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‫ﺩﻴﻭﺍﻥ‬ ‫ﺃﻴﺎﻡ ﻟﻠﻤﻭﺘﻰ‬ ‫‪‬‬ ‫ﺍﻟﺸﺎﻋﺭﺓ / ﺒﻬﻴﺔ ﻁﻠﺏ‬
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫ﺇﻫﺩﺍﺀ‬ ‫ﺇﻟﻰ ﺸﺎﺩﻱ ﺸﺭﻴﻑ ﻋﻭﺍﺩ... ﺍﺒﻨﻲ... ﺃﻨﺕ ﺃﺭﻭﻉ ﻤﻤﺎ ﻟﻭ‬ ‫ﺤﻠﻤﺕ ﺒﻙ‬ ‫ﻜﺘﺒﺕ ﻗﺼﺎﺌﺩ ﺍﻟﺩﻴﻭﺍﻥ ﻓﻲ ﺍﻟﻔﺘﺭﺓ ﻤﺎ ﺒﻴﻥ ٥٩٩١ ﺇﻟﻰ ١٠٠٢‬
‫ﺍﻟﻔﻬﺭﺱ‬ ‫ﺍﻹﻫﺩﺍﺀ...................................................٣‬ ‫١- ﺨﺩﻭﺵ ﻋﻠﻰ ﺫﺍﻜﺭﺓ ﺍﻵﻴﺱ ﻜﺭﻴﻡ............................٧‬ ‫٢-‬ ‫ﺇﺸﺎﺭﺍﺕ.....................................................٣١‬ ‫٣- ﺭﺠل – ﻏﺭﻓﺔ – ﺍﻤﺭﺃﺓ...................................٧١‬ ‫٤- ﺤﻠﻡ......................................................١٢‬ ‫٥- ﺨﻭﻑ...................................................٣٢‬ ‫٦- ﺩﺨﺎﻥ....................................................٧٢‬ ‫٧- ﺤﺯﻥ....................................................٩٢‬ ‫٨- ﺍﻟﺘﺼﺎﻕ.................................................٣٣‬ ‫٩- ﺠﺎﺭﺓ....................................................٥٣‬ ‫٠١- ﺭﺠل ﻴﺜﺭﺜﺭ ﻭﺍﻤﺭﺃﺓ ﺼﺎﻤﺘﻪ.............................٩٣‬ ‫١١-ﻟﻴل ﻭﻗﺎﻫﺭﺓ ﻭﺨﻤﺭ......................................١٤‬ ‫ﹲ‬ ‫ٌ‬ ‫٢١- ﺸﺭﻓﺔ َﻁل ﻤﻨﻬﺎ ﻋﻠﻲ...................................٥٤‬ ‫‪‬‬ ‫ﹲﺃ ُ‬ ‫٣١- ﺭﻫﻕ..................................................١٥‬ ‫٤١- ﺘﺫﺍﻜﺭ ﻟﻠﺫﻫﺎﺏ ﻭﺍﻟﻌﻭﺩﺓ..................................٧٥‬ ‫٥١- ﻭﺠﻪ ﻻ ﻴﻠﻴﻕ ﺒﻤﺴﺎﺤﻴﻕ..................................٩٥‬ ‫ﹸ‬ ‫- ﺃﻴﺎﻡ ﻟﻠﻤﻭﺘﻰ...............................................٥٦‬
‫١- ﻜﺄﻨﻤﺎ ﻴﺨﺘﺎﺭ ﻤﻭﺴﻴﻘﻰ ﻟﻤﻭﺘﻪ...............................٧٦‬ ‫٢- ﻗﻁﻁ ﺴﻴﺎﻤﻴﺔ ﻭﺃﺸﺠﺎﺭ ﺃﺭﺯ ﺘﺫﻜﺭ ﺍﻟﻤﻭﺘﻰ...................١٧‬ ‫ﹸ‬ ‫٣- ﺍﻤﺭﺃﺓ ﺤﺠﺭﻴﺔ............................................٥٧‬ ‫ﹲ‬ ‫٤- ﻟﻴﺱ ﻜﺄﺒﻲ...............................................١٨‬ ‫٥- ﺒﻨﺕ ﺘﺨﺎﻑ ﺍﻟﺒﻜﺎﺀ........................................٥٨‬
‫ﺴﺄﺸﻲ ﺒﻜﻡ ﻟﻌﺫﺍﺒﺎﺘﻲ‬ ‫ﻭﺃﺤﻴﻁﻜﻡ ﺒﻬﺎ‬ ‫ﺘﺘﻌﺫﺒﻭﻥ ﻟﻤﺭﺁﻫﺎ‬ ‫ﻭﺃﺒﺘﻬﺞ‬
‫ﺨﺩﻭﺵ ﻋﻠﻰ ﺫﺍﻜﺭﺓ ﺍﻵﻴﺱ ﻜﺭﻴﻡ‬ ‫ﹸ‬ ‫- ١–‬ ‫ﻜﻴﻑ ﻴﺸﻌل ﻋﻭﺩ ﺜﻘﺎﺏ‬ ‫ٍ‬ ‫ُ‬ ‫ﺴﻴﺠﺎﺭﺓ‬ ‫ﹰ‬ ‫ﻭﻻ ﺘﻭﻗﺩ ﺴﻴﺠﺎﺭﺓ‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻋﻭﺩ ﺜﻘﺎﺏ‬ ‫-٢-‬ ‫ﺭﻓﻴﻘﺔ ﺍﻟﻐﺭﻓﺔ ﺍﻟﻭﺍﺤﺩﺓ‬ ‫ﺘﻨ ﹸﻡ ﻋﻠﻰ ﺍﻟﺭﺠﺎل ﺍﻟﺠﻨﻭﺒﻴﻴﻥ‬ ‫ﻘ‬ ‫ﺍﺭﺘﺄﻭﺍ ﻀﻌﻔﻨﺎ‬ ‫ﺒﻜﻴﺕ ﻟﻪ ﺃﻻ ﻴﺘﺭ ﹶﻨﻲ ﻟﺭﻓﺎﻗﻪ‬ ‫ﻜ‬ ‫ﹸ‬ ‫ﻭﺒﻜﺕ‬ ‫ﹾ‬ ‫ﺃﻻ ﻴﺘﺭﻜﻬﺎ ﻟﻭﺤﺸﺘﻪ‬ ‫ﺃﻨﺎ‬ ‫ﺃﺨﺠل ﺃﻥ ﻴﺭﺍﻨﻲ ﺍﻟﻨﺨل ﺍﻟﻤﺘﻁﺎﻭل..‬ ‫ِ‬ ‫ُ‬ ‫ﻟﻠﺩﻭﺭ ﺍﻟﺴﺎﺩﺱ ﻋﺎﺭﻴﺔ‬ ‫ﹰ‬
‫ﻭﻟﻡ ﺃﺨﺠل ﻟﺒﻜﺎﺌﻲ ﺃﻤﺎﻤﻪ‬ ‫-٣-‬ ‫ﺸﻨﻴﻊ‬ ‫‪‬‬ ‫ﺃﻥ ‪‬ﻬﺩﻴﻙ ﺭﺠل ﻓﻲ ﻋﻴﺩ ﻤﻴﻼﺩﻙ‬ ‫ٌ‬ ‫ﻴ ‪‬‬ ‫ﻜﺎﺭﺕ ﻤﻭﺴﻴﻘﻲ‬ ‫!‪Happy lerth day to you‬‬ ‫ﻭﺩﻤﻴﺘﻴﻥ‬ ‫ﻋﺭﻭﺴﺎ ﻭﻜﻠﺏ‬ ‫‪‬‬ ‫ﻭﻴﺨﻠﻊ ﺨﺎﺘﻡ ﻋﺭﺴﻜﻤﺎ‬ ‫‪‬‬ ‫-٤-‬ ‫ﻜﺎﻥ ﻻﺒﺩ ﺃﻥ ﺃﻋﺎﻨﺩ ﺍﻟﺘﺫﻜﺭ‬ ‫ﻭﻴﻀﻐﻁ ﺭﺠل ﻴﺩﻱ‬ ‫ٌ‬ ‫ﻭ ‪‬ﻘﺒﻠﻨﻲ‬ ‫ﻴ‬ ‫ﻋﻨﺩ ﺍﻟﻤﻜﺎﻥ ﻨﻔﺴﻪ ﺍﻟﺫﻱ..‬ ‫ﻗﺎﺒﻠﻨﻲ ﻓﻴﻪ ﺃﻭل ﻤﺭﺓ‬
‫ﺇﺸﺎﺭﺍﺕ‬ ‫-١-‬ ‫ﺒﺎﻟﺠﺩﺍﺭ‬ ‫ﺍﻤﺭﺃﺓ ﺘﺤﻤل ﻁﻔﻼ‬ ‫ﹰ‬ ‫ُ‬ ‫ﹲ‬ ‫ﻭﻓﺘﺎﺓ ﺒﺜﻭﺏ ﻋﺭﺱ‬ ‫ِ‬ ‫ﹲ‬ ‫ﻭﻗﻁ‬ ‫ﻭﺜﻼﺙ ﻨﺨﻼﺕ ﻴﺘﺨﺒﻁﻥ‬ ‫ٍ‬ ‫ﻭﺨﻠﻑ ﺍﻟﺠﺩﺍﺭ ﻤﺩﻯ ﻤﻥ ﻨﺨﻴل‬ ‫ﻭﺤﺯﻨﻙ ﻻ ﻴﻨﺘﻬﻲ ﺒﺎﻟﺴﺠﺎﺌﺭ‬ ‫ﻤﺎ ﺍﻟﺫﻱ ﺘﺤﺘﻤﻴﻥ ﺒﻪ..‬ ‫ﻓﻲ ﺍﻟﺼﻭﺭ ﺍﻟﻤﻌﻠﻘﺔ‬ ‫-٢-‬ ‫ﺒﺎﻹﺸﺎﺭﺍﺕ‬ ‫ِ‬ ‫ﻭﻗﺕ ﻤﺘﺎﺡ‬ ‫ﹲ‬ ‫ﻷﻥ ﻴﺸﻌل ﺴﺎﺌﻕ ﺴﻴﺠﺎﺭﺘﻪ..‬ ‫ِ‬ ‫ﹶ‬
