SlideShare a Scribd company logo

6213

•
•
K
kotob arabia
Education
1 of 55
Download to read offline
‫ﺳﺪﺭﺓ ﺍﻟﻮﺻﻞ ﺷﻬﻮﺓ ﺍﳌﻮﺻﻮﻝ‬ ‫ﺸﻌﺭ‬ ‫ﻫﺸﺎﻡ ﳏﻤﻮﺩ‬
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫ﺇﻫﺩﺍﺀ‬ ‫ﺇﻟﻴﻙ‬ ‫‪‬‬ ‫ﻟ ‪‬ﻠ ‪ ‬ﺘﺭ ‪‬ﻰ ،‬ ‫ﹶﻌﱠﻙ ﹶ ‪‬ﻀ‬ ‫ﻭ ﻟﻌﱢﻰ ٠‬ ‫‪ ‬ﹶ ‪‬ﻠ‬ ‫ﻫﺸﺎﻡ ﻤﺤﻤﻭﺩ‬ ‫٣‬
‫ﺍﻟﻔﻬﺭﺱ‬ ‫ﻣﻔﺘ َﺢ................................................................................................................................ ٥‬ ‫ُ ْ َﺘ‬ ‫ﻗﻞ إﻧ َﺎ َﺎﻟﺔ ........................................................................................................................ ٦‬ ‫ُ ْ ﱠﻬ ه‬ ‫ﺳﺪرة اﻟﻮﺻﻞ .. ﺷﻬﻮة اﻟﻤﻮﺻﻮل .............................................................................................. ٨‬ ‫ﺗﻨﺎﺳﺨﺎت .......................................................................................................................... ٥١‬ ‫ﺳﻔﺮ اﻟﻔﺘﻮﺣﺎت ................................................................................................................... ٨١‬ ‫أﻟﻖ ﻋﻠﻰ ﻃﻤْﻲ اﻟﻜ َﺎ َﺔ .......................................................................................................... ٤٢‬ ‫ِﺘ ﺑ‬ ‫ٌ‬ ‫اﺣﺘﻤﺎﻻت .......................................................................................................................... ٧٢‬ ‫ﻏﺎﻳﺔ اﻟﺼﻮت/ﻏﻮاﻳﺔ اﻟﻠﻮن .................................................................................................... ٠٣‬ ‫ﻓﺼﻞ)ﻻم( ......................................................................................................................... ٤٣‬ ‫ﺷﺎهﺪ و ﻣﺸﻬﻮد ................................................................................................................. ٨٣‬ ‫ﻗﺎﻟﺖ اﻟﺮوح....................................................................................................................... ٢٤‬ ‫ﻧﻴﻞ ﻋﻠﻰ ﻧﻴﻞ ...................................................................................................................... ٤٤‬ ‫ﺷﺠﻮﻳﺔ ............................................................................................................................ ٩٤‬ ‫َ َ ِﱠ‬ ‫ﺳﻔﺮ اﻟﻤ َا ِﻲ ..................................................................................................................... ٢٥‬ ‫ِ ْ ُ َﺮ ﺛ‬ ‫٤‬
‫ﻤﻔﺘ ﹶﺢ‬ ‫‪ ‬ﹾ ﹶﺘ‬ ‫ﻤﻥ ﻴﻤ‪‬ﻠﻙ ﻗﻠ ‪ ‬ﹰ‬ ‫‪    ‬ﹶ ﹾﺒﺎ‬ ‫ﻜﻘﻠ ِﻲ٠٠‬ ‫ﹶ ﹶ ﹾﺒ‬ ‫ﹶﻠﻴ ِﺒﻙ‬ ‫ﻓ ‪‬ﺤ ‪‬‬ ‫ﻜ ‪‬ﺎ ﺃﺤﺒﻙ٠‬ ‫ﻤ ‪‬‬ ‫ﻫﺸﺎﻡ ﻤﺤﻤﻭﺩ‬ ‫٥‬
‫ﻗل ﺇﻨ ‪‬ﺎ ‪‬ﺎﻟﺔ‬ ‫ﹸ ْ ﱠﻬ ﻫ‬ ‫ﺘﺘﻬﻠل ﻓﻲ ﺩﻤﻬﺎ ﺍﻟﻜﺎﺌﻨﺎﺕ ،‬ ‫ﹸ‬ ‫ُ‬ ‫ﻭ ﻓﻲ ِﺭﺩﻫﺎ ﺘﺘﻭﺍﺭﺩ ..‬ ‫‪‬‬ ‫ﻭ‬ ‫ﺁﻴﺎﺕ ﻤﻨﻜﺸﻑ ،‬ ‫ٍ‬ ‫ﹸ‬ ‫ﺠﺎﺩﻩ ﺍﻟﻐﻴﺙ ؛‬ ‫ﹸ‬ ‫ﻓﺎﺭﺒﺩ ﻭﺠﻪ ﺍﻟﻨﻭﺍﻓﻴﺭ .‬ ‫ِ‬ ‫‪ ‬‬ ‫ﻤﻥ ﺃﻴﻘﻅ ﺍﻟﻭﺭﺩ ﻓﻲ ﺭﺌﺘﻲ ؟‬ ‫ﹶ ‪ ‬‬ ‫ﻫل ﻤﺩﺍﺭ ﻴﺨﺎﻴﻠﻨﻲ ﺒﺎﻟﺘﺤﻭل ؟‬ ‫‪ِ ‬‬ ‫‪‬‬ ‫ﻫل ﻫﺎﻟﺔ ﺨﻠﻌﺕ ﺴﻭﺭﺓ ﺍﻟﻀﻭﺀ ،‬ ‫ِ‬ ‫ﹾ‬ ‫ﻭ ﺍﺭﺘﺩﺕ ﺍﻟﻘﻴﻅ ؟‬ ‫ﹶ‬ ‫ﺃﻭ ﺤﻭﻤﺕ ﺤﻭل ﻨﺎﻓﺫﺓ ؟‬ ‫َ ٍ‬ ‫‪ ‬ﹾ‬ ‫ﺸﺒﻪ ﻤﻐﻠﻘﺔ‬ ‫ٍ‬ ‫ِ‬ ‫ﻓﻲ ﺠﺤﻴﻤﻲ ..؟!‬ ‫ﺘﻤﺩ ﺍﻟﻔﺭﺍﻍ ﺇﻟﻰ ﺴﺩﺭﺓ ..‬ ‫ٍ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﺘﺤﺘﻭﻯ ﻤﺩﻨﺎ ﻤﻥ ﺃﺴﺎﻁﻴﺭ ﻏﺎﺌﻤﺔ ..‬ ‫ٍ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﺘﺘﻬﺠﺩ ﻨﺎﻓﻠﺔ ﻟﻲ ،‬ ‫‪ ‬ﹰ‬ ‫ﻭ ﺘﺴﺭﻗﻨﻲ ﻤﻥ ﺩﻤﻰ ..؟‬ ‫ﻜﻴﻑ‬ ‫ﹶ‬ ‫- ﺇﺫ ﺘﻌﺒﺭﻴﻥ ﻋﻠﻰ ﻀﻔﺘﻲ -‬ ‫‪‬‬ ‫ﻴﺼﺒﺄ ﺍﻟﻠﻴل ..‬ ‫ُ‬ ‫ﻓﻲ ﻤﺩﻥ ﺘﻨﺘﺸﻲ ﻟﻌﻭﺍﺭﻓﻬﺎ ..!‬ ‫ِ‪‬‬ ‫ٍ‬ ‫ﻓﻸﻤﺩ ﺩﻤﻰ ﻟﺩﻤﻰ ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻔﺭﺍﻍ ﻷﺴﺌﻠﺔ ..‬ ‫ٍ‬ ‫ﹶ‬ ‫ﺴﺎﻤﻬﺎ ﺍﻟﻌﺎﺸﻘﻭﻥ .‬ ‫‪‬‬ ‫ﻜﻴﻑ‬ ‫ﹶ‬ ‫٦‬
‫- ﺇﺫ ﺘﺨﻤﺸﻴﻥ ﺍﻟﻨﺯﻴﻑ ﺍﻟﻤﻨﺎﻭﻯﺀ -‬ ‫‪‬‬ ‫ﹶ ‪‬ﹶ‬ ‫‪‬‬ ‫ﻻ ﺃﺤﺘﻭﻴﻙ ؟‬ ‫ِ‬ ‫ﻭ ﻻ ﺃﺒﻌﺙ ﺍﻟﻔﺭﺡ ﺍﻟﻤﺴﺘﻁﺎﺭ ..‬ ‫‪  ‬ﹶ ﹶ ‪‬‬ ‫ﹸ‬ ‫ﺠﻨﻭﻨﺎ ﻴﻤﺎﻟﺅﻨﻲ ،‬ ‫ﹰ‪‬‬ ‫ﺃﻭ ﻴﻤﺎﺯﺠﻨﻲ ﻓﻲ ﺍﻷﺜﻴﺭ ؟!‬ ‫ِ‬ ‫‪‬‬ ‫ﺘﻭﺸﻭﺵ ﺃﺸﻴﺎﺀﻫﺎ ﺍﻟﺭﻴﺢ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭ ﺍﻟﻅل ﻤﺘﻜﻲﺀ ﻓﻭﻕ ﺠﺴﺭ ﺍﻟﺭﺅﻯ .‬ ‫ِ‬ ‫ﱡ ‪  ‬ﹶ‬ ‫ﻓﺘﺒﺎﺭﻙ ﻤﻥ ﻤﺩ ﻅﻠﻲ‬ ‫‪ِ ‬ﱢ‬ ‫‪‬‬ ‫ﻭ ﻟﻭ ﺸﺎﺀ ........،‬ ‫‪‬‬ ‫ﻗل : ﺇﻨﻬﺎ ﻫﺎﻟﺔ ..‬ ‫ﹲ‬ ‫ْ ﱠ‬ ‫ﺒﺭﻗﺕ ،‬ ‫ﹶ ﹾ‬ ‫ﻭ ﺍﺴﺘﻨﺎﻤﺕ ﻋﻠﻰ ﻭﺭﺩﺓ ..‬ ‫ٍ‬ ‫ﹾ‬ ‫ﺒﺎﺠﺘﺭﺍﺀ ﺍﻟﺼﻬﻴل ،‬ ‫ِ‬ ‫ِ‬ ‫ﻭ ﻋﻨﻑ ﺍﻟﺸﺘﺎﺀ .‬ ‫ِ‬ ‫ِ‬ ‫ﺘﻬﻴﺅﻨﻲ ﻻﻨﻔﻼﻕ ..‬ ‫ٍ‬ ‫ﻋﻠﻰ ﺼﺨﺭﺓ ﺍﻟﻤﻁﻠﻘﺎﺕ ،‬ ‫ِ‬ ‫ِ ‪‬‬ ‫ﺍﺌﺘﻼﻕ ..‬ ‫ٍ‬ ‫ﻋﻠﻰ ﻁﻤﻴﺔ ﻓﻲ ﺍﻟﻔﺭﺍﻍ ،‬ ‫ِ‬ ‫ٍ‬ ‫ﻭ ﻭﻋﺩ ﺒﺄﻥ ﻨﻠﺘﻘﻲ ..‬ ‫ٍ‬ ‫ﺤﻴﻨﻤﺎ ﻨﻔﺘﺭﻕ .‬ ‫***‬ ‫) ﺩﻴﺴﻤﺒﺭ٥٩٩١ﻡ (‬ ‫٧‬
‫ﺴﺩﺭﺓ ﺍﻟﻭﺼل .. ﺸﻬﻭﺓ ﺍﻟﻤﻭﺼﻭل‬ ‫)ﺤﻭﺍﺭﻴﺔ(‬ ‫) ﻗﺩ ﻨﺭﻯ ﺘﻘﻠﺏ ﻭﺠﻬﻙ ِﻲ ﺍﻟﺴﻤﺎﺀ‬ ‫‪ِ ‬‬ ‫ﹶ ‪ ‬ﹶ ‪ ‬ﹶ ﹶﱡ ‪  ِ   ‬ﻓ‬ ‫ﻓﹶﻠﻨﻭﱢﻟﻴﻨﻙ ﻗﺒﹶﻠﺔ ﺘﺭﻀﺎﻫﺎ ()١(‬ ‫ﹶ ﹸ ‪ ‬ﱠ ‪  ِ ‬ﹰ ﹶ ‪  ‬‬ ‫- ﺘﻬﻴﺄﺕ ِﻲ‬ ‫ﹶﻟ‬ ‫ﺃﻴﻬﺎ ﺍﻟﻤﺘﺸﻅﻲ ..‬ ‫‪‬ﹶ ﹶ ﱢ‬ ‫ﻋﻠﻰ ﺸﺎﻁﻲﺀ ﺍﻟﻤﻤﻜﻨﺎﺕ ؟‬ ‫ِ ‪ِ  ‬ﹶ ِ‬ ‫- ﺘﻬﻴﺄﺕ ﻟﻙ‬ ‫ﹸ‬ ‫- ﺃﻨﺎ ...‬ ‫- ﻭﺍﺤﺩ !‬ ‫‪‬‬ ‫- ﺃﻴﻬﺎ ﺍﻟﺠﻤﻊ‬ ‫‪‬‬ ‫ﺇﻨﻲ ﺘﻌﻠﻘﺕ ﺒﺎﻟﻤﻁﻠﻘﺎﺕ ،‬ ‫ﱠ ﹾ ﹸ ‪ ‬ﹾﹶ ﹶ ِ‬ ‫ﻭ ﻓﻲ ﺒﺭﺯﺥ ﺍﻟﻠﻴل ..‬ ‫ِ ِ‬ ‫ﺃﺴﺭﺠﺕ ﺩﻴﻤﻭﻤﺘﻲ ..‬ ‫ﹸ‬ ‫ﻓﻲ ﺩﻡ ﺍﻟﻀﻭﺀ ،‬ ‫ِ ‪ِ ‬‬ ‫ﺒﺤﺕ ،‬ ‫ﹸ‬ ‫ﺍﺼﻁﻔﻴﺘﻙ ..‬ ‫ﹸ‪‬‬ ‫ﺇﺫ ﺫﻭﺒﺘ ِﻲ ﺍﻟﻤﻘﺎﺩﻴﺭ ﻓﻴﻙ‬ ‫‪‬ﹶ ‪ ‬‬ ‫‪  ‬ﹾﻨ‬ ‫ﺍﺭﺘﺸﻔﺕ ﺤﻠﻴﺏ ﺍﻟﻨﺒﻭﺓ ..‬ ‫ِ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻤﻥ ﺒﻴﻥ ﻋﻴﻨﻴﻙ ،‬ ‫‪‬‬ ‫ِ‪ِ ‬‬ ‫ﺃﺒﺕ ،‬ ‫‪ ‬ﹸ‬ ‫ﻭ ﺁﺒﺕ ﻟﻲ ﺍﻷﺭﺽ ،‬ ‫‪‬‬ ‫ﹾِ‪‬‬ ‫ﺁﺒﺕ ﻟﻲ ﺍﻟﻜﺎﺌﻨﺎﺕ .‬ ‫ﹸ‬ ‫ﹾِ‪‬‬ ‫ﺘﻬﻴﺄﺕ ﻟﻲ ؟‬ ‫ﹶ‬ ‫٨‬
‫ﻭ ﺍﻟﻤﺩﻯ ﺍﻟﻤﻜﻔﻬﺭ ﺒﻭﺠﻪ ﺍﻟﺭﺅﻯ : ﺸﺒﺢ‬ ‫‪‬‬ ‫ِ ‪‬‬ ‫‪ ‬ﹾﹶ ِ ‪‬‬ ‫ﻴﺘﺄﻭﺩ ﻓﻲ ﺩﻤﻰ ﺍﻟﻐﺽ ،‬ ‫‪  ِ‬ﹶ ﱢ‬ ‫‪‬‬ ‫ﻭ ﺍﻟﺼﺤﺭﺍﺀ : ﻨﺯﻴﻑ ..‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻴﻨﺎﻭﻱﺀ ﻤﻴﺘﺎ ..‬ ‫‪  ‬ﹶﹰ‬ ‫‪‬‬ ‫ﻋﻠﻰ ﺠﺫﻉ ﻜﺎﻓﻭﺭﺓ ،‬ ‫ٍ‬ ‫ِ‬ ‫ﻭ ﺍﻟﻤﺭﺍﺴﻴل : ﺭﻭﺡ ﻤﻘﺩﺴﺔ ،‬ ‫ُ ‪  ‬ﹶ ‪  ‬ﹲ‬ ‫ﻭ ﻋﺫﺍﺏ ﻤﻘﻴﻡ‬ ‫‪ ِ ‬‬ ‫..........‬ ‫- ﺘﻬﻴﺄﺕ ِﻲ ..‬ ‫ﹶﻟ‬ ‫ﺃﻴﻬﺫﺍ ﺍﻟﺴﺩﻴﻡ ؟‬ ‫‪ ِ‬‬ ‫‪‬‬ ‫ﻤﻼﺌﻜﺔ ﺸﺭﺴﻭﻥ ..‬ ‫ﹲ ﹶِ‪ ‬‬ ‫ﻴﺠ ‪‬ﻭﻨﻨﻲ ﻤﻥ ﺒﻬﺎﺌﻲ ،‬ ‫‪‬ﺭ‬ ‫ﻭ ﻴﻔﺘﺭﺴﻭﻥ ‪‬ﺅﺍﻱ‬ ‫‪‬ﺭ‬ ‫ﺴﻨﺎ ﻏﺎﻤﺽ ..‬ ‫ِ ‪‬‬ ‫ﻴﺘﺒﻭﺃ ﻤﻥ ﺴﺩﺭﺓ ﺍﻟﻭﺼل ﻤﻘﻌﺩﻩ ،‬ ‫ِ ‪ ‬‬ ‫ِ‬ ‫‪ِ ُ‬‬ ‫ﻴﺘﺒﻭﺃ ﻤﻘﻌﺩﻩ ﻤﻥ ﺭﺒﻴﻊ ﺃﺜﻴﺭ ،‬ ‫ٍ ٍ‬ ‫ُ ‪ ‬‬ ‫ﻓﻬل ﻴﻁﺄ ﺍﻟﺭﻋﺩ ﻤﻤﻠﻜﺔ ﺍﷲ ..‬ ‫ﹶ ِ‬ ‫‪‬‬ ‫ُ‬ ‫ﻤﻐﺘﺭﺒﺎ ؟!‬ ‫ﹰ‬ ‫ﺃﻡ ﺘﻁل ﺍﻟﻨﻭﺍﻤﻴﺱ ..‬ ‫ﱡ ﱠ‪ ‬‬ ‫ﻤﻥ ﻜﻭﺓ ﻓﻲ ﺩﻤﻰ ..؟‬ ‫‪ِ‬‬ ‫ﹸ ‪ٍ‬‬ ‫- ﻨﻅﺭﺓ‬ ‫ﹰ‬ ‫) ﻨﻅﺭﻱ ... ﺒﺩﺀ ﻋﱠﺘﻲ‬ ‫‪ِ ‬ﻠ‬ ‫ﻭﻴﺢ ﻗﻠﺒﻲ ﻭ ﻤﺎ ﺠﻨﻰ‬ ‫‪‬‬ ‫ﻴﺎ ﻤﻌﻴﻥ ﺍﻟﻀﻨﻰ ﻋﻠﻰ‬ ‫‪    ِ‬‬ ‫ﺃﻋﻨﻰ ﻋ‪‬ﹶﻠﻰ ﺍﻟﻀﻨﻰ()٢(‬ ‫‪‬ﹶ‬ ‫ِﱢ َ‬ ‫ﻫﻴﻲﺀ ﺍﻷﺭﺽ ..‬ ‫‪‬‬ ‫٩‬
‫ﺇ ﱢﻲ ﻏﺭﻴﺏ‬ ‫‪‬‬ ‫ﻨ‬ ‫ﺒﺘﻠﻙ ﺍﻟﺴﻤﺎﺀ .‬ ‫- ﻏﺭﻴﺏ ..‬ ‫‪‬‬ ‫ﻭ ﻤﻬﺩ ﻤﻥ ﺍﻟﻼﺯﻭﺭﺩ ..‬ ‫ِ‬ ‫‪‬‬ ‫ﻴﺭﺍﻭﺩ ﻋﻨﻙ ﻋﻨﺎﻗﻴﺩ ﻏﻴﻡ‬ ‫‪ٍ ‬‬ ‫‪  ‬‬ ‫ﻤﺠﻨﺤﺔ ﻓﻲ ﺍﻟﻔﻀﺎﺀ ﺍﻟﺭﺤﻴﺏ ..؟‬ ‫ِ ‪ِ ‬‬ ‫‪ ‬ﹰ‬ ‫- ﺃﻨﺎ ﻭﺍﺤﺩ ..‬ ‫‪‬‬ ‫- ﻭ ﺍﻟﻔﺭﺍﻍ ﻜﺜﻴﺭ ،‬ ‫ﹸ ‪‬‬ ‫ﻭ ﻋﻴﻨﺎﻱ ﻻ ﺘﺄﻟﻔﺎﻥ ..‬ ‫ِ‬ ‫ﺘﺭﻗﺏ ﻤﺎ ﻻ ﻴﺠﻲﺀ ،‬ ‫‪‬‬ ‫ﹶ ‪‬ﱡ ‪‬‬ ‫ﻓﻬل ﺘﺨﺭﺝ ﺍﻷﺭﺽ ..‬ ‫‪‬‬ ‫ﹸﹾ ‪‬‬ ‫ﺃﺜﻘﺎﻟ ‪‬ﺎ ﻤﻥ ﺩﻤﻰ ؟‬ ‫ﹶﻬ ِ ‪ِ ‬‬ ‫ﻭ ﺍﻟﻤﻭﺍﻗﻴﺕ ﻤﻭﻏﻠﺔ ﻓﻲ ﺍﻟﺘﺸ ﱢﻲ ،‬ ‫ﱠ ﹶﻬ‬ ‫ﹸ ‪ ‬ﹲ‬ ‫ﻭ ﻟﻴﻠﻲ ﻤﺴﺘﻐﺭﻕ ﻓﻲ ﺍﺤﺘﻤﺎﻻﺕ ..‬ ‫ِ‬ ‫‪ ‬ﹶ ﹾ ﹲ‬ ‫ﻤﻥ ﻴﺼﻠﻭﻥ ﺍﻟﺭﺅﻯ ﺒﺎﻟﺭﺅﻯ‬ ‫‪‬‬ ‫‪ِ ‬ﹸ ‪ ‬‬ ‫ﻭﺍﺭﺩ ﺩﻭﻥ ﻤﻥ ﻭﺭﺩ‬ ‫‪     ‬‬ ‫ﻤﻘﺼﺩ ﻓﻭﻕ ﻤﻥ ﻗﺼﺩ .‬ ‫‪ ‬ﹶ ‪  ‬ﹶ ‪‬‬ ‫ﻗﺩ ﺘﻨﺎﺀﻯ ﺒﻭﺠﺩﻩ‬ ‫ِِ‬ ‫ﻭ ﺘﻔﺎﻨﻰ ﺒﻤﻥ ﻭﺠﺩ .‬ ‫‪   ‬‬ ‫ﺇﻨﻪ ﺍﻟﺠﻤﻊ ﻤﺴـﻪ‬ ‫‪  ‬‬ ‫ﻁﺎﺌﻑ ﺍﻟﺴﺭ ﻓﺎﺘﺤﺩ .‬ ‫ﹸ ﱢ ﱢ ﱠ ‪‬‬ ‫ﻫﺫﺍ ﺃﺴﻤﻰ ..‬ ‫ُ ‪‬ﱢ‬ ‫ﺩﻤﻰ ﻭﺭﺩﺓ ،‬ ‫ﹰ‬ ‫‪ِ‬‬ ‫ﻭ ﻭﺭﻴﺩﻱ ﺴﺒﻴل ﺍﻟﻤﺤﺒﻴﻥ ،‬ ‫َ ‪ ‬‬ ‫ﺜﻡ ﻴﻠ ﱡﻭﻨﻨﻲ ﻓﻲ ﻫﻭﺍﻱ ،‬ ‫ﻔ‬ ‫ﻭ ﻴﻠﻘﻭﻥ ِﻲ ..‬ ‫‪‬ﹸ ‪‬ﺒ‬ ‫٠١‬
‫ﻓﻲ ﺍﻟﻔﺭﺍﻍ / ﺍﻟﻜﺜﻴﺭ ..؟‬ ‫ِ‬ ‫ِ‬ ‫ﻗﺸﻌﺭﻴﺭﺓ ﺜﺭﺓ ،‬ ‫ﹸ ﹶ ‪ ‬ﹲ ‪‬ﹲ‬ ‫ﻭ ﺴﻜﻭﻥ ﺠﺩﻴﺏ ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻴﻅﻼﻥ ‪‬ﻭﺤﻲ ،‬ ‫ِﺭ‬ ‫‪‬‬ ‫ﻓﻸﺸﺭﻕ ﺍﻵﻥ ﻤﻥ ﻤﻐﺭﺒﻲ ..!‬ ‫ِ ‪ِ ‬‬ ‫ﻴﺎ ......‬ ‫ﺃﻅل ﻋﻠﻰ ﻤﻭﻋﺩ ﺒﺎﻏﺘﺭﺍﺒﻲ ..!‬ ‫ٍ‬ ‫ﱡ‬ ‫ﺃﻅل ﻋﻠﻰ ﺒﺭﺯﺥ ﺍﻟﻠﻴل ﻤﺘﻜﺄ ..!‬ ‫ِ ِ ‪‬ﱠ ًِ‬ ‫ﱡ‬ ‫ﻴﺎ ......‬ ‫ﺃﻅل ﻋﻠﻰ ﻤﻭﻋﺩ ..‬ ‫ٍ‬ ‫ﱡ‬ ‫ﺒﺎﻓﺘﺭﺍﻉ ﺍﻟﻔﻭﺍﺼل ..!‬ ‫ِ‬ ‫ِ‬ ‫ﻭﺍﺼل ﺩﻤﻰ ﺃﻴﻬﺫﺍ ﺍﻟﺴﺤﺎﺏ ،‬ ‫‪ ‬‬ ‫ْ ‪ ِ‬‬ ‫ﻭ ﺼﻠ ِﻲ ..‬ ‫ِ ﹾﻨ‬ ‫ﺘﺼل ..!‬ ‫ﹶ ِْ‬ ‫ﺃﻨﺕ ﻤﻨﻜﺸﻑ ،‬ ‫ﹶ ‪‬ﹾ ﹶ ِ ﹲ‬ ‫ﻭ ﺃﻨﺎ ﺍﻟﻜﺸﻑ‬ ‫ﹸ‬ ‫ﻓﻠﺘﺴﺘﺒﻥ ِﻲ ﺴ ِﻴِﻲ ؛‬ ‫ﹶ ‪ ‬ﹶ ‪ ‬ﻟ ‪‬ﺒ ﻠ‬ ‫ﺃﺭﺩ ﺤﻭﺽ ﻭﺭﺩﻙ ..‬ ‫‪ ِ ِ ‬‬ ‫ِ‪‬‬ ‫ﻓﻲ ﻤﻭﻜﺏ ﺍﻟﻭﺍﺼﻠﻴﻥ ،‬ ‫‪‬‬ ‫ِ‬ ‫ﻭ ﻤﺠﻤﺭﺘﺎﻥ ﺒﻌﻴﻨﻲ‬ ‫‪‬‬ ‫ِ‬ ‫- ﻴﺎ ......‬ ‫ﻜل ﻫﺫﺍ ﺍﻟﺭﻭﺍﺀ ..‬ ‫‪ِ ‬‬ ‫ﱡ‬ ‫ﻭ ﻤﺠﻤﺭﺘﺎﻥ ﺒﻌﻴﻨﻴﻙ ..؟!‬ ‫‪‬‬ ‫ِ‬ ‫- ﺇ ﱢﻲ ﺘﺤﻠﻠﺕ ..‬ ‫ﹸ‬ ‫ﻨ‬ ‫ﻓﻲ ﺠﺴﺩ ﻁﺎﺯﺝ ،‬ ‫ٍ‬ ‫ٍ‬ ‫ﻭ ﺘﺠﻠﻴﺕ ﻟﻠﻤﺘﺠﱢﻲ ..‬ ‫ﱠ ‪ ‬ﹸ ‪ ‬ﹶ ‪‬ﻠ‬ ‫١١‬
‫ﻜﻅل ﻷﺒﻬﺔ ﺍﻟﺭﻭﺡ ،‬ ‫ﱟ ‪ِ  ِ ‬‬ ‫ﻤﻨﻁﺭﺡ ﻓﻭﻕ ﺠﺴﺭ ﺍﻟﻐﻭﺍﻴﺔ ،‬ ‫ِ‬ ‫ِ‬ ‫‪‬ﹾ ٍ ﹶ‬ ‫ﻤﻜﺘﻨﺯ ﺒﺎﻟﺴﻨﺎﺀ‬ ‫‪ِ  ٍ ‬‬ ‫) ﻓﻠﻤﺎ ﺃﻥ ﻭﻗﻔﺕ ﺒﻴﻥ ﻴﺩﻴﻪ ،‬ ‫ﹸ ‪ِ ‬‬ ‫‪ ‬‬ ‫ﺃﻫﺭﻗﺕ ﺩﻤﻰ ..‬ ‫ﹸ ‪ِ‬‬ ‫ﻋﻠﻰ ﺃﻋﺘﺎﺏ ﺴﺩﺭﺘﻪ ،‬ ‫ِ ِ ِِ‬ ‫ﻭ ﺭﻭﺤﻲ ..‬ ‫‪‬‬ ‫ﻋﻠﻰ ﺃﺴﺒﺎﺏ ﺤﻀﺭﺘﻪ ،‬ ‫ِِ‬ ‫ِ‬ ‫ﻗﺎل : ﺁﻴﺘﻙ ﺃﻥ ﺘ ﹶﺎﻫﺩ ِﻲ .‬ ‫َ ﹸ ‪  ‬ﹸ ﺸ ِ ‪‬ﻨ‬ ‫ﻗﻠﺕ : ﺁﻴﺘﻲ ﺃﻥ ﺃ ﹶﺎﻫﺩ ِﻲ (‬ ‫‪ ُ ‬ﺸ ِ ‪‬ﻨ‬ ‫ﹸ‬ ‫ﻭ ﻤﺎﺌﺩﺓ ﺍﻟﻭﺭﺩ ِﻲ ﺃﻓ ِﻲ ..‬ ‫ﹸ ‪ ِ  ‬ﻓ ﹸﻘ‬ ‫ﺸﻔﻕ ﻁﺎﻟﻊ ﻤﻥ ﻨﺜﺎﺭ ﺍﻷﺴﺎﻁﻴﺭ ،‬ ‫ِ‬ ‫‪ِ  ‬‬ ‫ﹲ‬ ‫ﻴﻌﺭﺝ ﻓﻲ ﻫﺎﻟﺔ ﻤﻥ ﻤﻭﺍﺠﺩ ..‬ ‫‪‬‬ ‫ٍ ِ‪‬‬ ‫‪‬‬ ‫ﻤﺄﺨﻭﺫﺓ ﺒﺘﻭﺤﺩﻫﺎ‬ ‫‪ ِ‬‬ ‫ٍ‬ ‫) ﻓﺘﺒﺎﺭﻙ ﻤﻥ ﺤل ﻭ ﺍﺤﺘل (‬ ‫‪‬ﹶ ﱠ‬ ‫‪  ‬ﱠ‬ ‫ﻓﻴﻡ ﺍﻟﻤﻘﺎﻤﺎﺕ ﺤﺎﺌﺭﺓ ؟‬ ‫ﹲ‬ ‫ﹸ‬ ‫‪‬‬ ‫- ﻓﻲ ﻤﺤﺏ ﺘﺸﻤﺱ ..‬ ‫‪ ‬ﹶ ﹶ‪ ‬‬ ‫ﺘﺤﺕ ﻅﻼل ﺍﻟﻐﻭﺍﻴﺔ ،‬ ‫ِ‬ ‫ِ‬ ‫ﹶ‬ ‫ﻤﻌﺘﺼﻤﺎ ﺒﺎﻟﺘﺨﱢﻲ ،‬ ‫‪  ‬ﹶ ِ ‪‬ﹰ ﱠ ﹶﻠ‬ ‫ﻭ ﻤﻐﺘﺭﺒﺎ ﻋﻥ ﻫﻭﺍﻩ‬ ‫ﹰ ‪‬‬ ‫- ﺩﻤﻰ ﺴﻴﺭﺓ ﻟﻠﻤﺤﺒﺔ ،‬ ‫ِ‬ ‫ﹲ‬ ‫‪ِ‬‬ ‫ﻋﻴﻨﺎﻯ : ﻤﻤﻠﻜﺘﺎﻥ ..‬ ‫ِ‬ ‫ﺘﺯ ‪‬ﺎﻥ ﻋﺫﺭﻴﺔ ﺍﻟ ﱠﺎﺭﺠﻴل ،‬ ‫ِ‬ ‫ﹶ ﻨ‬ ‫ﻤ ِ‬ ‫ﺠﻨﺎﺤﺎﻱ : ﻤﺘﻜﺂﻥ ..‬ ‫ِ‬ ‫ﻟﺼﺏ ﺘﺄﻭﺩ ﻓﻲ ﺴﺩﺭﺓ ﺍﻟﻭﺼل ،‬ ‫ٍ ‪ِ ‬‬ ‫‪ ‬‬ ‫ﻓﺎﻫﺘﺯ ﻋﺭﺵ ﺍﻟﺭﺅﻯ‬ ‫ﹸ ‪‬‬ ‫‪‬‬ ‫٢١‬
‫- ﻫﺌﺕ ﻟﻙ‬ ‫ﹶ‬ ‫-) ﻫﻨﺎﻙ ﺇﻟﻰ ﻤﺎ ﺃﺤﺠﻡ ﺍﻟﻌﻘل ﺩﻭﻨﻪ‬ ‫ُ ‪ ‬ﹶ‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺼﻠﺕ ﻭﺒﻲ ﻤﻨﻲ ﺍﺘﺼﺎﻟﻲ ﻭﻭﺼﻠﺘﻲ‬ ‫ﱢ‬ ‫ﹸ‬ ‫ﻓﻜﻠﻰ ﻟﻜﻠﻰ ﻁﺎﻟﺏ ........ ﻤﺘﻭﺠﻪ‬ ‫‪‬ﹶ ‪ ‬ﱢ ‪‬‬ ‫‪‬‬ ‫ﹶ ﹸﱢ ِ ﹸﱢ‬ ‫ﻭ ﺒﻌﻀﻲ ﻟﺒﻌﻀﻲ ﺠﺎﺫﺏ ﺒﺎﻷﻋﻨﺔ ( )٣(‬ ‫ﱠِ‬ ‫‪‬‬ ‫ﺴﻤﺎﺌﻲ ﻤﺒﺭﺃﺓ ﻋﻥ ﺘﺤﻭﻟﻬﺎ ،‬ ‫ﹶ ‪ ِ ‬‬ ‫‪  ‬ﹲ‬ ‫ﺤﻀﺭﺘﻲ ﻤﻐﺭﻕ ﺸﺒ ِﻲ ..‬ ‫‪ ‬ﹾ ﹲ ﹶ ‪‬ﻘ‬ ‫ﻓﻲ ﺘﺒﺘﻠﻬﺎ ،‬ ‫ﹶ ‪‬ﱡ ‪‬‬ ‫) ﻫﺎﺅﻡ ﺍﻋﺘﺼﻤﻭﺍ ﺒﺩﻤﻰ (‬ ‫‪ِ‬‬ ‫‪‬‬ ‫ﺇﻨﻪ ﻤﻨﺯل ﺍﻟﺴﺭ ..‬ ‫ُ ﱢﱢ‬ ‫ﻓﻲ ﺴﺩﺭﺓ ﺃﺸﺭﻗﺕ ..‬ ‫ﹾ‬ ‫ٍ‬ ‫ﻓﻲ ﺴﻤﺎﺀ ﺘﻭﺼﻠﻬﺎ ،‬ ‫ِ ﹶ‪  ‬‬ ‫) ﻫﺎﺅﻡ ﺍﻋﺘﺼﻤﻭﺍ ﺒﺩﻤﻰ (‬ ‫‪‬‬ ‫‪‬‬ ‫ﺇﻨﻪ ﻅﻤﺄ ﻤﻭﺴﻤﻲ ..‬ ‫ﱠ‪ ِِ   ٌ ‬‬ ‫ﺘﻨﺎﺴﺦ ﻓﻲ ﺭﺤﻡ ﺍﻟﻀﻭﺀ‬ ‫ِ ‪ِ‬‬ ‫ﹶ‬ ‫- ﻨﺠﻭﻯ ،‬ ‫- ﺤﻠﻭﻻ ،‬ ‫ﹰ‬ ‫- ﻤﻌﺎﺭﺝ ﻤﻥ ﻓﻀﺔ ﻻ ﺘﺭﻴﻡ ،‬ ‫‪‬‬ ‫‪ٍ ِ  ِ ‬‬ ‫- ﻤﻔﺎﺯﺍﺕ ﻤﻨﻜﺸﻑ ،‬ ‫ِ ‪‬ﹾ ﹶ ِ ٍ‬ ‫- ﻟﺫﺓ ،‬ ‫ﹰ‬ ‫- ﻨﺯﻑ ﻤﺒﺘﻌﺙ ﻤﻥ ﺘﺤﻭﻟﻪ ،‬ ‫ﹶ ‪ِ ِ ‬‬ ‫ﹶ ‪ ‬ﹶ ‪ٍ ‬‬ ‫- ﻭﺭﺩﺓ ..‬ ‫ﹰ‬ ‫ﻻ ﺘﻘﻴﻡ ﻭﻻﺌﻡ ﺒﻬﺠﺘﻬﺎ ..‬ ‫ِ‪‬‬ ‫‪‬‬ ‫ﹸِ ‪‬‬ ‫ﺩﻭﻨﻤﺎ .........،‬ ‫ﺃﻨﺒﻴﺎﺀ ﻴﺭﺩﻭﻥ ﻟﻠﺭﻭﺡ ﻨﺸﻭﺘﻬﺎ ،‬ ‫‪ ِ  ‬ﹶ ﹾ ‪‬ﹶ ‪‬‬ ‫‪‬‬ ‫) ﻓﺘﺒﺎﺭﻙ ﻤﻥ ﺤل‬ ‫‪  ‬ﱠ‬ ‫٣١‬
‫ﻭ ﺍﺤﺘل ..‬ ‫ﱠ‬ ‫ﻓﻲ ﻭﺼﻠﻪ .......(‬ ‫ِِ‬ ‫- ﻫﺌﺕ ﻟﻙ‬ ‫ﹶ‬ ‫- ﻗﻠﺕ : ‪‬ﻭﺤﻲ ﺠﻤﻊ ..‬ ‫‪‬‬ ‫ﹸ ﺭ‬ ‫ﻴﻭﺤﺩﻫﺎ ﻓﻴﻙ ..‬ ‫‪  ‬ﱢ‪  ‬‬ ‫ﻫﺫﺍ ﺍﻟﺒﻬﺎﺀ .‬ ‫***‬ ‫)١( ﺁﻴﺔ)٤٤١( ﺴﻭﺭﺓ ﺍﻟﺒﻘﺭﺓ .‬ ‫)٢( ﺍﻟﺒﻴﺘﺎﻥ ﻟﻠﺤﻼﺝ .‬ ‫)٣( ﺍﻟﺒﻴﺘﺎﻥ ﻻﺒﻥ ﺍﻟﻔﺎﺭﺽ .‬ ‫) ﻴﻨﺎﻴﺭ ٦٩٩١ﻡ (‬ ‫٤١‬
