Exhibiting Poetry in Public Places Using a
    Network of Scattered QR Codes

Theodoros Papatheodorou          Ioannis Dimitriadis
Lecturer - Computational Media      Poet / Translator
  Athens School of Fine Arts          ainigma.net
Poetry in the past

           ●   center of public life
           ●   vital in strengthing communal ties
           ●   taught moral values




     “if I were Prime Minister for a day I would hang all
     the poets... they are to blame for all the wars.”
Poetry today
●   oral tradition is weaker
●   advent of new media
●   poetry has been displaced
    to a more private sphere
Poetry in public
              transport

●   Poems on the London Underground
    –   started in 1986
    –   poems on small panels normally for adverts
    –   wide selection of material
Poetry in public
                transport
●   Reaction...
    –   adopted by London buses
    –   copied by other cities around the world
    –   best poems published
         ●   9th ed. sold > 250k
         ●
           now in it's 11th ed.
    –   poetry competitions in Paris
Poetry on the wall (Leiden)
Poetry on the wall
          (Leiden)
●   Reaction:
     –   has been emulated in other Dutch cities
     –   in 2004 the Dutch embassy in Sofia launched
         a similar project
     –   Other cities have followed




                                                       Cesare Simonetti , Treno In Corsa
our approach...
QR codes
●   by DensoWave in 1994
●   today used:
    –   consumer goods tracking
    –   ticketing
    –   marketing
    –   product labelling
    –   digital content downloads
QRs ideal for our project
1. an ISO standard & Denso does not exercise patent rights
2. easily scanned on all mobile platforms
3. great storage capacity allows for strong error correction
4. contains metadata enabling the phones to respond
  according to content type
static vs. dynamic content


                   codepoetry.gr




                    random poem

     QR scanner
        App
●   Content
    –   only living poets
         ● to enhance interactivity
         ● promote emerging poets


    –   20% of poems contributed by
        members of the public
         ●   we act as curators
Mobile version




          QR scanner
             App
Quantitative results
●   300 surviving stamps
●   100 visitors/day
●   avg visit lasts: 1 ½ minutes
●   avg number of pages: 2 ½
●   80% of visits are from
    scanning the QR
Qualitative results
●   relatively well known cult urban game
●   people react very positively
●   smartphones more popular among young
●   increasing number of poems from
    general audience
●   people get in touch with poets
●   mainstream press and t.v. has
    covered the project
Future predictions
●   We expect visits to increase:
    –   smartphones 25-35% penetration in Greece
    –   pan-european avg of people that have used their phone
        to scan a QR is 14%
    –   expansion of our QR network
    –   we involve more people
v   2.0

●   New interface
v   2.0

●   New interface
●   More ways to participate:
    –   submit poem
    –   print stencil/stickers and spread the word
    –   setup a codepoetry chapter in your city/language
v   2.0
v   2.0
info@codepoetry.gr

Codepoetry - ArtsIT presentation

  • 1.
    Exhibiting Poetry inPublic Places Using a Network of Scattered QR Codes Theodoros Papatheodorou Ioannis Dimitriadis Lecturer - Computational Media Poet / Translator Athens School of Fine Arts ainigma.net
  • 2.
    Poetry in thepast ● center of public life ● vital in strengthing communal ties ● taught moral values “if I were Prime Minister for a day I would hang all the poets... they are to blame for all the wars.”
  • 3.
    Poetry today ● oral tradition is weaker ● advent of new media ● poetry has been displaced to a more private sphere
  • 6.
    Poetry in public transport ● Poems on the London Underground – started in 1986 – poems on small panels normally for adverts – wide selection of material
  • 9.
    Poetry in public transport ● Reaction... – adopted by London buses – copied by other cities around the world – best poems published ● 9th ed. sold > 250k ● now in it's 11th ed. – poetry competitions in Paris
  • 11.
    Poetry on thewall (Leiden)
  • 12.
    Poetry on thewall (Leiden) ● Reaction: – has been emulated in other Dutch cities – in 2004 the Dutch embassy in Sofia launched a similar project – Other cities have followed Cesare Simonetti , Treno In Corsa
  • 13.
  • 14.
    QR codes ● by DensoWave in 1994 ● today used: – consumer goods tracking – ticketing – marketing – product labelling – digital content downloads
  • 15.
    QRs ideal forour project 1. an ISO standard & Denso does not exercise patent rights 2. easily scanned on all mobile platforms 3. great storage capacity allows for strong error correction 4. contains metadata enabling the phones to respond according to content type
  • 16.
    static vs. dynamiccontent codepoetry.gr random poem QR scanner App
  • 17.
    Content – only living poets ● to enhance interactivity ● promote emerging poets – 20% of poems contributed by members of the public ● we act as curators
  • 22.
    Mobile version QR scanner App
  • 25.
    Quantitative results ● 300 surviving stamps ● 100 visitors/day ● avg visit lasts: 1 ½ minutes ● avg number of pages: 2 ½ ● 80% of visits are from scanning the QR
  • 26.
    Qualitative results ● relatively well known cult urban game ● people react very positively ● smartphones more popular among young ● increasing number of poems from general audience ● people get in touch with poets ● mainstream press and t.v. has covered the project
  • 27.
    Future predictions ● We expect visits to increase: – smartphones 25-35% penetration in Greece – pan-european avg of people that have used their phone to scan a QR is 14% – expansion of our QR network – we involve more people
  • 28.
    v 2.0 ● New interface
  • 30.
    v 2.0 ● New interface ● More ways to participate: – submit poem – print stencil/stickers and spread the word – setup a codepoetry chapter in your city/language
  • 32.
    v 2.0
  • 33.
    v 2.0
  • 34.