again: forgotten Japanese American photography – in pictures

  • 1. Rising again: forgotten Japanese American photography – in pictures Troves of works by these west coast pictorialists were lost during the second world war – but a new exhibition shows just how influential they were Main image: Flowered up … Taizo Kato, Bowl with Two White Roses, circa 1920. Photograph: Lauren Miller Gallery Wed 8 Dec 2021 07.00 GMT Kango Takamura, Woman Playing the Biwa, circa 1930s In the 1920s and 30s, LA, San Francisco and Seattle were home to a vibrant community of photographers. These cities were also home to a rapidly growing population of Japanese immigrants. By the 1920s, an increasing number identified as Japanese American and forged a unique cultural identity in places like LA’s Little Tokyo — it was in this context that a new movement of Japanese American pictorialist photography emerged. Prewar Japanese American Pictorialism is at Laurence Miller Gallery, New York until 22 January 2022. All pictures appear here by courtesy of the gallery
  • 2.
  • 3. Riso Itano, Water Lily #3, circa 1929 Due to the tremendous loss of material and documentation from the era, the contributions of Japanese Americans to the development of art photography in the US were vastly underestimated in early histories. In recent decades, devoted research by individuals such as the writer, collector, and curator Dennis Reed have made immense contributions to improving our understanding of this previously neglected period Isamu Yasuda, Morning Walk #2, circa 1928 The attack on Pearl Harbour in 1941 upended the lives of innumerable Japanese Americans. With the passage of the Enemy Alien Act, cameras were considered contraband when found in the possession of Japanese Americans. Beginning in 1942, more than 120,000 Japanese Americans were incarcerated at internment camps. Troves of photographic material and archives were lost and destroyed amid this persecution