‫ﻤﻥ ﺴﺎﺌﻕ ﺁﺨﺭ‬ ‫ٍ‬ ‫-٣-‬ ‫ﺃﻤﺎﻤﻲ‬ ‫ﺘﺴﺎﻭﻤﻙ ﻁﺒﻴﺒﺔ ﺍﻟﻨﺴﺎﺀ‬ ‫ِ‬ ‫‪ِ‬‬ ‫ﻜﺄﻨﻬﺎ ﺘﺒﻴﻌﻙ ﺜﻭﺒﺎ ﺠﺩﻴﺩﺍ‬ ‫‪‬‬ ‫‪ ِ‬‬ ‫ﻻ ﻓﺭﻕ ﻋﻨﺩﻫﺎ..‬ ‫ﺒﻴﻥ ﺍﻤﺭﺃﺓ ﻟﻠﻌﺎﺒﺭﻴﻥ‬ ‫ﻭﺒﻴﻥ ﺍﻏﺘﺼﺎﺒﻙ‬ ‫ِ‬ ‫ﺴﺘﻌﺩ ﻨﻘﻭﺩﻫﺎ ﺠﻴﺩﺍ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺘﺒﺩﺃ ﻓﻲ ﺇﻋﺎﺩﺓ ﺒﻜﺎﺭﺘﻙ‬ ‫ِ‬ ‫ِ‬
‫ﺭﺠل ـ ﻏﺭﻓﺔ ـ ﺍﻤﺭﺃﺓ‬
‫-١-‬ ‫ﺃﺼﺩﻗﺎﺌﻲ ﻭﻋﺸﺎﻗﻲ ﺍﻟﻘﺩﺍﻤﻰ‬ ‫ﻴﻔﺎﺨﺭﻭﻥ ﺒﻌﻨﺼﺭﻴﺘﻬﻡ..‬ ‫ﻭﻴﺘﻀﺎﺤﻜﻭﻥ‬ ‫ﻟﺤﺒﻲ ﻟﻬﺫﺍ ﺍﻟﻭﻟﺩ ﺍﻷﺒﻴﺽ ﺍﻟﺠﻤﻴل‬ ‫ﻭﺃﻨﺎ ﺃﻀﻌﻙ ﻀﺩﻫﻡ‬ ‫ﻓﺂﺨﺭ ﻤﺎ ﻜﻨﺕ ﺃﺘﻭ ﹸﻌﻪ‬ ‫ﹸ ﻗ‬ ‫ﺃﻥ ﻴﺼﻔﻌﻨﻲ ﺭﺠل ﻭﻻ ﺃﺜﻭﺭ‬ ‫ٌ‬ ‫ﻭﻴﻤﺘﺹ ﻤﺎ ﺘﺒﻘﻰ ﻤﻨﻲ‬ ‫ﻓﺄﺤﺘﻀﻨﻪ‬ ‫-٢-‬ ‫ﻜﺜﻴﺭﺍ ﻤﺎ ﺭﺠﻭ ﹸﻪ‬ ‫ﺘ‬ ‫‪‬‬ ‫ﺃﻥ ﻴ ‪‬ﻤﻨﻲ ﻋﻨﺩﻤﺎ ﻨﻨﺎﻡ‬ ‫ﻀ‬ ‫ﻟﻜﻨﻪ ﻴﺩﻴﺭ ﻭﺠﻬﻪ ﻟﻠﺸﻤﺎل‬ ‫ﻭﺃﻅل ﺃﻨﻅﺭ ﻓﻲ ﺴﻘﻑ ﺍﻟﺤﺠﺭﺓ‬ ‫ِ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﺃﺘﺨﻴل ﺃﻀﻭﺍﺀ ﺍﻟﻌﺭﺒﺎﺕ ﺍﻟﺘﻲ..‬ ‫ُ‬ ‫ﺘﻨﻌﻜﺱ ﻋﻠﻰ ﺍﻟﺤﺎﺌﻁ..‬
‫ﻭﺤﻭﺸﺎ ﺘﻠﺘﻬ ‪‬ﻨﻲ‬ ‫ﻤ‬ ‫ﹰ‬ ‫-٣-‬ ‫ﻫﺫﻩ ﺍﻟﺸﻜﻭﻙ ﺍﻟﺸﻬﺭﻴﺔ ﺍﻟﺘﻲ ﺘﻨﺘﺎﺒﻨﻲ‬ ‫ﺘﺒﻭﺀ ﺒﺎﻟﻔﺸل‬ ‫ﻭﺘﺒﻘﻰ ﺤﺴﺭﺘﻲ‬ ‫ﺤﻴﻥ ﺃﻏﺴل ﻤﻼﺀﺍﺕ ﺍﻟﺴﺭﻴﺭ‬ ‫ﻜﻡ ﺃﺤﺘﺎﺝ ﺃﻥ ﻴﻤﻨﺤﻨﻲ ﻁﻔﻼ‬ ‫ﹰ‬ ‫ﻻ ﺘﺄﺨﺫﻩ ﻤﻴﺎﻩ ﺍﻟﺒﺎﻟﻭﻋﺎﺕ‬
‫‪‬ﻠﻡ‬ ‫ﺤ‬ ‫ﻜﻠﻤﺎ ﻨﻤﺕ‬ ‫ﹸ‬ ‫ﻗﻠﻴﻼ ﻤﺎ ﺃﻨﺎﻡ‬ ‫ﹰ‬ ‫ﺃﺤﻠﻡ ﺒﻌﺭﺒﺎﺕ ﻜﺜﻴﺭﺓ‬ ‫ٍ‬ ‫‪‬‬ ‫ﺘﻜﺎﺩ ﺘﺩﻫﺴﻨﻲ‬ ‫ﻭﺒﺤﺭ‬ ‫ٍ‬ ‫ﺘﻤﺯ ﹸﻨﻲ ﺃﻤﻭﺍﺠﻪ‬ ‫ﻗ‬ ‫ﺇﻟﻰ ﻤﺘﻰ ﺴﺘﻅل ﻨﺠﺎﺘﻲ‬ ‫ﻤﺤﺽ ﺼﺩﻓﻪ؟‬
‫ﺨﻭﻑ‬ ‫ﺍﻟﻌﺠﺎ ِﺯ‬ ‫ﺌ‬ ‫ﻁﺭﻗﻥ ﺒﺎﺒﻙ ﺒﺎﻟﺩﻋﻭﺍﺕ‬ ‫‪ِ ‬‬ ‫ﻓ ﹶﺨﻠﻕ ﻓﻲ ﺃﺤﺸﺎﺌﻙ‬ ‫ﺘ ﹶﹶ‬ ‫ﻻ ﺘﺭﻴﻨﻪ ﻤﺒﺭﺭﺍ‬ ‫‪‬‬ ‫ﻟ ‪‬ﺠ ِﻙ ﻓﻲ ﺍﻟﺴﺭﻴﺭ‬ ‫ﺴ ﻨ‬ ‫ﺍﺩﻋﺎﺅﻙ ﺍﻟﻨﻭﻡ..‬ ‫ﻗﺒل ﻤﺠﻲﺀ ﺯﻭﺠﻙ‬ ‫ﺃﻭ ﺘﻼﻋﺏ ﺍﻷﻁﺒﺎﺀ ﺒﻤﺸﺎﺭﻁﻬﻡ.‬ ‫ﻓﻲ ﺠﺴ ِﻙ‬ ‫ﺩ‬ ‫ﻟﻴﺱ ﻟﻪ ﻤﺒﺭﺭ ﻜﺎﻑ‬ ‫‪‬‬
‫‪‬ﺨﺎﻥ‬ ‫ﺩ‬ ‫ﻷﺒﻲ‬ ‫ﺃﻥ ﻴﺩﺨﻥ ﻨﺎﺭﺠﻴﻠﺘﻪ ﺒﻬﺩﻭﺀ...‬ ‫ٍ‬ ‫‪‬‬ ‫ﻋﻠﻰ ﺍﻟﻤﻘﻬﻰ‬ ‫ﻭﻴﻨﺴﺎﻨﻲ‬ ‫ﺃﻨﺎ ﺍﻟﺘﻲ ﻜﻨﺕ ُﺅﺭﻗﻪ‬ ‫ﹸﺃ‬ ‫ﻓﻘﺩ ﺃﻟﺼﻘﻨﻲ‬ ‫)ﺤﺴﺏ ﻤﻘﻭﻟﺘﻪ(‬ ‫ﻟﺭﺠل ﺁﺨﺭ‬ ‫ٍ‬
‫‪‬ﺯﻥ‬ ‫ﺤ‬ ‫ُﻤﻲ‬ ‫ﺃ‬ ‫ﺘﺒﻜﻲ‬ ‫ﻻ ﺃﺘﺼل ﺒﻬﺎ‬ ‫ُ‬ ‫ﻭﺘﺒﻜﻲ‬ ‫ﻋﻨﺩ ﻤﺠﻲﺀ‬ ‫ﻜﻨﺕ ﺃﻜﺭﻫﺎ..‬ ‫ﺤﻴﻥ ﺘﻤﻨﻊ ﻋﻨﻲ ﺍﻟﻤﺎﺀ..‬ ‫‪‬‬ ‫ﺒﻌﺩ ﺨﺭﻭﺠﻲ ﻤﻥ ﻏﺭﻑ ﺍﻟﻌﻠﻤﻴﺎﺕ‬ ‫ﻭﺃﺘﻬﻤﻬﺎ..‬ ‫ﺃﻨﻬﺎ ﻻ ﺘﺤﺱ ﺒﺂﻻﻤﻲ‬ ‫ﻓﺘﺼ ‪‬ﺕ‬ ‫ﻤ‬ ‫ﻭﺘﺒﻜﻲ‬ ‫ﻜﻴﻑ ﻜﻨﺕ ﺒﻬﺫﻩ ﺍﻟﻘﺴﻭﺓ‬ ‫ﹸ‬ ‫ﻭﻫل ‪‬ﻘﺩﺭﺓ ﺃﻨﺎ..‬ ‫ﻤ ﹲ‬ ‫ﻟﺒﻜﺎ ِﻬﺎ‬ ‫ﺌ‬
‫ﺍﻟﺘﺼﺎﻕ‬ ‫ﻴﺨﺘﻠﻑ ﺇﻟﻲ‬ ‫ﹸ ‪‬‬ ‫ﻴﻀﻊ ﻤﻨﻲ‬ ‫‪‬‬ ‫ﻜﻠﻤﺎﺕ ﻤﺘﻘﺎﻁﻌﺔ‬ ‫ﹰ‬ ‫ﻭﻨﻬﺭﺍ..‬ ‫‪‬‬ ‫ﻟﻘﻭﺍﺭﺒﻪ ﺍﻟﻭﺭﻗﻴﻪ‬ ‫ﺃﻨﺕ ﻓﺭﺤﺔ ﺒﻬﺫﺍ ﺍﻟﻁﻔل..‬ ‫ﹲ‬ ‫ﺍﻟﻤﺴﺎﻭﻱ ﻟﻌﻤﺭﻙ..‬ ‫ﻭﺍﻟﻤﻠﺘﺼﻕ ﺒﻙ‬ ‫‪‬‬
‫ﺠﺎﺭﻩ‬ ‫-١-‬ ‫ﺃﻟﻬﺎ ﺤﻕ‬ ‫ﹲ‬ ‫ﺠﺎﺭﺘﻲ ﻟﻤﺘﺼﺎﺒﻴﺔ‬ ‫ﺃﻥ ﺘﻨﻔﺽ ﺴﺠﺎﺠﻴﺩ ﺒﻴﺘﻬﺎ..‬ ‫ﻓﻭﻕ ﻤﻼﺒﺱ ﺯﻭﺠﻲ‬ ‫ﻷﻨﻨﺎ ﻻ ﻨﻜﺘﻡ ﻀﺤﻜﺎﺘﻨﺎ..‬ ‫‪‬‬ ‫ﺒﺎﻟﻅﻬﻴﺭﺓ‬
‫-٢-‬ ‫ﻟﻴﺘﻬﺎ ﻻ ﺘﺤﺴﺩﻨﻲ‬ ‫ﻓﻘﺩ ﺃﺘﺕ ﺒﺨﻤﺴﺔ ﺃﻁﻔﺎل...‬ ‫ٍ‬ ‫ﺩﻭﻥ ﺃﻥ ﺘﺌﻥ‬ ‫- ﺃﻋﺘﻘﺩ ﻫﺫﺍ ﻤﻥ ﻗﺒﻀﺘﻬﺎ..‬ ‫‪‬‬ ‫ﻋﻠﻰ ﻤﻨﻔﻀﺔ ﺍﻟﺴﺠﺎﺠﻴﺩ..‬ ‫ﻟﺴﺎﻋﺘﻴﻥ ﻤﺘﻭﺍﺼﻠﺘﻴﻥ-‬ ‫ﺃﻤﺎ ﺃﻨﺎ‬ ‫ﻓﻁﻔل ﻻ ﺃﻋﺭﻑ ﻨﻭﻋﻪ‬ ‫ٌ‬ ‫ﺠﺎﺀﻨﻲ ﺒﻼ ﻤﺒﺭﺭ..‬ ‫ﺤﺘﻰ ﺃﻥ ُﺭﻴﺩﻩ‬ ‫ﺃ‬ ‫ﻴﺒﻘﻴﻨﻲ ﻓﻲ ﺍﻟﺴﺭﻴﺭ..‬ ‫ﺘﺴﻌﺔ ﺃﺸﻬﺭ‬
‫ﺭﺠل ﻴﺜﺭﺜﺭ ﻭﺍﻤﺭﺃﺓ ﺼﺎﻤﺘﺔ‬ ‫ٌ‬ ‫ﻫل ﺍﻁﻤﺄﻨﺎ‬ ‫ﻨﺎﻤﺎ ﻫﺎﻨﺌﻴﻥ؟‬ ‫ﻓﺒﻌﺩ ﺸﻬﻭﺭ‬ ‫ﺴﻴﺼﺒﺤﺎﻥ ﺠﺩﻴﻥ‬
‫ﻟﻴل ﻭﻗﺎﻫﺭﺓ ﻭﺨﻤﺭ‬ ‫ﹲ‬ ‫ٌ‬ ‫ﻟﻠﻘﺎﻫﺭﺓ‬ ‫ﻟﻠﻴﻠﻬﺎ ﺍﻟﺩﺍﺠﻥ‬ ‫ﺃﻁﻔﺎﻟﻬﺎ ﺍﻟﻌﺭﺍﺓ‬ ‫ﻟﺭﺠﺎل ﺸﺭﻁﺘﻬﺎ..‬ ‫ﺍﻟﺫﻴﻥ ﻴﻁﻤﺌﻨﻭﻥ ﺃﻨﻙ ﺘﺤﻤل..‬ ‫ﺒﻁﺎﻗﺘﻙ ﺍﻟﺸﺨﺼﻴﺔ‬ ‫ﻭﻻ ﻴﻅﻨﻭﻥ ﺃﺒﺩﺍ..‬ ‫‪‬‬ ‫ﺃﻨﻙ ﺇﺭﻫﺎﺒﻲ‬ ‫‪‬‬ ‫ﻟﻔﺘﻴﺎﺕ ﺍﻟﺩﻴﺴﻜﻭ..‬ ‫ﻭﻟﻔﺘﻴﺎﻨﻬﻡ..‬ ‫ﺴﻴﻜﻭﻥ ﺒﻬﻴﺎ ﺃﻥ ﺃﻤﻴﺕ ﺩﻫﺸﺘﻲ‬ ‫‪‬‬
‫ﺸﺭﻓﺔ ﺃﻁل ﻤﻨﻬﺎ ﻋﻠﻲ‬ ‫‪‬‬ ‫-١-‬ ‫ﺃﺤﺴﺩ ﺍﻟﺫﺍﻫﺒﻴﻥ ﺇﻟﻰ ﻤﻨﺎﺯﻟﻬﻡ‬ ‫‪‬‬ ‫ﻫﺫﻩ ﺍﻟﻤﺩﻴﻨﺔ ﺍﻟﻤﺯﺭﻭﻋﺔ ﺒﺎﻟﺒﻨﺎﻴﺎﺕ‬ ‫ِ‬ ‫ﹸ‬ ‫ﻟﻴﺱ ﺒﻬﺎ..‬ ‫ﺒﻴﺕ ﻟﻲ‬ ‫ﹲ‬ ‫-٢-‬ ‫ﹸﻔﺘﺸﻨﻲ ﺃﻋﻴﻨﻬﻡ‬ ‫ﺘ‬ ‫ﺭﺍﺌﺤﺔ‬ ‫ﹰ‬ ‫ﻏﺎﺩﻴﺔ‬ ‫ﹰ‬ ‫ﻭﻴﺼﺭ ﺍﻟﺒﺎﺌﻊ ﺤﻴﻥ ﻴﺭﺍﻨﻲ..‬ ‫‪‬‬ ‫ﺃﻥ ﻤﻌﻅﻡ ﺃﻫل ﺍﻟﻨﺎﺭ..‬ ‫ِ‬ ‫ﻤﻥ ﺍﻟﻨﺴﺎﺀ‬ ‫ﻜﺄﻨﻤﺎ ﻴﺒﺤﺜﻭﻥ ﺒﻤﻼﺒﺴﻲ..‬ ‫ﻋﻥ ﻭﺜﻴﻘﺔ ﻟﻠﺯﻭﺍﺝ‬ ‫ٍ‬
