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A TREATMENT FOR A FEATURE FILM TITLE SEQUENCE
This is a dystopic future.
We are in the year 2150
rack down the person responsible for multiple kidnaping
We follow our protagonist trough the decrepit streets of future Istanbul at dusk
carrying a large railgun rifle. He goes trough alleyways and narrow passages with
neon lights and rubbish. He ends up in front of a large building. He checks a device
before going in. He explores the interior of the abandoned building dong deeper
(we hear a scream coming from below) underground until he finds a well lit room.
He switches on the power cell of his gun leans o the wall and peaks in. There is no
one in the room. He goes in to find a messy looking cyborg skeleton on a makeshift
operating chair. He leans in to examine it but just as he does do he hears footsteps
and swiftly takes cover behind the chair as the footsteps get louder and the dark
corridor outside lights up.
Our protagonist
Emre treatment

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Emre treatment

  • 2. A TREATMENT FOR A FEATURE FILM TITLE SEQUENCE
  • 3. This is a dystopic future. We are in the year 2150 rack down the person responsible for multiple kidnaping
  • 4. We follow our protagonist trough the decrepit streets of future Istanbul at dusk carrying a large railgun rifle. He goes trough alleyways and narrow passages with neon lights and rubbish. He ends up in front of a large building. He checks a device before going in. He explores the interior of the abandoned building dong deeper (we hear a scream coming from below) underground until he finds a well lit room. He switches on the power cell of his gun leans o the wall and peaks in. There is no one in the room. He goes in to find a messy looking cyborg skeleton on a makeshift operating chair. He leans in to examine it but just as he does do he hears footsteps and swiftly takes cover behind the chair as the footsteps get louder and the dark corridor outside lights up.