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More from kotob arabia (20)
1427
- 3. ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ
א א א
. אא
א
)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ א אא
ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ
א ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (
א א .
. א א
- 4.
ﺘﺭﻯ ﻟﻭ ﺃﻀﻤﻙ
ِ
ﻫل ﻴﺸﺭﻕ ﺍﻟﻔﺠﺭ
ﻤﺎ ﺒﻴﻥ ﺼﺩﺭﻯ ﻭﺼﺩﺭﻙ ؟
ِ
****
ﺃﻨﺎ ﺒﻴﺩﻯ
ﺃﺴﺘﻁﻴﻊ ﺒﺄﻥ ﺃﻋﺼﺭ ﺍﻟﺸﻤﺱ
ﻤﻥ ﺒﻴﻥ ﻟﻴﻠﻙ
ِ
ﻭﻤﻥ ﺒﻴﻥ ﺜﻠﺠﻙ
ِ
ﻭﻤﻥ ﺸﻔﺔ ﻜﺎﻟﻭﻻﺩﺓ
ﺘﺭﻯ ﻟﻭ ﺃﻀﻤﻙ
ِ
ﻫل ﺃﺴﺘﻁﻴﻊ ﺍﻟﺼﻼﺓ ؟
ﻭﻫل ﺃﺴﺘﻁﻴﻊ ﺍﻟﺼﻴﺎﻡ ؟
.. ﺍﻟﻌﺒﺎﺩﺓ !!
ﺘﺭﻯ ﻟﻭ ﺃﻀﻤﻙ
ِ
ﻫل ﻨﺘﻭﺤﺩ ؟
ﻫل ﻨﺘﺠﺩﺩ ؟
ﻫل ﻨﺘﺄﻜﺩ ؟
- 5. ﺃﻨﻰ ﻭﺃﻨﻙ ﺃﺭﺽ
ٌ ِ
ﺘﻔﻴﺽ ﺴﻌﺎﺩﺓ !
ﺩﻋﻴﻨﻰ ﺃﻀﻤﻙ
ِ
ﻟﻭ ﺘﻌﺭﻓﻴﻥ !!
ﺃﻨﺎ ﻟﻭ ﺃﻀﻤﻙ
ِ
ﻴﺼﺒﺢ ﺼﻤﺕ ﺍﻟﺠﻨﻭﺏ ﺒﻌﻴﻨﻴﻙ
ِ ﹸ
ﺼﻭﺕ ﺇﺭﺩﺍﺓ
ﹶ
ﻭﻟﻭ ﺃﻨﺕ ﻤ ﺓ
ِ ﺭ
ﺩﻋﻴﻨﻰ ﺃﻀﻤﻙ ﻤ ﺓ
ِ ﺭ
ﺃﺤﺒﻙ ﻏﺎﻀﺒﺔ ﻭﺒﻌﻴﺩﺓ
ِ
ﺃﺤﺒﻙ ﻓﻰ ﻜل ﺸﻤﺱ ﺠﺩﻴﺩﺓ
ِ
ﺃﺤﺒﻙ ﻁﻴﺒﺔ ﻜﺎﻟﻭﻟﻴﺩ
ﻭﺭﺍﺌﻌﺔ ﻜﺎﻟﺠﺩﻴﺩ
ﻭﻀﺎﺤﻜﺔ ﻤﺜل ﻋﻴﺩ
ﻭﺃﻋﺸﻕ ﺼﻭﺘﻙ
ﹸ
ﻭﺃﻜﺭﻩ ﻓﻴﻪ ﺍﻟﺠﻠﻴﺩ
ﻭﺃﻜﺭﻩ ﺼﻤﺘﻙ
ﻭﺃﻜﺭﻩ ﺃﻥ ﺘﻨﺯﻟﻰ ﺍﻟﺒﺤﺭ ﻭﺤﺩﻙ
- 6. ﹸﺫﻴﻨﻰ ﻟﺤﻀﻨﻙ ﻤ ﺓ
ﺭ ﺨ
ﻭﻟﻭ ﺃﻨﺕ ﻤ ﺓ
ِ ﺭ
ﹸﺫﻴﻨﻰ
ﺨ
ﻷﻨﻰ ﺍﺘﺨﺫﺘﻙ ﻨﻴـﺎ
ِﺩ
ﻷﻨﻰ ﺍﺘﺨﺫﺘﻙ ﺩﻴﻨﻰ
ِ
ﹸﺫﻴﻨﻰ
ﺨ
ﺃﺤﺒﻙ
ِ
ﻟﻜﻥ ﺼﻤﺘﻙ
ِ
ﻴﺼﻠﺒﻨﻰ ﻜﺎﻟﻤﺴﻴﺢ
ﻭﻴﺫﺒﺤﻨﻰ ﻜﺎﻟﺤﺴﻴﻥ
َ
ﺘﻌﺎﻟﻰ ﻭﻟﻭ ﺨﻁﻭﺘﻴﻥ
ﻭﻟﻭ ﻜﻨﺕ ﻅﻠﻤﺔ
ِ
ﺘﻌﺎﻟﻰ ﺃﻀﻤﻙ ﻀ ﺔ
ِ ﻤ
ﻟﻨﺒﻌﺙ ﺃ ﺔ
ﹶ ﻤ
- 7.
" ﻏﺭﻴﺒﺔ "
ﻴﺠﺊ ﻤﺨﺎﺽ ﺍﻟﻘﺼﻴﺩﺓ ﻓﻰ
ﻓﺄﻜﺘﺏ ﺇﺴﻤﻙ
ﻭﺃﺭﺴﻡ ﹶﻌﺭ ِ ﻓﻰ ﺩﻓﺘﺭﻯ
ﺸ ﻙ
ﻭﺃﻗ ـل ﺭﺴﻤﻙ
ﺒ
****
ﻟ ﹶﻌﺭ ِ ﻟﻭﻥ ﺍﻟﺴﻨﺎﺒل
ﺸ ﻙ
ﻫل ﻜﺎﻥ ﹶﻌﺭ ِ ﺘﺴﺒﻴﺤﺔ ﺍﻟﻘﻤﺢ ؟
ﺸ ﻙ
ﻫل ﻜﺎﻥ ﹶﻌﺭﻙ
ﺸ
ﺘﺠﻴﺌﻴﻥ ﻜﺎﻟﻁﻴﺏ ﺍﻟﻌﺫﺏ
ِ ِ
ﻜﺎﻟﺤﺏ
ﻭﺍﻀﺤﺔ ﻜﺎﻟﻘﺭﺍﺀﺓ
ِ
ﻀﺎﺤﻜﺔ ﻜﺎﻟﺒﺭﺍﺀﺓ
ِ
ﻓﺎﺭﺸﺔ ﺒﺎﻟﻤﻭﺍﻭﻴل ﻗﻠﺒﻙ
" ﻏﺭﻴﺒﺔ "
ﺘﺯﻴﺩﻴﻥ ﻜل ﺼﺒﺎﺡ ﻋﺫﻭﺒﺔ
- 8. ﺘﺠﻴﺌﻴﻥ ﻜﺎﻟﻨﻬﺭ
ﺴﻨﺒﻠﺔ ...
ﻫﻤﺴﺎﺕ ﻭﻁﻴﺒﺔ
ٍ
****
ﺘﺠﻴﺌﻴﻥ ﻨﺎﺭﻴﺔ ﻤﺜل ﺸﻭﻗﻰ
ﻭﻁﺎﻫﺭﺓ ﻤﺜل ﻋﺸﻘﻰ
ﻭﺩﺍﻓﺌﺔ ﻜﻌﻨﺎﻗﻰ
****
ﻋﻴﻭﻨﻙ ﺠﺎﺀﺕ ﻤﻥ ﺍﻟﺭﻴﻑ
ِ ﹾ ِ
ﻤﻥ ﺭﻜﻌﺎﺕ ﺍﻟﺤﻘﻭل
ِ
ﻭﻤﻥ ﻀﺤﻜﺎﺕ ﺍﻟﺴﻭﺍﻗﻰ
ِ
ﻋﻴﻭﻨﻙ ﻟﻭﻥ ﺯﻏﺎﺭﻴﺩ ﻗﻠﺒﻰ
ِ
ﻋﻴﻭﻨﻙ ﻤﻥ ﺭﻭﻋﺔ ﺍﻟﺤﻠﻡ
ِ
ﻤﻥ ﻟﺒﻥ ﺍﻷﻡ
ﻜﺎﻨﺕ ﺃ ـﺩﺕ ﻟﺤﺒﻰ
ﹾ ﹾ ﻋ
ﻋﻴﻭﻨﻙ ﺃﻨﺒﺘﻬﺎ ﺍﻟﺴﺤﺭ
ِ
- 9. ﻜ ـﻠﻬﺎ ﺍﻟﻁﻬﺭ
ﺤ
ﺃﻴﻘﻅﻬﺎ ﺍﻟ ﱢﻌﺭ
ﺸ
ﺩﺍﻋﺒﻬﺎ ﺍﻟﺤﻠﻡ ﻓﻰ ﺤﺠﺭ ﻗﺭﺒﻰ
ﻋﻴﻭﻨﻙ ﺤﺎﺀ
ِ ٌ
ﺘﻌﺎﻨﻕ ﺒﺎﺌﻰ
ﹸ
ﺒﻌﻴﻨﻴﻙ ...