‫-٣-‬ ‫ﺘﻐﺎﺩﺭﻨﻲ‬ ‫ﻭﺘﺘﺭﻙ ﻟﻲ..‬ ‫ﺜﻼﺜﺔ ﺃﻁﻔﺎل ﻤﻌﻠﻘﻴﻥ ﻋﻠﻰ ﺍﻟﺠﺩﺍﺭ‬ ‫ﻭﺒﺎﺒﺎ ﻨﻭﻴل‬ ‫ﺃﻨﺕ ﻓﻲ ﺍﻟﻠﻴﻠﺔ ﺍﻟﻔﺎﺌﺘﺔ‬ ‫ﹶ‬ ‫ﺸﻜﻠﺘﻨﻲ ﺍﻤﺭﺃﺓ‬ ‫ﹰ‬ ‫ﺘﺘﻐﺎﻓل ﺃﻥ ﺠﺩﺍﺭﺍ ﺭﻗﻴﻘﺎ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺒﻴﻨﻬﺎ ﻭﺒﻴﻥ ﺍﻟﺸﺎﺭﻉ‬ ‫ﻭﺃﻨﺕ ﺘﻠﻘﻲ ﺒﺄﻁﻔﺎﻟﻙ..‬ ‫ﺩﻭﻨﻬﺎ‬ ‫-٤-‬ ‫ﻜﻠﻤﺎ ‪‬ﺩﺕ ﺇﻟﻴﻬﺎ ﺘﺘﻔﺤﺼﻨﻲ‬ ‫ﻋ ﹸ‬ ‫ﺒﻌﺩ‬ ‫ﻟﻤﺎ ﺘﺼﻴﺭ ﺍﻤﺭﺃﺓ‬ ‫ﻭﻋﺎ ‪‬ﻙ ﺍﻟﺜﻼﺜﻴﻥ ﻴﻘﺘﺭﺏ‬ ‫ﻤ‬ ‫ﻴﺎ ﺃﻤﻲ‬
‫ﺃﻜل ﻤﺎ ﻴﺭﺒﻁ ﺍﻤﺭﺃﺓ ﺒﺭﺠل‬ ‫ٍ‬ ‫ﹰ‬ ‫ﹸ‬ ‫ُ‬ ‫ﻁﻔل‬ ‫-٥-‬ ‫ﻴﻌﻭﺩ ﺍﻟﺭﺠﺎل ﻟﻤﻨﺎﺯﻟﻬﻡ..‬ ‫ﻗﺒل ﻫﺫﺍ ﻋﺎﺩﺓ‬ ‫ﹰ‬ ‫ﺍﻟﺭﺍﺒﻌﺔ ﺼﺒﺎﺤﺎ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭﺃﻨﺘﻅﺭ‬ ‫ﻤﺎﻟﻲ ﻏﻴﺭ ﺍﻻﻨﺘﻅﺎﺭ!‬ ‫ﺴﺄﻋﺩ ﻁﻌﺎﻤﺎ ﺭﺍﺌﻌﺎ‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﺼﻨﻊ ﺤﺒﺎﻻ..‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺃﻨﺸﺭ ﻋﻠﻴﻬﺎ ﺍﻟﻤﻼﺒﺱ..‬ ‫‪‬‬ ‫ﻭﺤﺯﻨﻲ‬
‫ﺭ ‪‬ﻕ‬ ‫‪‬ﻫ‬ ‫-١-‬ ‫ﺒﻴﻨﻙ‬ ‫ﻭﺒﻴﻥ ﺠﻨﻭ ‪‬ﻴﻙ‬ ‫ﺒ‬ ‫ﻤﺩﻯ‬ ‫-٢-‬ ‫ﻟﻪ‬ ‫‪‬‬ ‫ﺃﻥ ﻴﻅل ﻫﻜﺫﺍ‬ ‫ﻭﻟﻲ ﺍﻟﺠﻨﻭﻥ‬ ‫‪‬‬ ‫-٣-‬ ‫ﻜﻨﺕ ﺃﺒﻐﻲ‬ ‫ﹸ‬ ‫ﺃﻥ ﻴ ‪‬ﻤﻨﻲ ﻋﻠﻰ ﻤﺤﻁﺔ ﺍﻟﻤﺘﺭﻭ‬ ‫ﻀ‬ ‫ﻭﻟﻴﺫﻫﺏ ﺍﻟﻌﺴﺎﻜﺭ..‬ ‫ﻭﺍﻟﺠﻨﻭﺩ ﺍﻟﻭﺍﻗﻔﻴﻥ ﺇﻟﻰ ﺍﻟﺠﺤﻴﻡ‬ ‫ﻓﺨ ‪‬ل‬ ‫ﹶﺠ َ‬
‫ﺃﻥ ﺘﻅل ﻋﻴﻨﺎﻱ..‬ ‫ﻤﻌﻠﻘﺘﻴﻥ ﺒﺸﻔﺘﻴﻪ‬ ‫ﻭﻗﺭﺃ ﻤﺎ ﺘﻴﺴﺭ ﻤﻥ ﺍﻟﻘﺭﺁﻥ‬ ‫ﻭ ﹶﺭ‬ ‫ﻓ‬ ‫-٤-‬ ‫‪‬ﺎ ‪‬ﺙ‬ ‫ﺤﺩ ﹶ‬ ‫ﺼﺩﻴﻘﺘﻲ ﺍﻟﺘﻲ ﺃﺤﺒﻬﺎ..‬ ‫ُ‬ ‫ﻜﺸﻌﺭﻱ‬ ‫‪‬ﺸﻌﺭﻱ‬ ‫ﻭ‬ ‫ﻓﻲ ﺍﻟﺴﺎﺒﻌﺔ ﺼﺒﺎﺤﺎ‬ ‫‪‬‬ ‫ﻭﺤﺎﺩﺜﻨﻲ ﺒﻌﺩﻫﺎ ﺒﺠﺩﻴﺔ ﻤﻘﻴﺘﺔ‬ ‫ﹾ‬ ‫ٍ‬ ‫ﻟﻡ ‪‬ﺭﺴل ﻗﺒﻠﺘﻪ ﻋﺒﺭ ﺍﻟﺘﻠﻴﻔﻭﻥ‬ ‫ﻴ‬ ‫ﻜﺎﻟﻌﺎﺩﺓ‬ ‫ﺃ ﹸﺭﻯ‬ ‫ﺘ‬ ‫ﻤﻨﺤﻬﺎ ﹸﺒﻠﺘﻲ‬ ‫ﻗ‬
‫ﺘﺫﺍﻜﺭ ﺍﻹﻨﻬﺎﻙ ﻭﺍﻟﻌﻭﺩﺓ‬ ‫ﺃﻱ ﻤﺠﺩ‬ ‫ٍ‬ ‫ﺃﻥ ﺃﺘﺭﻙ ﺠﺭﺍﺡ ﺃﻤﻲ ﻨﺎﺯﻓﺔ‬ ‫ﹰ‬ ‫ﻭﺃﺫﻫﺏ ﻟﻁﻔل‬ ‫ٍ‬ ‫‪‬‬ ‫ﻴﺘﺨﻔﻰ ﻓﻲ ﺼﺩﺭ ﺃﺒﻴﻪ‬ ‫ﻜﻠﻤﺎ ﺭﺁﻨﻲ‬ ‫ﻭﺍﻟﻨﺴﻭﺓ ﻋﻠﻰ ﺃﺒﻭﺍﺒﻬﻥ‬ ‫ﻴﻁﻘﻁﻘﻥ ﺃﻓﻭﺍﻫﻬﻥ‬ ‫"ﺍﻟﻤﺴﻜﻴﻨﺔ ﻻ ﺘﺴﺘﻁﻴﻊ ﺤﻤﹶﻪ"‬ ‫‪ ‬ﻠ‬ ‫ﹸ‬ ‫ﻓﻴﺄﻟﻑ ﻜﺭﻫﻪ ﻟﻲ‬ ‫ﹸ‬
‫ﻭﺠﻪ ﻻ ﻴﻠﻴﻕ ﺒﻤﺴﺎﺤﻴﻕ‬ ‫‪‬‬ ‫-١-‬ ‫ﻴﺎ ﺭﺏ‬ ‫ﻏﺭﻓﺔ ﺃﻀﻴ ُﻬﺎ ﻭﻗﺘﻤﺎ ﺃﺸﺎﺀ‬ ‫ﺌ‬ ‫ﹲ‬ ‫ﻜﺘﺒﺎ ﻻ ﺃﺨﺒﺅﻫﺎ ﻤﻥ ﺃﺒﻲ‬ ‫‪‬‬ ‫ﺴﺭﻴﺭﺍ ﻻ ﺃﺘﺸﺎﺠﺭ ﺃﻨﺎ ﻭﺃﺨﺘﻲ..‬ ‫‪‬‬ ‫ﻋﻠﻰ ﻤﻥ ﻤﻨﺎ ﺘﻌﺩﺕ ﺍﻟﻔﺎﺼل..‬ ‫ﺍﻟﺫﻱ ﻗﺴﻤﻨﺎﻩ ﺒﺎﻟﺴﻨﺘﻴﻤﺘﺭﺍﺕ‬ ‫ﺃﺴﺎ ِﻟﻬﺎ ﺃﺤﻴﺎﻨﺎ‬ ‫ﹰ‬ ‫ﺀ‬ ‫ﻟﻤﺎﺫﺍ ﻻ ﻴﻜﻭﻥ ﻟﻜل ﻤﻨﺎ ﺫﺭﺍﻋﻴﻥ‬ ‫ﻴﺨﻠﻌﻬﻤﺎ ﺃﺜﻨﺎﺀ ﺍﻟﻨﻭﻡ‬ ‫ﻟﻨﺘﻘﻲ ﺍﻟﺸﺠﺎﺭ؟‬ ‫ﻓﺘﻅل ﺘﺘﺸﻜﻰ ﺫﺭﺍﻋﻴﻬﺎ ﻁﻭﺍل ﺍﻟﻠﻴل‬
‫ﺃﻤﹸﻙ ﺍﻵﻥ ﻏﺭﻓﺔ ﺸﺎﺴﻌﺔ‬ ‫ﹲ‬ ‫ﻠ‬ ‫ﺃﻁﻔﺊ ﺃﻨﻭﺍﺭﻫﺎ‬ ‫ﻭَﺸﻌل ﺍﻟﺘﻠﻔﺎﺯ‬ ‫ﺃ‬ ‫ﺍﺘﻘﺎﺀ ﻟﻨﻅﺭﺍﺕ ﺍﻟﺤﺯﻥ ﻤﻥ ﻜﺘﺒﻲ‬ ‫‪‬‬ ‫ﻭﻭﺴﺎﺌﺩ ﺃﺭﺸﺭﺸﻬﺎ ﺒﻜل ﺍﺘﺠﺎﻫﺎﺕ ﺴﺭﻴﺭﻱ‬ ‫ﻋﺴﻰ ﺃﻥ ﺘﻤﻸ ﺍﻟﻤﺴﺎﺤﺎﺕ ﺍﻟﻔﺎﺭﻏﺔ‬ ‫ﺍﻟﺘﻲ ﺘﺭﻜﻬﺎ ﻫﺫﺍ ﺍﻟﺭﺠل ﺍﻟﻨﺎﺌﻡ‬ ‫ﻓﻲ ﺍﻟﻐﺭﻓﺔ ﺍﻟﻤﻘﺎﺒﻠﺔ‬ ‫ِ‬ ‫-٢-‬ ‫ﺃﻅل ﻜﻌﺎﺩﺘﻲ ﻻ ﺃﻏﻔﻭ‬ ‫ُ‬ ‫ﺃﺠﻌل ﺍﻟﺒﺒﻐﺎﺀ ﺘﺭﺴل ﺯﻗﺯﻗﺘﻬﺎ‬ ‫ﺤﻴﻥ ﻴﺄﺘﻲ‬ ‫ﻭﺃﺘﻭﺠﻊ ﻗﻠﻴﻼ‬ ‫ﹰ‬ ‫ﺃﻁﻠﺏ ﻤﻨﻪ ﺃﻥ ﻴﻀﻊ ﻜﺎﺴﺎﺕ ﺍﻟﻬﻭﺍﺀ ﻋﻠﻰ ﻅﻬﺭﻱ‬ ‫‪‬‬ ‫ﻭﺃﺘﻀﺎﺤﻙ ﺤﻴﻥ ﺃﺨﺒﺭﻩ‬ ‫ﺃﻨﻨﻲ ﺃﻤﻠﻙ ﺭﻴﺸﺎ‬ ‫ﹰ‬ ‫ﻴﺨﺎﻑ ﻁﻔﻠﻲ‬
‫ﺃﻥ ﺍﻨﺯﻋﻪ ﻤﻥ ﺫﺭﺍﻋﻲ‬ ‫ﻓﻴﺨﺎﻑ ﺃﻥ ﺃﻁﻴﺭ ﻤﻨﻬﻤﺎ‬ ‫ﻭﻴﺒﻘﻰ ﻤﻌﻲ ﻫﺫﻩ ﺍﻟﻠﻴﻠﺔ‬ ‫-٣-‬ ‫ﻟﻤﺎﺫﺍ ﺃﺠﻭﺏ ﺸﻘﺘﻲ ﻤﻥ ﻏﺭﻓﺔ ﻷﺨﺭﻯ‬ ‫ٍ‬ ‫ﺃﺴﺎﺀل ﻨﻔﺴﻲ‬ ‫ﻫل ﺃﻨﺎ ﻤﺘﺯﻭﺠﺔ؟‬ ‫ﻟﻴﺱ ﻟﺯﻓﺎﻓﻨﺎ ﺼﻭﺭﺓ ﻤﻌﻠﻘﺔ ﻋﻠﻰ ﺍﻟﺤﺎﺌﻁ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻤﻥ ﻫﺫﺍ ﺍﻟﺭﺠل ﺍﻟﺫﻱ ﻴﺄﺘﻲ ﺒﻀﻊ ﺴﺎﻋﺎﺕ..‬ ‫ﻴﺩﺍﻋﺏ ﻁﻔﻠﻲ‬ ‫‪‬‬ ‫ﻭﻴﺫﻫﺏ ﻟﻠﻨﻭﻡ‬ ‫‪‬‬ ‫ﺃﺼﻌﻕ‬ ‫ﹸ‬ ‫ُ‬ ‫ﻁﻔﻠﻲ ﻴﻨﺎﺩﻴﻪ ﺒﺄﺒﻲ‬ ‫ﻻﺒﺩ ﺃﻨﻨﻲ ﻤﺘﺯﻭﺠﺔ‬
