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FRANZ JOSEPH HAYDN (1732-1809)
 One of the most prominent composers of the classical
period. His life is described as a “rags-to-riches” story.
 He came from a poor family and his music led to his
rise in social status.
 He was hired by rich patrons and eventually became a
musical director for the Esterhazy family for 30 years.
 His music reflects his character and personality:
mainly calm, balanced, serious but with touches of
humor.
 Compose over 100 Symphonies and developed
them into long forms for a large orchestra.
 He was named, “Father of the Symphony”
although he excelled in every music genre of the
period.
 Most of his symphonies have nicknames such as
the “Surprise Symphony”, “The Clock”, “The
Military”.
 He also wrote chamber piano music and choral
works.
 Is a child prodigy and the most amazing genius in
musical history.
 At 5, he was already playing the violin and the
harpsichord.
 At 6, he was recognized as an exceptional pianist.
 At 7, he was composing excellent music.
 At 13, he had written sonatas, concertos, symphonies,
religious works, and operas and operettas.
 He experimented in all kinds of music and composed
over 700 works.
 Unfortunately, due to mismanaged finances he lived
his life in poverty, died young and was buried in an
unknown grave.
 He composed wonderful concertos, symphonies and
opera such as “The Marriage of Figaro” (1786), “Don
Giovanni” (1789), and “The Magic Flute” which
became popular.
 Other known works: Eine Kleine Nachtmusic,
Symphony no. 40in G major, and Sonata no. 11 in A
major K311.
 He was born in Bonn, Germany to a family of
musicians and studied music at an early age.
 He was the composer who bridged the late Classical
era and the early Romantic era.
 He was a talented pianist and composer
 His famous compositions include 32 piano sonatas, 21
set of variations, 9 symphonies, 5 concertos for pianos,
16 string quartets and choral music.
 His works include the “Missa Solemnis” (1818-1823)
and opera “Fidelio” (1805).
 His known symphonies are: Symphony No. 3
(Eroica),Symphony No. 5, No.6 (Pastoral), No.9
(Choral), which adds voices to the orchestra.
 He began to go deaf in 1796 but this did not become a
hindrance.
 He continued composing through the help of an
assistant and hearing gadget.
 Some of his famous compositions were made when he
was deaf.
 His music veered toward larger orchestras.
 Sound was centered on the violas and lower registers
of the violins and cellos to give his music a darker
mood.
 All themes in a piece are tied together by one motif.
 He developed musical themes and motifs extensively
by means of modulation.
 He used more brass instruments and dynamics.
Haydn and Beethoven: Fathers of Classical Music
Haydn and Beethoven: Fathers of Classical Music
Haydn and Beethoven: Fathers of Classical Music
Haydn and Beethoven: Fathers of Classical Music
Haydn and Beethoven: Fathers of Classical Music
Haydn and Beethoven: Fathers of Classical Music
Haydn and Beethoven: Fathers of Classical Music
Haydn and Beethoven: Fathers of Classical Music
Haydn and Beethoven: Fathers of Classical Music
Haydn and Beethoven: Fathers of Classical Music
Haydn and Beethoven: Fathers of Classical Music
Haydn and Beethoven: Fathers of Classical Music
Haydn and Beethoven: Fathers of Classical Music

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Haydn and Beethoven: Fathers of Classical Music

  • 1.
  • 2.
  • 3. FRANZ JOSEPH HAYDN (1732-1809)  One of the most prominent composers of the classical period. His life is described as a “rags-to-riches” story.  He came from a poor family and his music led to his rise in social status.  He was hired by rich patrons and eventually became a musical director for the Esterhazy family for 30 years.  His music reflects his character and personality: mainly calm, balanced, serious but with touches of humor.
  • 4.  Compose over 100 Symphonies and developed them into long forms for a large orchestra.  He was named, “Father of the Symphony” although he excelled in every music genre of the period.  Most of his symphonies have nicknames such as the “Surprise Symphony”, “The Clock”, “The Military”.  He also wrote chamber piano music and choral works.
  • 5.
  • 6.  Is a child prodigy and the most amazing genius in musical history.  At 5, he was already playing the violin and the harpsichord.  At 6, he was recognized as an exceptional pianist.  At 7, he was composing excellent music.  At 13, he had written sonatas, concertos, symphonies, religious works, and operas and operettas.  He experimented in all kinds of music and composed over 700 works.
  • 7.  Unfortunately, due to mismanaged finances he lived his life in poverty, died young and was buried in an unknown grave.  He composed wonderful concertos, symphonies and opera such as “The Marriage of Figaro” (1786), “Don Giovanni” (1789), and “The Magic Flute” which became popular.  Other known works: Eine Kleine Nachtmusic, Symphony no. 40in G major, and Sonata no. 11 in A major K311.
  • 8.
  • 9.  He was born in Bonn, Germany to a family of musicians and studied music at an early age.  He was the composer who bridged the late Classical era and the early Romantic era.  He was a talented pianist and composer  His famous compositions include 32 piano sonatas, 21 set of variations, 9 symphonies, 5 concertos for pianos, 16 string quartets and choral music.  His works include the “Missa Solemnis” (1818-1823) and opera “Fidelio” (1805).
  • 10.  His known symphonies are: Symphony No. 3 (Eroica),Symphony No. 5, No.6 (Pastoral), No.9 (Choral), which adds voices to the orchestra.  He began to go deaf in 1796 but this did not become a hindrance.  He continued composing through the help of an assistant and hearing gadget.  Some of his famous compositions were made when he was deaf.
  • 11.  His music veered toward larger orchestras.  Sound was centered on the violas and lower registers of the violins and cellos to give his music a darker mood.  All themes in a piece are tied together by one motif.  He developed musical themes and motifs extensively by means of modulation.  He used more brass instruments and dynamics.