ِ
ﺃﻋﻠﻨﺕ ﻟﻠﻌﺎﻟﻤﻴﻥ ﺒﻘﺎﺌﻰ
ﹸ
****
" ﻏﺭﻴﺒﺔ "
ﻟﻌﻤﺭﻯ ﺃﻀﻴﻔﻙ ﺒﺎﻟﺤﺏ
ِ
ﻴﺎ ﺒﻨﺕ ﻭﺠﻪ ﺍﻟﻨﻬﺎﺭ
ﹶ ِ
ﺃﻨﺎ ﻓﻰ ﻋﻴﻭﻨﻙ
ِ
ﻭﺸﻭﺸﺔ ﺍﻟﺸﻭﻕ ِ
ﺩﺭﺩﺸﺔ ﺍﻟﻌﺸﻕ ِ
ﻴﺎ ﺴﺕ ﻋﻤﺭﻯ
ﱠ
ﻭﺘﺎﺝ ﺤﻨﻴﻨﻰ
****
- 10. ﺒﺤﺒﻰ ...
ﺴﺄﺠﻌل ﻋﻴﻨﻴﻙ
ِ ُ
ﺘﻌﻭﻴﺫﺓ ﻟﺴﻨﻴﻨﻰ
ﺃﺤﺒﻙ
ِ
ﺇﻨﻰ ﺃﺤﺒﻙ
ِ
ﺃﻟﻑ ﺃﺤﺒﻙ
ِ ﹸ
ﻴﺎ ﻜﻠﻤﺔ ﻟﻠﻘﺩﺭ
ﺃﻨﺎ ﻓﻰ ﻋﻴﻭﻨﻙ
ِ
ﻜﻨﺕ ﺃﺭﺤﺕ ﺤﻘﺎﺌﺏ ﻋﻤﺭﻯ
ﹸ ﹸ
ﻭﻭﺴﺩﺕ ﺭﺃﺴﻰ
ﹸ
ﻭﻟﻴﺱ ﻴﻜﻭﻥ ﺴﻔﺭ
- 11.
ﻜﺭﻫﺘﻙ
ِ
ﻴﺎ ﺃﺭﻭﻉ ﺍﻟﻅﺎﻟﻤﻴﻥ
ﺃﻨﺎ ..
ﻟﻡ ﻴﻜﻥ ﻓﻰ ﺩﻤﻰ ﻏﻴﺭ ﺤﺒﻙ
ِ
ﻴﺎ ﻟﻐﺔ ﻤﻥ ﻋﺫﺍﺏ
ﻭﺃﺴﻁﻭﺭﺓ ﻤﻥ ﻀﺒﺎﺏ
ﻭﺤﻠﻡ ﺃﻨﻴﻥ
ﺃﻨﺎ ﺍﻵﻥ ﺃﺨﺭﺝ ﻤﻨﻙ
ِ
ﻭﺃﺤﻤل ﺤﺯﻨﻰ
ُ
ﻭﺃﺤﻤل ﻓﻰ ﺍﻟﻘﻠﺏ ﺠﺭﺡ ﺍﻟﺴﻨﻴﻥ
ِ ُ
ﻜﺭﻫﺘﻙ ...
ِ
ﻴﺎ ﺭﻜﻌﺔ ﻜﻨﺕ ﺼﻠﻴ ﹸﻬﺎ
ﺘ
ﻭﻴﺎ ﻜﻌﺒﺔ ﻜﻨﺕ ﺸﻴﺩﺘﻬﺎ
ﹸ
ﻭﻟﺒﻴﺕ ﻓﻴﻬﺎ ﻨﺩﺍﺀ ﺍﻟﺤﻨﻴﻥ
ﹸ
ﻟﻤﺎﺫﺍ ﻅﻠﻤﺕ
ِ
ﻭﻜﻴﻑ ﺘﺨﻴﻠﺕ ﺸﻜل ﺍﻟﺴﻤﺎﺀ ِ
ِ ﹶ
ﺒﻐﻴﺭ ﻨﺠﻭﻡ
- 12. ﻭﻜﻴﻑ ﺘﺼﺢ ﺍﻟﺼﻼﺓ
ﹶ
ﺒﻐﻴﺭ ﻭﻀﻭﺀ
ﻭﻜﻴﻑ ﺘﻜﻭﻥ ﻤﻼﻤﺢ ﻭﺠﻬﻙ
ِ
ﻤﻥ ﻏﻴﺭ ﺤﺏ
ﻭﻜﻴﻑ ﺘﺤﻭﻟﺕ ﺤﺭﻓﺎ ﺘﻜﺴﺭ
ِ ﹶ
ﻓﻰ ﻜﺘﺏ ﺍﻟﺭﺍﺤﻠﻴﻥ
ِ
ﻟﻤﺎﺫﺍ ﺭﺤﻠﺕ ؟
ِ
ﻭﻜﻨﺕ ﺃﺭﺍﻙ ﺒﺼﻭﺕ ﺍﻟﻤﺅﺫﻥ ِ
ِ ِ ﹸ
ﻟﻤﺎ ﻴﺭﺩﺩ " ﺍﷲ ﺃﻜﺒﺭ "
ﻭﻜﻨﺕ ﺃﺭﺍﻙ ِ
ﹸ
ﻜﺄﻥ ﺍﻟﺴﻤﺎﺀ ﺍﻤﺘﺩﺍﺩ ﻟﻭﺠﻬﻙ
ٌ
ﻜﺄﻥ ﺍﻟﻭﺠﻭﺩ ﺤﺩﻭﺩ ﻟﺤﺒﻙ
ِ ٌ
ﺃﻭ ﻜﺎﻥ ﺤﺒﻙ ﺃﻜﺒﺭ
ﻭﻜﻨﺕ ﺍﺤﺘﺭﻓﺕ ﺍﻟﺘﻭ ﺩ ﻓﻴﻙ
ِ ﹸ ﺤ ﹸ
ﺘ ﱠﺭﺒﺕ ﺃﻴﻭﺏ ﻓﻴﻙ
ِ ﺸ ﹸ ..
ﻭﻜﻨﺕ ﺃﺭﺵ ﻋﻴﻭﻨﻙ ﻓﻰ ﻨﺒﻀﺎﺘﻰ
ِ ﱡ ﹸ
ﻭﺃﻋﺼﺭﻫﺎ ﺘﻤﺭﺓ ﻭﺍﺒﺘﺴﺎﻤﺔ
ﻭﺃﺸﺭﺒﻬﺎ ﻗﻁﺭﺓ ﻗﻁﺭﺓ
- 13. ﺘﺘﻭﺯﻉ ﻓﻭﻕ ﺤﻴﺎﺘﻰ ﺴﻼﻤﺔ
ﹶ
ﻭﻜﻨﺕ ...
ﹸ
ﻏﺴﻠﺕ ﺤﻴﺎﺘﻰ ﺒﻤﺎﺀ ِ ﺍﺒﺘﺴﺎﻤﻙ
ﹸ
ﻭﺒﻴﻥ ﻋﻴﻭﻨﻙ ﻏﻴﺭﺕ ﺜﻭﺒﻰ
ﹸ ِ
ﻭﻤﺸﻁﺕ ﺸﻌﺭﻯ
ﹸ ﹶ
ﻭﺃﺼﺒﺤﺕ ِﻠﻜﺎ ﻟﻴﺎﺀ ِ ﺍﻨﺘﺴﺎﺒﻙ
ﹸﻤ
ﻜﺭﻫﺘﻙ ﻴﺎ ﺃﺭﻭﻉ ﺍﻟﻅﺎﻟﻤﻴﻥ
ِ
ﻭﻴﺎ ﻟﻐﺔ ﻤﻥ ﻋﺫﺍﺏ
ﻭﺃﺴﻁﻭﺭﺓ ﻤﻥ ﻀﺒﺎﺏ
ﻭﺤﻠﻡ ﺃﻨﻴﻥ
- 14.
ﻷﻨﻰ ﺤﺯﻴﻥ
ﻭﻻﺒﺩ ﺃﻥ ﺃﺴﺘﺭﻴﺢ
ﻋﻠﻰ ﺸﻔﺔ ﻤﻥ ﺤﻨﻴﻥ
ٍ
ﺘﻌﺎﻟﻰ ﹸﺭﺍﻫﻕ
ﹸ ﻨ
ﻭﺃﻏﺴل ﻋﻤﺭﻯ
ُ
ﺒﻤﺎﺀ ِ ﺍﺒﺘﺴﺎﻤﻙ
ِ
ﺃﻏﺩﻭ ﻨﻘﻴﺎ
ﻭﺃﺼﺒﺢ ﻓﻰ ﺸﻔﺘﻴﻙ
ِ
ﻨﺒﻴﺎ ...