‫ﺃﻴﺎﻡ ﻟﻠﻤﻭﺘﻰ‬ ‫‪‬‬ ‫ﻜﺄﻨﻤﺎ ﻴﺨﺘﺎﺭ ﻤﻭﺴﻴﻘﻰ ﻟﻤﻭﺘﻪ‬ ‫‪‬‬ ‫"ﺇﻟﻰ ﺍﻟﺸﺎﻋﺭ ﺍﻟﺭﺍﺤل ﻤﺠﺩﻱ ﺍﻟﺠﺎﺒﺭﻱ"‬ ‫ﺍﻟﺩﻭﺭ ﺍﻟﻌﺎﺸﺭ ﺤﺠﺭﻩ ٢‬ ‫ﻭﺃﻨﺎ ﺃﻟﻬﺙ ﻭﺭﺍﺀﻫﻡ‬ ‫ﹸ‬ ‫ﻓﻲ ﻤﻤﺭﺍﺕ ﻤﻌﻬﺩ ﺍﻷﻭﺭﺍﻡ..‬ ‫ِ‬ ‫ﻟﻠﺤﺎﻕ ﺒﺎﻟﻤﺼﻌﺩ‬ ‫ِ‬ ‫ﻻ ﺃﺼﺩﻕ‬ ‫ﹸ‬ ‫ﺃﻴﺨﺎﺩﻋﻨﻲ ﺠﺴﺩﻱ‬ ‫ﻭﻴﺒﻨﻲ ﺃﺠﺴﺎﻤﺎ ﻀﺩﻱ‬ ‫‪‬‬ ‫ﺃﻜﺭﻩ ﺯﻴﺎﺭﺓ ﺍﻟﻤﺭﻀﻰ‬ ‫ﻭﻻﺌﺤﺔ ﺍﻟﻤﺴﺘﺸﻔﻴﺎﺕ‬ ‫ﻭﺃﺨﺎﻑ ﻤﻥ ﺩﻤﻌﻲ‬ ‫ﺤﻴﻥ ﻋﺎﺩ ﻤﻥ ﺠﻠﺴﺔ ﺍﻟﻌﻼﺝ ﺍﻟﻜﻴﻤﻴﺎﺌﻲ‬ ‫ﻭﺍﺭﺘﻤﻰ ﻋﻠﻰ ﺍﻟﺴﺭﻴﺭ ﻫﺯﻴﻼ ﺒﻴﻨﻨﺎ‬ ‫ﹰ‬
‫ﺘﻤﻨﻴﺕ ﺃﻥ ﻴﻌﻭﺩ ﻟﻤﻜﺘﺒﻨﺎ ﺍﻟﻭﺍﺤﺩ‬ ‫ﻭﺴﺠﺎﺌﺭﻨﺎ ﺍﻟﻤﻘﺘﺴﻤﺔ‬ ‫ﻭﺤﻴﻥ ﻭﻀﻌﺕ ﻴﺩﻱ ﻋﻠﻰ ﻜﺘﻔﻴﻪ‬ ‫ﹸ‬ ‫ﻁﺎﻟﺒﺘﻪ ﺃﻥ ‪‬ﻘﺎﻭﻡ‬ ‫ﻴ‬ ‫ﻜﻨﺕ ﺃﻋﻠﻡ ﺃﻨﻨﻲ‬ ‫ﹸ ‪‬‬ ‫ﺃﺒﺩﺃ ﺍﻟﻌﺩ ﺍﻟﺘﻨﺎﺯﻟﻲ..‬ ‫ﻟﻔﻘﺩ ﺍﻷﺼﺩﻗﺎﺀ‬ ‫ِ‬
‫ﻗﻁﻁ ﺴﻴﺎﻤﻴﺔ ﻭﺃﺸﺠﺎﺭ ﺃﺭﺯ ﺘﻨﻜﺭ ﺍﻟﻤﻭﺘﻰ‬ ‫ٍ ‪‬‬ ‫ُﺩﻴﺭ ﻗﻨﻭﺍﺕ ﺍﻟﺘﻠﻴﻔﺯﻴﻭﻥ‬ ‫ﺃ‬ ‫ﺒﻴﻨﻤﺎ ﺍﺴﺘﻤﺘﻊ ﻁﻔﻠﻲ‬ ‫ﺁﻜل ﺍﻟﻭﺭﻕ‬ ‫ﺒﺘﻤﺯﻴﻕ ﻜﺘﺎﺏ ﻟﻡ ﺃﻜﺩ ﺃﻟﻤﺴﻪ‬ ‫ٍ‬ ‫ِ‬ ‫ﺭﺤل ﻨﺯﺍﺭ ﻗﺒﺎﻨﻲ‬ ‫ﺘ ﹸﻭﻟﻬﺎ ﺍﻟﻤﺫﻴﻌﺔ..‬ ‫ﹸ‬ ‫ﻘ‬ ‫ﺒﺎﺒﺘﺴﺎﻤﺔ ﺨﻔﻴﻔﺔ..‬ ‫ٍ‬ ‫ﻭﺒﻜﺎﻤل ﻤﺴﺎﺤﻴﻘﻬﺎ‬ ‫ﻤﺎ ‪‬ﻬﻤﻬﺎ‬ ‫ﻴ‬ ‫ﺇﻨﻪ ﺨﺒﺭ‬ ‫ﺃﻫﻜﺫﺍ ﻴﺭﺤل ﺒﻼ ﺍﺴﺘﺜﻨﺎﺀ؟‬ ‫ُ‬
‫ﺍﻤﺭﺃﺓ ﺤﺠﺭﻴﺔ‬ ‫-١-‬ ‫ﻨﺼﻔﻲ ﺤﺠﺭ‬ ‫‪‬‬ ‫ﺘﺘﺴﻠل ﺇﻟﻲ ﻋﻨﺎﻜﺏ ﺴﻘﻑ ﺍﻟﺤﺠﺭﺓ‬ ‫‪‬‬ ‫ﹶﺘﻠﻑ ﻨﺴﻴﺠﻬﺎ ﺤﻭﻟﻲ‬ ‫ﻟ‬ ‫ﻻ ﻴﻭﻗﻔﻬﺎ‬ ‫ﺇﻻ ﺼﺭﺨﺔ ﻁﻔﻠﻲ‬ ‫ِﺸﻴﺔ ﺃﻥ ﺃﺴﻘﻁ‬ ‫ﺨ ﹶ‬ ‫-٢-‬ ‫ﻨﺼﻔﻲ ﺤﺠﺭ‬ ‫‪‬‬ ‫ﻭﻤﺩﻴﻨﺔ ﻗﻠﺒﻲ ﻴﺴﻜﻨﻬﺎ ﺍﻟﻤﻭﺘﻰ‬ ‫ﺃﺼﺩﻗﺎﺌﻲ‬ ‫ﺘﺤﺭﻗﻭﻥ ﺒﺎﻟﺤﺯﻥ ﺠﻤﻴﻊ ﺒﺴﺎﺘﻴﻨﻲ‬ ‫ﻻ ﺘﻤ ‪‬ﻥ ﺴﺘﻁﻔﺅﻫﺎ‬ ‫ﺯ‬ ‫ﻭﻴﻠﻲ‬ ‫ﻜل ﺸﺘﺎﺀ َﻏﻔل ﻋﻥ ﺠﻤﻊ ﺘﺸﺘﺘﻜﻡ‬ ‫ٍﺃ‬
‫ﺃﻨﺘﻡ ﻻ ﺘﺤﻴﻭﻥ ﺍﻟﻤﻭﺘﻰ‬ ‫ﻭﻻ ﺘﺸﻔﻭﻥ ﺍﻟﻌﺠﺎﺌﺯ ﻓﻲ ﺍﻟﻁﺭﻗﺎﺕ‬ ‫ﻟﻤﺎﺫﺍ ﺘﺒﺎﻏﺘﻜﻡ ﺤﺭﺒﺎﺀ ﺍﻟﻤﻭﺕ؟‬ ‫-٣-‬ ‫ﺃﺘﻭﺍ ﺇﻟﻲ ﻓﻲ ﺍﻟﻤﺴﺎﺀ‬ ‫‪‬‬ ‫‪‬ﺒﻁﻠﻭﻥ ﻗﺩﺭﺘﻲ ﻋﻠﻰ ﻫﺵ ﺍﻟﺫﺒﺎﺏ‬ ‫ﻴ‬ ‫ﺍﻟﻌﻨﺎﻜﺏ ﺘﺘﻠﻬﻑ ﻟﺘﺴﺘﺭﺩ ﺠﺴﺩﻱ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭَﺨﺫ ﹸﻡ ﺸﺎﻁﺊ ﺍﻟﺠﺩﻭل ﺍﻟﻭﺤﻴﺩ..‬ ‫ﺃ ﺘ‬ ‫ﺇﻟﻰ ﻗﻠﺒﻲ‬ ‫ﻭ ‪‬ﺤ ﹸﻡ‬ ‫ﻴ ﻜ‬ ‫ﻟﺴﺕ ُﻋﻴﺭﻜﻡ ﺒﻜﺎﺌﻲ‬ ‫ﺃ‬
‫ﻟﻴﺱ ﻜﺄﺒﻲ‬ ‫ﺇﻟﻰ ﺍﻟﻔﻨﺎﻥ ﺍﻟﺭﺍﺤل "ﺠﻭﺩﻩ ﺨﻠﻴﻔﺔ"‬ ‫-١-‬ ‫ﻟﻡ ‪‬ﺨﻭﻓﻨﻲ ﺒﻴﻭﻡ ﻤﻭﺘﻪ‬ ‫ﻴ‬ ‫ﻟﻡ ﻴﻔﺘﺵ ﺤﻘﻴﺒﺔ ﻴﺩﻱ‬ ‫ﻭﻻ ﻤ ‪‬ﻕ ﺭﺴﺎﺌﻠﻲ‬ ‫‪‬ﺯ‬ ‫ﺃﻋﻁﻴﺘﻪ ﺤﺯﻨﻲ‬ ‫‪‬‬ ‫ﻓﻭﻫﺒﻨﻲ ﺒﺤﺭﺍ‬ ‫‪‬‬ ‫َﻏﺴﹸﻨﻲ ﻓﻴﻪ‬ ‫ﺃ ﻠ‬ ‫ﻭُﺨﺭﺝ ﻓﺭﺤﻲ‬ ‫ﺃ‬ ‫-٢-‬ ‫ﻟﻤﺎﺫﺍ ﺘﺒﺎﻜﻴﻥ ﺤﻴﻥ ﺃﺨﺒﺭﻨﻨﻲ ﺒﺎﻟﻬﺎﺘﻑ‬ ‫‪‬‬ ‫ﺃﻋﻁﺎﻜﻥ ﺒﻌﺽ ﻤﺎ ﺃﻋﻁﺎﻨﻲ‬ ‫ﹶﹸ ‪‬‬ ‫ﻭﻻ ﺃﺒﻜﻲ‬ ‫ﺍﻟﺩﻤﻊ ﻤﻘﺎﻴﻀﺔ ﺘﺎﻓﻬﺔ ﺒﺎﻟﻤﻭﺕ‬ ‫ﹲ‬ ‫ﹲ‬
‫ﺒﻨﺕ ﺘﺨﺎﻑ ﺍﻟﺒﻜﺎﺀ‬ ‫ﹸ‬ ‫ﹲ‬ ‫-١-‬ ‫ﹸﻥ ﻴﺘﺭﺒﺼﻥ ﺒﻲ‬ ‫ﻜ‬ ‫ﺠﺩﺍﺘﻲ ﺍﻟﺜﻼﺙ‬ ‫ﻭﻜﻨﺕ ﺃﻜﺭﻩ ﻗﻀﺎﺀ ﻤﺸﺎﻭﻴﺭﻫﻥ‬ ‫ﹸ‬ ‫ﻓﻴﻤﻨﻌﻨﻲ ﻤﻥ ﺍﻟﻠﻌﺏ ﻓﻭﻕ ﺍﻟﺴﻁﻭﺡ‬ ‫ﺃﻭ ﻓﻲ ﺤﺠﺭﺍﺕ ﺍﻟﻤﻨﺯل ﺍﻟﺩﺍﺨﻠﻴﺔ‬ ‫ﻭﺃﺩﺨل ﻤﻘﻬﻭﺭﺓ ﺤﻤﺎﻤﻨﺎ ﺍﻟﻤﻅﻠﻡ‬ ‫ﹲ‬ ‫ُ‬ ‫ﻜﻨﺕ ﺃﺭﻓﺽ‬ ‫ﹸ‬ ‫ﻻ ﻟﻌﺠﺯﻱ ﻋﻥ ﺍﻟﺤﺭﻜﺔ‬ ‫ِ‬ ‫ﻜﻤﺎ ﺘﺼﻭﺭﻥ ﻓﻲ ﺍﻟﺒﺩﺍﻴﺔ‬ ‫ﻭﻜﺭﻫﻨﻨﻲ‬ ‫ﻭﻜﺭﻫﻥ ﻋﺠﺯﻱ‬ ‫ﺒل ﻷﻨﻬﻥ ﻜﻥ ﻴﺭﺴﻠﻨﻨﻲ‬ ‫ﻟﺸﺭﺍﺀ ﺤﻨﺎﺀ ﻟﺸﻌﻭﺭﻫﻥ ﺍﻟﺒﻴﻀﺎﺀ‬ ‫ٍ‬ ‫ﻭﺨﺭﺯ ﻟﻤﻼﺒﺱ ﺍﻟﺒﺩﻭﻴﺎﺕ‬ ‫ٍ‬ ‫ﻭﺃﻨﺎ ﺃﺠﺯﻉ ﻤﻥ ﻟﻭﻥ ﺸﻌﻭﺭﻫﻥ ﻭﻤﻥ ﺃﻭﺸﺎﻡ ﺍﻟﺒﺩﻭﻴﺎﺕ‬
‫ﻜﻠﻤﺎ ﻤﺎﺘﺕ ﺃﺤﺩﺍﻫﻥ‬ ‫ﻜﻨﺕ ﺃﺴﺘﺭﻴﺢ ﻤﻥ ﺘﻭﺒﻴﺦ ﺃﺒﻲ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻫﻜﺫﺍ ﺫﻫﺒﻥ‬ ‫ﺤﺘﻰ ﺍﻟﺘﻲ ‪‬ﻤﻴ ﹸ ﺒﺎﺴﻤﻬﺎ‬ ‫ﺴ ﺕ‬ ‫ﻭﻜﺭﻫﺘﻬﺎ ﻟﻬﺫﺍ‬ ‫ﻟﻡ ﺃﺒﻙ ﺤﺘﻰ ‪‬ﺠﺎﻤﻠﺔ ﻟﺤﺯﻥ ﺃﺒﻲ‬ ‫ﹰ‬ ‫ﻤ‬ ‫-٢-‬ ‫ﺠﻠﺱ ﻋﻠﻰ ﺍﻟﺒﺎﺏ ﻤﹼﻭ ‪‬ﺎ‬ ‫ﻠ ﺤ‬ ‫ﺒﻌﺼﺎﺘﻪ ﺍﻟﻐﻠﻴﻅﺔ‬ ‫ِ‬ ‫ﻫﺎﺌﻼ ﻜﺤﺼﺎﻥ ﻟﻡ ﻴ ‪‬ﺠﻥ‬ ‫ﺩ‬ ‫ﹰ‬ ‫ﻤﻨﺫﺭﺍ ﺃﺒﻲ ﺒﺘﻁﻠﻴﻕ ﺃﻡ ﺍﻟﺒﻨﺎﺕ‬ ‫‪‬‬ ‫ﻭﺍﻟﺘﻲ ﺃﻨﺠﺒﺕ ﺴﻠﻴﻁﺔ ﺍﻟﻠﺴﺎﻥ ﻫﺫﻩ‬ ‫)ﻴﻘﺼﺩﻨﻲ ﺒﺎﻟﻁﺒﻊ(‬ ‫ﻭﻟﻜﻨﻪ ﻜﺎﻥ ﻴﺠﻠﺱ ﺒﺠﻭﺍﺭﻱ‬ ‫ﻓﻲ ﺃﺤﻴﺎﻥ ﻜﺜﻴﺭﺓ‬
‫‪‬ﻌﺩ ﻗﻬﻭﺓ ﺍﻟﻅﻬﻴﺭﺓ‬ ‫ﻴ‬ ‫ﻤﺘﺭﻨﻤﺎ ﺒﻤﻭﺍﻭﻴل ﺸﺠﻴﺔ ﻋﻥ‬ ‫‪‬‬ ‫"ﺍﻟﻠﻲ ﺒﻨﻰ ﻤﺼﺭ‬ ‫ﻜﺎﻥ ﻓﻲ ﺍﻷﺼل ﺤﻠﻭﺍﻨﻲ"‬ ‫ﻭﻴﺤﻜﻲ ﻟﻲ ﻋﻥ ﺃﻤﺠﺎﺩ ﻓﺘﻭﺘﻪ‬ ‫ﻓﻲ ﺍﻟﺴﺎﺩﺴﺔ ﻭﺍﻟﺜﻤﺎﻨﻴﻥ‬ ‫ﺘﻌﺫﺏ ﻗﻠﻴﻼ ﻭﻤﺎﺕ‬ ‫‪ ‬ﹰ‬ ‫ﺒﻌﺩ ﻋﺎﻤﻴﻥ‬ ‫ﻀﺒﻁﺘﻨﻲ ﺒﺎﻟﺒﻜﺎﺀ ﻋﻠﻴﻪ ﻤﺘﻠﺒﺴﺔ..‬ ‫ﹰ‬

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294

  • 1.
