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Raphael's The Tempi Madonna - A Closer Look at Parent-Child Love
1. The Tempi Madonna
Image Resource: Oil Painting Reprodutions – Artisoo.com
In Florence, Raphael made the largest Madonna paintings. If there was one
painting with the slightest religious sentiment, it should be The Tempi
Madonna. Raphael began working on it when he left Florence and went to
Rome. In 1508, Raphael was recommended by his fellow Bramante, and
invited by Julie II to Rome to make murals for the Vatican palace. At that time,
his passion for the creation of Madonna was still unabated. After coming to
Rome, he was commissioned again to work out this Madonna. The Tempi
Madonna is measuring 25×17cm, and now collected in Munich Museum of
2. Antiquities.
Here the artist broke the traditional format which existed in his previous
Madonna paintings and changed the form and composition to make Madonna
hug her children in order to exquisitely show the parent-child love in the
world. Madonna put her face close to the baby’s face, full of love. When you
appreciate this painting, you will produce a kind of impulsive feeling and a
kind of human nature of the calf private overflowing in the painting. This is
Raphael's Madonna further secular result, which is a big change different from
the past. We feel that the artist is trying to explore his own personality,
making the Madonna and people's feelings come closer. The colors of The
Tempi Madonna use block surface structure where Madonna sits in the front
side of the right. The intimate feelings on Madonna’s face are showed very
distinctly. In addition to other paintings of Raphael, this painting may be a
traitor to his other Madonna works.
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Reference:
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