ﻟﺨﻤﺱ ﺩﻗﺎﺌﻕ
ﹾ
ﺘﻌﺎﻟﻰ ﺃﻨﺎﻗﺵ
ﹸ
ﻓﻰ ﺸﻔﺘﻴﻙ ﺍﻟﺒﻘﺎﺀ
ِ
ﻓﻴﺎ ﻨﺎﺭ
ﻜﻭﻨﻰ ﺴﻼﻤﺎ ﻭﺒﺭﺩﺍ
ﻭﻜﻭﻨﻰ ﻏﺭﺍﻤﺎ ﻭﻭﺭﺩﺍ
ﻭﺨﺒﺯﺍ ﻭﻤﺎﺀ
ﻭﻤﻴﻼﺩ ﻋﺎﺸﻕ
ﹾ
- 15. ﻷﻨﻰ ﺃﻀﻴﻊ
ﻭﻟﺴﺕ ﺃﺭﻯ
ﹸ
ﻏﻴﺭ ﺃﻨﻰ ﻅﻤﺌﺕ
ﹸ
ﻭﺃﻨﻰ ﺃﺠﻭﻉ
ﺘﻌﺎﻟﻰ ﻨﻌﻭﺩ ﺼﻐﺎﺭﺍ
ﻟﻴﻭﻡ ﻭﻟﻴﻠﺔ
ﺃﻨﺎ ﱠﻴﺒﺘﻨﻰ ﺤﺩﻭﺩ ﻓﻤﻙ
ﺸ
ﺇﻟﻰ ﺃﻥ ﻨﺴﻴﺕ
ﹸ
ﺠﻨﻭﻨﻰ ﺍﻟﺠﻤﻴل
َ
ﻭﺃﻥ ﺤﻴﺎﺘﻰ
ﻋﻠﻰ ﹶﻔ ﹶﻰ ﻋﺎﺸﻘﺔ
ﺸﺘ
ﻭﺃﻨﻙ ﻗﻠﺏ
ِ ٌ
ﻭﺃﻨﻙ ﺭﻭﺡ
ٌ ِ
ْ
ﺘﺤﻭل ﻗﺒﻠﺔ
َ
ﻓﻬل ﺘﻔﺘﺤﻰ ﺍﻟﺸﻔﺔ ﺍﻟﻤﻁﺒﻘﺔ
ﻟﻜﻰ ﺃﺩﺨل ﺍﻟﻤﺩﻥ ﺍﻟﻤﻐﻠﻘﺔ
َ
ﻭﻜﻰ ﺃﻓﻬﻤﻙ
ﺒﻐﻴﺭ ِ ﺍﻨﺘﻅﺎﺭ
- 16. ﺘﻌﺎﻟﻰ ﻨﻌﻭﺩ ﺼﻐﺎﺭﺍ
ﻭﻨﻠﻌﺏ ﻟﻌﺒﺔ ﻜل ﺍﻟﺼﻐﺎﺭ
ﻨﺨﺒﺊ ﻓﻰ ﺍﻟﻜﺘﺏ ﺍﻟﻤﺩﺭﺴﻴﺔ
ِ ُ
ﺨﻁﺎﺒﺎ ﻭﺼﻭﺭﺓ
ﻭﻨﺭﺴﻡ ﻓﻰ ﺍﻟﻜﺘﺏ ﺍﻟﻤﺩﺭﺴﻴﺔ
ِ
ﻓﺅﺍﺩﺍ ﻭﺴﻬﻤﺎ
ﻭﺠﻤﻠﺔ ﻋﺸﻕ ﻗﺼﻴﺭﺓ
ﺘﻌﺎﻟﻰ ﻨﻌﻭﺩ
ﻤﺠﺭﺩ ﻁﻔل ﻭﻁﻔﻠﺔ
ﻷﻨﻰ ﺤﺯﻴﻥ
ﻭﻻ ﺃﺴﺘﻁﻴﻊ ﺍﻟﺒﻜﺎﺀ
ﺴﻭﻯ ﻤﻥ ﻋﻴﻭﻨﻙ ﺃﻨﺕ
ِ ِ
ﻷﻨﻰ ﺤﺯﻴﻥ
ﻭﻻ ﺃﺴﺘﻁﻴﻊ ﺍﻟﻐﻨﺎﺀ
ﺴﻭﻯ ﻤﻥ ﺸﻔﺎﻫﻙ ﺃﻨﺕ
ِ ِ
ﺴﻭﻯ ﻓﻰ ﺸﻔﺎﻫﻙ ﺃﻨﺕ
ِ ِ
ﻷﻨﻰ ﺤﺯﻴﻥ
ﻭﻓﻰ ﺍﻟﻘﻠﺏ ﺃﻤﻨﻴﺔ ﻀﺎﺌﻌﺔ
ِ
- 18.
ﻭﺃﺠﺊ ﻟﻙ
ُ
ﺒﻴﻨﻰ ﻭﺒﻴﻨﻙ ﺒﻀﻊ ﻤﺘﺭﺍﺕ
ٍ
ﻭﺃﺸﻭﺍﻕ ﻜﺜﻴﺭﺓ
ﹲ
ﻭﻨﻅﺭﺕ ﻟﻙ
ﹸ
ﻭﺭﺃﻴﺕ ﻓﻰ ﻋﻴﻨﻴﻙ
ﹸ
ﺃﺸﻭﺍﻗﺎ ﺘﺌﻥ
ﻭﻗﺭﺃﺕ ﻓﻰ ﻋﻴﻨﻴﻙ
ﻜﻠﻤﺎﺕ ﺘﺤﻥ
ﻭﻟﻤﺴﺕ ﻓﻰ ﺸﻔﺘﻴﻙ
ﺒﺴﻤﺎﺕ ﻤﻜﺴﺭﺓ
ﻭﺘﺒﻜﻴﻨﻰ ﺩﻤﺎﺀ
ﻻ ﺩﻤﻭﻋﺎ
ﻟﻜﻨﻨﻰ ﺤﻁﻤﺕ ﺃﻏﻼﻟﻰ ﺠﻤﻴﻌﺎ
ﹸ
ﻭﺃﺘﻴﺕ ﻟﻙ
ﹸ
ﺃﻨﺎ ﻴﺎ ﺤﺒﻴﺒﻰ ﺃﻟﻑ ﺃﻋﺭﻑ
ﹸ
ﺃﻨﻨﻰ ﺃﺨﺭﻯ
ﺸﻔﺘﺎﻯ ﻀﺎﺌﻌﺘﺎﻥ
- 19. ﺘﺭﺘﻌﺸﺎﻥ .. ﻓﻰ ﻀﻌﻑ
ٍ
ﻭﺘﻀﺤﻙ ﺇﻨﻤﺎ ﺴﻜﺭﻯ
ﻨﻬﺩﺍﻯ ..
ﻴﺸﺘﺎﻗﺎﻥ ﻓﻴﻙ ﺍﻟﺼﺤﻭﺓ ﺍﻟﻜﺒﺭﻯ
ﻤﺎﺫﺍ ﺘﻘﻭل ﻋﻠﻰ ؟
ُ
ﺃﻨﺕ ﺘﺤﺒﻨﻰ
ﹶ
ﻭﺃﻨﺎ ﺃﺤﺒﻙ
ﺇﻨﻤﺎ ﺒﻴﻨﻰ ﻭﺒﻴﻨﻙ
ﺩﺒﻠﺘﺎﻥ ﻤﻥ ﺍﻟﺫﻫﺏ
ﻭﻭﺜﻴﻘﺔ ..
ﻤﺄﺫﻭﻥ ﻗﺭﻴﺘﻨﺎ ﺍﻟﻌﺠﻭﺯ ﺃﻋﺩﻫﺎ
ﻓﻰ ﻁﻴﺏ ﺨﺎﻁﺭ
ِ
ﺒﺸﻬﺎﺩﺓ ﺍﻟﺭﺠﻠﻴﻥ ﺃﻋﺭﻑ
ﹸ
ﺃﻨﻨﻰ ﺍﻤﺭﺃﺓ ﻵﺨﺭ
ﺃﺭﺠﻭﻙ
ﺃﺭﺠﻭﻙ ﻻ ﺘﻬﺘﻡ ﺒﺎﻟﻤﺎﻀﻰ
ﻭﻻ ﺍﻵﺘﻰ
ﻭﻋﺵ ﻴﻭﻤﺎ ﺒﻘﺭﺒﻰ
ﹾ
- 20. ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻤﺭﺴﻭﻡ ﻨﺒﻀﺎ
ﻤلﺀ ﻗﻠﺒﻰ
ﺨﺫﻨﻰ ﺇﻟﻴﻙ ﻭﻀﻤﻨﻰ
ﺍﻤﺘﺼﻨﻰ
ﻻ ﺘﺘﺭﻙ ﺍﻟﺸﻔﺘﻴﻥ ﺩﻭﻥ ﻫﺩﻴﺔ
ٍ
ﻻ ﺘﺘﺭﻙ ﺍﻟﺸﻔﺘﻴﻥ ﺩﻭﻥ ﻫﻭﻴﺔ
ٍ
ﻷﺤ ﻓﻴﻙ ﺒﺄﻨﻨﻰ ﺃﻨﺜﻰ
ﺱ
ﻟﻬﺎ ﺭﻭﺡ .. ﻤﺸﺎﻋﺭ
ٌ
ﻷﻋﻴﺵ ﻓﻰ ﻋﻴﻨﻴﻙ
ﻏﻔﺭﺍﻨﺎ ﻟﻜﺎﻓﺭ
ﻭﺃﺭﺍﻙ ﻤﺸﺩﻭﻫﺎ
ﺘﻔﻜﺭ ﻓﻰ ﺍﻟﻜﻼﻡ
ﻭﻋﻠﻰ ﺃﺼﺎﺒﻌﻙ ﺍﻟﺭﻗﻴﻘﺔ
ِ
ﻅل ﻴﺭﺘﻌﺵ ﺍﻟﺴﻼﻡ
ﱠ
ﻭﻋﻠﻰ ﺸﻔﺎﻫﻙ ﺃﺴﺌﻠﺔ
ﺘﺤﻜﻰ ﺒﻼ ﺼﻭﺕ ﻤﻼﻡ
ٍ
ﻭﻴﺩﺍﻙ ﺒﺎﺭﺩﺘﺎﻥ
ﻟﻡ ﺘﺤﻔل ﺒﻨﺎﺭﻯ
- 21. ﺃ ﹶﺫﺕ ﻴﺩﻯ
ﺨ ﹾ
ﻓﺴﻜﺒﺕ ﻓﻴﻬﺎ ﻤﺎ ﺤﻔﻅﺕ ﻤﻥ ﺍﻷﻏﺎﻨﻰ
ﹸ ﹸ
ﻭﺃﺘﻴﺕ ﻟﻙ
ﹸ
ﻭﺘﺭﻜﺕ ﻨﻔﺴﻰ ﻓﻴﻙ
ﹸ
ﻗﺩ ﻁﻬﺭﺕ ﺫﻨﺒﻰ ﻓﻰ ﻴﺩﻴﻙ
ﹸ
ﺩﺍﻋﺒﺘﻬﺎ
ﺸﺎﻜﺴﺘﻬﺎ ..