‫ﺘﻨﺎﺴﺨﺎﺕ‬ ‫)١(‬ ‫ﻭﺠﻬﺎ‬ ‫ﹰ‬ ‫ﺃﺘﻬ ‪‬ﺄ‬ ‫ﻴُ‬ ‫ﷲ،‬ ‫ِ‬ ‫ﻓﻴﺎ ﺍﷲ‬ ‫ُ‬ ‫ﺘﻬﻴﺄ ِﻲ ﻭﺠﻬﺎ ..‬ ‫‪‬ﹰ‬ ‫‪ َ‬ﻟ‬ ‫ﻤﻥ ﻴﺒﺘﺯ ﺩ ِﻰ .‬ ‫‪   ‬ﻤ‬ ‫)٢(‬ ‫ﻭﺠﻪ ﻓﻲ ﻟﻭﻥ ﺍﻟﻤﻭﺴﻴﻘﻰ ..‬ ‫ِ‬ ‫‪‬‬ ‫ﻴﺘﺨﻠﻕ‬ ‫ﱠﹸ‬ ‫ﻤﻜﺘﻨﺯﺍ ﺒﺘﺸ ﱢﻴﻪ ،‬ ‫ﹰ ﻬ ِ‬ ‫ﻭ ﺃﻭﺴﻤﺔ ..‬ ‫ﹲ‬ ‫ﺘﺘﻤﺎﻫﻰ ﻓﻲ ﻋﻴﻨﻲ ﺃﻨﺜﻰ ..‬ ‫‪‬‬ ‫ﺨ ‪‬ﺄ ‪‬ﺎ ﻓﻲ ﻋﻴﻨﻴﻪ ﺍﻟﻭﻗﺕ ،‬ ‫ﹸ‬ ‫ِ‬ ‫ﺒﻫ‬ ‫ﻭ ﻭﻻﻨﻲ ﻭﺠﻬﺎ .‬ ‫‪ ‬ﹰ‬ ‫)٣(‬ ‫ﻋﻴﻥ ﻤﺘﻭﺤﺸﺔ ..‬ ‫ﹲ‬ ‫‪‬‬ ‫ﺘﺘﻐ ﱠﺎﻨﻲ ﺒﺎﻟ ﱠﺠﻭﻯ ،‬ ‫ﻨ‬ ‫ﺸِ‬ ‫ﻭ ﺒﻨﺎﺕ ..‬ ‫ﹲ‬ ‫ﻫ ‪‬ﺄﻥ ﺩ ِﻰ ﻟﻤﻭﺍﻗﻴﺕ ﺍﻟﺼﺤﻭ ،‬ ‫ِ ‪ِ ‬‬ ‫ﻴ ‪ ‬ﻤ‬ ‫ﻭ ﺃﺸ ‪‬ﻠﻥ ﺍﻟﻤﻭﺴﻴﻘﻰ ،‬ ‫ﹾﻌ ‪‬‬ ‫ﻭ ﻓﺘﻰ ..‬ ‫ﺃﻁﻔﺄ ﻋﻴﻨﻴﻪ ﺍﻟﺒﺤﺭ ؛‬ ‫‪‬‬ ‫ِ‬ ‫َ‬ ‫٥١‬
‫ﻓﻐﻨﺕ ﻟﻠﺒﺤﺭ ..‬ ‫ِ‬ ‫ﱠ ﹾ‬ ‫ﺒﻼﺒل ﺩﻫﺸﺘﻪ ،‬ ‫ِِ‬ ‫ُ‬ ‫ﻭ ﺍﻤﺘﻥ ﺍﻟﺒﺤﺭ ..!‬ ‫‪‬‬ ‫‪‬‬ ‫)٤(‬ ‫ﻭﺠﻬﺎ‬ ‫‪‬ﹰ‬ ‫ﻴﺘﻬﻴﺄ - ِﻲ -‬ ‫ُ ﻟ‬ ‫ﺍﷲ ،‬ ‫ُ‬ ‫ﻓﻴﺎ ﺍﷲ‬ ‫ُ‬ ‫ﺘﻬﻴﺄ ،‬ ‫‪ْ‬‬ ‫ﻟﻲ ﻭﺠﻪ ﻤﻘﺭﻭﺭ ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﺒﺘﻬﻴﺌﻪ ،‬ ‫‪ِ ِ‬‬ ‫ﻭ ﺘﻨﺎﺴﺨﻪ ..‬ ‫ِِ‬ ‫ﻓﻲ ﻫﻴﺌﺔ ﻅل ..‬ ‫ِ ﱟ‬ ‫ﻤﻘﺭﻭﺭ ﺒﻲ ..!‬ ‫ٍ‬ ‫)٥(‬ ‫ﻤﻜﺘﻅﺎ ﺒﺎﻟﺭﻭﻋﺔ ..‬ ‫‪ ‬ﹰ ‪ِ ‬‬ ‫ﻤﺩ ﻜﺘﺎﺌﺏ ﻋﻴﻨﻴﻪ ..‬ ‫ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺇﻟﻰ ﻋﻴﻨﻴ ‪‬ﺎ ،‬ ‫‪‬ﻬ‬ ‫‪‬ﺤﺘﻔﻴﺎ ﺒﻬﺯﻴﻤﺘﻪ ..‬ ‫ِِ‬ ‫ﻤ ﹰ‬ ‫ﻓﺘﻤﺩﺩﺕ ﺍﻟﺸﻤﺱ ..‬ ‫ﱠ ‪‬‬ ‫ﺒﻌﻴﻨﻴﻪ ﺩﻟﻴﻼ ..!‬ ‫ﹰ‬ ‫ِ‬ ‫)٦(‬ ‫ﻭﺠﻪ ﻤﺒﺘل ﺒﻁﻔﻭﻟﺘﻪ ..‬ ‫ِِ‬ ‫‪  ‬ﹶ ٌ‬ ‫ﺘﺘﻐ ﱠﻰ ﻋﻴﻨﻲ ﻤﻼﻤﺤﻪ ،‬ ‫ِ ‪‬‬ ‫‪‬‬ ‫ﺸ‬ ‫ﻭ ﺍﻟﻭﻗﺕ ‪‬ﻤﺎﻟﺅﻨﻰ ﻀﺤﻜﺎ ..‬ ‫ﹰ‬ ‫ﹸﻴ‬ ‫٦١‬
‫ﻻ ﺃﺴ ِﻴﻊ ..‬ ‫‪‬ﻁ ‪‬‬ ‫ﻟﻪ ﻁﻠﺒﺎ ..!‬ ‫ﹰ‬ ‫)٧(‬ ‫ﻭﺠﻬﺎ‬ ‫ﹾ‬ ‫- ﺃﺘﻬ ‪‬ﺄ -‬ ‫ﻴ‬ ‫ﷲ،‬ ‫ِ‬ ‫ﻓﻴﺎ ﺍﷲ ..‬ ‫ُ‬ ‫ﺘﻬ ‪‬ﺄ ِﻲ ﻭﺠﻬﺎ ..!‬ ‫ﹰ‬ ‫ﻴ ﻟ‬ ‫ﻤﻥ ﻴﺒﺘﺯ ﺩ ِﻲ ..‬ ‫‪   ‬ﻤ‬ ‫ﺇﻻﻯ ..؟!‬ ‫***‬ ‫) ﺃﻜﺘﻭﺒﺭ ٤٩٩١ﻡ (‬ ‫٧١‬
‫ﺴﻔﺭ ﺍﻟﻔﺘﻭﺤﺎﺕ‬ ‫ﻤﻔﺘﺘﺢ‬ ‫ﺠﻤﻠﺔ ﻤﻐﻠﻘﺔ ،‬ ‫ﹲ ‪‬ﹾ‬ ‫ﻭ ﻓﺘﻰ ﺤﻴﻥ ﻴﻔﺘﺤ ‪‬ﺎ ..‬ ‫‪ ‬ﻬ‬ ‫ﻴﻔﺘﺢ ﺍﻷﺭﺽ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭ .....‬ ‫ﻭﺍﻭ ﻋﻁﻑ ﺘﺭﺍﻭ ﹸﻪ ،‬ ‫ٍ ﹸ ‪ ‬ﻏ‪‬‬ ‫‪‬‬ ‫ﺜﻡ ﺘﻔﺘﺢ ﻓﻲ ﺩﻤﻪ ..‬ ‫‪ِِ ِ  ‬‬ ‫ﻜﻭﺓ ﻟﻠ ‪‬ﺅﺍل .‬ ‫ﹸ ‪‬ﹰ ﺴ‬ ‫ﻓﺘﺢ ﺃﻭل‬ ‫ﻭﺍﻫﻤﺎ ﺁﻨﺱ ﺍﻟ ﱠﺎﺭ ،‬ ‫ﹰ ﹶ ‪ ‬ﻨ ‪‬‬ ‫ﻴﺎ .....‬ ‫ﻟﻡ ﺃﺠﺩ ِﻲ ..‬ ‫‪ ‬ﻟ‬ ‫.. ﻫ ‪‬ﻯ .‬ ‫‪‬ﺩ‬ ‫ﻴﺎ .....‬ ‫.. ﻫ ‪‬ﻯ‬ ‫‪‬ﺩ‬ ‫ﻟﻡ ﺃﺠﺩ ﻟﻲ ..‬ ‫‪ِ‬‬ ‫ﻴﺎ .....‬ ‫ﻓﺎﻓﺘﺤﻲ ﺒﻴﻨﻨﺎ ﺍﻟﻔﺘﺢ ،‬ ‫‪‬‬ ‫ﻭ ﺍﻋﺘﺼﻤﻲ ﺒﺎﻟﻐﻭﺍﻴﺔ ،‬ ‫ِ‬ ‫ﺴﺤﺭ ﺍﻟﻘﻨﺎﺩﻴل ،‬ ‫ِ‬ ‫ِ‬ ‫ﺒﻭﺡ ﺍﻷﺭﺍﻏﻴل .‬ ‫ِ‬ ‫ِ‬ ‫ﻤ ﱢﻯ ﺇﻟﻰ ﺍﻟﻐﻴﻡ ﻁﺭﻓﺎ ،‬ ‫ِ ﹶ‪‬ﹰ‬ ‫‪‬ﺩ‬ ‫ﻭ ﻁﺭﻓﺎ‬ ‫ﹶ‪‬ﹰ‬ ‫٨١‬
‫ﺃﺭﻴﻘﻲ ﺩﻡ ﺍﻟﻘﻠﺏ ﻓﻲ ﺠﻤﺭﺓ‬ ‫ٍ‬ ‫ِ‬ ‫‪‬‬ ‫ﺘﺘﺄﺒﻁ ﻟﻜﻨﺘ ِ ﺍﻟﻤﺴﺘﻌﺎﺭﺓ ،‬ ‫‪ ‬ﹸ ﹶ ﹶﻙ ‪  ‬ﹶ‬ ‫ﻭ ﺍﻟﻨﺎﺴﻜﻭﻥ ﻴﻬﻠﻭﻥ ﻤﻥ ﻜل ﻓﺞ ؛‬ ‫‪ ِ ‬ﱢ ‪‬‬ ‫‪‬‬ ‫ﱠ‬ ‫ﻟﻴﻌﺘﻤﺭﻭﺍ ﺒﻴﻥ ﻋﻴﻨﻴﻙ .‬ ‫ِ‬ ‫‪‬‬ ‫ﻫل ﻤﻁﺭ ﻴﺤﺘﻭﻴﻙ ..‬ ‫ِ‬ ‫‪‬‬ ‫ﻋﻠﻰ ﻭﻫﺩﺓ ﺍﻟﻭﻋﺩ ..؟!‬ ‫ِ‬ ‫ِ‬ ‫ﻫل ﺴﻴﺭﺓ ..‬ ‫ﹲ‬ ‫ﺘﺘﺜﺎﺀﺏ ﻓﻲ ﺍﻟ ﱠﺍﻜﺭﺓ ..؟!‬ ‫ﺫ‬ ‫‪‬‬ ‫ﺃﻴﻬﺫﻯ ﺍﻟﺘﻲ ﺤﺒ ‪‬ﺎ ﻗﺩ ِﻱ‬ ‫‪‬ﻬ ﹶ ‪‬ﺭ‬ ‫‪‬‬ ‫ﻜﻴﻑ ﻗﺩﺭﺕ ﻜﻴ ﹸﻭﻨ ِﻲ ..‬ ‫ﹶ ﹶ ‪ ِ  ‬ﹶ ‪ ‬ﻨ ﹶﺘ‬ ‫ﻓﻲ ﻋﻴﻭﻨﻙ ..؟‬ ‫ِِ‬ ‫ﺃﻭﺜﻘﺕ ‪‬ﻭﺤﻲ ﺇﻟﻰ ﻤﺭﻓﺄﻴﻙ ..؟‬ ‫‪ِ‬‬ ‫ِﺭ‬ ‫ﺘﻭﺤﺸﺕ ﺤﻴﻥ ﺘﻭﺤﺩﺕ ﻓﻲ ..؟‬ ‫‪ ِ   ِ ‬‬ ‫ﺘﻭﺤﺸﺕ ﺤﻴﻥ ﺘﻭﺤﺩﺕ ﻓﻴﻙ ..؟‬ ‫‪ ‬ﹸ ‪  ‬ﹸ ِ‬ ‫ﺍﻷﻤﺎﻨﻲ ﺘﺭﺍﻭﺩﻨﻲ ﻋﻨﻙ ،‬ ‫ِ‬ ‫ﹸ ‪ِ ِ ‬‬ ‫ﺜﻤﺔ ﻋﻴﻨﺎﻥ ﻨ ‪‬ﺎﺨﺘﺎﻥ ..‬ ‫ِ‬ ‫ِ ﻀ‬ ‫ﹶ‬ ‫ﺘﻀﻴﺌﺎﻥ ﻅﻠﻤﺔ ﻨﻔﺴﻲ‬ ‫ﹶ‬ ‫ِ‬ ‫ﻓﺄﻓﺘﺢ ﻤﻤﻠﻜﺔ ﺍﻟﺤﺏ ،‬ ‫ﱢ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻭ ﺍﻟﻨﻭﺭ ،‬ ‫ِ‬ ‫ﻭ ﺍﻟﺭﻤﺯ ،‬ ‫ِ‬ ‫ﻭ ﺍﻟﻨﺎﺭ ،‬ ‫ِ‬ ‫ﻭ ﺍﻟﺠﺴﺩ ﺍﻟﻤﺘ ‪‬ﺍ ِﻲ ..‬ ‫ِ ‪ ‬ﹶﺭ ﻤ‬ ‫ﻋﻠﻰ ﻋﻴﻨﻲ ﺍﻟﻅﺎﻤﺌﺔ .‬ ‫ﱠ‬ ‫٩١‬
‫ﻓﺘﺢ ﺜﺎﻥ‬ ‫ﺠﺴﺩ ﻋﻠﻰ ﺠﺴﺩ ﻭ ﺭﻭﺡ ﻓﻲ ﺩﻡ‬ ‫‪ٍ‬‬ ‫‪‬‬ ‫ٍ‬ ‫‪‬‬ ‫ﻏﺽ ...... ﻭ ﺁﻻﺀ ﻋﻠﻰ ﺁﻻﺀ .‬ ‫ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﺠﺘﺎﺤ ِﻲ ﺤﺘﻰ ﻜﺄﻥ ﺠﻭﺍﻨ ِﻲ‬ ‫ِﺤ‬ ‫‪‬‬ ‫‪‬ﻨ‬ ‫ﻭﻁﻥ ﺘﺴـﻭﺭ ﻏـﺭﺒﺔ ﺍﻟﻐﺭﺒﺎﺀ .‬ ‫ِ‬ ‫ﹶ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﺘﻭﺤﺸﺕ ﺭﺅﻴﺎﻱ ﻓﻴﻙ ﻭ ﺃﻴﻘﻅﺕ‬ ‫ﹾ‬ ‫ِ‬ ‫ﹾ‬ ‫ﺭﺅﻴﺎﻙ ﻓﻲ ﻓﻤﻥ ﺃﻀل ﺍﻟ ‪‬ﺍﺌﻲ ؟‬ ‫ِ ِ‪  ‬ﱠ ﺭ‬ ‫ﻫﺫﺍ ﻨﺯﻴﻑ ﺍﻟﻜﺸﻑ ﻤ ﱠﻜﺊ ﻋﻠﻰ‬ ‫ِ ‪‬ﺘ ٌ‬ ‫ﹸ‬ ‫ﻭﺠﻬﻲ ، ﻭﻤﻌﺘﺼﻡ ﺒﺤﺒل ﺍﻟ ‪‬ﺎﺀ .‬ ‫ِ ﻤ ِ‬ ‫‪‬‬ ‫ﺭﻭﺡ ﻭ ﺭﻴﺤﺎﻥ ﻭﻨﺎﺭ ﻏ ‪‬ﺔ ﺍﻟـ‬ ‫‪ ‬ﻀﹸ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻋﺭﺍﻑ ﺃﺴﻜﻨ ‪‬ﺎ ﺍﻟﻤ ‪‬ﻯ ﺒﺭﺩﺍﺌﻲ .‬ ‫ِ ﹶﻬ ‪ ‬ﺩ‬ ‫ﻓﻠﺘﻔﺭﻗﻲ ﺩﻤﻙ ﺍﻟﻤ ‪‬ﺍﻭﻍ ﻋﻥ ﺩ ِﻰ‬ ‫‪  ِ  ‬ﺭ ﹶ ‪ ‬ﻤ‬ ‫ﻭ ﻟﺘﺴﻤﻌﻲ ﻟﻠ ‪‬ﻭﺕ ﻭ ﺍﻷﺼﺩﺍﺀ .‬ ‫ِ‬ ‫ﺼ ِ‬ ‫ﺠﺩﺏ ‪‬ﺭﺍﻭﺩﻨﻲ ﻋﻥ ﺍﻟﺫﻜﺭﻯ ﺍﻟﺘﻲ‬ ‫‪‬ﻴ‬ ‫ﺼﻠﺒﺕ ﺒﻌﻴﻨﻙ ﻗـﺒﻠﺔ ﺍﻷﻀـﻭﺍﺀ .‬ ‫ِ‬ ‫ﹶ‬ ‫ﹾ ِِ‬ ‫ﻭ ﻫﻭﻯ ﻴﺄﻭﻟﻨﻲ ﺒﺤﺯﻥ ﻏﺎﻤﺽ‬ ‫ٍ‬ ‫ٍ‬ ‫ﺘﻤﺘﺩ ﻓﻲ ﺃﺠﻭﺍﺌﻪ ﺃﺠـﻭﺍﺌﻲ .‬ ‫ِِ‬ ‫‪‬‬ ‫ﻋﻴﻨﻲ ﻋﻠﻰ ﻋﻴﻨﻴﻥ ﺘﻨﺸ ﱠﺎﻥ ِﻲ‬ ‫ِ ﻘ ِﻓ‬ ‫ﺠﻨﺢ ﺍﻟ ‪‬ﺠﻰ ، ﻭ ﺘﺼﻠ ‪‬ﺎﻥ ﻭﺭﺍﺌﻲ .‬ ‫ﹸ ‪‬ﱢﻴ ِ‬ ‫ِ ﺩ‬ ‫ﻭ ﺘﺴل ﻟﻲ ﺴﻴﻑ ﺍﻟﻐﻭﺍﻴﺔ ﻭﺭﺩﺓ‬ ‫ﹲ‬ ‫ِ‬ ‫ﹶ‬ ‫ﱡ‬ ‫ﺼﻠﺕ ﻋﻠﻰ ، ﻭ ﺒﺎﺭﻜﺕ ﺃﺴﻤﺎﺌﻲ .‬ ‫ﹾ‬ ‫ﱠ ﹾ ‪‬‬ ‫ﻤﺘﺜﺎﺌﺒﺎ )ﻜﺎﻟﻭﻗﺕ( ﻴﺸﺭﻕ ﻓﻲ ﺩﻤﻰ‬ ‫ﹸ‬ ‫ﹰ‬ ‫ﻭﺠﻪ ﺍﻟﺤﺭﻴﻕ ، ﻭ ﺤﺭﻗﺔ ﺍﻷﺸﻴﺎﺀ .‬ ‫ِ‬ ‫ﹸ‬ ‫ِ‬ ‫‪‬‬ ‫ﺴﺒﺤﺎﻥ ﻤﻥ ﺠﻌل ﺍﻟﺤﻘﻴﻘﺔ ﺼﺒﻭ ِﻲ‬ ‫ﹶ ‪  ‬ﺘ‬ ‫َ‬ ‫‪ ‬‬ ‫ﻭ ﺍﻟﻤﺎﺀ ﺩﺭﺒﻲ ، ﻭ ﺍﻟﻬﻭﺍﺀ ﻟﻭﺍﺌﻲ .‬ ‫‪‬‬ ‫‪‬‬ ‫٠٢‬
‫ﻓﺘﺢ ﺜﺎﻟﺙ‬ ‫ﺠﺴﺩ ﻴﺨﺭ ﻋﻠﻰ ﻭﻤﻴﺽ ..‬ ‫ٍ‬ ‫‪ ‬‬ ‫ﻴﺜﻘﺏ ﺍﻟ ‪‬ﺅﻴﺎ .‬ ‫‪ ‬ﺭ‬ ‫ﻭﻴﺸﻌل ﺠﻠﻨﺎﺭﺍ ﻓﻰ ‪‬ﻤﻲ ..‬ ‫ُ ‪‬ﱠ ﹶ ﹰ ﺩ‬ ‫/ ﻜﻴﻑ ﺍﻓﺘﺭﺴﺕ ﻤﺩﻴﻨﺔ‬ ‫ﹰ‬ ‫ﹸ‬ ‫ﻭ ﺃﻀﺄﺕ ﻓﻰ ِﻨ ِ ﺍﻷﺼﻴل ..‬ ‫ِ‬ ‫ﹸ ﺴ ﹶﺔ‬ ‫ﻤﻭﺍﻗﻊ ﺍﻟﺘﺄﻭﻴل ؟‬ ‫‪ ‬ﱠ ِ‬ ‫ﺜﻡ ﺃﻗﻤﺕ ﺘﺎﺭﻴﺨﻲ ﺒﻤﻌﺭﺍﺝ‬ ‫ٍ‬ ‫ﹸ‬ ‫ﻭﺒﺤ ﹸ ...؟/‬ ‫‪ ‬ﺕ‬ ‫ﺍﻟ ‪‬ﻭﺡ : ﻤﻴﻘﺎﺕ ،‬ ‫ﹲ‬ ‫ﺭ ‪‬‬ ‫ﻭ ﺃﻴﺎﻤﻲ : ﺼﺩﻯ ..‬ ‫ﻴﺠﺭﻯ ﻋﻠﻰ ﺴﻤﻊ ﺍﻟﺫﻱ ﻋﻴﻨﺎﻩ ..‬ ‫‪‬‬ ‫ِ‬ ‫ﺯﻨﺒﻘﺘﺎﻥ ..‬ ‫ِ‬ ‫ﺘﺴﺘﺒﻘﺎﻥ ﺫﺍﻜﺭﺘﻲ ،‬ ‫ِ‬ ‫ﻭﻜﻔﺎﻩ ﺴﻤﺎﺀﺍﻥ ..‬ ‫ِ‬ ‫ﹶﱠ ‪‬‬ ‫ﺘﻅﻼﻨﻲ .‬ ‫ﹸِ‬ ‫ﻓﺘﺢ ﺭﺍﺒﻊ‬ ‫/ ﺨﻁﻭﺓ ﻭ ﹸﻬﻴﻲﺀ ﺃﻋﺠﺎﺯﻫﺎ ..‬ ‫‪‬‬ ‫ﺘ ‪‬‬ ‫ﻟﻠﻨﺒﺎﺕ ﺍﻟﺠﻤﻴل /‬ ‫ِ‬ ‫ِ‬ ‫ﺃﻴﺎ ﺃﻴﻬﺎ ﺍﻟ ‪‬ﻨﺯﻭﻱ ﻓﻲ ﺼﻬﻴل ﺫﻜﻭﺭﺘﻙ‬ ‫ِ‪‬‬ ‫ِ‬ ‫‪ ‬ﻤ‬ ‫ﺍﻵﻥ‬ ‫‪‬‬ ‫ﺘﺤﺼﺩ ﻤﺎ ﻴﺘﻴﺴﺭ ﻤﻥ ﻭﻗﺘﻙ ﺍﻟﻔﻭﻀﻭﻱ ،‬ ‫ﱢ‬ ‫‪ ِ ِ ‬‬ ‫‪‬‬ ‫ﻭ ﺘﺨﺘﺎل ﻓﻭﻕ ﺭﺼﻴﻑ ﻤﻥ ﺍﻟﺴﺤﺏ .‬ ‫‪ِ ‬‬ ‫ٍ‬ ‫ُ ﹶ‬ ‫ﻫﺫﻯ ﺍﻟﻤﻭﺍﻗﻊ ﻤﺸﹾﻬﺭﺓ ..‬ ‫‪  ‬ﹲ‬ ‫١٢‬
‫ﻓﻰ ﻭﺠﻭﻩ ﺍﻟﻤﺤﺎﻟﻴﻥ ﻟﻠﺤﻠﻡ ،‬ ‫ِ‬ ‫ِ ‪ ‬‬ ‫ﻫﺫﺍ ﺍﻟﻤﻜﺎﻥ ﻤﻜﺎﻥ ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻨﻭﺍﻗﻌﻪ ﻓﺠﺄﺓ ،‬ ‫‪ ‬ﹰ‬ ‫ﻭ ﻋﻠﻰ ﻤﻭﻋﺩ ،‬ ‫ٍ‬ ‫ﻭ ﻫﺫﺍ ﺍﻟﺯﻤﺎﻥ ﺯﻤﺎﻨﻲ .‬ ‫‪‬‬ ‫ﺴﺘﺸﺭﺏ ﺸﺎﻴﺎ‬ ‫‪ ‬ﹰ‬ ‫ﻟﺘﺤﺭﻗﻬﺎ ﻟﺫﺓ ﺍﻻﻨﺘﻅﺎﺭ ،‬ ‫ِ‬ ‫ﹶ ‪ ‬ﱠﹸ‬ ‫ﻭ ﺘﻤﻜﺙ ﺒﻀﻊ ﺜﻭﺍﻥ ..‬ ‫ٍ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺘﺸ ﱢﻊ ﺃﻋﺩﺍﺀﻙ ﺍﻟﻁﻴﺒﻴﻥ .‬ ‫‪‬‬ ‫‪‬‬ ‫ﹸ ﹶﻴ ‪‬‬ ‫ﺒﻼ ﻗﺒل ﺃﻭ ﻋﻨﺎﻕ .‬ ‫ٍ‬ ‫ٍ‬ ‫/ ﻷﻥ ﺍﻟﺫﻴﻥ ‪‬ﺭﻴﺩﻭﻥ ﺴﻔﻙ ﺩﻤﻲ‬ ‫‪ِ ‬‬ ‫‪‬‬ ‫‪‬ﻴ‬ ‫‪‬‬ ‫ﺒﻌﻀﻬﻡ ﺃﺼﺩﻗﺎﺌﻰ ..‬ ‫‪‬‬ ‫ﻭ ﺃﻏﻠﺒﻬﻡ ﺴﺎﻜﻥ ﻓﻲ ﺩﻤﻲ ..‬ ‫‪ِ‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻟﺫﺍ ﺴﺄﺠ ﱢﺏ ﺃﻜل ﻤﺤﺒ ِﻬﻡ ،‬ ‫ﺭ ‪ َ ‬ﺘ‬ ‫ﻭ ﻗﻠﻴﻼ ﻤﻥ ﺍﻟﺤﺯﻥ /‬ ‫ِ‬ ‫ﹰ‬ ‫ﺘﺭﻗﺹ ﻓﻲ ﺩﻤﻙ ﺍﻟ ﹸﺒﺭﺍﺕ ،‬ ‫‪  ِ‬ﻘ ﹸ‬ ‫‪‬‬ ‫ﻭ ﹸﺭﺴل ﺃﻤﻭﺍﻫ ‪‬ﺎ .‬ ‫‪‬ﻬ‬ ‫ﺘ ُ‬ ‫ﻫل ﺴﺘﺸﺭﻋﻨﻲ ﺠﻭﻗﺔ ﺍﻟﻅل ..‬ ‫ﱢ‬ ‫ﹸ‬ ‫ﺴﻴﻔﺎ ..‬ ‫ﹰ‬ ‫ﺒﻭﺠﻪ ﺍﻟﻤﺩﻴﻨﺔ ..؟‬ ‫ِ‬ ‫ِ‬ ‫ﻫل ﺴﻴ ‪‬ﺍﻗﺒﻨﻲ ..‬ ‫‪‬ﺭ‬ ‫ﺒﺸﺭ ﻜﺎﻟ ‪‬ﺤﺎﻟﻲ ..؟‬ ‫‪ ‬ﺴ‬ ‫ﻴﻠ ﱡﻭﻥ ﺃﻋﻴﻨ ‪‬ﻡ ..‬ ‫ﻔ ‪ ‬ﹶﻬ‬ ‫ﺤﻭل ﺭﺠﻠﻲ ..؟‬ ‫‪‬‬ ‫ﻫل‬ ‫ﺴﻴﻭﺍﻋﺩﻨﻲ ﺍﷲ ..‬ ‫ُ‬ ‫٢٢‬
‫ﻓﻰ ﺒﻠﺩ ﻁﻴﺏ ..‬ ‫ٍ ﱢ ٍ‬ ‫ﺜﻡ‬ ‫ﻴﺘﺭﻙ‬ ‫‪‬‬ ‫ﻭﺠﻬﻲ‬ ‫ل‬ ‫ﻭ‬ ‫ﺝ‬ ‫ﻩ‬ ‫ﻯ ....؟!‬ ‫***‬ ‫) ﻴﻨﺎﻴﺭ ٤٩٩١ﻡ (‬ ‫٣٢‬
‫ﺃﻟﻕ ﻋﻠﻰ ﻁﻤﻲ ﺍﻟﻜﺘﺎﺒﺔ‬ ‫ِﹶ ‪‬‬ ‫‪‬‬ ‫ﹲ‬ ‫ﻗل ﻟﻭ ﻜﺎﻥ ﺍﻟﺒﺤﺭ ﻤﺩﺍﺩﺍ ...‬ ‫‪ ِ ‬ﹰ‬ ‫‪‬‬ ‫ﹸْ‬ ‫ﻗل ﻟﻭ ﻜﺎﻥ ﺍﻟﺒﺤﺭ ...‬ ‫‪‬‬ ‫‪‬‬ ‫ﹸْ‬ ‫ﻗل ﻟﻭ ﻜﺎﻥ ...‬ ‫ﹸْ‬ ‫ﻗل ﻟﻭ ...‬ ‫ﹸْ‬ ‫ﻟﻭ ﺃﻥ ﻫﻨﺩﺴﺔ ﺍﻟﻤﺠﺎﺯ ..‬ ‫ِ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﺘﺤﺩﺭﺕ ﻤﻥ ﻋﻨﻔﻭﺍﻥ ﺍﻟﺤﺫﻑ ﻭ ﺍﻹﻴﻤﺎﺀ ،‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫‪ ‬ﹾ‬ ‫ﺩﺭﺕ ﺴﺎﺒﺤﺎﺕ ﺍﻟﻘﻴﻅ ..‬ ‫ِ‬ ‫ِ‬ ‫‪ ‬ﹾ‬ ‫ﻓﻰ ﻜﺒﺩ ﺍﻟﺘﺠﺎﺭﺏ ،‬ ‫ِ‬ ‫ِ‬ ‫ﺃﻴﻘﻅﺕ ..‬ ‫ﹾ‬ ‫ﻭﻗﻌﺎ ﺘﻨﺎﻏﻡ ﻓﻲ ﻤﺘﻭﻥ ﺍﻟﺼﺤﻭ ..‬ ‫ِ ‪ِ ‬‬ ‫‪‬‬ ‫ﹰ‬ ‫ﻨﺎﺭﺍ ..‬ ‫ﹰ‬ ‫ﻴﺴﺘﻅل ﺒﻬﺎ ﺍﺌﺘﻼﻕ ﺍﻟﺭﻤﺯ ؛‬ ‫ﹸ ‪ِ‬‬ ‫ﱡ‬ ‫ﻻﺤﺘﺩﻡ ﺍﻟﻨﺸﻴﺞ ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﻭﺍﺠﺩﺍ ،‬ ‫ﹰ‬ ‫ﺃﻟﻘﺎ ﺨﺼﻴﺒﺎ .‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻭ ﺍﻟﺒﺭﻴﻕ ﺍﻷﺭﺠﻭﺍﻨﻲ ،‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺍﻟﺘﻭﺤﺩ ،‬ ‫‪‬‬ ‫ﺴﻜﺭﺓ ﺍﻟﺸﺒﻕ ﺍﻟﺭﺠﻴﻡ‬ ‫ِ‬ ‫ِ‬ ‫ﹸ‬ ‫ﻤﻔﺎﻭﺯ ﺍﻟﻌﺯﻑ ﺍﻟﻤﺼﻠﺏ‬ ‫ِ ‪ ‬ﱠ ِ‬ ‫‪‬‬ ‫ﻓﻲ ﺠﺫﻭﻉ ﺍﻟ ‪‬ﻭﺡ‬ ‫ِ ﺭ ِ‬ ‫- ﻟﻭ ﺃﻥ ﺍﻟﺭﺅﻯ ...‬ ‫‪ ‬‬ ‫- ﺼﻤﺘﺎ ﺒﻠﻴﻐﺎ‬ ‫ﹰ ﹰ‬ ‫ﺇﻨﻨﺎ ﻟﻡ ﻨﺒﺭﺡ ﺍﻷﺴﻼﻑ‬ ‫ﹶ‬ ‫‪‬‬ ‫- ﻟﻭ ﺃﻥ ﺍﻟﻘﺼﺎﺌﺩ ..‬ ‫‪‬‬ ‫‪‬‬ ‫٤٢‬
‫- ﻭﺭﺩﺓ ﺘﻠﻬﻭ ﻋﻠﻰ ﺠﻤﺭ ﺍﻟﺘﻭﺤﺵ .‬ ‫ِ ﱠ‪ِ  ‬‬ ‫ﹲ‬ ‫ﻻ ﺍﻨﻜﺸﺎﻑ ..‬ ‫ﹸ‬ ‫ﻋﻭﺍﺭﻑ ﺍﻹﻴﻐﺎل ﻓﻲ ﺍﻟﻤﺠﻬﻭل ..‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫ﻴﻘﻁﻊ ﻤﺎ ﺘﻴﺴﺭ ﻤﻥ ﺒﻭﺍﺩﻱ ﺍﻟﺼﻤﺕ ،‬ ‫‪ِ ‬‬ ‫‪ِ ‬‬ ‫‪‬‬ ‫ﻻ ﻟﻐﺔ ﺍﻟﻤﺠﻭﺴﻲ / ﺍﻟ ‪‬ﻟﻲ ..‬ ‫ِﱢ ﻭ ﱢ‬ ‫ﹸ‬ ‫ﺘﺯﻟﺯل ﺍﻷﻟﻡ ﺍﻟﺤﻤﻴﻡ‬ ‫‪‬‬ ‫ﹸ ُ ‪‬‬ ‫- ﺍﻷﺭﺽ ﺘﺒﺭ‬ ‫‪ ِ ‬‬ ‫ﻭ ﺍﻟﻘﺼﻴﺩ ﻤﺩﻯ ﺘﻤﺩﺩ ﻓﻲ‬ ‫‪ ِ ‬‬ ‫‪‬‬ ‫- ﻟﻭ ﺃﻥ ﺍﻟﺠﻬﺎﺕ ...‬ ‫ِ‬ ‫‪‬‬ ‫ﺃﻨﺎ ﺍﻟﻤﻬ ‪‬ﺄ ﻟﻠﻭﻟﻭﺝ ﺇﻟﻴﻙ‬ ‫ِ ‪‬‬ ‫‪ ‬ﻴ ُ‬ ‫ﻤﻥ ﻜل ﺍﻟﺠﻬﺎﺕ !‬ ‫ِ‬ ‫ﱢ‬ ‫ﺍﻟﺭﺅﻴﺔ = ﺍﻹﺴﺭﺍﺀ‬ ‫‪‬‬ ‫ﹸ‬ ‫) ﺴﺒﺤﺎﻥ ﺍﻟﺫﻱ ﺃﺴ ‪‬ﻯ (‬ ‫‪‬ﺭ‬ ‫‪‬‬ ‫ﺍﺤﺘﺭﺍﻗﻲ ﻓﻲ ﻋﻴﻭﻥ ﺍﷲ = ﻤﻴﻼﺩﻱ‬ ‫ِ ِ‬ ‫= ﺘﺨﱡﻕ ﺠﻤﺭﺓ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺼﻴﺔ‬ ‫ِ ‪ِ ِ ‬‬ ‫ِ‬ ‫ﻠﹸ‬ ‫ﻓﻲ ﺒﺤﻴﺭﺓ ﻻﺯﻭﺭ‪‬ﺩ‬ ‫ِ ‪‬‬ ‫ﺃﻨﺎ ﺍﺼﻁﻔﻴﺘ ‪ِ ‬ﻲ‬ ‫ﹶ ‪ ‬ﹸﻙ ﻟ‬ ‫ﻓﻜﻥ ِﻲ ؛‬ ‫‪‬ﻟ‬ ‫ﻴﺒﺭﺡ ﺍﻷﺴﻼﻑ ..‬ ‫ﹸ‬ ‫ﻨﺎﺼﻴﺔ ﺍﻟﻘﺼﻴﺩﺓ ،‬ ‫ِ‬ ‫ﹶ‬ ‫ﺴﻨﺒﻼﺕ ﺍﻟ ‪‬ﻭﺡ ،‬ ‫ِ ﺭ ِ‬ ‫ﺁﻻﺀ ﺍﻟﺘﻭﺤﺩ .‬ ‫‪ ‬ﱠ ‪ِ ‬‬ ‫ﻗل : ﻫﻭ ﺍﻟﻭﺠﺩ ﺍﻟﻤ ‪‬ﺍﻭﻍ‬ ‫‪ ‬ﺭ‬ ‫ْ‬ ‫ﺸﻬﻭﺓ ﻗﺯﺤﻴﺔ ﺍﻹﻴﻘﺎﻉ‬ ‫ِ‬ ‫ﹲ ﹸ ‪ ِ ‬ﹸ‬ ‫ﻭ ﺍﻟﻌﺯﻑ ﺍﻨﺘﺸﺎﺀ ..‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻋﻭﺍﻟﻡ ﺍﻷﻟﻕ ﺍﻟﺨﺼﻴﺏ‬ ‫ِ‬ ‫ِ ﹶ‬ ‫ِ‬ ‫٥٢‬
‫ﻫﻭ ﺍﻟﻨﺯﻴﻑ / ﺍﻻﻨﺸﻁﺎﺭ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺼﻬﻴل ﺭﻤﺯ‬ ‫ُ ٍ‬ ‫ﻟﻡ ﻴﺯل ﻏﻀﺎ‬ ‫ْ ‪‬ﹰ‬ ‫ﺘﻜﺸﻑ ﺠﻤﺭﺓ ﺍﻹﻴﻐﺎل ..‬ ‫ِ‬ ‫ِ‬ ‫ﹶﹶ ﱡ ﹸ‬ ‫ﻓﻲ ﺍﻟﻤﺠﻬﻭل‬ ‫ِ‬ ‫ﻋﻥ ﻜﺸﻑ ﺠﺩﻴﺩ .‬ ‫ٍ‬ ‫***‬ ‫) ﻓﺒﺭﺍﻴﺭ ٥٩٩١ﻡ (‬ ‫٦٢‬
‫ﺍﺤﺘﻤﺎﻻﺕ‬ ‫)١(‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺘﺘﻬﻴﺄ ﻟﻲ ﺫﺍﻜﺭﺓ‬ ‫ﹲ‬ ‫‪ِ َ ‬‬ ‫ﻨﺴﻴﺘﻬﺎ ﺍﻟﻌﺭﺒﺎﺕ ..‬ ‫ﹸ‬ ‫ﹾ‪‬‬ ‫ﻋﻠﻰ ﻭﺠﻪ ﺍﻟﺼﺤﺭﺍﺀ ،‬ ‫ِ ‪ِ ‬‬ ‫ﻭ ﻭﺠﻬﻲ ..‬ ‫ﻴﺘﻬﻴﺄ ﻟﻠﻨﺴﻴﺎﻥ .‬ ‫‪ُ‬‬ ‫)٢(‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺃﻨﺴﻰ ﻭﺠﻬﻲ‬ ‫‪‬‬ ‫ﻓﻲ ﻋﻴﻥ ) ﻫﻨﺎﺀ (‬ ‫ِ‬ ‫ﻟﺘﻨﺴﻰ ﻓﻰ ﻋﻴﻨﻲ ..‬ ‫ﻭﺠﻪ ﺍﻷﺭﺽ ،‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺫﺍﻜﺭﺓ ﻟﻁﻔﻭﻟﺘﻬﺎ ،‬ ‫ِ‪‬‬ ‫ﹰ‬ ‫ﻭﺤﺼﺎﺭﺍ ..‬ ‫ﹰ‬ ‫ﻓﻲ ﻋﻴﻥ ﺍﻟﺸﻤﺱ .‬ ‫ِ ﱠ‬ ‫)٣(‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺘﻨﺸﻕ ﺍﻷﺭﺽ ؛‬ ‫‪‬‬ ‫ﱠ‬ ‫‪‬‬ ‫ﻓﺘﺼﺎﻋﺩ ﺃﻨﺜﻰ ﺘﻠﻬﻤﻨﻲ ﺍﻟﺸﻌﺭ .‬ ‫ﹸ‬ ‫‪ ‬‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﻴﻨﺸﻕ ﺍﻟﻘﻠﺏ ؛‬ ‫‪‬‬ ‫ﱠ‬ ‫‪‬‬ ‫ﻓﻴﺼﺎﻋﺩ ﻤﻥ ﺒﻴﻥ ﺠﻭﺍﻨﺒﻪ ..‬ ‫ِِ ِ‬ ‫ِ‬ ‫‪ ‬‬ ‫ﺸﻌﺭ ..‬ ‫‪‬‬ ‫٧٢‬
‫ﻴﺨﻠﻕ ﻟﻲ ﺃﻨﺜﻰ ..‬ ‫ﹸِ‬ ‫ﺩﺍﻓﺌﺔ ﻜﺎﻷﺭﺽ .‬ ‫ﹰ‬ ‫)٤(‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺘﺭﺸﻭﻨﻲ ﺍﻟﺸﻤﺱ ..‬ ‫ﱠ ‪‬‬ ‫‪ِ‬‬ ‫‪‬‬ ‫ﺒﺩﻑﺀ ﻴﺘﺴﻠﺕ ﻤﻨﻬﺎ‬ ‫ٍ ﱠ ﹸ‬ ‫/ ﻏﺼﺒﺎ /‬ ‫ﹶ ‪ ‬ﹰ‬ ‫ﺒﻴﻨﺎ ﻅﻠﻲ ﻴﺭﺸﻭﻫﺎ ..‬ ‫ِﱢ‬ ‫ﺒﻤﻘﺎﻤﺎﺕ - ﻓﻲ ﺍﻟﻀﻭﺀ -‬ ‫‪ِ‬‬ ‫ٍ‬ ‫ﻤﻬﻴﺄﺓ ﻟﻲ .‬ ‫‪ٍِ ‬‬ ‫)٥(‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺘﺘﻬﻴﺄ ﻟﻲ ﻋﺎﺼﻔﺔ ،‬ ‫ﹲ‬ ‫‪ِ َ ‬‬ ‫ﺃﻭ ﻴﻠﺒﺴﻨﻲ ﺒﺭﻕ ..‬ ‫ﹲ‬ ‫ﻴﺴﺘﺤﻠﺒﻪ ﺍﻟﻤﺸﺎﺅﻭﻥ ..‬ ‫‪  ‬ﱠ ‪‬‬ ‫ﻋﻠﻰ ﺒﺭﺩ ﺍﻟﻔﻭﻀﻰ ،‬ ‫ِ‬ ‫ﺃﻭ ﺘﺘﺴﻠﻘﻨﻲ ﻤﻭﺴﻴﻘﻰ ..‬ ‫ﺘﺴﻜﻨﻬﺎ ﺃﻨﺜﺎﻱ .‬ ‫ﹸ‪‬‬ ‫/ ﻋﻠﻰ ﻗﺩﺭ /‬ ‫ﹶ‪ٍ ‬‬ ‫ﺴﺄﻫﻴﺅ ﻋﺎﺼﻔﺔ ،‬ ‫ﹰ‬ ‫ﱢُ‬ ‫ﺒﺭﻗﺎ ،‬ ‫ﹰ‬ ‫ﻤﻭﺴﻴﻘﻰ ..‬ ‫ﻟﺤﺒﻴﺏ ﻴﺴﻜﻨﻨﻲ .‬ ‫ٍ‬ ‫٨٢‬
‫)٦(‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺃﻨﻅﺭ ﻓﻰ ﻤﺭﺁﺘﻲ ؛‬ ‫ِ‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﺄﺭﺍﻨﻲ .‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺃﺜﻘﺏ ﻤﺭﺁﺘﻲ ؛‬ ‫‪ِ ‬‬ ‫‪‬‬ ‫ﻓﺄﺭﻯ ﺍﷲ .‬ ‫***‬ ‫) ﺃﺒﺭﻴل٧٩٩١ﻡ (‬ ‫٩٢‬
