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Music 
photographer 
research 
Joe Griffiths
RUKES 
http://www.complex.com/style/2012/10/the-50-greatest-music-photographers-right-now/ 
Location: Everywhere and nowhere (according to his 
Twitter)Rukes calls himself "the #1 DJ (Photographer)," and 
we'd have to agree, except without the parentheses, and "DJ" 
would be optional. It would be impossible to have a 
conversation about music photography without bringing up 
RUKES. People started to notice him from photos he took as 
official concert photographer for Deadmau5 (hence the 
"Everywhere and nowhere" — he's always on the road), but 
since then he's photographed Avicii, Skrillex, Kaskade, Swedish 
House Mafia, Afrojack, and more at historic concerts, raves, 
and festivals. If there's anyone who's expertly documenting 
the takeover of electronic dance music worldwide, it's RUKES.
Rukes is a well known DJ 
photographer. It doesn’t 
link with my genre but the 
way he captures the 
atmosphere of the crowd 
via the artists point of view 
is a technique that I will 
use. 
The Acton shot of the fire 
works going off in the photo 
to the left connotes an 
amped atmosphere.
Mel D. Cole 
Location: New York, NY 
Mel D. Cole picked up a camera for the first time 
eight years ago, and we're so glad he did. Known as 
the “house photographer” for The Roots, he's also 
the favorite contemporary photographer of 
?uestlove. He shoots with a sense of humor, 
exclusively in black and white, documenting hip-hop 
from the inside out. For a guy that taught 
himself, Mel D. Cole continues to kill the 
photography game.
Mel D. Cole uses a 
monochrome black and white 
to amplify the connotation of 
the grime on the streets that is 
preached in the artists music. 
The low angle makes the artists 
seem more dominant, Its also 
shows you the perspective from 
a views perspective intensifying 
the atmosphere.
Cognito 
Cognito uses a fish 
eye to amplify the 
realism of action 
used on close ups of 
the artists and also 
the audience. I feel 
like his black and 
white photos are 
more effective 
because it shown the 
grime of the music 
and the what the 
genre represents in 
the first place; the 
streets

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Music photographer research

  • 2. RUKES http://www.complex.com/style/2012/10/the-50-greatest-music-photographers-right-now/ Location: Everywhere and nowhere (according to his Twitter)Rukes calls himself "the #1 DJ (Photographer)," and we'd have to agree, except without the parentheses, and "DJ" would be optional. It would be impossible to have a conversation about music photography without bringing up RUKES. People started to notice him from photos he took as official concert photographer for Deadmau5 (hence the "Everywhere and nowhere" — he's always on the road), but since then he's photographed Avicii, Skrillex, Kaskade, Swedish House Mafia, Afrojack, and more at historic concerts, raves, and festivals. If there's anyone who's expertly documenting the takeover of electronic dance music worldwide, it's RUKES.
  • 3. Rukes is a well known DJ photographer. It doesn’t link with my genre but the way he captures the atmosphere of the crowd via the artists point of view is a technique that I will use. The Acton shot of the fire works going off in the photo to the left connotes an amped atmosphere.
  • 4. Mel D. Cole Location: New York, NY Mel D. Cole picked up a camera for the first time eight years ago, and we're so glad he did. Known as the “house photographer” for The Roots, he's also the favorite contemporary photographer of ?uestlove. He shoots with a sense of humor, exclusively in black and white, documenting hip-hop from the inside out. For a guy that taught himself, Mel D. Cole continues to kill the photography game.
  • 5. Mel D. Cole uses a monochrome black and white to amplify the connotation of the grime on the streets that is preached in the artists music. The low angle makes the artists seem more dominant, Its also shows you the perspective from a views perspective intensifying the atmosphere.
  • 6. Cognito Cognito uses a fish eye to amplify the realism of action used on close ups of the artists and also the audience. I feel like his black and white photos are more effective because it shown the grime of the music and the what the genre represents in the first place; the streets