ﻗﺒﻠﺘﻬﺎ
ﻟﻜﻨﻬﺎ ...
ﻏﺭﻗﺕ ﺒﺒﺤﺭ ﻤﻥ ﺜﻠﻭﺝ
ﹾ
ﺃﻫﻭ ﺍﻟﺩﺨﻭل ﺇﻟﻰ ﺍﻟﺨﺭﻭﺝ
ُ
ﺃﻡ ﺃﻥ ﻓﻰ ﻜﻔﻴﻙ ﻤﺸﻨﻭﻗﺎ ﻴﻌﺎﻨﻰ
ﻭﺃﺘﻴﺕ ﻟﻙ
ﹸ
ﺃﺘﺭﺍﻙ ﻤﻨﺫ ﻭﺩﺍﻋﻨﺎ ﺃﻫﻤﻠﺘﻨﻰ .. ؟
ﺨﺫﻨﻰ ﺇﻟﻴﻙ
ﻭﻀﻤﻨﻰ
ﺃﻨﺎ ..
ﻻ ﺃﺨﻭﻥ ﺍﻵﺨﺭ ﺍﻟﻤﺭﺒﻭﻁ ﺩﺍﺌﺭﺓ
- 22. ﺘﻘﻴﺩ ﺒﻨﺼﺭﻯ
ﻓﻬﻭ ﺍﻟﺫﻯ ﻗﺩ ﺨﺎﻥ ﻋﻤﺭﻯ
ﻭﺍﺴﺘﺤل ﻤﺸﺎﻋﺭﻯ
ﱠ
ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺤﻕ ﺍﻟﻭﺤﻴﺩ ﺒﺩﺍﺨﻠﻰ
ﹸ
ﻋﻤﺭﻯ ﺘﺤﻭل ﻗـﺒﻠﺔ ﺒﺄﻨﺎﻤﻠﻰ
َ
ﺇﻥ ﺸﺌﺕ ﻓﺎﺴﻤﻌﻬﺎ ﺒﺜﻐﺭﻙ
ﹶ
ﻓﺎﻟﺸﻔﺎﻩ ﻫﻰ ﺍﻟﻁﺭﻴﻕ ﺇﻟﻰ ﺍﻟﻘﻠﻭﺏ
ﹸ
ﻭﺃﺘﻴﺕ ﻟﻙ
ﻭﻨﻅﺭﺕ ﻟﻙ
ﻭﻨﻅﺭﺕ ﻟﻰ
ﹶ
ﻭﺘﺴﺎﻗﻁﺕ ﻤﺎ ﺒﻴﻨﻨﺎ ﺴﺒﻊ ﻋﺠﺎﻑ
ﹾ ٌ ﹾ
ﻭﻨﺴﻴﺕ ﻓﻰ ﻋﻴﻨﻴﻙ
ﹸ
ﺃﺸﻴﺎﺀ ﺘﺤﺎﺼﺭﻨﻰ
ﻭﺘﻌﺼﺭﻨﻰ ..
ﻭﻟﻜﻨﻰ ﺃﺨﺎﻑ
ﹾ
ﻓﺎﻟﺴﺎﻋﺔ ﺍﻟﺤﻤﻘﺎﺀ ﺘﺠﺭﻯ
ﻴﺎ ﻟﻴﺘﻬﺎ ﻋﻠﻤﺕ ﺒﺄﻨﻰ
ﹾ
ﻜﻰ ﺃﺭﺍﻙ ﺍﻟﻴﻭﻡ
- 23. ﻜﻨﺕ ﺠﻤﻌﺕ ﻋﻤﺭﻯ
ﹸ ﹸ
ﻭﻨﻅﺭﺕ ﻟﻙ
ﹸ
ﻭﻨﻅﺭﺕ ﻟﻰ
ﹶ
ﻭﻤﺩﺩﺕ ﻜﻔﻙ
ﹶ
ﻓﻰ ﺒﻜﺎﺀ
ﻭﺘﻭﻗﻑ ﺍﻟﺘﺎﺭﻴﺦ
ﹸ ﹶ
ﻴﻜﺘﺏ ﺁﺨﺭ ﺍﻟﻜﻠﻤﺎﺕ
ِ
ﻓﻰ ﻨﺒﻀﺎﺘﻨﺎ
ﺃﺘﺭﻯ ﺘﻘﻭل ﺇﻟﻰ ﺍﻟﻠﻘﺎﺀ !
ُ
ﺃﺘﺭﻯ ﺘﻘﻭل ﺇﻟﻰ ﺍﻟﻠﻘﺎﺀ !
ُ
ﻭﺘﻐﻠﻔﺕ ﻜل ﺍﻷﻤﺎﻜﻥ ﺒﺎﻟﺠﻬﺎﻤﺔ
ﹾ ﱡ
ﻭﺘﺄﺭﺠﺤﺕ ﺒﻴﻥ ﺍﻟﺸﻔﺎﻩ ﺍﻟﻜﻠﻤﺘﺎﻥ
ﹾ
ﻤﻊ ﺍﻟﺴﻼﻤﺔ
ﻤﻊ ﺍﻟﺴﻼﻤﺔ
- 24.
ﺃﻨﺎ ﻗﺒل ﻋﻴﻨﻴﻙ
ِ َ
ﻗﺒـﻠﺕ ﻜل ﻨﺴﺎﺀ ﺍﻟﻤﺩﻴﻨﺔ
ﹸ ﱠ
ﻭﻓﻰ ﻜل ﻜﻑ
ٍ
ﺘﺤﻭﻟﺕ ﻟﻤﺴﺔ ﺸﻭﻕ ﻁﻭﻴﻠﺔ
ﹸ
ﻭﺃﺼﺒﺤﺕ ﺩﻴﻨﺎ ﻟﻜل ﺠﻤﻴﻠﺔ
ﹸ
ﻭﻟﻜﻨﻨﻰ ﻤﺎ ﻋ ِﻘﺕ
ﺸ ﹾ
ﻭﻗﺒـﻠﻙ
ِ
ﻜﻨﺕ ﻜﺘﺒﺕ ﻜﺜﻴﺭﺍ
ﹸ ﹸ
ﻭﺴﺎﻓﺭﺕ ﻓﻭﻕ ﺴﻁﻭﺭ ﺍﻟﻨﺴﺎﺀ
ﹸ
ﻭﻋﺩﺕ ﻭﺤﻴﺩﺍ
ﹸ
ﻟﻤﺎﺫﺍ ﺇﺫﺍ ﻤﺎ ﻜﺘﺒﺕ ﺇﻟﻴﻙ
ﹸ ِ
ﺘﺼﻴﺭ ﺍﻟﻜﺘﺎﺒﺔ
ﻗﺼﺔ ﻋﺸﻕ
ﹾ
ﻭﺘﻐﺩﻭ ﺍﻟﺤﺭﻭﻑ
ﹸ
ﻋﺼﺎﻓﻴﺭ ﺸﻭﻕ
ﹾ
ﻷﻨﻰ ﻋﺸﻘﺕ
ﹾ
ﺘﺼﻴﺭﻴﻥ ﺴﻨﺒﻠﺔ
- 25. ﻓﻰ ﺍﻟﻘﺼﻴﺩﺓ
ﻭﺒﺴﻤﻠﺔ ﻓﻰ ﺍﻟﻌﻘﻴﺩﺓ
ﻓﺄﺭﺴﻡ ﻋﻴﻨﻴﻙ ﻓﻰ ﺃﻭل ﺍﻟﺴﻁﺭ
ِ
ﺃﺤﻔﻅﻬﺎ ﻓﻰ ﺍﻟﺨﺘﺎﻡ
ﻷﻨﻰ ﻋﺸﻘﺕ
ﹾ
ﺃﻨﺎ ﻗﺒل ﻋﻴﻨﻴﻙ
ِ
ﻤﺎ ﻋﺫﺒﺘﻨﻰ ﺍﻤﺭﺃﺓ
ﻭﻟﻡ ﺃﻗﻡ ﺍﻟﻠﻴل
ﺇﻻ ﻗﻠﻴﻼ
ﻭﻟﻤﺎ ﻋﺸﻘﺘﻙ
ِ
ﺃﺩﺭﻜﺕ ﻜﻴﻑ ﻴﻜﻭﻥ ﺍﻟﻌﺫﺍﺏ ﺠﻤﻴﻼ
ﹸ
ﻭﺃﻥ ﺃﻨﻔﻕ ﺍﻟﻌﻤﺭ
ﹶ
ﻓﻰ ﺴﻬﺭ
ﻻ ﺃﻨﺎﻡ
ﻷﻨﻰ ﻋﺸﻘﺕ
ﹾ
ﺃﻨﺎ ﻓﻴﻙ
ِ
ﺃﺒﺩﺃ ﻤﻥ ﺃﻭل ﺍﻟﺴﻁﺭ
ﺤﺭﻓﺎ ﻓﺤﺭﻓﺎ
- 26. ﻓﻬل ﺘﻘﺭﺌﻴﻨﻰ ؟!