  • 2. ‫ﺩﻴﻭﺍﻥ‬ ‫ﺃﻴﺎﻡ ﻟﻠﻤﻭﺘﻰ‬ ‫‪‬‬ ‫ﺍﻟﺸﺎﻋﺭﺓ / ﺒﻬﻴﺔ ﻁﻠﺏ‬
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫ﺇﻫﺩﺍﺀ‬ ‫ﺇﻟﻰ ﺸﺎﺩﻱ ﺸﺭﻴﻑ ﻋﻭﺍﺩ... ﺍﺒﻨﻲ... ﺃﻨﺕ ﺃﺭﻭﻉ ﻤﻤﺎ ﻟﻭ‬ ‫ﺤﻠﻤﺕ ﺒﻙ‬ ‫ﻜﺘﺒﺕ ﻗﺼﺎﺌﺩ ﺍﻟﺩﻴﻭﺍﻥ ﻓﻲ ﺍﻟﻔﺘﺭﺓ ﻤﺎ ﺒﻴﻥ ٥٩٩١ ﺇﻟﻰ ١٠٠٢‬
  • 5. ‫ﺍﻟﻔﻬﺭﺱ‬ ‫ﺍﻹﻫﺩﺍﺀ...................................................٣‬ ‫١- ﺨﺩﻭﺵ ﻋﻠﻰ ﺫﺍﻜﺭﺓ ﺍﻵﻴﺱ ﻜﺭﻴﻡ............................٧‬ ‫٢-‬ ‫ﺇﺸﺎﺭﺍﺕ.....................................................٣١‬ ‫٣- ﺭﺠل – ﻏﺭﻓﺔ – ﺍﻤﺭﺃﺓ...................................٧١‬ ‫٤- ﺤﻠﻡ......................................................١٢‬ ‫٥- ﺨﻭﻑ...................................................٣٢‬ ‫٦- ﺩﺨﺎﻥ....................................................٧٢‬ ‫٧- ﺤﺯﻥ....................................................٩٢‬ ‫٨- ﺍﻟﺘﺼﺎﻕ.................................................٣٣‬ ‫٩- ﺠﺎﺭﺓ....................................................٥٣‬ ‫٠١- ﺭﺠل ﻴﺜﺭﺜﺭ ﻭﺍﻤﺭﺃﺓ ﺼﺎﻤﺘﻪ.............................٩٣‬ ‫١١-ﻟﻴل ﻭﻗﺎﻫﺭﺓ ﻭﺨﻤﺭ......................................١٤‬ ‫ﹲ‬ ‫ٌ‬ ‫٢١- ﺸﺭﻓﺔ َﻁل ﻤﻨﻬﺎ ﻋﻠﻲ...................................٥٤‬ ‫‪‬‬ ‫ﹲﺃ ُ‬ ‫٣١- ﺭﻫﻕ..................................................١٥‬ ‫٤١- ﺘﺫﺍﻜﺭ ﻟﻠﺫﻫﺎﺏ ﻭﺍﻟﻌﻭﺩﺓ..................................٧٥‬ ‫٥١- ﻭﺠﻪ ﻻ ﻴﻠﻴﻕ ﺒﻤﺴﺎﺤﻴﻕ..................................٩٥‬ ‫ﹸ‬ ‫- ﺃﻴﺎﻡ ﻟﻠﻤﻭﺘﻰ...............................................٥٦‬
  • 6. ‫١- ﻜﺄﻨﻤﺎ ﻴﺨﺘﺎﺭ ﻤﻭﺴﻴﻘﻰ ﻟﻤﻭﺘﻪ...............................٧٦‬ ‫٢- ﻗﻁﻁ ﺴﻴﺎﻤﻴﺔ ﻭﺃﺸﺠﺎﺭ ﺃﺭﺯ ﺘﺫﻜﺭ ﺍﻟﻤﻭﺘﻰ...................١٧‬ ‫ﹸ‬ ‫٣- ﺍﻤﺭﺃﺓ ﺤﺠﺭﻴﺔ............................................٥٧‬ ‫ﹲ‬ ‫٤- ﻟﻴﺱ ﻜﺄﺒﻲ...............................................١٨‬ ‫٥- ﺒﻨﺕ ﺘﺨﺎﻑ ﺍﻟﺒﻜﺎﺀ........................................٥٨‬
  • 7. ‫ﺴﺄﺸﻲ ﺒﻜﻡ ﻟﻌﺫﺍﺒﺎﺘﻲ‬ ‫ﻭﺃﺤﻴﻁﻜﻡ ﺒﻬﺎ‬ ‫ﺘﺘﻌﺫﺒﻭﻥ ﻟﻤﺭﺁﻫﺎ‬ ‫ﻭﺃﺒﺘﻬﺞ‬
  • 8. ‫ﺨﺩﻭﺵ ﻋﻠﻰ ﺫﺍﻜﺭﺓ ﺍﻵﻴﺱ ﻜﺭﻴﻡ‬ ‫ﹸ‬ ‫- ١–‬ ‫ﻜﻴﻑ ﻴﺸﻌل ﻋﻭﺩ ﺜﻘﺎﺏ‬ ‫ٍ‬ ‫ُ‬ ‫ﺴﻴﺠﺎﺭﺓ‬ ‫ﹰ‬ ‫ﻭﻻ ﺘﻭﻗﺩ ﺴﻴﺠﺎﺭﺓ‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻋﻭﺩ ﺜﻘﺎﺏ‬ ‫-٢-‬ ‫ﺭﻓﻴﻘﺔ ﺍﻟﻐﺭﻓﺔ ﺍﻟﻭﺍﺤﺩﺓ‬ ‫ﺘﻨ ﹸﻡ ﻋﻠﻰ ﺍﻟﺭﺠﺎل ﺍﻟﺠﻨﻭﺒﻴﻴﻥ‬ ‫ﻘ‬ ‫ﺍﺭﺘﺄﻭﺍ ﻀﻌﻔﻨﺎ‬ ‫ﺒﻜﻴﺕ ﻟﻪ ﺃﻻ ﻴﺘﺭ ﹶﻨﻲ ﻟﺭﻓﺎﻗﻪ‬ ‫ﻜ‬ ‫ﹸ‬ ‫ﻭﺒﻜﺕ‬ ‫ﹾ‬ ‫ﺃﻻ ﻴﺘﺭﻜﻬﺎ ﻟﻭﺤﺸﺘﻪ‬ ‫ﺃﻨﺎ‬ ‫ﺃﺨﺠل ﺃﻥ ﻴﺭﺍﻨﻲ ﺍﻟﻨﺨل ﺍﻟﻤﺘﻁﺎﻭل..‬ ‫ِ‬ ‫ُ‬ ‫ﻟﻠﺩﻭﺭ ﺍﻟﺴﺎﺩﺱ ﻋﺎﺭﻴﺔ‬ ‫ﹰ‬
  • 9. ‫ﻭﻟﻡ ﺃﺨﺠل ﻟﺒﻜﺎﺌﻲ ﺃﻤﺎﻤﻪ‬ ‫-٣-‬ ‫ﺸﻨﻴﻊ‬ ‫‪‬‬ ‫ﺃﻥ ‪‬ﻬﺩﻴﻙ ﺭﺠل ﻓﻲ ﻋﻴﺩ ﻤﻴﻼﺩﻙ‬ ‫ٌ‬ ‫ﻴ ‪‬‬ ‫ﻜﺎﺭﺕ ﻤﻭﺴﻴﻘﻲ‬ ‫!‪Happy lerth day to you‬‬ ‫ﻭﺩﻤﻴﺘﻴﻥ‬ ‫ﻋﺭﻭﺴﺎ ﻭﻜﻠﺏ‬ ‫‪‬‬ ‫ﻭﻴﺨﻠﻊ ﺨﺎﺘﻡ ﻋﺭﺴﻜﻤﺎ‬ ‫‪‬‬ ‫-٤-‬ ‫ﻜﺎﻥ ﻻﺒﺩ ﺃﻥ ﺃﻋﺎﻨﺩ ﺍﻟﺘﺫﻜﺭ‬ ‫ﻭﻴﻀﻐﻁ ﺭﺠل ﻴﺩﻱ‬ ‫ٌ‬ ‫ﻭ ‪‬ﻘﺒﻠﻨﻲ‬ ‫ﻴ‬ ‫ﻋﻨﺩ ﺍﻟﻤﻜﺎﻥ ﻨﻔﺴﻪ ﺍﻟﺫﻱ..‬ ‫ﻗﺎﺒﻠﻨﻲ ﻓﻴﻪ ﺃﻭل ﻤﺭﺓ‬
  • 10. ‫ﺇﺸﺎﺭﺍﺕ‬ ‫-١-‬ ‫ﺒﺎﻟﺠﺩﺍﺭ‬ ‫ﺍﻤﺭﺃﺓ ﺘﺤﻤل ﻁﻔﻼ‬ ‫ﹰ‬ ‫ُ‬ ‫ﹲ‬ ‫ﻭﻓﺘﺎﺓ ﺒﺜﻭﺏ ﻋﺭﺱ‬ ‫ِ‬ ‫ﹲ‬ ‫ﻭﻗﻁ‬ ‫ﻭﺜﻼﺙ ﻨﺨﻼﺕ ﻴﺘﺨﺒﻁﻥ‬ ‫ٍ‬ ‫ﻭﺨﻠﻑ ﺍﻟﺠﺩﺍﺭ ﻤﺩﻯ ﻤﻥ ﻨﺨﻴل‬ ‫ﻭﺤﺯﻨﻙ ﻻ ﻴﻨﺘﻬﻲ ﺒﺎﻟﺴﺠﺎﺌﺭ‬ ‫ﻤﺎ ﺍﻟﺫﻱ ﺘﺤﺘﻤﻴﻥ ﺒﻪ..‬ ‫ﻓﻲ ﺍﻟﺼﻭﺭ ﺍﻟﻤﻌﻠﻘﺔ‬ ‫-٢-‬ ‫ﺒﺎﻹﺸﺎﺭﺍﺕ‬ ‫ِ‬ ‫ﻭﻗﺕ ﻤﺘﺎﺡ‬ ‫ﹲ‬ ‫ﻷﻥ ﻴﺸﻌل ﺴﺎﺌﻕ ﺴﻴﺠﺎﺭﺘﻪ..‬ ‫ِ‬ ‫ﹶ‬