‫ﻏﺎﻴﺔ ﺍﻟﺼﻭﺕ/ﻏﻭﺍﻴﺔ ﺍﻟﻠﻭﻥ‬ ‫)ﺤﻭﺍﺭﻴﺔ(‬ ‫ﻻ ﻟﻴل ﻴﺸﺒﻬﻨﻲ ،‬ ‫َ‪‬‬ ‫ﻭ ﻟﻴﻠﻰ ﻤﻐﺭﻕ ﻓﻰ ﺍﻟﺒﻌﺩ‬ ‫ِ‬ ‫‪ ‬ﹲ‬ ‫ﻓﻠﻴﻤﺘﺩ ﻋﺭﺍﻓﻭﻥ ﻓﻰ ﺭﺌﺘﻲ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭ ﺘﺼﻬل ﻏﻴﻤﺔ ..‬ ‫ﹲ‬ ‫ُ‬ ‫ﻓﻲ ﺴﺭﺏ ﺃﻟﻭﺍﻥ ﻴﺤﻠﻕ ،‬ ‫ٍ ‪ ‬ﱢ ﹸ‬ ‫ِ‬ ‫ﻭ ﺍﻟﻤﺭﺍﻴﺎ ﺘﺴﺘﺭﺩ ﺍﻟﺼﻭﺕ ..‬ ‫ﹶ‬ ‫‪‬‬ ‫ﺭﻤﺯﺍ ﺸﺎﺌﻜﺎ ﻟﻠﻤﺎﺀ ،‬ ‫ِ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﺃﻭ ﻟﻠﻨﺎﺭ ،‬ ‫ِ‬ ‫ﺃﻭ ﻟﻲ .‬ ‫ِ‬ ‫ﺇﻥ ﺘﺭﺩ ..‬ ‫‪ ‬ﹸ ِ‪‬‬ ‫ﺘﺭﺩ ﺍﻟﺴﻤﺎﻭﺍﺕ ﺍﻟﻁﺒﺎﻕ ..‬ ‫ِ ﱢ‪ ‬ﹶ‬ ‫ﹶ ِ‪‬‬ ‫ﻤﻜﻠﻼ ﺒﺎﻟﻭﻋﺩ‬ ‫ِ‬ ‫‪ ‬ﹰ‬ ‫- ﻜﻴﻑ ﻴﺘﻡ ﻭﺠﻬﻲ ﺒﻬﺠﺔ ؟‬ ‫ﹰ‬ ‫ﹶ ‪ ِ‬‬ ‫ﻭ ﺍﷲ ﺘﻭﻕ ﺍﻟﻌﺎﺭﻓﻴﻥ ..‬ ‫‪‬‬ ‫ُ ﹶ‬ ‫ﻟﻨﺯﻭﺓ ﻓﻲ ﺍﻟﺴﺭ ﻗﺎﺌﻤﺔ ..‬ ‫ٍ‬ ‫ﱢ‬ ‫ٍ‬ ‫ﺘﻭﺸﻰ ﺒﺎﻟﻨﺩﻯ‬ ‫ﱢ‬ ‫ﺠﺜﺜﺎ ﻤﻤﻐﻨﻁﺔ ،‬ ‫ﹰ ‪  ‬ﹾﹶ ﹶ ﹰ‬ ‫ﻭ ﻨﻴﻼ ﻤﺘﻌﺒﺎ ..‬ ‫ﹰ ‪ ‬ﹰ‬ ‫ﻻ ﻴﻨﺘﺸﻲ ..‬ ‫ﻟﻤﺩﺍﻭﻻﺕ ﺍﻟﺴﺤﺏ ..؟‬ ‫ِ ‪ِ ‬‬ ‫- ﻜﻴﻑ ﻤﻭﺍﺌﺩ ﺍﻟﻨﺠﻭﻯ ﺍﺼﻁﻔﺘﻙ ..‬ ‫ﹶﹾ ‪‬‬ ‫‪ ‬ﱠ‬ ‫ﹶ‬ ‫ﻟﺠﻤﺭﺓ ..‬ ‫ٍ‬ ‫٠٣‬
‫ﻟﻡ ﺘﻌﺘﺼﻡ ﺒﺎﻟﺤﺯﻥ ..؟‬ ‫ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺇﻥ ﺩﻤﻰ ﻟﻤﻨﺴﻜﺏ ..‬ ‫‪‬‬ ‫‪ِ ‬‬ ‫ﻋﻠﻰ ﺃﻁﻼل ﻭﻋﺩ ،‬ ‫ِ ٍ‬ ‫ﻭ ﺍﻟﺭﻭﺍﺓ ﻴﻤﺎﻟﺅﻥ ﺍﻟﺠﺭﺡ .‬ ‫‪‬‬ ‫‪ ‬ﹸ ‪ ‬‬ ‫- ﺘﻠﻙ ﺤﻘﻭﻟﻙ ﺍﻤﺘﺸﻘﺕ ..‬ ‫ﹾ‬ ‫ﹸ‪‬‬ ‫‪‬‬ ‫ﺴﻴﻭﻑ ﺍﻟﺤﺯﻥ ..‬ ‫ِ‬ ‫ﹶ‬ ‫ﻓﻲ ﻭﺠﻪ ﺍﻟﻨﻬﺎﺭ .‬ ‫ِ ﱠ ِ‬ ‫- ﺘﺭﺍﻙ ﻏﺎﺩﺭﺕ ﺍﻟﺤﻘﻭل ؛‬ ‫َ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻟﻜﻲ ﺘﻘﻴﻡ ﻋﻠﻰ ﺃﻜﻑ ﺍﻟﻐﻴﻡ ..‬ ‫ِ‬ ‫ﱢ‬ ‫ﹸِ ‪‬‬ ‫ﻤﻤﻠﻜﺔ ﺍﻟﻐﻨﺎﺀ ،‬ ‫ِ‬ ‫ﹶ‬ ‫ﻭ ﺘﺴﺘﻌﻴﺩ ﺭﺅﺍﻙ ..؟‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻡ ﺇﻥ ﺍﻟﻔﺭﺍﺩﻴﺱ ﺍﺴﺘﻌﺎﺭﺕ ..‬ ‫ﹾ‬ ‫‪‬‬ ‫‪ ‬‬ ‫ﺼﻭﺘﻙ ﺍﻟﻤﻨﺴﺎﺏ ﻓﻰ ﻭﻫﺞ ﺍﻟﺘﻭﺤﺩ ؛‬ ‫ِ ﱠ ‪ِ ‬‬ ‫‪‬‬ ‫ﹶ‪ ‬‬ ‫ﻜﻲ ﺘﻬﺩﻫﺩ ﺼﺎﻓﻨﺎﺕ ﺍﻟﺸﻌﺭ ..‬ ‫ِ ﱢ‪ِ‬‬ ‫‪‬‬ ‫ﻋﻥ ﺁﻻﻤﻬﻥ ..؟!‬ ‫‪‬‬ ‫- ﻫﻭ ﺍﻟﺒﺭﺍﺡ ..‬ ‫‪‬‬ ‫ﻴﻤﺩ ﻟﻲ ﻜﻭﻨﺎ ﻤﻥ ﺍﻵﻴﺎﺕ ،‬ ‫ِ‬ ‫ﹰ‬ ‫‪ِ‬‬ ‫ﻭ ﺍﻟﻤﺎﺸﻭﻥ ﺘﺤﺕ ﺴﻨﺎﺒﻙ ﺍﻟﻔﻭﻀﻰ‬ ‫ِ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻴﺴﻭﻤﻭﻥ ﺍﻟﻤﺩﻯ ﻋﺼﻔﺎ .‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻓﻬل ﻋﻴﻨﺎﻙ ﺫﺍﻜﺭﺓ ﻟﺤﺯﻥ ﺍﻷﺭﺽ ؟‬ ‫ِ‬ ‫ِ‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻫل ﺸﻔﺘﺎﻙ ﺃﺴﺌﻠﺔ ؟‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻭ ﻫل ﻫﺩﺒﺎﻙ ﻅل ﻤﺘﻌﺏ ..‬ ‫‪ ‬ﱞ ‪‬ﹾ ‪ ‬‬ ‫ﻴﺭﺘﺩ ﻓﻲ ﺭﺤﻡ ﺍﻟﻤﺠﺎﺯ ؟‬ ‫ِ‬ ‫‪ِِ ‬‬ ‫‪‬‬ ‫- ﺃﻨﺎ ﺒﻬﺎﺀ ﺍﻷﺒﺠﺩﻴﺔ ..‬ ‫ِ‬ ‫‪‬‬ ‫ﻓﻲ ﺩﻡ ﺃﺤﺩ ،‬ ‫‪ٍ َ ٍ‬‬ ‫ﺃﻨﺎ ﺃﺤﺩ ﺒﺄﻓﺭﺍﺤﻲ ..‬ ‫‪‬‬ ‫١٣‬
‫ﺒﺄﺘﺭﺍﺤﻲ ..‬ ‫ﺒﻤﺤﺭﺍﺏ ﺍﻟﺭﺅﻯ‬ ‫ِ ‪‬‬ ‫ﺃﺤﺩ .‬ ‫‪‬‬ ‫- ﺘﺒﺎﺭﻙ ..‬ ‫‪‬‬ ‫- ﻤﻥ ﻫﺩﺍﻙ ﺍﻟﺼﻭﺕ ﻭ ﺍﻟﻨﺠﻭﻯ ؛‬ ‫ﱠ‬ ‫‪  ‬ﹶ‬ ‫‪‬‬ ‫ﻟﺘﻠﺒﺱ ﻭﺠﻬﻙ ﺍﻟﻤﺘﻐﻴﺭ .‬ ‫‪    ‬ﹶ ﹶﱢ ‪‬‬ ‫ﺍﻵﻥ ﺍﻟﺒﻼﺩ ﺘﻁل ﻤﻥ ﻋﻴﻨﻴﻙ ،‬ ‫‪‬‬ ‫‪ ‬ﱡ ِ‪‬‬ ‫‪‬‬ ‫ﻭ ﺍﻷﻟﻭﺍﻥ ﺘﻤﺯﺝ ﺩﻓﺄﻫﺎ ﺒﺼﺩﺍﻙ‬ ‫‪‬‬ ‫‪ ‬‬ ‫‪‬‬ ‫/ ﻗﺴﺭﺍ /‬ ‫ﹰ‬ ‫ﺘﺴﺘﻨﻴﻡ ،‬ ‫‪‬‬ ‫ﻭ ﺠﻭﻗﺔ ﺍﻟﺼﻭﺕ ﺍﻟﻤﻀﻲﺀ ..‬ ‫ِ‬ ‫ِ ‪‬‬ ‫ﹸ‬ ‫ﺘﺭﺩ ﺃﺤﻤﺭﻫﺎ ﻷﺤﻤﺭﻫﺎ ،‬ ‫ِ‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭ ﺃﺒﻴﻀ ‪‬ﺎ ﻷﺒﻴﻀﻬﺎ ،‬ ‫ِ‪‬‬ ‫‪‬ﻬ‬ ‫ﻭ ﺃﺴﻭﺩﻫﺎ ﻷﺴﻭﺩﻫﺎ .‬ ‫ِ‪‬‬ ‫‪‬‬ ‫- ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﺘﻁﻭﻑ ﻋﻠﻰ ﺩﻭﺍﺌﺭ ﻤﻥ ﺩﺨﺎﻥ ،‬ ‫‪ ِ ‬ﹶ ٍ‬ ‫ﹸ‬ ‫ﺘﻨﺘﻤﻲ ﻟﻬﻴﺎﺠﻬﺎ‬ ‫ِ‪‬‬ ‫ﻻ ﺸﻲﺀ ﻴﻐﻭﻱ ﺍﻟﻠﻭﻥ ..‬ ‫‪‬‬ ‫ﺇﻻﻫﺎ .‬ ‫- ﻟﻭﻗﺕ ﻤﺎ..‬ ‫ٍ‬ ‫ﺴﺄﺼﻤﺕ ﻤﺴﻠﻤﺎ ﻭﺠﻬﻲ ..‬ ‫ﹸ ‪  ِ ‬ﹰ‬ ‫ﻷﻋﻴﻥ ﻻ ﺘﻨﺎﻡ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻓﺽ ﻤﻭﺴﻴﻘﻰ ﻤﺭﺍﻭﻏﺔ ..‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺘﻨﺎﺴﺦ ﻅﻠﻬﺎ ..‬ ‫ﹶ ِﱡ ‪‬‬ ‫ﻓﻲ ﻟﺫﺓ .‬ ‫ٍ‬ ‫- ) ﻭﺠﻬﻲ ﻟﻭﺠﻬﻲ ..‬ ‫٢٣‬
‫ﺴﺤﺎﺒﺎﺕ ﻤﻔﺯﻋﺔ ،‬ ‫ﹲ ‪‬ﹶ ‪  ‬ﹲ‬ ‫ﻭ ﻏﺭﺒﺔ ،‬ ‫ﹲ‬ ‫ﻭ ﻤﻨﺎﻑ ..‬ ‫ٍ‬ ‫ﺘﺸﺒﻪ ﺍﻟﻭﻁﻨﺎ (‬ ‫‪‬‬ ‫- ﺘﻘﺩﺱ ﻤﻥ ﺘﺤﻭل ،‬ ‫‪    ‬ﹶ ‪َ ‬‬ ‫ﻭ ﺍﻟﺒﻼﺩ ﺘﻬﺯ ﺃﻋﺠﺎﺯ ﺍﻟﻔﺭﺍﻍ ،‬ ‫ِ‬ ‫‪‬‬ ‫‪ ‬‬ ‫ﻭ ﺘﺴﺘﻤﻴل ﺩﻤﻲ ﺇﻟﻴﻬﺎ ..‬ ‫ُ ‪ِ‬‬ ‫ﺸﻬﻭﺓ ﻟﻠﻭﺭﺩ ،‬ ‫ِ‬ ‫ﹰ‬ ‫ﻤﺘﻜﺄ ﻟﺤﻠﻡ ﻤﺸﺭﺏ ﺒﺎﻟﺤﺯﻥ‬ ‫ِ‬ ‫ِ ‪‬ﹾ‪ٍ ‬‬ ‫ٍ‬ ‫ﻴﺎ ﺍﷲ ...‬ ‫ُ‬ ‫ﺘﻠﻙ ﻋﺼﺎﻱ ﻭﺍﻗﻔﺔ ..‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻋﻠﻰ ﺤﺩ ﺍﻟﻜﻼﻡ ..‬ ‫ِ‬ ‫ﱢ‬ ‫ﺘﻤﺎﺯﺝ ﺍﻷﺼﻭﺍﺕ ،‬ ‫ﹶ‬ ‫ﹸ‪ ِ ‬‬ ‫ﻭ ﺍﻷﻟﻭﺍﻥ ،‬ ‫‪‬‬ ‫ﺘﺸﺩﺥ ﺭﻤﺯﻱ ﺍﻟﻤﺘﻜﺭﺭ .‬ ‫‪‬ﹶ ﹶ ﱢ ‪‬‬ ‫ﹶ ﹾ‪ ‬ﹸ‬ ‫- ﺍﻵﻥ ﺍﺤﺘﻤﺎﻻﺕ ﺘﻤﻴﺩ ﺒﻤﺸﻬﺩﻱ ،‬ ‫ﹲ ‪‬‬ ‫‪‬‬ ‫ﻭ ﺘﺭﺩ ﻟﻲ ..‬ ‫‪ِ‬‬ ‫ﻭﻗﺘﺎ ﻴﺭﺍﻭﻏﻨﻲ ،‬ ‫ﹰ‪‬‬ ‫ﻭ ﻭﺠﻬﺎ ﻏﺎﻤﻀﺎ‬ ‫ﹰ‬ ‫ﹰ‬ ‫) ﻻ ﺸﻲﺀ ..‬ ‫ﻴﻐﻭﻴﻨﻲ ..‬ ‫ﺴﻭﺍﻱ (‬ ‫***‬ ‫) ﻓﺒﺭﺍﻴﺭ٣٩٩١ﻡ (‬ ‫٣٣‬
‫ﻓﺼل)ﻻﻡ(‬ ‫)١(‬ ‫ﻟﻠﺸﺘﺎﺀ ﺍﻟﺫﻱ ﺯﺍﻭل ﺍﻟﺴﺭ ..‬ ‫َ ﱢ‪‬‬ ‫ِ‬ ‫ﻤﻥ ﺯﻤﻥ‬ ‫ِ‬ ‫ٍ‬ ‫ِ‪‬‬ ‫ﺃﻥ ﻴﺯﺍﻭﻟﻨﻲ ،‬ ‫‪‬‬ ‫ﻭ ﺃﻨﺎ ﻤﻭﺤﺵ ﻜﺎﻟﺘﻘﺎﻭﻴﻡ ،‬ ‫ِ‬ ‫ﹲ‬ ‫) ﻤﺎ ﻟﻲ ﺴﻭﺍﻱ (‬ ‫ِ‬ ‫)٢(‬ ‫ﻟﻠﻨﻭﺍﺭﺱ ..‬ ‫ِ‬ ‫ﺃﻥ ﺘﺴﺄﻡ ﺍﻟﺒﺤﺭ ،‬ ‫‪‬‬ ‫‪ ‬‬ ‫ﻟﻠﺒﺤﺭ ..‬ ‫ِ‬ ‫ﺃﻥ ﻴﺴﺄﻡ ﺍﻟﺸﻁ ،‬ ‫ﱠ‬ ‫‪ ‬‬ ‫ﻟﻠﺸﻁ ..‬ ‫ﱢ‬ ‫ﺃﻥ ﻴﺴﺄﻡ ﺍﻟﺭﻤل ..،‬ ‫َ‬ ‫‪ ‬‬ ‫ﻟﻲ ﺃﻥ ﺃﻭﺍﻋﺩﻜﻡ ..‬ ‫‪‬ﹸ‪‬‬ ‫ِ ‪‬‬ ‫ﺴﺄﻤﺎ ﻤﺴﺘﻌﺎﺭﺍ ..!‬ ‫ﹰ ‪‬‬ ‫)٣(‬ ‫ﻟﻭﺭﺩ ﻴﺄﻭﻟﻨﻲ ..‬ ‫ِ ‪  ٍ  ‬ﱢﹸ ِ‬ ‫ﺃﻥ ﻴﺅﻭل ﺇﻟﻰ ﺼﺨﺭﺓ !‬ ‫ٍ‬ ‫َ‬ ‫‪‬‬ ‫ﻟﻔﺭﺍﻍ ﻴﺭﺍﻭﻏﻨﻲ ..‬ ‫ٍ ‪ ِ  ‬ﹸِ‬ ‫ﺃﻥ ﻴﻐﺎﻤﺭ ..‬ ‫‪ِ ‬‬ ‫ﺒﺎﻻﺯﺩﺤﺎﻡ ..!‬ ‫٤٣‬
‫)٤(‬ ‫ﻟﻌﺎﺼﻔﺔ ..‬ ‫ٍ‬ ‫ﺃﻥ ﺘﻅﻠل ﺃﺴﺌﻠﺔ ..‬ ‫ﹰ‬ ‫‪ ‬ﱢَ‬ ‫ﻋﻥ ﻤﺤﺒﻴﻥ ﻻ ﻴﺸﺒﻬﻭﻨﻲ ،‬ ‫‪ِ   ‬ﱢ ‪‬‬ ‫ﻷﻴﺩ ﺨﺭﺍﻓﻴﺔ ..‬ ‫ٍ‬ ‫ٍ‬ ‫ﺃﻥ ﺘﻬﺩﻫﺩﻨﻲ ،‬ ‫‪ ‬ﹸ ‪ِ‬‬ ‫ﻭ ﺃﻨﺎ ﻗﺎﺩﻡ ﻤﻥ ﺃﻗﺎﺼﻲ ﺍﻟﻐﻭﺍﻴﺔ‬ ‫ِ‬ ‫‪ِ ‬‬ ‫ﺤﺘﻰ ﺃﻗﺎﺼﻲ ﺍﻟﻐﻭﺍﻴﺔ‬ ‫ِ‬ ‫ﱠ‬ ‫ﻤﻨﺘﺸﻴﺎ ﻟﻲ ....،‬ ‫ﹰِ‬ ‫)٥(‬ ‫ﻟﺒﺭﺩ‬ ‫ٍ‬ ‫ﺘﺴﻠﻕ ﻫﺫﺍ ﺍﻟﺠﺴﺩ ..‬ ‫ﱠﹶ‬ ‫ﺃﻥ ﻴﺭﺩ ﺩﻤﻰ ..‬ ‫‪ِ  ‬‬ ‫ﻟﺠﺤﻴﻡ ﺍﻷﺒﺩ ..!‬ ‫ِ‬ ‫)٦(‬ ‫ﻟﻌﺎﺸﻘﺔ ..‬ ‫ٍ‬ ‫ﺘﺘﺤﻭل ﻋﻨﻲ ﺇﻟﻲ ،‬ ‫‪‬‬ ‫‪ ُ‬ﱢ‬ ‫ﻷﻏﻨﻴﺔ ..‬ ‫‪ٍ‬‬ ‫ﺘﺘﻨﺯل ﻤﻨﻲ ﻋﻠﻲ ،‬ ‫‪‬‬ ‫‪ ُ‬ﱢ‬ ‫ﻷﺭﺽ ..‬ ‫ٍ‬ ‫ﻴﺠﺭﺠﺭﻫﺎ ﺍﻟﺒﺤﺭ ﻤﻨﻲ ..‬ ‫‪ِ ‬ﱢ‬ ‫‪‬‬ ‫ﻓﺘﺒﺤﺭ ﻓﻲ ،‬ ‫‪ِ‬‬ ‫ﺃﺨﻠﻕ ﺫﺍﻜﺭﺓ ﻤﻥ ﻫﻭﻯ ..‬ ‫ﹰ ِ‪‬‬ ‫ُ ﹶﱢ ﹸ‬ ‫ﻴﺤﺘﻭﻴﻬﺎ ﺍﻟﻨﺴﻲ ..!‬ ‫ﱠِ‬ ‫٥٣‬
‫)٧(‬ ‫ﻟﺒﻼﺩ ..‬ ‫ٍ‬ ‫ﺘﻭﺸﻲ ﺘﻘﺎﻭﻴﻤﻬﺎ ﺒﺎﻟﻔﺭﺍﻍ ،‬ ‫ِ‬ ‫‪‬‬ ‫ﱢ‬ ‫ﻟﻤﺩ ..‬ ‫‪‬‬ ‫ﺘﻤﺩﺩ ﻓﻲ ﺭﺌﺘﻲ ،‬ ‫ِ‬ ‫‪‬‬ ‫ﻟﺠﺒﺎل ..‬ ‫ٍ‬ ‫ﺘﺴﺎﻭﻤﻨﻲ ﻓﻲ ﺩﻤﻲ ،‬ ‫‪ِ‬‬ ‫ﺃﻥ ﻴﻨﺸ ‪ ‬ﺎ ﺍﷲ ..‬ ‫‪  ‬ﹶ ﱢﺭﻫ ُ‬ ‫ﻓﻲ ﺃﻓﻘﻲ ..‬ ‫ﻜﻌﺒﺔ ﻟﻠﻤﺭﻴﺩ ،‬ ‫ِ‬ ‫ﹰ‬ ‫ﻭ ﻤﺘﻜﺄ ﻟﻲ ..!‬ ‫ًِ‬ ‫)٨(‬ ‫ﻟﻠﻘﻁﺎﺭ ﺍﻟﺫﻱ ..‬ ‫ِ‬ ‫ﻗﺩ ﻴﻤﺭ ﻋﻠﻰ ﻗﺭﻴﺘﻲ ﻤﺘﻌﺒﺎ ..‬ ‫‪ ‬ﹰ‬ ‫‪‬‬ ‫ﺃﻥ ﻴﺒﺎﻏﺕ ﻅﻠﻲ ،‬ ‫ﹶ ِﱢ‬ ‫‪‬‬ ‫ﺴﺄﻀﺤﻙ ..‬ ‫‪‬‬ ‫ﻤﻨﺘﺸﻴﺎ ﻟﺩﻭﺍﺭ ﺘﺴﻠﻘﻨﻲ ،‬ ‫‪ ‬ﹰ ‪ ٍ  ‬ﹶ ‪‬ﱠ ﹶ ِ‬ ‫ﺜﻡ ﺃﻭﻗﻅ ) ﻜﺎﻤﻭ (‬ ‫ﹸ‬ ‫ﻋﻠﻰ ﻁﻠﻘﺔ ﻁﺎﺌﺸﺔ ..!‬ ‫ٍ‬ ‫)٩(‬ ‫ﻟﻬﻡ ..‬ ‫‪‬‬ ‫ﺃﻥ ﻴﺭﻴﻘﻭﺍ ﺩﻤﻲ ..‬ ‫‪ِ‬‬ ‫‪‬‬ ‫ﻓﻲ ﺠﺤﻴﻡ ﺍﻟﻬﺯﺍﺌﻡ ،‬ ‫ِ‬ ‫ِ‬ ‫ﺜﻡ ﻴﻘﻭﻟﻭﻥ ﷲ :‬ ‫‪ِ ‬‬ ‫‪‬‬ ‫ﻜﺎﻥ ﻓﺘﻰ ﻋﺎﺸﻘﺎ ؛‬ ‫ﹰ‬ ‫‪‬‬ ‫٦٣‬
‫ﻓﺎﺭﺤﻤﻥ ﻗﺎﺘﻠﻴﻪ .‬ ‫‪ِ ِِ    ‬‬ ‫ﺴﻴﺭﺤﻤﻬﻡ ،‬ ‫‪‬‬ ‫ﻭ ﻴﻤﺩ ﺩﻤﻰ ﺸﻔﻘﺎ ..‬ ‫ﹰ‬ ‫‪ِ ‬‬ ‫ﺒﻴﻥ ﺠﺭﺤﻲ ﻭ ﻋﻴﻨﻴﻪ ،‬ ‫‪‬‬ ‫ﺍﷲ ﻟﻲ .‬ ‫ُِ‬ ‫***‬ ‫) ﺃﻏﺴﻁﺱ٣٩٩١ﻡ (‬ ‫٧٣‬
‫ﺸﺎﻫﺩ ﻭ ﻤﺸﻬﻭﺩ‬ ‫ﻤﻨﻬﺯﻤﺎ - ﻜﺎﻟﻭﺭﺩﺓ -‬ ‫ِ‬ ‫ﹰ‬ ‫ﻴﺠﺘﺎﺡ ﺩﻤﻰ ﺍﻟﺸﺎﺭﻉ ،‬ ‫‪‬‬ ‫‪ِ ‬‬ ‫ﻭ ﺍﻟﺩﻭﺭﻴﺎﺕ ﺍﻟﻠﻴﻠﻴﺔ ،‬ ‫‪ ‬ﹸ ‪‬ﹸ‬ ‫ﻭ ﺍﻟﺠﻨﺩ ﺍﻟﻤﺘﻜﺌﻭﻥ ..‬ ‫‪ ‬ﱠ ُِ ‪‬‬ ‫ﻋﻠﻰ ﺃﻋﺠﺎﺯ ﺘﺸﻬﻴﻬﻡ ..!‬ ‫ِ ﹶ ﹶﱢ ِ‬ ‫ﻴﺠﺘﺎﺡ ﺩﻤﻲ ﺍﻟﻭﻗﺕ ﺍﻟﻤﻘﺘﺩﺭ ،‬ ‫ﹸ ‪ ‬‬ ‫‪ِ ‬‬ ‫ﻭ ﺼﻤﺕ ..‬ ‫ﹲ‬ ‫ﻴﺘﻨﺎﺴل ﻓﻲ ﻋﻴﻥ ﺍﻟﺒﺎﻋﺔ ..!‬ ‫ِ‬ ‫ِ‬ ‫ٌ‬ ‫ﺘﺘﺄﺒﻁﻨﻲ ﺠﺜﺙ ..‬ ‫ﹲ‬ ‫‪ ‬ﹸِ‬ ‫ﺘﺘﺴﱠﺕ ﻤﻨﻬﺎ ﺃﺩﻭﺍﺕ ﻟﻠﻘﺘل ،‬ ‫ِ‬ ‫ﹲ‬ ‫‪‬ﻠ ﹸ ِ ﹾ‬ ‫ﻭ ﺘﺠﺘﺎﺡ ﺩﻤﻰ ..!‬ ‫‪ِ ‬‬ ‫ﻴﻨﺘﺤل ﻗﺩﺍﺴﺎﺘﻲ ..‬ ‫ُ‬ ‫ﻤﺄﺠﻭﺭﻭﻥ ﺍﻫﺘﺒﻠﻭﺍ ﻭﺭﺩﺍ ﺼﺤﺭﺍﻭﻴﺎ‬ ‫ﹰ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻓﻰ ﺭﺌﺘﻲ ..!‬ ‫ﺘﺘﻤﺎﻫﻰ ﺃﻭﺭﺍﺩ ﺒﺎﺭﺩﺓ ﻓﻰ ﻤﺎﺌﻲ ،‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻴﺎ ﻗﺴﻭﺓ ﻫﺫﺍ ﺍﻟﻤﺎﺀ ..!‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻤﻨﺘﺸﻴﺎ - ﻜﺎﻟﻌﺎﺩﺓ -‬ ‫ِ‬ ‫ﹰ‬ ‫ﻭ ﺍﻟﻌﺭﺍﻓﻭﻥ ﻴﻌﻴﺩﻭﻥ ﻗﺭﺍﺀﺓ ﻭﺠﻬﻲ‬ ‫ﹶ‬ ‫‪‬‬ ‫‪ ‬‬ ‫/ ﻗﺩ ﻴﻘﺘﻠﻙ ﺍﻟﻭﻗﺕ ..‬ ‫ﹸ‬ ‫ﹸ‪‬‬ ‫ﻭ ﺃﻨﺕ ﺘﺭﺍﻭﺩ ﻤﻭﺘﺎ ﻤﺠﺎﻨﻴﺎ ..‬ ‫ﹰ‬ ‫ﹶ ﹸ ‪ ِ ‬ﹰ‬ ‫ﻋﻥ ﻤﻭﺕ ﻤﺠﺎﻨﻲ .‬ ‫‪‬‬ ‫ٍ‬ ‫ﻓﻠﺘﺒﺤﺙ ﻋﻥ ﺃﺴﻤﺎﺀ ﺃﺨﺭﻯ ﻟﻠﺼﺒﻭﺓ .‬ ‫ِ‬ ‫ٍ‬ ‫ﹾ‬ ‫ﺃﻨﺕ ﺍﻟﻤﺸﻤﻭل ﺒﺴﻘﻁ ﺠﻼﻟﺘﻪ /‬ ‫ِِ‬ ‫ِ‬ ‫ُ‬ ‫ﹶ‬ ‫ﻴﺴﺄﻤﻨﻲ ﺘﺎﺭﻴﺦ ﻤﺄﻫﻭل ،‬ ‫ٌ‬ ‫ﹲ‬ ‫٨٣‬
‫ﻭ ﺒﻨﺎﻴﺎﺕ ﻤﻥ ﺒﺭﺩ ﻭ ﺩﺨﺎﻥ‬ ‫ٍ ‪‬ﹶ ٍ‬ ‫ﹲ ِ‬ ‫ﺘﻭﻟﺞ ﻓﻰ ) ﻜﻴﻔﻲ (‬ ‫ﹶ ‪ِ‬‬ ‫ﹸ ِ‪‬‬ ‫ﺇﺸﺭﺍﻗﺎﺕ ) ﻤﺘﺎﻙ (‬ ‫ﹸ ‪‬ﹶ ‪‬‬ ‫ﺒﻠﻭﻍ ﺍﻟـ ) ﺃﻴﻥ (‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭ ) ﻤﻥ ( ،‬ ‫‪‬‬ ‫ﻭ ) ﻟﻤﺎﺫﺍ ( .‬ ‫‪‬‬ ‫ﻤﺯﻫﻭﺍ‬ ‫‪‬ﹰ‬ ‫ﺘﺼﻠﺏ ﺒﻴﻥ ﺴﺅﺍل ﻭ ﺘﺴﺎﺅل ..‬ ‫ٍ‬ ‫ﹸ ‪‬ﹶ ‪ ‬‬ ‫ﻴﺴﻜﻨﻙ ﺍﻟﻤﺤﺘﺸﺩﻭﻥ‬ ‫‪‬‬ ‫ﹸﹸ ‪ ‬‬ ‫ﻋﻠﻰ ﺍﻟﻤﺎﺀ ،‬ ‫ِ‬ ‫ﻭ ﺼﺒﺎﺭ ﻤﺸﺒﻭﺡ ﻓﻲ ﻗﻠﺒﻲ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭ ﺃﻨﺎ ﺃﺘﻘﻠﺏ ﻤﺎ ﺒﻴﻨﻲ ..‬ ‫ﱠ ‪‬‬ ‫ﻭ ﺍﻟﻐﻴﻡ ،‬ ‫ﺃﺭﺩ ﻟﻌﻴﻨﻲ ﺴﻭﺍﺤل ﻨﺎﺌﻴﺔ ،‬ ‫َ ﹰ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭ ﻗﺭﺍﺒﻴﻥ ﺘﻨﺎﻤﺕ ﻓﻲ ﻅل ﺍﻟﻭﺭﺩﺓ ،‬ ‫ِ‬ ‫ِﱢ‬ ‫‪  ‬ﹾ‬ ‫/ ﺃﻨﺕ ﺍﻟﺸﻤﺱ ،‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭ ﺃﻨﺕ ﺍﻟﻭﺭﺩﺓ ،‬ ‫ﹸ‬ ‫ﹶ‬ ‫ﻓﺎﺴﻜﺏ ﻭﺠﻬﻙ ..‬ ‫‪ ‬‬ ‫ﻓﻲ ﺃﻤﻭﺍﻩ ﺍﻟﺩﻫﺸﺔ ،‬ ‫ِ‬ ‫ِ‬ ‫ﺤﻴﻥ ﺘﺭﺍﻨﻲ ..‬ ‫‪‬‬ ‫ﺒﻴﻥ ﺍﻟﻭﺭﺩﺓ ﻭﺍﻟﻅل ..‬ ‫ﱢﱢ‬ ‫ِ‬ ‫‪‬‬ ‫ﻋﻴﻭﻨﺎ ﺸﺎﺨﺼﺔ ..‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻭ ﻗﻨﺎﺩﻴل ﺘﺭﺩ ﻟﻭﺠﻬﻲ ﺃﻟﻕ ﺍﻟﻨﺎﺭ ..‬ ‫ﹶ ﱠ ِ‬ ‫َ ‪‬‬ ‫ﻭ ﻤﺸﻬﻭﺩﺍ ..‬ ‫ﹰ‬ ‫ﻴﺸﻬﺩ ﺒﻌﺽ ﻫﺯﺍﺌﻡ ﺸﺎﻫﺩﻩ ..‬ ‫ِ ِ ِِ‬ ‫‪‬‬ ‫‪‬‬ ‫٩٣‬
‫ﻓﻲ ﺴﻭﻕ ﺍﻟﻭﻗﺕ /‬ ‫ِ‬ ‫ِ‬ ‫ﺘﺭﺍﻫﺎ ﺍﺨﺘﻠﺴﺕ ﺩﻤﻪ ..‬ ‫ﹾ ‪‬‬ ‫ﹸ‪‬‬ ‫ﻫﺫﻯ ﺍﻟﺼﺤﺭﺍﺀ ؟‬ ‫‪‬‬ ‫ﻭ ﺭﺩﺕ ﺃﺸﻭﺍﻕ ﺒﺸﺎﺭﺘﻪ ﻟﻠﺭﻴﺢ ؟‬ ‫ﹶ ِ ﹶ ‪ ِ ِ‬ﱢ ِ‬ ‫‪ ‬ﹾ‬ ‫ﺃﻡ ﺍﺒﺘﻜﺭﺕ ﻟﻐﺔ ﻤﺤﺩﺜﺔ ﻓﻰ ﺍﻟﻭﺠﺩ ؟‬ ‫ِ‬ ‫ﹾ ﹰ ‪  ‬ﹶ ﹰ‬ ‫ﻭ ﻤﻨﻁﻘﺔ ﺃﺨﺭﻯ ﻟﻠﻤﻭﺕ ..‬ ‫ِ‬ ‫ﹰ‬ ‫ﻋﻠﻰ ﻗﺩﺭ ..؟!‬ ‫ﹶ‪ٍ ‬‬ ‫ﻴﺎ ﻫﺫﺍ ﺍﻟﻤﺴﻜﻭﻥ ﺒﺩﻫﺸﺘﻪ ،‬ ‫ﹶِ ِ‬ ‫‪‬‬ ‫ﺃﻫﺭﻗﺕ ﺘﻔﺎﺼﻴل ﺍﻟﻀﻭﺀ ﺒﻌﻴﻨﻴﻙ ،‬ ‫‪‬‬ ‫َ ‪ِ ‬‬ ‫ﹶ‬ ‫ﻭ ﺭﺍﻭﺩﺕ ) ﺍﺒﻥ ﺍﻟﻔﺎﺭﺽ (‬ ‫ِ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻋﻥ ﻭﺠﻪ ﻤﺎﺌﻲ ..‬ ‫‪‬‬ ‫ٍ‬ ‫ﺘﻠﺘﻤﻊ ﺒﻌﻴﻨﻴﻪ ﻁﻘﻭﺱ ﺍﻟﺒﺭﻕ ،‬ ‫ِ‬ ‫‪‬‬ ‫‪ِ‬‬ ‫‪‬‬ ‫ﻭ ﻋﻤﺩﺕ ﺍﻟﻤﻭﺴﻴﻘﻰ ..‬ ‫‪ ‬ﹶ‬ ‫ﻓﻲ ﺭﺌﺔ ﺸﺎﺌﺨﺔ ،‬ ‫ٍ‬ ‫ٍ‬ ‫ﻭ ﻗﺼﻴﺩﺓ .‬ ‫ﻤﻨﺘﺼﺭﺍ - ﻜﻁﻴﻭﺭ ﺍﷲ -‬ ‫ِ ِ‬ ‫ﹰ‬ ‫ﺘﺯﻡ ﻨﺒﻭﺀﺍﺕ ﺍﻟﻨﺎﺭ ﺤﻭﺍﻟﻴﻙ ،‬ ‫‪‬‬ ‫ِ ﱠ ِ‬ ‫‪‬‬ ‫ﻓﺘﺼﺎﻋﺩ ﺃﺒﺨﺭﺓ ..‬ ‫ﹲ‬ ‫‪ ‬‬ ‫ﺃﺫﻫﻠﻬﺎ ﺍﻟﺸﺎﻫﺩ ﻋﻨﻙ .‬ ‫‪ ‬‬ ‫‪‬‬ ‫ﺒﻼ ﻭﺠﻪ ﺃﻨﺕ ،‬ ‫ٍ ﹶ‬ ‫ﻭ ﻭﺠﻬﻙ ﻤﻌﺭﺍﺝ ﻟﻭﺠﻭﻩ ..‬ ‫ٍ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻗﻠﺒﻬﺎ ﺍﷲ ﺒﻌﻴﻨﻴﻙ ،‬ ‫‪‬‬ ‫ﹶﱠ ‪ُ  ‬‬ ‫ﻭ ﻭﻻﻫﺎ ﻭﺠﻬﺎ ..‬ ‫ﹰ‬ ‫ﻤﻥ ﺴﺩﺭﺘﻪ .‬ ‫ِِ‬ ‫٠٤‬
‫ﺃﺘﺸﻤﻡ ﺤﻭﺭﺍﺀ ﻤﻔ ‪‬ﻋﺔ‬ ‫‪  ‬ﹶﺯ ‪ ‬ﹰ‬ ‫‪‬‬ ‫- ﻜﺎﻷﺴﺌﻠﺔ -‬ ‫ِ‬ ‫ﺃﻓﺽ ﺘﺒﺎﺸﻴﺭ ﺍﻟﺠﻠﻭﺓ ،‬ ‫ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘ ‪‬ﺎﻗﻁ ﻓﻲ ﻋﻴﻨﻲ ﺃﻗﻤﺎﺭ‬ ‫‪‬‬ ‫ﺴ ﹸ‬ ‫ﺯﺍﺌﻐﺔ ﺍﻷﻋﻴﻥ‬ ‫ِ‬ ‫ﹸ‬ ‫ﻴﺎ ﺍﷲ ..‬ ‫ُ‬ ‫ﺘﺠﻠﻴﺕ ﻓﺠﻠﻴﺕ ﺩﻤﻲ ..‬ ‫ﱠ‪ ‬ﹶ ﱠ‪ ‬ﹶ ‪ِ ‬‬ ‫ﻤﻴﻘﺎﺘﺎ ﻟﻺﺸﺭﺍﻕ ،‬ ‫ِ‬ ‫ﹰ‬ ‫ﻭ ﻤﺘﻜﺄ ﻟﻘﻤﻴﺹ ..‬ ‫ٍ‬ ‫ﺃﻟﻘﺎﻩ ﻋﻠﻰ ﻭﺠﻬﻲ ﺍﻟﺒﺤﺭ ،‬ ‫‪‬‬ ‫ﻓﻌﺎﺩ ﺒﺼﻴﺭﺍ .‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻓﻲ ﺤﻀﺭﺘﻙ ﺍﺭﺘﺩ ﺍﻟﻌﺭﺍﻓﻭﻥ ،‬ ‫ِ‪   ‬‬ ‫ﻓﻌﺭﻓﻨﻲ ،‬ ‫‪ ‬ﱢ ﹾِ‬ ‫ﻭ ﺘﻌﺭﻓﻨﻲ ،‬ ‫ﹶ ‪  ‬ﹾِ‬ ‫ﻭ ﺍﺸﻬﺩﻨﻲ ..‬ ‫‪ِ‬‬ ‫ﻤﻨﻬﺯﻤﺎ - ﻜﺎﻟﺼﺒﻭﺓ -‬ ‫ِ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻓﻲ ﻋﻴﻨﻲ .‬ ‫***‬ ‫) ﻴﻨﺎﻴﺭ ٥٩٩١ﻡ (‬ ‫١٤‬
‫ﻗﺎﻟﺕ ﺍﻟﺭﻭﺡ‬ ‫ﻗﺎﻟﺕ ﺍﻟﺭﻭﺡ :‬ ‫‪ ‬‬ ‫ﺇﻨﻲ ﺘﻐﺭﺒﺕ ﻓﻲ ﺠﺴﺩ ،‬ ‫ٍ‬ ‫‪ ‬ﹸ‬ ‫ﱢ‬ ‫ﺜﻡ ﻋﺩﺕ ..‬ ‫‪  ‬ﹸ‬ ‫ﺇﻟﻰ ﺍﻟﺸﺎﻁﻲﺀ ﺍﻟﻤﻠﺘﻬﺏ .‬ ‫ِ ‪‬‬ ‫ﺘﺄﻤﻠﻬﺎ ﺠﺴﺩ ﻤﺴﺘﺒﺩ ،‬ ‫‪  ‬ﹶِ ‪‬‬ ‫‪‬ﹶ ‪‬‬ ‫ﻭ ﺃﺸﻌل ﺃﺸﻴﺎﺀﻩ ﺍﻟﻤﺩﻫﺸﺔ .‬ ‫‪ ِ   ‬ﹶ‬ ‫َ‬ ‫***‬ ‫ﻤﺴﻠﻤﺎ ﻭﺠﻬﻪ ..‬ ‫‪  ِ ‬ﹰ ‪ ‬‬ ‫ﻟﺘﻀﺎﺭﻴﺱ ﻤﺒﻬﺠﺔ .‬ ‫‪ٍ  ِ  ‬‬ ‫ﻻ ﻴﻨﻲ ﻓﻲ ﺘﺄﻤﻠﻬﺎ .‬ ‫‪ ِ‬‬ ‫‪ِ‬‬ ‫ﻓﻠﻴﻌﺩ ﻭﺠﻬﻪ ..‬ ‫‪ ‬‬ ‫ﻤﻥ ﺃﻤﺎﻜﻨﻪ ﺍﻟﻤﻐﻠﻘﺔ .‬ ‫ِ ِ ِ ‪ ‬ﹾﹶ ﹶ‬ ‫ِ‬ ‫***‬ ‫ﺇﻨﻬﺎ ﻓﺘﻨﺔ ،‬ ‫ﹲ‬ ‫ﱠ‬ ‫ﻭ ﻫﻭ ﺸﻴﻁﺎﻨﻬﺎ .‬ ‫ﹸ‪‬‬ ‫ﻓﻠﻤﺎﺫﺍ ﺇﺫﻥ ..‬ ‫- ﺤﻴﻥ ﻤﺩﺕ ﺃﻤﺎﻤﻬﻤﺎ ..‬ ‫‪  ‬ﹾ ‪   ‬‬ ‫ﺴﺒل ﻟﻠﻐﻭﺍﻴﺔ -‬ ‫ِ‬ ‫‪ٌ ‬‬ ‫ﺴﺎﺭﺕ‬ ‫ﹾ‬ ‫ﺒﻤﻔﺭﺩﻫﺎ ..؟‬ ‫‪‬ﹾ ‪ ِ ‬‬ ‫***‬ ‫ﺁﻩ‬ ‫ﻜﻡ ﺃﺸﺭﻜﺕ ﺒﻲ ..‬ ‫ﹾِ‬ ‫ﹶ‪‬‬ ‫٢٤‬
6213
6213
6213
6213
6213
6213
6213
6213
6213
6213
6213
6213