ﻜﺘﺒﺘﻙ ﻟﻤﺎ ﻓﻬﻤﺕ
ﹸ
ﺃﺭﺩﺘﻙ ﻟﻤﺎ ﺃﺭﺩﺕ
ﹸ
ﻭﺃﺩﺭﻜﺕ ﻓﻰ ﺁﺨﺭ ﺍﻟﺴﻁﺭ
ﹸ
ﺃﻨﻰ ﺒﺩﺃﺕ
ﹾ
ﻷﻨﻰ ﻋﺸﻘﺕ
ﹾ
- 27.
ﺘﻌﺎﻟﻰ ﻨﻜ ـﺭ ﺍﻟﻠﻌﺒﺔ
ﺴ
ﻭﻨﻠﻌﺏ ﻟﻌﺒﺔ ﺍﻟﺼﺒﻴﺎﻥ
ﻓﻠﺴﺕ ﻋﺭﻭﺴﺔ ﺍﻟﺒﺤﺭ
ِ
ﻭﻟﻥ ﺁﺘﻰ ﺒﻅﻬﺭ ﺤﺼﺎﻥ
ﺃﻨﺎ ﻤﺘﻭﺭﻁ ﻓﻴﻙ
ِ
ﻟﺒﺴﺘﻙ ﻓﻰ ﺍﻟﻬﻭﻯ ﺜﻭﺒﺎ
ﻓﻜﻴﻑ ﺍﻟﺜﻭﺏ ﻋـﺭﺍﻨﻰ
ﹶ
ﻭﻗﻠﺕ ﻫﻭﺍﻙ ﺤـﺭﺭﻨﻰ
ِ ﹸ
ﻓﻜﻴﻑ ﻴﺼﻴﺭ ﺴ ـﺎﻨﻰ
ﺠ
ﺃﻨﺎ ﻤﺘﻭﺭﻁ ﻓﻴﻙ
ِ
ﻭﺃﺒﻭﺍﺏ ﻤﻐﻠـﻘﺔ
ٌ
ﻭﻗﻠﺕ :
ِ
" ـﻴﺕ " ..
ﻫ ﹶ
.. ﻗ ـﻠﻨﻰ
ﺒ
ﻗﻤﻴﺼﻰ ﻗـﺩ ﻤﻥ ﻗﺒل
ﻭﻤﻥ ﺒﺭ
ﺩ
ﻭﻴﻭﺴﻑ ﻟﻡ ﻴﻌﺩ ﺒﻴﻨﻰ
ﹸ
- 28. ﻭﻟﻜﻥ ﻴﺎ ﻤﻌﺫﺒﺘﻰ
ﺠﻨﻭﻥ ﺍﻟﻌﺸﻕ ﻴﺩﻤﻴﻨﻰ
ﻓﺒﻴﻨﻙ ﻴﺎ ﻤﻌﺫﺒﺘﻰ
ﺘﻐ ﺒﻨـﺎ
ﺭ
ﻓﻼ ﻟﻴﻠﻰ .. ﻭﻻ ﺍﻟﻤﺠﻨﻭﻥ
ﺴﻴﺒﻘﻰ ﺠﺭﺤﻨﺎ ﻭﺍﻭﺍ
ﻭﻁﺎﺀ ﹸـﻴﺒﺕ ﻓﻰ ﺍﻟﻨﻭﻥ
ﹾ ﻏ
ﺃﻨﺎ ﻤﺘﻭﺭﻁ ﻓﻴﻙ
ِ
ﻭﻤﺘﻬﻡ ﺒﺘﺤﺭﻴﺽ ﺍﻟﻌﺼﺎﻓﻴﺭ ﺍﻟﺘﻰ ﺭﺤﻠﺕ
ﹾ ٌ
ﻭﻤﺘﻬﻡ ﺒﺠﻬﻠﻰ ﻤلﺀ ﺃﻭﺭﺩﺘﻰ
ٌ
ﻭﻤﺘﻬﻡ ﺒﺸﻨﻕ ﺍﻟﺼﺒﺭ ﻓﻰ ﻟﻐﺘﻰ
ٌ
ﻭﻤﺘﻬﻡ ﺒﺼﻠﺏ ﻋﻴﻭﻨﻙ ﺍﻟﺴﻭﺩﺍﺀ
ِ ِ ٌ
ﺃﻨﺎ ﻤﺘﻭﺭﻁ ﻓﻴﻙ
ِ
ﻭﻤﺘﻬﻡ ﺒﺫﺒﺢ ﺍﻟﻘﺒﻠﺔ ﺍﻷﻭﻟﻰ
ٌ
ﻭﻋﺸﻕ ﺤﺒﻴﺒﺔ ﺃﺨﺭﻯ
ﺃﻨﺎ ﻤﺘﻭﺭﻁ ﻓﻴﻙ
ِ
ﻭﻤﺘﻬﻡ ﺒﻔﻌل ﺍﻟﺴﻴﺭ ﻓﻰ ﺒﺩﺭ
ٌ
ﻭﻓﻰ ﺍﻟﻴﺭﻤﻭﻙ
ِ
- 29. ﻓﻰ ﺤﻁﻴﻥ
ﻓﻰ ﺃﻜﺘﻭﺒﺭ ﺍﻟﻜﺒﺭﻯ
ﻭﻤﺘﻬﻡ ﺒ ﺭﻡ ﻗﺭﺍﺀﺓ ﺍﻟﺘﺎﺭﻴﺦ
ٌ ﺠ
ﻤﺘﻬﻡ ﺒﺸﻨﻕ ﺼﻼﺡ ﻓﻰ ﺒﻭﺍﺒﺔ ﺍﻟﺫﻜﺭﻯ
ِ ٌ
َ ﺃﻨﺎ ﻤﺘﻭﺭﻁ ﻓﻴﻙ
ِ
ﻷﻨﻰ ﻴﺎ ﻤﻌﺫﺒﺘﻰ ﺃﺭﺍﻫﻥ ﺒﺎﻟﻬﻭﻯ ﺃﺒﺩﺍ
ﻭﺃﺨﺴﺭ ﺁﺨﺭ ﺍﻟﺠﻭﻟﺔ
ﻓﻬل ﺒﺎﻟﺤﺏ ﻴﺎ ﻭﻁﻨﻰ
ﻨﺅﺴﺱ ﻫﺫﻩ ﺍﻟﺩﻭﻟﺔ .. ؟ !!
- 30.