  • 11. ‫ﻤﻥ ﺴﺎﺌﻕ ﺁﺨﺭ‬ ‫ٍ‬ ‫-٣-‬ ‫ﺃﻤﺎﻤﻲ‬ ‫ﺘﺴﺎﻭﻤﻙ ﻁﺒﻴﺒﺔ ﺍﻟﻨﺴﺎﺀ‬ ‫ِ‬ ‫‪ِ‬‬ ‫ﻜﺄﻨﻬﺎ ﺘﺒﻴﻌﻙ ﺜﻭﺒﺎ ﺠﺩﻴﺩﺍ‬ ‫‪‬‬ ‫‪ ِ‬‬ ‫ﻻ ﻓﺭﻕ ﻋﻨﺩﻫﺎ..‬ ‫ﺒﻴﻥ ﺍﻤﺭﺃﺓ ﻟﻠﻌﺎﺒﺭﻴﻥ‬ ‫ﻭﺒﻴﻥ ﺍﻏﺘﺼﺎﺒﻙ‬ ‫ِ‬ ‫ﺴﺘﻌﺩ ﻨﻘﻭﺩﻫﺎ ﺠﻴﺩﺍ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺘﺒﺩﺃ ﻓﻲ ﺇﻋﺎﺩﺓ ﺒﻜﺎﺭﺘﻙ‬ ‫ِ‬ ‫ِ‬
  • 12. ‫ﺭﺠل ـ ﻏﺭﻓﺔ ـ ﺍﻤﺭﺃﺓ‬
  • 13. ‫-١-‬ ‫ﺃﺼﺩﻗﺎﺌﻲ ﻭﻋﺸﺎﻗﻲ ﺍﻟﻘﺩﺍﻤﻰ‬ ‫ﻴﻔﺎﺨﺭﻭﻥ ﺒﻌﻨﺼﺭﻴﺘﻬﻡ..‬ ‫ﻭﻴﺘﻀﺎﺤﻜﻭﻥ‬ ‫ﻟﺤﺒﻲ ﻟﻬﺫﺍ ﺍﻟﻭﻟﺩ ﺍﻷﺒﻴﺽ ﺍﻟﺠﻤﻴل‬ ‫ﻭﺃﻨﺎ ﺃﻀﻌﻙ ﻀﺩﻫﻡ‬ ‫ﻓﺂﺨﺭ ﻤﺎ ﻜﻨﺕ ﺃﺘﻭ ﹸﻌﻪ‬ ‫ﹸ ﻗ‬ ‫ﺃﻥ ﻴﺼﻔﻌﻨﻲ ﺭﺠل ﻭﻻ ﺃﺜﻭﺭ‬ ‫ٌ‬ ‫ﻭﻴﻤﺘﺹ ﻤﺎ ﺘﺒﻘﻰ ﻤﻨﻲ‬ ‫ﻓﺄﺤﺘﻀﻨﻪ‬ ‫-٢-‬ ‫ﻜﺜﻴﺭﺍ ﻤﺎ ﺭﺠﻭ ﹸﻪ‬ ‫ﺘ‬ ‫‪‬‬ ‫ﺃﻥ ﻴ ‪‬ﻤﻨﻲ ﻋﻨﺩﻤﺎ ﻨﻨﺎﻡ‬ ‫ﻀ‬ ‫ﻟﻜﻨﻪ ﻴﺩﻴﺭ ﻭﺠﻬﻪ ﻟﻠﺸﻤﺎل‬ ‫ﻭﺃﻅل ﺃﻨﻅﺭ ﻓﻲ ﺴﻘﻑ ﺍﻟﺤﺠﺭﺓ‬ ‫ِ‬ ‫‪‬‬ ‫ُ‬ ‫ﻭﺃﺘﺨﻴل ﺃﻀﻭﺍﺀ ﺍﻟﻌﺭﺒﺎﺕ ﺍﻟﺘﻲ..‬ ‫ُ‬ ‫ﺘﻨﻌﻜﺱ ﻋﻠﻰ ﺍﻟﺤﺎﺌﻁ..‬
  • 14. ‫ﻭﺤﻭﺸﺎ ﺘﻠﺘﻬ ‪‬ﻨﻲ‬ ‫ﻤ‬ ‫ﹰ‬ ‫-٣-‬ ‫ﻫﺫﻩ ﺍﻟﺸﻜﻭﻙ ﺍﻟﺸﻬﺭﻴﺔ ﺍﻟﺘﻲ ﺘﻨﺘﺎﺒﻨﻲ‬ ‫ﺘﺒﻭﺀ ﺒﺎﻟﻔﺸل‬ ‫ﻭﺘﺒﻘﻰ ﺤﺴﺭﺘﻲ‬ ‫ﺤﻴﻥ ﺃﻏﺴل ﻤﻼﺀﺍﺕ ﺍﻟﺴﺭﻴﺭ‬ ‫ﻜﻡ ﺃﺤﺘﺎﺝ ﺃﻥ ﻴﻤﻨﺤﻨﻲ ﻁﻔﻼ‬ ‫ﹰ‬ ‫ﻻ ﺘﺄﺨﺫﻩ ﻤﻴﺎﻩ ﺍﻟﺒﺎﻟﻭﻋﺎﺕ‬
  • 15. ‫‪‬ﻠﻡ‬ ‫ﺤ‬ ‫ﻜﻠﻤﺎ ﻨﻤﺕ‬ ‫ﹸ‬ ‫ﻗﻠﻴﻼ ﻤﺎ ﺃﻨﺎﻡ‬ ‫ﹰ‬ ‫ﺃﺤﻠﻡ ﺒﻌﺭﺒﺎﺕ ﻜﺜﻴﺭﺓ‬ ‫ٍ‬ ‫‪‬‬ ‫ﺘﻜﺎﺩ ﺘﺩﻫﺴﻨﻲ‬ ‫ﻭﺒﺤﺭ‬ ‫ٍ‬ ‫ﺘﻤﺯ ﹸﻨﻲ ﺃﻤﻭﺍﺠﻪ‬ ‫ﻗ‬ ‫ﺇﻟﻰ ﻤﺘﻰ ﺴﺘﻅل ﻨﺠﺎﺘﻲ‬ ‫ﻤﺤﺽ ﺼﺩﻓﻪ؟‬
  • 16. ‫ﺨﻭﻑ‬ ‫ﺍﻟﻌﺠﺎ ِﺯ‬ ‫ﺌ‬ ‫ﻁﺭﻗﻥ ﺒﺎﺒﻙ ﺒﺎﻟﺩﻋﻭﺍﺕ‬ ‫‪ِ ‬‬ ‫ﻓ ﹶﺨﻠﻕ ﻓﻲ ﺃﺤﺸﺎﺌﻙ‬ ‫ﺘ ﹶﹶ‬ ‫ﻻ ﺘﺭﻴﻨﻪ ﻤﺒﺭﺭﺍ‬ ‫‪‬‬ ‫ﻟ ‪‬ﺠ ِﻙ ﻓﻲ ﺍﻟﺴﺭﻴﺭ‬ ‫ﺴ ﻨ‬ ‫ﺍﺩﻋﺎﺅﻙ ﺍﻟﻨﻭﻡ..‬ ‫ﻗﺒل ﻤﺠﻲﺀ ﺯﻭﺠﻙ‬ ‫ﺃﻭ ﺘﻼﻋﺏ ﺍﻷﻁﺒﺎﺀ ﺒﻤﺸﺎﺭﻁﻬﻡ.‬ ‫ﻓﻲ ﺠﺴ ِﻙ‬ ‫ﺩ‬ ‫ﻟﻴﺱ ﻟﻪ ﻤﺒﺭﺭ ﻜﺎﻑ‬ ‫‪‬‬
  • 17. ‫‪‬ﺨﺎﻥ‬ ‫ﺩ‬ ‫ﻷﺒﻲ‬ ‫ﺃﻥ ﻴﺩﺨﻥ ﻨﺎﺭﺠﻴﻠﺘﻪ ﺒﻬﺩﻭﺀ...‬ ‫ٍ‬ ‫‪‬‬ ‫ﻋﻠﻰ ﺍﻟﻤﻘﻬﻰ‬ ‫ﻭﻴﻨﺴﺎﻨﻲ‬ ‫ﺃﻨﺎ ﺍﻟﺘﻲ ﻜﻨﺕ ُﺅﺭﻗﻪ‬ ‫ﹸﺃ‬ ‫ﻓﻘﺩ ﺃﻟﺼﻘﻨﻲ‬ ‫)ﺤﺴﺏ ﻤﻘﻭﻟﺘﻪ(‬ ‫ﻟﺭﺠل ﺁﺨﺭ‬ ‫ٍ‬
  • 18. ‫‪‬ﺯﻥ‬ ‫ﺤ‬ ‫ُﻤﻲ‬ ‫ﺃ‬ ‫ﺘﺒﻜﻲ‬ ‫ﻻ ﺃﺘﺼل ﺒﻬﺎ‬ ‫ُ‬ ‫ﻭﺘﺒﻜﻲ‬ ‫ﻋﻨﺩ ﻤﺠﻲﺀ‬ ‫ﻜﻨﺕ ﺃﻜﺭﻫﺎ..‬ ‫ﺤﻴﻥ ﺘﻤﻨﻊ ﻋﻨﻲ ﺍﻟﻤﺎﺀ..‬ ‫‪‬‬ ‫ﺒﻌﺩ ﺨﺭﻭﺠﻲ ﻤﻥ ﻏﺭﻑ ﺍﻟﻌﻠﻤﻴﺎﺕ‬ ‫ﻭﺃﺘﻬﻤﻬﺎ..‬ ‫ﺃﻨﻬﺎ ﻻ ﺘﺤﺱ ﺒﺂﻻﻤﻲ‬ ‫ﻓﺘﺼ ‪‬ﺕ‬ ‫ﻤ‬ ‫ﻭﺘﺒﻜﻲ‬ ‫ﻜﻴﻑ ﻜﻨﺕ ﺒﻬﺫﻩ ﺍﻟﻘﺴﻭﺓ‬ ‫ﹸ‬ ‫ﻭﻫل ‪‬ﻘﺩﺭﺓ ﺃﻨﺎ..‬ ‫ﻤ ﹲ‬ ‫ﻟﺒﻜﺎ ِﻬﺎ‬ ‫ﺌ‬
  • 19. ‫ﺍﻟﺘﺼﺎﻕ‬ ‫ﻴﺨﺘﻠﻑ ﺇﻟﻲ‬ ‫ﹸ ‪‬‬ ‫ﻴﻀﻊ ﻤﻨﻲ‬ ‫‪‬‬ ‫ﻜﻠﻤﺎﺕ ﻤﺘﻘﺎﻁﻌﺔ‬ ‫ﹰ‬ ‫ﻭﻨﻬﺭﺍ..‬ ‫‪‬‬ ‫ﻟﻘﻭﺍﺭﺒﻪ ﺍﻟﻭﺭﻗﻴﻪ‬ ‫ﺃﻨﺕ ﻓﺭﺤﺔ ﺒﻬﺫﺍ ﺍﻟﻁﻔل..‬ ‫ﹲ‬ ‫ﺍﻟﻤﺴﺎﻭﻱ ﻟﻌﻤﺭﻙ..‬ ‫ﻭﺍﻟﻤﻠﺘﺼﻕ ﺒﻙ‬ ‫‪‬‬
  • 20. ‫ﺠﺎﺭﻩ‬ ‫-١-‬ ‫ﺃﻟﻬﺎ ﺤﻕ‬ ‫ﹲ‬ ‫ﺠﺎﺭﺘﻲ ﻟﻤﺘﺼﺎﺒﻴﺔ‬ ‫ﺃﻥ ﺘﻨﻔﺽ ﺴﺠﺎﺠﻴﺩ ﺒﻴﺘﻬﺎ..‬ ‫ﻓﻭﻕ ﻤﻼﺒﺱ ﺯﻭﺠﻲ‬ ‫ﻷﻨﻨﺎ ﻻ ﻨﻜﺘﻡ ﻀﺤﻜﺎﺘﻨﺎ..‬ ‫‪‬‬ ‫ﺒﺎﻟﻅﻬﻴﺭﺓ‬
  • 21. ‫-٢-‬ ‫ﻟﻴﺘﻬﺎ ﻻ ﺘﺤﺴﺩﻨﻲ‬ ‫ﻓﻘﺩ ﺃﺘﺕ ﺒﺨﻤﺴﺔ ﺃﻁﻔﺎل...‬ ‫ٍ‬ ‫ﺩﻭﻥ ﺃﻥ ﺘﺌﻥ‬ ‫- ﺃﻋﺘﻘﺩ ﻫﺫﺍ ﻤﻥ ﻗﺒﻀﺘﻬﺎ..‬ ‫‪‬‬ ‫ﻋﻠﻰ ﻤﻨﻔﻀﺔ ﺍﻟﺴﺠﺎﺠﻴﺩ..‬ ‫ﻟﺴﺎﻋﺘﻴﻥ ﻤﺘﻭﺍﺼﻠﺘﻴﻥ-‬ ‫ﺃﻤﺎ ﺃﻨﺎ‬ ‫ﻓﻁﻔل ﻻ ﺃﻋﺭﻑ ﻨﻭﻋﻪ‬ ‫ٌ‬ ‫ﺠﺎﺀﻨﻲ ﺒﻼ ﻤﺒﺭﺭ..‬ ‫ﺤﺘﻰ ﺃﻥ ُﺭﻴﺩﻩ‬ ‫ﺃ‬ ‫ﻴﺒﻘﻴﻨﻲ ﻓﻲ ﺍﻟﺴﺭﻴﺭ..‬ ‫ﺘﺴﻌﺔ ﺃﺸﻬﺭ‬
  • 22. ‫ﺭﺠل ﻴﺜﺭﺜﺭ ﻭﺍﻤﺭﺃﺓ ﺼﺎﻤﺘﺔ‬ ‫ٌ‬ ‫ﻫل ﺍﻁﻤﺄﻨﺎ‬ ‫ﻨﺎﻤﺎ ﻫﺎﻨﺌﻴﻥ؟‬ ‫ﻓﺒﻌﺩ ﺸﻬﻭﺭ‬ ‫ﺴﻴﺼﺒﺤﺎﻥ ﺠﺩﻴﻥ‬
  • 23. ‫ﻟﻴل ﻭﻗﺎﻫﺭﺓ ﻭﺨﻤﺭ‬ ‫ﹲ‬ ‫ٌ‬ ‫ﻟﻠﻘﺎﻫﺭﺓ‬ ‫ﻟﻠﻴﻠﻬﺎ ﺍﻟﺩﺍﺠﻥ‬ ‫ﺃﻁﻔﺎﻟﻬﺎ ﺍﻟﻌﺭﺍﺓ‬ ‫ﻟﺭﺠﺎل ﺸﺭﻁﺘﻬﺎ..‬ ‫ﺍﻟﺫﻴﻥ ﻴﻁﻤﺌﻨﻭﻥ ﺃﻨﻙ ﺘﺤﻤل..‬ ‫ﺒﻁﺎﻗﺘﻙ ﺍﻟﺸﺨﺼﻴﺔ‬ ‫ﻭﻻ ﻴﻅﻨﻭﻥ ﺃﺒﺩﺍ..‬ ‫‪‬‬ ‫ﺃﻨﻙ ﺇﺭﻫﺎﺒﻲ‬ ‫‪‬‬ ‫ﻟﻔﺘﻴﺎﺕ ﺍﻟﺩﻴﺴﻜﻭ..‬ ‫ﻭﻟﻔﺘﻴﺎﻨﻬﻡ..‬ ‫ﺴﻴﻜﻭﻥ ﺒﻬﻴﺎ ﺃﻥ ﺃﻤﻴﺕ ﺩﻫﺸﺘﻲ‬ ‫‪‬‬
  • 24. ‫ﺸﺭﻓﺔ ﺃﻁل ﻤﻨﻬﺎ ﻋﻠﻲ‬ ‫‪‬‬ ‫-١-‬ ‫ﺃﺤﺴﺩ ﺍﻟﺫﺍﻫﺒﻴﻥ ﺇﻟﻰ ﻤﻨﺎﺯﻟﻬﻡ‬ ‫‪‬‬ ‫ﻫﺫﻩ ﺍﻟﻤﺩﻴﻨﺔ ﺍﻟﻤﺯﺭﻭﻋﺔ ﺒﺎﻟﺒﻨﺎﻴﺎﺕ‬ ‫ِ‬ ‫ﹸ‬ ‫ﻟﻴﺱ ﺒﻬﺎ..‬ ‫ﺒﻴﺕ ﻟﻲ‬ ‫ﹲ‬ ‫-٢-‬ ‫ﹸﻔﺘﺸﻨﻲ ﺃﻋﻴﻨﻬﻡ‬ ‫ﺘ‬ ‫ﺭﺍﺌﺤﺔ‬ ‫ﹰ‬ ‫ﻏﺎﺩﻴﺔ‬ ‫ﹰ‬ ‫ﻭﻴﺼﺭ ﺍﻟﺒﺎﺌﻊ ﺤﻴﻥ ﻴﺭﺍﻨﻲ..‬ ‫‪‬‬ ‫ﺃﻥ ﻤﻌﻅﻡ ﺃﻫل ﺍﻟﻨﺎﺭ..‬ ‫ِ‬ ‫ﻤﻥ ﺍﻟﻨﺴﺎﺀ‬ ‫ﻜﺄﻨﻤﺎ ﻴﺒﺤﺜﻭﻥ ﺒﻤﻼﺒﺴﻲ..‬ ‫ﻋﻥ ﻭﺜﻴﻘﺔ ﻟﻠﺯﻭﺍﺝ‬ ‫ٍ‬