Recommended

6073
60736073
6073kotob arabia
 
6214
62146214
6214kotob arabia
 
3178
31783178
3178kotob arabia
 
328
328328
328kotob arabia
 
5280
52805280
5280kotob arabia
 
6064
60646064
6064kotob arabia
 
5465
54655465
5465kotob arabia
 
5074
50745074
5074kotob arabia
 

Recommended

6073
60736073
6073kotob arabia
 
6214
62146214
6214kotob arabia
 
3178
31783178
3178kotob arabia
 
328
328328
328kotob arabia
 
5280
52805280
5280kotob arabia
 
6064
60646064
6064kotob arabia
 
5465
54655465
5465kotob arabia
 
5074
50745074
5074kotob arabia
 
6080
60806080
6080kotob arabia
 
4882
48824882
4882kotob arabia
 
6182
61826182
6182kotob arabia
 
5768
57685768
5768kotob arabia
 
5773
57735773
5773kotob arabia
 
5246
52465246
5246kotob arabia
 
5235
52355235
5235kotob arabia
 
516
516516
516kotob arabia
 
4479
44794479
4479kotob arabia
 
3179
31793179
3179kotob arabia
 
5772
57725772
5772kotob arabia
 
1002
10021002
1002kotob arabia
 
4114
41144114
4114kotob arabia
 
6230
62306230
6230kotob arabia
 
4538
45384538
4538kotob arabia
 
922
922922
922kotob arabia
 
5325
53255325
5325kotob arabia
 
6052
60526052
6052kotob arabia
 
6083
60836083
6083kotob arabia
 
5345
53455345
5345kotob arabia
 
Bsb Informatik
Bsb InformatikBsb Informatik
Bsb Informatikweisses
 
Blu-ray, DVD- und CD-Neuheiten Juli Nr. 2 (Im Vertrieb der NAXOS Deutschland ...
Blu-ray, DVD- und CD-Neuheiten Juli Nr. 2 (Im Vertrieb der NAXOS Deutschland ...Blu-ray, DVD- und CD-Neuheiten Juli Nr. 2 (Im Vertrieb der NAXOS Deutschland ...
Blu-ray, DVD- und CD-Neuheiten Juli Nr. 2 (Im Vertrieb der NAXOS Deutschland ...NAXOS Deutschland GmbH
 

More Related Content

What's hot

What's hot (20)

6080
60806080
6080
 
4882
48824882
4882
 
6182
61826182
6182
 
5768
57685768
5768
 
5773
57735773
5773
 
5246
52465246
5246
 
5235
52355235
5235
 
516
516516
516
 
4479
44794479
4479
 
3179
31793179
3179
 
5772
57725772
5772
 
1002
10021002
1002
 
4114
41144114
4114
 
6230
62306230
6230
 
4538
45384538
4538
 
922
922922
922
 
5325
53255325
5325
 
6052
60526052
6052
 
6083
60836083
6083
 
5345
53455345
5345
 

Viewers also liked

Bsb Informatik
Bsb InformatikBsb Informatik
Bsb Informatikweisses
 
Blu-ray, DVD- und CD-Neuheiten Juli Nr. 2 (Im Vertrieb der NAXOS Deutschland ...
Blu-ray, DVD- und CD-Neuheiten Juli Nr. 2 (Im Vertrieb der NAXOS Deutschland ...Blu-ray, DVD- und CD-Neuheiten Juli Nr. 2 (Im Vertrieb der NAXOS Deutschland ...
Blu-ray, DVD- und CD-Neuheiten Juli Nr. 2 (Im Vertrieb der NAXOS Deutschland ...NAXOS Deutschland GmbH
 
Blu-ray, DVD- und CD-Neuheiten November 2014 Nr. 2 (Im Vertrieb der NAXOS Deu...
Blu-ray, DVD- und CD-Neuheiten November 2014 Nr. 2 (Im Vertrieb der NAXOS Deu...Blu-ray, DVD- und CD-Neuheiten November 2014 Nr. 2 (Im Vertrieb der NAXOS Deu...
Blu-ray, DVD- und CD-Neuheiten November 2014 Nr. 2 (Im Vertrieb der NAXOS Deu...NAXOS Deutschland GmbH
 
Eléments d'économie générale IV
Eléments d'économie générale IVEléments d'économie générale IV
Eléments d'économie générale IVDaniel Dufourt
 
Nieuwe Marketing
Nieuwe MarketingNieuwe Marketing
Nieuwe MarketingMirror Wise
 
當代期末專題
當代期末專題當代期末專題
當代期末專題Yun Ting Yao
 
Animal report montoya
Animal report montoyaAnimal report montoya
Animal report montoyadrmcgregor
 
Taller internet
Taller internetTaller internet
Taller internetana maria
 
Taller internet1
Taller internet1Taller internet1
Taller internet1l.sa
 

Viewers also liked (20)

Bsb Informatik
Bsb InformatikBsb Informatik
Bsb Informatik
 
Blu-ray, DVD- und CD-Neuheiten Juli Nr. 2 (Im Vertrieb der NAXOS Deutschland ...
Blu-ray, DVD- und CD-Neuheiten Juli Nr. 2 (Im Vertrieb der NAXOS Deutschland ...Blu-ray, DVD- und CD-Neuheiten Juli Nr. 2 (Im Vertrieb der NAXOS Deutschland ...
Blu-ray, DVD- und CD-Neuheiten Juli Nr. 2 (Im Vertrieb der NAXOS Deutschland ...
 
Blu-ray, DVD- und CD-Neuheiten November 2014 Nr. 2 (Im Vertrieb der NAXOS Deu...
Blu-ray, DVD- und CD-Neuheiten November 2014 Nr. 2 (Im Vertrieb der NAXOS Deu...Blu-ray, DVD- und CD-Neuheiten November 2014 Nr. 2 (Im Vertrieb der NAXOS Deu...
Blu-ray, DVD- und CD-Neuheiten November 2014 Nr. 2 (Im Vertrieb der NAXOS Deu...
 