ﺤﻴ ﺒﻥ ﺃﺨﻁﺏ
ﻰ
ﻤﺫ ﻜﺎﻥ ﻁﻔﻼ ً
ﻴﺭﺍﻭﺩ ﺠ ﻯ
ﺩ
ﻋﻥ ﺍﻟﺒﻴﺕ
ِ
ﻭﺍﻟﺤﻘل ِ
ﻭﺍﻟﺴﺎﻗﻴﺔ ْ
ﻭﺠ ﻯ ﺍﻟﺫﻯ ﻜﺎﻥ
ﺩ
ﺸﺎﺭﺒﻪ ﻜﺎﻟﺼﺭﺍﻁ
ِ
ُ
ﻭﻟﺒﺩﺘﻪ ﻜﺎﻟﺼﺭﺍﻁ
ِ ِ
ﻭﻜﻠﻤﺘﻪ ﻜﺎﻟﺼﺭﺍﻁ
ِ
ﻭﻤﻌﺩﺘﻪ ﺨﺎﻭﻴﺔ ْ
ﻭﻟﻜﻨﻪ
ﻜﺎﻥ ﺒ ﺩ ﺼﻼﺓ ﺍﻟﻌﺸﺎﺀ ﻴﻨﺎﻡ
ِ ِ ﻌ
ﻭﺃﺤﻼ ﻪ ﺍﻟﺴﺘﺭ ﻭﺍﻟﻌﺎﻓﻴﺔ ْ
ﻤ
ﺤﻴ ﻴﻘﻭل ﻟﺠ ﻯ
ُ ﺩ ﻰ
ﺒﺄﻥ ﺍﻟﺒﻨﺎﺀ ﻗﺩﻴﻡ
ﻭﺃﻥ ﺘﺭﺍﺏ ﺍﻟﺤﻘﻭل ِ ﻋﻘﻴﻡ
- 31. ﻭﺃﻥ ﻫﺩﻴﺭ ﺍﻟﺴﻭﺍﻗﻰ ﺭﺠﻴﻡ
ﻭ ﺩﻯ ﻴﻔﻜﺭ
ﺠ
ﺯﻭﺠﺘﻪ ﺃﺸﻌﻠﺕ ﺸﻤﻌﺔ ً
ﹾ
ﻭﺃﻋﺩﺕ ﻟﻪ ﻜﻭﺏ ﺸﺎﻯ ٍ
ﹾ
ﻭﻗﺎﻟﺕ ﻷﻭﻻﺩﻫﺎ
ﹾ
ﻴﺎ ﻨﻰ ﺃﺒﻭﻜﻡ ﻴﻔﻜـﺭ
ﺒ
ﻻ ﺘﻘﻁﻌﻭﺍ ﺨﻠﻭﺓ ﺍﻟﺩﺍﻫﻴﺔ
ﻭﺠ ﻯ ﺘﺤ ـﺭ
ﻴ ﺩ
ﻴﺎﻤﺎ ﺘﺤ ـﺭ ﻓﻰ ﺃﻤﺭﻩ
ِ ﻴ
ﺤﻴﻰ ﺭﺃﻯ ﺤﻴﺭﺓ ﺍﻟﺠﺩ
ﺃﺭﺴل ﻭﺍﺤﺩﺓ ﻤﻥ ﺼﻭﺍﺤﺏ ﻴﻭﺴﻑ
ﹶ ِ َ
ﺠ ﻯ ﺭﺃﻯ ﺸﻔﺔ ﺍﻟﻨﺎﺭ
ﺩ
ﻀﺎﻉ
ﻭﺠ ﻯ ﺭﺃﻯ ﻠﻤﺔ ﺍﻟﻨﺎﺭ
ﺤ ﺩ
ﻀـﺎﻉ
ﻭﺠ ﻯ ﺭﺃﻯ ﺴ ﺓ ﺍﻟﻨﺎﺭ ﻀﺎﻉ
ﺭ ﺩ
ﻭﺠ ﻯ ﻫﻭﻯ ﻓﻰ ﻫﻭﻯ ﺍﻟﻨﺎﺭ ﺒﺎﻉ
ﺩ
ﺃﻨﺎ ﻴﻭﻤﻬﺎ
- 32. ﻜﻨﺕ ﺃﻟﻤﺢ ﺠ ﻯ
ﺩ
ﻟﻘﺩ ﺘﺭﻙ ﺍﻟﻭﺍﻭ ﻓﻰ ﺸﻔﺘﻴﻬﺎ
ﻭﻗﺩ ﺘﺭﻙ ﺍﻟﻁﺎﺀ ﻓﻰ ﻨﺎﻫﺩﻴﻬﺎ
ﻭﻗﺩ ﺘﺭﻙ ﺍﻟﻨﻭﻥ ﻓﻰ " ...... "
ﺃﺒﻰ ﻜﺎﻥ ﻴﻌﻠﻡ ﺃﻥ ﺃﺒﺎﻩ ﺍﻟﻤﺭﺍﻫﻕ
ﹶ
ﺃﻥ ﺃﺒﺎﻩ ﺍﻟﻤﺭﺍﻫﻥ
ﻗ ﻤﻨﺎ ﻟﻠﻀﻴﺎﻉ
ﺩ
ﺫﻫﺒﻨﺎ ﻟﻨﺴﺄﻟﻪ
ﻜﻴﻑ ﻴﺎ ﺠﺩ .. ؟ !!
ﻗﺎل : ﺍﻟﻨﺴﺎﺀ ﻤﺘﺎﻉ
ٌ َ
ﻭﻗﺎل : ﺍﻟﻨﻘﻭﺩ ﻤﺘﺎﻉ
ٌ َ
ﻭﺃﻯ ﻤﺘﺎﻉ
ﺇﻟﻰ ﺃﻥ ﺴﻘﻁﻨﺎ ﺒﻘﺎﻉ ﺍﻟﺸﺭﻙ
ﱠ
ﻀﺭﺒﻨﺎ ﺍﻟﺨﺩﻭﺩ
ﺸﻘﻘﻨﺎ ﺍﻟﺠﻴﻭﺏ
ﻭ ﹸﻀﻨﺎ ﺍﻟﺤﺭﻭﺏ
ﺨ
ﻭﻗـﻠﻨﺎ :
ﺴﻨﺭﻤﻰ ﻴﻰ ﻭﻤﻥ ﻤﻌﻪ
ﺤ
- 33. ﻭﺠﺒﺔ ﻟﻠﺴﻤﻙ
ﻓﺈﻨﺎ ﻭﺭﺜﻨﺎ ﺍﻟﺤﺭﻭﺏ
ﺍﺴﺄﻟﻭﺍ ﺍﻟﺯﻴﺭ ﻭﺍﺒﻥ ﺍﻟﻭﻟﻴﺩ
ِ
ﻭ ﹸﻀﻨﺎ ﺍﻟﺤﺭﻭﺏ
ﺨ
ﺒﻤﻨﻁﻘﻨﺎ ﺍﻷﺯﻟﻰ ﺍﻟﻐﺒﻰ ﺍﻟ ﹶﺭﺏ
ﺨ
ﻨﺤﺎﺭﺏ ﺒﺎﻟﺸﻁﺭﻨﺞ
ﻓﻜﻴﻑ ﻟﺠﻴﺵ ﺨﺸﺏ
ﹶ
ﻴﻌﻴﺩ ﻟﻨﺎ ﺍﻟﺒﻴﺕ
ﹶ
ﻭﺍﻟﺤﻘل
َ
ﻭﺍﻟﺴﺎﻗﻴﺔ
ﻓﻌﺩﻨﺎ ﻨﻘ ـل ﻜﻑ ﻴﻰ
ﱠﺤ ﺒ
ﻭﺭﺠـل ﻴﻰ
َﺤ
ﻭﻨﺴﺄﻟﻪ ﺒﺎﺴﻡ ﻤﺎ ﻋﻨﺩﻩ ﻤﻥ ﺴﺏ
ﺤ
ﻟﻴﻐﻔﺭ ﻤﺎ ﻴﺩﻋﻴﻪ ﺍﻟﻌﺭﺏ
ِ
ﻭﻴﻤﻨﺤﻨﺎ ﺍﻟﺒﻴﺕ ﻭﺍﻟﺤﻘل ﻭﺍﻟﺴﺎﻗﻴﺔ
َ ﹶ
ﻓﻘﺎل ﺒﺴﺨﺭﻴﺔ ﺍﻟﻔﺎﺘﺤﻴﻥ
ِ
" ﻴﺤﻨﻥ "
ﻭﺭﺩﺩ ﻓﻰ ﻗﻬﻘﻬﺔ :
- 35.
ﺃﻨﺎ ﻜﻨﺕ ﻁﻔﻼ ً
ﹸ
ﻭﻜﺎﻨﺕ ﺒﻬﻴﺔ ُ ﺘﺄﺘﻰ ﺇﻟﻰ
ﹾ
ﺘﺭﺍﻭﺩﻨﻰ ﻋﻥ ﺩﻤﻰ
ﺜﻡ ﺘﻤﻨﺤﻨﻰ ﺒﺴﻤﺘﻴﻥ
ﻭﺘﺄﺘﻰ ﻤﻌﻰ ﻟﻠﺤﻘﻭل ِ
ﺃﺤﺎﻭل ﺭﺸﻭﺘﻬﺎ ﺒﺎﻟﺴﻨﺎﺒل ِ
ُ
ﺤﺘ ﱠﻰ ﺃﻗ ـﻠﻬﺎ
ـ ﺒ
ﻓﺘﻁﻴﻊ
ﻭﺘﻤﻨﺤﻨﻰ ﺴﻨﺘﻴﻥ
ﺒﻬﻴﺔ ُ ﻜﺎﻨﺕ ﺠﻤﻴﻠﺔ ْ
ﺒﻬﻴﺔ ُ ﻜﺎﻨﺕ ...