  • 25. ‫-٣-‬ ‫ﺘﻐﺎﺩﺭﻨﻲ‬ ‫ﻭﺘﺘﺭﻙ ﻟﻲ..‬ ‫ﺜﻼﺜﺔ ﺃﻁﻔﺎل ﻤﻌﻠﻘﻴﻥ ﻋﻠﻰ ﺍﻟﺠﺩﺍﺭ‬ ‫ﻭﺒﺎﺒﺎ ﻨﻭﻴل‬ ‫ﺃﻨﺕ ﻓﻲ ﺍﻟﻠﻴﻠﺔ ﺍﻟﻔﺎﺌﺘﺔ‬ ‫ﹶ‬ ‫ﺸﻜﻠﺘﻨﻲ ﺍﻤﺭﺃﺓ‬ ‫ﹰ‬ ‫ﺘﺘﻐﺎﻓل ﺃﻥ ﺠﺩﺍﺭﺍ ﺭﻗﻴﻘﺎ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺒﻴﻨﻬﺎ ﻭﺒﻴﻥ ﺍﻟﺸﺎﺭﻉ‬ ‫ﻭﺃﻨﺕ ﺘﻠﻘﻲ ﺒﺄﻁﻔﺎﻟﻙ..‬ ‫ﺩﻭﻨﻬﺎ‬ ‫-٤-‬ ‫ﻜﻠﻤﺎ ‪‬ﺩﺕ ﺇﻟﻴﻬﺎ ﺘﺘﻔﺤﺼﻨﻲ‬ ‫ﻋ ﹸ‬ ‫ﺒﻌﺩ‬ ‫ﻟﻤﺎ ﺘﺼﻴﺭ ﺍﻤﺭﺃﺓ‬ ‫ﻭﻋﺎ ‪‬ﻙ ﺍﻟﺜﻼﺜﻴﻥ ﻴﻘﺘﺭﺏ‬ ‫ﻤ‬ ‫ﻴﺎ ﺃﻤﻲ‬
  • 26. ‫ﺃﻜل ﻤﺎ ﻴﺭﺒﻁ ﺍﻤﺭﺃﺓ ﺒﺭﺠل‬ ‫ٍ‬ ‫ﹰ‬ ‫ﹸ‬ ‫ُ‬ ‫ﻁﻔل‬ ‫-٥-‬ ‫ﻴﻌﻭﺩ ﺍﻟﺭﺠﺎل ﻟﻤﻨﺎﺯﻟﻬﻡ..‬ ‫ﻗﺒل ﻫﺫﺍ ﻋﺎﺩﺓ‬ ‫ﹰ‬ ‫ﺍﻟﺭﺍﺒﻌﺔ ﺼﺒﺎﺤﺎ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭﺃﻨﺘﻅﺭ‬ ‫ﻤﺎﻟﻲ ﻏﻴﺭ ﺍﻻﻨﺘﻅﺎﺭ!‬ ‫ﺴﺄﻋﺩ ﻁﻌﺎﻤﺎ ﺭﺍﺌﻌﺎ‬ ‫‪‬‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﺃﺼﻨﻊ ﺤﺒﺎﻻ..‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺃﻨﺸﺭ ﻋﻠﻴﻬﺎ ﺍﻟﻤﻼﺒﺱ..‬ ‫‪‬‬ ‫ﻭﺤﺯﻨﻲ‬
  • 27. ‫ﺭ ‪‬ﻕ‬ ‫‪‬ﻫ‬ ‫-١-‬ ‫ﺒﻴﻨﻙ‬ ‫ﻭﺒﻴﻥ ﺠﻨﻭ ‪‬ﻴﻙ‬ ‫ﺒ‬ ‫ﻤﺩﻯ‬ ‫-٢-‬ ‫ﻟﻪ‬ ‫‪‬‬ ‫ﺃﻥ ﻴﻅل ﻫﻜﺫﺍ‬ ‫ﻭﻟﻲ ﺍﻟﺠﻨﻭﻥ‬ ‫‪‬‬ ‫-٣-‬ ‫ﻜﻨﺕ ﺃﺒﻐﻲ‬ ‫ﹸ‬ ‫ﺃﻥ ﻴ ‪‬ﻤﻨﻲ ﻋﻠﻰ ﻤﺤﻁﺔ ﺍﻟﻤﺘﺭﻭ‬ ‫ﻀ‬ ‫ﻭﻟﻴﺫﻫﺏ ﺍﻟﻌﺴﺎﻜﺭ..‬ ‫ﻭﺍﻟﺠﻨﻭﺩ ﺍﻟﻭﺍﻗﻔﻴﻥ ﺇﻟﻰ ﺍﻟﺠﺤﻴﻡ‬ ‫ﻓﺨ ‪‬ل‬ ‫ﹶﺠ َ‬
  • 28. ‫ﺃﻥ ﺘﻅل ﻋﻴﻨﺎﻱ..‬ ‫ﻤﻌﻠﻘﺘﻴﻥ ﺒﺸﻔﺘﻴﻪ‬ ‫ﻭﻗﺭﺃ ﻤﺎ ﺘﻴﺴﺭ ﻤﻥ ﺍﻟﻘﺭﺁﻥ‬ ‫ﻭ ﹶﺭ‬ ‫ﻓ‬ ‫-٤-‬ ‫‪‬ﺎ ‪‬ﺙ‬ ‫ﺤﺩ ﹶ‬ ‫ﺼﺩﻴﻘﺘﻲ ﺍﻟﺘﻲ ﺃﺤﺒﻬﺎ..‬ ‫ُ‬ ‫ﻜﺸﻌﺭﻱ‬ ‫‪‬ﺸﻌﺭﻱ‬ ‫ﻭ‬ ‫ﻓﻲ ﺍﻟﺴﺎﺒﻌﺔ ﺼﺒﺎﺤﺎ‬ ‫‪‬‬ ‫ﻭﺤﺎﺩﺜﻨﻲ ﺒﻌﺩﻫﺎ ﺒﺠﺩﻴﺔ ﻤﻘﻴﺘﺔ‬ ‫ﹾ‬ ‫ٍ‬ ‫ﻟﻡ ‪‬ﺭﺴل ﻗﺒﻠﺘﻪ ﻋﺒﺭ ﺍﻟﺘﻠﻴﻔﻭﻥ‬ ‫ﻴ‬ ‫ﻜﺎﻟﻌﺎﺩﺓ‬ ‫ﺃ ﹸﺭﻯ‬ ‫ﺘ‬ ‫ﻤﻨﺤﻬﺎ ﹸﺒﻠﺘﻲ‬ ‫ﻗ‬
  • 29. ‫ﺘﺫﺍﻜﺭ ﺍﻹﻨﻬﺎﻙ ﻭﺍﻟﻌﻭﺩﺓ‬ ‫ﺃﻱ ﻤﺠﺩ‬ ‫ٍ‬ ‫ﺃﻥ ﺃﺘﺭﻙ ﺠﺭﺍﺡ ﺃﻤﻲ ﻨﺎﺯﻓﺔ‬ ‫ﹰ‬ ‫ﻭﺃﺫﻫﺏ ﻟﻁﻔل‬ ‫ٍ‬ ‫‪‬‬ ‫ﻴﺘﺨﻔﻰ ﻓﻲ ﺼﺩﺭ ﺃﺒﻴﻪ‬ ‫ﻜﻠﻤﺎ ﺭﺁﻨﻲ‬ ‫ﻭﺍﻟﻨﺴﻭﺓ ﻋﻠﻰ ﺃﺒﻭﺍﺒﻬﻥ‬ ‫ﻴﻁﻘﻁﻘﻥ ﺃﻓﻭﺍﻫﻬﻥ‬ ‫"ﺍﻟﻤﺴﻜﻴﻨﺔ ﻻ ﺘﺴﺘﻁﻴﻊ ﺤﻤﹶﻪ"‬ ‫‪ ‬ﻠ‬ ‫ﹸ‬ ‫ﻓﻴﺄﻟﻑ ﻜﺭﻫﻪ ﻟﻲ‬ ‫ﹸ‬
  • 30. ‫ﻭﺠﻪ ﻻ ﻴﻠﻴﻕ ﺒﻤﺴﺎﺤﻴﻕ‬ ‫‪‬‬ ‫-١-‬ ‫ﻴﺎ ﺭﺏ‬ ‫ﻏﺭﻓﺔ ﺃﻀﻴ ُﻬﺎ ﻭﻗﺘﻤﺎ ﺃﺸﺎﺀ‬ ‫ﺌ‬ ‫ﹲ‬ ‫ﻜﺘﺒﺎ ﻻ ﺃﺨﺒﺅﻫﺎ ﻤﻥ ﺃﺒﻲ‬ ‫‪‬‬ ‫ﺴﺭﻴﺭﺍ ﻻ ﺃﺘﺸﺎﺠﺭ ﺃﻨﺎ ﻭﺃﺨﺘﻲ..‬ ‫‪‬‬ ‫ﻋﻠﻰ ﻤﻥ ﻤﻨﺎ ﺘﻌﺩﺕ ﺍﻟﻔﺎﺼل..‬ ‫ﺍﻟﺫﻱ ﻗﺴﻤﻨﺎﻩ ﺒﺎﻟﺴﻨﺘﻴﻤﺘﺭﺍﺕ‬ ‫ﺃﺴﺎ ِﻟﻬﺎ ﺃﺤﻴﺎﻨﺎ‬ ‫ﹰ‬ ‫ﺀ‬ ‫ﻟﻤﺎﺫﺍ ﻻ ﻴﻜﻭﻥ ﻟﻜل ﻤﻨﺎ ﺫﺭﺍﻋﻴﻥ‬ ‫ﻴﺨﻠﻌﻬﻤﺎ ﺃﺜﻨﺎﺀ ﺍﻟﻨﻭﻡ‬ ‫ﻟﻨﺘﻘﻲ ﺍﻟﺸﺠﺎﺭ؟‬ ‫ﻓﺘﻅل ﺘﺘﺸﻜﻰ ﺫﺭﺍﻋﻴﻬﺎ ﻁﻭﺍل ﺍﻟﻠﻴل‬
  • 31. ‫ﺃﻤﹸﻙ ﺍﻵﻥ ﻏﺭﻓﺔ ﺸﺎﺴﻌﺔ‬ ‫ﹲ‬ ‫ﻠ‬ ‫ﺃﻁﻔﺊ ﺃﻨﻭﺍﺭﻫﺎ‬ ‫ﻭَﺸﻌل ﺍﻟﺘﻠﻔﺎﺯ‬ ‫ﺃ‬ ‫ﺍﺘﻘﺎﺀ ﻟﻨﻅﺭﺍﺕ ﺍﻟﺤﺯﻥ ﻤﻥ ﻜﺘﺒﻲ‬ ‫‪‬‬ ‫ﻭﻭﺴﺎﺌﺩ ﺃﺭﺸﺭﺸﻬﺎ ﺒﻜل ﺍﺘﺠﺎﻫﺎﺕ ﺴﺭﻴﺭﻱ‬ ‫ﻋﺴﻰ ﺃﻥ ﺘﻤﻸ ﺍﻟﻤﺴﺎﺤﺎﺕ ﺍﻟﻔﺎﺭﻏﺔ‬ ‫ﺍﻟﺘﻲ ﺘﺭﻜﻬﺎ ﻫﺫﺍ ﺍﻟﺭﺠل ﺍﻟﻨﺎﺌﻡ‬ ‫ﻓﻲ ﺍﻟﻐﺭﻓﺔ ﺍﻟﻤﻘﺎﺒﻠﺔ‬ ‫ِ‬ ‫-٢-‬ ‫ﺃﻅل ﻜﻌﺎﺩﺘﻲ ﻻ ﺃﻏﻔﻭ‬ ‫ُ‬ ‫ﺃﺠﻌل ﺍﻟﺒﺒﻐﺎﺀ ﺘﺭﺴل ﺯﻗﺯﻗﺘﻬﺎ‬ ‫ﺤﻴﻥ ﻴﺄﺘﻲ‬ ‫ﻭﺃﺘﻭﺠﻊ ﻗﻠﻴﻼ‬ ‫ﹰ‬ ‫ﺃﻁﻠﺏ ﻤﻨﻪ ﺃﻥ ﻴﻀﻊ ﻜﺎﺴﺎﺕ ﺍﻟﻬﻭﺍﺀ ﻋﻠﻰ ﻅﻬﺭﻱ‬ ‫‪‬‬ ‫ﻭﺃﺘﻀﺎﺤﻙ ﺤﻴﻥ ﺃﺨﺒﺭﻩ‬ ‫ﺃﻨﻨﻲ ﺃﻤﻠﻙ ﺭﻴﺸﺎ‬ ‫ﹰ‬ ‫ﻴﺨﺎﻑ ﻁﻔﻠﻲ‬
  • 32. ‫ﺃﻥ ﺍﻨﺯﻋﻪ ﻤﻥ ﺫﺭﺍﻋﻲ‬ ‫ﻓﻴﺨﺎﻑ ﺃﻥ ﺃﻁﻴﺭ ﻤﻨﻬﻤﺎ‬ ‫ﻭﻴﺒﻘﻰ ﻤﻌﻲ ﻫﺫﻩ ﺍﻟﻠﻴﻠﺔ‬ ‫-٣-‬ ‫ﻟﻤﺎﺫﺍ ﺃﺠﻭﺏ ﺸﻘﺘﻲ ﻤﻥ ﻏﺭﻓﺔ ﻷﺨﺭﻯ‬ ‫ٍ‬ ‫ﺃﺴﺎﺀل ﻨﻔﺴﻲ‬ ‫ﻫل ﺃﻨﺎ ﻤﺘﺯﻭﺠﺔ؟‬ ‫ﻟﻴﺱ ﻟﺯﻓﺎﻓﻨﺎ ﺼﻭﺭﺓ ﻤﻌﻠﻘﺔ ﻋﻠﻰ ﺍﻟﺤﺎﺌﻁ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻤﻥ ﻫﺫﺍ ﺍﻟﺭﺠل ﺍﻟﺫﻱ ﻴﺄﺘﻲ ﺒﻀﻊ ﺴﺎﻋﺎﺕ..‬ ‫ﻴﺩﺍﻋﺏ ﻁﻔﻠﻲ‬ ‫‪‬‬ ‫ﻭﻴﺫﻫﺏ ﻟﻠﻨﻭﻡ‬ ‫‪‬‬ ‫ﺃﺼﻌﻕ‬ ‫ﹸ‬ ‫ُ‬ ‫ﻁﻔﻠﻲ ﻴﻨﺎﺩﻴﻪ ﺒﺄﺒﻲ‬ ‫ﻻﺒﺩ ﺃﻨﻨﻲ ﻤﺘﺯﻭﺠﺔ‬