Eléments d'économie générale IV
Eléments d'économie générale IVEléments d'économie générale IV
Eléments d'économie générale IV
 
Nieuwe Marketing
Nieuwe MarketingNieuwe Marketing
Nieuwe Marketing
 
Eliana 1 b
Eliana 1 bEliana 1 b
Eliana 1 b
 
當代期末專題
當代期末專題當代期末專題
當代期末專題
 
990906成果報告
990906成果報告990906成果報告
990906成果報告
 
02
0202
02
 
Animal report montoya
Animal report montoyaAnimal report montoya
Animal report montoya
 
Taller internet
Taller internetTaller internet
Taller internet
 
larmes de femmes
larmes de femmes larmes de femmes
larmes de femmes
 
Fernanda huertas
Fernanda huertasFernanda huertas
Fernanda huertas
 
Rest & sleep drjma
Rest & sleep drjmaRest & sleep drjma
Rest & sleep drjma
 
Taller internet1
Taller internet1Taller internet1
Taller internet1
 
NAXOS-Neuheiten im Mai 2014
NAXOS-Neuheiten im Mai 2014NAXOS-Neuheiten im Mai 2014
NAXOS-Neuheiten im Mai 2014
 
傳統文物解說
傳統文物解說傳統文物解說
傳統文物解說
 
釵頭鳳
釵頭鳳釵頭鳳
釵頭鳳
 
NAXOS-Neuheiten im August 2014
NAXOS-Neuheiten im August 2014NAXOS-Neuheiten im August 2014
NAXOS-Neuheiten im August 2014
 
GI- Registration Trends in India
GI- Registration Trends in IndiaGI- Registration Trends in India
GI- Registration Trends in India
 

More from kotob arabia

More from kotob arabia (20)

1086
10861086
1086
 
960
960960
960
 
764
764764
764
 
6487
64876487
6487
 
6205
62056205
6205
 
942
942942
942
 
96
9696
96
 
5962
59625962
5962
 
763
763763
763
 
6486
64866486
6486
 
745
745745
745
 
6204
62046204
6204
 
6435
64356435
6435
 
5961
59615961
5961
 
6182
61826182
6182
 
959
959959
959
 
941
941941
941
 
594
594594
594
 
762
762762
762
 
744
744744
744
 

Recently uploaded

TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...
TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...
TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...Nguyen Thanh Tu Collection
 
أَسَانِيدُ كُتُبِ وَأُصُولِ النَّشْرِ لِابْنِ الْجَزَرِيِّ وَالْوَصْلُ بِهَا....
أَسَانِيدُ كُتُبِ وَأُصُولِ النَّشْرِ لِابْنِ الْجَزَرِيِّ وَالْوَصْلُ بِهَا....أَسَانِيدُ كُتُبِ وَأُصُولِ النَّشْرِ لِابْنِ الْجَزَرِيِّ وَالْوَصْلُ بِهَا....
أَسَانِيدُ كُتُبِ وَأُصُولِ النَّشْرِ لِابْنِ الْجَزَرِيِّ وَالْوَصْلُ بِهَا....سمير بسيوني
 
30 ĐỀ PHÁT TRIỂN THEO CẤU TRÚC ĐỀ MINH HỌA BGD NGÀY 22-3-2024 KỲ THI TỐT NGHI...
30 ĐỀ PHÁT TRIỂN THEO CẤU TRÚC ĐỀ MINH HỌA BGD NGÀY 22-3-2024 KỲ THI TỐT NGHI...30 ĐỀ PHÁT TRIỂN THEO CẤU TRÚC ĐỀ MINH HỌA BGD NGÀY 22-3-2024 KỲ THI TỐT NGHI...
30 ĐỀ PHÁT TRIỂN THEO CẤU TRÚC ĐỀ MINH HỌA BGD NGÀY 22-3-2024 KỲ THI TỐT NGHI...Nguyen Thanh Tu Collection
 
TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...
TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...
TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...Nguyen Thanh Tu Collection
 
French Revolution (फ्रेंच राज्यक्रांती)
French Revolution (फ्रेंच राज्यक्रांती)French Revolution (फ्रेंच राज्यक्रांती)
French Revolution (फ्रेंच राज्यक्रांती)Shankar Aware
 

Recently uploaded (6)

TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...
TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...
TUYỂN TẬP 25 ĐỀ THI HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2023 CÓ ĐÁP ÁN (SƯU...
 
أَسَانِيدُ كُتُبِ وَأُصُولِ النَّشْرِ لِابْنِ الْجَزَرِيِّ وَالْوَصْلُ بِهَا....
أَسَانِيدُ كُتُبِ وَأُصُولِ النَّشْرِ لِابْنِ الْجَزَرِيِّ وَالْوَصْلُ بِهَا....أَسَانِيدُ كُتُبِ وَأُصُولِ النَّشْرِ لِابْنِ الْجَزَرِيِّ وَالْوَصْلُ بِهَا....
أَسَانِيدُ كُتُبِ وَأُصُولِ النَّشْرِ لِابْنِ الْجَزَرِيِّ وَالْوَصْلُ بِهَا....
 
30 ĐỀ PHÁT TRIỂN THEO CẤU TRÚC ĐỀ MINH HỌA BGD NGÀY 22-3-2024 KỲ THI TỐT NGHI...
30 ĐỀ PHÁT TRIỂN THEO CẤU TRÚC ĐỀ MINH HỌA BGD NGÀY 22-3-2024 KỲ THI TỐT NGHI...30 ĐỀ PHÁT TRIỂN THEO CẤU TRÚC ĐỀ MINH HỌA BGD NGÀY 22-3-2024 KỲ THI TỐT NGHI...
30 ĐỀ PHÁT TRIỂN THEO CẤU TRÚC ĐỀ MINH HỌA BGD NGÀY 22-3-2024 KỲ THI TỐT NGHI...
 
LAR MARIA MÃE DE ÁFRICA .
LAR MARIA MÃE DE ÁFRICA .LAR MARIA MÃE DE ÁFRICA .
LAR MARIA MÃE DE ÁFRICA .
 
TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...
TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...
TUYỂN TẬP 20 ĐỀ THI KHẢO SÁT HỌC SINH GIỎI MÔN TIẾNG ANH LỚP 6 NĂM 2020 (CÓ Đ...
 
French Revolution (फ्रेंच राज्यक्रांती)
French Revolution (फ्रेंच राज्यक्रांती)French Revolution (फ्रेंच राज्यक्रांती)
French Revolution (फ्रेंच राज्यक्रांती)
 