ﹾ
ﻭﻁﻥ
ﻭﻜﺎﻨﺕ ﺒﻬﻴﺔ ْ
ﹾ
ﻭﻟﻜﻨﻬﺎ ﻟﻡ ﺘﻌﺩ ﻫﺫﻩ ﺍﻟﺒﻨﺕ
ﹸ
ﻟﻭ ﻀﺤﻜﺕ ﺘﺘﻭﺭﺩ
ﹾ
ﻫﻰ ﺍﻵﻥ ﻗﺼﺕ ﻀﻔﻴﺭ ﹶﻬﺎ
ﺘ ﹾ
ﺇﻥ ﺸﻌ ﺒﻬﻴﺔ َ ﻴﻤـﺘﺩ ﻜﺎﻟﻨﻴل ِ
ﹶ ﺭ
- 36. ﻟﻜﻥ ﻨﻴل ﺒﻬﻴﺔ َ ﻜﻴﻑ ﺘﺠﻤﺩ
ﹶ َ
ﺒﻬﻴﺔ ُ ﺒﺎﻋﺕ ﺤﺩﻴﻘ ﹶﻬﺎ
ﺘ ﹾ
ﻭﺍﻟﻌﺼﺎﻓﻴﺭ ﺒﺎﻋﺕ ﻋﺫﻭﺒ ﹶﻬﺎ
ﺘ
ﻋﻨﺩﻤﺎ ﺼﻭﺕ ﻴﺎﺴ ﻥ ﻓﻴﻬﺎ ﺘﺒﻠـﺩ
ﱠ ﹸ ﻴ
ﻭﺤﺘﻰ ﻋﻴﻭﻥ ﺒﻬﻴﺔ َ ﻟﻴﺴﺕ ﹶﺭﻯ
ﹾﺘ
ﺇﻨﻬﺎ ﻟﻡ ﺘﻌﺩ ﺘﺘﻜﺤل ﻓﻰ ﺼﻭﺕ ﻋﻴﺴﻰ
ِ ُ
ﻭﺼﻭﺕ ﻤﺤﻤﺩ
ِ
ﺒﻬﻴﺔ ُﻻ ﺘﻜﺘﺏ ﺍﻟ ﱢﻌﺭ
ﺸ
ﻻ ﺘﻘﺭﺃ ﺍﻟ ﱢﻌﺭ
ﺸ
ﻫﻡ ﺃﺨﺒﺭﻭﻫﺎ ﺒﺄﻥ ﺍﺭﺘﻜﺎﺏ ﺍﻟﻘﺼﻴﺩﺓ
ِ
ﻴﻌﻨﻰ ﺍﺭﺘﻜﺎﺏ ﺍﻟﺠﺭﻴﻤﺔ ْ
ﻭﻫﻡ ﺃﺨﺒﺭﻭﻫﺎ
ﺒﺄﻥ ﺍﺭﺘﻜﺎﺏ ﺍﻟﺤﻘﻴﻘﺔ ﻤﻌﺭﺍ ﻨﺎ ﻟﻠﻬﺯﻴﻤﺔ ْ
ﺠ ِ
ﺒﻬﻴﺔ ُ ﻟﻴﺴﺕ ﺘﺠﻴﺩ ﺍﻟﺼﻼﺓ
ﹶ ﹾ
ﻭﺘﻔﻁﺭ ﻓﻰ ﺭﻤﻀﺎﻥ
ﻭﺘﻘﺴﻡ ﺃﻥ ﺍﺘﺒﺎﻉ ﺍﻟﻔﻭﺍﺯﻴﺭ ﺸﺭﻋﺔ ْ
ِ
ﻭﺘﻘﺴﻡ ﻓﻰ ﺍﻟﺤﺞ
ﺃﻥ ﺯﻴﺎﺭﺓ ﻗﺒﺭ ﻤﺤﻤﺩ ِﺒﺩﻋﺔ ْ
ﹶ
- 37. ﻭﺃﻥ ﺍﻟﻭﻗﻭﻑ ﺤﺭﺍﻡ ﻋﻠﻰ ﻋﺭﻓﺎﺕ
ﹾ ٌ ﹶ
ﺒﻬﻴﺔ ُ ﻟﻡ ﺘﻌﺘﺭﻑ ﺒﺨﻴﻭل ِﺃﺒﻰ ﺒﻜﺭ
ﹾ
ﻗﺎﻟﺕ ...
ﹾ
ﻟﻘﺩ ﺒﻁ ﺍﺒﻥ ﺍﻟﻭﻟﻴﺩ ﻫﻨﺎ
ﻀ
ﻴﺘﺤﺭﺵ ﺒﺎﻟﻔﺘﻴﺎﺕ
ِ ﹸ
ﻭﻗﺎﻟﺕ ...
ﹾ
ﻟﻘﺩ ﺒﻁ ﺍﺒﻥ ﺯﻴﺎﺩ ﻴﺒﻴﻊ ﺍﻟﺤﺸﻴﺵ
ﹶ ٍ ﻀ
ﻭﻋﻘﺒﺔ ُﻤﺘﻬﻡ ﺒﺘﻌﺎﻁﻰ ﺍﻟﺤﺒﻭﺏ
ٌ
ﻭﻗﺎﻟﺕ ﺒﺄﻥ ﺼﻼﺡ
ﹾ
ﻴﻤﺜل ﺃﻓﻼﻡ " ﺒﻭﺭﻨﻭ " ﺒﺘل ﺃﺒﻴﺏ
ُ
ﺒﻬﻴﺔ ُ ﻟﻤﺎ ﺩﻨﺕ ﺃﻭﺩﻨﺕ
ﹾ ﹾ
ﻭﻟﻤﺎ ﻠـﺕ ﺃﻭﺤﻠﺕ
ﹾ ﺤ َ ﹾ
ﻭﻟﻤﺎ ﻜﺴﺕ ﺃﻭﻜﺴﺕ
ﹾ ﹶ ﹾ
ﻭﻟﻤﺎ ﹶـﻠﺕ ﺃﻭ ﹶـﻠﺕ
ﻏ ﹾ ﻏ ﹾ
ﻭﻟﻤﺎ ﺴﺨﺕ ﺃﻭﺴﺨﺕ
ﹾ ﹶ ﹾ
ﺒﻬﻴﺔ ُﻴﺎ ﺃﺭﻭﻉ ﺍﻟﻅﺎﻟﻤﻴﻥ
ﺘﻐﻴﺒﻴﻥ ﻋﻨﻰ
ﻭﺘﻜﺴﻭ ﺍﻷﻤﺎﻨﻰ ﺜﻴﺎﺏ ﺍﻟﻀﺒﺎﺏ
- 38. ﻭﻴﺠﺭﻯ ﻓﺅﺍﺩﻯ ﺒﺸﻭﻕ ٍ ﺇﻟﻴﻙ
ِ
ﻜﻁﻔل ٍ
ﻭﻴﺭﻓﻊ ﻁﺭﻑ ﺍﻟﺜﻴﺎﺏ
ﹶ
ﻴﻤﺩ ﻴﺩﻴﻪ ..
ِ
ﻴﺤﺎﻭل
ُ
ﻟﻜﻥ ﻴﺤﻭل ﺍﻟﻀﺒﺎﺏ
ُ
ﻴﻤﺩ ﻴﺩﻴﻪ ...
ِ
ﻴﺤﺎﻭل
ُ
ﻟﻜﻥ ﻴﺤﻭل ﺍﻟﻀﺒﺎﺏ
ُ
ﺒﺭﻏﻡ ِ ﺍﻟﻀﺒﺎﺏ
ﻓﺅﺍﺩﻙ ﻭﺍﻭ
ٌ
ﻭﻁﺎﺀ
ٌ
ﻭﻨﻭﻥ
ٌ
ﻭﻴﺎﺀ ﺍﻨﺘﺴﺎﺏ
- 39.
ﻟﻡ ﻴﻌﺩ ﺭﺍﺌﻌﺎ ﺃﻥ ﺃﺤﺒﻙ
ﻟﻡ ﻴﻌﺩ ﺭﺍﺌﻌﺎ ...
ﻤﻨﺫ ﻓ ﻭﺍ ﺒﻜﺎﺭﺓ ﻟﻴﺒﻴﺎ
ﻀ
ﻭﻗ ﻭﺍ ﻀﻔﺎﺌﺭ ﺒﻐﺩﺍﺩ
ﺼ
ﻭﺍﻨﺘﺤﺭ ﺍﻟﻘﺩﺱ ﻓﻰ ﻨﺒﺽ ﻗﻠﺒﻙ
ﻟﻡ ﻴﻌﺩ ﺭﺍﺌﻌﺎ ً ﺃﻥ ﺃﺤﺒﻙ
ﺤﻴﻥ ﺼﺎﺭﺕ ﺨﺭﻴﻁﺘﻨﺎ ...
ﻭﺭﻕ ﺍﻟﺘﻭﺕ
ِ
ﺘﺴﺘﺭ ﺃﻟﻑ ﺒﻐﻰ
ﻟﻡ ﻴﻌﺩ ﺭﺍﺌﻌﺎ ﻓﻴﻙ ...
ﺃﻥ ﺘﺘﻘﻤﺹ ﺩﻭﺭ ﺍﻟﻨﺒﻰ
ﻟﻡ ﻴﻌﺩ ﺭﺍﺌﻌﺎ ...
ﺃﻥ ﺃﺴﻤﻴﻙ
ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﺒﺭﺒﺭﻯ
ﻭﻁﻨﻰ ﺍﻟﻌﺭﺒﻰ
ﺃﻨﺕ ﻴﺎ ﻭﺍﺤﺩﺍ ﺘﺴﺘﺒﺎﺡ ﺒﻨﺎﺘﻙ
ﻟﻡ ﻴﻌﺩ ﺭﺍﺌﻌﺎ ﺃﻥ ﺃﻤﺭﻍ ﺨﺩﻯ ﻋﻠﻰ ﻋﺘﺒﺎﺘﻙ
- 40. ﺃﻨﺕ ﻴﺎ ﻭﺍﺤﺩﺍ
ﺒﻌﺕ ﺃﺭﻀﻙ
ﹶ
ﻋﺭﻀﻙ .. ﺒﻌﺕ ﺍﻟﻤﺴﻴﺢ
ﹶ
ﻭﺒﻌﺕ ﻤﺤﻤﺩ
ﹶ
ﺒﻌﺕ ﺼﻼﺘﻙ
ﹶ
ﻟﻡ ﻴﻌﺩ ﺭﺍﺌﻌﺎ ﺃﻥ ﺃﻋﻴﺵ ﻤﻤﺎﺘﻙ
ﻟﻡ ﻴﻌﺩ ﺭﺍﺌﻌﺎ
ﹰ
ﻟﻡ ﻴﻌﺩ ...
- 41.