  • 33. ‫ﺃﻴﺎﻡ ﻟﻠﻤﻭﺘﻰ‬ ‫‪‬‬ ‫ﻜﺄﻨﻤﺎ ﻴﺨﺘﺎﺭ ﻤﻭﺴﻴﻘﻰ ﻟﻤﻭﺘﻪ‬ ‫‪‬‬ ‫"ﺇﻟﻰ ﺍﻟﺸﺎﻋﺭ ﺍﻟﺭﺍﺤل ﻤﺠﺩﻱ ﺍﻟﺠﺎﺒﺭﻱ"‬ ‫ﺍﻟﺩﻭﺭ ﺍﻟﻌﺎﺸﺭ ﺤﺠﺭﻩ ٢‬ ‫ﻭﺃﻨﺎ ﺃﻟﻬﺙ ﻭﺭﺍﺀﻫﻡ‬ ‫ﹸ‬ ‫ﻓﻲ ﻤﻤﺭﺍﺕ ﻤﻌﻬﺩ ﺍﻷﻭﺭﺍﻡ..‬ ‫ِ‬ ‫ﻟﻠﺤﺎﻕ ﺒﺎﻟﻤﺼﻌﺩ‬ ‫ِ‬ ‫ﻻ ﺃﺼﺩﻕ‬ ‫ﹸ‬ ‫ﺃﻴﺨﺎﺩﻋﻨﻲ ﺠﺴﺩﻱ‬ ‫ﻭﻴﺒﻨﻲ ﺃﺠﺴﺎﻤﺎ ﻀﺩﻱ‬ ‫‪‬‬ ‫ﺃﻜﺭﻩ ﺯﻴﺎﺭﺓ ﺍﻟﻤﺭﻀﻰ‬ ‫ﻭﻻﺌﺤﺔ ﺍﻟﻤﺴﺘﺸﻔﻴﺎﺕ‬ ‫ﻭﺃﺨﺎﻑ ﻤﻥ ﺩﻤﻌﻲ‬ ‫ﺤﻴﻥ ﻋﺎﺩ ﻤﻥ ﺠﻠﺴﺔ ﺍﻟﻌﻼﺝ ﺍﻟﻜﻴﻤﻴﺎﺌﻲ‬ ‫ﻭﺍﺭﺘﻤﻰ ﻋﻠﻰ ﺍﻟﺴﺭﻴﺭ ﻫﺯﻴﻼ ﺒﻴﻨﻨﺎ‬ ‫ﹰ‬
  • 34. ‫ﺘﻤﻨﻴﺕ ﺃﻥ ﻴﻌﻭﺩ ﻟﻤﻜﺘﺒﻨﺎ ﺍﻟﻭﺍﺤﺩ‬ ‫ﻭﺴﺠﺎﺌﺭﻨﺎ ﺍﻟﻤﻘﺘﺴﻤﺔ‬ ‫ﻭﺤﻴﻥ ﻭﻀﻌﺕ ﻴﺩﻱ ﻋﻠﻰ ﻜﺘﻔﻴﻪ‬ ‫ﹸ‬ ‫ﻁﺎﻟﺒﺘﻪ ﺃﻥ ‪‬ﻘﺎﻭﻡ‬ ‫ﻴ‬ ‫ﻜﻨﺕ ﺃﻋﻠﻡ ﺃﻨﻨﻲ‬ ‫ﹸ ‪‬‬ ‫ﺃﺒﺩﺃ ﺍﻟﻌﺩ ﺍﻟﺘﻨﺎﺯﻟﻲ..‬ ‫ﻟﻔﻘﺩ ﺍﻷﺼﺩﻗﺎﺀ‬ ‫ِ‬
  • 35. ‫ﻗﻁﻁ ﺴﻴﺎﻤﻴﺔ ﻭﺃﺸﺠﺎﺭ ﺃﺭﺯ ﺘﻨﻜﺭ ﺍﻟﻤﻭﺘﻰ‬ ‫ٍ ‪‬‬ ‫ُﺩﻴﺭ ﻗﻨﻭﺍﺕ ﺍﻟﺘﻠﻴﻔﺯﻴﻭﻥ‬ ‫ﺃ‬ ‫ﺒﻴﻨﻤﺎ ﺍﺴﺘﻤﺘﻊ ﻁﻔﻠﻲ‬ ‫ﺁﻜل ﺍﻟﻭﺭﻕ‬ ‫ﺒﺘﻤﺯﻴﻕ ﻜﺘﺎﺏ ﻟﻡ ﺃﻜﺩ ﺃﻟﻤﺴﻪ‬ ‫ٍ‬ ‫ِ‬ ‫ﺭﺤل ﻨﺯﺍﺭ ﻗﺒﺎﻨﻲ‬ ‫ﺘ ﹸﻭﻟﻬﺎ ﺍﻟﻤﺫﻴﻌﺔ..‬ ‫ﹸ‬ ‫ﻘ‬ ‫ﺒﺎﺒﺘﺴﺎﻤﺔ ﺨﻔﻴﻔﺔ..‬ ‫ٍ‬ ‫ﻭﺒﻜﺎﻤل ﻤﺴﺎﺤﻴﻘﻬﺎ‬ ‫ﻤﺎ ‪‬ﻬﻤﻬﺎ‬ ‫ﻴ‬ ‫ﺇﻨﻪ ﺨﺒﺭ‬ ‫ﺃﻫﻜﺫﺍ ﻴﺭﺤل ﺒﻼ ﺍﺴﺘﺜﻨﺎﺀ؟‬ ‫ُ‬
  • 36. ‫ﺍﻤﺭﺃﺓ ﺤﺠﺭﻴﺔ‬ ‫-١-‬ ‫ﻨﺼﻔﻲ ﺤﺠﺭ‬ ‫‪‬‬ ‫ﺘﺘﺴﻠل ﺇﻟﻲ ﻋﻨﺎﻜﺏ ﺴﻘﻑ ﺍﻟﺤﺠﺭﺓ‬ ‫‪‬‬ ‫ﹶﺘﻠﻑ ﻨﺴﻴﺠﻬﺎ ﺤﻭﻟﻲ‬ ‫ﻟ‬ ‫ﻻ ﻴﻭﻗﻔﻬﺎ‬ ‫ﺇﻻ ﺼﺭﺨﺔ ﻁﻔﻠﻲ‬ ‫ِﺸﻴﺔ ﺃﻥ ﺃﺴﻘﻁ‬ ‫ﺨ ﹶ‬ ‫-٢-‬ ‫ﻨﺼﻔﻲ ﺤﺠﺭ‬ ‫‪‬‬ ‫ﻭﻤﺩﻴﻨﺔ ﻗﻠﺒﻲ ﻴﺴﻜﻨﻬﺎ ﺍﻟﻤﻭﺘﻰ‬ ‫ﺃﺼﺩﻗﺎﺌﻲ‬ ‫ﺘﺤﺭﻗﻭﻥ ﺒﺎﻟﺤﺯﻥ ﺠﻤﻴﻊ ﺒﺴﺎﺘﻴﻨﻲ‬ ‫ﻻ ﺘﻤ ‪‬ﻥ ﺴﺘﻁﻔﺅﻫﺎ‬ ‫ﺯ‬ ‫ﻭﻴﻠﻲ‬ ‫ﻜل ﺸﺘﺎﺀ َﻏﻔل ﻋﻥ ﺠﻤﻊ ﺘﺸﺘﺘﻜﻡ‬ ‫ٍﺃ‬
  • 37. ‫ﺃﻨﺘﻡ ﻻ ﺘﺤﻴﻭﻥ ﺍﻟﻤﻭﺘﻰ‬ ‫ﻭﻻ ﺘﺸﻔﻭﻥ ﺍﻟﻌﺠﺎﺌﺯ ﻓﻲ ﺍﻟﻁﺭﻗﺎﺕ‬ ‫ﻟﻤﺎﺫﺍ ﺘﺒﺎﻏﺘﻜﻡ ﺤﺭﺒﺎﺀ ﺍﻟﻤﻭﺕ؟‬ ‫-٣-‬ ‫ﺃﺘﻭﺍ ﺇﻟﻲ ﻓﻲ ﺍﻟﻤﺴﺎﺀ‬ ‫‪‬‬ ‫‪‬ﺒﻁﻠﻭﻥ ﻗﺩﺭﺘﻲ ﻋﻠﻰ ﻫﺵ ﺍﻟﺫﺒﺎﺏ‬ ‫ﻴ‬ ‫ﺍﻟﻌﻨﺎﻜﺏ ﺘﺘﻠﻬﻑ ﻟﺘﺴﺘﺭﺩ ﺠﺴﺩﻱ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭَﺨﺫ ﹸﻡ ﺸﺎﻁﺊ ﺍﻟﺠﺩﻭل ﺍﻟﻭﺤﻴﺩ..‬ ‫ﺃ ﺘ‬ ‫ﺇﻟﻰ ﻗﻠﺒﻲ‬ ‫ﻭ ‪‬ﺤ ﹸﻡ‬ ‫ﻴ ﻜ‬ ‫ﻟﺴﺕ ُﻋﻴﺭﻜﻡ ﺒﻜﺎﺌﻲ‬ ‫ﺃ‬
  • 38. ‫ﻟﻴﺱ ﻜﺄﺒﻲ‬ ‫ﺇﻟﻰ ﺍﻟﻔﻨﺎﻥ ﺍﻟﺭﺍﺤل "ﺠﻭﺩﻩ ﺨﻠﻴﻔﺔ"‬ ‫-١-‬ ‫ﻟﻡ ‪‬ﺨﻭﻓﻨﻲ ﺒﻴﻭﻡ ﻤﻭﺘﻪ‬ ‫ﻴ‬ ‫ﻟﻡ ﻴﻔﺘﺵ ﺤﻘﻴﺒﺔ ﻴﺩﻱ‬ ‫ﻭﻻ ﻤ ‪‬ﻕ ﺭﺴﺎﺌﻠﻲ‬ ‫‪‬ﺯ‬ ‫ﺃﻋﻁﻴﺘﻪ ﺤﺯﻨﻲ‬ ‫‪‬‬ ‫ﻓﻭﻫﺒﻨﻲ ﺒﺤﺭﺍ‬ ‫‪‬‬ ‫َﻏﺴﹸﻨﻲ ﻓﻴﻪ‬ ‫ﺃ ﻠ‬ ‫ﻭُﺨﺭﺝ ﻓﺭﺤﻲ‬ ‫ﺃ‬ ‫-٢-‬ ‫ﻟﻤﺎﺫﺍ ﺘﺒﺎﻜﻴﻥ ﺤﻴﻥ ﺃﺨﺒﺭﻨﻨﻲ ﺒﺎﻟﻬﺎﺘﻑ‬ ‫‪‬‬ ‫ﺃﻋﻁﺎﻜﻥ ﺒﻌﺽ ﻤﺎ ﺃﻋﻁﺎﻨﻲ‬ ‫ﹶﹸ ‪‬‬ ‫ﻭﻻ ﺃﺒﻜﻲ‬ ‫ﺍﻟﺩﻤﻊ ﻤﻘﺎﻴﻀﺔ ﺘﺎﻓﻬﺔ ﺒﺎﻟﻤﻭﺕ‬ ‫ﹲ‬ ‫ﹲ‬
  • 39. ‫ﺒﻨﺕ ﺘﺨﺎﻑ ﺍﻟﺒﻜﺎﺀ‬ ‫ﹸ‬ ‫ﹲ‬ ‫-١-‬ ‫ﹸﻥ ﻴﺘﺭﺒﺼﻥ ﺒﻲ‬ ‫ﻜ‬ ‫ﺠﺩﺍﺘﻲ ﺍﻟﺜﻼﺙ‬ ‫ﻭﻜﻨﺕ ﺃﻜﺭﻩ ﻗﻀﺎﺀ ﻤﺸﺎﻭﻴﺭﻫﻥ‬ ‫ﹸ‬ ‫ﻓﻴﻤﻨﻌﻨﻲ ﻤﻥ ﺍﻟﻠﻌﺏ ﻓﻭﻕ ﺍﻟﺴﻁﻭﺡ‬ ‫ﺃﻭ ﻓﻲ ﺤﺠﺭﺍﺕ ﺍﻟﻤﻨﺯل ﺍﻟﺩﺍﺨﻠﻴﺔ‬ ‫ﻭﺃﺩﺨل ﻤﻘﻬﻭﺭﺓ ﺤﻤﺎﻤﻨﺎ ﺍﻟﻤﻅﻠﻡ‬ ‫ﹲ‬ ‫ُ‬ ‫ﻜﻨﺕ ﺃﺭﻓﺽ‬ ‫ﹸ‬ ‫ﻻ ﻟﻌﺠﺯﻱ ﻋﻥ ﺍﻟﺤﺭﻜﺔ‬ ‫ِ‬ ‫ﻜﻤﺎ ﺘﺼﻭﺭﻥ ﻓﻲ ﺍﻟﺒﺩﺍﻴﺔ‬ ‫ﻭﻜﺭﻫﻨﻨﻲ‬ ‫ﻭﻜﺭﻫﻥ ﻋﺠﺯﻱ‬ ‫ﺒل ﻷﻨﻬﻥ ﻜﻥ ﻴﺭﺴﻠﻨﻨﻲ‬ ‫ﻟﺸﺭﺍﺀ ﺤﻨﺎﺀ ﻟﺸﻌﻭﺭﻫﻥ ﺍﻟﺒﻴﻀﺎﺀ‬ ‫ٍ‬ ‫ﻭﺨﺭﺯ ﻟﻤﻼﺒﺱ ﺍﻟﺒﺩﻭﻴﺎﺕ‬ ‫ٍ‬ ‫ﻭﺃﻨﺎ ﺃﺠﺯﻉ ﻤﻥ ﻟﻭﻥ ﺸﻌﻭﺭﻫﻥ ﻭﻤﻥ ﺃﻭﺸﺎﻡ ﺍﻟﺒﺩﻭﻴﺎﺕ‬
  • 40. ‫ﻜﻠﻤﺎ ﻤﺎﺘﺕ ﺃﺤﺩﺍﻫﻥ‬ ‫ﻜﻨﺕ ﺃﺴﺘﺭﻴﺢ ﻤﻥ ﺘﻭﺒﻴﺦ ﺃﺒﻲ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻫﻜﺫﺍ ﺫﻫﺒﻥ‬ ‫ﺤﺘﻰ ﺍﻟﺘﻲ ‪‬ﻤﻴ ﹸ ﺒﺎﺴﻤﻬﺎ‬ ‫ﺴ ﺕ‬ ‫ﻭﻜﺭﻫﺘﻬﺎ ﻟﻬﺫﺍ‬ ‫ﻟﻡ ﺃﺒﻙ ﺤﺘﻰ ‪‬ﺠﺎﻤﻠﺔ ﻟﺤﺯﻥ ﺃﺒﻲ‬ ‫ﹰ‬ ‫ﻤ‬ ‫-٢-‬ ‫ﺠﻠﺱ ﻋﻠﻰ ﺍﻟﺒﺎﺏ ﻤﹼﻭ ‪‬ﺎ‬ ‫ﻠ ﺤ‬ ‫ﺒﻌﺼﺎﺘﻪ ﺍﻟﻐﻠﻴﻅﺔ‬ ‫ِ‬ ‫ﻫﺎﺌﻼ ﻜﺤﺼﺎﻥ ﻟﻡ ﻴ ‪‬ﺠﻥ‬ ‫ﺩ‬ ‫ﹰ‬ ‫ﻤﻨﺫﺭﺍ ﺃﺒﻲ ﺒﺘﻁﻠﻴﻕ ﺃﻡ ﺍﻟﺒﻨﺎﺕ‬ ‫‪‬‬ ‫ﻭﺍﻟﺘﻲ ﺃﻨﺠﺒﺕ ﺴﻠﻴﻁﺔ ﺍﻟﻠﺴﺎﻥ ﻫﺫﻩ‬ ‫)ﻴﻘﺼﺩﻨﻲ ﺒﺎﻟﻁﺒﻊ(‬ ‫ﻭﻟﻜﻨﻪ ﻜﺎﻥ ﻴﺠﻠﺱ ﺒﺠﻭﺍﺭﻱ‬ ‫ﻓﻲ ﺃﺤﻴﺎﻥ ﻜﺜﻴﺭﺓ‬
  • 41. ‫‪‬ﻌﺩ ﻗﻬﻭﺓ ﺍﻟﻅﻬﻴﺭﺓ‬ ‫ﻴ‬ ‫ﻤﺘﺭﻨﻤﺎ ﺒﻤﻭﺍﻭﻴل ﺸﺠﻴﺔ ﻋﻥ‬ ‫‪‬‬ ‫"ﺍﻟﻠﻲ ﺒﻨﻰ ﻤﺼﺭ‬ ‫ﻜﺎﻥ ﻓﻲ ﺍﻷﺼل ﺤﻠﻭﺍﻨﻲ"‬ ‫ﻭﻴﺤﻜﻲ ﻟﻲ ﻋﻥ ﺃﻤﺠﺎﺩ ﻓﺘﻭﺘﻪ‬ ‫ﻓﻲ ﺍﻟﺴﺎﺩﺴﺔ ﻭﺍﻟﺜﻤﺎﻨﻴﻥ‬ ‫ﺘﻌﺫﺏ ﻗﻠﻴﻼ ﻭﻤﺎﺕ‬ ‫‪ ‬ﹰ‬ ‫ﺒﻌﺩ ﻋﺎﻤﻴﻥ‬ ‫ﻀﺒﻁﺘﻨﻲ ﺒﺎﻟﺒﻜﺎﺀ ﻋﻠﻴﻪ ﻤﺘﻠﺒﺴﺔ..‬ ‫ﹰ‬