1. Contemporary Art (For Blakey)
Mario Abbagliati
A

    

 
       
  
F7
     
        
  

   
       
  
F7
  
          
 


             
Bb7 
   
  
       

1
   
  
F7
  
   
       
 

2
     
   
F7
   
           
 

2. 2 Contemporary Art (For Blakey)
B q.=h
     3       
      
   

Bb-7 Bb-7/Ab G7 C7 F-7 Eb-7 Ab7

 
               


   
                

  

  
Db7 G7 Db7 C7 F7
 
              
   
C

Interlude 3 3 3 3 3
                        
3
            
 
3 3
B7 Bb7
     
     
D

Solo
                
Bb7 A7 Ab7 G7
              

  
 
                 
Ab7 Db7 G7 C7

                

 

3. Contemporary Art (For Blakey) 3
A3
 
    
       
  
F7
    
        
  

   
       
  
F7
  
          
 



             
Bb7 
   
  
       

  
Solo Break
         
   
F7 C7#9
  
            

 F7 Bb7 F7



                 
(Blues with bridge)
Bb7 F7 D7
                


4. 4 Contemporary Art (For Blakey)
G-7 C7 F7 D7 G-7 C7

                 
F7 C-7 F7 Bb7 A7
                

Ab7 G7 Ab7 Db7
                

G7 C7 F7 Bb7
                

F7 Bb7
                

F7 D7 G-7 C7
                

F7 D7 G-7 C7

        


DS for solos
After solos DC al CODA!

   
           
 
F7
              
    