ﺃﺤﺎﻭل ﻤــــ ﺓ
ﺭ ُ
ﺃﺤﺎﻭل ﻋﺸﺭﻴﻥ ﻤ ﺓ
ﺭ ُ
ﺃﺤﺎﻭل ﻟﻠﻤﺭﺓ ﺍﻷﻟﻑ ﺃﻥ ﺃﻓﻬﻤﻙ
ِ ِ
ﻟﻤﺎﺫﺍ ﺘﺤﻭﻟﺕ ﻤﺜل ﺍﻟﻤﻭﺍﺠﻊ ِ
ِ
ﻜﺎﻟﻤﻠﺢ ِ ...
ﻜﺎﻟﺠﺭﺡ ِ...
ﻜﺎﻟﺼﺒﺭ ِ ــﺭﺓ
ﹾ ﻤ
ﺃﻨﺎ ﻜﻨﺕ ﻤﺜل ﺍﻟﺘﻼﻤﻴﺫ ﺃﻗﺭﺃ ﻭﺠ ـﻙ
ﻬ ِ ِ ﹸ
ﻜﻰ ﺃﺘﻌﻠـــﻡ
ﻭﻜﻨﺕ ﺃﺭﺘل ﻭﻗﺕ ﺤﻀﻭﺭﻙ ﺴﻭﺭﺓ ﻤﺭﻴﻡ
ﹶ ِ ﹶ ُ ﹸ
ﻓﻜﻴﻑ ﺭﺃﻴﺕ ﺍﻟﺭﺤﻴل ﻁﺭﻴﻘﺎ ؟!
َ ِ ﹶ
ﻭﻜﻴﻑ ﺃﺭﺩﺕ ﺍﻟﺨﺭﻭﺝ ﺒﻐﻴﺭ ﺩ ِـﻙ ؟!
ﻤ ِ ﹶ
ﺃﻨﺎ ﻓﻰ ﻋﻴﻭﻨﻙ ﻤﺎ ﺯﻟﺕ ﺃﻜﺘﺏ ِﻌﺭﺍ
ﺸ ﹸ ِ
ﻭﻓﻰ ﻟﻤﺴﺎﺘﻙ ﹶـﻔﻰ ﺘﻜﻠــﻡ
ِﻜ
ﺒﻐﻴﺭﻙ ﻻ ﺃﺴﺘﻁﻴﻊ ﺍﻟﺤﻴﺎﺓ
ِ
ﻓﻜﻴﻑ ﺘﺼﺢ ﺍﻟﺼﻼﺓ
ﹶ
ﻭﻻ ﻤﺎﺀ ﻋﻨﺩﻯ
- 42. ﻭﻻ ﺃﺘﻴـﻤﻡ ؟!
ﺃﻨﺎ ﺭ ـل ﺃﺴﺘﻁﻴﻊ ﺍﺨﺘﺼﺎﺭ ﺍﻟﻤﺴﺎﻓﺔ
ِ ﺠ ٌ
ﺒﻴﻨﻰ ِ ﻭﺒﻴﻥ ﺍﻟﻨﺴـــﺎﺀ
ﻭﺤﻴﻥ ﺃﻗﻭل ﺍﻟﻘﺼﻴﺩﺓ ﻓﻰ ﺍﻤﺭﺃﺓ ﺃﺒﺘﻐﻴﻬﺎ
ٍ ُ
ﻭﻓﻰ ﺸﻔﺔ ﺃﺸﺘﻬﻴﻬﺎ
ٍ
ﻓﻼ ﻓﺭﻕ ﺒﻴﻥ ﻜﻼﻡ ِ ﺍﻟﻘﺼﻴﺩﺓ ﻋﻨﺩﻯ
ِ ﹶ
ﻭﺒﻴﻥ ﺍﻟﺩﻤﺎﺀ ...
ﺃﻨﺎ ﺃﺴﺘﻁﻴﻊ ﻋﻠﻰ ﺸﻔﺘﻴﻙ
ِ
ﺒﺄﻥ ﺃﺒﻌﺙ ﺍﻟﺸﻤﺱ
ﻤﻥ ﺭﻋﺸﺎﺕ ﺍﻟ ﱢـﺘﺎﺀ
ِ ﺸ
ﺇﺫﻥ ﻻ ﺘﻘﻭﻟﻰ ﺍﻟﻭﺩﺍﻉ
ﻭﻗﻭﻟﻰ ﺇﺫﺍ ﺸﺌﺕ ﻤﺎ ﺸﺌﺕ ﻗﻭﻟﻰ
ِ ِ
ﺃﺼﺩﻕ ﻟﻭ ﻗﻠﺕ ﻟﻰ
ﹸ
ﺃﻥ ﺴﺎﻗﻴﻙ ﻤﺠﺩ ﺍﻟﻌﺭﺏ
ِ
ﺃﻭﺍﻓﻕ ﻟﻭ ﻗﻠﺕ
ِ ﹸ
ﺃﻨﻙ ﻓﺎﻫﻤﺔ ٌ ﻤﺎ ﻴﺠﻭﺯ ﻭﻤﺎ ﻻ ﻴﺠﺏ
ِ ِ
ﻭﺃﻨﻙ ﺘﻠﻤﻴﺫﺓ ٌ ﻓﻰ ﺍﻟ ِـﺭﺍﺵ ِ
ﻔ
ﻭﺃﻨﻰ ﻗﻠﻴـل ﺍﻷﺩﺏ ...
ُ
- 43. ﺃﺼﺩﻕ ﻤﺎ ﺘ ﻋﻴﻪ
ﺩ ِ ﹸ
ﺒﺄﻨﻙ ﻟﻡ ﺘﻠﻤﺴﻰ ﺍﻟﻨﺎﺭ ﻓﻰ ﺸﻔﺘﻰ ...
ِ
ﻭﻟﻡ ﺘﻔﻬﻤﻰ
ﻭﻟﻜﻨﻨﻰ ﻻ ﺃﺼﺩﻕ ﺃﻨﻙ .. َ
ﹸ
ﺨﺎﺭﺠﺔ ٌ ﻤﻥ ﺩﻤﻰ
ﻓﻠـﻡ ﺘﻘـْـﺩﺭﻯ ﺒﻌﺩ ..
ﻓﻙ ﺍﺸﺘﺒﺎﻙ ﻨﻬﻭﺩﻙ ..
ِ ِ
ﻓﻰ ﺇﺼﺒﻌﻰ ﺃﻭ ﻓﻤﻰ
ﺇﺫﻥ ﻓﺩﻋﻴﻨﻰ ﺃﺤﺒﻙ ﺤﻴﻥ ﺃﺸﺎﺀ
ِ
ﻭﻜﻴﻑ ﺃﺸﺎﺀ
ﹶ
ﺩﻋﻴﻨﻰ ﺃﻀﻴﻔﻙ ﻋﻤﺭﺍ ﺠﺩﻴﺩﺍ
ِ
ﻭﺃﻜﺘﺏ ﻤﻥ ﺸﻔﺘﻴﻙ ﻜﺘﺎﺏ ﺍﻟﺒﻘﺎﺀ
ِ
ﺩﻋﻴﻨﻰ ...
ﻟﻜﻰ ﺃﻜﺘﺏ ﺍﻟ ﱠﻌﺭ ِــﻌﺭﺍ
ﺸ ﺸ
ً
ﻟﻜﻰ ﺃﺸﺭﺏ ﺍﻟﺜﻐﺭ ﻤـــﺎﺀ
ﺩﻋﻴﻨﻰ
ﻓﻘـْـﺩ ﺃﺴﺘﻁﻴﻊ ﺒﺤﺒﻙ
ِ
ﺘﻐﻴﻴــﺭ ﺸﻜل ﺍﻟﺴﻤـــﺎﺀ
َ
- 44.
ﻻ ﺘﺩﺨﻠﻴﻨﻰ
ﻤﻬﻼ ... ﺍﻨﺘﻅﺭﻯ
ﻟﻥ ﺘﻔﻬﻤﻰ ﺼﺤﻭﻯ
ﻭﻻ ﻤﻁﺭﻯ
ﻀﻤﻰ ﺸﻔﺎ ــﻙ ﻟﻥ ﺃﻗ ﻠ َـﻬﺎ
ﺒـ ِ ﻫ
ﺍﻟﻨﺎﺭ ﻨﺎﺭﻯ ...
ﻓﺎﺤﺫﺭﻯ ﺸﺭﺭﻯ
ﻜل ﺍﻟﻨﺴﺎﺀ ِ ...
ﺘﺭﻴﺩﻨﻰ ﺭﺠﻼ
ﻗ ﺕ ﻗﻤﻴﺼﻰ ...
ﺩ
ﻤﻥ ﻗﺒل ﻭﻤﻥ ﺩﺒﺭ ِ
ﻫﻰ ﺭﺍﻭﺩﺘﻨﻰ ...
ﻭﻻ ﺒﺭﻫﺎﻥ ﻴﻌﺼﻤﻨﻰ
ﻓﻰ ﻜل ﺠﺴــﺩ ﻨﺎﺒﺽ ٍ ﻭﺭﻯ
ﺼ ٍ
ﻓﺘﻤ ـﻠﻰ ...
ﻬ
ﻻ ﺘﺩﺨﻠﻰ ﻤﺩﻨﻰ
ﻟﻥ ﺘﻔﻬﻤﻰ ﺍﻵﻴـــﺎﺕ
ﻓﻰ ــــ ﺭﻯ
ﻭ ﺴ