6213

  • 1.
  • 2. ‫ﺳﺪﺭﺓ ﺍﻟﻮﺻﻞ ﺷﻬﻮﺓ ﺍﳌﻮﺻﻮﻝ‬ ‫ﺸﻌﺭ‬ ‫ﻫﺸﺎﻡ ﳏﻤﻮﺩ‬
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫ﺇﻫﺩﺍﺀ‬ ‫ﺇﻟﻴﻙ‬ ‫‪‬‬ ‫ﻟ ‪‬ﻠ ‪ ‬ﺘﺭ ‪‬ﻰ ،‬ ‫ﹶﻌﱠﻙ ﹶ ‪‬ﻀ‬ ‫ﻭ ﻟﻌﱢﻰ ٠‬ ‫‪ ‬ﹶ ‪‬ﻠ‬ ‫ﻫﺸﺎﻡ ﻤﺤﻤﻭﺩ‬ ‫٣‬
  • 5. ‫ﺍﻟﻔﻬﺭﺱ‬ ‫ﻣﻔﺘ َﺢ................................................................................................................................ ٥‬ ‫ُ ْ َﺘ‬ ‫ﻗﻞ إﻧ َﺎ َﺎﻟﺔ ........................................................................................................................ ٦‬ ‫ُ ْ ﱠﻬ ه‬ ‫ﺳﺪرة اﻟﻮﺻﻞ .. ﺷﻬﻮة اﻟﻤﻮﺻﻮل .............................................................................................. ٨‬ ‫ﺗﻨﺎﺳﺨﺎت .......................................................................................................................... ٥١‬ ‫ﺳﻔﺮ اﻟﻔﺘﻮﺣﺎت ................................................................................................................... ٨١‬ ‫أﻟﻖ ﻋﻠﻰ ﻃﻤْﻲ اﻟﻜ َﺎ َﺔ .......................................................................................................... ٤٢‬ ‫ِﺘ ﺑ‬ ‫ٌ‬ ‫اﺣﺘﻤﺎﻻت .......................................................................................................................... ٧٢‬ ‫ﻏﺎﻳﺔ اﻟﺼﻮت/ﻏﻮاﻳﺔ اﻟﻠﻮن .................................................................................................... ٠٣‬ ‫ﻓﺼﻞ)ﻻم( ......................................................................................................................... ٤٣‬ ‫ﺷﺎهﺪ و ﻣﺸﻬﻮد ................................................................................................................. ٨٣‬ ‫ﻗﺎﻟﺖ اﻟﺮوح....................................................................................................................... ٢٤‬ ‫ﻧﻴﻞ ﻋﻠﻰ ﻧﻴﻞ ...................................................................................................................... ٤٤‬ ‫ﺷﺠﻮﻳﺔ ............................................................................................................................ ٩٤‬ ‫َ َ ِﱠ‬ ‫ﺳﻔﺮ اﻟﻤ َا ِﻲ ..................................................................................................................... ٢٥‬ ‫ِ ْ ُ َﺮ ﺛ‬ ‫٤‬
  • 6. ‫ﻤﻔﺘ ﹶﺢ‬ ‫‪ ‬ﹾ ﹶﺘ‬ ‫ﻤﻥ ﻴﻤ‪‬ﻠﻙ ﻗﻠ ‪ ‬ﹰ‬ ‫‪    ‬ﹶ ﹾﺒﺎ‬ ‫ﻜﻘﻠ ِﻲ٠٠‬ ‫ﹶ ﹶ ﹾﺒ‬ ‫ﹶﻠﻴ ِﺒﻙ‬ ‫ﻓ ‪‬ﺤ ‪‬‬ ‫ﻜ ‪‬ﺎ ﺃﺤﺒﻙ٠‬ ‫ﻤ ‪‬‬ ‫ﻫﺸﺎﻡ ﻤﺤﻤﻭﺩ‬ ‫٥‬
  • 7. ‫ﻗل ﺇﻨ ‪‬ﺎ ‪‬ﺎﻟﺔ‬ ‫ﹸ ْ ﱠﻬ ﻫ‬ ‫ﺘﺘﻬﻠل ﻓﻲ ﺩﻤﻬﺎ ﺍﻟﻜﺎﺌﻨﺎﺕ ،‬ ‫ﹸ‬ ‫ُ‬ ‫ﻭ ﻓﻲ ِﺭﺩﻫﺎ ﺘﺘﻭﺍﺭﺩ ..‬ ‫‪‬‬ ‫ﻭ‬ ‫ﺁﻴﺎﺕ ﻤﻨﻜﺸﻑ ،‬ ‫ٍ‬ ‫ﹸ‬ ‫ﺠﺎﺩﻩ ﺍﻟﻐﻴﺙ ؛‬ ‫ﹸ‬ ‫ﻓﺎﺭﺒﺩ ﻭﺠﻪ ﺍﻟﻨﻭﺍﻓﻴﺭ .‬ ‫ِ‬ ‫‪ ‬‬ ‫ﻤﻥ ﺃﻴﻘﻅ ﺍﻟﻭﺭﺩ ﻓﻲ ﺭﺌﺘﻲ ؟‬ ‫ﹶ ‪ ‬‬ ‫ﻫل ﻤﺩﺍﺭ ﻴﺨﺎﻴﻠﻨﻲ ﺒﺎﻟﺘﺤﻭل ؟‬ ‫‪ِ ‬‬ ‫‪‬‬ ‫ﻫل ﻫﺎﻟﺔ ﺨﻠﻌﺕ ﺴﻭﺭﺓ ﺍﻟﻀﻭﺀ ،‬ ‫ِ‬ ‫ﹾ‬ ‫ﻭ ﺍﺭﺘﺩﺕ ﺍﻟﻘﻴﻅ ؟‬ ‫ﹶ‬ ‫ﺃﻭ ﺤﻭﻤﺕ ﺤﻭل ﻨﺎﻓﺫﺓ ؟‬ ‫َ ٍ‬ ‫‪ ‬ﹾ‬ ‫ﺸﺒﻪ ﻤﻐﻠﻘﺔ‬ ‫ٍ‬ ‫ِ‬ ‫ﻓﻲ ﺠﺤﻴﻤﻲ ..؟!‬ ‫ﺘﻤﺩ ﺍﻟﻔﺭﺍﻍ ﺇﻟﻰ ﺴﺩﺭﺓ ..‬ ‫ٍ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﺘﺤﺘﻭﻯ ﻤﺩﻨﺎ ﻤﻥ ﺃﺴﺎﻁﻴﺭ ﻏﺎﺌﻤﺔ ..‬ ‫ٍ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﺘﺘﻬﺠﺩ ﻨﺎﻓﻠﺔ ﻟﻲ ،‬ ‫‪ ‬ﹰ‬ ‫ﻭ ﺘﺴﺭﻗﻨﻲ ﻤﻥ ﺩﻤﻰ ..؟‬ ‫ﻜﻴﻑ‬ ‫ﹶ‬ ‫- ﺇﺫ ﺘﻌﺒﺭﻴﻥ ﻋﻠﻰ ﻀﻔﺘﻲ -‬ ‫‪‬‬ ‫ﻴﺼﺒﺄ ﺍﻟﻠﻴل ..‬ ‫ُ‬ ‫ﻓﻲ ﻤﺩﻥ ﺘﻨﺘﺸﻲ ﻟﻌﻭﺍﺭﻓﻬﺎ ..!‬ ‫ِ‪‬‬ ‫ٍ‬ ‫ﻓﻸﻤﺩ ﺩﻤﻰ ﻟﺩﻤﻰ ،‬ ‫‪‬‬ ‫ﻭﺍﻟﻔﺭﺍﻍ ﻷﺴﺌﻠﺔ ..‬ ‫ٍ‬ ‫ﹶ‬ ‫ﺴﺎﻤﻬﺎ ﺍﻟﻌﺎﺸﻘﻭﻥ .‬ ‫‪‬‬ ‫ﻜﻴﻑ‬ ‫ﹶ‬ ‫٦‬
  • 8. ‫- ﺇﺫ ﺘﺨﻤﺸﻴﻥ ﺍﻟﻨﺯﻴﻑ ﺍﻟﻤﻨﺎﻭﻯﺀ -‬ ‫‪‬‬ ‫ﹶ ‪‬ﹶ‬ ‫‪‬‬ ‫ﻻ ﺃﺤﺘﻭﻴﻙ ؟‬ ‫ِ‬ ‫ﻭ ﻻ ﺃﺒﻌﺙ ﺍﻟﻔﺭﺡ ﺍﻟﻤﺴﺘﻁﺎﺭ ..‬ ‫‪  ‬ﹶ ﹶ ‪‬‬ ‫ﹸ‬ ‫ﺠﻨﻭﻨﺎ ﻴﻤﺎﻟﺅﻨﻲ ،‬ ‫ﹰ‪‬‬ ‫ﺃﻭ ﻴﻤﺎﺯﺠﻨﻲ ﻓﻲ ﺍﻷﺜﻴﺭ ؟!‬ ‫ِ‬ ‫‪‬‬ ‫ﺘﻭﺸﻭﺵ ﺃﺸﻴﺎﺀﻫﺎ ﺍﻟﺭﻴﺢ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭ ﺍﻟﻅل ﻤﺘﻜﻲﺀ ﻓﻭﻕ ﺠﺴﺭ ﺍﻟﺭﺅﻯ .‬ ‫ِ‬ ‫ﱡ ‪  ‬ﹶ‬ ‫ﻓﺘﺒﺎﺭﻙ ﻤﻥ ﻤﺩ ﻅﻠﻲ‬ ‫‪ِ ‬ﱢ‬ ‫‪‬‬ ‫ﻭ ﻟﻭ ﺸﺎﺀ ........،‬ ‫‪‬‬ ‫ﻗل : ﺇﻨﻬﺎ ﻫﺎﻟﺔ ..‬ ‫ﹲ‬ ‫ْ ﱠ‬ ‫ﺒﺭﻗﺕ ،‬ ‫ﹶ ﹾ‬ ‫ﻭ ﺍﺴﺘﻨﺎﻤﺕ ﻋﻠﻰ ﻭﺭﺩﺓ ..‬ ‫ٍ‬ ‫ﹾ‬ ‫ﺒﺎﺠﺘﺭﺍﺀ ﺍﻟﺼﻬﻴل ،‬ ‫ِ‬ ‫ِ‬ ‫ﻭ ﻋﻨﻑ ﺍﻟﺸﺘﺎﺀ .‬ ‫ِ‬ ‫ِ‬ ‫ﺘﻬﻴﺅﻨﻲ ﻻﻨﻔﻼﻕ ..‬ ‫ٍ‬ ‫ﻋﻠﻰ ﺼﺨﺭﺓ ﺍﻟﻤﻁﻠﻘﺎﺕ ،‬ ‫ِ‬ ‫ِ ‪‬‬ ‫ﺍﺌﺘﻼﻕ ..‬ ‫ٍ‬ ‫ﻋﻠﻰ ﻁﻤﻴﺔ ﻓﻲ ﺍﻟﻔﺭﺍﻍ ،‬ ‫ِ‬ ‫ٍ‬ ‫ﻭ ﻭﻋﺩ ﺒﺄﻥ ﻨﻠﺘﻘﻲ ..‬ ‫ٍ‬ ‫ﺤﻴﻨﻤﺎ ﻨﻔﺘﺭﻕ .‬ ‫***‬ ‫) ﺩﻴﺴﻤﺒﺭ٥٩٩١ﻡ (‬ ‫٧‬
  • 9. ‫ﺴﺩﺭﺓ ﺍﻟﻭﺼل .. ﺸﻬﻭﺓ ﺍﻟﻤﻭﺼﻭل‬ ‫)ﺤﻭﺍﺭﻴﺔ(‬ ‫) ﻗﺩ ﻨﺭﻯ ﺘﻘﻠﺏ ﻭﺠﻬﻙ ِﻲ ﺍﻟﺴﻤﺎﺀ‬ ‫‪ِ ‬‬ ‫ﹶ ‪ ‬ﹶ ‪ ‬ﹶ ﹶﱡ ‪  ِ   ‬ﻓ‬ ‫ﻓﹶﻠﻨﻭﱢﻟﻴﻨﻙ ﻗﺒﹶﻠﺔ ﺘﺭﻀﺎﻫﺎ ()١(‬ ‫ﹶ ﹸ ‪ ‬ﱠ ‪  ِ ‬ﹰ ﹶ ‪  ‬‬ ‫- ﺘﻬﻴﺄﺕ ِﻲ‬ ‫ﹶﻟ‬ ‫ﺃﻴﻬﺎ ﺍﻟﻤﺘﺸﻅﻲ ..‬ ‫‪‬ﹶ ﹶ ﱢ‬ ‫ﻋﻠﻰ ﺸﺎﻁﻲﺀ ﺍﻟﻤﻤﻜﻨﺎﺕ ؟‬ ‫ِ ‪ِ  ‬ﹶ ِ‬ ‫- ﺘﻬﻴﺄﺕ ﻟﻙ‬ ‫ﹸ‬ ‫- ﺃﻨﺎ ...‬ ‫- ﻭﺍﺤﺩ !‬ ‫‪‬‬ ‫- ﺃﻴﻬﺎ ﺍﻟﺠﻤﻊ‬ ‫‪‬‬ ‫ﺇﻨﻲ ﺘﻌﻠﻘﺕ ﺒﺎﻟﻤﻁﻠﻘﺎﺕ ،‬ ‫ﱠ ﹾ ﹸ ‪ ‬ﹾﹶ ﹶ ِ‬ ‫ﻭ ﻓﻲ ﺒﺭﺯﺥ ﺍﻟﻠﻴل ..‬ ‫ِ ِ‬ ‫ﺃﺴﺭﺠﺕ ﺩﻴﻤﻭﻤﺘﻲ ..‬ ‫ﹸ‬ ‫ﻓﻲ ﺩﻡ ﺍﻟﻀﻭﺀ ،‬ ‫ِ ‪ِ ‬‬ ‫ﺒﺤﺕ ،‬ ‫ﹸ‬ ‫ﺍﺼﻁﻔﻴﺘﻙ ..‬ ‫ﹸ‪‬‬ ‫ﺇﺫ ﺫﻭﺒﺘ ِﻲ ﺍﻟﻤﻘﺎﺩﻴﺭ ﻓﻴﻙ‬ ‫‪‬ﹶ ‪ ‬‬ ‫‪  ‬ﹾﻨ‬ ‫ﺍﺭﺘﺸﻔﺕ ﺤﻠﻴﺏ ﺍﻟﻨﺒﻭﺓ ..‬ ‫ِ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻤﻥ ﺒﻴﻥ ﻋﻴﻨﻴﻙ ،‬ ‫‪‬‬ ‫ِ‪ِ ‬‬ ‫ﺃﺒﺕ ،‬ ‫‪ ‬ﹸ‬ ‫ﻭ ﺁﺒﺕ ﻟﻲ ﺍﻷﺭﺽ ،‬ ‫‪‬‬ ‫ﹾِ‪‬‬ ‫ﺁﺒﺕ ﻟﻲ ﺍﻟﻜﺎﺌﻨﺎﺕ .‬ ‫ﹸ‬ ‫ﹾِ‪‬‬ ‫ﺘﻬﻴﺄﺕ ﻟﻲ ؟‬ ‫ﹶ‬ ‫٨‬
  • 10. ‫ﻭ ﺍﻟﻤﺩﻯ ﺍﻟﻤﻜﻔﻬﺭ ﺒﻭﺠﻪ ﺍﻟﺭﺅﻯ : ﺸﺒﺢ‬ ‫‪‬‬ ‫ِ ‪‬‬ ‫‪ ‬ﹾﹶ ِ ‪‬‬ ‫ﻴﺘﺄﻭﺩ ﻓﻲ ﺩﻤﻰ ﺍﻟﻐﺽ ،‬ ‫‪  ِ‬ﹶ ﱢ‬ ‫‪‬‬ ‫ﻭ ﺍﻟﺼﺤﺭﺍﺀ : ﻨﺯﻴﻑ ..‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻴﻨﺎﻭﻱﺀ ﻤﻴﺘﺎ ..‬ ‫‪  ‬ﹶﹰ‬ ‫‪‬‬ ‫ﻋﻠﻰ ﺠﺫﻉ ﻜﺎﻓﻭﺭﺓ ،‬ ‫ٍ‬ ‫ِ‬ ‫ﻭ ﺍﻟﻤﺭﺍﺴﻴل : ﺭﻭﺡ ﻤﻘﺩﺴﺔ ،‬ ‫ُ ‪  ‬ﹶ ‪  ‬ﹲ‬ ‫ﻭ ﻋﺫﺍﺏ ﻤﻘﻴﻡ‬ ‫‪ ِ ‬‬ ‫..........‬ ‫- ﺘﻬﻴﺄﺕ ِﻲ ..‬ ‫ﹶﻟ‬ ‫ﺃﻴﻬﺫﺍ ﺍﻟﺴﺩﻴﻡ ؟‬ ‫‪ ِ‬‬ ‫‪‬‬ ‫ﻤﻼﺌﻜﺔ ﺸﺭﺴﻭﻥ ..‬ ‫ﹲ ﹶِ‪ ‬‬ ‫ﻴﺠ ‪‬ﻭﻨﻨﻲ ﻤﻥ ﺒﻬﺎﺌﻲ ،‬ ‫‪‬ﺭ‬ ‫ﻭ ﻴﻔﺘﺭﺴﻭﻥ ‪‬ﺅﺍﻱ‬ ‫‪‬ﺭ‬ ‫ﺴﻨﺎ ﻏﺎﻤﺽ ..‬ ‫ِ ‪‬‬ ‫ﻴﺘﺒﻭﺃ ﻤﻥ ﺴﺩﺭﺓ ﺍﻟﻭﺼل ﻤﻘﻌﺩﻩ ،‬ ‫ِ ‪ ‬‬ ‫ِ‬ ‫‪ِ ُ‬‬ ‫ﻴﺘﺒﻭﺃ ﻤﻘﻌﺩﻩ ﻤﻥ ﺭﺒﻴﻊ ﺃﺜﻴﺭ ،‬ ‫ٍ ٍ‬ ‫ُ ‪ ‬‬ ‫ﻓﻬل ﻴﻁﺄ ﺍﻟﺭﻋﺩ ﻤﻤﻠﻜﺔ ﺍﷲ ..‬ ‫ﹶ ِ‬ ‫‪‬‬ ‫ُ‬ ‫ﻤﻐﺘﺭﺒﺎ ؟!‬ ‫ﹰ‬ ‫ﺃﻡ ﺘﻁل ﺍﻟﻨﻭﺍﻤﻴﺱ ..‬ ‫ﱡ ﱠ‪ ‬‬ ‫ﻤﻥ ﻜﻭﺓ ﻓﻲ ﺩﻤﻰ ..؟‬ ‫‪ِ‬‬ ‫ﹸ ‪ٍ‬‬ ‫- ﻨﻅﺭﺓ‬ ‫ﹰ‬ ‫) ﻨﻅﺭﻱ ... ﺒﺩﺀ ﻋﱠﺘﻲ‬ ‫‪ِ ‬ﻠ‬ ‫ﻭﻴﺢ ﻗﻠﺒﻲ ﻭ ﻤﺎ ﺠﻨﻰ‬ ‫‪‬‬ ‫ﻴﺎ ﻤﻌﻴﻥ ﺍﻟﻀﻨﻰ ﻋﻠﻰ‬ ‫‪    ِ‬‬ ‫ﺃﻋﻨﻰ ﻋ‪‬ﹶﻠﻰ ﺍﻟﻀﻨﻰ()٢(‬ ‫‪‬ﹶ‬ ‫ِﱢ َ‬ ‫ﻫﻴﻲﺀ ﺍﻷﺭﺽ ..‬ ‫‪‬‬ ‫٩‬
  • 11. ‫ﺇ ﱢﻲ ﻏﺭﻴﺏ‬ ‫‪‬‬ ‫ﻨ‬ ‫ﺒﺘﻠﻙ ﺍﻟﺴﻤﺎﺀ .‬ ‫- ﻏﺭﻴﺏ ..‬ ‫‪‬‬ ‫ﻭ ﻤﻬﺩ ﻤﻥ ﺍﻟﻼﺯﻭﺭﺩ ..‬ ‫ِ‬ ‫‪‬‬ ‫ﻴﺭﺍﻭﺩ ﻋﻨﻙ ﻋﻨﺎﻗﻴﺩ ﻏﻴﻡ‬ ‫‪ٍ ‬‬ ‫‪  ‬‬ ‫ﻤﺠﻨﺤﺔ ﻓﻲ ﺍﻟﻔﻀﺎﺀ ﺍﻟﺭﺤﻴﺏ ..؟‬ ‫ِ ‪ِ ‬‬ ‫‪ ‬ﹰ‬ ‫- ﺃﻨﺎ ﻭﺍﺤﺩ ..‬ ‫‪‬‬ ‫- ﻭ ﺍﻟﻔﺭﺍﻍ ﻜﺜﻴﺭ ،‬ ‫ﹸ ‪‬‬ ‫ﻭ ﻋﻴﻨﺎﻱ ﻻ ﺘﺄﻟﻔﺎﻥ ..‬ ‫ِ‬ ‫ﺘﺭﻗﺏ ﻤﺎ ﻻ ﻴﺠﻲﺀ ،‬ ‫‪‬‬ ‫ﹶ ‪‬ﱡ ‪‬‬ ‫ﻓﻬل ﺘﺨﺭﺝ ﺍﻷﺭﺽ ..‬ ‫‪‬‬ ‫ﹸﹾ ‪‬‬ ‫ﺃﺜﻘﺎﻟ ‪‬ﺎ ﻤﻥ ﺩﻤﻰ ؟‬ ‫ﹶﻬ ِ ‪ِ ‬‬ ‫ﻭ ﺍﻟﻤﻭﺍﻗﻴﺕ ﻤﻭﻏﻠﺔ ﻓﻲ ﺍﻟﺘﺸ ﱢﻲ ،‬ ‫ﱠ ﹶﻬ‬ ‫ﹸ ‪ ‬ﹲ‬ ‫ﻭ ﻟﻴﻠﻲ ﻤﺴﺘﻐﺭﻕ ﻓﻲ ﺍﺤﺘﻤﺎﻻﺕ ..‬ ‫ِ‬ ‫‪ ‬ﹶ ﹾ ﹲ‬ ‫ﻤﻥ ﻴﺼﻠﻭﻥ ﺍﻟﺭﺅﻯ ﺒﺎﻟﺭﺅﻯ‬ ‫‪‬‬ ‫‪ِ ‬ﹸ ‪ ‬‬ ‫ﻭﺍﺭﺩ ﺩﻭﻥ ﻤﻥ ﻭﺭﺩ‬ ‫‪     ‬‬ ‫ﻤﻘﺼﺩ ﻓﻭﻕ ﻤﻥ ﻗﺼﺩ .‬ ‫‪ ‬ﹶ ‪  ‬ﹶ ‪‬‬ ‫ﻗﺩ ﺘﻨﺎﺀﻯ ﺒﻭﺠﺩﻩ‬ ‫ِِ‬ ‫ﻭ ﺘﻔﺎﻨﻰ ﺒﻤﻥ ﻭﺠﺩ .‬ ‫‪   ‬‬ ‫ﺇﻨﻪ ﺍﻟﺠﻤﻊ ﻤﺴـﻪ‬ ‫‪  ‬‬ ‫ﻁﺎﺌﻑ ﺍﻟﺴﺭ ﻓﺎﺘﺤﺩ .‬ ‫ﹸ ﱢ ﱢ ﱠ ‪‬‬ ‫ﻫﺫﺍ ﺃﺴﻤﻰ ..‬ ‫ُ ‪‬ﱢ‬ ‫ﺩﻤﻰ ﻭﺭﺩﺓ ،‬ ‫ﹰ‬ ‫‪ِ‬‬ ‫ﻭ ﻭﺭﻴﺩﻱ ﺴﺒﻴل ﺍﻟﻤﺤﺒﻴﻥ ،‬ ‫َ ‪ ‬‬ ‫ﺜﻡ ﻴﻠ ﱡﻭﻨﻨﻲ ﻓﻲ ﻫﻭﺍﻱ ،‬ ‫ﻔ‬ ‫ﻭ ﻴﻠﻘﻭﻥ ِﻲ ..‬ ‫‪‬ﹸ ‪‬ﺒ‬ ‫٠١‬
  • 12. ‫ﻓﻲ ﺍﻟﻔﺭﺍﻍ / ﺍﻟﻜﺜﻴﺭ ..؟‬ ‫ِ‬ ‫ِ‬ ‫ﻗﺸﻌﺭﻴﺭﺓ ﺜﺭﺓ ،‬ ‫ﹸ ﹶ ‪ ‬ﹲ ‪‬ﹲ‬ ‫ﻭ ﺴﻜﻭﻥ ﺠﺩﻴﺏ ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻴﻅﻼﻥ ‪‬ﻭﺤﻲ ،‬ ‫ِﺭ‬ ‫‪‬‬ ‫ﻓﻸﺸﺭﻕ ﺍﻵﻥ ﻤﻥ ﻤﻐﺭﺒﻲ ..!‬ ‫ِ ‪ِ ‬‬ ‫ﻴﺎ ......‬ ‫ﺃﻅل ﻋﻠﻰ ﻤﻭﻋﺩ ﺒﺎﻏﺘﺭﺍﺒﻲ ..!‬ ‫ٍ‬ ‫ﱡ‬ ‫ﺃﻅل ﻋﻠﻰ ﺒﺭﺯﺥ ﺍﻟﻠﻴل ﻤﺘﻜﺄ ..!‬ ‫ِ ِ ‪‬ﱠ ًِ‬ ‫ﱡ‬ ‫ﻴﺎ ......‬ ‫ﺃﻅل ﻋﻠﻰ ﻤﻭﻋﺩ ..‬ ‫ٍ‬ ‫ﱡ‬ ‫ﺒﺎﻓﺘﺭﺍﻉ ﺍﻟﻔﻭﺍﺼل ..!‬ ‫ِ‬ ‫ِ‬ ‫ﻭﺍﺼل ﺩﻤﻰ ﺃﻴﻬﺫﺍ ﺍﻟﺴﺤﺎﺏ ،‬ ‫‪ ‬‬ ‫ْ ‪ ِ‬‬ ‫ﻭ ﺼﻠ ِﻲ ..‬ ‫ِ ﹾﻨ‬ ‫ﺘﺼل ..!‬ ‫ﹶ ِْ‬ ‫ﺃﻨﺕ ﻤﻨﻜﺸﻑ ،‬ ‫ﹶ ‪‬ﹾ ﹶ ِ ﹲ‬ ‫ﻭ ﺃﻨﺎ ﺍﻟﻜﺸﻑ‬ ‫ﹸ‬ ‫ﻓﻠﺘﺴﺘﺒﻥ ِﻲ ﺴ ِﻴِﻲ ؛‬ ‫ﹶ ‪ ‬ﹶ ‪ ‬ﻟ ‪‬ﺒ ﻠ‬ ‫ﺃﺭﺩ ﺤﻭﺽ ﻭﺭﺩﻙ ..‬ ‫‪ ِ ِ ‬‬ ‫ِ‪‬‬ ‫ﻓﻲ ﻤﻭﻜﺏ ﺍﻟﻭﺍﺼﻠﻴﻥ ،‬ ‫‪‬‬ ‫ِ‬ ‫ﻭ ﻤﺠﻤﺭﺘﺎﻥ ﺒﻌﻴﻨﻲ‬ ‫‪‬‬ ‫ِ‬ ‫- ﻴﺎ ......‬ ‫ﻜل ﻫﺫﺍ ﺍﻟﺭﻭﺍﺀ ..‬ ‫‪ِ ‬‬ ‫ﱡ‬ ‫ﻭ ﻤﺠﻤﺭﺘﺎﻥ ﺒﻌﻴﻨﻴﻙ ..؟!‬ ‫‪‬‬ ‫ِ‬ ‫- ﺇ ﱢﻲ ﺘﺤﻠﻠﺕ ..‬ ‫ﹸ‬ ‫ﻨ‬ ‫ﻓﻲ ﺠﺴﺩ ﻁﺎﺯﺝ ،‬ ‫ٍ‬ ‫ٍ‬ ‫ﻭ ﺘﺠﻠﻴﺕ ﻟﻠﻤﺘﺠﱢﻲ ..‬ ‫ﱠ ‪ ‬ﹸ ‪ ‬ﹶ ‪‬ﻠ‬ ‫١١‬
  • 13. ‫ﻜﻅل ﻷﺒﻬﺔ ﺍﻟﺭﻭﺡ ،‬ ‫ﱟ ‪ِ  ِ ‬‬ ‫ﻤﻨﻁﺭﺡ ﻓﻭﻕ ﺠﺴﺭ ﺍﻟﻐﻭﺍﻴﺔ ،‬ ‫ِ‬ ‫ِ‬ ‫‪‬ﹾ ٍ ﹶ‬ ‫ﻤﻜﺘﻨﺯ ﺒﺎﻟﺴﻨﺎﺀ‬ ‫‪ِ  ٍ ‬‬ ‫) ﻓﻠﻤﺎ ﺃﻥ ﻭﻗﻔﺕ ﺒﻴﻥ ﻴﺩﻴﻪ ،‬ ‫ﹸ ‪ِ ‬‬ ‫‪ ‬‬ ‫ﺃﻫﺭﻗﺕ ﺩﻤﻰ ..‬ ‫ﹸ ‪ِ‬‬ ‫ﻋﻠﻰ ﺃﻋﺘﺎﺏ ﺴﺩﺭﺘﻪ ،‬ ‫ِ ِ ِِ‬ ‫ﻭ ﺭﻭﺤﻲ ..‬ ‫‪‬‬ ‫ﻋﻠﻰ ﺃﺴﺒﺎﺏ ﺤﻀﺭﺘﻪ ،‬ ‫ِِ‬ ‫ِ‬ ‫ﻗﺎل : ﺁﻴﺘﻙ ﺃﻥ ﺘ ﹶﺎﻫﺩ ِﻲ .‬ ‫َ ﹸ ‪  ‬ﹸ ﺸ ِ ‪‬ﻨ‬ ‫ﻗﻠﺕ : ﺁﻴﺘﻲ ﺃﻥ ﺃ ﹶﺎﻫﺩ ِﻲ (‬ ‫‪ ُ ‬ﺸ ِ ‪‬ﻨ‬ ‫ﹸ‬ ‫ﻭ ﻤﺎﺌﺩﺓ ﺍﻟﻭﺭﺩ ِﻲ ﺃﻓ ِﻲ ..‬ ‫ﹸ ‪ ِ  ‬ﻓ ﹸﻘ‬ ‫ﺸﻔﻕ ﻁﺎﻟﻊ ﻤﻥ ﻨﺜﺎﺭ ﺍﻷﺴﺎﻁﻴﺭ ،‬ ‫ِ‬ ‫‪ِ  ‬‬ ‫ﹲ‬ ‫ﻴﻌﺭﺝ ﻓﻲ ﻫﺎﻟﺔ ﻤﻥ ﻤﻭﺍﺠﺩ ..‬ ‫‪‬‬ ‫ٍ ِ‪‬‬ ‫‪‬‬ ‫ﻤﺄﺨﻭﺫﺓ ﺒﺘﻭﺤﺩﻫﺎ‬ ‫‪ ِ‬‬ ‫ٍ‬ ‫) ﻓﺘﺒﺎﺭﻙ ﻤﻥ ﺤل ﻭ ﺍﺤﺘل (‬ ‫‪‬ﹶ ﱠ‬ ‫‪  ‬ﱠ‬ ‫ﻓﻴﻡ ﺍﻟﻤﻘﺎﻤﺎﺕ ﺤﺎﺌﺭﺓ ؟‬ ‫ﹲ‬ ‫ﹸ‬ ‫‪‬‬ ‫- ﻓﻲ ﻤﺤﺏ ﺘﺸﻤﺱ ..‬ ‫‪ ‬ﹶ ﹶ‪ ‬‬ ‫ﺘﺤﺕ ﻅﻼل ﺍﻟﻐﻭﺍﻴﺔ ،‬ ‫ِ‬ ‫ِ‬ ‫ﹶ‬ ‫ﻤﻌﺘﺼﻤﺎ ﺒﺎﻟﺘﺨﱢﻲ ،‬ ‫‪  ‬ﹶ ِ ‪‬ﹰ ﱠ ﹶﻠ‬ ‫ﻭ ﻤﻐﺘﺭﺒﺎ ﻋﻥ ﻫﻭﺍﻩ‬ ‫ﹰ ‪‬‬ ‫- ﺩﻤﻰ ﺴﻴﺭﺓ ﻟﻠﻤﺤﺒﺔ ،‬ ‫ِ‬ ‫ﹲ‬ ‫‪ِ‬‬ ‫ﻋﻴﻨﺎﻯ : ﻤﻤﻠﻜﺘﺎﻥ ..‬ ‫ِ‬ ‫ﺘﺯ ‪‬ﺎﻥ ﻋﺫﺭﻴﺔ ﺍﻟ ﱠﺎﺭﺠﻴل ،‬ ‫ِ‬ ‫ﹶ ﻨ‬ ‫ﻤ ِ‬ ‫ﺠﻨﺎﺤﺎﻱ : ﻤﺘﻜﺂﻥ ..‬ ‫ِ‬ ‫ﻟﺼﺏ ﺘﺄﻭﺩ ﻓﻲ ﺴﺩﺭﺓ ﺍﻟﻭﺼل ،‬ ‫ٍ ‪ِ ‬‬ ‫‪ ‬‬ ‫ﻓﺎﻫﺘﺯ ﻋﺭﺵ ﺍﻟﺭﺅﻯ‬ ‫ﹸ ‪‬‬ ‫‪‬‬ ‫٢١‬
  • 14. ‫- ﻫﺌﺕ ﻟﻙ‬ ‫ﹶ‬ ‫-) ﻫﻨﺎﻙ ﺇﻟﻰ ﻤﺎ ﺃﺤﺠﻡ ﺍﻟﻌﻘل ﺩﻭﻨﻪ‬ ‫ُ ‪ ‬ﹶ‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺼﻠﺕ ﻭﺒﻲ ﻤﻨﻲ ﺍﺘﺼﺎﻟﻲ ﻭﻭﺼﻠﺘﻲ‬ ‫ﱢ‬ ‫ﹸ‬ ‫ﻓﻜﻠﻰ ﻟﻜﻠﻰ ﻁﺎﻟﺏ ........ ﻤﺘﻭﺠﻪ‬ ‫‪‬ﹶ ‪ ‬ﱢ ‪‬‬ ‫‪‬‬ ‫ﹶ ﹸﱢ ِ ﹸﱢ‬ ‫ﻭ ﺒﻌﻀﻲ ﻟﺒﻌﻀﻲ ﺠﺎﺫﺏ ﺒﺎﻷﻋﻨﺔ ( )٣(‬ ‫ﱠِ‬ ‫‪‬‬ ‫ﺴﻤﺎﺌﻲ ﻤﺒﺭﺃﺓ ﻋﻥ ﺘﺤﻭﻟﻬﺎ ،‬ ‫ﹶ ‪ ِ ‬‬ ‫‪  ‬ﹲ‬ ‫ﺤﻀﺭﺘﻲ ﻤﻐﺭﻕ ﺸﺒ ِﻲ ..‬ ‫‪ ‬ﹾ ﹲ ﹶ ‪‬ﻘ‬ ‫ﻓﻲ ﺘﺒﺘﻠﻬﺎ ،‬ ‫ﹶ ‪‬ﱡ ‪‬‬ ‫) ﻫﺎﺅﻡ ﺍﻋﺘﺼﻤﻭﺍ ﺒﺩﻤﻰ (‬ ‫‪ِ‬‬ ‫‪‬‬ ‫ﺇﻨﻪ ﻤﻨﺯل ﺍﻟﺴﺭ ..‬ ‫ُ ﱢﱢ‬ ‫ﻓﻲ ﺴﺩﺭﺓ ﺃﺸﺭﻗﺕ ..‬ ‫ﹾ‬ ‫ٍ‬ ‫ﻓﻲ ﺴﻤﺎﺀ ﺘﻭﺼﻠﻬﺎ ،‬ ‫ِ ﹶ‪  ‬‬ ‫) ﻫﺎﺅﻡ ﺍﻋﺘﺼﻤﻭﺍ ﺒﺩﻤﻰ (‬ ‫‪‬‬ ‫‪‬‬ ‫ﺇﻨﻪ ﻅﻤﺄ ﻤﻭﺴﻤﻲ ..‬ ‫ﱠ‪ ِِ   ٌ ‬‬ ‫ﺘﻨﺎﺴﺦ ﻓﻲ ﺭﺤﻡ ﺍﻟﻀﻭﺀ‬ ‫ِ ‪ِ‬‬ ‫ﹶ‬ ‫- ﻨﺠﻭﻯ ،‬ ‫- ﺤﻠﻭﻻ ،‬ ‫ﹰ‬ ‫- ﻤﻌﺎﺭﺝ ﻤﻥ ﻓﻀﺔ ﻻ ﺘﺭﻴﻡ ،‬ ‫‪‬‬ ‫‪ٍ ِ  ِ ‬‬ ‫- ﻤﻔﺎﺯﺍﺕ ﻤﻨﻜﺸﻑ ،‬ ‫ِ ‪‬ﹾ ﹶ ِ ٍ‬ ‫- ﻟﺫﺓ ،‬ ‫ﹰ‬ ‫- ﻨﺯﻑ ﻤﺒﺘﻌﺙ ﻤﻥ ﺘﺤﻭﻟﻪ ،‬ ‫ﹶ ‪ِ ِ ‬‬ ‫ﹶ ‪ ‬ﹶ ‪ٍ ‬‬ ‫- ﻭﺭﺩﺓ ..‬ ‫ﹰ‬ ‫ﻻ ﺘﻘﻴﻡ ﻭﻻﺌﻡ ﺒﻬﺠﺘﻬﺎ ..‬ ‫ِ‪‬‬ ‫‪‬‬ ‫ﹸِ ‪‬‬ ‫ﺩﻭﻨﻤﺎ .........،‬ ‫ﺃﻨﺒﻴﺎﺀ ﻴﺭﺩﻭﻥ ﻟﻠﺭﻭﺡ ﻨﺸﻭﺘﻬﺎ ،‬ ‫‪ ِ  ‬ﹶ ﹾ ‪‬ﹶ ‪‬‬ ‫‪‬‬ ‫) ﻓﺘﺒﺎﺭﻙ ﻤﻥ ﺤل‬ ‫‪  ‬ﱠ‬ ‫٣١‬
  • 15. ‫ﻭ ﺍﺤﺘل ..‬ ‫ﱠ‬ ‫ﻓﻲ ﻭﺼﻠﻪ .......(‬ ‫ِِ‬ ‫- ﻫﺌﺕ ﻟﻙ‬ ‫ﹶ‬ ‫- ﻗﻠﺕ : ‪‬ﻭﺤﻲ ﺠﻤﻊ ..‬ ‫‪‬‬ ‫ﹸ ﺭ‬ ‫ﻴﻭﺤﺩﻫﺎ ﻓﻴﻙ ..‬ ‫‪  ‬ﱢ‪  ‬‬ ‫ﻫﺫﺍ ﺍﻟﺒﻬﺎﺀ .‬ ‫***‬ ‫)١( ﺁﻴﺔ)٤٤١( ﺴﻭﺭﺓ ﺍﻟﺒﻘﺭﺓ .‬ ‫)٢( ﺍﻟﺒﻴﺘﺎﻥ ﻟﻠﺤﻼﺝ .‬ ‫)٣( ﺍﻟﺒﻴﺘﺎﻥ ﻻﺒﻥ ﺍﻟﻔﺎﺭﺽ .‬ ‫) ﻴﻨﺎﻴﺭ ٦٩٩١ﻡ (‬ ‫٤١‬
  • 16. ‫ﺘﻨﺎﺴﺨﺎﺕ‬ ‫)١(‬ ‫ﻭﺠﻬﺎ‬ ‫ﹰ‬ ‫ﺃﺘﻬ ‪‬ﺄ‬ ‫ﻴُ‬ ‫ﷲ،‬ ‫ِ‬ ‫ﻓﻴﺎ ﺍﷲ‬ ‫ُ‬ ‫ﺘﻬﻴﺄ ِﻲ ﻭﺠﻬﺎ ..‬ ‫‪‬ﹰ‬ ‫‪ َ‬ﻟ‬ ‫ﻤﻥ ﻴﺒﺘﺯ ﺩ ِﻰ .‬ ‫‪   ‬ﻤ‬ ‫)٢(‬ ‫ﻭﺠﻪ ﻓﻲ ﻟﻭﻥ ﺍﻟﻤﻭﺴﻴﻘﻰ ..‬ ‫ِ‬ ‫‪‬‬ ‫ﻴﺘﺨﻠﻕ‬ ‫ﱠﹸ‬ ‫ﻤﻜﺘﻨﺯﺍ ﺒﺘﺸ ﱢﻴﻪ ،‬ ‫ﹰ ﻬ ِ‬ ‫ﻭ ﺃﻭﺴﻤﺔ ..‬ ‫ﹲ‬ ‫ﺘﺘﻤﺎﻫﻰ ﻓﻲ ﻋﻴﻨﻲ ﺃﻨﺜﻰ ..‬ ‫‪‬‬ ‫ﺨ ‪‬ﺄ ‪‬ﺎ ﻓﻲ ﻋﻴﻨﻴﻪ ﺍﻟﻭﻗﺕ ،‬ ‫ﹸ‬ ‫ِ‬ ‫ﺒﻫ‬ ‫ﻭ ﻭﻻﻨﻲ ﻭﺠﻬﺎ .‬ ‫‪ ‬ﹰ‬ ‫)٣(‬ ‫ﻋﻴﻥ ﻤﺘﻭﺤﺸﺔ ..‬ ‫ﹲ‬ ‫‪‬‬ ‫ﺘﺘﻐ ﱠﺎﻨﻲ ﺒﺎﻟ ﱠﺠﻭﻯ ،‬ ‫ﻨ‬ ‫ﺸِ‬ ‫ﻭ ﺒﻨﺎﺕ ..‬ ‫ﹲ‬ ‫ﻫ ‪‬ﺄﻥ ﺩ ِﻰ ﻟﻤﻭﺍﻗﻴﺕ ﺍﻟﺼﺤﻭ ،‬ ‫ِ ‪ِ ‬‬ ‫ﻴ ‪ ‬ﻤ‬ ‫ﻭ ﺃﺸ ‪‬ﻠﻥ ﺍﻟﻤﻭﺴﻴﻘﻰ ،‬ ‫ﹾﻌ ‪‬‬ ‫ﻭ ﻓﺘﻰ ..‬ ‫ﺃﻁﻔﺄ ﻋﻴﻨﻴﻪ ﺍﻟﺒﺤﺭ ؛‬ ‫‪‬‬ ‫ِ‬ ‫َ‬ ‫٥١‬
  • 17. ‫ﻓﻐﻨﺕ ﻟﻠﺒﺤﺭ ..‬ ‫ِ‬ ‫ﱠ ﹾ‬ ‫ﺒﻼﺒل ﺩﻫﺸﺘﻪ ،‬ ‫ِِ‬ ‫ُ‬ ‫ﻭ ﺍﻤﺘﻥ ﺍﻟﺒﺤﺭ ..!‬ ‫‪‬‬ ‫‪‬‬ ‫)٤(‬ ‫ﻭﺠﻬﺎ‬ ‫‪‬ﹰ‬ ‫ﻴﺘﻬﻴﺄ - ِﻲ -‬ ‫ُ ﻟ‬ ‫ﺍﷲ ،‬ ‫ُ‬ ‫ﻓﻴﺎ ﺍﷲ‬ ‫ُ‬ ‫ﺘﻬﻴﺄ ،‬ ‫‪ْ‬‬ ‫ﻟﻲ ﻭﺠﻪ ﻤﻘﺭﻭﺭ ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﺒﺘﻬﻴﺌﻪ ،‬ ‫‪ِ ِ‬‬ ‫ﻭ ﺘﻨﺎﺴﺨﻪ ..‬ ‫ِِ‬ ‫ﻓﻲ ﻫﻴﺌﺔ ﻅل ..‬ ‫ِ ﱟ‬ ‫ﻤﻘﺭﻭﺭ ﺒﻲ ..!‬ ‫ٍ‬ ‫)٥(‬ ‫ﻤﻜﺘﻅﺎ ﺒﺎﻟﺭﻭﻋﺔ ..‬ ‫‪ ‬ﹰ ‪ِ ‬‬ ‫ﻤﺩ ﻜﺘﺎﺌﺏ ﻋﻴﻨﻴﻪ ..‬ ‫ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺇﻟﻰ ﻋﻴﻨﻴ ‪‬ﺎ ،‬ ‫‪‬ﻬ‬ ‫‪‬ﺤﺘﻔﻴﺎ ﺒﻬﺯﻴﻤﺘﻪ ..‬ ‫ِِ‬ ‫ﻤ ﹰ‬ ‫ﻓﺘﻤﺩﺩﺕ ﺍﻟﺸﻤﺱ ..‬ ‫ﱠ ‪‬‬ ‫ﺒﻌﻴﻨﻴﻪ ﺩﻟﻴﻼ ..!‬ ‫ﹰ‬ ‫ِ‬ ‫)٦(‬ ‫ﻭﺠﻪ ﻤﺒﺘل ﺒﻁﻔﻭﻟﺘﻪ ..‬ ‫ِِ‬ ‫‪  ‬ﹶ ٌ‬ ‫ﺘﺘﻐ ﱠﻰ ﻋﻴﻨﻲ ﻤﻼﻤﺤﻪ ،‬ ‫ِ ‪‬‬ ‫‪‬‬ ‫ﺸ‬ ‫ﻭ ﺍﻟﻭﻗﺕ ‪‬ﻤﺎﻟﺅﻨﻰ ﻀﺤﻜﺎ ..‬ ‫ﹰ‬ ‫ﹸﻴ‬ ‫٦١‬
  • 18. ‫ﻻ ﺃﺴ ِﻴﻊ ..‬ ‫‪‬ﻁ ‪‬‬ ‫ﻟﻪ ﻁﻠﺒﺎ ..!‬ ‫ﹰ‬ ‫)٧(‬ ‫ﻭﺠﻬﺎ‬ ‫ﹾ‬ ‫- ﺃﺘﻬ ‪‬ﺄ -‬ ‫ﻴ‬ ‫ﷲ،‬ ‫ِ‬ ‫ﻓﻴﺎ ﺍﷲ ..‬ ‫ُ‬ ‫ﺘﻬ ‪‬ﺄ ِﻲ ﻭﺠﻬﺎ ..!‬ ‫ﹰ‬ ‫ﻴ ﻟ‬ ‫ﻤﻥ ﻴﺒﺘﺯ ﺩ ِﻲ ..‬ ‫‪   ‬ﻤ‬ ‫ﺇﻻﻯ ..؟!‬ ‫***‬ ‫) ﺃﻜﺘﻭﺒﺭ ٤٩٩١ﻡ (‬ ‫٧١‬
  • 19. ‫ﺴﻔﺭ ﺍﻟﻔﺘﻭﺤﺎﺕ‬ ‫ﻤﻔﺘﺘﺢ‬ ‫ﺠﻤﻠﺔ ﻤﻐﻠﻘﺔ ،‬ ‫ﹲ ‪‬ﹾ‬ ‫ﻭ ﻓﺘﻰ ﺤﻴﻥ ﻴﻔﺘﺤ ‪‬ﺎ ..‬ ‫‪ ‬ﻬ‬ ‫ﻴﻔﺘﺢ ﺍﻷﺭﺽ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭ .....‬ ‫ﻭﺍﻭ ﻋﻁﻑ ﺘﺭﺍﻭ ﹸﻪ ،‬ ‫ٍ ﹸ ‪ ‬ﻏ‪‬‬ ‫‪‬‬ ‫ﺜﻡ ﺘﻔﺘﺢ ﻓﻲ ﺩﻤﻪ ..‬ ‫‪ِِ ِ  ‬‬ ‫ﻜﻭﺓ ﻟﻠ ‪‬ﺅﺍل .‬ ‫ﹸ ‪‬ﹰ ﺴ‬ ‫ﻓﺘﺢ ﺃﻭل‬ ‫ﻭﺍﻫﻤﺎ ﺁﻨﺱ ﺍﻟ ﱠﺎﺭ ،‬ ‫ﹰ ﹶ ‪ ‬ﻨ ‪‬‬ ‫ﻴﺎ .....‬ ‫ﻟﻡ ﺃﺠﺩ ِﻲ ..‬ ‫‪ ‬ﻟ‬ ‫.. ﻫ ‪‬ﻯ .‬ ‫‪‬ﺩ‬ ‫ﻴﺎ .....‬ ‫.. ﻫ ‪‬ﻯ‬ ‫‪‬ﺩ‬ ‫ﻟﻡ ﺃﺠﺩ ﻟﻲ ..‬ ‫‪ِ‬‬ ‫ﻴﺎ .....‬ ‫ﻓﺎﻓﺘﺤﻲ ﺒﻴﻨﻨﺎ ﺍﻟﻔﺘﺢ ،‬ ‫‪‬‬ ‫ﻭ ﺍﻋﺘﺼﻤﻲ ﺒﺎﻟﻐﻭﺍﻴﺔ ،‬ ‫ِ‬ ‫ﺴﺤﺭ ﺍﻟﻘﻨﺎﺩﻴل ،‬ ‫ِ‬ ‫ِ‬ ‫ﺒﻭﺡ ﺍﻷﺭﺍﻏﻴل .‬ ‫ِ‬ ‫ِ‬ ‫ﻤ ﱢﻯ ﺇﻟﻰ ﺍﻟﻐﻴﻡ ﻁﺭﻓﺎ ،‬ ‫ِ ﹶ‪‬ﹰ‬ ‫‪‬ﺩ‬ ‫ﻭ ﻁﺭﻓﺎ‬ ‫ﹶ‪‬ﹰ‬ ‫٨١‬
  • 20. ‫ﺃﺭﻴﻘﻲ ﺩﻡ ﺍﻟﻘﻠﺏ ﻓﻲ ﺠﻤﺭﺓ‬ ‫ٍ‬ ‫ِ‬ ‫‪‬‬ ‫ﺘﺘﺄﺒﻁ ﻟﻜﻨﺘ ِ ﺍﻟﻤﺴﺘﻌﺎﺭﺓ ،‬ ‫‪ ‬ﹸ ﹶ ﹶﻙ ‪  ‬ﹶ‬ ‫ﻭ ﺍﻟﻨﺎﺴﻜﻭﻥ ﻴﻬﻠﻭﻥ ﻤﻥ ﻜل ﻓﺞ ؛‬ ‫‪ ِ ‬ﱢ ‪‬‬ ‫‪‬‬ ‫ﱠ‬ ‫ﻟﻴﻌﺘﻤﺭﻭﺍ ﺒﻴﻥ ﻋﻴﻨﻴﻙ .‬ ‫ِ‬ ‫‪‬‬ ‫ﻫل ﻤﻁﺭ ﻴﺤﺘﻭﻴﻙ ..‬ ‫ِ‬ ‫‪‬‬ ‫ﻋﻠﻰ ﻭﻫﺩﺓ ﺍﻟﻭﻋﺩ ..؟!‬ ‫ِ‬ ‫ِ‬ ‫ﻫل ﺴﻴﺭﺓ ..‬ ‫ﹲ‬ ‫ﺘﺘﺜﺎﺀﺏ ﻓﻲ ﺍﻟ ﱠﺍﻜﺭﺓ ..؟!‬ ‫ﺫ‬ ‫‪‬‬ ‫ﺃﻴﻬﺫﻯ ﺍﻟﺘﻲ ﺤﺒ ‪‬ﺎ ﻗﺩ ِﻱ‬ ‫‪‬ﻬ ﹶ ‪‬ﺭ‬ ‫‪‬‬ ‫ﻜﻴﻑ ﻗﺩﺭﺕ ﻜﻴ ﹸﻭﻨ ِﻲ ..‬ ‫ﹶ ﹶ ‪ ِ  ‬ﹶ ‪ ‬ﻨ ﹶﺘ‬ ‫ﻓﻲ ﻋﻴﻭﻨﻙ ..؟‬ ‫ِِ‬ ‫ﺃﻭﺜﻘﺕ ‪‬ﻭﺤﻲ ﺇﻟﻰ ﻤﺭﻓﺄﻴﻙ ..؟‬ ‫‪ِ‬‬ ‫ِﺭ‬ ‫ﺘﻭﺤﺸﺕ ﺤﻴﻥ ﺘﻭﺤﺩﺕ ﻓﻲ ..؟‬ ‫‪ ِ   ِ ‬‬ ‫ﺘﻭﺤﺸﺕ ﺤﻴﻥ ﺘﻭﺤﺩﺕ ﻓﻴﻙ ..؟‬ ‫‪ ‬ﹸ ‪  ‬ﹸ ِ‬ ‫ﺍﻷﻤﺎﻨﻲ ﺘﺭﺍﻭﺩﻨﻲ ﻋﻨﻙ ،‬ ‫ِ‬ ‫ﹸ ‪ِ ِ ‬‬ ‫ﺜﻤﺔ ﻋﻴﻨﺎﻥ ﻨ ‪‬ﺎﺨﺘﺎﻥ ..‬ ‫ِ‬ ‫ِ ﻀ‬ ‫ﹶ‬ ‫ﺘﻀﻴﺌﺎﻥ ﻅﻠﻤﺔ ﻨﻔﺴﻲ‬ ‫ﹶ‬ ‫ِ‬ ‫ﻓﺄﻓﺘﺢ ﻤﻤﻠﻜﺔ ﺍﻟﺤﺏ ،‬ ‫ﱢ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻭ ﺍﻟﻨﻭﺭ ،‬ ‫ِ‬ ‫ﻭ ﺍﻟﺭﻤﺯ ،‬ ‫ِ‬ ‫ﻭ ﺍﻟﻨﺎﺭ ،‬ ‫ِ‬ ‫ﻭ ﺍﻟﺠﺴﺩ ﺍﻟﻤﺘ ‪‬ﺍ ِﻲ ..‬ ‫ِ ‪ ‬ﹶﺭ ﻤ‬ ‫ﻋﻠﻰ ﻋﻴﻨﻲ ﺍﻟﻅﺎﻤﺌﺔ .‬ ‫ﱠ‬ ‫٩١‬
  • 21. ‫ﻓﺘﺢ ﺜﺎﻥ‬ ‫ﺠﺴﺩ ﻋﻠﻰ ﺠﺴﺩ ﻭ ﺭﻭﺡ ﻓﻲ ﺩﻡ‬ ‫‪ٍ‬‬ ‫‪‬‬ ‫ٍ‬ ‫‪‬‬ ‫ﻏﺽ ...... ﻭ ﺁﻻﺀ ﻋﻠﻰ ﺁﻻﺀ .‬ ‫ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﺠﺘﺎﺤ ِﻲ ﺤﺘﻰ ﻜﺄﻥ ﺠﻭﺍﻨ ِﻲ‬ ‫ِﺤ‬ ‫‪‬‬ ‫‪‬ﻨ‬ ‫ﻭﻁﻥ ﺘﺴـﻭﺭ ﻏـﺭﺒﺔ ﺍﻟﻐﺭﺒﺎﺀ .‬ ‫ِ‬ ‫ﹶ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﺘﻭﺤﺸﺕ ﺭﺅﻴﺎﻱ ﻓﻴﻙ ﻭ ﺃﻴﻘﻅﺕ‬ ‫ﹾ‬ ‫ِ‬ ‫ﹾ‬ ‫ﺭﺅﻴﺎﻙ ﻓﻲ ﻓﻤﻥ ﺃﻀل ﺍﻟ ‪‬ﺍﺌﻲ ؟‬ ‫ِ ِ‪  ‬ﱠ ﺭ‬ ‫ﻫﺫﺍ ﻨﺯﻴﻑ ﺍﻟﻜﺸﻑ ﻤ ﱠﻜﺊ ﻋﻠﻰ‬ ‫ِ ‪‬ﺘ ٌ‬ ‫ﹸ‬ ‫ﻭﺠﻬﻲ ، ﻭﻤﻌﺘﺼﻡ ﺒﺤﺒل ﺍﻟ ‪‬ﺎﺀ .‬ ‫ِ ﻤ ِ‬ ‫‪‬‬ ‫ﺭﻭﺡ ﻭ ﺭﻴﺤﺎﻥ ﻭﻨﺎﺭ ﻏ ‪‬ﺔ ﺍﻟـ‬ ‫‪ ‬ﻀﹸ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻋﺭﺍﻑ ﺃﺴﻜﻨ ‪‬ﺎ ﺍﻟﻤ ‪‬ﻯ ﺒﺭﺩﺍﺌﻲ .‬ ‫ِ ﹶﻬ ‪ ‬ﺩ‬ ‫ﻓﻠﺘﻔﺭﻗﻲ ﺩﻤﻙ ﺍﻟﻤ ‪‬ﺍﻭﻍ ﻋﻥ ﺩ ِﻰ‬ ‫‪  ِ  ‬ﺭ ﹶ ‪ ‬ﻤ‬ ‫ﻭ ﻟﺘﺴﻤﻌﻲ ﻟﻠ ‪‬ﻭﺕ ﻭ ﺍﻷﺼﺩﺍﺀ .‬ ‫ِ‬ ‫ﺼ ِ‬ ‫ﺠﺩﺏ ‪‬ﺭﺍﻭﺩﻨﻲ ﻋﻥ ﺍﻟﺫﻜﺭﻯ ﺍﻟﺘﻲ‬ ‫‪‬ﻴ‬ ‫ﺼﻠﺒﺕ ﺒﻌﻴﻨﻙ ﻗـﺒﻠﺔ ﺍﻷﻀـﻭﺍﺀ .‬ ‫ِ‬ ‫ﹶ‬ ‫ﹾ ِِ‬ ‫ﻭ ﻫﻭﻯ ﻴﺄﻭﻟﻨﻲ ﺒﺤﺯﻥ ﻏﺎﻤﺽ‬ ‫ٍ‬ ‫ٍ‬ ‫ﺘﻤﺘﺩ ﻓﻲ ﺃﺠﻭﺍﺌﻪ ﺃﺠـﻭﺍﺌﻲ .‬ ‫ِِ‬ ‫‪‬‬ ‫ﻋﻴﻨﻲ ﻋﻠﻰ ﻋﻴﻨﻴﻥ ﺘﻨﺸ ﱠﺎﻥ ِﻲ‬ ‫ِ ﻘ ِﻓ‬ ‫ﺠﻨﺢ ﺍﻟ ‪‬ﺠﻰ ، ﻭ ﺘﺼﻠ ‪‬ﺎﻥ ﻭﺭﺍﺌﻲ .‬ ‫ﹸ ‪‬ﱢﻴ ِ‬ ‫ِ ﺩ‬ ‫ﻭ ﺘﺴل ﻟﻲ ﺴﻴﻑ ﺍﻟﻐﻭﺍﻴﺔ ﻭﺭﺩﺓ‬ ‫ﹲ‬ ‫ِ‬ ‫ﹶ‬ ‫ﱡ‬ ‫ﺼﻠﺕ ﻋﻠﻰ ، ﻭ ﺒﺎﺭﻜﺕ ﺃﺴﻤﺎﺌﻲ .‬ ‫ﹾ‬ ‫ﱠ ﹾ ‪‬‬ ‫ﻤﺘﺜﺎﺌﺒﺎ )ﻜﺎﻟﻭﻗﺕ( ﻴﺸﺭﻕ ﻓﻲ ﺩﻤﻰ‬ ‫ﹸ‬ ‫ﹰ‬ ‫ﻭﺠﻪ ﺍﻟﺤﺭﻴﻕ ، ﻭ ﺤﺭﻗﺔ ﺍﻷﺸﻴﺎﺀ .‬ ‫ِ‬ ‫ﹸ‬ ‫ِ‬ ‫‪‬‬ ‫ﺴﺒﺤﺎﻥ ﻤﻥ ﺠﻌل ﺍﻟﺤﻘﻴﻘﺔ ﺼﺒﻭ ِﻲ‬ ‫ﹶ ‪  ‬ﺘ‬ ‫َ‬ ‫‪ ‬‬ ‫ﻭ ﺍﻟﻤﺎﺀ ﺩﺭﺒﻲ ، ﻭ ﺍﻟﻬﻭﺍﺀ ﻟﻭﺍﺌﻲ .‬ ‫‪‬‬ ‫‪‬‬ ‫٠٢‬
  • 22. ‫ﻓﺘﺢ ﺜﺎﻟﺙ‬ ‫ﺠﺴﺩ ﻴﺨﺭ ﻋﻠﻰ ﻭﻤﻴﺽ ..‬ ‫ٍ‬ ‫‪ ‬‬ ‫ﻴﺜﻘﺏ ﺍﻟ ‪‬ﺅﻴﺎ .‬ ‫‪ ‬ﺭ‬ ‫ﻭﻴﺸﻌل ﺠﻠﻨﺎﺭﺍ ﻓﻰ ‪‬ﻤﻲ ..‬ ‫ُ ‪‬ﱠ ﹶ ﹰ ﺩ‬ ‫/ ﻜﻴﻑ ﺍﻓﺘﺭﺴﺕ ﻤﺩﻴﻨﺔ‬ ‫ﹰ‬ ‫ﹸ‬ ‫ﻭ ﺃﻀﺄﺕ ﻓﻰ ِﻨ ِ ﺍﻷﺼﻴل ..‬ ‫ِ‬ ‫ﹸ ﺴ ﹶﺔ‬ ‫ﻤﻭﺍﻗﻊ ﺍﻟﺘﺄﻭﻴل ؟‬ ‫‪ ‬ﱠ ِ‬ ‫ﺜﻡ ﺃﻗﻤﺕ ﺘﺎﺭﻴﺨﻲ ﺒﻤﻌﺭﺍﺝ‬ ‫ٍ‬ ‫ﹸ‬ ‫ﻭﺒﺤ ﹸ ...؟/‬ ‫‪ ‬ﺕ‬ ‫ﺍﻟ ‪‬ﻭﺡ : ﻤﻴﻘﺎﺕ ،‬ ‫ﹲ‬ ‫ﺭ ‪‬‬ ‫ﻭ ﺃﻴﺎﻤﻲ : ﺼﺩﻯ ..‬ ‫ﻴﺠﺭﻯ ﻋﻠﻰ ﺴﻤﻊ ﺍﻟﺫﻱ ﻋﻴﻨﺎﻩ ..‬ ‫‪‬‬ ‫ِ‬ ‫ﺯﻨﺒﻘﺘﺎﻥ ..‬ ‫ِ‬ ‫ﺘﺴﺘﺒﻘﺎﻥ ﺫﺍﻜﺭﺘﻲ ،‬ ‫ِ‬ ‫ﻭﻜﻔﺎﻩ ﺴﻤﺎﺀﺍﻥ ..‬ ‫ِ‬ ‫ﹶﱠ ‪‬‬ ‫ﺘﻅﻼﻨﻲ .‬ ‫ﹸِ‬ ‫ﻓﺘﺢ ﺭﺍﺒﻊ‬ ‫/ ﺨﻁﻭﺓ ﻭ ﹸﻬﻴﻲﺀ ﺃﻋﺠﺎﺯﻫﺎ ..‬ ‫‪‬‬ ‫ﺘ ‪‬‬ ‫ﻟﻠﻨﺒﺎﺕ ﺍﻟﺠﻤﻴل /‬ ‫ِ‬ ‫ِ‬ ‫ﺃﻴﺎ ﺃﻴﻬﺎ ﺍﻟ ‪‬ﻨﺯﻭﻱ ﻓﻲ ﺼﻬﻴل ﺫﻜﻭﺭﺘﻙ‬ ‫ِ‪‬‬ ‫ِ‬ ‫‪ ‬ﻤ‬ ‫ﺍﻵﻥ‬ ‫‪‬‬ ‫ﺘﺤﺼﺩ ﻤﺎ ﻴﺘﻴﺴﺭ ﻤﻥ ﻭﻗﺘﻙ ﺍﻟﻔﻭﻀﻭﻱ ،‬ ‫ﱢ‬ ‫‪ ِ ِ ‬‬ ‫‪‬‬ ‫ﻭ ﺘﺨﺘﺎل ﻓﻭﻕ ﺭﺼﻴﻑ ﻤﻥ ﺍﻟﺴﺤﺏ .‬ ‫‪ِ ‬‬ ‫ٍ‬ ‫ُ ﹶ‬ ‫ﻫﺫﻯ ﺍﻟﻤﻭﺍﻗﻊ ﻤﺸﹾﻬﺭﺓ ..‬ ‫‪  ‬ﹲ‬ ‫١٢‬
  • 23. ‫ﻓﻰ ﻭﺠﻭﻩ ﺍﻟﻤﺤﺎﻟﻴﻥ ﻟﻠﺤﻠﻡ ،‬ ‫ِ‬ ‫ِ ‪ ‬‬ ‫ﻫﺫﺍ ﺍﻟﻤﻜﺎﻥ ﻤﻜﺎﻥ ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻨﻭﺍﻗﻌﻪ ﻓﺠﺄﺓ ،‬ ‫‪ ‬ﹰ‬ ‫ﻭ ﻋﻠﻰ ﻤﻭﻋﺩ ،‬ ‫ٍ‬ ‫ﻭ ﻫﺫﺍ ﺍﻟﺯﻤﺎﻥ ﺯﻤﺎﻨﻲ .‬ ‫‪‬‬ ‫ﺴﺘﺸﺭﺏ ﺸﺎﻴﺎ‬ ‫‪ ‬ﹰ‬ ‫ﻟﺘﺤﺭﻗﻬﺎ ﻟﺫﺓ ﺍﻻﻨﺘﻅﺎﺭ ،‬ ‫ِ‬ ‫ﹶ ‪ ‬ﱠﹸ‬ ‫ﻭ ﺘﻤﻜﺙ ﺒﻀﻊ ﺜﻭﺍﻥ ..‬ ‫ٍ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺘﺸ ﱢﻊ ﺃﻋﺩﺍﺀﻙ ﺍﻟﻁﻴﺒﻴﻥ .‬ ‫‪‬‬ ‫‪‬‬ ‫ﹸ ﹶﻴ ‪‬‬ ‫ﺒﻼ ﻗﺒل ﺃﻭ ﻋﻨﺎﻕ .‬ ‫ٍ‬ ‫ٍ‬ ‫/ ﻷﻥ ﺍﻟﺫﻴﻥ ‪‬ﺭﻴﺩﻭﻥ ﺴﻔﻙ ﺩﻤﻲ‬ ‫‪ِ ‬‬ ‫‪‬‬ ‫‪‬ﻴ‬ ‫‪‬‬ ‫ﺒﻌﻀﻬﻡ ﺃﺼﺩﻗﺎﺌﻰ ..‬ ‫‪‬‬ ‫ﻭ ﺃﻏﻠﺒﻬﻡ ﺴﺎﻜﻥ ﻓﻲ ﺩﻤﻲ ..‬ ‫‪ِ‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻟﺫﺍ ﺴﺄﺠ ﱢﺏ ﺃﻜل ﻤﺤﺒ ِﻬﻡ ،‬ ‫ﺭ ‪ َ ‬ﺘ‬ ‫ﻭ ﻗﻠﻴﻼ ﻤﻥ ﺍﻟﺤﺯﻥ /‬ ‫ِ‬ ‫ﹰ‬ ‫ﺘﺭﻗﺹ ﻓﻲ ﺩﻤﻙ ﺍﻟ ﹸﺒﺭﺍﺕ ،‬ ‫‪  ِ‬ﻘ ﹸ‬ ‫‪‬‬ ‫ﻭ ﹸﺭﺴل ﺃﻤﻭﺍﻫ ‪‬ﺎ .‬ ‫‪‬ﻬ‬ ‫ﺘ ُ‬ ‫ﻫل ﺴﺘﺸﺭﻋﻨﻲ ﺠﻭﻗﺔ ﺍﻟﻅل ..‬ ‫ﱢ‬ ‫ﹸ‬ ‫ﺴﻴﻔﺎ ..‬ ‫ﹰ‬ ‫ﺒﻭﺠﻪ ﺍﻟﻤﺩﻴﻨﺔ ..؟‬ ‫ِ‬ ‫ِ‬ ‫ﻫل ﺴﻴ ‪‬ﺍﻗﺒﻨﻲ ..‬ ‫‪‬ﺭ‬ ‫ﺒﺸﺭ ﻜﺎﻟ ‪‬ﺤﺎﻟﻲ ..؟‬ ‫‪ ‬ﺴ‬ ‫ﻴﻠ ﱡﻭﻥ ﺃﻋﻴﻨ ‪‬ﻡ ..‬ ‫ﻔ ‪ ‬ﹶﻬ‬ ‫ﺤﻭل ﺭﺠﻠﻲ ..؟‬ ‫‪‬‬ ‫ﻫل‬ ‫ﺴﻴﻭﺍﻋﺩﻨﻲ ﺍﷲ ..‬ ‫ُ‬ ‫٢٢‬
  • 24. ‫ﻓﻰ ﺒﻠﺩ ﻁﻴﺏ ..‬ ‫ٍ ﱢ ٍ‬ ‫ﺜﻡ‬ ‫ﻴﺘﺭﻙ‬ ‫‪‬‬ ‫ﻭﺠﻬﻲ‬ ‫ل‬ ‫ﻭ‬ ‫ﺝ‬ ‫ﻩ‬ ‫ﻯ ....؟!‬ ‫***‬ ‫) ﻴﻨﺎﻴﺭ ٤٩٩١ﻡ (‬ ‫٣٢‬
  • 25. ‫ﺃﻟﻕ ﻋﻠﻰ ﻁﻤﻲ ﺍﻟﻜﺘﺎﺒﺔ‬ ‫ِﹶ ‪‬‬ ‫‪‬‬ ‫ﹲ‬ ‫ﻗل ﻟﻭ ﻜﺎﻥ ﺍﻟﺒﺤﺭ ﻤﺩﺍﺩﺍ ...‬ ‫‪ ِ ‬ﹰ‬ ‫‪‬‬ ‫ﹸْ‬ ‫ﻗل ﻟﻭ ﻜﺎﻥ ﺍﻟﺒﺤﺭ ...‬ ‫‪‬‬ ‫‪‬‬ ‫ﹸْ‬ ‫ﻗل ﻟﻭ ﻜﺎﻥ ...‬ ‫ﹸْ‬ ‫ﻗل ﻟﻭ ...‬ ‫ﹸْ‬ ‫ﻟﻭ ﺃﻥ ﻫﻨﺩﺴﺔ ﺍﻟﻤﺠﺎﺯ ..‬ ‫ِ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﺘﺤﺩﺭﺕ ﻤﻥ ﻋﻨﻔﻭﺍﻥ ﺍﻟﺤﺫﻑ ﻭ ﺍﻹﻴﻤﺎﺀ ،‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫‪ ‬ﹾ‬ ‫ﺩﺭﺕ ﺴﺎﺒﺤﺎﺕ ﺍﻟﻘﻴﻅ ..‬ ‫ِ‬ ‫ِ‬ ‫‪ ‬ﹾ‬ ‫ﻓﻰ ﻜﺒﺩ ﺍﻟﺘﺠﺎﺭﺏ ،‬ ‫ِ‬ ‫ِ‬ ‫ﺃﻴﻘﻅﺕ ..‬ ‫ﹾ‬ ‫ﻭﻗﻌﺎ ﺘﻨﺎﻏﻡ ﻓﻲ ﻤﺘﻭﻥ ﺍﻟﺼﺤﻭ ..‬ ‫ِ ‪ِ ‬‬ ‫‪‬‬ ‫ﹰ‬ ‫ﻨﺎﺭﺍ ..‬ ‫ﹰ‬ ‫ﻴﺴﺘﻅل ﺒﻬﺎ ﺍﺌﺘﻼﻕ ﺍﻟﺭﻤﺯ ؛‬ ‫ﹸ ‪ِ‬‬ ‫ﱡ‬ ‫ﻻﺤﺘﺩﻡ ﺍﻟﻨﺸﻴﺞ ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤﻭﺍﺠﺩﺍ ،‬ ‫ﹰ‬ ‫ﺃﻟﻘﺎ ﺨﺼﻴﺒﺎ .‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻭ ﺍﻟﺒﺭﻴﻕ ﺍﻷﺭﺠﻭﺍﻨﻲ ،‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺍﻟﺘﻭﺤﺩ ،‬ ‫‪‬‬ ‫ﺴﻜﺭﺓ ﺍﻟﺸﺒﻕ ﺍﻟﺭﺠﻴﻡ‬ ‫ِ‬ ‫ِ‬ ‫ﹸ‬ ‫ﻤﻔﺎﻭﺯ ﺍﻟﻌﺯﻑ ﺍﻟﻤﺼﻠﺏ‬ ‫ِ ‪ ‬ﱠ ِ‬ ‫‪‬‬ ‫ﻓﻲ ﺠﺫﻭﻉ ﺍﻟ ‪‬ﻭﺡ‬ ‫ِ ﺭ ِ‬ ‫- ﻟﻭ ﺃﻥ ﺍﻟﺭﺅﻯ ...‬ ‫‪ ‬‬ ‫- ﺼﻤﺘﺎ ﺒﻠﻴﻐﺎ‬ ‫ﹰ ﹰ‬ ‫ﺇﻨﻨﺎ ﻟﻡ ﻨﺒﺭﺡ ﺍﻷﺴﻼﻑ‬ ‫ﹶ‬ ‫‪‬‬ ‫- ﻟﻭ ﺃﻥ ﺍﻟﻘﺼﺎﺌﺩ ..‬ ‫‪‬‬ ‫‪‬‬ ‫٤٢‬
  • 26. ‫- ﻭﺭﺩﺓ ﺘﻠﻬﻭ ﻋﻠﻰ ﺠﻤﺭ ﺍﻟﺘﻭﺤﺵ .‬ ‫ِ ﱠ‪ِ  ‬‬ ‫ﹲ‬ ‫ﻻ ﺍﻨﻜﺸﺎﻑ ..‬ ‫ﹸ‬ ‫ﻋﻭﺍﺭﻑ ﺍﻹﻴﻐﺎل ﻓﻲ ﺍﻟﻤﺠﻬﻭل ..‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫ﻴﻘﻁﻊ ﻤﺎ ﺘﻴﺴﺭ ﻤﻥ ﺒﻭﺍﺩﻱ ﺍﻟﺼﻤﺕ ،‬ ‫‪ِ ‬‬ ‫‪ِ ‬‬ ‫‪‬‬ ‫ﻻ ﻟﻐﺔ ﺍﻟﻤﺠﻭﺴﻲ / ﺍﻟ ‪‬ﻟﻲ ..‬ ‫ِﱢ ﻭ ﱢ‬ ‫ﹸ‬ ‫ﺘﺯﻟﺯل ﺍﻷﻟﻡ ﺍﻟﺤﻤﻴﻡ‬ ‫‪‬‬ ‫ﹸ ُ ‪‬‬ ‫- ﺍﻷﺭﺽ ﺘﺒﺭ‬ ‫‪ ِ ‬‬ ‫ﻭ ﺍﻟﻘﺼﻴﺩ ﻤﺩﻯ ﺘﻤﺩﺩ ﻓﻲ‬ ‫‪ ِ ‬‬ ‫‪‬‬ ‫- ﻟﻭ ﺃﻥ ﺍﻟﺠﻬﺎﺕ ...‬ ‫ِ‬ ‫‪‬‬ ‫ﺃﻨﺎ ﺍﻟﻤﻬ ‪‬ﺄ ﻟﻠﻭﻟﻭﺝ ﺇﻟﻴﻙ‬ ‫ِ ‪‬‬ ‫‪ ‬ﻴ ُ‬ ‫ﻤﻥ ﻜل ﺍﻟﺠﻬﺎﺕ !‬ ‫ِ‬ ‫ﱢ‬ ‫ﺍﻟﺭﺅﻴﺔ = ﺍﻹﺴﺭﺍﺀ‬ ‫‪‬‬ ‫ﹸ‬ ‫) ﺴﺒﺤﺎﻥ ﺍﻟﺫﻱ ﺃﺴ ‪‬ﻯ (‬ ‫‪‬ﺭ‬ ‫‪‬‬ ‫ﺍﺤﺘﺭﺍﻗﻲ ﻓﻲ ﻋﻴﻭﻥ ﺍﷲ = ﻤﻴﻼﺩﻱ‬ ‫ِ ِ‬ ‫= ﺘﺨﱡﻕ ﺠﻤﺭﺓ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺼﻴﺔ‬ ‫ِ ‪ِ ِ ‬‬ ‫ِ‬ ‫ﻠﹸ‬ ‫ﻓﻲ ﺒﺤﻴﺭﺓ ﻻﺯﻭﺭ‪‬ﺩ‬ ‫ِ ‪‬‬ ‫ﺃﻨﺎ ﺍﺼﻁﻔﻴﺘ ‪ِ ‬ﻲ‬ ‫ﹶ ‪ ‬ﹸﻙ ﻟ‬ ‫ﻓﻜﻥ ِﻲ ؛‬ ‫‪‬ﻟ‬ ‫ﻴﺒﺭﺡ ﺍﻷﺴﻼﻑ ..‬ ‫ﹸ‬ ‫ﻨﺎﺼﻴﺔ ﺍﻟﻘﺼﻴﺩﺓ ،‬ ‫ِ‬ ‫ﹶ‬ ‫ﺴﻨﺒﻼﺕ ﺍﻟ ‪‬ﻭﺡ ،‬ ‫ِ ﺭ ِ‬ ‫ﺁﻻﺀ ﺍﻟﺘﻭﺤﺩ .‬ ‫‪ ‬ﱠ ‪ِ ‬‬ ‫ﻗل : ﻫﻭ ﺍﻟﻭﺠﺩ ﺍﻟﻤ ‪‬ﺍﻭﻍ‬ ‫‪ ‬ﺭ‬ ‫ْ‬ ‫ﺸﻬﻭﺓ ﻗﺯﺤﻴﺔ ﺍﻹﻴﻘﺎﻉ‬ ‫ِ‬ ‫ﹲ ﹸ ‪ ِ ‬ﹸ‬ ‫ﻭ ﺍﻟﻌﺯﻑ ﺍﻨﺘﺸﺎﺀ ..‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻋﻭﺍﻟﻡ ﺍﻷﻟﻕ ﺍﻟﺨﺼﻴﺏ‬ ‫ِ‬ ‫ِ ﹶ‬ ‫ِ‬ ‫٥٢‬
  • 27. ‫ﻫﻭ ﺍﻟﻨﺯﻴﻑ / ﺍﻻﻨﺸﻁﺎﺭ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺼﻬﻴل ﺭﻤﺯ‬ ‫ُ ٍ‬ ‫ﻟﻡ ﻴﺯل ﻏﻀﺎ‬ ‫ْ ‪‬ﹰ‬ ‫ﺘﻜﺸﻑ ﺠﻤﺭﺓ ﺍﻹﻴﻐﺎل ..‬ ‫ِ‬ ‫ِ‬ ‫ﹶﹶ ﱡ ﹸ‬ ‫ﻓﻲ ﺍﻟﻤﺠﻬﻭل‬ ‫ِ‬ ‫ﻋﻥ ﻜﺸﻑ ﺠﺩﻴﺩ .‬ ‫ٍ‬ ‫***‬ ‫) ﻓﺒﺭﺍﻴﺭ ٥٩٩١ﻡ (‬ ‫٦٢‬
  • 28. ‫ﺍﺤﺘﻤﺎﻻﺕ‬ ‫)١(‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺘﺘﻬﻴﺄ ﻟﻲ ﺫﺍﻜﺭﺓ‬ ‫ﹲ‬ ‫‪ِ َ ‬‬ ‫ﻨﺴﻴﺘﻬﺎ ﺍﻟﻌﺭﺒﺎﺕ ..‬ ‫ﹸ‬ ‫ﹾ‪‬‬ ‫ﻋﻠﻰ ﻭﺠﻪ ﺍﻟﺼﺤﺭﺍﺀ ،‬ ‫ِ ‪ِ ‬‬ ‫ﻭ ﻭﺠﻬﻲ ..‬ ‫ﻴﺘﻬﻴﺄ ﻟﻠﻨﺴﻴﺎﻥ .‬ ‫‪ُ‬‬ ‫)٢(‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺃﻨﺴﻰ ﻭﺠﻬﻲ‬ ‫‪‬‬ ‫ﻓﻲ ﻋﻴﻥ ) ﻫﻨﺎﺀ (‬ ‫ِ‬ ‫ﻟﺘﻨﺴﻰ ﻓﻰ ﻋﻴﻨﻲ ..‬ ‫ﻭﺠﻪ ﺍﻷﺭﺽ ،‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺫﺍﻜﺭﺓ ﻟﻁﻔﻭﻟﺘﻬﺎ ،‬ ‫ِ‪‬‬ ‫ﹰ‬ ‫ﻭﺤﺼﺎﺭﺍ ..‬ ‫ﹰ‬ ‫ﻓﻲ ﻋﻴﻥ ﺍﻟﺸﻤﺱ .‬ ‫ِ ﱠ‬ ‫)٣(‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺘﻨﺸﻕ ﺍﻷﺭﺽ ؛‬ ‫‪‬‬ ‫ﱠ‬ ‫‪‬‬ ‫ﻓﺘﺼﺎﻋﺩ ﺃﻨﺜﻰ ﺘﻠﻬﻤﻨﻲ ﺍﻟﺸﻌﺭ .‬ ‫ﹸ‬ ‫‪ ‬‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﻴﻨﺸﻕ ﺍﻟﻘﻠﺏ ؛‬ ‫‪‬‬ ‫ﱠ‬ ‫‪‬‬ ‫ﻓﻴﺼﺎﻋﺩ ﻤﻥ ﺒﻴﻥ ﺠﻭﺍﻨﺒﻪ ..‬ ‫ِِ ِ‬ ‫ِ‬ ‫‪ ‬‬ ‫ﺸﻌﺭ ..‬ ‫‪‬‬ ‫٧٢‬
  • 29. ‫ﻴﺨﻠﻕ ﻟﻲ ﺃﻨﺜﻰ ..‬ ‫ﹸِ‬ ‫ﺩﺍﻓﺌﺔ ﻜﺎﻷﺭﺽ .‬ ‫ﹰ‬ ‫)٤(‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺘﺭﺸﻭﻨﻲ ﺍﻟﺸﻤﺱ ..‬ ‫ﱠ ‪‬‬ ‫‪ِ‬‬ ‫‪‬‬ ‫ﺒﺩﻑﺀ ﻴﺘﺴﻠﺕ ﻤﻨﻬﺎ‬ ‫ٍ ﱠ ﹸ‬ ‫/ ﻏﺼﺒﺎ /‬ ‫ﹶ ‪ ‬ﹰ‬ ‫ﺒﻴﻨﺎ ﻅﻠﻲ ﻴﺭﺸﻭﻫﺎ ..‬ ‫ِﱢ‬ ‫ﺒﻤﻘﺎﻤﺎﺕ - ﻓﻲ ﺍﻟﻀﻭﺀ -‬ ‫‪ِ‬‬ ‫ٍ‬ ‫ﻤﻬﻴﺄﺓ ﻟﻲ .‬ ‫‪ٍِ ‬‬ ‫)٥(‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺘﺘﻬﻴﺄ ﻟﻲ ﻋﺎﺼﻔﺔ ،‬ ‫ﹲ‬ ‫‪ِ َ ‬‬ ‫ﺃﻭ ﻴﻠﺒﺴﻨﻲ ﺒﺭﻕ ..‬ ‫ﹲ‬ ‫ﻴﺴﺘﺤﻠﺒﻪ ﺍﻟﻤﺸﺎﺅﻭﻥ ..‬ ‫‪  ‬ﱠ ‪‬‬ ‫ﻋﻠﻰ ﺒﺭﺩ ﺍﻟﻔﻭﻀﻰ ،‬ ‫ِ‬ ‫ﺃﻭ ﺘﺘﺴﻠﻘﻨﻲ ﻤﻭﺴﻴﻘﻰ ..‬ ‫ﺘﺴﻜﻨﻬﺎ ﺃﻨﺜﺎﻱ .‬ ‫ﹸ‪‬‬ ‫/ ﻋﻠﻰ ﻗﺩﺭ /‬ ‫ﹶ‪ٍ ‬‬ ‫ﺴﺄﻫﻴﺅ ﻋﺎﺼﻔﺔ ،‬ ‫ﹰ‬ ‫ﱢُ‬ ‫ﺒﺭﻗﺎ ،‬ ‫ﹰ‬ ‫ﻤﻭﺴﻴﻘﻰ ..‬ ‫ﻟﺤﺒﻴﺏ ﻴﺴﻜﻨﻨﻲ .‬ ‫ٍ‬ ‫٨٢‬
  • 30. ‫)٦(‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺃﻨﻅﺭ ﻓﻰ ﻤﺭﺁﺘﻲ ؛‬ ‫ِ‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻓﺄﺭﺍﻨﻲ .‬ ‫ﻤﺤﺘﻤل‬ ‫‪ٌ ‬‬ ‫ﺃﻥ ﺃﺜﻘﺏ ﻤﺭﺁﺘﻲ ؛‬ ‫‪ِ ‬‬ ‫‪‬‬ ‫ﻓﺄﺭﻯ ﺍﷲ .‬ ‫***‬ ‫) ﺃﺒﺭﻴل٧٩٩١ﻡ (‬ ‫٩٢‬
  • 31. ‫ﻏﺎﻴﺔ ﺍﻟﺼﻭﺕ/ﻏﻭﺍﻴﺔ ﺍﻟﻠﻭﻥ‬ ‫)ﺤﻭﺍﺭﻴﺔ(‬ ‫ﻻ ﻟﻴل ﻴﺸﺒﻬﻨﻲ ،‬ ‫َ‪‬‬ ‫ﻭ ﻟﻴﻠﻰ ﻤﻐﺭﻕ ﻓﻰ ﺍﻟﺒﻌﺩ‬ ‫ِ‬ ‫‪ ‬ﹲ‬ ‫ﻓﻠﻴﻤﺘﺩ ﻋﺭﺍﻓﻭﻥ ﻓﻰ ﺭﺌﺘﻲ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭ ﺘﺼﻬل ﻏﻴﻤﺔ ..‬ ‫ﹲ‬ ‫ُ‬ ‫ﻓﻲ ﺴﺭﺏ ﺃﻟﻭﺍﻥ ﻴﺤﻠﻕ ،‬ ‫ٍ ‪ ‬ﱢ ﹸ‬ ‫ِ‬ ‫ﻭ ﺍﻟﻤﺭﺍﻴﺎ ﺘﺴﺘﺭﺩ ﺍﻟﺼﻭﺕ ..‬ ‫ﹶ‬ ‫‪‬‬ ‫ﺭﻤﺯﺍ ﺸﺎﺌﻜﺎ ﻟﻠﻤﺎﺀ ،‬ ‫ِ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﺃﻭ ﻟﻠﻨﺎﺭ ،‬ ‫ِ‬ ‫ﺃﻭ ﻟﻲ .‬ ‫ِ‬ ‫ﺇﻥ ﺘﺭﺩ ..‬ ‫‪ ‬ﹸ ِ‪‬‬ ‫ﺘﺭﺩ ﺍﻟﺴﻤﺎﻭﺍﺕ ﺍﻟﻁﺒﺎﻕ ..‬ ‫ِ ﱢ‪ ‬ﹶ‬ ‫ﹶ ِ‪‬‬ ‫ﻤﻜﻠﻼ ﺒﺎﻟﻭﻋﺩ‬ ‫ِ‬ ‫‪ ‬ﹰ‬ ‫- ﻜﻴﻑ ﻴﺘﻡ ﻭﺠﻬﻲ ﺒﻬﺠﺔ ؟‬ ‫ﹰ‬ ‫ﹶ ‪ ِ‬‬ ‫ﻭ ﺍﷲ ﺘﻭﻕ ﺍﻟﻌﺎﺭﻓﻴﻥ ..‬ ‫‪‬‬ ‫ُ ﹶ‬ ‫ﻟﻨﺯﻭﺓ ﻓﻲ ﺍﻟﺴﺭ ﻗﺎﺌﻤﺔ ..‬ ‫ٍ‬ ‫ﱢ‬ ‫ٍ‬ ‫ﺘﻭﺸﻰ ﺒﺎﻟﻨﺩﻯ‬ ‫ﱢ‬ ‫ﺠﺜﺜﺎ ﻤﻤﻐﻨﻁﺔ ،‬ ‫ﹰ ‪  ‬ﹾﹶ ﹶ ﹰ‬ ‫ﻭ ﻨﻴﻼ ﻤﺘﻌﺒﺎ ..‬ ‫ﹰ ‪ ‬ﹰ‬ ‫ﻻ ﻴﻨﺘﺸﻲ ..‬ ‫ﻟﻤﺩﺍﻭﻻﺕ ﺍﻟﺴﺤﺏ ..؟‬ ‫ِ ‪ِ ‬‬ ‫- ﻜﻴﻑ ﻤﻭﺍﺌﺩ ﺍﻟﻨﺠﻭﻯ ﺍﺼﻁﻔﺘﻙ ..‬ ‫ﹶﹾ ‪‬‬ ‫‪ ‬ﱠ‬ ‫ﹶ‬ ‫ﻟﺠﻤﺭﺓ ..‬ ‫ٍ‬ ‫٠٣‬
  • 32. ‫ﻟﻡ ﺘﻌﺘﺼﻡ ﺒﺎﻟﺤﺯﻥ ..؟‬ ‫ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺇﻥ ﺩﻤﻰ ﻟﻤﻨﺴﻜﺏ ..‬ ‫‪‬‬ ‫‪ِ ‬‬ ‫ﻋﻠﻰ ﺃﻁﻼل ﻭﻋﺩ ،‬ ‫ِ ٍ‬ ‫ﻭ ﺍﻟﺭﻭﺍﺓ ﻴﻤﺎﻟﺅﻥ ﺍﻟﺠﺭﺡ .‬ ‫‪‬‬ ‫‪ ‬ﹸ ‪ ‬‬ ‫- ﺘﻠﻙ ﺤﻘﻭﻟﻙ ﺍﻤﺘﺸﻘﺕ ..‬ ‫ﹾ‬ ‫ﹸ‪‬‬ ‫‪‬‬ ‫ﺴﻴﻭﻑ ﺍﻟﺤﺯﻥ ..‬ ‫ِ‬ ‫ﹶ‬ ‫ﻓﻲ ﻭﺠﻪ ﺍﻟﻨﻬﺎﺭ .‬ ‫ِ ﱠ ِ‬ ‫- ﺘﺭﺍﻙ ﻏﺎﺩﺭﺕ ﺍﻟﺤﻘﻭل ؛‬ ‫َ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻟﻜﻲ ﺘﻘﻴﻡ ﻋﻠﻰ ﺃﻜﻑ ﺍﻟﻐﻴﻡ ..‬ ‫ِ‬ ‫ﱢ‬ ‫ﹸِ ‪‬‬ ‫ﻤﻤﻠﻜﺔ ﺍﻟﻐﻨﺎﺀ ،‬ ‫ِ‬ ‫ﹶ‬ ‫ﻭ ﺘﺴﺘﻌﻴﺩ ﺭﺅﺍﻙ ..؟‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻡ ﺇﻥ ﺍﻟﻔﺭﺍﺩﻴﺱ ﺍﺴﺘﻌﺎﺭﺕ ..‬ ‫ﹾ‬ ‫‪‬‬ ‫‪ ‬‬ ‫ﺼﻭﺘﻙ ﺍﻟﻤﻨﺴﺎﺏ ﻓﻰ ﻭﻫﺞ ﺍﻟﺘﻭﺤﺩ ؛‬ ‫ِ ﱠ ‪ِ ‬‬ ‫‪‬‬ ‫ﹶ‪ ‬‬ ‫ﻜﻲ ﺘﻬﺩﻫﺩ ﺼﺎﻓﻨﺎﺕ ﺍﻟﺸﻌﺭ ..‬ ‫ِ ﱢ‪ِ‬‬ ‫‪‬‬ ‫ﻋﻥ ﺁﻻﻤﻬﻥ ..؟!‬ ‫‪‬‬ ‫- ﻫﻭ ﺍﻟﺒﺭﺍﺡ ..‬ ‫‪‬‬ ‫ﻴﻤﺩ ﻟﻲ ﻜﻭﻨﺎ ﻤﻥ ﺍﻵﻴﺎﺕ ،‬ ‫ِ‬ ‫ﹰ‬ ‫‪ِ‬‬ ‫ﻭ ﺍﻟﻤﺎﺸﻭﻥ ﺘﺤﺕ ﺴﻨﺎﺒﻙ ﺍﻟﻔﻭﻀﻰ‬ ‫ِ‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻴﺴﻭﻤﻭﻥ ﺍﻟﻤﺩﻯ ﻋﺼﻔﺎ .‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻓﻬل ﻋﻴﻨﺎﻙ ﺫﺍﻜﺭﺓ ﻟﺤﺯﻥ ﺍﻷﺭﺽ ؟‬ ‫ِ‬ ‫ِ‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻫل ﺸﻔﺘﺎﻙ ﺃﺴﺌﻠﺔ ؟‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻭ ﻫل ﻫﺩﺒﺎﻙ ﻅل ﻤﺘﻌﺏ ..‬ ‫‪ ‬ﱞ ‪‬ﹾ ‪ ‬‬ ‫ﻴﺭﺘﺩ ﻓﻲ ﺭﺤﻡ ﺍﻟﻤﺠﺎﺯ ؟‬ ‫ِ‬ ‫‪ِِ ‬‬ ‫‪‬‬ ‫- ﺃﻨﺎ ﺒﻬﺎﺀ ﺍﻷﺒﺠﺩﻴﺔ ..‬ ‫ِ‬ ‫‪‬‬ ‫ﻓﻲ ﺩﻡ ﺃﺤﺩ ،‬ ‫‪ٍ َ ٍ‬‬ ‫ﺃﻨﺎ ﺃﺤﺩ ﺒﺄﻓﺭﺍﺤﻲ ..‬ ‫‪‬‬ ‫١٣‬
  • 33. ‫ﺒﺄﺘﺭﺍﺤﻲ ..‬ ‫ﺒﻤﺤﺭﺍﺏ ﺍﻟﺭﺅﻯ‬ ‫ِ ‪‬‬ ‫ﺃﺤﺩ .‬ ‫‪‬‬ ‫- ﺘﺒﺎﺭﻙ ..‬ ‫‪‬‬ ‫- ﻤﻥ ﻫﺩﺍﻙ ﺍﻟﺼﻭﺕ ﻭ ﺍﻟﻨﺠﻭﻯ ؛‬ ‫ﱠ‬ ‫‪  ‬ﹶ‬ ‫‪‬‬ ‫ﻟﺘﻠﺒﺱ ﻭﺠﻬﻙ ﺍﻟﻤﺘﻐﻴﺭ .‬ ‫‪    ‬ﹶ ﹶﱢ ‪‬‬ ‫ﺍﻵﻥ ﺍﻟﺒﻼﺩ ﺘﻁل ﻤﻥ ﻋﻴﻨﻴﻙ ،‬ ‫‪‬‬ ‫‪ ‬ﱡ ِ‪‬‬ ‫‪‬‬ ‫ﻭ ﺍﻷﻟﻭﺍﻥ ﺘﻤﺯﺝ ﺩﻓﺄﻫﺎ ﺒﺼﺩﺍﻙ‬ ‫‪‬‬ ‫‪ ‬‬ ‫‪‬‬ ‫/ ﻗﺴﺭﺍ /‬ ‫ﹰ‬ ‫ﺘﺴﺘﻨﻴﻡ ،‬ ‫‪‬‬ ‫ﻭ ﺠﻭﻗﺔ ﺍﻟﺼﻭﺕ ﺍﻟﻤﻀﻲﺀ ..‬ ‫ِ‬ ‫ِ ‪‬‬ ‫ﹸ‬ ‫ﺘﺭﺩ ﺃﺤﻤﺭﻫﺎ ﻷﺤﻤﺭﻫﺎ ،‬ ‫ِ‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭ ﺃﺒﻴﻀ ‪‬ﺎ ﻷﺒﻴﻀﻬﺎ ،‬ ‫ِ‪‬‬ ‫‪‬ﻬ‬ ‫ﻭ ﺃﺴﻭﺩﻫﺎ ﻷﺴﻭﺩﻫﺎ .‬ ‫ِ‪‬‬ ‫‪‬‬ ‫- ﻫﻲ ﺍﻷﻨﺜﻰ ..‬ ‫ﺘﻁﻭﻑ ﻋﻠﻰ ﺩﻭﺍﺌﺭ ﻤﻥ ﺩﺨﺎﻥ ،‬ ‫‪ ِ ‬ﹶ ٍ‬ ‫ﹸ‬ ‫ﺘﻨﺘﻤﻲ ﻟﻬﻴﺎﺠﻬﺎ‬ ‫ِ‪‬‬ ‫ﻻ ﺸﻲﺀ ﻴﻐﻭﻱ ﺍﻟﻠﻭﻥ ..‬ ‫‪‬‬ ‫ﺇﻻﻫﺎ .‬ ‫- ﻟﻭﻗﺕ ﻤﺎ..‬ ‫ٍ‬ ‫ﺴﺄﺼﻤﺕ ﻤﺴﻠﻤﺎ ﻭﺠﻬﻲ ..‬ ‫ﹸ ‪  ِ ‬ﹰ‬ ‫ﻷﻋﻴﻥ ﻻ ﺘﻨﺎﻡ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻓﺽ ﻤﻭﺴﻴﻘﻰ ﻤﺭﺍﻭﻏﺔ ..‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺘﻨﺎﺴﺦ ﻅﻠﻬﺎ ..‬ ‫ﹶ ِﱡ ‪‬‬ ‫ﻓﻲ ﻟﺫﺓ .‬ ‫ٍ‬ ‫- ) ﻭﺠﻬﻲ ﻟﻭﺠﻬﻲ ..‬ ‫٢٣‬
  • 34. ‫ﺴﺤﺎﺒﺎﺕ ﻤﻔﺯﻋﺔ ،‬ ‫ﹲ ‪‬ﹶ ‪  ‬ﹲ‬ ‫ﻭ ﻏﺭﺒﺔ ،‬ ‫ﹲ‬ ‫ﻭ ﻤﻨﺎﻑ ..‬ ‫ٍ‬ ‫ﺘﺸﺒﻪ ﺍﻟﻭﻁﻨﺎ (‬ ‫‪‬‬ ‫- ﺘﻘﺩﺱ ﻤﻥ ﺘﺤﻭل ،‬ ‫‪    ‬ﹶ ‪َ ‬‬ ‫ﻭ ﺍﻟﺒﻼﺩ ﺘﻬﺯ ﺃﻋﺠﺎﺯ ﺍﻟﻔﺭﺍﻍ ،‬ ‫ِ‬ ‫‪‬‬ ‫‪ ‬‬ ‫ﻭ ﺘﺴﺘﻤﻴل ﺩﻤﻲ ﺇﻟﻴﻬﺎ ..‬ ‫ُ ‪ِ‬‬ ‫ﺸﻬﻭﺓ ﻟﻠﻭﺭﺩ ،‬ ‫ِ‬ ‫ﹰ‬ ‫ﻤﺘﻜﺄ ﻟﺤﻠﻡ ﻤﺸﺭﺏ ﺒﺎﻟﺤﺯﻥ‬ ‫ِ‬ ‫ِ ‪‬ﹾ‪ٍ ‬‬ ‫ٍ‬ ‫ﻴﺎ ﺍﷲ ...‬ ‫ُ‬ ‫ﺘﻠﻙ ﻋﺼﺎﻱ ﻭﺍﻗﻔﺔ ..‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻋﻠﻰ ﺤﺩ ﺍﻟﻜﻼﻡ ..‬ ‫ِ‬ ‫ﱢ‬ ‫ﺘﻤﺎﺯﺝ ﺍﻷﺼﻭﺍﺕ ،‬ ‫ﹶ‬ ‫ﹸ‪ ِ ‬‬ ‫ﻭ ﺍﻷﻟﻭﺍﻥ ،‬ ‫‪‬‬ ‫ﺘﺸﺩﺥ ﺭﻤﺯﻱ ﺍﻟﻤﺘﻜﺭﺭ .‬ ‫‪‬ﹶ ﹶ ﱢ ‪‬‬ ‫ﹶ ﹾ‪ ‬ﹸ‬ ‫- ﺍﻵﻥ ﺍﺤﺘﻤﺎﻻﺕ ﺘﻤﻴﺩ ﺒﻤﺸﻬﺩﻱ ،‬ ‫ﹲ ‪‬‬ ‫‪‬‬ ‫ﻭ ﺘﺭﺩ ﻟﻲ ..‬ ‫‪ِ‬‬ ‫ﻭﻗﺘﺎ ﻴﺭﺍﻭﻏﻨﻲ ،‬ ‫ﹰ‪‬‬ ‫ﻭ ﻭﺠﻬﺎ ﻏﺎﻤﻀﺎ‬ ‫ﹰ‬ ‫ﹰ‬ ‫) ﻻ ﺸﻲﺀ ..‬ ‫ﻴﻐﻭﻴﻨﻲ ..‬ ‫ﺴﻭﺍﻱ (‬ ‫***‬ ‫) ﻓﺒﺭﺍﻴﺭ٣٩٩١ﻡ (‬ ‫٣٣‬
  • 35. ‫ﻓﺼل)ﻻﻡ(‬ ‫)١(‬ ‫ﻟﻠﺸﺘﺎﺀ ﺍﻟﺫﻱ ﺯﺍﻭل ﺍﻟﺴﺭ ..‬ ‫َ ﱢ‪‬‬ ‫ِ‬ ‫ﻤﻥ ﺯﻤﻥ‬ ‫ِ‬ ‫ٍ‬ ‫ِ‪‬‬ ‫ﺃﻥ ﻴﺯﺍﻭﻟﻨﻲ ،‬ ‫‪‬‬ ‫ﻭ ﺃﻨﺎ ﻤﻭﺤﺵ ﻜﺎﻟﺘﻘﺎﻭﻴﻡ ،‬ ‫ِ‬ ‫ﹲ‬ ‫) ﻤﺎ ﻟﻲ ﺴﻭﺍﻱ (‬ ‫ِ‬ ‫)٢(‬ ‫ﻟﻠﻨﻭﺍﺭﺱ ..‬ ‫ِ‬ ‫ﺃﻥ ﺘﺴﺄﻡ ﺍﻟﺒﺤﺭ ،‬ ‫‪‬‬ ‫‪ ‬‬ ‫ﻟﻠﺒﺤﺭ ..‬ ‫ِ‬ ‫ﺃﻥ ﻴﺴﺄﻡ ﺍﻟﺸﻁ ،‬ ‫ﱠ‬ ‫‪ ‬‬ ‫ﻟﻠﺸﻁ ..‬ ‫ﱢ‬ ‫ﺃﻥ ﻴﺴﺄﻡ ﺍﻟﺭﻤل ..،‬ ‫َ‬ ‫‪ ‬‬ ‫ﻟﻲ ﺃﻥ ﺃﻭﺍﻋﺩﻜﻡ ..‬ ‫‪‬ﹸ‪‬‬ ‫ِ ‪‬‬ ‫ﺴﺄﻤﺎ ﻤﺴﺘﻌﺎﺭﺍ ..!‬ ‫ﹰ ‪‬‬ ‫)٣(‬ ‫ﻟﻭﺭﺩ ﻴﺄﻭﻟﻨﻲ ..‬ ‫ِ ‪  ٍ  ‬ﱢﹸ ِ‬ ‫ﺃﻥ ﻴﺅﻭل ﺇﻟﻰ ﺼﺨﺭﺓ !‬ ‫ٍ‬ ‫َ‬ ‫‪‬‬ ‫ﻟﻔﺭﺍﻍ ﻴﺭﺍﻭﻏﻨﻲ ..‬ ‫ٍ ‪ ِ  ‬ﹸِ‬ ‫ﺃﻥ ﻴﻐﺎﻤﺭ ..‬ ‫‪ِ ‬‬ ‫ﺒﺎﻻﺯﺩﺤﺎﻡ ..!‬ ‫٤٣‬
  • 36. ‫)٤(‬ ‫ﻟﻌﺎﺼﻔﺔ ..‬ ‫ٍ‬ ‫ﺃﻥ ﺘﻅﻠل ﺃﺴﺌﻠﺔ ..‬ ‫ﹰ‬ ‫‪ ‬ﱢَ‬ ‫ﻋﻥ ﻤﺤﺒﻴﻥ ﻻ ﻴﺸﺒﻬﻭﻨﻲ ،‬ ‫‪ِ   ‬ﱢ ‪‬‬ ‫ﻷﻴﺩ ﺨﺭﺍﻓﻴﺔ ..‬ ‫ٍ‬ ‫ٍ‬ ‫ﺃﻥ ﺘﻬﺩﻫﺩﻨﻲ ،‬ ‫‪ ‬ﹸ ‪ِ‬‬ ‫ﻭ ﺃﻨﺎ ﻗﺎﺩﻡ ﻤﻥ ﺃﻗﺎﺼﻲ ﺍﻟﻐﻭﺍﻴﺔ‬ ‫ِ‬ ‫‪ِ ‬‬ ‫ﺤﺘﻰ ﺃﻗﺎﺼﻲ ﺍﻟﻐﻭﺍﻴﺔ‬ ‫ِ‬ ‫ﱠ‬ ‫ﻤﻨﺘﺸﻴﺎ ﻟﻲ ....،‬ ‫ﹰِ‬ ‫)٥(‬ ‫ﻟﺒﺭﺩ‬ ‫ٍ‬ ‫ﺘﺴﻠﻕ ﻫﺫﺍ ﺍﻟﺠﺴﺩ ..‬ ‫ﱠﹶ‬ ‫ﺃﻥ ﻴﺭﺩ ﺩﻤﻰ ..‬ ‫‪ِ  ‬‬ ‫ﻟﺠﺤﻴﻡ ﺍﻷﺒﺩ ..!‬ ‫ِ‬ ‫)٦(‬ ‫ﻟﻌﺎﺸﻘﺔ ..‬ ‫ٍ‬ ‫ﺘﺘﺤﻭل ﻋﻨﻲ ﺇﻟﻲ ،‬ ‫‪‬‬ ‫‪ ُ‬ﱢ‬ ‫ﻷﻏﻨﻴﺔ ..‬ ‫‪ٍ‬‬ ‫ﺘﺘﻨﺯل ﻤﻨﻲ ﻋﻠﻲ ،‬ ‫‪‬‬ ‫‪ ُ‬ﱢ‬ ‫ﻷﺭﺽ ..‬ ‫ٍ‬ ‫ﻴﺠﺭﺠﺭﻫﺎ ﺍﻟﺒﺤﺭ ﻤﻨﻲ ..‬ ‫‪ِ ‬ﱢ‬ ‫‪‬‬ ‫ﻓﺘﺒﺤﺭ ﻓﻲ ،‬ ‫‪ِ‬‬ ‫ﺃﺨﻠﻕ ﺫﺍﻜﺭﺓ ﻤﻥ ﻫﻭﻯ ..‬ ‫ﹰ ِ‪‬‬ ‫ُ ﹶﱢ ﹸ‬ ‫ﻴﺤﺘﻭﻴﻬﺎ ﺍﻟﻨﺴﻲ ..!‬ ‫ﱠِ‬ ‫٥٣‬
  • 37. ‫)٧(‬ ‫ﻟﺒﻼﺩ ..‬ ‫ٍ‬ ‫ﺘﻭﺸﻲ ﺘﻘﺎﻭﻴﻤﻬﺎ ﺒﺎﻟﻔﺭﺍﻍ ،‬ ‫ِ‬ ‫‪‬‬ ‫ﱢ‬ ‫ﻟﻤﺩ ..‬ ‫‪‬‬ ‫ﺘﻤﺩﺩ ﻓﻲ ﺭﺌﺘﻲ ،‬ ‫ِ‬ ‫‪‬‬ ‫ﻟﺠﺒﺎل ..‬ ‫ٍ‬ ‫ﺘﺴﺎﻭﻤﻨﻲ ﻓﻲ ﺩﻤﻲ ،‬ ‫‪ِ‬‬ ‫ﺃﻥ ﻴﻨﺸ ‪ ‬ﺎ ﺍﷲ ..‬ ‫‪  ‬ﹶ ﱢﺭﻫ ُ‬ ‫ﻓﻲ ﺃﻓﻘﻲ ..‬ ‫ﻜﻌﺒﺔ ﻟﻠﻤﺭﻴﺩ ،‬ ‫ِ‬ ‫ﹰ‬ ‫ﻭ ﻤﺘﻜﺄ ﻟﻲ ..!‬ ‫ًِ‬ ‫)٨(‬ ‫ﻟﻠﻘﻁﺎﺭ ﺍﻟﺫﻱ ..‬ ‫ِ‬ ‫ﻗﺩ ﻴﻤﺭ ﻋﻠﻰ ﻗﺭﻴﺘﻲ ﻤﺘﻌﺒﺎ ..‬ ‫‪ ‬ﹰ‬ ‫‪‬‬ ‫ﺃﻥ ﻴﺒﺎﻏﺕ ﻅﻠﻲ ،‬ ‫ﹶ ِﱢ‬ ‫‪‬‬ ‫ﺴﺄﻀﺤﻙ ..‬ ‫‪‬‬ ‫ﻤﻨﺘﺸﻴﺎ ﻟﺩﻭﺍﺭ ﺘﺴﻠﻘﻨﻲ ،‬ ‫‪ ‬ﹰ ‪ ٍ  ‬ﹶ ‪‬ﱠ ﹶ ِ‬ ‫ﺜﻡ ﺃﻭﻗﻅ ) ﻜﺎﻤﻭ (‬ ‫ﹸ‬ ‫ﻋﻠﻰ ﻁﻠﻘﺔ ﻁﺎﺌﺸﺔ ..!‬ ‫ٍ‬ ‫)٩(‬ ‫ﻟﻬﻡ ..‬ ‫‪‬‬ ‫ﺃﻥ ﻴﺭﻴﻘﻭﺍ ﺩﻤﻲ ..‬ ‫‪ِ‬‬ ‫‪‬‬ ‫ﻓﻲ ﺠﺤﻴﻡ ﺍﻟﻬﺯﺍﺌﻡ ،‬ ‫ِ‬ ‫ِ‬ ‫ﺜﻡ ﻴﻘﻭﻟﻭﻥ ﷲ :‬ ‫‪ِ ‬‬ ‫‪‬‬ ‫ﻜﺎﻥ ﻓﺘﻰ ﻋﺎﺸﻘﺎ ؛‬ ‫ﹰ‬ ‫‪‬‬ ‫٦٣‬
  • 38. ‫ﻓﺎﺭﺤﻤﻥ ﻗﺎﺘﻠﻴﻪ .‬ ‫‪ِ ِِ    ‬‬ ‫ﺴﻴﺭﺤﻤﻬﻡ ،‬ ‫‪‬‬ ‫ﻭ ﻴﻤﺩ ﺩﻤﻰ ﺸﻔﻘﺎ ..‬ ‫ﹰ‬ ‫‪ِ ‬‬ ‫ﺒﻴﻥ ﺠﺭﺤﻲ ﻭ ﻋﻴﻨﻴﻪ ،‬ ‫‪‬‬ ‫ﺍﷲ ﻟﻲ .‬ ‫ُِ‬ ‫***‬ ‫) ﺃﻏﺴﻁﺱ٣٩٩١ﻡ (‬ ‫٧٣‬
  • 39. ‫ﺸﺎﻫﺩ ﻭ ﻤﺸﻬﻭﺩ‬ ‫ﻤﻨﻬﺯﻤﺎ - ﻜﺎﻟﻭﺭﺩﺓ -‬ ‫ِ‬ ‫ﹰ‬ ‫ﻴﺠﺘﺎﺡ ﺩﻤﻰ ﺍﻟﺸﺎﺭﻉ ،‬ ‫‪‬‬ ‫‪ِ ‬‬ ‫ﻭ ﺍﻟﺩﻭﺭﻴﺎﺕ ﺍﻟﻠﻴﻠﻴﺔ ،‬ ‫‪ ‬ﹸ ‪‬ﹸ‬ ‫ﻭ ﺍﻟﺠﻨﺩ ﺍﻟﻤﺘﻜﺌﻭﻥ ..‬ ‫‪ ‬ﱠ ُِ ‪‬‬ ‫ﻋﻠﻰ ﺃﻋﺠﺎﺯ ﺘﺸﻬﻴﻬﻡ ..!‬ ‫ِ ﹶ ﹶﱢ ِ‬ ‫ﻴﺠﺘﺎﺡ ﺩﻤﻲ ﺍﻟﻭﻗﺕ ﺍﻟﻤﻘﺘﺩﺭ ،‬ ‫ﹸ ‪ ‬‬ ‫‪ِ ‬‬ ‫ﻭ ﺼﻤﺕ ..‬ ‫ﹲ‬ ‫ﻴﺘﻨﺎﺴل ﻓﻲ ﻋﻴﻥ ﺍﻟﺒﺎﻋﺔ ..!‬ ‫ِ‬ ‫ِ‬ ‫ٌ‬ ‫ﺘﺘﺄﺒﻁﻨﻲ ﺠﺜﺙ ..‬ ‫ﹲ‬ ‫‪ ‬ﹸِ‬ ‫ﺘﺘﺴﱠﺕ ﻤﻨﻬﺎ ﺃﺩﻭﺍﺕ ﻟﻠﻘﺘل ،‬ ‫ِ‬ ‫ﹲ‬ ‫‪‬ﻠ ﹸ ِ ﹾ‬ ‫ﻭ ﺘﺠﺘﺎﺡ ﺩﻤﻰ ..!‬ ‫‪ِ ‬‬ ‫ﻴﻨﺘﺤل ﻗﺩﺍﺴﺎﺘﻲ ..‬ ‫ُ‬ ‫ﻤﺄﺠﻭﺭﻭﻥ ﺍﻫﺘﺒﻠﻭﺍ ﻭﺭﺩﺍ ﺼﺤﺭﺍﻭﻴﺎ‬ ‫ﹰ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻓﻰ ﺭﺌﺘﻲ ..!‬ ‫ﺘﺘﻤﺎﻫﻰ ﺃﻭﺭﺍﺩ ﺒﺎﺭﺩﺓ ﻓﻰ ﻤﺎﺌﻲ ،‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻴﺎ ﻗﺴﻭﺓ ﻫﺫﺍ ﺍﻟﻤﺎﺀ ..!‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻤﻨﺘﺸﻴﺎ - ﻜﺎﻟﻌﺎﺩﺓ -‬ ‫ِ‬ ‫ﹰ‬ ‫ﻭ ﺍﻟﻌﺭﺍﻓﻭﻥ ﻴﻌﻴﺩﻭﻥ ﻗﺭﺍﺀﺓ ﻭﺠﻬﻲ‬ ‫ﹶ‬ ‫‪‬‬ ‫‪ ‬‬ ‫/ ﻗﺩ ﻴﻘﺘﻠﻙ ﺍﻟﻭﻗﺕ ..‬ ‫ﹸ‬ ‫ﹸ‪‬‬ ‫ﻭ ﺃﻨﺕ ﺘﺭﺍﻭﺩ ﻤﻭﺘﺎ ﻤﺠﺎﻨﻴﺎ ..‬ ‫ﹰ‬ ‫ﹶ ﹸ ‪ ِ ‬ﹰ‬ ‫ﻋﻥ ﻤﻭﺕ ﻤﺠﺎﻨﻲ .‬ ‫‪‬‬ ‫ٍ‬ ‫ﻓﻠﺘﺒﺤﺙ ﻋﻥ ﺃﺴﻤﺎﺀ ﺃﺨﺭﻯ ﻟﻠﺼﺒﻭﺓ .‬ ‫ِ‬ ‫ٍ‬ ‫ﹾ‬ ‫ﺃﻨﺕ ﺍﻟﻤﺸﻤﻭل ﺒﺴﻘﻁ ﺠﻼﻟﺘﻪ /‬ ‫ِِ‬ ‫ِ‬ ‫ُ‬ ‫ﹶ‬ ‫ﻴﺴﺄﻤﻨﻲ ﺘﺎﺭﻴﺦ ﻤﺄﻫﻭل ،‬ ‫ٌ‬ ‫ﹲ‬ ‫٨٣‬
  • 40. ‫ﻭ ﺒﻨﺎﻴﺎﺕ ﻤﻥ ﺒﺭﺩ ﻭ ﺩﺨﺎﻥ‬ ‫ٍ ‪‬ﹶ ٍ‬ ‫ﹲ ِ‬ ‫ﺘﻭﻟﺞ ﻓﻰ ) ﻜﻴﻔﻲ (‬ ‫ﹶ ‪ِ‬‬ ‫ﹸ ِ‪‬‬ ‫ﺇﺸﺭﺍﻗﺎﺕ ) ﻤﺘﺎﻙ (‬ ‫ﹸ ‪‬ﹶ ‪‬‬ ‫ﺒﻠﻭﻍ ﺍﻟـ ) ﺃﻴﻥ (‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭ ) ﻤﻥ ( ،‬ ‫‪‬‬ ‫ﻭ ) ﻟﻤﺎﺫﺍ ( .‬ ‫‪‬‬ ‫ﻤﺯﻫﻭﺍ‬ ‫‪‬ﹰ‬ ‫ﺘﺼﻠﺏ ﺒﻴﻥ ﺴﺅﺍل ﻭ ﺘﺴﺎﺅل ..‬ ‫ٍ‬ ‫ﹸ ‪‬ﹶ ‪ ‬‬ ‫ﻴﺴﻜﻨﻙ ﺍﻟﻤﺤﺘﺸﺩﻭﻥ‬ ‫‪‬‬ ‫ﹸﹸ ‪ ‬‬ ‫ﻋﻠﻰ ﺍﻟﻤﺎﺀ ،‬ ‫ِ‬ ‫ﻭ ﺼﺒﺎﺭ ﻤﺸﺒﻭﺡ ﻓﻲ ﻗﻠﺒﻲ ،‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭ ﺃﻨﺎ ﺃﺘﻘﻠﺏ ﻤﺎ ﺒﻴﻨﻲ ..‬ ‫ﱠ ‪‬‬ ‫ﻭ ﺍﻟﻐﻴﻡ ،‬ ‫ﺃﺭﺩ ﻟﻌﻴﻨﻲ ﺴﻭﺍﺤل ﻨﺎﺌﻴﺔ ،‬ ‫َ ﹰ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭ ﻗﺭﺍﺒﻴﻥ ﺘﻨﺎﻤﺕ ﻓﻲ ﻅل ﺍﻟﻭﺭﺩﺓ ،‬ ‫ِ‬ ‫ِﱢ‬ ‫‪  ‬ﹾ‬ ‫/ ﺃﻨﺕ ﺍﻟﺸﻤﺱ ،‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭ ﺃﻨﺕ ﺍﻟﻭﺭﺩﺓ ،‬ ‫ﹸ‬ ‫ﹶ‬ ‫ﻓﺎﺴﻜﺏ ﻭﺠﻬﻙ ..‬ ‫‪ ‬‬ ‫ﻓﻲ ﺃﻤﻭﺍﻩ ﺍﻟﺩﻫﺸﺔ ،‬ ‫ِ‬ ‫ِ‬ ‫ﺤﻴﻥ ﺘﺭﺍﻨﻲ ..‬ ‫‪‬‬ ‫ﺒﻴﻥ ﺍﻟﻭﺭﺩﺓ ﻭﺍﻟﻅل ..‬ ‫ﱢﱢ‬ ‫ِ‬ ‫‪‬‬ ‫ﻋﻴﻭﻨﺎ ﺸﺎﺨﺼﺔ ..‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻭ ﻗﻨﺎﺩﻴل ﺘﺭﺩ ﻟﻭﺠﻬﻲ ﺃﻟﻕ ﺍﻟﻨﺎﺭ ..‬ ‫ﹶ ﱠ ِ‬ ‫َ ‪‬‬ ‫ﻭ ﻤﺸﻬﻭﺩﺍ ..‬ ‫ﹰ‬ ‫ﻴﺸﻬﺩ ﺒﻌﺽ ﻫﺯﺍﺌﻡ ﺸﺎﻫﺩﻩ ..‬ ‫ِ ِ ِِ‬ ‫‪‬‬ ‫‪‬‬ ‫٩٣‬
  • 41. ‫ﻓﻲ ﺴﻭﻕ ﺍﻟﻭﻗﺕ /‬ ‫ِ‬ ‫ِ‬ ‫ﺘﺭﺍﻫﺎ ﺍﺨﺘﻠﺴﺕ ﺩﻤﻪ ..‬ ‫ﹾ ‪‬‬ ‫ﹸ‪‬‬ ‫ﻫﺫﻯ ﺍﻟﺼﺤﺭﺍﺀ ؟‬ ‫‪‬‬ ‫ﻭ ﺭﺩﺕ ﺃﺸﻭﺍﻕ ﺒﺸﺎﺭﺘﻪ ﻟﻠﺭﻴﺢ ؟‬ ‫ﹶ ِ ﹶ ‪ ِ ِ‬ﱢ ِ‬ ‫‪ ‬ﹾ‬ ‫ﺃﻡ ﺍﺒﺘﻜﺭﺕ ﻟﻐﺔ ﻤﺤﺩﺜﺔ ﻓﻰ ﺍﻟﻭﺠﺩ ؟‬ ‫ِ‬ ‫ﹾ ﹰ ‪  ‬ﹶ ﹰ‬ ‫ﻭ ﻤﻨﻁﻘﺔ ﺃﺨﺭﻯ ﻟﻠﻤﻭﺕ ..‬ ‫ِ‬ ‫ﹰ‬ ‫ﻋﻠﻰ ﻗﺩﺭ ..؟!‬ ‫ﹶ‪ٍ ‬‬ ‫ﻴﺎ ﻫﺫﺍ ﺍﻟﻤﺴﻜﻭﻥ ﺒﺩﻫﺸﺘﻪ ،‬ ‫ﹶِ ِ‬ ‫‪‬‬ ‫ﺃﻫﺭﻗﺕ ﺘﻔﺎﺼﻴل ﺍﻟﻀﻭﺀ ﺒﻌﻴﻨﻴﻙ ،‬ ‫‪‬‬ ‫َ ‪ِ ‬‬ ‫ﹶ‬ ‫ﻭ ﺭﺍﻭﺩﺕ ) ﺍﺒﻥ ﺍﻟﻔﺎﺭﺽ (‬ ‫ِ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻋﻥ ﻭﺠﻪ ﻤﺎﺌﻲ ..‬ ‫‪‬‬ ‫ٍ‬ ‫ﺘﻠﺘﻤﻊ ﺒﻌﻴﻨﻴﻪ ﻁﻘﻭﺱ ﺍﻟﺒﺭﻕ ،‬ ‫ِ‬ ‫‪‬‬ ‫‪ِ‬‬ ‫‪‬‬ ‫ﻭ ﻋﻤﺩﺕ ﺍﻟﻤﻭﺴﻴﻘﻰ ..‬ ‫‪ ‬ﹶ‬ ‫ﻓﻲ ﺭﺌﺔ ﺸﺎﺌﺨﺔ ،‬ ‫ٍ‬ ‫ٍ‬ ‫ﻭ ﻗﺼﻴﺩﺓ .‬ ‫ﻤﻨﺘﺼﺭﺍ - ﻜﻁﻴﻭﺭ ﺍﷲ -‬ ‫ِ ِ‬ ‫ﹰ‬ ‫ﺘﺯﻡ ﻨﺒﻭﺀﺍﺕ ﺍﻟﻨﺎﺭ ﺤﻭﺍﻟﻴﻙ ،‬ ‫‪‬‬ ‫ِ ﱠ ِ‬ ‫‪‬‬ ‫ﻓﺘﺼﺎﻋﺩ ﺃﺒﺨﺭﺓ ..‬ ‫ﹲ‬ ‫‪ ‬‬ ‫ﺃﺫﻫﻠﻬﺎ ﺍﻟﺸﺎﻫﺩ ﻋﻨﻙ .‬ ‫‪ ‬‬ ‫‪‬‬ ‫ﺒﻼ ﻭﺠﻪ ﺃﻨﺕ ،‬ ‫ٍ ﹶ‬ ‫ﻭ ﻭﺠﻬﻙ ﻤﻌﺭﺍﺝ ﻟﻭﺠﻭﻩ ..‬ ‫ٍ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻗﻠﺒﻬﺎ ﺍﷲ ﺒﻌﻴﻨﻴﻙ ،‬ ‫‪‬‬ ‫ﹶﱠ ‪ُ  ‬‬ ‫ﻭ ﻭﻻﻫﺎ ﻭﺠﻬﺎ ..‬ ‫ﹰ‬ ‫ﻤﻥ ﺴﺩﺭﺘﻪ .‬ ‫ِِ‬ ‫٠٤‬
  • 42. ‫ﺃﺘﺸﻤﻡ ﺤﻭﺭﺍﺀ ﻤﻔ ‪‬ﻋﺔ‬ ‫‪  ‬ﹶﺯ ‪ ‬ﹰ‬ ‫‪‬‬ ‫- ﻜﺎﻷﺴﺌﻠﺔ -‬ ‫ِ‬ ‫ﺃﻓﺽ ﺘﺒﺎﺸﻴﺭ ﺍﻟﺠﻠﻭﺓ ،‬ ‫ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘ ‪‬ﺎﻗﻁ ﻓﻲ ﻋﻴﻨﻲ ﺃﻗﻤﺎﺭ‬ ‫‪‬‬ ‫ﺴ ﹸ‬ ‫ﺯﺍﺌﻐﺔ ﺍﻷﻋﻴﻥ‬ ‫ِ‬ ‫ﹸ‬ ‫ﻴﺎ ﺍﷲ ..‬ ‫ُ‬ ‫ﺘﺠﻠﻴﺕ ﻓﺠﻠﻴﺕ ﺩﻤﻲ ..‬ ‫ﱠ‪ ‬ﹶ ﱠ‪ ‬ﹶ ‪ِ ‬‬ ‫ﻤﻴﻘﺎﺘﺎ ﻟﻺﺸﺭﺍﻕ ،‬ ‫ِ‬ ‫ﹰ‬ ‫ﻭ ﻤﺘﻜﺄ ﻟﻘﻤﻴﺹ ..‬ ‫ٍ‬ ‫ﺃﻟﻘﺎﻩ ﻋﻠﻰ ﻭﺠﻬﻲ ﺍﻟﺒﺤﺭ ،‬ ‫‪‬‬ ‫ﻓﻌﺎﺩ ﺒﺼﻴﺭﺍ .‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻓﻲ ﺤﻀﺭﺘﻙ ﺍﺭﺘﺩ ﺍﻟﻌﺭﺍﻓﻭﻥ ،‬ ‫ِ‪   ‬‬ ‫ﻓﻌﺭﻓﻨﻲ ،‬ ‫‪ ‬ﱢ ﹾِ‬ ‫ﻭ ﺘﻌﺭﻓﻨﻲ ،‬ ‫ﹶ ‪  ‬ﹾِ‬ ‫ﻭ ﺍﺸﻬﺩﻨﻲ ..‬ ‫‪ِ‬‬ ‫ﻤﻨﻬﺯﻤﺎ - ﻜﺎﻟﺼﺒﻭﺓ -‬ ‫ِ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻓﻲ ﻋﻴﻨﻲ .‬ ‫***‬ ‫) ﻴﻨﺎﻴﺭ ٥٩٩١ﻡ (‬ ‫١٤‬
  • 43. ‫ﻗﺎﻟﺕ ﺍﻟﺭﻭﺡ‬ ‫ﻗﺎﻟﺕ ﺍﻟﺭﻭﺡ :‬ ‫‪ ‬‬ ‫ﺇﻨﻲ ﺘﻐﺭﺒﺕ ﻓﻲ ﺠﺴﺩ ،‬ ‫ٍ‬ ‫‪ ‬ﹸ‬ ‫ﱢ‬ ‫ﺜﻡ ﻋﺩﺕ ..‬ ‫‪  ‬ﹸ‬ ‫ﺇﻟﻰ ﺍﻟﺸﺎﻁﻲﺀ ﺍﻟﻤﻠﺘﻬﺏ .‬ ‫ِ ‪‬‬ ‫ﺘﺄﻤﻠﻬﺎ ﺠﺴﺩ ﻤﺴﺘﺒﺩ ،‬ ‫‪  ‬ﹶِ ‪‬‬ ‫‪‬ﹶ ‪‬‬ ‫ﻭ ﺃﺸﻌل ﺃﺸﻴﺎﺀﻩ ﺍﻟﻤﺩﻫﺸﺔ .‬ ‫‪ ِ   ‬ﹶ‬ ‫َ‬ ‫***‬ ‫ﻤﺴﻠﻤﺎ ﻭﺠﻬﻪ ..‬ ‫‪  ِ ‬ﹰ ‪ ‬‬ ‫ﻟﺘﻀﺎﺭﻴﺱ ﻤﺒﻬﺠﺔ .‬ ‫‪ٍ  ِ  ‬‬ ‫ﻻ ﻴﻨﻲ ﻓﻲ ﺘﺄﻤﻠﻬﺎ .‬ ‫‪ ِ‬‬ ‫‪ِ‬‬ ‫ﻓﻠﻴﻌﺩ ﻭﺠﻬﻪ ..‬ ‫‪ ‬‬ ‫ﻤﻥ ﺃﻤﺎﻜﻨﻪ ﺍﻟﻤﻐﻠﻘﺔ .‬ ‫ِ ِ ِ ‪ ‬ﹾﹶ ﹶ‬ ‫ِ‬ ‫***‬ ‫ﺇﻨﻬﺎ ﻓﺘﻨﺔ ،‬ ‫ﹲ‬ ‫ﱠ‬ ‫ﻭ ﻫﻭ ﺸﻴﻁﺎﻨﻬﺎ .‬ ‫ﹸ‪‬‬ ‫ﻓﻠﻤﺎﺫﺍ ﺇﺫﻥ ..‬ ‫- ﺤﻴﻥ ﻤﺩﺕ ﺃﻤﺎﻤﻬﻤﺎ ..‬ ‫‪  ‬ﹾ ‪   ‬‬ ‫ﺴﺒل ﻟﻠﻐﻭﺍﻴﺔ -‬ ‫ِ‬ ‫‪ٌ ‬‬ ‫ﺴﺎﺭﺕ‬ ‫ﹾ‬ ‫ﺒﻤﻔﺭﺩﻫﺎ ..؟‬ ‫‪‬ﹾ ‪ ِ ‬‬ ‫***‬ ‫ﺁﻩ‬ ‫ﻜﻡ ﺃﺸﺭﻜﺕ ﺒﻲ ..‬ ‫ﹾِ‬ ‫ﹶ‪‬‬ ‫٢٤‬